UPC · Release
Collected Recordings 1986-1993
TISM
5021456082308
88 tracksReleased 1995-01-01Genre B.Goode
Last verified:
5021456082308 is the Universal Product Code (UPC barcode) for the release “Collected Recordings 1986-1993” by TISM, released 1995-01-01 on Genre B.Goode. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 88 tracks, each with its own ISRC.
Format
502GS1 prefix
1456Company prefix
08230Product
8Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCCollected Recordings 1986-1993
ISWC32 works
Track List (88)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mistah Eliot - He Wanker | — | ||
| 2 | A Faceful of Divertamenti | — | ||
| 3 | Kill Yourself Now and Avoid the Rush | — | ||
| 4 | Take Your Love | — | ||
| 5 | Root | — | ||
| 6 | Defecate on My Face (Country version) | — | ||
| 7 | All Ordinaries Index | — | ||
| 8 | I'm Into Led Zep | — | ||
| 9 | The Back Upon Which Jezza Jumped | — | ||
| 10 | (I Think I've Got) Mick Jagger Worked Out | — | ||
| 11 | Gas! Gas! an Ecstasy of Fumbling | — | ||
| 12 | Pus | — | ||
| 13 | Babies Bite Back | — | ||
| 14 | Death Death Death | — | ||
| 15 | If You Want the Toilet, You're in It | — | ||
| 16 | The Art/income Dialectic | — | ||
| 17 | Eckermann Is Very Silly | — | ||
| 18 | Lyric for Jack | — | ||
| 19 | Kill Americans | — | ||
| 20 | untitled - Take your love | — | ||
| 21 | untitled - A tale of two faeces | — | ||
| 2-1 | I'm Interested in Apathy | — | ||
| 2-2 | Saturday Night Palsy | — | ||
| 2-3 | The Mystery of the Artist Explained | — | ||
| 2-4 | If You're Creative, Get Stuffed | — | ||
| 2-5 | 40 Years - Then Death | — | ||
| 2-6 | Anarchy Means Crossing When It Says "Don't Walk" | — | ||
| 2-7 | The Ballad of John Bonham's Coke Roadie | — | ||
| 2-8 | Choose Bad Smack | — | ||
| 2-9 | The Fosters Car Park Boogie | — | ||
| 2-10 | Martin Scorsese Is Really Quite a Jovial Fellow | — | ||
| 2-11 | I Drive a Truck | — | ||
| 2-12 | Defecate on My Face | — | ||
| 2-14 | Volare | — | ||
| 2-15 | The Penis Is Mightier Than the Sword | — | ||
| 2-16 | Slave to the Economist | — | ||
| 2-17 | I Shit Me | — | ||
| 2-18 | Doug Parkinson Sings Christie Allen | — | ||
| 2-19 | Gimme Gimme Nervous Breakdown | — | ||
| 2-20 | The Ballad of the Semitic Nazi | — | ||
| 2-21 | And the Ass Said to the Angel: "Wanna' Play Kick to Kick?" | — | ||
| 2-22 | The Mordialloc Rd. Duplicator | — | ||
| 2-23 | Jack Elliot's Turf Whinge | — | ||
| 2-24 | Ezra Pound-Axe King | — | ||
| 2-25 | Johnny to B. or Not to B. Goode | — | ||
| 2-26 | Morrison Hostel | — | ||
| 2-27 | U2 Brute? | — | ||
| 2-28 | The Judeo-Christian Ethic | — | ||
| 3-1 | The Tism Boat Hire Offer | — | ||
| 3-2 | Existentialtism | — | ||
| 3-3 | They Shoot Heroin, Don't They? | — | ||
| 3-4 | I'll 'Ave Ya | — | ||
| 3-5 | (I'm Gonna Sit Right Down) And Whittle Away My Furniture | — | ||
| 3-6 | Leo's Toltoy | — | ||
| 3-7 | The History of Western Civilisation | — | ||
| 3-8 | I Don't Want TISM I Want a Girlfriend | — | ||
| 3-9 | Get Thee In My Behind, Satan | — | ||
| 3-10 | Let's Club It to Death | — | ||
| 3-11 | Let's Form a Company | — | ||
| 3-12 | Life Kills | — | ||
| 3-13 | Pus of the Dead | — | ||
| 3-14 | It's Novel. It's Unique. It's Shithouse. | — | ||
| 3-15 | The Law of Repulsion After Orgasm | — | ||
| 3-16 | Put Your Dog to Sleep | — | ||
| 3-17 | In Defence of Poetry | — | ||
| 3-18 | Kevin Borich Expressionism | — | ||
| 3-19 | Wham Bam Thank You Imam | — | ||
| 3-20 | The TISM Finance Plan Offer | — | ||
| 3-21 | Man Is Born Free and Everywhere He Is in Changing Rooms | — | ||
| 3-22 | The Love You Take Equals the Love You Make So Baby Let Me Bang Your Box | — | ||
| 4-1 | Michael Jackson's Conveyor Belt | — | ||
| 4-2 | Bishop | — | ||
| 4-3 | Get Thee To A Nunnery | — | ||
| 4-4 | Father And Son | — | ||
| 4-5 | Lillee Caught Dilley Bowled Milli Vanilli | — | ||
| 4-6 | If You're Ugly, Forget It | — | ||
| 4-7 | Mourningtown Ride | — | ||
| 4-8 | Untitled - Loser, Losing, Lost | — | ||
| 4-9 | Lose Your Delusion I | — | ||
| 4-10 | Jesus Pots The White Ball | — | ||
| 4-11 | Mr. Ches Baragwanath - State Auditor General | — | ||
| 4-12 | Never Mind The Bollocks, Here's The House Of Representatives | — | ||
| 4-13 | Recorded by Triple J, 24.1.93, Melbourne Showgrounds | — | ||
| 4-14 | Australia - The World's Suburb | — | ||
| 4-15 | Consumption Tax | — | ||
| 4-16 | The Ballad of Paul Keating | — | ||
| 4-17 | Subliminal Satanic Message | — | ||
| 4-18 | State Schools Are Great Schools | — |
Mistah Eliot - He Wanker
—
A Faceful of Divertamenti
—
Kill Yourself Now and Avoid the Rush
—
Take Your Love
—
Root
—
Defecate on My Face (Country version)
—
All Ordinaries Index
—
I'm Into Led Zep
—
The Back Upon Which Jezza Jumped
—
(I Think I've Got) Mick Jagger Worked Out
—
Gas! Gas! an Ecstasy of Fumbling
—
Pus
—
Babies Bite Back
—
Death Death Death
—
If You Want the Toilet, You're in It
—
The Art/income Dialectic
—
Eckermann Is Very Silly
—
Lyric for Jack
—
Kill Americans
—
untitled - Take your love
—
untitled - A tale of two faeces
—
I'm Interested in Apathy
—
Saturday Night Palsy
—
The Mystery of the Artist Explained
—
If You're Creative, Get Stuffed
—
40 Years - Then Death
—
Anarchy Means Crossing When It Says "Don't Walk"
—
The Ballad of John Bonham's Coke Roadie
—
Choose Bad Smack
—
The Fosters Car Park Boogie
—
Martin Scorsese Is Really Quite a Jovial Fellow
—
I Drive a Truck
—
Defecate on My Face
—
Volare
—
The Penis Is Mightier Than the Sword
—
Slave to the Economist
—
I Shit Me
—
Doug Parkinson Sings Christie Allen
—
Gimme Gimme Nervous Breakdown
—
The Ballad of the Semitic Nazi
—
And the Ass Said to the Angel: "Wanna' Play Kick to Kick?"
—
The Mordialloc Rd. Duplicator
—
Jack Elliot's Turf Whinge
—
Ezra Pound-Axe King
—
Johnny to B. or Not to B. Goode
—
Morrison Hostel
—
U2 Brute?
—
The Judeo-Christian Ethic
—
The Tism Boat Hire Offer
—
Existentialtism
—
They Shoot Heroin, Don't They?
—
I'll 'Ave Ya
—
(I'm Gonna Sit Right Down) And Whittle Away My Furniture
—
Leo's Toltoy
—
The History of Western Civilisation
—
I Don't Want TISM I Want a Girlfriend
—
Get Thee In My Behind, Satan
—
Let's Club It to Death
—
Let's Form a Company
—
Life Kills
—
Pus of the Dead
—
It's Novel. It's Unique. It's Shithouse.
—
The Law of Repulsion After Orgasm
—
Put Your Dog to Sleep
—
In Defence of Poetry
—
Kevin Borich Expressionism
—
Wham Bam Thank You Imam
—
The TISM Finance Plan Offer
—
Man Is Born Free and Everywhere He Is in Changing Rooms
—
The Love You Take Equals the Love You Make So Baby Let Me Bang Your Box
—
Michael Jackson's Conveyor Belt
—
Bishop
—
Get Thee To A Nunnery
—
Father And Son
—
Lillee Caught Dilley Bowled Milli Vanilli
—
If You're Ugly, Forget It
—
Mourningtown Ride
—
Untitled - Loser, Losing, Lost
—
Lose Your Delusion I
—
Jesus Pots The White Ball
—
Mr. Ches Baragwanath - State Auditor General
—
Never Mind The Bollocks, Here's The House Of Representatives
—
Recorded by Triple J, 24.1.93, Melbourne Showgrounds
—
Australia - The World's Suburb
—
Consumption Tax
—
The Ballad of Paul Keating
—
Subliminal Satanic Message
—
State Schools Are Great Schools
—
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
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Verified on
What is UPC 5021456082308?
5021456082308 is a Universal Product Code (UPC) assigned to Collected Recordings 1986-1993 by TISM. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 88 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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