UPC · Release
Louie Knuxx
Last verified:
5021456135752 is the Universal Product Code (UPC barcode) for the release “Wasted Youth” by Louie Knuxx, released 2006-05-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include NZBW00600001, NZBW00600002, NZBW00600003.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Louie Knuxx vs. Ghandi | Louie Knuxx | T0608790120 | |
| 2 | They Call Me | Louie Knuxx | T0611063810 | |
| 3 | Fly | Louie Knuxx | T0608471879 | |
| 4 | Drink Myself Sober | Louie Knuxx | T0608233040 | |
| 5 | Don’t Cry for Louie | Louie Knuxx | — | |
| 6 | We’re Back God | Louie Knuxx, PNC | T0608233095 | |
| 7 | NP Till We Die | Louie Knuxx | T0608470627 | |
| 8 | I Gets Gully | Louie Knuxx | T0608233051 | |
| 9 | What I Do | Louie Knuxx, Con-Psy | T0608471891 | |
| 10 | Broke as Fukk | Louie Knuxx, Dirtcity, Astra | — | |
| 11 | Uff That Ish | Louie Knuxx, Cyphanetik | — | |
| 12 | That’s Good Feeling | Louie Knuxx, The Usual Suspects | — | |
| 13 | I See the Good in You | Louie Knuxx, Maia Rata | T0608471868 | |
| 14 | Wasted Youth | Louie Knuxx | T0608471880 | |
| 15 | Keep Steppin (spoken word) | Louie Knuxx | — | |
| 16 | Lose Ya Body | Louie Knuxx, Tourettes | T0608233062 | |
| 17 | Melancholy | Louie Knuxx, Maia Rata | T0608233073 | |
| 18 | Comedy Hour | Louie Knuxx | — |
Identifier Graph
5021456135752 is a Universal Product Code (UPC) assigned to Wasted Youth by Louie Knuxx. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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