UPC · Release
Passionen / Arias
Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra
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5021732263032 is the Universal Product Code (UPC barcode) for the release “Passionen / Arias” by Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra, released 2024-04-04. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 29 tracks, each with its own ISRC. Tracks include FRZ209202312, FRZ209202314, FRZ209202323.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (29)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Matthäus Passion, BWV 244: Prima parte. VI. Aria „Buss’ und Reu’“ (Alto) | Kai Wessel, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 2 | Matthäus Passion, BWV 244: Prima parte. VIII. Aria „Blute nur, du liebes Herz!“ (Soprano) | Barbara Schlick, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 3 | Matthäus Passion, BWV 244: Prima parte. XIII. Aria „Ich will dir mein Herz schenken“ (Soprano) | Barbara Schlick, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 4 | Matthäus Passion, BWV 244: Prima parte. XX. Aria „Ich will bei meinem Jesu wachen“ (Tenore, Chorus II) | Christoph Prégardien, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 5 | Matthäus Passion, BWV 244: Prima parte. XXIII. Aria „Gerne will ich mich bequemen“ (Basso) | Klaus Mertens, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 6 | Matthäus Passion, BWV 244: Seconda parte. XXX. Aria „Ach, nun ist mein Jesus hin!“ (Alto, Chorus II) | De Nederlandse Bachvereniging, Kai Wessel, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 7 | Matthäus Passion, BWV 244: Seconda parte. XXXV. Aria „Geduld!“ (Tenore) | Christoph Prégardien, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 8 | Matthäus Passion, BWV 244: Seconda parte. XXXIX. Aria „Erbarme dich“ (Alto) | Kai Wessel, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 9 | Matthäus Passion, BWV 244: Seconda parte. XLII. Aria „Gebt mir meinen Jesum wieder“ (Basso) | Klaus Mertens, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 10 | Matthäus Passion, BWV 244: Seconda parte. XLIX. Aria „Aus Liebe will mein Heiland sterben!“ (Soprano) | Barbara Schlick, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 11 | Matthäus Passion, BWV 244: Seconda parte. LII. Aria „Können Tränen meinen Wangen“ (Alto) | Kai Wessel, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 12 | Matthäus Passion, BWV 244: Seconda parte. LVII. Aria „Komm süßes Kreuz, so will ich sagen“ (Basso) | Klaus Mertens, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 13 | Matthäus Passion, BWV 244: Seconda parte. LX. Aria „Sehet, Jesus hat die Hand“ (Alto, Chorus II) | Kai Wessel, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 14 | Matthäus Passion, BWV 244: Seconda parte. LXV. Aria „Mache dich, mein Herze, rein“ (Basso) | Klaus Mertens, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 15 | Johannes Passion, BWV245: 11 Arie (Alt) - Von den Stricken meiner Sünden | Kai Wessel, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 16 | Johannes Passion, BWV245: 13 Arie (Sopran) - Ich folge dir gleichfalls mit freudigen Schritten | Barbara Schlick, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 17 | Johannes Passion, BWV245: 19 Arie (Tenor) - Ach, mein Sinn, wo willt du endlich hin | Gerd Türk, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 18 | Johannes Passion, BWV245: 31 Arioso (Bass) - Betrachte, meine Seel', mit ängstlichem Vergnügen | Klaus Mertens, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 19 | Johannes Passion, BWV245: 32 Arie (Tenor) - Erwäge, wie sein blutgefärbter Rücken | Gerd Türk, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 20 | Johannes Passion, BWV245: 48. Eilt, ihr angefocht'nen Seelen | Klaus Mertens, De Nederlandse Bachvereniging, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 21 | Johannes Passion, BWV245: 58. Alt - Es ist vollbracht - Der Held aus Juda siegt mit Macht | Kai Wessel, Amsterdam Baroque Orchestra, Ton Koopman | T-915.681.108-4 | |
| 22 | Johannes Passion, BWV245: 60. Bass - Mein teurer Heiland, lass dich fragen | Klaus Mertens, De Nederlandse Bachvereniging, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 23 | Johannes Passion, BWV245: 62. Tenor - Mein Herz! in dem die ganze Welt | Gerd Türk, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 24 | Johannes Passion, BWV245: 63. Sopran -Zerfliesse, mein Herze, in Fluten der Zähren | Barbara Schlick, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 25 | Markus-Passion, BWV 247: Nr. 13 Aria, Bass: Mein Heyland, Dich Vergeß Ich Nicht | Paul Mertens, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 26 | Markus-Passion, BWV 247: Nr. 23 Aria, Tenor: Falsche Welt, Dein Schmeichelnd Küssen | Paul Agnew, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 27 | Markus-Passion, BWV 247: Nr. 28 Aria, Bass: Mein Tröster Ist Nicht Mehr Bey Mir | Paul Mertens, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 28 | Markus-Passion, BWV 247: Nr. 40 Aria, Tenor: Zerschmettert Mich, Ihr Felsen Und Ihr Hügel | Paul Agnew, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 29 | Markus-Passion, BWV 247: Nr. 45 Aria, Alto: Angenehmes Mord-Geschrey! | Bernhard Landauer, Amsterdam Baroque Orchestra, Ton Koopman | — |
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What is UPC 5021732263032?
5021732263032 is a Universal Product Code (UPC) assigned to Passionen / Arias by Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 29 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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