UPC · Release
Ludwig van Beethoven, Martha Argerich
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The UPC for “Martha Argerich Plays Beethoven” by Ludwig van Beethoven, Martha Argerich is 5021732339669. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2024-05-03. This release contains 31 tracks, each with its own ISRC. Tracks include CH8291800783, CH8291800784, CH8291800785.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: I. Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 2 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 1: Variation I | Martha Argerich, Mischa Maisky | — | |
| 3 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: III. Variation II | Martha Argerich, Mischa Maisky | — | |
| 4 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: IV. Variation III | Martha Argerich, Mischa Maisky | — | |
| 5 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 4: Variation IV | Martha Argerich, Mischa Maisky | — | |
| 6 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: VI. Variation V | Martha Argerich, Mischa Maisky | — | |
| 7 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: VII. Variation VI | Martha Argerich, Mischa Maisky | — | |
| 8 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Variation VII | Martha Argerich, Mischa Maisky | — | |
| 9 | Piano Quartet in C major, Wo036 No. 3: I. Allegro vivace | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 10 | Piano Quartet in C major, Wo036 No. 3: II. Adagio con espressione | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 11 | Piano Quartet in C major, Wo036 No. 3: III. Finale: Allegro | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 12 | Symphony no. 6 in F, op. 68 “Pastoral” I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande.: Allegro ma non troppo | Martha Argerich, Theodosia Ntokou | — | |
| 13 | Symphony no. 6 in F, op. 68 “Pastoral” II. Szene am Bach.: Andante molto moto | Martha Argerich, Theodosia Ntokou | — | |
| 14 | Symphony no. 6 in F, op. 68 “Pastoral” III. Lustiges Zusammensein der Landleute.: Allegro | Martha Argerich, Theodosia Ntokou | — | |
| 15 | Symphony no. 6 in F, op. 68 “Pastoral” IV. Gewitter. Sturm.: Allegro | Martha Argerich, Theodosia Ntokou | — | |
| 16 | Symphony no. 6 in F, op. 68 “Pastoral” V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm.: Allegretto | Martha Argerich, Theodosia Ntokou | — | |
| 17 | Concerto for Piano, Violin, and Cello in C major, op. 56 "Triple": I. Allegro | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Александр Рабинович-Бараковский | — | |
| 18 | Concerto for Piano, Violin, and Cello in C major, op. 56 “Triple Concerto”: II. Largo | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Alexander Rabinovitch-Barakovsky | — | |
| 19 | Concerto for Piano, Violin, and Cello in C major, op. 56 "Triple": III. Rondo alla polacca | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Александр Рабинович-Бараковский | — | |
| 20 | Cello Sonata no. 2 in G minor, op. 5, no. 2: I. Adagio sostenuto ed expressivo | Martha Argerich, Mischa Maisky | — | |
| 21 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I-ii. Allegro molto più tosto presto | Martha Argerich, Mischa Maisky | — | |
| 22 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Martha Argerich, Mischa Maisky | — | |
| 23 | Beethoven: Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello & piano: I. Allegro con brio | Martha Argerich, Marek Denemark, Mark Drobinsky | — | |
| 24 | Beethoven: Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello & piano: II. Adagio con espressione | Martha Argerich, Marek Denemark, Mark Drobinsky | — | |
| 25 | Beethoven: Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello & piano: III. Tema con variazioni | Martha Argerich, Marek Denemark, Mark Drobinsky | — | |
| 26 | Violin Sonata no. 8 in G, op. 30 no. 3: I. Allegro assai | Martha Argerich, Renaud Capuçon | — | |
| 27 | Violin Sonata no. 8 in G, op. 30 no. 3: II. Tempo di menuetto, ma molto moderato e grazioso | Martha Argerich, Renaud Capuçon | — | |
| 28 | Violin Sonata No. 8 in G Major, Op. 30 No. 3: III. Allegro vivace (Live) | Martha Argerich, Renaud Capuçon | — | |
| 29 | Piano Trio in D major, Op. 70, No. 1 "Ghost": I. Allegro vivace e con brio | Martha Argerich, Renaud Capuçon, Mischa Maisky | — | |
| 30 | Trio avec piano en ré majeur, op. 70 no. 1 « des esprits » : II. Largo assai ed espressivo | Martha Argerich, Renaud Capuçon, Mischa Maisky | — | |
| 31 | Piano Trio in D major, Op. 70, No. 1 "Ghost": III. Presto | Martha Argerich, Renaud Capuçon, Mischa Maisky | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5021732339669 is a Universal Product Code (UPC) assigned to Martha Argerich Plays Beethoven by Ludwig van Beethoven, Martha Argerich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 31 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Martha Argerich, Mischa Maisky | — |
| Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I-i. Adagio sostenuto e espressivo | Martha Argerich, Mischa Maisky | — |
| Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I-ii. Allegro molto più tosto presto | Martha Argerich, Mischa Maisky | — |
| Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Martha Argerich, Mischa Maisky | T-800.132.125-2 |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 1: Variation I | Martha Argerich, Mischa Maisky | — |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 3: Variation III | Martha Argerich, Mischa Maisky | — |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 4: Variation IV | Martha Argerich, Mischa Maisky | — |
The UPC for “Martha Argerich Plays Beethoven” by Ludwig van Beethoven, Martha Argerich is 5021732339669. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2024-05-03. This release contains 31 tracks, each with its own ISRC. Tracks include CH8291800783, CH8291800784, CH8291800785.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: I. Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 2 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 1: Variation I | Martha Argerich, Mischa Maisky | — | |
| 3 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: III. Variation II | Martha Argerich, Mischa Maisky | — | |
| 4 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: IV. Variation III | Martha Argerich, Mischa Maisky | — | |
| 5 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 4: Variation IV | Martha Argerich, Mischa Maisky | — | |
| 6 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: VI. Variation V | Martha Argerich, Mischa Maisky | — | |
| 7 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: VII. Variation VI | Martha Argerich, Mischa Maisky | — | |
| 8 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Variation VII | Martha Argerich, Mischa Maisky | — | |
| 9 | Piano Quartet in C major, Wo036 No. 3: I. Allegro vivace | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 10 | Piano Quartet in C major, Wo036 No. 3: II. Adagio con espressione | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 11 | Piano Quartet in C major, Wo036 No. 3: III. Finale: Allegro | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 12 | Symphony no. 6 in F, op. 68 “Pastoral” I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande.: Allegro ma non troppo | Martha Argerich, Theodosia Ntokou | — | |
| 13 | Symphony no. 6 in F, op. 68 “Pastoral” II. Szene am Bach.: Andante molto moto | Martha Argerich, Theodosia Ntokou | — | |
| 14 | Symphony no. 6 in F, op. 68 “Pastoral” III. Lustiges Zusammensein der Landleute.: Allegro | Martha Argerich, Theodosia Ntokou | — | |
| 15 | Symphony no. 6 in F, op. 68 “Pastoral” IV. Gewitter. Sturm.: Allegro | Martha Argerich, Theodosia Ntokou | — | |
| 16 | Symphony no. 6 in F, op. 68 “Pastoral” V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm.: Allegretto | Martha Argerich, Theodosia Ntokou | — | |
| 17 | Concerto for Piano, Violin, and Cello in C major, op. 56 "Triple": I. Allegro | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Александр Рабинович-Бараковский | — | |
| 18 | Concerto for Piano, Violin, and Cello in C major, op. 56 “Triple Concerto”: II. Largo | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Alexander Rabinovitch-Barakovsky | — | |
| 19 | Concerto for Piano, Violin, and Cello in C major, op. 56 "Triple": III. Rondo alla polacca | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Александр Рабинович-Бараковский | — | |
| 20 | Cello Sonata no. 2 in G minor, op. 5, no. 2: I. Adagio sostenuto ed expressivo | Martha Argerich, Mischa Maisky | — | |
| 21 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I-ii. Allegro molto più tosto presto | Martha Argerich, Mischa Maisky | — | |
| 22 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Martha Argerich, Mischa Maisky | — | |
| 23 | Beethoven: Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello & piano: I. Allegro con brio | Martha Argerich, Marek Denemark, Mark Drobinsky | — | |
| 24 | Beethoven: Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello & piano: II. Adagio con espressione | Martha Argerich, Marek Denemark, Mark Drobinsky | — | |
| 25 | Beethoven: Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello & piano: III. Tema con variazioni | Martha Argerich, Marek Denemark, Mark Drobinsky | — | |
| 26 | Violin Sonata no. 8 in G, op. 30 no. 3: I. Allegro assai | Martha Argerich, Renaud Capuçon | — | |
| 27 | Violin Sonata no. 8 in G, op. 30 no. 3: II. Tempo di menuetto, ma molto moderato e grazioso | Martha Argerich, Renaud Capuçon | — | |
| 28 | Violin Sonata No. 8 in G Major, Op. 30 No. 3: III. Allegro vivace (Live) | Martha Argerich, Renaud Capuçon | — | |
| 29 | Piano Trio in D major, Op. 70, No. 1 "Ghost": I. Allegro vivace e con brio | Martha Argerich, Renaud Capuçon, Mischa Maisky | — | |
| 30 | Trio avec piano en ré majeur, op. 70 no. 1 « des esprits » : II. Largo assai ed espressivo | Martha Argerich, Renaud Capuçon, Mischa Maisky | — | |
| 31 | Piano Trio in D major, Op. 70, No. 1 "Ghost": III. Presto | Martha Argerich, Renaud Capuçon, Mischa Maisky | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Martha Argerich, Mischa Maisky | — |
| Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I-i. Adagio sostenuto e espressivo | Martha Argerich, Mischa Maisky | — |
| Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I-ii. Allegro molto più tosto presto | Martha Argerich, Mischa Maisky | — |
| Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Martha Argerich, Mischa Maisky | T-800.132.125-2 |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 1: Variation I | Martha Argerich, Mischa Maisky | — |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 3: Variation III | Martha Argerich, Mischa Maisky | — |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 4: Variation IV | Martha Argerich, Mischa Maisky | — |
