UPC · Release
George Frideric Handel, Henry Purcell, Ton Koopman
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The UPC for “Handel & Purcell” by George Frideric Handel, Henry Purcell, Ton Koopman is 5021732367952. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 47 tracks, each with its own ISRC. Tracks include FRZ209423601, FRZ209423602, FRZ209423603.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Water Music, Suite No. 1 in F Major, HWV 348: I. Overture | — | ||
| 2 | Water Music, Suite No. 1 in F Major, HWV 348: II. Adagio e staccato | — | ||
| 3 | Water Music, Suite No. 1 in F Major, HWV 348: III. Allegro - Andante | — | ||
| 4 | Water Music, Suite No. 1 in F Major, HWV 348: IV. Minuet | — | ||
| 5 | Water Music, Suite No. 1 in F Major, HWV 348: V. Air | — | ||
| 6 | Water Music, Suite No. 1 in F Major, HWV 348: VI. Minuet | — | ||
| 7 | Water Music, Suite No. 1 in F Major, HWV 348: VII. Bourrée | — | ||
| 8 | Water Music, Suite No. 1 in F Major, HWV 348: VIII. Hornpipe | — | ||
| 9 | Water Music, Suite No. 1 in F Major, HWV 348: IX. Allegro moderato | — | ||
| 10 | Water Music, Suite No. 1 in F Major, HWV 348: X. Allegro | — | ||
| 11 | Water Music, Suite No. 1 in F Major, HWV 348: XI. Alla Hornpipe | — | ||
| 12 | Messiah, HWV 56, Pt. 1: Sinfonia | — | ||
| 13 | Messiah, HWV 56, Pt. 1: Aria. “But Who May Abide” | — | ||
| 14 | Messiah, HWV 56, Pt. 1: Aria with Choir. “He Shall Feed His Flock” | — | ||
| 15 | Messiah, HWV 56, Pt. 2: Chorus. “All We Like Sheep Have Gone Astray” | — | ||
| 16 | Messiah, HWV 56, Pt. 2: Aria. “Why Do the Nations” | — | ||
| 17 | Messiah, HWV 56, Pt. 2: Chorus. “Hallelujah” | — | ||
| 18 | Messiah, HWV 56, Pt. 3: Duet. “O Death, Where Is Thy Sting?” | — | ||
| 19 | Messiah, HWV 56, Pt. 3: Chorus. “Amen” | — | ||
| 20 | The Fairy Queen: First Music: Prelude | Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 21 | The Fairy Queen: First Music: Hornpipe | Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 22 | The Fairy Queen: Second Music: Air | Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 23 | The Fairy Queen: Second Music: Rondeau | Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 24 | The Fairy Queen: Act I: Overture | Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 25 | The Fairy Queen: Act I: Come, let us leave the town | Els Bongers, Kees Jan de Koning, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 26 | The Fairy Queen: Act II: Echo | Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 27 | The Fairy Queen: Act II: One charming night | Geraint Rogers, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 28 | The Fairy Queen: Act III: Symphony while the swans come forward | Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 29 | The Fairy Queen: Act III: A thousand, thousand ways | Donald Bentvelsen, Marcel Reyans, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 30 | The Fairy Queen: Act IV: Thus the ever grateful spring | Francine van der Heijden, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 31 | The Fairy Queen: Act IV: Fourth act tune | Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 32 | The Fairy Queen: Act V: Thus happy and free | Vera Lansink, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 33 | The Fairy Queen: Act V: Dance for chinese men and women | Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 34 | Organ Concerto in B‐Flat Major, Op. 4 No. 6, HWV 294: I. Andante allegro | — | ||
| 35 | Organ Concerto in B‐Flat Major, Op. 4 No. 6, HWV 294: II. Larghetto | — | ||
| 36 | Organ Concerto in B‐Flat Major, Op. 4 No. 6, HWV 294: III. Allegro moderato | — | ||
| 37 | La Resurrezione, HWV 47, Pt. 1: Sonata | — | ||
| 38 | La Resurrezione, HWV 47, Pt. 1: Aria. “Disserratevi, o porte d’Averno” | — | ||
| 39 | La Resurrezione, HWV 47, Pt. 1: Duetto. “Dolci chiodi, amate spine” | — | ||
| 40 | La Resurrezione, HWV 47, Pt. 1: Aria. “Quando è parto dell’affetto” | — | ||
| 41 | La Resurrezione, HWV 47, Pt. 2: Aria. “Per celare il nuovo scorno” | — | ||
| 42 | La Resurrezione, HWV 47, Pt. 2: Aria. “Del ciglio dolente l’ondosa procella” | — | ||
| 43 | La Resurrezione, HWV 47, Pt. 2: Aria. “Caro Figlio, amato Dio” | — | ||
| 44 | Concerto grosso in A Minor, Op. 6 No. 4, HWV 322: I. Larghetto affectuoso | — | ||
| 45 | Concerto grosso in A Minor, Op. 6 No. 4, HWV 322: II. Allegro | — | ||
| 46 | Concerto grosso in A Minor, Op. 6 No. 4, HWV 322: III. Largo e piano | — | ||
| 47 | Concerto grosso in A Minor, Op. 6 No. 4, HWV 322: IV. Allegro | — |
Identifier Graph
5021732367952 is a Universal Product Code (UPC) assigned to Handel & Purcell by George Frideric Handel, Henry Purcell, Ton Koopman. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 47 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Handel & Purcell” by George Frideric Handel, Henry Purcell, Ton Koopman is 5021732367952. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 47 tracks, each with its own ISRC. Tracks include FRZ209423601, FRZ209423602, FRZ209423603.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Water Music, Suite No. 1 in F Major, HWV 348: I. Overture | — | ||
| 2 | Water Music, Suite No. 1 in F Major, HWV 348: II. Adagio e staccato | — | ||
| 3 | Water Music, Suite No. 1 in F Major, HWV 348: III. Allegro - Andante | — | ||
| 4 | Water Music, Suite No. 1 in F Major, HWV 348: IV. Minuet | — | ||
| 5 | Water Music, Suite No. 1 in F Major, HWV 348: V. Air | — | ||
| 6 | Water Music, Suite No. 1 in F Major, HWV 348: VI. Minuet | — | ||
| 7 | Water Music, Suite No. 1 in F Major, HWV 348: VII. Bourrée | — | ||
| 8 | Water Music, Suite No. 1 in F Major, HWV 348: VIII. Hornpipe | — | ||
| 9 | Water Music, Suite No. 1 in F Major, HWV 348: IX. Allegro moderato | — | ||
| 10 | Water Music, Suite No. 1 in F Major, HWV 348: X. Allegro | — | ||
| 11 | Water Music, Suite No. 1 in F Major, HWV 348: XI. Alla Hornpipe | — | ||
| 12 | Messiah, HWV 56, Pt. 1: Sinfonia | — | ||
| 13 | Messiah, HWV 56, Pt. 1: Aria. “But Who May Abide” | — | ||
| 14 | Messiah, HWV 56, Pt. 1: Aria with Choir. “He Shall Feed His Flock” | — | ||
| 15 | Messiah, HWV 56, Pt. 2: Chorus. “All We Like Sheep Have Gone Astray” | — | ||
| 16 | Messiah, HWV 56, Pt. 2: Aria. “Why Do the Nations” | — | ||
| 17 | Messiah, HWV 56, Pt. 2: Chorus. “Hallelujah” | — | ||
| 18 | Messiah, HWV 56, Pt. 3: Duet. “O Death, Where Is Thy Sting?” | — | ||
| 19 | Messiah, HWV 56, Pt. 3: Chorus. “Amen” | — | ||
| 20 | The Fairy Queen: First Music: Prelude | Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 21 | The Fairy Queen: First Music: Hornpipe | Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 22 | The Fairy Queen: Second Music: Air | Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 23 | The Fairy Queen: Second Music: Rondeau | Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 24 | The Fairy Queen: Act I: Overture | Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 25 | The Fairy Queen: Act I: Come, let us leave the town | Els Bongers, Kees Jan de Koning, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 26 | The Fairy Queen: Act II: Echo | Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 27 | The Fairy Queen: Act II: One charming night | Geraint Rogers, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 28 | The Fairy Queen: Act III: Symphony while the swans come forward | Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 29 | The Fairy Queen: Act III: A thousand, thousand ways | Donald Bentvelsen, Marcel Reyans, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 30 | The Fairy Queen: Act IV: Thus the ever grateful spring | Francine van der Heijden, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 31 | The Fairy Queen: Act IV: Fourth act tune | Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 32 | The Fairy Queen: Act V: Thus happy and free | Vera Lansink, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 33 | The Fairy Queen: Act V: Dance for chinese men and women | Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 34 | Organ Concerto in B‐Flat Major, Op. 4 No. 6, HWV 294: I. Andante allegro | — | ||
| 35 | Organ Concerto in B‐Flat Major, Op. 4 No. 6, HWV 294: II. Larghetto | — | ||
| 36 | Organ Concerto in B‐Flat Major, Op. 4 No. 6, HWV 294: III. Allegro moderato | — | ||
| 37 | La Resurrezione, HWV 47, Pt. 1: Sonata | — | ||
| 38 | La Resurrezione, HWV 47, Pt. 1: Aria. “Disserratevi, o porte d’Averno” | — | ||
| 39 | La Resurrezione, HWV 47, Pt. 1: Duetto. “Dolci chiodi, amate spine” | — | ||
| 40 | La Resurrezione, HWV 47, Pt. 1: Aria. “Quando è parto dell’affetto” | — | ||
| 41 | La Resurrezione, HWV 47, Pt. 2: Aria. “Per celare il nuovo scorno” | — | ||
| 42 | La Resurrezione, HWV 47, Pt. 2: Aria. “Del ciglio dolente l’ondosa procella” | — | ||
| 43 | La Resurrezione, HWV 47, Pt. 2: Aria. “Caro Figlio, amato Dio” | — | ||
| 44 | Concerto grosso in A Minor, Op. 6 No. 4, HWV 322: I. Larghetto affectuoso | — | ||
| 45 | Concerto grosso in A Minor, Op. 6 No. 4, HWV 322: II. Allegro | — | ||
| 46 | Concerto grosso in A Minor, Op. 6 No. 4, HWV 322: III. Largo e piano | — | ||
| 47 | Concerto grosso in A Minor, Op. 6 No. 4, HWV 322: IV. Allegro | — |
