UPC · Album

The Complete Erato, EMI Classics & Virgin Classics Recordings

Catherine Collard

5021732392275
95 tracks

Last verified:

5021732392275 is the Universal Product Code (UPC barcode) for the release The Complete Erato, EMI Classics & Virgin Classics Recordings by Catherine Collard. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 95 tracks, each with its own ISRC. Tracks include FRZ112400100, FRZ112400101, FRZ112400102.

Format

502GS1 prefix
1732Company prefix
39227Product
5Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe Complete Erato, EMI Classics & Virgin Classics Recordings
ISRC95 recordings

Track List (95)

Violin Sonata no. 1 in A minor, op. 105: I. Mit leidenschaftlichem Ausdruck
Catherine Courtois, Catherine Collard
Violin Sonata no. 1 in A minor, op. 105: II. Allegretto
Catherine Courtois, Catherine Collard
Violin Sonata no. 1 in A minor, op. 105: III. Lebhaft
Catherine Courtois, Catherine Collard
Violin Sonata no. 2 in D minor, op. 121: I. Ziemlich langsam – Lebhaft
Catherine Courtois, Catherine Collard
Violin Sonata no. 2 in D minor, op. 121: II. Sehr lebhaft
Catherine Courtois, Catherine Collard
Violin Sonata no. 2 in D minor, op. 121: III. Leise, einfach
Catherine Courtois, Catherine Collard
Violin Sonata no. 2 in D minor, op. 121: IV. Bewegt
Catherine Courtois, Catherine Collard
Violin Sonata no. 1 in F minor, op. 80: I. Andante assai
Catherine Courtois, Catherine Collard
Violin Sonata no. 1 in F minor, op. 80: II. Allegro brusco
Catherine Courtois, Catherine Collard
Violin Sonata no. 1 in F minor, op. 80: III. Andante
Catherine Courtois, Catherine Collard
Violin Sonata no. 1 in F minor, op. 80: IV. Allegrissimo
Catherine Courtois, Catherine Collard
Violin Sonata no. 2 in D major, op. 94bis: I. Moderato
Catherine Courtois, Catherine Collard
Violin Sonata no. 2 in D major, op. 94bis: II. Scherzo. Presto – Poco più mosso
Catherine Courtois, Catherine Collard
Violin Sonata no. 2 in D major, op. 94bis: III. Andante
Catherine Courtois, Catherine Collard
Violin Sonata no. 2 in D major, op. 94bis: IV. Allegro con brio – Poco meno mosso
Catherine Courtois, Catherine Collard
Violin Sonata in G major: I. Très modéré – Vif et passionné
Catherine Courtois, Catherine Collard
Violin Sonata in G major: II. Très lent
Catherine Courtois, Catherine Collard
Violin Sonata in G major: III. Très animé
Catherine Courtois, Catherine Collard
Violin Sonata in A major, FWV 8: I. Allegretto ben moderato
Catherine Courtois, Catherine Collard
Violin Sonata in A major, FWV 8: II. Allegro
Catherine Courtois, Catherine Collard
Violin Sonata in A major, FWV 8: III. Recitativo‐Fantasia. Ben moderato
Catherine Courtois, Catherine Collard
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso
Catherine Courtois, Catherine Collard
Fantasie in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen
Catherine Collard
Fantasie in C major, op. 17: II. Mässig. Durchaus energisch
Catherine Collard
Fantasie in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten
Catherine Collard
Davidsbündlertänze, op. 6, Heft I: no. 1, Lebhaft
Catherine Collard
Davidsbündlertänze, op. 6, Heft I: no. 2, Innig
Catherine Collard
Davidsbündlertänze, op. 6, Heft I: no. 3, Mit Humor
Catherine Collard
Davidsbündlertänze, op. 6, Heft I: no. 4, Ungeduldig
Catherine Collard
Davidsbündlertänze, op. 6, Heft I: no. 5, Einfach
Catherine Collard
Davidsbündlertänze, op. 6, Heft I: no. 6, Sehr rasch
Catherine Collard
Davidsbündlertänze, op. 6, Heft I: no. 7, Nicht schnell
Catherine Collard
Davidsbündlertänze, op. 6, Heft I: no. 8, Frisch
Catherine Collard
Davidsbündlertänze, op. 6, Heft I: no. 9, Lebhaft
Catherine Collard
Davidsbündlertänze, op. 6, Heft II: no. 10, Balladenmäßig. Sehr rasch
Catherine Collard
Davidsbündlertänze, op. 6, Heft II: no. 11, Einfach
Catherine Collard
Davidsbündlertänze, op. 6, Heft II: no. 12, Mit Humor
Catherine Collard
Davidsbündlertänze, op. 6, Heft II: no. 13, Wild und lustig
Catherine Collard
Davidsbündlertänze, op. 6, Heft II: no. 14, Zart und singend
Catherine Collard
Davidsbündlertänze, op. 6, Heft II: no. 15, Frisch
Catherine Collard
Davidsbündlertänze, op. 6, Heft II: no. 16, Mit gutem Humor
Catherine Collard
Davidsbündlertänze, op. 6, Heft II: no. 17, Wie aus der Ferne
Catherine Collard
Davidsbündlertänze, op. 6, Heft II: no. 18, Nicht schnell
Catherine Collard
Kinderszenen, op. 15: no. 1, Von fremden Ländern und Menschen
Catherine Collard
Kinderszenen, op. 15: no. 2, Kuriose Geschichte
Catherine Collard
Kinderszenen, op. 15: no. 3, Hasche‐Mann
Catherine Collard
Kinderszenen, op. 15: no. 4, Bittendes Kind
Catherine Collard
Kinderszenen, op. 15: no. 5, Glückes genug
Catherine Collard
Kinderszenen, op. 15: no. 6, Wichtige Begebenheit
Catherine Collard
Kinderszenen, op. 15: no. 7, Träumerei
Catherine Collard
Kinderszenen, op. 15: no. 8, Am Kamin
Catherine Collard
Kinderszenen, op. 15: no. 9, Ritter vom Steckenpferd
Catherine Collard
Kinderszenen, op. 15: no. 10, Fast zu ernst
Catherine Collard
Kinderszenen, op. 15: no. 11, Fürchtenmachen
Catherine Collard
Kinderszenen, op. 15: no. 12, Kind im Einschlummern
Catherine Collard
Kinderszenen, op. 15: no. 13, Der Dichter spricht
Catherine Collard
Piano Sonata no. 1 in F‐sharp minor, op. 11: I. Introduzione. Un poco Adagio – Allegro vivace
Catherine Collard
Piano Sonata no. 1 in F‐sharp minor, op. 11: II. Aria. Senza passione, ma espressivo
Catherine Collard
Piano Sonata no. 1 in F‐sharp minor, op. 11: III. Scherzo e Intermezzo. Allegrissimo
Catherine Collard
Piano Sonata no. 1 in F‐sharp minor, op. 11: IV. Finale. Allegro un poco maestoso
Catherine Collard
Arabeske, op. 18
Catherine Collard
Piano Sonata no. 2 in G minor, op. 22: I. So rasch wie möglich
Catherine Collard
Piano Sonata no. 2 in G minor, op. 22: II. Andantino. Getragen
Catherine Collard
Piano Sonata no. 2 in G minor, op. 22: III. Scherzo. Sehr rasch und markirt
Catherine Collard
Piano Sonata no. 2 in G minor, op. 22: IV. Rondo. Presto
Catherine Collard
Papillons, op. 2: no. 1, Introduzione. Moderato
Catherine Collard
Papillons, op. 2: no. 2, Waltz in D major
Catherine Collard
Papillons, op. 2: no. 3, Waltz in E‐flat major
Catherine Collard
Papillons, op. 2: no. 4, Waltz in F‐sharp minor
Catherine Collard
Papillons, op. 2: no. 5, Waltz in A Major
Catherine Collard
Papillons, op. 2: no. 6, Polonaise in B‐Flat Major
Catherine Collard
Papillons, op. 2: no. 7, Waltz in D minor
Catherine Collard
Papillons, op. 2: no. 8, Waltz in F minor
Catherine Collard
Papillons, op. 2: no. 9, Waltz in C‐sharp minor
Catherine Collard
Papillons, op. 2: no. 10, Waltz in B‐flat minor
Catherine Collard
Papillons, op. 2: no. 11, Waltz in C major
Catherine Collard
Papillons, op. 2: no. 12, Polonaise in D major
Catherine Collard
Papillons, op. 2: no. 13, Finale in D major
Catherine Collard
3 Romances, op. 28: no. 1 in B‐flat minor
Catherine Collard
3 Romances, op. 28: no. 2 in F‐sharp major
Catherine Collard
3 Romances, op. 28: no. 3 in B major
Catherine Collard
Symphonie sur un chant montagnard français, op. 25 “Cévenole”: I. Assez lent
Catherine Collard, Orchestre philharmonique de Radio France, Marek Janowski
Symphonie sur un chant montagnard français, op. 25 “Cévenole”: II. Assez modéré, mais sans lenteur
Catherine Collard, Orchestre philharmonique de Radio France, Marek Janowski
Symphonie sur un chant montagnard français, op. 25 “Cévenole”: III. Animé
Catherine Collard, Orchestre philharmonique de Radio France, Marek Janowski
3 morceaux en forme de poire: I. Manière de commencement (Assez modérément – Un peu plus vif)
Anne Queffélec, Catherine Collard
3 morceaux en forme de poire: II. Prolongation du même (Au pas – Plus large)
Anne Queffélec, Catherine Collard
3 morceaux en forme de poire: III. Morceau I (Lentement)
Anne Queffélec, Catherine Collard
3 morceaux en forme de poire: IV. Morceau II (Enlevé – De moitié – Premier temps)
Anne Queffélec, Catherine Collard
3 morceaux en forme de poire: V. Morceau III (Brutal – Modéré – Au temps)
Anne Queffélec, Catherine Collard
3 morceaux en forme de poire: VI. En plus (Calme)
Anne Queffélec, Catherine Collard
3 morceaux en forme de poire: VII. Redite (Dans le vent)
Anne Queffélec, Catherine Collard
La Belle excentrique : I. Grande Ritournelle
Anne Queffélec, Catherine Collard
La Belle excentrique : II. Marche franco-lunaire
Anne Queffélec, Catherine Collard
La Belle excentrique : III. Valse du "Mystérieux Baiser dans l'œil"
Anne Queffélec, Catherine Collard
La Belle excentrique : IV. Can-can grand-mondain
Anne Queffélec, Catherine Collard

What other identifiers does this connect to?

Creative Contributors (ISNI)

People also ask

What is UPC 5021732392275?
UPC 5021732392275 is the Universal Product Code (barcode) for "The Complete Erato, EMI Classics & Virgin Classics Recordings" by Catherine Collard.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 5021732392275?
UPC 5021732392275 contains 95 tracks, each with its own ISRC.
SourcesMusicBrainz

Verified on

What is UPC 5021732392275?

5021732392275 is a Universal Product Code (UPC) assigned to The Complete Erato, EMI Classics & Virgin Classics Recordings by Catherine Collard. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 95 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm