UPC · Release
Michel Béroff
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The UPC for “Complete Erato Recordings” by Michel Béroff is 5021732419385. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 658 tracks, each with its own ISRC. Tracks include FRZ110601634, FRZ110601635, FRZ110601636.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto in C minor for 2 Keyboards, no. 1 BWV 1060: I. Allegro | — | ||
| 2 | Concerto in C minor for 2 Keyboards, no. 1 BWV 1060: II. Adagio | — | ||
| 3 | Concerto in C minor for 2 Keyboards, no. 1 BWV 1060: III. Allegro | — | ||
| 4 | Concerto in C for 2 keyboards, no. 2 BWV 1061: I. Allegro | — | ||
| 5 | Concerto in C for 2 keyboards, no. 2 BWV 1061: II. Adagio | — | ||
| 6 | Concerto in C for 2 keyboards, no. 2 BWV 1061: III. Fuga | — | ||
| 7 | Concerto in C minor for 2 keyboards, no. 3 BWV 1062: I. Vivace | — | ||
| 8 | Concerto in C minor for 2 keyboards, no. 3 BWV 1062: II. Andante | — | ||
| 9 | Concerto in C minor for 2 keyboards, no. 3 BWV 1062: III. Allegro assai | — | ||
| 10 | Concerto for Keyboard and Strings in G minor BWV 1058: I. [Allegro] | — | ||
| 11 | Concerto for Keyboard and Strings in G minor BWV 1058: II. Andante | — | ||
| 12 | Concerto for Keyboard and Strings in G minor BWV 1058: III. Allegro assai | — | ||
| 2-1 | Concerto in A minor for 4 keyboards, BWV 1065: I. Allegro | — | ||
| 2-2 | Concerto in A minor for 4 keyboards, BWV 1065: II. Largo | — | ||
| 2-3 | Concerto in A minor for 4 keyboards, BWV 1065: III. Allegro | — | ||
| 2-4 | Concerto in D minor for 3 keyboards, BWV 1063: I. Allegro | — | ||
| 2-5 | Concerto in D minor for 3 keyboards, BWV 1063: II. Alla siciliana | — | ||
| 2-6 | Concerto in D minor for 3 keyboards, BWV 1063: III. Allegro | — | ||
| 2-7 | Concerto in C for 3 keyboards, BWV 1064: I. Allegro | — | ||
| 2-8 | Concerto in C for 3 keyboards, BWV 1064: II. Adagio | — | ||
| 2-9 | Concerto in C for 3 keyboards, BWV 1064: III. Allegro | — | ||
| 3-1 | Partita for Solo Violin no. 2 in D minor, BWV 1004: V. Chaconne (Transcr. Brahms for Piano Left Hand) | Michel Béroff | — | |
| 3-2 | 6 Études pour la main gauche seule, op. 135: no. 1, Prélude | Michel Béroff | — | |
| 3-3 | 6 Études pour la main gauche seule, op. 135: no. 2, Alla fuga | Michel Béroff | — | |
| 3-4 | 6 Études pour la main gauche seule, op. 135: no. 3, Molto perpetuo | Michel Béroff | — | |
| 3-5 | 6 Études pour la main gauche seule, op. 135: no. 4, Bourrée | Michel Béroff | — | |
| 3-6 | 6 Études pour la main gauche seule, op. 135: no. 5, Élégie | Michel Béroff | — | |
| 3-7 | 6 Études pour la main gauche seule, op. 135: no. 6, Gigue | Michel Béroff | — | |
| 3-8 | 4 Pieces, Sz. 22: no. 1, Study for the Left Hand | Michel Béroff | — | |
| 3-9 | Prelude and Nocturne for the Left Hand, op. 9: I. Prelude in C-sharp minor | Michel Béroff | — | |
| 3-10 | Prelude and Nocturne for the Left Hand, op. 9: II. Nocturne in D-flat major | Michel Béroff | — | |
| 3-11 | Studies on Chopin's Études: no. 3, Study for the Left Hand After op. 10 no. 2 | Michel Béroff | — | |
| 3-12 | Studies on Chopin's Études: no. 5, Study for the Left Hand After op. 10 no. 3 "Tristesse" | Michel Béroff | — | |
| 3-13 | Studies on Chopin's Études: no. 13, Study for the Left Hand After op. 10 no. 6 | Michel Béroff | — | |
| 3-14 | Studies on Chopin's Études: no. 22, Study for the Left Hand After op. 10 no. 12 | Michel Béroff | — | |
| 3-15 | Studies on Chopin's Études: no. 23, Study for the Left Hand After op. 25 no. 1 | Michel Béroff | — | |
| 3-16 | Studies on Chopin's Études: no. 41, Study for the Left Hand After op. 25 no. 10 | Michel Béroff | — | |
| 3-17 | Studies on Chopin's Études: no. 43, Study for the Left Hand After op. 25 no. 12 | Michel Béroff | — | |
| 4-1 | Sonate, Sz. 80: Allegro moderato | Michel Béroff | — | |
| 4-2 | Sonate, Sz. 80: Sostenuto e pesante | Michel Béroff | — | |
| 4-3 | Sonate, Sz. 80: Allegro molto | Michel Béroff | — | |
| 4-4 | En plein air, Sz. 81: Avec tambours et fifres | Michel Béroff | T-071.000.879-9 | |
| 4-5 | En plein air, Sz. 81: Barcarolla | Michel Béroff | T-071.000.879-9 | |
| 4-6 | En plein air, Sz. 81: Musettes | Michel Béroff | — | |
| 4-7 | En plein air, Sz. 81: Musiques nocturnes | Michel Béroff | T-071.000.879-9 | |
| 4-8 | En plein air, Sz. 81: Poursuite | Michel Béroff | T-071.000.879-9 | |
| 4-9 | 6 Danses populaires Roumaines, Sz. 56: Danse du baton | Michel Béroff | T-071.000.879-9 | |
| 4-10 | 6 Danses populaires Roumaines, Sz. 56: Brául | Michel Béroff | — | |
| 4-11 | 6 Danses populaires Roumaines, Sz. 56: Le batteur de grain | Michel Béroff | T-071.000.879-9 | |
| 4-12 | 6 Danses populaires Roumaines, Sz. 56: Danse de Bucsumi | Michel Béroff | T-071.000.879-9 | |
| 4-13 | 6 Danses populaires Roumaines, Sz. 56: Polka Roumaine | Michel Béroff | — | |
| 4-14 | 6 Danses populaires Roumaines, Sz. 56: Danse rapide | Michel Béroff | T-071.000.879-9 | |
| 4-15 | 15 Hungarian Peasant Songs, Sz. 71: No. 1, Four Old Tunes I. Rubato | — | ||
| 4-16 | 15 Hungarian Peasant Songs, Sz. 71: No. 2, Four Old Tunes Ii. Andante | — | ||
| 4-17 | 15 Hungarian Peasant Songs, Sz. 71: No. 3, Four Old Tunes Iii. Poco Rubato | — | ||
| 4-18 | 15 Hungarian Peasant Songs, Sz. 71: No. 4, Four Old Tunes Iv. Andante | — | ||
| 4-19 | 15 Hungarian Peasant Songs, Sz. 71: No. 5, Scherzo. Allegro | — | ||
| 4-20 | 15 Hungarian Peasant Songs, Sz. 71: No. 6, Ballad. Andante | — | ||
| 4-21 | 15 Hungarian Peasant Songs, Sz. 71: No. 7, Old Dance Tunes I. Allegro | — | ||
| 4-22 | 15 Hungarian Peasant Songs, Sz. 71: No. 8, Old Dance Tunes Ii. Allegretto | — | ||
| 4-23 | 15 Hungarian Peasant Songs, Sz. 71: No. 9, Old Dance Tunes Iii. Allegretto | — | ||
| 4-24 | 15 Hungarian Peasant Songs, Sz. 71: No. 10, Old Dance Tunes Iv. The istesso | — | ||
| 4-25 | 15 Hungarian Peasant Songs, Sz. 71: No. 11, Old Dance Tunes V. Assai Moderato | — | ||
| 4-26 | 15 Hungarian Peasant Songs, Sz. 71: No. 12, Old Dance Tunes Vi. Allegretto | — | ||
| 4-27 | 15 Hungarian Peasant Songs, Sz. 71: No. 13, Old Dance Tunes Vii. Poco Più Vivo | — | ||
| 4-28 | 15 Hungarian Peasant Songs, Sz. 71: No. 14, Old Dance Tunes Viii. Allegro | — | ||
| 4-29 | 15 Hungarian Peasant Songs, Sz. 71: No. 15, Old Dance Tunes Ix. Allegro | — | ||
| 4-30 | 6 Danses Bulgares (de 'Mikrokosmos Vol. VI, Sz. 107): 1 | Michel Béroff | T-071.000.879-9 | |
| 4-31 | 6 Danses Bulgares (de 'Mikrokosmos Vol. VI, Sz. 107): 2 | Michel Béroff | — | |
| 4-32 | 6 Danses Bulgares (de 'Mikrokosmos Vol. VI, Sz. 107): 3 | Michel Béroff | — | |
| 4-33 | 6 Danses Bulgares (de 'Mikrokosmos Vol. VI, Sz. 107): 4 | Michel Béroff | T-071.000.879-9 | |
| 4-34 | 6 Danses Bulgares (de 'Mikrokosmos Vol. VI, Sz. 107): 5 | Michel Béroff | — | |
| 4-35 | 6 Danses Bulgares (de 'Mikrokosmos Vol. VI, Sz. 107): 6 | Michel Béroff | T-071.000.879-9 | |
| 5-1 | Pour les Enfants, Volume I: Thèmes Hongrois - Enfants au jeu - Chanson enfantine - Quasi adagio - Danse de l'oreiller - Jeu | Michel Béroff | T-071.000.879-9 | |
| 5-2 | Pour les Enfants, Volume I: Étude pour la main gauche - Chanson - Jeu d'enfant | Michel Béroff | — | |
| 5-3 | Pour les Enfants, Volume I: Chanson - Danse enfantine - Lento - Allegro | Michel Béroff | — | |
| 5-4 | Pour les Enfants, Volume I: Ballade - Allegretto - Allegro moderato - Vieil air hongrois - Rondo | Michel Béroff | — | |
| 5-5 | Pour les Enfants, Volume I: Chanson de soldat - Allegretto - Chanson à boire - Allegro robusto - Allegretto | Michel Béroff | — | |
| 5-6 | Pour les Enfants, Volume I: Chanson à danser - Andante sostenuto - Parlando - Moderato - Plaisanterie - Choral - Air | Michel Béroff | — | |
| 5-7 | Pour les Enfants, Volume I: Chanson à moquerie - Andante tranquillo - Andante - Allegro non troppo | Michel Béroff | — | |
| 5-8 | Pour les Enfants, Volume I: Allegretto - Con moto - Chanson d'ivresse | Michel Béroff | T-071.000.879-9 | |
| 5-9 | Pour les Enfants, Volume I: Chanson du porcher - Chanson du solistice d'hiver - Allegro moderato - Danse du porcher | Michel Béroff | — | |
| 5-10 | 10 Pièces faciles, Sz. 39: Dédicace | Michel Béroff | T-071.000.879-9 | |
| 5-11 | 10 Pièces faciles, Sz. 39: Chant de paysan - tourments - Danse slovaque | Michel Béroff | T-071.000.879-9 | |
| 5-12 | 10 Pièces faciles, Sz. 39: Sostenuto - Un soir en Transylvanie | Michel Béroff | T-071.000.879-9 | |
| 5-13 | 10 Pièces faciles, Sz. 39: Chanson Populaire Hongroise - L'aube - Chanson populaire Hongroise | Michel Béroff | T-071.000.879-9 | |
| 5-14 | 10 Pièces faciles, Sz. 39: Étude pour les 5 doigts - Danse de l'ours | Michel Béroff | T-071.000.879-9 | |
| 5-15 | Pour les Enfants, Volume II: Thèmes Slovaques - Allegro - Andantino - Allegretto | Michel Béroff | — | |
| 5-16 | Pour les Enfants, Volume II: Chanson des noces - Variations - Rondo No.1 - Chagrin - Danse | Michel Béroff | — | |
| 5-17 | Pour les Enfants, Volume II: Rondo no. 2 - Chant funèbre | Michel Béroff | — | |
| 5-18 | Pour les Enfants, Volume II: Lento - Andante rubato - Allegro - Moderato - Air de cornemuse No.1 | Michel Béroff | T-071.000.879-9 | |
| 5-19 | Pour les Enfants, Volume II: Plainte - Andante - Chanson taquine - Romance | Michel Béroff | T-071.000.879-9 | |
| 5-20 | Pour les Enfants, Volume II: Jeu de chat - Plaisanterie No.1 - Festivités | Michel Béroff | T-071.000.879-9 | |
| 5-21 | Pour les Enfants, Volume II: Andante tranquillo - Andante - Scherzando - Flûte de paysan - Plaisanterie No.2 | Michel Béroff | T-071.000.879-9 | |
| 5-22 | Pour les Enfants, Volume II: Andante molto rubato - Canon - Air de cornemuse No.2 | Michel Béroff | T-071.000.879-9 | |
| 5-23 | Pour les Enfants, Volume II: Le bandit de grand chemin - Pesante - Andante tranquillo - Adieux | Michel Béroff | T-071.000.879-9 | |
| 5-24 | Pour les Enfants, Volume II: Ballade - Rhapsodie | Michel Béroff | T-071.000.879-9 | |
| 5-25 | Pour les Enfants, Volume II: Chant funèbre - Chant de deuil | Michel Béroff | T-071.000.879-9 | |
| 5-26 | Sonatine, Sz. 55: Allegretto | Michel Béroff | T-071.000.879-9 | |
| 5-27 | Sonatine, Sz. 55: Danse de l'ours | Michel Béroff | T-071.000.879-9 | |
| 5-28 | Sonatine, Sz. 55: Finale. Allegro vivace | Michel Béroff | — | |
| 6-1 | 21 Hungarian Dances, Woo 1: No. 1 In G minor | — | ||
| 6-2 | 21 Hungarian Dances, Woo 1: No. 2 In D minor | — | ||
| 6-3 | 21 Hungarian Dances, Woo 1: No. 3 In F major | — | ||
| 6-4 | 21 Hungarian Dances, Woo 1: No. 4 In F minor | — | ||
| 6-5 | 21 Hungarian Dances, Woo 1: No. 5 In F-sharp minor | — | ||
| 6-6 | 21 Hungarian Dances, Woo 1: No. 6 In D-flat major | — | ||
| 6-7 | 21 Hungarian Dances, Woo 1: No. 7 In A major | — | ||
| 6-8 | 21 Hungarian Dances, Woo 1: No. 8 In A minor | — | ||
| 6-9 | 21 Hungarian Dances, Woo 1: No. 9 In E minor | — | ||
| 6-10 | 21 Hungarian Dances, Woo 1: No. 10 In E major | — | ||
| 6-11 | 21 Hungarian Dances, Woo 1: No. 11 In D minor | — | ||
| 6-12 | 21 Hungarian Dances, Woo 1: No. 12 In D minor | — | ||
| 6-13 | 21 Hungarian Dances, Woo 1: No. 13 In D major | — | ||
| 6-14 | 21 Hungarian Dances, Woo 1: No. 14 In D minor | — | ||
| 6-15 | 21 Hungarian Dances, Woo 1: No. 15 In B-flat major | — | ||
| 6-16 | 21 Hungarian Dances, Woo 1: No. 16 In F minor | — | ||
| 6-17 | 21 Hungarian Dances, Woo 1: No. 17 In F-sharp minor | — | ||
| 6-18 | 21 Hungarian Dances, Woo 1: No. 18 In D major | — | ||
| 6-19 | 21 Hungarian Dances, Woo 1: No. 19 In B minor | — | ||
| 6-20 | 21 Hungarian Dances, Woo 1: No. 20 In E minor | — | ||
| 6-21 | 21 Hungarian Dances, Woo 1: No. 21 In E minor | — | ||
| 7-1 | 16 Waltzes, op. 39: No. 1 In B major | — | ||
| 7-2 | 16 Waltzes, op. 39: No. 2 In E major | — | ||
| 7-3 | 16 Waltzes, op. 39: No. 3 In G-sharp minor | — | ||
| 7-4 | 16 Waltzes, op. 39: No. 4 In E minor | — | ||
| 7-5 | 16 Waltzes, op. 39: No. 5 In E major | — | ||
| 7-6 | 16 Waltzes, op. 39: No. 6 In C-sharp major | — | ||
| 7-7 | 16 Waltzes, op. 39: No. 7 In C-sharp minor | — | ||
| 7-8 | 16 Waltzes, op. 39: No. 8 In B-flat major | — | ||
| 7-9 | 16 Waltzes, op. 39: No. 9 In D minor | — | ||
| 7-10 | 16 Waltzes, op. 39: No. 10 In G major | — | ||
| 7-11 | 16 Waltzes, op. 39: No. 11 In B minor | — | ||
| 7-12 | 16 Waltzes, op. 39: No. 12 In E major | — | ||
| 7-13 | 16 Waltzes, op. 39: No. 13 In C major | — | ||
| 7-14 | 16 Waltzes, op. 39: No. 14 In A minor | — | ||
| 7-15 | 16 Waltzes, op. 39: No. 15 In A major | — | ||
| 7-16 | 16 Waltzes, op. 39: No. 16 In D minor | — | ||
| 7-17 | Liebesliederwalzer op. 52: No. 1 In E major | — | ||
| 7-18 | Liebesliederwalzer op. 52: No. 2 In A minor | — | ||
| 7-19 | Liebesliederwalzer op. 52: No. 3 In B-flat major | — | ||
| 7-20 | Liebesliederwalzer op. 52: No. 4 In F major | — | ||
| 7-21 | Liebesliederwalzer op. 52: No. 5 In A minor | — | ||
| 7-22 | Liebesliederwalzer op. 52: No. 6 In A major | — | ||
| 7-23 | Liebesliederwalzer op. 52: No. 7 In C minor | — | ||
| 7-24 | Liebesliederwalzer op. 52: No. 8 In A-flat major | — | ||
| 7-25 | Liebesliederwalzer op. 52: No. 9 In E major | — | ||
| 7-26 | Liebesliederwalzer op. 52: No. 10 In G major | — | ||
| 7-27 | Liebesliederwalzer op. 52: No. 11 In C minor | — | ||
| 7-28 | Liebesliederwalzer op. 52: No. 12 In E-flat major | — | ||
| 7-29 | Liebesliederwalzer op. 52: No. 13 In A-flat major | — | ||
| 7-30 | Liebesliederwalzer op. 52: No. 14 In E-flat major | — | ||
| 7-31 | Liebesliederwalzer op. 52: No. 15 In A-flat major | — | ||
| 7-32 | Liebesliederwalzer op. 52: No. 16 In F minor | — | ||
| 7-33 | Liebesliederwalzer op. 52: No. 17 In D-flat major | — | ||
| 7-34 | Liebesliederwalzer op. 52: No. 18 In C-sharp minor | — | ||
| 7-35 | Variations On A Theme By Schumann, op. 23: Theme. Leise Und Innig | — | ||
| 7-36 | Variations On A Theme By Schumann, op. 23: Variation I. L'istesso Tempo. Andante Molto Moderato | — | ||
| 7-37 | Variations On A Theme By Schumann, op. 23: Variation Ii | — | ||
| 7-38 | Variations On A Theme By Schumann, op. 23: Variation Iii | — | ||
| 7-39 | Variations On A Theme By Schumann, op. 23: Variation Iv | — | ||
| 7-40 | Variations On A Theme By Schumann, op. 23: Variation V. Poco Più Animato | — | ||
| 7-41 | Variations On A Theme By Schumann, op. 23: Variation Vi. Allegro Non Troppo | — | ||
| 7-42 | Variations On A Theme By Schumann, op. 23: Variation Vii. Con Moto. L'istesso Tempo | — | ||
| 7-43 | Variations On A Theme By Schumann, op. 23: Variation Viii. Poco Più Vivo | — | ||
| 7-44 | Variations On A Theme By Schumann, op. 23: Variation Ix | — | ||
| 7-45 | Variations On A Theme By Schumann, op. 23: Variation X. Molto Moderato, Alla Marcia | — | ||
| 8-1 | Violin Sonata no. 1 In G major, Op. 78: I. Vivace, Ma Non Troppo | — | ||
| 8-2 | Violin Sonata no. 1 In G major, Op. 78: II. Adagio | — | ||
| 8-3 | Violin Sonata no. 1 In G major, Op. 78: III. Allegro Molto Moderato | — | ||
| 8-4 | Violin Sonata no. 2 In A major, Op. 100: I. Allegro Amabile | — | ||
| 8-5 | Violin Sonata no. 2 In A major, Op. 100: II. Andante Tranquillo & Perennial | — | ||
| 8-6 | Violin Sonata no. 2 In A major, Op. 100: II. Allegretto Grazioso, Quasi Andante | — | ||
| 9-1 | Violin Sonata no. 3 In D minor, op. 108: I. Allegro | — | ||
| 9-2 | Violin Sonata no. 3 In D minor, op. 108: Ii. Adagio | — | ||
| 9-3 | Violin Sonata no. 3 In D minor, op. 108: Iii. Un Poco Presto E Con Sentimento | — | ||
| 9-4 | Violin Sonata no. 3 In D minor, op. 108: Iv. Presto Agitato | — | ||
| 9-5 | F-A-E Sonata: I. Allegro | — | ||
| 9-6 | F-A-E Sonata: II. Intermezzo | — | ||
| 9-7 | F-A-E Sonata: III. Scherzo | — | ||
| 9-8 | F-A-E Sonata: Iv. Finale | — | ||
| 9-9 | Variations On A Theme By Schumann, Op. 23: Theme. Leise Und Innig | — | ||
| 9-10 | Variations On A Theme By Schumann, Op. 23: Variation I. L'istesso Tempo. Andante Molto Moderato | — | ||
| 9-11 | Variations On A Theme By Schumann, Op. 23: Variation II | — | ||
| 9-12 | Variations On A Theme By Schumann, Op. 23: Variation III. | — | ||
| 9-13 | Variations On A Theme By Schumann, Op. 23: Variation IV. | — | ||
| 9-14 | Variations On A Theme By Schumann, Op. 23: Variation V. Poco Più Animato | — | ||
| 9-15 | Variations On A Theme By Schumann, Op. 23: Variation VI. Allegro Non Troppo | — | ||
| 9-16 | Variations On A Theme By Schumann, Op. 23: Variation VII. Con Moto. L'istesso Tempo | — | ||
| 9-17 | Variations On A Theme By Schumann, Op. 23: Variation VIII. Poco Più Vivo | — | ||
| 9-18 | Variations On A Theme By Schumann, Op. 23: Variation IX | — | ||
| 9-19 | Variations On A Theme By Schumann, Op. 23: Variation X. Molto Moderato, Alla Marcia | — | ||
| 10-1 | Préludes, Book 1 No. 1: Danseuses et Delphes. Lent et grave | Michel Béroff | — | |
| 10-2 | Préludes, Book 1 No. 2: Voiles. Modéré | Michel Béroff | — | |
| 10-3 | Préludes, Book 1 No. 3: Le vent dans la plaine. Animé | Michel Béroff | — | |
| 10-4 | Préludes, Book 1 No. 4: Les sons et les parfums tournent dans l'air du soir. Modéré | Michel Béroff | — | |
| 10-5 | Préludes, Book 1 No. 5: Les collines d'Anacapri. Très modéré | Michel Béroff | — | |
| 10-6 | Préludes, Book 1 No. 6: Des pas sur la neige. Triste et lent | Michel Béroff | — | |
| 10-7 | Préludes, Book 1 No. 7: Ce qu'a vu le vent d'ouest. Animé et tumultueux | Michel Béroff | — | |
| 10-8 | Préludes, Book 1 No. 8: La fille aux cheveux de lin. Très calme et doucement expressif | Michel Béroff | — | |
| 10-9 | Préludes, Book 1 No. 9: La sérénade interrompue. Modérément animé | Michel Béroff | — | |
| 10-10 | Préludes, Book 1 No. 10: La cathédrale engloutie. Profondément calme | Michel Béroff | — | |
| 10-11 | Préludes, Book 1 No. 11: La danse de Puck. Capricieux et léger | Michel Béroff | — | |
| 10-12 | Préludes, Book 1 No. 12: Minstrels. Modéré | Michel Béroff | — | |
| 10-13 | Préludes, Book 2 No. 1: Brouillards. Modéré | Michel Béroff | — | |
| 10-14 | Préludes, Book 2 No. 2: Feuilles mortes. Lent et mélancolique | Michel Béroff | — | |
| 10-15 | Préludes, Book 2 No. 3: La Puerta del Vino. Mouvement de Habanera | Michel Béroff | — | |
| 10-16 | Préludes, Book 2 No. 4: Les fées sont d'exquises danseuses. Rapide et léger | Michel Béroff | — | |
| 10-17 | Préludes, Book 2 No. 5: Bruyères. Calme | Michel Béroff | — | |
| 10-18 | Préludes, Book 2 No. 6: General Lavine - excentric. Dans le style et le mouvement d'un Cake-Walk | Michel Béroff | — | |
| 10-19 | Préludes, Book 2 No. 7: La terrasse des audiences du clair de lune. Lent | Michel Béroff | — | |
| 10-20 | Préludes, Book 2 No. 8: Ondine. Scherzando | Michel Béroff | — | |
| 10-21 | Préludes, Book 2 No. 9: Hommage à S. Pickwick Esq. P.P.M.P.C. Grave | Michel Béroff | — | |
| 10-22 | Préludes, Book 2 No. 10: Canope. Très calme et doucement triste | Michel Béroff | — | |
| 10-23 | Préludes, Book 2 No. 11: Les tierces alternées. Modérément animé | Michel Béroff | — | |
| 10-24 | Préludes, Book 2 No. 12: Feux d'artifice. Modérément animé | Michel Béroff | — | |
| 11-1 | Estampes, Cd 108, L. 100: No. 1, Pagodas | — | ||
| 11-2 | Estampes, Cd 108, L. 100: No. 2, The Evening in Granada | — | ||
| 11-3 | Estampes, Cd 108, L. 100: No. 3, Gardens in the Rain | — | ||
| 11-4 | Pour Le Piano, Cd 95, L. 95: I. Prelude | — | ||
| 11-5 | Pour Le Piano, Cd 95, L. 95: II. Sarabande | — | ||
| 11-6 | Pour Le Piano, Cd 95, L. 95: III. Toccata | — | ||
| 11-7 | Images, Livre I, Cd 105, L. 110: No. 1, Reflections in Water | — | ||
| 11-8 | Images, Livre I, Cd 105, L. 110: No. 2, Homage to Rameau | — | ||
| 11-9 | Images, Livre I, Cd 105, L. 110: No. 3, Movement | — | ||
| 11-10 | Images, Livre II, Cd 120, L. 111: No. 1, Bells Through the Leaves | — | ||
| 11-11 | Images, Livre II, Cd 120, L. 111: No. 2, And The Moon Descends On The Temple That Was | — | ||
| 11-12 | Images, Livre II, Cd 120, L. 111: No. 3, Golden Fish | — | ||
| 12-1 | 12 Études : I. Pour les cinq doigts, d’apres Monsieur Czerny | Michel Béroff | — | |
| 12-2 | 12 Études : II. Pour les tierces | Michel Béroff | — | |
| 12-3 | 12 Études : III. Pour les quartes | Michel Béroff | — | |
| 12-4 | 12 Études : IV. Pour les sixtes | Michel Béroff | — | |
| 12-5 | 12 Études : V. Pour les octaves | Michel Béroff | — | |
| 12-6 | 12 Études : VI. Pour les huit doigts | Michel Béroff | — | |
| 12-7 | 12 Études : VII. Pour les degrés chromatiques | Michel Béroff | — | |
| 12-8 | 12 Études : VIII. Pour les agréments | Michel Béroff | — | |
| 12-9 | 12 Études : IX. Pour les notes répétées | Michel Béroff | — | |
| 12-10 | 12 Études : X. Pour les sonorités opposées | Michel Béroff | — | |
| 12-11 | 12 Études : XI. Pour les arpèges composés | Michel Béroff | — | |
| 12-12 | 12 Études : XII. Pour les accords | Michel Béroff | — | |
| 13-1 | Suite Bergamasque, Cd 82, L. 75: I. Prelude | — | ||
| 13-2 | Suite Bergamasque, Cd 82, L. 75: Ii. Minuet | — | ||
| 13-3 | Suite Bergamasque, Cd 82, L. 75: Iii. Moonlight | — | ||
| 13-4 | Suite Bergamasque, Cd 82, L. 75: Iv. Passepied | — | ||
| 13-5 | 2 Arabesques, Cd 74, L. 66: No. 1, Andantino Con Moto | — | ||
| 13-6 | 2 Arabesques, Cd 74, L. 66: No. 2, Allegretto Scherzando | — | ||
| 13-7 | Children's Corner, Cd 119, L. 113: No. 1, Doctor Gradus Ad Parnassum | — | ||
| 13-8 | Children's Corner, Cd 119, L. 113: No. 2, Jimbo's Lullaby | — | ||
| 13-9 | Children's Corner, Cd 119, L. 113: No. 3, Serenade For The Doll | — | ||
| 13-10 | Children's Corner, Cd 119, L. 113: No. 4, The Snow Is Dancing | — | ||
| 13-11 | Children's Corner, Cd 119, L. 113: No. 5, The Little Shepherd | — | ||
| 13-12 | Children's Corner, Cd 119, L. 113: No. 6, Golliwog's Cake Walk | — | ||
| 13-13 | La Plus Que Lente, Cd 128, L. 121 | — | ||
| 13-14 | Le Petit Nègre, Cd 122, L. 114 | — | ||
| 14-1 | Petite suite, CD 71, L. 65: I. En bateau | Michel Béroff, Jean-Philippe Collard | — | |
| 14-2 | Petite Suite, Cd 71, L. 65: Ii. Procession | — | ||
| 14-3 | Petite Suite, Cd 71, L. 65: Iii. Minuet | — | ||
| 14-4 | Petite Suite, Cd 71, L. 65: Iv. Ballet | — | ||
| 14-5 | Symphony For Piano 4-Hands In B Minor, Cd 8, L. 10 | — | ||
| 14-6 | Épigraphes Antiques, Cd 139, L. 131: No. 1, Pour Invoquer Pan, Dieu Du Vent D'été | — | ||
| 14-7 | Épigraphes Antiques, Cd 139, L. 131: No. 2, Pour Un Tombeau Sans Nom | — | ||
| 14-8 | Épigraphes Antiques, Cd 139, L. 131: No. 3, Pour Que La Nuit Soit Propice | — | ||
| 14-9 | Épigraphes Antiques, Cd 139, L. 131: No. 4, Pour La Danseuse Aux Crotales | — | ||
| 14-10 | Épigraphes Antiques, Cd 139, L. 131: No. 5, Pour L'égyptienne | — | ||
| 14-11 | Épigraphes Antiques, Cd 139, L. 131: No. 6, Pour Remercier La Pluie Au Matin | — | ||
| 14-12 | En Blanc Et Noir, Pour Deux Pianos, Cd 142, L. 134: I. Avec Emportement | — | ||
| 14-13 | En Blanc Et Noir, Pour Deux Pianos, Cd 142, L. 134: II. Lent, Sombre | — | ||
| 14-14 | En Blanc Et Noir, Pour Deux Pianos, Cd 142, L. 134: III. Scherzando | — | ||
| 14-15 | Marche Écossaise Sur Un Thème Populaire, Cd 83, L. 77 | — | ||
| 14-16 | Lindaraja, Cd 103, L. 97 | — | ||
| 15-1 | Ariettes Oubliées, Cd 63, L. 60: No. 1, C'est L'extase Langoureuse | — | ||
| 15-2 | Ariettes Oubliées, Cd 63, L. 60: No. 2, Il Pleure Dans Mon Cœur | — | ||
| 15-3 | Ariettes Oubliées, Cd 63, L. 60: No. 3, L'ombre Des Arbres | — | ||
| 15-4 | Ariettes Oubliées, Cd 63, L. 60: No. 4, Paysages Belges. Chevaux De Bois | — | ||
| 15-5 | Ariettes Oubliées, Cd 63, L. 60: No. 5, Aquarelles I. Green | — | ||
| 15-6 | Ariettes Oubliées, Cd 63, L. 60: No. 6, Aquarelles Ii. Spleen | — | ||
| 15-7 | Fêtes Galantes, Livre I, Cd 86, L. 80: I. En Sourdine | — | ||
| 15-8 | Fêtes Galantes, Livre I, Cd 86, L. 80: II. Fantoches | — | ||
| 15-9 | Fêtes Galantes, Livre I, Cd 86, L. 80: III. Clair De Lune | — | ||
| 15-10 | 5 Poèmes de Baudelaire, L. 70: I. Le balcon | Barbara Hendricks | — | |
| 15-11 | 5 Poèmes De Baudelaire, Cd 70, L. 64: No. 2, Harmonie Du Soir | — | ||
| 15-12 | 5 Poèmes De Baudelaire, Cd 70, L. 64: No. 3, Le Jet D'eau | — | ||
| 15-13 | 5 Poèmes de Baudelaire, L. 70: IV. Recueillement | Barbara Hendricks | — | |
| 15-14 | 5 Poèmes De Baudelaire, Cd 70, L. 64: No. 5, La Mort Des Amants | — | ||
| 16-1 | L’apprenti sorcier | — | ||
| 16-2 | Jeux d’enfants, op. 22: I. L’escarpolette (rêverie) | — | ||
| 16-3 | Jeux d’enfants, op. 22: II. La toupie (impromptu) | — | ||
| 16-4 | Jeux d’enfants, op. 22: III. La poupée (berceuse) | — | ||
| 16-5 | Jeux d’enfants, op. 22: IV. Les chevaux de bois | — | ||
| 16-6 | Jeux d’enfants, op. 22: V. Le volant (fantaisie) | — | ||
| 16-7 | Jeux d’enfants, op. 22: VI. Trompette et tambour (marche) | — | ||
| 16-8 | Jeux d’enfants, op. 22: VII. Les bulles de savon (rondino) | — | ||
| 16-9 | Jeux d’enfants, op. 22: VIII. Les quatre coins (esquisse) | — | ||
| 16-10 | Jeux d’enfants, op. 22: IX. Colin-maillard (nocturne) | — | ||
| 16-11 | Jeux d’enfants, op. 22: X. Saute-mouton (caprice) | — | ||
| 16-12 | Jeux d’enfants, op. 22: XI. Petit mari, petite femme (duo) | — | ||
| 16-13 | Jeux d’enfants, op. 22: XII. Le bal (galop) | — | ||
| 16-14 | Prélude à l’après-midi d’un faune | — | ||
| 16-15 | 2 Nocturnes: I. Nuages | — | ||
| 16-16 | 2 Nocturnes: II. Fêtes | — | ||
| 16-17 | Rapsodie espagnole: I. Prélude à la nuit | — | ||
| 16-18 | Rapsodie espagnole: II. Malaguena | — | ||
| 16-19 | Rapsodie espagnole: III. Habanera | — | ||
| 16-20 | Rapsodie espagnole: IV. Feria | — | ||
| 17-1 | 8 Slavonic Dances, op. 46, B. 78: No. 1 In C major | — | ||
| 17-2 | Slavonic Dance no. 2 for Piano 4-hands in E minor, B. 78/2 (op. 46/2): Allegro scherzando | Michel Béroff, Jean-Philippe Collard | T-070.243.651-8 | |
| 17-3 | 8 Slavonic Dances, op. 46, B. 78: No. 3 In A-flat major | — | ||
| 17-4 | 8 Slavonic Dances, op. 46, B. 78: No. 4 In F major | — | ||
| 17-5 | 8 Slavonic Dances, op. 46, B. 78: No. 5 In A major | — | ||
| 17-6 | 8 Slavonic Dances, op. 46, B. 78: No. 6 In D major | — | ||
| 17-7 | 8 Slavonic Dances, op. 46, B. 78: No. 7 In C minor | — | ||
| 17-8 | 8 Slavonic Dances, op. 46, B. 78: No. 8 In G minor | — | ||
| 17-9 | 8 Slavonic Dances, op. 72, B. 145: No. 9 In B major | — | ||
| 17-10 | 8 Slavonic Dances, op. 72, B. 145: No. 10 In E minor | — | ||
| 17-11 | 8 Slavonic Dances, op. 72, B. 145: No. 11 In F major | — | ||
| 17-12 | 8 Slavonic Dances, op. 72, B. 145: No. 12 In D-flat major | — | ||
| 17-13 | 8 Slavonic Dances, op. 72, B. 145: No. 13 In B-flat minor | — | ||
| 17-14 | 8 Slavonic Dances, op. 72, B. 145: No. 14 In B-flat major | — | ||
| 17-15 | 8 Slavonic Dances, op. 72, B. 145: No. 15 In C major | — | ||
| 17-16 | 8 Slavonic Dances, op. 72, B. 145: No. 16 In A-flat major | — | ||
| 18-1 | Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Allegro maestoso - | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 18-2 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi Adagio | — | ||
| 18-3 | Piano Concerto no. 1 in E-flat major, S. 124: III. Allegretto Vivace-Allegro Animato - | — | ||
| 18-4 | Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro Marziale Animato | — | ||
| 18-5 | Piano Concerto no. 2 in A major, S. 125: Adagio Sostenuto Assai- | — | ||
| 18-6 | Piano Concerto no. 2 in A major, S. 125: Allegro Agitato Assai - | — | ||
| 18-7 | Piano Concerto no. 2 in A major, S. 125: Allegro Moderato - | — | ||
| 18-8 | Piano Concerto no. 2 in A major, S. 125: Allegro Deciso - | — | ||
| 18-9 | Piano Concerto no. 2 in A major, S. 125: Marziale Un Poco Meno Allegro - | — | ||
| 18-10 | Piano Concerto no. 2 in A major, S. 125: Allegro Animato | — | ||
| 18-11 | Wanderer-Fantasie, D760 (Transcr. Liszt c.1852), S366 | — | ||
| 18-12 | Polonaise Brillante «L'Hilarité», J268 (Transcr. Liszt c.1851), S367 | — | ||
| 19-1 | Fantasie Über Ungarische Volksmelodien (1852), S123 | — | ||
| 19-2 | Fantasie Über Motive Aus Beethovens "Ruinen Von Athen" (?1837), S122 | — | ||
| 19-3 | Grande Fantaisie Symphonique Sur Des Thèmes De «Lélio» De Berlioz (1834), S120 | — | ||
| 19-4 | Malédiction (1833), S121 | — | ||
| 19-5 | Totentanz, Paraphrase Über "Dies Irae" (1849), S126 | — | ||
| 20-1 | Vingt Regards sur l'Enfant Jésus: No. 1. Regard du Père | — | ||
| 20-2 | Vingt Regards sur l'Enfant Jésus: No. 2. Regard de l'Etoile | — | ||
| 20-3 | Vingt Regards sur l'Enfant Jésus: No. 3. L'Echange | — | ||
| 20-4 | Vingt Regards sur l'Enfant Jésus: No. 4. Regard de la Vierge | — | ||
| 20-5 | Vingt Regards sur l'Enfant Jésus: No. 5. Regard du Fils dur le Fils | — | ||
| 20-6 | Vingt Regards sur l'Enfant Jésus: No. 6. Par lui tout a été fait | — | ||
| 20-7 | Vingt Regards sur l'Enfant Jésus: No. 7. Regard de la Croix | — | ||
| 20-8 | Vingt Regards sur l'Enfant Jésus: No. 8. Regard des hauteurs | — | ||
| 20-9 | Vingt Regards sur l'Enfant Jésus: No. 9. Regard du Temps | — | ||
| 20-10 | Vingt Regards sur l'Enfant Jésus: No. 10. Regard de l'Espirit de joie | — | ||
| 21-1 | Vingt Regards sur l'Enfant Jésus: No. 11. Première communion de la Vierge | — | ||
| 21-2 | Vingt Regards sur l'Enfant Jésus: No. 12. La Parole toute-puissante | — | ||
| 21-3 | Vingt Regards sur l'Enfant Jésus: No. 13. Noël | — | ||
| 21-4 | Vingt Regards sur l'Enfant Jésus: No. 14. Regard des Anges | — | ||
| 21-5 | Vingt Regards sur l'Enfant Jésus: No. 15. Le baiser de l'Enfant Jésus | — | ||
| 21-6 | Vingt Regards sur l'Enfant Jésus: No. 16. Regard des Prophètes, des Bergers et des Mages | — | ||
| 21-7 | Vingt Regards sur l'Enfant Jésus: No. 17. Regard du Silence | — | ||
| 21-8 | Vingt Regards sur l'Enfant Jésus: No. 18. Regard de L'Onction terrible | — | ||
| 21-9 | Vingt Regards sur l'Enfant Jésus: No. 19. Je dors, mais mon cœur veille | — | ||
| 21-10 | Vingt Regards sur l'Enfant Jésus: No. 20. Regard de l'Eglise d'amour | — | ||
| 22-1 | Préludes: No. 1. La Colombe | — | ||
| 22-2 | Préludes: No. 2. Chant d'extase dans un paysage triste | — | ||
| 22-3 | Préludes: No. 3. Le Nombre Léger | — | ||
| 22-4 | Préludes: No. 4. Instants défunts | — | ||
| 22-5 | Préludes: No. 5. Les sons impalpables du rêve | — | ||
| 22-6 | Préludes: No. 6. Clochs d'angoisse et larmes d'adieu | — | ||
| 22-7 | Préludes: No. 7. Plainte calme | — | ||
| 22-8 | Préludes: No. 8. Un reflet dans le vent | — | ||
| 22-9 | Quatre études de rythme: no. 1, Île de feu I | — | ||
| 22-10 | Quatre études de rythme: no. 2, Mode de valeurs et d’intensités | — | ||
| 22-11 | Quatre études de rythme: no. 3, Neumes rythmiques | — | ||
| 22-12 | Quatre études de rythme: no. 4, Île de feu II | — | ||
| 23-1 | Quatuor pour la Fin du Temps: I. Liturgie de Cristal | Erich Gruenberg, Gervase de Peyer, William Pleeth, Michel Béroff | T-003.014.967-7 | |
| 23-2 | Quatuor pour la Fin du Temps: II. Vocalise, pour l'Ange qui annonce la Fin du Temps | Erich Gruenberg, Gervase de Peyer, William Pleeth, Michel Béroff | T-003.014.967-7 | |
| 23-3 | Quatuor pour la Fin du Temps: III. Abîme des oiseaux | Erich Gruenberg, Gervase de Peyer, William Pleeth, Michel Béroff | T-003.014.967-7 | |
| 23-4 | Quatuor pour la Fin du Temps: IV. Intermède | Erich Gruenberg, Gervase de Peyer, William Pleeth, Michel Béroff | T-003.014.967-7 | |
| 23-5 | Quatuor pour la Fin du Temps: V. Louange à l'Eternité de Jésus | Erich Gruenberg, Gervase de Peyer, William Pleeth, Michel Béroff | T-003.014.967-7 | |
| 23-6 | Quatuor pour la Fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Erich Gruenberg, Gervase de Peyer, William Pleeth, Michel Béroff | T-003.014.967-7 | |
| 23-7 | Quatuor pour la Fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la Fin du Temps | Erich Gruenberg, Gervase de Peyer, William Pleeth, Michel Béroff | T-003.014.967-7 | |
| 23-8 | Quatuor pour la Fin du Temps: VIII. Louange à l'Immortalité de Jésus | Erich Gruenberg, Gervase de Peyer, William Pleeth, Michel Béroff | T-003.014.967-7 | |
| 24-1 | Turangalîla-Symphonie: I. Introduction | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 24-2 | Turangalîla-Symphonie: II. Chant d'amour I | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 24-3 | Turangalîla-Symphonie: III. Turangalîla I | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 24-4 | Turangalîla-Symphonie: IV. Chant d'amour II | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 24-5 | Turangalîla-Symphonie: V. Joie du sang des étoiles | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 24-6 | Turangalîla-Symphonie: VI. Jardin du sommeil d'amour | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 24-7 | Turangalîla-Symphonie: VII. Turangalîla II | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 24-8 | Turangalîla-Symphonie: VIII. Développement de l'amour | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 24-9 | Turangalîla-Symphonie: IX. Turangalîla III | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 24-10 | Turangalîla-Symphonie: X. Final | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 25-1 | Paris, op. 284: I. Montmartre | — | ||
| 25-2 | Paris, op. 284: II. L'Isle Saint-Louis | — | ||
| 25-3 | Paris, op. 284: III. Montparnasse | — | ||
| 25-4 | Paris, op. 284: IV. Bateaux-Mouches | — | ||
| 25-5 | Paris, op. 284: V. Longchamp | — | ||
| 25-6 | Paris, op. 284: VI. La Tour Eiffel | — | ||
| 25-7 | Le Carnaval d'Aix, op. 83b: I. Le Corso | — | ||
| 25-8 | Le Carnaval d'Aix, op. 83b: II. Tartaglia | — | ||
| 25-9 | Le Carnaval d'Aix, op. 83b: III. Isabelle | — | ||
| 25-10 | Le Carnaval d'Aix, op. 83b: IV. Rosetta | — | ||
| 25-11 | Le Carnaval d'Aix, op. 83b: V. Le bon et le mauvais tuteur | — | ||
| 25-12 | Le Carnaval d'Aix, op. 83b: VI. Coviello | — | ||
| 25-13 | Le Carnaval d'Aix, op. 83b: VII. Le Capitaine Cartuccia | — | ||
| 25-14 | Le Carnaval d'Aix, op. 83b: VIII. Polichinelle | — | ||
| 25-15 | Le Carnaval d'Aix, op. 83b: IX. Polka | — | ||
| 25-16 | Le Carnaval d'Aix, op. 83b: X. Cinzio | — | ||
| 25-17 | Le Carnaval d'Aix, op. 83b: XI. Souvenir de Rio | — | ||
| 25-18 | Le Carnaval d'Aix, op. 83b: XII. Finale | — | ||
| 25-19 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: I. Introduction et Marche royale du lion (Introduction and Royal March of the Lion) | — | ||
| 25-20 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: II. Poules et coqs (Hens and Roosters) | — | ||
| 25-21 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: III. Hémiones (ou Animaux véloces) (Wild Asses) | — | ||
| 25-22 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: IV. Tortues (Tortoises) | — | ||
| 25-23 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: V. L'Éléphant (The Elephant) | — | ||
| 25-24 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: VI. Kangourous (Kangaroos) | — | ||
| 25-25 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: VII. Aquarium | — | ||
| 25-26 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: VIII. Personnages à longues oreilles (Persons with Long Ears) | — | ||
| 25-27 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: IX. Le Coucou au fond des bois (Cuckoo in the Depths of the Wood) | — | ||
| 25-28 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: X. Volière (The Aviary) | — | ||
| 25-29 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: XI. Pianistes (Pianists) | — | ||
| 25-30 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: XII. Fossiles (Fossils) | — | ||
| 25-31 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: XIII. Le Cygne (The Swan) | — | ||
| 25-32 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: XIV. Finale | — | ||
| 26-1 | Pictures at an Exhibition: Promenade | — | ||
| 26-2 | Pictures at an Exhibition: The Gnome | — | ||
| 26-3 | Pictures at an Exhibition: Promenade | — | ||
| 26-4 | Pictures at an Exhibition: The Old Castle | — | ||
| 26-5 | Pictures at an Exhibition: Promenade | — | ||
| 26-6 | Pictures at an Exhibition: The Tuileries | — | ||
| 26-7 | Pictures at an Exhibition: Bydlo | — | ||
| 26-8 | Pictures at an Exhibition: Promenade | — | ||
| 26-9 | Pictures at an Exhibition: Ballet of the Unhatched Chicks | — | ||
| 26-10 | Pictures at an Exhibition: Samuel Goldenberg and Schmuyle | — | ||
| 26-11 | Pictures at an Exhibition: Promenade | — | ||
| 26-12 | Pictures at an Exhibition: The Market Place in Limoges | — | ||
| 26-13 | Pictures at an Exhibition: The Catacombs | — | ||
| 26-14 | Pictures at an Exhibition: Cum mortuis in lingua mortua | — | ||
| 26-15 | Pictures at an Exhibition: The Hut on Fowl’s Legs. | — | ||
| 26-16 | Pictures at an Exhibition: The Great Gate of Kiev. | — | ||
| 26-18 | Turkish March (alla marcia) | — | ||
| 26-19 | Porte‐enseigne polka | — | ||
| 26-20 | Deux souvenirs d’enfance: Niania et moi | — | ||
| 26-21 | Deux souvenirs d’enfance: Première punition | — | ||
| 26-22 | Souvenir d’enfance Nr.3 | — | ||
| 26-23 | Une plaisanterie d’enfants “Ein Kinderscherz” | — | ||
| 26-24 | Intermezzo in B minor | — | ||
| 26-25 | La Caprisieuse (on a theme of Count L. Heyden) | — | ||
| 26-26 | Scherzo in C Sharp minor | — | ||
| 26-27 | Impromptu passionné | — | ||
| 26-28 | Sur la Côte d’Azur de la Crimée (Gurzuf) | — | ||
| 26-29 | Près de la Côte d’Azur en Crimée (Capriccio) | — | ||
| 26-30 | Méditation (Feuillet d’album) | — | ||
| 26-31 | Une Larme | — | ||
| 26-32 | La Couturière (Scherzino) | — | ||
| 26-33 | Au village | — | ||
| 26-34 | Gopak | — | ||
| 27-1 | Visions fugitives, op. 22: No. 1, Lentamente | — | ||
| 27-2 | Visions fugitives, op. 22: No. 2, Andante | — | ||
| 27-3 | Visions fugitives, op. 22: No. 3, Allegretto | — | ||
| 27-4 | Visions fugitives, op. 22: No. 4, Animato | — | ||
| 27-5 | Visions fugitives, op. 22: No. 5, Molto giocoso | — | ||
| 27-6 | Visions fugitives, op. 22: No. 6, Con eleganza | — | ||
| 27-7 | Visions fugitives, op. 22: No. 7, Pittoresco | — | ||
| 27-8 | Visions fugitives, op. 22: No. 8, Comodo | — | ||
| 27-9 | Visions fugitives, op. 22: No. 9, Allegretto tranquillo | — | ||
| 27-10 | Visions fugitives, op. 22: No. 10, Ridicolosamente | — | ||
| 27-11 | Visions fugitives, op. 22: No. 11, Con vivacità | — | ||
| 27-12 | Visions fugitives, op. 22: No. 12, Assai moderato | — | ||
| 27-13 | Visions fugitives, op. 22: No. 13, Allegretto | — | ||
| 27-14 | Visions fugitives, op. 22: No. 14, Feroce | — | ||
| 27-15 | Visions fugitives, op. 22: No. 15, Inquieto | — | ||
| 27-16 | Visions fugitives, op. 22: No. 16, Dolente | — | ||
| 27-17 | Visions fugitives, op. 22: No. 17, Poetico | — | ||
| 27-18 | Visions fugitives, op. 22: No. 18, Con una dolce lentezza | — | ||
| 27-19 | Visions fugitives, op. 22: No. 19, Presto agitatissimo e molto accentuato | — | ||
| 27-20 | Visions fugitives, op. 22: No. 20, Lento irrealmente | — | ||
| 27-21 | Piano Sonata no. 2 In E-flat major, op. 45: I. Allegro Moderato - Festivamente | — | ||
| 27-22 | Piano Sonata no. 2 In E-flat major, op. 45: II. Andante Sostenuto | — | ||
| 27-23 | Piano Sonata no. 2 In E-flat major, op. 45: III. Presto Assai | — | ||
| 28-1 | Piano Sonata no. 1 in F minor, op. 1 | — | ||
| 28-2 | Piano Sonata no. 2 in D minor, op. 14: I. Allegro ma non troppo | — | ||
| 28-3 | Piano Sonata no. 2 in D minor, op. 14: II. Scherzo. Allegro marcato | — | ||
| 28-4 | Piano Sonata no. 2 in D minor, op. 14: III. Andante | — | ||
| 28-5 | Piano Sonata no. 2 in D minor, op. 14: IV. Vivace | — | ||
| 28-6 | Visions fugitives, op. 22: No. 1, Lentamente | — | ||
| 28-7 | Visions fugitives, op. 22: No. 2, Andante | — | ||
| 28-8 | Visions fugitives, op. 22: No. 3, Allegretto | — | ||
| 28-9 | Visions fugitives, op. 22: No. 4, Animato | — | ||
| 28-10 | Visions fugitives, op. 22: No. 5, Molto giocoso | — | ||
| 28-11 | Visions fugitives, op. 22: No. 6, Con eleganza | — | ||
| 28-12 | Visions fugitives, op. 22: No. 7, Pittoresco | — | ||
| 28-13 | Visions fugitives, op. 22: No. 8, Comodo | — | ||
| 28-14 | Visions fugitives, op. 22: No. 9, Allegretto tranquillo | — | ||
| 28-15 | Visions fugitives, op. 22: No. 10, Ridicolosamente | — | ||
| 28-16 | Visions fugitives, op. 22: No. 11, Con vivacità | — | ||
| 28-17 | Visions fugitives, op. 22: No. 12, Assai moderato | — | ||
| 28-18 | Visions fugitives, op. 22: No. 13, Allegretto | — | ||
| 28-19 | Visions fugitives, op. 22: No. 14, Feroce | — | ||
| 28-20 | Visions fugitives, op. 22: No. 15, Inquieto | — | ||
| 28-21 | Visions fugitives, op. 22: No. 16, Dolente | — | ||
| 28-22 | Visions fugitives, op. 22: No. 17, Poetico | — | ||
| 28-23 | Visions fugitives, op. 22: No. 18, Con una dolce lentezza | — | ||
| 28-24 | Visions fugitives, op. 22: No. 19, Presto agitatissimo e molto accentuato | — | ||
| 28-25 | Visions fugitives, op. 22: No. 20, Lento irrealmente | — | ||
| 29-1 | Piano Sonata no. 3 in A minor, op. 28 “From Old Notebooks” | — | ||
| 29-2 | Piano Sonata no. 7 in B‐flat major, op. 83: I. Allegro inquieto | — | ||
| 29-3 | Piano Sonata no. 7 in B‐flat major, op. 83: II. Andante caloroso | — | ||
| 29-4 | Piano Sonata no. 7 in B‐flat major, op. 83: III. Precipitato | — | ||
| 29-5 | Piano Sonata no. 6 in A major, op. 82: I. Allegro moderato | — | ||
| 29-6 | Piano Sonata no. 6 in A major, op. 82: II. Allegretto | — | ||
| 29-7 | Piano Sonata no. 6 in A major, op. 82: III. Tempo di valzer lentissimo | — | ||
| 29-8 | Piano Sonata no. 6 in A major, op. 82: IV. Vivace | — | ||
| 30-1 | Violin Sonata no. 1 In F minor, op. 80: I. Andante Assai | — | ||
| 30-2 | Violin Sonata no. 1 In F minor, op. 80: II. Allegro Brusco | — | ||
| 30-3 | Violin Sonata no. 1 In F minor, op. 80: III. Andante | — | ||
| 30-4 | Violin Sonata no. 1 In F minor, op. 80: IV. Allegrissimo | — | ||
| 30-5 | Violin Sonata no. 2 In D major, op. 94Bis: I. Moderato | — | ||
| 30-6 | Violin Sonata no. 2 In D major, op. 94Bis: II. Scherzo. Presto - Poco Più Mosso | — | ||
| 30-7 | Violin Sonata no. 2 In D major, op. 94Bis: III. Andante | — | ||
| 30-8 | Violin Sonata no. 2 In D major, op. 94Bis: IV. Allegro Con Brio - Poco Meno Mosso | — | ||
| 31-1 | Piano Concerto no. 1 In D-flat major, op. 10: I. Allegro Brioso | — | ||
| 31-2 | Piano Concerto no. 1 In D-flat major, op. 10: II. Andante Assai | — | ||
| 31-3 | Piano Concerto no. 1 In D-flat major, op. 10: III. Allegro Scherzando | — | ||
| 31-4 | Piano Concerto no. 2 In G minor, op. 16: I. Andantino - Allegretto | — | ||
| 31-5 | Piano Concerto no. 2 In G minor, op. 16: II. Scherzo. VIvace | — | ||
| 31-6 | Piano Concerto no. 2 In G minor, op. 16: III. Intermezzo. Allegro Moderato | — | ||
| 31-7 | Piano Concerto no. 2 In G minor, op. 16: IV. Finale. Allegro Tempestoso | — | ||
| 31-8 | Overture On Hebrew Themes, op. 34 | — | ||
| 32-1 | Piano Concerto No. 3 in C major, Op. 26: I. Andante - Allegro | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 32-2 | Piano Concerto no. 3 In C major, op. 26: II. Tema Con Variazioni | — | ||
| 32-3 | Piano Concerto no. 3 In C major, op. 26: III. Allegro, Ma Non Troppo | — | ||
| 32-4 | Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": I. Vivace | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 32-5 | Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": II. Andante | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 32-6 | Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": III. Moderato | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 32-7 | Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": IV. Vivace | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 32-8 | Piano Concerto no. 5 In G major, op. 55: I. Allegro Con Brio | — | ||
| 32-9 | Piano Concerto no. 5 In G major, op. 55: II. Moderato Ben Accentuato | — | ||
| 32-10 | Piano Concerto no. 5 In G major, op. 55: III. Toccata. Allegro Con Fuoco | — | ||
| 32-11 | Piano Concerto no. 5 In G major, op. 55: IV. Larghetto | — | ||
| 32-12 | Piano Concerto no. 5 In G major, op. 55: V. VIvo | — | ||
| 33-1 | Sites Auriculaires: Habanera, M. 8 | — | ||
| 33-2 | Sites Auriculaires: no. 2, Entre Cloches, M. 13 | — | ||
| 33-4 | Frontispice, M. 70 | — | ||
| 33-5 | Ma Mère L'oye, M. 60: I. Pavane De La Belle Au Bois Dormant | — | ||
| 33-6 | Ma Mère L'oye, M. 60: II. Petit Poucet | — | ||
| 33-7 | Ma Mère L'oye, M. 60: III. Laideronnette, Impératrice Des Pagodes - Ravel : Piano RC | — | ||
| 33-8 | Ma Mère L'oye, M. 60: IV. Les Entretiens De La Belle Et De La Bête | — | ||
| 33-9 | Ma Mère L'oye, M. 60: V. Le Jardin Féerique | — | ||
| 34-1 | Kreisleriana op. 16: Äusserst Bewegt | — | ||
| 34-2 | Kreisleriana op. 16: Sehr Innig Und Nicht Zu Rasch | — | ||
| 34-3 | Kreisleriana op. 16: Sehr Aufgeregt | — | ||
| 34-4 | Kreisleriana op. 16: Sehr Langsam | — | ||
| 34-5 | Kreisleriana op. 16: Sehr Lebhaft | — | ||
| 34-6 | Kreisleriana op. 16: Sehr Langsam | — | ||
| 34-7 | Kreisleriana op. 16: Sehr Rasch | — | ||
| 34-8 | Kreisleriana op. 16: Schnell Und Spielend | — | ||
| 34-9 | Scènes De La Forêt (Waldszenen) op. 82: Entrée | — | ||
| 34-10 | Scènes De La Forêt (Waldszenen) op. 82: Le Chasseur À L'affût | — | ||
| 34-11 | Scènes De La Forêt (Waldszenen) op. 82: Fleurs Solitaires | — | ||
| 34-12 | Scènes De La Forêt (Waldszenen) op. 82: La Vallée Maudite | — | ||
| 34-13 | Scènes De La Forêt (Waldszenen) op. 82: Paysage Souriant | — | ||
| 34-14 | Scènes De La Forêt (Waldszenen) op. 82: L'auberge | — | ||
| 34-15 | Scènes De La Forêt (Waldszenen) op. 82: no. 7, Vogel Als Prophet | — | ||
| 34-16 | Scènes De La Forêt (Waldszenen) op. 82: Chanson Des Chasseurs | — | ||
| 34-17 | Scènes De La Forêt (Waldszenen) op. 82: L'adieu | — | ||
| 35-1 | Humoreske, op. 20: I. Einfach - Sehr Rasch Und Leicht | — | ||
| 35-2 | Humoreske, op. 20: II. Hastig | — | ||
| 35-3 | Humoreske, op. 20: III. Einfach Und Zart - Intermezzo | — | ||
| 35-4 | Humoreske, op. 20: Iv. Innig | — | ||
| 35-5 | Humoreske, op. 20: V. Sehr Lebhaft - Mit Einigem Pomp | — | ||
| 35-6 | Humoreske, op. 20: VI. Zum Beschluß | — | ||
| 35-7 | Fantaisie En Ut Majeur op.17 : I Très Fantasque Et Passionné - Légende | — | ||
| 35-8 | Fantaisie En Ut Majeur op.17 : II Moderato Con Forza - Molto Piu Vivo | — | ||
| 35-9 | Fantaisie En Ut Majeur op.17 : III Lento, Sempre Dolce | — | ||
| 36-1 | Violin Sonata no. 2 In D minor, op. 121: I. Ziemlich Langsam - Lebhaft | — | ||
| 36-2 | Violin Sonata no. 2 In D minor, op. 121: II. Sehr Lebhaft | — | ||
| 36-3 | Violin Sonata no. 2 In D minor, op. 121: III. Leise, Einfach | — | ||
| 36-4 | Violin Sonata no. 2 In D minor, op. 121: IV. Bewegt | — | ||
| 36-5 | Violin Sonata no. 1 In A minor, op. 105: I. Mit Leidenschaftlichem Ausdruck | — | ||
| 36-6 | Violin Sonata no. 1 In A minor, op. 105: II. Allegretto | — | ||
| 36-7 | Violin Sonata no. 1 In A minor, op. 105: III. Lebhaft | — | ||
| 37-1 | Violin Sonata In E-flat major, op. 18: I. Allegro, Ma Non Troppo | — | ||
| 37-2 | Violin Sonata In E-flat major, op. 18: II. Improvisation. Andante Cantabile | — | ||
| 37-3 | Violin Sonata In E-flat major, op. 18: III. Finale. Andante - Allegro | — | ||
| 37-4 | Violin Sonata In A major, Fwv 8: I. Allegretto Ben Moderato | — | ||
| 37-5 | Violin Sonata In A major, Fwv 8: II. Allegro | — | ||
| 37-6 | Violin Sonata In A major, Fwv 8: III. Recitativo-Fantasia. Ben Moderato | — | ||
| 37-7 | Violin Sonata In A major, Fwv 8: Iv. Allegretto Poco Mosso | — | ||
| 38-1 | Piano Sonata In F-sharp minor: I. Allegro | — | ||
| 38-2 | Piano Sonata In F-sharp minor: II. Vivo | — | ||
| 38-3 | Piano Sonata In F-sharp minor: III. Andante | — | ||
| 38-4 | Piano Sonata In F-sharp minor: IV. Finale. Allegro - Andante | — | ||
| 38-5 | Scherzo In G minor | — | ||
| 38-6 | 4 Études Pour Piano, op. 7: no. 1, Con Moto. Fougueux Avec Un Passage Médian En Cantilène | — | ||
| 38-7 | 4 Études Pour Piano, op. 7: no. 2, Allegro Brillante. Perpetuum Mobile | — | ||
| 38-8 | 4 Études Pour Piano, op. 7: no. 3, Andantino. Jeu De Timbres Sur Fond D'harmonie Très Élaborée | — | ||
| 38-9 | 4 Études Pour Piano, op. 7: no. 4, Vivo. Pièce VIrtuose Avec Arpèges Brisés, Sauts D'accord Et Gammes Chromatiques | — | ||
| 38-10 | Souvenir D'une Marche Boche | — | ||
| 38-11 | Valse Pour Les Enfants | — | ||
| 38-12 | Les Cinq Doigts "8 Mélodies Très Faciles": no. 1, Andantino | — | ||
| 38-13 | Les Cinq Doigts "8 Mélodies Très Faciles": no. 2, Allegro | — | ||
| 38-14 | Les Cinq Doigts "8 Mélodies Très Faciles": no. 3, Allegretto | — | ||
| 38-15 | Les Cinq Doigts "8 Mélodies Très Faciles": no. 4, Larghetto | — | ||
| 38-16 | Les Cinq Doigts "8 Mélodies Très Faciles": no. 5, Moderato | — | ||
| 38-17 | Les Cinq Doigts "8 Mélodies Très Faciles": no. 6, Lento | — | ||
| 38-18 | Les Cinq Doigts "8 Mélodies Très Faciles": no. 7, Vivo | — | ||
| 38-19 | Les Cinq Doigts "8 Mélodies Très Faciles": no. 8, Pesante | — | ||
| 39-1 | Piano Sonata no. 2: I. | — | ||
| 39-2 | Piano Sonata no. 2: II. Adagietto | — | ||
| 39-3 | Piano Sonata no. 2: III. | — | ||
| 39-4 | Serenade In A: I. Hymne | — | ||
| 39-5 | Serenade In A: II. Romanza | — | ||
| 39-6 | Serenade In A: III. Rondoletto | — | ||
| 39-7 | Serenade In A: IV. Cadenza Finala | — | ||
| 39-8 | Three Movements From Petrushka: I. Russian Dance | — | ||
| 39-9 | Three Movements From Petrushka: II. Petrushka's Cell | — | ||
| 39-10 | Three Movements From Petrushka: III. The Shrovetide Fair | — | ||
| 39-11 | Piano-Rag-Music | — | ||
| 39-12 | Tango | — | ||
| 40-1 | Capriccio For Piano And Orchestra: I. Presto Doppio Movimento | — | ||
| 40-2 | Capriccio For Piano And Orchestra: II. Andante Rapsodico | — | ||
| 40-3 | Capriccio For Piano And Orchestra: III. Allegro Capriccioso, Ma Tempo Giusto | — | ||
| 40-4 | Movements: I. | — | ||
| 40-5 | Movements: II. | — | ||
| 40-6 | Movements: III. | — | ||
| 40-7 | Movements: IV. | — | ||
| 40-8 | Movements: V. | — | ||
| 40-9 | Concerto for Piano & Wind Instruments: I. Largo – Allegro | Michel Béroff, Orchestre de Paris, Seiji Ozawa | — | |
| 40-10 | Concerto for Piano & Wind Instruments: II. Largo – Cadenza: Poco rubato | Michel Béroff, Orchestre de Paris, Seiji Ozawa | — | |
| 40-11 | Concerto for Piano & Wind Instruments: III. Allegro | Michel Béroff, Orchestre de Paris, Seiji Ozawa | — | |
| 41-1 | Mythes- Trois Poèmes Pour VIolin Et Piano op. 30: La Fonatine D'arethuse | — | ||
| 41-2 | Mythes- Trois Poèmes Pour VIolin Et Piano op. 30: Narcisse | — | ||
| 41-3 | Mythes- Trois Poèmes Pour VIolin Et Piano op. 30: Dryades Et Pan | — | ||
| 41-4 | Romance Pour VIolin And Piano op. 23 | — | ||
| 41-5 | Trois Caprices De Paganini op. 40: Caprice no. 20 | — | ||
| 41-6 | Trois Caprices De Paganini op. 40: Caprice no. 21 | — | ||
| 41-7 | Trois Caprices De Paganini op. 40: Caprice no. 24 (Thème Varié) | — | ||
| 41-8 | Notturno E Tarantella op. 28 | — | ||
| 42-1 | Overture in the French Style, BWV 831: I. Overture | — | ||
| 42-2 | Overture in the French Style, BWV 831: II. Courante | — | ||
| 42-3 | Overture in the French Style, BWV 831: III. Gavottes I & II | — | ||
| 42-4 | Overture in the French Style, BWV 831: IV. Passepieds I & II | — | ||
| 42-5 | Overture in the French Style, BWV 831: V. Sarabande | — | ||
| 42-6 | Overture in the French Style, BWV 831: VI. Bourrées I & II | — | ||
| 42-7 | Overture in the French Style, BWV 831: VII. Gigue | — | ||
| 42-8 | Overture in the French Style, BWV 831: VIII. Echo | — | ||
| 42-9 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo - Adagio espressivo | — | ||
| 42-10 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | — | ||
| 42-11 | Piano Sonata no. 30 in E major, op. 109: III. (a) Andante molto cantabile e espressivo | — | ||
| 42-12 | Piano Sonata no. 30 in E major, op. 109: III. (b) Variation I. Molto espressivo | — | ||
| 42-13 | Piano Sonata no. 30 in E major, op. 109: III. (c) Variation II. Leggiermente | — | ||
| 42-14 | Piano Sonata no. 30 in E major, op. 109: III. (d) Variation III. Allegro vivace | — | ||
| 42-15 | Piano Sonata no. 30 in E major, op. 109: III. (e) Variation IV. Etwas langsamer als das Thema | — | ||
| 42-16 | Piano Sonata no. 30 in E major, op. 109: III. (f) Variation V. Allegro, ma non troppo | — | ||
| 42-17 | Piano Sonata no. 30 in E major, op. 109: III. (g) Variation VI. Tempo I del tema | — | ||
| 42-18 | Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | — | ||
| 42-19 | Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | — | ||
| 42-20 | Piano Sonata no. 31 in A-flat major, op. 110: III. (a) Adagio ma non troppo - Recitativo più adagio | — | ||
| 42-21 | Piano Sonata no. 31 in A-flat major, op. 110: III. (b) Adagio ma non troppo. Arioso dolente | — | ||
| 42-22 | Piano Sonata no. 31 in A-flat major, op. 110: III. (c) Fuga. Allegro ma non troppo | — | ||
| 42-23 | Piano Sonata no. 31 in A-flat major, op. 110: III. (d) L'istesso di Arioso | — | ||
| 42-24 | Piano Sonata no. 31 in A-flat major, op. 110: III. (e) L'istesso tempo della fuga. Poi a poi di nuovo vivente | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5021732419385 is a Universal Product Code (UPC) assigned to Complete Erato Recordings by Michel Béroff. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 658 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Complete Erato Recordings” by Michel Béroff is 5021732419385. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 658 tracks, each with its own ISRC. Tracks include FRZ110601634, FRZ110601635, FRZ110601636.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto in C minor for 2 Keyboards, no. 1 BWV 1060: I. Allegro | — | ||
| 2 | Concerto in C minor for 2 Keyboards, no. 1 BWV 1060: II. Adagio | — | ||
| 3 | Concerto in C minor for 2 Keyboards, no. 1 BWV 1060: III. Allegro | — | ||
| 4 | Concerto in C for 2 keyboards, no. 2 BWV 1061: I. Allegro | — | ||
| 5 | Concerto in C for 2 keyboards, no. 2 BWV 1061: II. Adagio | — | ||
| 6 | Concerto in C for 2 keyboards, no. 2 BWV 1061: III. Fuga | — | ||
| 7 | Concerto in C minor for 2 keyboards, no. 3 BWV 1062: I. Vivace | — | ||
| 8 | Concerto in C minor for 2 keyboards, no. 3 BWV 1062: II. Andante | — | ||
| 9 | Concerto in C minor for 2 keyboards, no. 3 BWV 1062: III. Allegro assai | — | ||
| 10 | Concerto for Keyboard and Strings in G minor BWV 1058: I. [Allegro] | — | ||
| 11 | Concerto for Keyboard and Strings in G minor BWV 1058: II. Andante | — | ||
| 12 | Concerto for Keyboard and Strings in G minor BWV 1058: III. Allegro assai | — | ||
| 2-1 | Concerto in A minor for 4 keyboards, BWV 1065: I. Allegro | — | ||
| 2-2 | Concerto in A minor for 4 keyboards, BWV 1065: II. Largo | — | ||
| 2-3 | Concerto in A minor for 4 keyboards, BWV 1065: III. Allegro | — | ||
| 2-4 | Concerto in D minor for 3 keyboards, BWV 1063: I. Allegro | — | ||
| 2-5 | Concerto in D minor for 3 keyboards, BWV 1063: II. Alla siciliana | — | ||
| 2-6 | Concerto in D minor for 3 keyboards, BWV 1063: III. Allegro | — | ||
| 2-7 | Concerto in C for 3 keyboards, BWV 1064: I. Allegro | — | ||
| 2-8 | Concerto in C for 3 keyboards, BWV 1064: II. Adagio | — | ||
| 2-9 | Concerto in C for 3 keyboards, BWV 1064: III. Allegro | — | ||
| 3-1 | Partita for Solo Violin no. 2 in D minor, BWV 1004: V. Chaconne (Transcr. Brahms for Piano Left Hand) | Michel Béroff | — | |
| 3-2 | 6 Études pour la main gauche seule, op. 135: no. 1, Prélude | Michel Béroff | — | |
| 3-3 | 6 Études pour la main gauche seule, op. 135: no. 2, Alla fuga | Michel Béroff | — | |
| 3-4 | 6 Études pour la main gauche seule, op. 135: no. 3, Molto perpetuo | Michel Béroff | — | |
| 3-5 | 6 Études pour la main gauche seule, op. 135: no. 4, Bourrée | Michel Béroff | — | |
| 3-6 | 6 Études pour la main gauche seule, op. 135: no. 5, Élégie | Michel Béroff | — | |
| 3-7 | 6 Études pour la main gauche seule, op. 135: no. 6, Gigue | Michel Béroff | — | |
| 3-8 | 4 Pieces, Sz. 22: no. 1, Study for the Left Hand | Michel Béroff | — | |
| 3-9 | Prelude and Nocturne for the Left Hand, op. 9: I. Prelude in C-sharp minor | Michel Béroff | — | |
| 3-10 | Prelude and Nocturne for the Left Hand, op. 9: II. Nocturne in D-flat major | Michel Béroff | — | |
| 3-11 | Studies on Chopin's Études: no. 3, Study for the Left Hand After op. 10 no. 2 | Michel Béroff | — | |
| 3-12 | Studies on Chopin's Études: no. 5, Study for the Left Hand After op. 10 no. 3 "Tristesse" | Michel Béroff | — | |
| 3-13 | Studies on Chopin's Études: no. 13, Study for the Left Hand After op. 10 no. 6 | Michel Béroff | — | |
| 3-14 | Studies on Chopin's Études: no. 22, Study for the Left Hand After op. 10 no. 12 | Michel Béroff | — | |
| 3-15 | Studies on Chopin's Études: no. 23, Study for the Left Hand After op. 25 no. 1 | Michel Béroff | — | |
| 3-16 | Studies on Chopin's Études: no. 41, Study for the Left Hand After op. 25 no. 10 | Michel Béroff | — | |
| 3-17 | Studies on Chopin's Études: no. 43, Study for the Left Hand After op. 25 no. 12 | Michel Béroff | — | |
| 4-1 | Sonate, Sz. 80: Allegro moderato | Michel Béroff | — | |
| 4-2 | Sonate, Sz. 80: Sostenuto e pesante | Michel Béroff | — | |
| 4-3 | Sonate, Sz. 80: Allegro molto | Michel Béroff | — | |
| 4-4 | En plein air, Sz. 81: Avec tambours et fifres | Michel Béroff | T-071.000.879-9 | |
| 4-5 | En plein air, Sz. 81: Barcarolla | Michel Béroff | T-071.000.879-9 | |
| 4-6 | En plein air, Sz. 81: Musettes | Michel Béroff | — | |
| 4-7 | En plein air, Sz. 81: Musiques nocturnes | Michel Béroff | T-071.000.879-9 | |
| 4-8 | En plein air, Sz. 81: Poursuite | Michel Béroff | T-071.000.879-9 | |
| 4-9 | 6 Danses populaires Roumaines, Sz. 56: Danse du baton | Michel Béroff | T-071.000.879-9 | |
| 4-10 | 6 Danses populaires Roumaines, Sz. 56: Brául | Michel Béroff | — | |
| 4-11 | 6 Danses populaires Roumaines, Sz. 56: Le batteur de grain | Michel Béroff | T-071.000.879-9 | |
| 4-12 | 6 Danses populaires Roumaines, Sz. 56: Danse de Bucsumi | Michel Béroff | T-071.000.879-9 | |
| 4-13 | 6 Danses populaires Roumaines, Sz. 56: Polka Roumaine | Michel Béroff | — | |
| 4-14 | 6 Danses populaires Roumaines, Sz. 56: Danse rapide | Michel Béroff | T-071.000.879-9 | |
| 4-15 | 15 Hungarian Peasant Songs, Sz. 71: No. 1, Four Old Tunes I. Rubato | — | ||
| 4-16 | 15 Hungarian Peasant Songs, Sz. 71: No. 2, Four Old Tunes Ii. Andante | — | ||
| 4-17 | 15 Hungarian Peasant Songs, Sz. 71: No. 3, Four Old Tunes Iii. Poco Rubato | — | ||
| 4-18 | 15 Hungarian Peasant Songs, Sz. 71: No. 4, Four Old Tunes Iv. Andante | — | ||
| 4-19 | 15 Hungarian Peasant Songs, Sz. 71: No. 5, Scherzo. Allegro | — | ||
| 4-20 | 15 Hungarian Peasant Songs, Sz. 71: No. 6, Ballad. Andante | — | ||
| 4-21 | 15 Hungarian Peasant Songs, Sz. 71: No. 7, Old Dance Tunes I. Allegro | — | ||
| 4-22 | 15 Hungarian Peasant Songs, Sz. 71: No. 8, Old Dance Tunes Ii. Allegretto | — | ||
| 4-23 | 15 Hungarian Peasant Songs, Sz. 71: No. 9, Old Dance Tunes Iii. Allegretto | — | ||
| 4-24 | 15 Hungarian Peasant Songs, Sz. 71: No. 10, Old Dance Tunes Iv. The istesso | — | ||
| 4-25 | 15 Hungarian Peasant Songs, Sz. 71: No. 11, Old Dance Tunes V. Assai Moderato | — | ||
| 4-26 | 15 Hungarian Peasant Songs, Sz. 71: No. 12, Old Dance Tunes Vi. Allegretto | — | ||
| 4-27 | 15 Hungarian Peasant Songs, Sz. 71: No. 13, Old Dance Tunes Vii. Poco Più Vivo | — | ||
| 4-28 | 15 Hungarian Peasant Songs, Sz. 71: No. 14, Old Dance Tunes Viii. Allegro | — | ||
| 4-29 | 15 Hungarian Peasant Songs, Sz. 71: No. 15, Old Dance Tunes Ix. Allegro | — | ||
| 4-30 | 6 Danses Bulgares (de 'Mikrokosmos Vol. VI, Sz. 107): 1 | Michel Béroff | T-071.000.879-9 | |
| 4-31 | 6 Danses Bulgares (de 'Mikrokosmos Vol. VI, Sz. 107): 2 | Michel Béroff | — | |
| 4-32 | 6 Danses Bulgares (de 'Mikrokosmos Vol. VI, Sz. 107): 3 | Michel Béroff | — | |
| 4-33 | 6 Danses Bulgares (de 'Mikrokosmos Vol. VI, Sz. 107): 4 | Michel Béroff | T-071.000.879-9 | |
| 4-34 | 6 Danses Bulgares (de 'Mikrokosmos Vol. VI, Sz. 107): 5 | Michel Béroff | — | |
| 4-35 | 6 Danses Bulgares (de 'Mikrokosmos Vol. VI, Sz. 107): 6 | Michel Béroff | T-071.000.879-9 | |
| 5-1 | Pour les Enfants, Volume I: Thèmes Hongrois - Enfants au jeu - Chanson enfantine - Quasi adagio - Danse de l'oreiller - Jeu | Michel Béroff | T-071.000.879-9 | |
| 5-2 | Pour les Enfants, Volume I: Étude pour la main gauche - Chanson - Jeu d'enfant | Michel Béroff | — | |
| 5-3 | Pour les Enfants, Volume I: Chanson - Danse enfantine - Lento - Allegro | Michel Béroff | — | |
| 5-4 | Pour les Enfants, Volume I: Ballade - Allegretto - Allegro moderato - Vieil air hongrois - Rondo | Michel Béroff | — | |
| 5-5 | Pour les Enfants, Volume I: Chanson de soldat - Allegretto - Chanson à boire - Allegro robusto - Allegretto | Michel Béroff | — | |
| 5-6 | Pour les Enfants, Volume I: Chanson à danser - Andante sostenuto - Parlando - Moderato - Plaisanterie - Choral - Air | Michel Béroff | — | |
| 5-7 | Pour les Enfants, Volume I: Chanson à moquerie - Andante tranquillo - Andante - Allegro non troppo | Michel Béroff | — | |
| 5-8 | Pour les Enfants, Volume I: Allegretto - Con moto - Chanson d'ivresse | Michel Béroff | T-071.000.879-9 | |
| 5-9 | Pour les Enfants, Volume I: Chanson du porcher - Chanson du solistice d'hiver - Allegro moderato - Danse du porcher | Michel Béroff | — | |
| 5-10 | 10 Pièces faciles, Sz. 39: Dédicace | Michel Béroff | T-071.000.879-9 | |
| 5-11 | 10 Pièces faciles, Sz. 39: Chant de paysan - tourments - Danse slovaque | Michel Béroff | T-071.000.879-9 | |
| 5-12 | 10 Pièces faciles, Sz. 39: Sostenuto - Un soir en Transylvanie | Michel Béroff | T-071.000.879-9 | |
| 5-13 | 10 Pièces faciles, Sz. 39: Chanson Populaire Hongroise - L'aube - Chanson populaire Hongroise | Michel Béroff | T-071.000.879-9 | |
| 5-14 | 10 Pièces faciles, Sz. 39: Étude pour les 5 doigts - Danse de l'ours | Michel Béroff | T-071.000.879-9 | |
| 5-15 | Pour les Enfants, Volume II: Thèmes Slovaques - Allegro - Andantino - Allegretto | Michel Béroff | — | |
| 5-16 | Pour les Enfants, Volume II: Chanson des noces - Variations - Rondo No.1 - Chagrin - Danse | Michel Béroff | — | |
| 5-17 | Pour les Enfants, Volume II: Rondo no. 2 - Chant funèbre | Michel Béroff | — | |
| 5-18 | Pour les Enfants, Volume II: Lento - Andante rubato - Allegro - Moderato - Air de cornemuse No.1 | Michel Béroff | T-071.000.879-9 | |
| 5-19 | Pour les Enfants, Volume II: Plainte - Andante - Chanson taquine - Romance | Michel Béroff | T-071.000.879-9 | |
| 5-20 | Pour les Enfants, Volume II: Jeu de chat - Plaisanterie No.1 - Festivités | Michel Béroff | T-071.000.879-9 | |
| 5-21 | Pour les Enfants, Volume II: Andante tranquillo - Andante - Scherzando - Flûte de paysan - Plaisanterie No.2 | Michel Béroff | T-071.000.879-9 | |
| 5-22 | Pour les Enfants, Volume II: Andante molto rubato - Canon - Air de cornemuse No.2 | Michel Béroff | T-071.000.879-9 | |
| 5-23 | Pour les Enfants, Volume II: Le bandit de grand chemin - Pesante - Andante tranquillo - Adieux | Michel Béroff | T-071.000.879-9 | |
| 5-24 | Pour les Enfants, Volume II: Ballade - Rhapsodie | Michel Béroff | T-071.000.879-9 | |
| 5-25 | Pour les Enfants, Volume II: Chant funèbre - Chant de deuil | Michel Béroff | T-071.000.879-9 | |
| 5-26 | Sonatine, Sz. 55: Allegretto | Michel Béroff | T-071.000.879-9 | |
| 5-27 | Sonatine, Sz. 55: Danse de l'ours | Michel Béroff | T-071.000.879-9 | |
| 5-28 | Sonatine, Sz. 55: Finale. Allegro vivace | Michel Béroff | — | |
| 6-1 | 21 Hungarian Dances, Woo 1: No. 1 In G minor | — | ||
| 6-2 | 21 Hungarian Dances, Woo 1: No. 2 In D minor | — | ||
| 6-3 | 21 Hungarian Dances, Woo 1: No. 3 In F major | — | ||
| 6-4 | 21 Hungarian Dances, Woo 1: No. 4 In F minor | — | ||
| 6-5 | 21 Hungarian Dances, Woo 1: No. 5 In F-sharp minor | — | ||
| 6-6 | 21 Hungarian Dances, Woo 1: No. 6 In D-flat major | — | ||
| 6-7 | 21 Hungarian Dances, Woo 1: No. 7 In A major | — | ||
| 6-8 | 21 Hungarian Dances, Woo 1: No. 8 In A minor | — | ||
| 6-9 | 21 Hungarian Dances, Woo 1: No. 9 In E minor | — | ||
| 6-10 | 21 Hungarian Dances, Woo 1: No. 10 In E major | — | ||
| 6-11 | 21 Hungarian Dances, Woo 1: No. 11 In D minor | — | ||
| 6-12 | 21 Hungarian Dances, Woo 1: No. 12 In D minor | — | ||
| 6-13 | 21 Hungarian Dances, Woo 1: No. 13 In D major | — | ||
| 6-14 | 21 Hungarian Dances, Woo 1: No. 14 In D minor | — | ||
| 6-15 | 21 Hungarian Dances, Woo 1: No. 15 In B-flat major | — | ||
| 6-16 | 21 Hungarian Dances, Woo 1: No. 16 In F minor | — | ||
| 6-17 | 21 Hungarian Dances, Woo 1: No. 17 In F-sharp minor | — | ||
| 6-18 | 21 Hungarian Dances, Woo 1: No. 18 In D major | — | ||
| 6-19 | 21 Hungarian Dances, Woo 1: No. 19 In B minor | — | ||
| 6-20 | 21 Hungarian Dances, Woo 1: No. 20 In E minor | — | ||
| 6-21 | 21 Hungarian Dances, Woo 1: No. 21 In E minor | — | ||
| 7-1 | 16 Waltzes, op. 39: No. 1 In B major | — | ||
| 7-2 | 16 Waltzes, op. 39: No. 2 In E major | — | ||
| 7-3 | 16 Waltzes, op. 39: No. 3 In G-sharp minor | — | ||
| 7-4 | 16 Waltzes, op. 39: No. 4 In E minor | — | ||
| 7-5 | 16 Waltzes, op. 39: No. 5 In E major | — | ||
| 7-6 | 16 Waltzes, op. 39: No. 6 In C-sharp major | — | ||
| 7-7 | 16 Waltzes, op. 39: No. 7 In C-sharp minor | — | ||
| 7-8 | 16 Waltzes, op. 39: No. 8 In B-flat major | — | ||
| 7-9 | 16 Waltzes, op. 39: No. 9 In D minor | — | ||
| 7-10 | 16 Waltzes, op. 39: No. 10 In G major | — | ||
| 7-11 | 16 Waltzes, op. 39: No. 11 In B minor | — | ||
| 7-12 | 16 Waltzes, op. 39: No. 12 In E major | — | ||
| 7-13 | 16 Waltzes, op. 39: No. 13 In C major | — | ||
| 7-14 | 16 Waltzes, op. 39: No. 14 In A minor | — | ||
| 7-15 | 16 Waltzes, op. 39: No. 15 In A major | — | ||
| 7-16 | 16 Waltzes, op. 39: No. 16 In D minor | — | ||
| 7-17 | Liebesliederwalzer op. 52: No. 1 In E major | — | ||
| 7-18 | Liebesliederwalzer op. 52: No. 2 In A minor | — | ||
| 7-19 | Liebesliederwalzer op. 52: No. 3 In B-flat major | — | ||
| 7-20 | Liebesliederwalzer op. 52: No. 4 In F major | — | ||
| 7-21 | Liebesliederwalzer op. 52: No. 5 In A minor | — | ||
| 7-22 | Liebesliederwalzer op. 52: No. 6 In A major | — | ||
| 7-23 | Liebesliederwalzer op. 52: No. 7 In C minor | — | ||
| 7-24 | Liebesliederwalzer op. 52: No. 8 In A-flat major | — | ||
| 7-25 | Liebesliederwalzer op. 52: No. 9 In E major | — | ||
| 7-26 | Liebesliederwalzer op. 52: No. 10 In G major | — | ||
| 7-27 | Liebesliederwalzer op. 52: No. 11 In C minor | — | ||
| 7-28 | Liebesliederwalzer op. 52: No. 12 In E-flat major | — | ||
| 7-29 | Liebesliederwalzer op. 52: No. 13 In A-flat major | — | ||
| 7-30 | Liebesliederwalzer op. 52: No. 14 In E-flat major | — | ||
| 7-31 | Liebesliederwalzer op. 52: No. 15 In A-flat major | — | ||
| 7-32 | Liebesliederwalzer op. 52: No. 16 In F minor | — | ||
| 7-33 | Liebesliederwalzer op. 52: No. 17 In D-flat major | — | ||
| 7-34 | Liebesliederwalzer op. 52: No. 18 In C-sharp minor | — | ||
| 7-35 | Variations On A Theme By Schumann, op. 23: Theme. Leise Und Innig | — | ||
| 7-36 | Variations On A Theme By Schumann, op. 23: Variation I. L'istesso Tempo. Andante Molto Moderato | — | ||
| 7-37 | Variations On A Theme By Schumann, op. 23: Variation Ii | — | ||
| 7-38 | Variations On A Theme By Schumann, op. 23: Variation Iii | — | ||
| 7-39 | Variations On A Theme By Schumann, op. 23: Variation Iv | — | ||
| 7-40 | Variations On A Theme By Schumann, op. 23: Variation V. Poco Più Animato | — | ||
| 7-41 | Variations On A Theme By Schumann, op. 23: Variation Vi. Allegro Non Troppo | — | ||
| 7-42 | Variations On A Theme By Schumann, op. 23: Variation Vii. Con Moto. L'istesso Tempo | — | ||
| 7-43 | Variations On A Theme By Schumann, op. 23: Variation Viii. Poco Più Vivo | — | ||
| 7-44 | Variations On A Theme By Schumann, op. 23: Variation Ix | — | ||
| 7-45 | Variations On A Theme By Schumann, op. 23: Variation X. Molto Moderato, Alla Marcia | — | ||
| 8-1 | Violin Sonata no. 1 In G major, Op. 78: I. Vivace, Ma Non Troppo | — | ||
| 8-2 | Violin Sonata no. 1 In G major, Op. 78: II. Adagio | — | ||
| 8-3 | Violin Sonata no. 1 In G major, Op. 78: III. Allegro Molto Moderato | — | ||
| 8-4 | Violin Sonata no. 2 In A major, Op. 100: I. Allegro Amabile | — | ||
| 8-5 | Violin Sonata no. 2 In A major, Op. 100: II. Andante Tranquillo & Perennial | — | ||
| 8-6 | Violin Sonata no. 2 In A major, Op. 100: II. Allegretto Grazioso, Quasi Andante | — | ||
| 9-1 | Violin Sonata no. 3 In D minor, op. 108: I. Allegro | — | ||
| 9-2 | Violin Sonata no. 3 In D minor, op. 108: Ii. Adagio | — | ||
| 9-3 | Violin Sonata no. 3 In D minor, op. 108: Iii. Un Poco Presto E Con Sentimento | — | ||
| 9-4 | Violin Sonata no. 3 In D minor, op. 108: Iv. Presto Agitato | — | ||
| 9-5 | F-A-E Sonata: I. Allegro | — | ||
| 9-6 | F-A-E Sonata: II. Intermezzo | — | ||
| 9-7 | F-A-E Sonata: III. Scherzo | — | ||
| 9-8 | F-A-E Sonata: Iv. Finale | — | ||
| 9-9 | Variations On A Theme By Schumann, Op. 23: Theme. Leise Und Innig | — | ||
| 9-10 | Variations On A Theme By Schumann, Op. 23: Variation I. L'istesso Tempo. Andante Molto Moderato | — | ||
| 9-11 | Variations On A Theme By Schumann, Op. 23: Variation II | — | ||
| 9-12 | Variations On A Theme By Schumann, Op. 23: Variation III. | — | ||
| 9-13 | Variations On A Theme By Schumann, Op. 23: Variation IV. | — | ||
| 9-14 | Variations On A Theme By Schumann, Op. 23: Variation V. Poco Più Animato | — | ||
| 9-15 | Variations On A Theme By Schumann, Op. 23: Variation VI. Allegro Non Troppo | — | ||
| 9-16 | Variations On A Theme By Schumann, Op. 23: Variation VII. Con Moto. L'istesso Tempo | — | ||
| 9-17 | Variations On A Theme By Schumann, Op. 23: Variation VIII. Poco Più Vivo | — | ||
| 9-18 | Variations On A Theme By Schumann, Op. 23: Variation IX | — | ||
| 9-19 | Variations On A Theme By Schumann, Op. 23: Variation X. Molto Moderato, Alla Marcia | — | ||
| 10-1 | Préludes, Book 1 No. 1: Danseuses et Delphes. Lent et grave | Michel Béroff | — | |
| 10-2 | Préludes, Book 1 No. 2: Voiles. Modéré | Michel Béroff | — | |
| 10-3 | Préludes, Book 1 No. 3: Le vent dans la plaine. Animé | Michel Béroff | — | |
| 10-4 | Préludes, Book 1 No. 4: Les sons et les parfums tournent dans l'air du soir. Modéré | Michel Béroff | — | |
| 10-5 | Préludes, Book 1 No. 5: Les collines d'Anacapri. Très modéré | Michel Béroff | — | |
| 10-6 | Préludes, Book 1 No. 6: Des pas sur la neige. Triste et lent | Michel Béroff | — | |
| 10-7 | Préludes, Book 1 No. 7: Ce qu'a vu le vent d'ouest. Animé et tumultueux | Michel Béroff | — | |
| 10-8 | Préludes, Book 1 No. 8: La fille aux cheveux de lin. Très calme et doucement expressif | Michel Béroff | — | |
| 10-9 | Préludes, Book 1 No. 9: La sérénade interrompue. Modérément animé | Michel Béroff | — | |
| 10-10 | Préludes, Book 1 No. 10: La cathédrale engloutie. Profondément calme | Michel Béroff | — | |
| 10-11 | Préludes, Book 1 No. 11: La danse de Puck. Capricieux et léger | Michel Béroff | — | |
| 10-12 | Préludes, Book 1 No. 12: Minstrels. Modéré | Michel Béroff | — | |
| 10-13 | Préludes, Book 2 No. 1: Brouillards. Modéré | Michel Béroff | — | |
| 10-14 | Préludes, Book 2 No. 2: Feuilles mortes. Lent et mélancolique | Michel Béroff | — | |
| 10-15 | Préludes, Book 2 No. 3: La Puerta del Vino. Mouvement de Habanera | Michel Béroff | — | |
| 10-16 | Préludes, Book 2 No. 4: Les fées sont d'exquises danseuses. Rapide et léger | Michel Béroff | — | |
| 10-17 | Préludes, Book 2 No. 5: Bruyères. Calme | Michel Béroff | — | |
| 10-18 | Préludes, Book 2 No. 6: General Lavine - excentric. Dans le style et le mouvement d'un Cake-Walk | Michel Béroff | — | |
| 10-19 | Préludes, Book 2 No. 7: La terrasse des audiences du clair de lune. Lent | Michel Béroff | — | |
| 10-20 | Préludes, Book 2 No. 8: Ondine. Scherzando | Michel Béroff | — | |
| 10-21 | Préludes, Book 2 No. 9: Hommage à S. Pickwick Esq. P.P.M.P.C. Grave | Michel Béroff | — | |
| 10-22 | Préludes, Book 2 No. 10: Canope. Très calme et doucement triste | Michel Béroff | — | |
| 10-23 | Préludes, Book 2 No. 11: Les tierces alternées. Modérément animé | Michel Béroff | — | |
| 10-24 | Préludes, Book 2 No. 12: Feux d'artifice. Modérément animé | Michel Béroff | — | |
| 11-1 | Estampes, Cd 108, L. 100: No. 1, Pagodas | — | ||
| 11-2 | Estampes, Cd 108, L. 100: No. 2, The Evening in Granada | — | ||
| 11-3 | Estampes, Cd 108, L. 100: No. 3, Gardens in the Rain | — | ||
| 11-4 | Pour Le Piano, Cd 95, L. 95: I. Prelude | — | ||
| 11-5 | Pour Le Piano, Cd 95, L. 95: II. Sarabande | — | ||
| 11-6 | Pour Le Piano, Cd 95, L. 95: III. Toccata | — | ||
| 11-7 | Images, Livre I, Cd 105, L. 110: No. 1, Reflections in Water | — | ||
| 11-8 | Images, Livre I, Cd 105, L. 110: No. 2, Homage to Rameau | — | ||
| 11-9 | Images, Livre I, Cd 105, L. 110: No. 3, Movement | — | ||
| 11-10 | Images, Livre II, Cd 120, L. 111: No. 1, Bells Through the Leaves | — | ||
| 11-11 | Images, Livre II, Cd 120, L. 111: No. 2, And The Moon Descends On The Temple That Was | — | ||
| 11-12 | Images, Livre II, Cd 120, L. 111: No. 3, Golden Fish | — | ||
| 12-1 | 12 Études : I. Pour les cinq doigts, d’apres Monsieur Czerny | Michel Béroff | — | |
| 12-2 | 12 Études : II. Pour les tierces | Michel Béroff | — | |
| 12-3 | 12 Études : III. Pour les quartes | Michel Béroff | — | |
| 12-4 | 12 Études : IV. Pour les sixtes | Michel Béroff | — | |
| 12-5 | 12 Études : V. Pour les octaves | Michel Béroff | — | |
| 12-6 | 12 Études : VI. Pour les huit doigts | Michel Béroff | — | |
| 12-7 | 12 Études : VII. Pour les degrés chromatiques | Michel Béroff | — | |
| 12-8 | 12 Études : VIII. Pour les agréments | Michel Béroff | — | |
| 12-9 | 12 Études : IX. Pour les notes répétées | Michel Béroff | — | |
| 12-10 | 12 Études : X. Pour les sonorités opposées | Michel Béroff | — | |
| 12-11 | 12 Études : XI. Pour les arpèges composés | Michel Béroff | — | |
| 12-12 | 12 Études : XII. Pour les accords | Michel Béroff | — | |
| 13-1 | Suite Bergamasque, Cd 82, L. 75: I. Prelude | — | ||
| 13-2 | Suite Bergamasque, Cd 82, L. 75: Ii. Minuet | — | ||
| 13-3 | Suite Bergamasque, Cd 82, L. 75: Iii. Moonlight | — | ||
| 13-4 | Suite Bergamasque, Cd 82, L. 75: Iv. Passepied | — | ||
| 13-5 | 2 Arabesques, Cd 74, L. 66: No. 1, Andantino Con Moto | — | ||
| 13-6 | 2 Arabesques, Cd 74, L. 66: No. 2, Allegretto Scherzando | — | ||
| 13-7 | Children's Corner, Cd 119, L. 113: No. 1, Doctor Gradus Ad Parnassum | — | ||
| 13-8 | Children's Corner, Cd 119, L. 113: No. 2, Jimbo's Lullaby | — | ||
| 13-9 | Children's Corner, Cd 119, L. 113: No. 3, Serenade For The Doll | — | ||
| 13-10 | Children's Corner, Cd 119, L. 113: No. 4, The Snow Is Dancing | — | ||
| 13-11 | Children's Corner, Cd 119, L. 113: No. 5, The Little Shepherd | — | ||
| 13-12 | Children's Corner, Cd 119, L. 113: No. 6, Golliwog's Cake Walk | — | ||
| 13-13 | La Plus Que Lente, Cd 128, L. 121 | — | ||
| 13-14 | Le Petit Nègre, Cd 122, L. 114 | — | ||
| 14-1 | Petite suite, CD 71, L. 65: I. En bateau | Michel Béroff, Jean-Philippe Collard | — | |
| 14-2 | Petite Suite, Cd 71, L. 65: Ii. Procession | — | ||
| 14-3 | Petite Suite, Cd 71, L. 65: Iii. Minuet | — | ||
| 14-4 | Petite Suite, Cd 71, L. 65: Iv. Ballet | — | ||
| 14-5 | Symphony For Piano 4-Hands In B Minor, Cd 8, L. 10 | — | ||
| 14-6 | Épigraphes Antiques, Cd 139, L. 131: No. 1, Pour Invoquer Pan, Dieu Du Vent D'été | — | ||
| 14-7 | Épigraphes Antiques, Cd 139, L. 131: No. 2, Pour Un Tombeau Sans Nom | — | ||
| 14-8 | Épigraphes Antiques, Cd 139, L. 131: No. 3, Pour Que La Nuit Soit Propice | — | ||
| 14-9 | Épigraphes Antiques, Cd 139, L. 131: No. 4, Pour La Danseuse Aux Crotales | — | ||
| 14-10 | Épigraphes Antiques, Cd 139, L. 131: No. 5, Pour L'égyptienne | — | ||
| 14-11 | Épigraphes Antiques, Cd 139, L. 131: No. 6, Pour Remercier La Pluie Au Matin | — | ||
| 14-12 | En Blanc Et Noir, Pour Deux Pianos, Cd 142, L. 134: I. Avec Emportement | — | ||
| 14-13 | En Blanc Et Noir, Pour Deux Pianos, Cd 142, L. 134: II. Lent, Sombre | — | ||
| 14-14 | En Blanc Et Noir, Pour Deux Pianos, Cd 142, L. 134: III. Scherzando | — | ||
| 14-15 | Marche Écossaise Sur Un Thème Populaire, Cd 83, L. 77 | — | ||
| 14-16 | Lindaraja, Cd 103, L. 97 | — | ||
| 15-1 | Ariettes Oubliées, Cd 63, L. 60: No. 1, C'est L'extase Langoureuse | — | ||
| 15-2 | Ariettes Oubliées, Cd 63, L. 60: No. 2, Il Pleure Dans Mon Cœur | — | ||
| 15-3 | Ariettes Oubliées, Cd 63, L. 60: No. 3, L'ombre Des Arbres | — | ||
| 15-4 | Ariettes Oubliées, Cd 63, L. 60: No. 4, Paysages Belges. Chevaux De Bois | — | ||
| 15-5 | Ariettes Oubliées, Cd 63, L. 60: No. 5, Aquarelles I. Green | — | ||
| 15-6 | Ariettes Oubliées, Cd 63, L. 60: No. 6, Aquarelles Ii. Spleen | — | ||
| 15-7 | Fêtes Galantes, Livre I, Cd 86, L. 80: I. En Sourdine | — | ||
| 15-8 | Fêtes Galantes, Livre I, Cd 86, L. 80: II. Fantoches | — | ||
| 15-9 | Fêtes Galantes, Livre I, Cd 86, L. 80: III. Clair De Lune | — | ||
| 15-10 | 5 Poèmes de Baudelaire, L. 70: I. Le balcon | Barbara Hendricks | — | |
| 15-11 | 5 Poèmes De Baudelaire, Cd 70, L. 64: No. 2, Harmonie Du Soir | — | ||
| 15-12 | 5 Poèmes De Baudelaire, Cd 70, L. 64: No. 3, Le Jet D'eau | — | ||
| 15-13 | 5 Poèmes de Baudelaire, L. 70: IV. Recueillement | Barbara Hendricks | — | |
| 15-14 | 5 Poèmes De Baudelaire, Cd 70, L. 64: No. 5, La Mort Des Amants | — | ||
| 16-1 | L’apprenti sorcier | — | ||
| 16-2 | Jeux d’enfants, op. 22: I. L’escarpolette (rêverie) | — | ||
| 16-3 | Jeux d’enfants, op. 22: II. La toupie (impromptu) | — | ||
| 16-4 | Jeux d’enfants, op. 22: III. La poupée (berceuse) | — | ||
| 16-5 | Jeux d’enfants, op. 22: IV. Les chevaux de bois | — | ||
| 16-6 | Jeux d’enfants, op. 22: V. Le volant (fantaisie) | — | ||
| 16-7 | Jeux d’enfants, op. 22: VI. Trompette et tambour (marche) | — | ||
| 16-8 | Jeux d’enfants, op. 22: VII. Les bulles de savon (rondino) | — | ||
| 16-9 | Jeux d’enfants, op. 22: VIII. Les quatre coins (esquisse) | — | ||
| 16-10 | Jeux d’enfants, op. 22: IX. Colin-maillard (nocturne) | — | ||
| 16-11 | Jeux d’enfants, op. 22: X. Saute-mouton (caprice) | — | ||
| 16-12 | Jeux d’enfants, op. 22: XI. Petit mari, petite femme (duo) | — | ||
| 16-13 | Jeux d’enfants, op. 22: XII. Le bal (galop) | — | ||
| 16-14 | Prélude à l’après-midi d’un faune | — | ||
| 16-15 | 2 Nocturnes: I. Nuages | — | ||
| 16-16 | 2 Nocturnes: II. Fêtes | — | ||
| 16-17 | Rapsodie espagnole: I. Prélude à la nuit | — | ||
| 16-18 | Rapsodie espagnole: II. Malaguena | — | ||
| 16-19 | Rapsodie espagnole: III. Habanera | — | ||
| 16-20 | Rapsodie espagnole: IV. Feria | — | ||
| 17-1 | 8 Slavonic Dances, op. 46, B. 78: No. 1 In C major | — | ||
| 17-2 | Slavonic Dance no. 2 for Piano 4-hands in E minor, B. 78/2 (op. 46/2): Allegro scherzando | Michel Béroff, Jean-Philippe Collard | T-070.243.651-8 | |
| 17-3 | 8 Slavonic Dances, op. 46, B. 78: No. 3 In A-flat major | — | ||
| 17-4 | 8 Slavonic Dances, op. 46, B. 78: No. 4 In F major | — | ||
| 17-5 | 8 Slavonic Dances, op. 46, B. 78: No. 5 In A major | — | ||
| 17-6 | 8 Slavonic Dances, op. 46, B. 78: No. 6 In D major | — | ||
| 17-7 | 8 Slavonic Dances, op. 46, B. 78: No. 7 In C minor | — | ||
| 17-8 | 8 Slavonic Dances, op. 46, B. 78: No. 8 In G minor | — | ||
| 17-9 | 8 Slavonic Dances, op. 72, B. 145: No. 9 In B major | — | ||
| 17-10 | 8 Slavonic Dances, op. 72, B. 145: No. 10 In E minor | — | ||
| 17-11 | 8 Slavonic Dances, op. 72, B. 145: No. 11 In F major | — | ||
| 17-12 | 8 Slavonic Dances, op. 72, B. 145: No. 12 In D-flat major | — | ||
| 17-13 | 8 Slavonic Dances, op. 72, B. 145: No. 13 In B-flat minor | — | ||
| 17-14 | 8 Slavonic Dances, op. 72, B. 145: No. 14 In B-flat major | — | ||
| 17-15 | 8 Slavonic Dances, op. 72, B. 145: No. 15 In C major | — | ||
| 17-16 | 8 Slavonic Dances, op. 72, B. 145: No. 16 In A-flat major | — | ||
| 18-1 | Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Allegro maestoso - | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 18-2 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi Adagio | — | ||
| 18-3 | Piano Concerto no. 1 in E-flat major, S. 124: III. Allegretto Vivace-Allegro Animato - | — | ||
| 18-4 | Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro Marziale Animato | — | ||
| 18-5 | Piano Concerto no. 2 in A major, S. 125: Adagio Sostenuto Assai- | — | ||
| 18-6 | Piano Concerto no. 2 in A major, S. 125: Allegro Agitato Assai - | — | ||
| 18-7 | Piano Concerto no. 2 in A major, S. 125: Allegro Moderato - | — | ||
| 18-8 | Piano Concerto no. 2 in A major, S. 125: Allegro Deciso - | — | ||
| 18-9 | Piano Concerto no. 2 in A major, S. 125: Marziale Un Poco Meno Allegro - | — | ||
| 18-10 | Piano Concerto no. 2 in A major, S. 125: Allegro Animato | — | ||
| 18-11 | Wanderer-Fantasie, D760 (Transcr. Liszt c.1852), S366 | — | ||
| 18-12 | Polonaise Brillante «L'Hilarité», J268 (Transcr. Liszt c.1851), S367 | — | ||
| 19-1 | Fantasie Über Ungarische Volksmelodien (1852), S123 | — | ||
| 19-2 | Fantasie Über Motive Aus Beethovens "Ruinen Von Athen" (?1837), S122 | — | ||
| 19-3 | Grande Fantaisie Symphonique Sur Des Thèmes De «Lélio» De Berlioz (1834), S120 | — | ||
| 19-4 | Malédiction (1833), S121 | — | ||
| 19-5 | Totentanz, Paraphrase Über "Dies Irae" (1849), S126 | — | ||
| 20-1 | Vingt Regards sur l'Enfant Jésus: No. 1. Regard du Père | — | ||
| 20-2 | Vingt Regards sur l'Enfant Jésus: No. 2. Regard de l'Etoile | — | ||
| 20-3 | Vingt Regards sur l'Enfant Jésus: No. 3. L'Echange | — | ||
| 20-4 | Vingt Regards sur l'Enfant Jésus: No. 4. Regard de la Vierge | — | ||
| 20-5 | Vingt Regards sur l'Enfant Jésus: No. 5. Regard du Fils dur le Fils | — | ||
| 20-6 | Vingt Regards sur l'Enfant Jésus: No. 6. Par lui tout a été fait | — | ||
| 20-7 | Vingt Regards sur l'Enfant Jésus: No. 7. Regard de la Croix | — | ||
| 20-8 | Vingt Regards sur l'Enfant Jésus: No. 8. Regard des hauteurs | — | ||
| 20-9 | Vingt Regards sur l'Enfant Jésus: No. 9. Regard du Temps | — | ||
| 20-10 | Vingt Regards sur l'Enfant Jésus: No. 10. Regard de l'Espirit de joie | — | ||
| 21-1 | Vingt Regards sur l'Enfant Jésus: No. 11. Première communion de la Vierge | — | ||
| 21-2 | Vingt Regards sur l'Enfant Jésus: No. 12. La Parole toute-puissante | — | ||
| 21-3 | Vingt Regards sur l'Enfant Jésus: No. 13. Noël | — | ||
| 21-4 | Vingt Regards sur l'Enfant Jésus: No. 14. Regard des Anges | — | ||
| 21-5 | Vingt Regards sur l'Enfant Jésus: No. 15. Le baiser de l'Enfant Jésus | — | ||
| 21-6 | Vingt Regards sur l'Enfant Jésus: No. 16. Regard des Prophètes, des Bergers et des Mages | — | ||
| 21-7 | Vingt Regards sur l'Enfant Jésus: No. 17. Regard du Silence | — | ||
| 21-8 | Vingt Regards sur l'Enfant Jésus: No. 18. Regard de L'Onction terrible | — | ||
| 21-9 | Vingt Regards sur l'Enfant Jésus: No. 19. Je dors, mais mon cœur veille | — | ||
| 21-10 | Vingt Regards sur l'Enfant Jésus: No. 20. Regard de l'Eglise d'amour | — | ||
| 22-1 | Préludes: No. 1. La Colombe | — | ||
| 22-2 | Préludes: No. 2. Chant d'extase dans un paysage triste | — | ||
| 22-3 | Préludes: No. 3. Le Nombre Léger | — | ||
| 22-4 | Préludes: No. 4. Instants défunts | — | ||
| 22-5 | Préludes: No. 5. Les sons impalpables du rêve | — | ||
| 22-6 | Préludes: No. 6. Clochs d'angoisse et larmes d'adieu | — | ||
| 22-7 | Préludes: No. 7. Plainte calme | — | ||
| 22-8 | Préludes: No. 8. Un reflet dans le vent | — | ||
| 22-9 | Quatre études de rythme: no. 1, Île de feu I | — | ||
| 22-10 | Quatre études de rythme: no. 2, Mode de valeurs et d’intensités | — | ||
| 22-11 | Quatre études de rythme: no. 3, Neumes rythmiques | — | ||
| 22-12 | Quatre études de rythme: no. 4, Île de feu II | — | ||
| 23-1 | Quatuor pour la Fin du Temps: I. Liturgie de Cristal | Erich Gruenberg, Gervase de Peyer, William Pleeth, Michel Béroff | T-003.014.967-7 | |
| 23-2 | Quatuor pour la Fin du Temps: II. Vocalise, pour l'Ange qui annonce la Fin du Temps | Erich Gruenberg, Gervase de Peyer, William Pleeth, Michel Béroff | T-003.014.967-7 | |
| 23-3 | Quatuor pour la Fin du Temps: III. Abîme des oiseaux | Erich Gruenberg, Gervase de Peyer, William Pleeth, Michel Béroff | T-003.014.967-7 | |
| 23-4 | Quatuor pour la Fin du Temps: IV. Intermède | Erich Gruenberg, Gervase de Peyer, William Pleeth, Michel Béroff | T-003.014.967-7 | |
| 23-5 | Quatuor pour la Fin du Temps: V. Louange à l'Eternité de Jésus | Erich Gruenberg, Gervase de Peyer, William Pleeth, Michel Béroff | T-003.014.967-7 | |
| 23-6 | Quatuor pour la Fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Erich Gruenberg, Gervase de Peyer, William Pleeth, Michel Béroff | T-003.014.967-7 | |
| 23-7 | Quatuor pour la Fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la Fin du Temps | Erich Gruenberg, Gervase de Peyer, William Pleeth, Michel Béroff | T-003.014.967-7 | |
| 23-8 | Quatuor pour la Fin du Temps: VIII. Louange à l'Immortalité de Jésus | Erich Gruenberg, Gervase de Peyer, William Pleeth, Michel Béroff | T-003.014.967-7 | |
| 24-1 | Turangalîla-Symphonie: I. Introduction | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 24-2 | Turangalîla-Symphonie: II. Chant d'amour I | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 24-3 | Turangalîla-Symphonie: III. Turangalîla I | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 24-4 | Turangalîla-Symphonie: IV. Chant d'amour II | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 24-5 | Turangalîla-Symphonie: V. Joie du sang des étoiles | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 24-6 | Turangalîla-Symphonie: VI. Jardin du sommeil d'amour | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 24-7 | Turangalîla-Symphonie: VII. Turangalîla II | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 24-8 | Turangalîla-Symphonie: VIII. Développement de l'amour | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 24-9 | Turangalîla-Symphonie: IX. Turangalîla III | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 24-10 | Turangalîla-Symphonie: X. Final | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 25-1 | Paris, op. 284: I. Montmartre | — | ||
| 25-2 | Paris, op. 284: II. L'Isle Saint-Louis | — | ||
| 25-3 | Paris, op. 284: III. Montparnasse | — | ||
| 25-4 | Paris, op. 284: IV. Bateaux-Mouches | — | ||
| 25-5 | Paris, op. 284: V. Longchamp | — | ||
| 25-6 | Paris, op. 284: VI. La Tour Eiffel | — | ||
| 25-7 | Le Carnaval d'Aix, op. 83b: I. Le Corso | — | ||
| 25-8 | Le Carnaval d'Aix, op. 83b: II. Tartaglia | — | ||
| 25-9 | Le Carnaval d'Aix, op. 83b: III. Isabelle | — | ||
| 25-10 | Le Carnaval d'Aix, op. 83b: IV. Rosetta | — | ||
| 25-11 | Le Carnaval d'Aix, op. 83b: V. Le bon et le mauvais tuteur | — | ||
| 25-12 | Le Carnaval d'Aix, op. 83b: VI. Coviello | — | ||
| 25-13 | Le Carnaval d'Aix, op. 83b: VII. Le Capitaine Cartuccia | — | ||
| 25-14 | Le Carnaval d'Aix, op. 83b: VIII. Polichinelle | — | ||
| 25-15 | Le Carnaval d'Aix, op. 83b: IX. Polka | — | ||
| 25-16 | Le Carnaval d'Aix, op. 83b: X. Cinzio | — | ||
| 25-17 | Le Carnaval d'Aix, op. 83b: XI. Souvenir de Rio | — | ||
| 25-18 | Le Carnaval d'Aix, op. 83b: XII. Finale | — | ||
| 25-19 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: I. Introduction et Marche royale du lion (Introduction and Royal March of the Lion) | — | ||
| 25-20 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: II. Poules et coqs (Hens and Roosters) | — | ||
| 25-21 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: III. Hémiones (ou Animaux véloces) (Wild Asses) | — | ||
| 25-22 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: IV. Tortues (Tortoises) | — | ||
| 25-23 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: V. L'Éléphant (The Elephant) | — | ||
| 25-24 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: VI. Kangourous (Kangaroos) | — | ||
| 25-25 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: VII. Aquarium | — | ||
| 25-26 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: VIII. Personnages à longues oreilles (Persons with Long Ears) | — | ||
| 25-27 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: IX. Le Coucou au fond des bois (Cuckoo in the Depths of the Wood) | — | ||
| 25-28 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: X. Volière (The Aviary) | — | ||
| 25-29 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: XI. Pianistes (Pianists) | — | ||
| 25-30 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: XII. Fossiles (Fossils) | — | ||
| 25-31 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: XIII. Le Cygne (The Swan) | — | ||
| 25-32 | Le Carnaval des Animaux, grande fantaisie zoologique, R 125: XIV. Finale | — | ||
| 26-1 | Pictures at an Exhibition: Promenade | — | ||
| 26-2 | Pictures at an Exhibition: The Gnome | — | ||
| 26-3 | Pictures at an Exhibition: Promenade | — | ||
| 26-4 | Pictures at an Exhibition: The Old Castle | — | ||
| 26-5 | Pictures at an Exhibition: Promenade | — | ||
| 26-6 | Pictures at an Exhibition: The Tuileries | — | ||
| 26-7 | Pictures at an Exhibition: Bydlo | — | ||
| 26-8 | Pictures at an Exhibition: Promenade | — | ||
| 26-9 | Pictures at an Exhibition: Ballet of the Unhatched Chicks | — | ||
| 26-10 | Pictures at an Exhibition: Samuel Goldenberg and Schmuyle | — | ||
| 26-11 | Pictures at an Exhibition: Promenade | — | ||
| 26-12 | Pictures at an Exhibition: The Market Place in Limoges | — | ||
| 26-13 | Pictures at an Exhibition: The Catacombs | — | ||
| 26-14 | Pictures at an Exhibition: Cum mortuis in lingua mortua | — | ||
| 26-15 | Pictures at an Exhibition: The Hut on Fowl’s Legs. | — | ||
| 26-16 | Pictures at an Exhibition: The Great Gate of Kiev. | — | ||
| 26-18 | Turkish March (alla marcia) | — | ||
| 26-19 | Porte‐enseigne polka | — | ||
| 26-20 | Deux souvenirs d’enfance: Niania et moi | — | ||
| 26-21 | Deux souvenirs d’enfance: Première punition | — | ||
| 26-22 | Souvenir d’enfance Nr.3 | — | ||
| 26-23 | Une plaisanterie d’enfants “Ein Kinderscherz” | — | ||
| 26-24 | Intermezzo in B minor | — | ||
| 26-25 | La Caprisieuse (on a theme of Count L. Heyden) | — | ||
| 26-26 | Scherzo in C Sharp minor | — | ||
| 26-27 | Impromptu passionné | — | ||
| 26-28 | Sur la Côte d’Azur de la Crimée (Gurzuf) | — | ||
| 26-29 | Près de la Côte d’Azur en Crimée (Capriccio) | — | ||
| 26-30 | Méditation (Feuillet d’album) | — | ||
| 26-31 | Une Larme | — | ||
| 26-32 | La Couturière (Scherzino) | — | ||
| 26-33 | Au village | — | ||
| 26-34 | Gopak | — | ||
| 27-1 | Visions fugitives, op. 22: No. 1, Lentamente | — | ||
| 27-2 | Visions fugitives, op. 22: No. 2, Andante | — | ||
| 27-3 | Visions fugitives, op. 22: No. 3, Allegretto | — | ||
| 27-4 | Visions fugitives, op. 22: No. 4, Animato | — | ||
| 27-5 | Visions fugitives, op. 22: No. 5, Molto giocoso | — | ||
| 27-6 | Visions fugitives, op. 22: No. 6, Con eleganza | — | ||
| 27-7 | Visions fugitives, op. 22: No. 7, Pittoresco | — | ||
| 27-8 | Visions fugitives, op. 22: No. 8, Comodo | — | ||
| 27-9 | Visions fugitives, op. 22: No. 9, Allegretto tranquillo | — | ||
| 27-10 | Visions fugitives, op. 22: No. 10, Ridicolosamente | — | ||
| 27-11 | Visions fugitives, op. 22: No. 11, Con vivacità | — | ||
| 27-12 | Visions fugitives, op. 22: No. 12, Assai moderato | — | ||
| 27-13 | Visions fugitives, op. 22: No. 13, Allegretto | — | ||
| 27-14 | Visions fugitives, op. 22: No. 14, Feroce | — | ||
| 27-15 | Visions fugitives, op. 22: No. 15, Inquieto | — | ||
| 27-16 | Visions fugitives, op. 22: No. 16, Dolente | — | ||
| 27-17 | Visions fugitives, op. 22: No. 17, Poetico | — | ||
| 27-18 | Visions fugitives, op. 22: No. 18, Con una dolce lentezza | — | ||
| 27-19 | Visions fugitives, op. 22: No. 19, Presto agitatissimo e molto accentuato | — | ||
| 27-20 | Visions fugitives, op. 22: No. 20, Lento irrealmente | — | ||
| 27-21 | Piano Sonata no. 2 In E-flat major, op. 45: I. Allegro Moderato - Festivamente | — | ||
| 27-22 | Piano Sonata no. 2 In E-flat major, op. 45: II. Andante Sostenuto | — | ||
| 27-23 | Piano Sonata no. 2 In E-flat major, op. 45: III. Presto Assai | — | ||
| 28-1 | Piano Sonata no. 1 in F minor, op. 1 | — | ||
| 28-2 | Piano Sonata no. 2 in D minor, op. 14: I. Allegro ma non troppo | — | ||
| 28-3 | Piano Sonata no. 2 in D minor, op. 14: II. Scherzo. Allegro marcato | — | ||
| 28-4 | Piano Sonata no. 2 in D minor, op. 14: III. Andante | — | ||
| 28-5 | Piano Sonata no. 2 in D minor, op. 14: IV. Vivace | — | ||
| 28-6 | Visions fugitives, op. 22: No. 1, Lentamente | — | ||
| 28-7 | Visions fugitives, op. 22: No. 2, Andante | — | ||
| 28-8 | Visions fugitives, op. 22: No. 3, Allegretto | — | ||
| 28-9 | Visions fugitives, op. 22: No. 4, Animato | — | ||
| 28-10 | Visions fugitives, op. 22: No. 5, Molto giocoso | — | ||
| 28-11 | Visions fugitives, op. 22: No. 6, Con eleganza | — | ||
| 28-12 | Visions fugitives, op. 22: No. 7, Pittoresco | — | ||
| 28-13 | Visions fugitives, op. 22: No. 8, Comodo | — | ||
| 28-14 | Visions fugitives, op. 22: No. 9, Allegretto tranquillo | — | ||
| 28-15 | Visions fugitives, op. 22: No. 10, Ridicolosamente | — | ||
| 28-16 | Visions fugitives, op. 22: No. 11, Con vivacità | — | ||
| 28-17 | Visions fugitives, op. 22: No. 12, Assai moderato | — | ||
| 28-18 | Visions fugitives, op. 22: No. 13, Allegretto | — | ||
| 28-19 | Visions fugitives, op. 22: No. 14, Feroce | — | ||
| 28-20 | Visions fugitives, op. 22: No. 15, Inquieto | — | ||
| 28-21 | Visions fugitives, op. 22: No. 16, Dolente | — | ||
| 28-22 | Visions fugitives, op. 22: No. 17, Poetico | — | ||
| 28-23 | Visions fugitives, op. 22: No. 18, Con una dolce lentezza | — | ||
| 28-24 | Visions fugitives, op. 22: No. 19, Presto agitatissimo e molto accentuato | — | ||
| 28-25 | Visions fugitives, op. 22: No. 20, Lento irrealmente | — | ||
| 29-1 | Piano Sonata no. 3 in A minor, op. 28 “From Old Notebooks” | — | ||
| 29-2 | Piano Sonata no. 7 in B‐flat major, op. 83: I. Allegro inquieto | — | ||
| 29-3 | Piano Sonata no. 7 in B‐flat major, op. 83: II. Andante caloroso | — | ||
| 29-4 | Piano Sonata no. 7 in B‐flat major, op. 83: III. Precipitato | — | ||
| 29-5 | Piano Sonata no. 6 in A major, op. 82: I. Allegro moderato | — | ||
| 29-6 | Piano Sonata no. 6 in A major, op. 82: II. Allegretto | — | ||
| 29-7 | Piano Sonata no. 6 in A major, op. 82: III. Tempo di valzer lentissimo | — | ||
| 29-8 | Piano Sonata no. 6 in A major, op. 82: IV. Vivace | — | ||
| 30-1 | Violin Sonata no. 1 In F minor, op. 80: I. Andante Assai | — | ||
| 30-2 | Violin Sonata no. 1 In F minor, op. 80: II. Allegro Brusco | — | ||
| 30-3 | Violin Sonata no. 1 In F minor, op. 80: III. Andante | — | ||
| 30-4 | Violin Sonata no. 1 In F minor, op. 80: IV. Allegrissimo | — | ||
| 30-5 | Violin Sonata no. 2 In D major, op. 94Bis: I. Moderato | — | ||
| 30-6 | Violin Sonata no. 2 In D major, op. 94Bis: II. Scherzo. Presto - Poco Più Mosso | — | ||
| 30-7 | Violin Sonata no. 2 In D major, op. 94Bis: III. Andante | — | ||
| 30-8 | Violin Sonata no. 2 In D major, op. 94Bis: IV. Allegro Con Brio - Poco Meno Mosso | — | ||
| 31-1 | Piano Concerto no. 1 In D-flat major, op. 10: I. Allegro Brioso | — | ||
| 31-2 | Piano Concerto no. 1 In D-flat major, op. 10: II. Andante Assai | — | ||
| 31-3 | Piano Concerto no. 1 In D-flat major, op. 10: III. Allegro Scherzando | — | ||
| 31-4 | Piano Concerto no. 2 In G minor, op. 16: I. Andantino - Allegretto | — | ||
| 31-5 | Piano Concerto no. 2 In G minor, op. 16: II. Scherzo. VIvace | — | ||
| 31-6 | Piano Concerto no. 2 In G minor, op. 16: III. Intermezzo. Allegro Moderato | — | ||
| 31-7 | Piano Concerto no. 2 In G minor, op. 16: IV. Finale. Allegro Tempestoso | — | ||
| 31-8 | Overture On Hebrew Themes, op. 34 | — | ||
| 32-1 | Piano Concerto No. 3 in C major, Op. 26: I. Andante - Allegro | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 32-2 | Piano Concerto no. 3 In C major, op. 26: II. Tema Con Variazioni | — | ||
| 32-3 | Piano Concerto no. 3 In C major, op. 26: III. Allegro, Ma Non Troppo | — | ||
| 32-4 | Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": I. Vivace | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 32-5 | Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": II. Andante | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 32-6 | Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": III. Moderato | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 32-7 | Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": IV. Vivace | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 32-8 | Piano Concerto no. 5 In G major, op. 55: I. Allegro Con Brio | — | ||
| 32-9 | Piano Concerto no. 5 In G major, op. 55: II. Moderato Ben Accentuato | — | ||
| 32-10 | Piano Concerto no. 5 In G major, op. 55: III. Toccata. Allegro Con Fuoco | — | ||
| 32-11 | Piano Concerto no. 5 In G major, op. 55: IV. Larghetto | — | ||
| 32-12 | Piano Concerto no. 5 In G major, op. 55: V. VIvo | — | ||
| 33-1 | Sites Auriculaires: Habanera, M. 8 | — | ||
| 33-2 | Sites Auriculaires: no. 2, Entre Cloches, M. 13 | — | ||
| 33-4 | Frontispice, M. 70 | — | ||
| 33-5 | Ma Mère L'oye, M. 60: I. Pavane De La Belle Au Bois Dormant | — | ||
| 33-6 | Ma Mère L'oye, M. 60: II. Petit Poucet | — | ||
| 33-7 | Ma Mère L'oye, M. 60: III. Laideronnette, Impératrice Des Pagodes - Ravel : Piano RC | — | ||
| 33-8 | Ma Mère L'oye, M. 60: IV. Les Entretiens De La Belle Et De La Bête | — | ||
| 33-9 | Ma Mère L'oye, M. 60: V. Le Jardin Féerique | — | ||
| 34-1 | Kreisleriana op. 16: Äusserst Bewegt | — | ||
| 34-2 | Kreisleriana op. 16: Sehr Innig Und Nicht Zu Rasch | — | ||
| 34-3 | Kreisleriana op. 16: Sehr Aufgeregt | — | ||
| 34-4 | Kreisleriana op. 16: Sehr Langsam | — | ||
| 34-5 | Kreisleriana op. 16: Sehr Lebhaft | — | ||
| 34-6 | Kreisleriana op. 16: Sehr Langsam | — | ||
| 34-7 | Kreisleriana op. 16: Sehr Rasch | — | ||
| 34-8 | Kreisleriana op. 16: Schnell Und Spielend | — | ||
| 34-9 | Scènes De La Forêt (Waldszenen) op. 82: Entrée | — | ||
| 34-10 | Scènes De La Forêt (Waldszenen) op. 82: Le Chasseur À L'affût | — | ||
| 34-11 | Scènes De La Forêt (Waldszenen) op. 82: Fleurs Solitaires | — | ||
| 34-12 | Scènes De La Forêt (Waldszenen) op. 82: La Vallée Maudite | — | ||
| 34-13 | Scènes De La Forêt (Waldszenen) op. 82: Paysage Souriant | — | ||
| 34-14 | Scènes De La Forêt (Waldszenen) op. 82: L'auberge | — | ||
| 34-15 | Scènes De La Forêt (Waldszenen) op. 82: no. 7, Vogel Als Prophet | — | ||
| 34-16 | Scènes De La Forêt (Waldszenen) op. 82: Chanson Des Chasseurs | — | ||
| 34-17 | Scènes De La Forêt (Waldszenen) op. 82: L'adieu | — | ||
| 35-1 | Humoreske, op. 20: I. Einfach - Sehr Rasch Und Leicht | — | ||
| 35-2 | Humoreske, op. 20: II. Hastig | — | ||
| 35-3 | Humoreske, op. 20: III. Einfach Und Zart - Intermezzo | — | ||
| 35-4 | Humoreske, op. 20: Iv. Innig | — | ||
| 35-5 | Humoreske, op. 20: V. Sehr Lebhaft - Mit Einigem Pomp | — | ||
| 35-6 | Humoreske, op. 20: VI. Zum Beschluß | — | ||
| 35-7 | Fantaisie En Ut Majeur op.17 : I Très Fantasque Et Passionné - Légende | — | ||
| 35-8 | Fantaisie En Ut Majeur op.17 : II Moderato Con Forza - Molto Piu Vivo | — | ||
| 35-9 | Fantaisie En Ut Majeur op.17 : III Lento, Sempre Dolce | — | ||
| 36-1 | Violin Sonata no. 2 In D minor, op. 121: I. Ziemlich Langsam - Lebhaft | — | ||
| 36-2 | Violin Sonata no. 2 In D minor, op. 121: II. Sehr Lebhaft | — | ||
| 36-3 | Violin Sonata no. 2 In D minor, op. 121: III. Leise, Einfach | — | ||
| 36-4 | Violin Sonata no. 2 In D minor, op. 121: IV. Bewegt | — | ||
| 36-5 | Violin Sonata no. 1 In A minor, op. 105: I. Mit Leidenschaftlichem Ausdruck | — | ||
| 36-6 | Violin Sonata no. 1 In A minor, op. 105: II. Allegretto | — | ||
| 36-7 | Violin Sonata no. 1 In A minor, op. 105: III. Lebhaft | — | ||
| 37-1 | Violin Sonata In E-flat major, op. 18: I. Allegro, Ma Non Troppo | — | ||
| 37-2 | Violin Sonata In E-flat major, op. 18: II. Improvisation. Andante Cantabile | — | ||
| 37-3 | Violin Sonata In E-flat major, op. 18: III. Finale. Andante - Allegro | — | ||
| 37-4 | Violin Sonata In A major, Fwv 8: I. Allegretto Ben Moderato | — | ||
| 37-5 | Violin Sonata In A major, Fwv 8: II. Allegro | — | ||
| 37-6 | Violin Sonata In A major, Fwv 8: III. Recitativo-Fantasia. Ben Moderato | — | ||
| 37-7 | Violin Sonata In A major, Fwv 8: Iv. Allegretto Poco Mosso | — | ||
| 38-1 | Piano Sonata In F-sharp minor: I. Allegro | — | ||
| 38-2 | Piano Sonata In F-sharp minor: II. Vivo | — | ||
| 38-3 | Piano Sonata In F-sharp minor: III. Andante | — | ||
| 38-4 | Piano Sonata In F-sharp minor: IV. Finale. Allegro - Andante | — | ||
| 38-5 | Scherzo In G minor | — | ||
| 38-6 | 4 Études Pour Piano, op. 7: no. 1, Con Moto. Fougueux Avec Un Passage Médian En Cantilène | — | ||
| 38-7 | 4 Études Pour Piano, op. 7: no. 2, Allegro Brillante. Perpetuum Mobile | — | ||
| 38-8 | 4 Études Pour Piano, op. 7: no. 3, Andantino. Jeu De Timbres Sur Fond D'harmonie Très Élaborée | — | ||
| 38-9 | 4 Études Pour Piano, op. 7: no. 4, Vivo. Pièce VIrtuose Avec Arpèges Brisés, Sauts D'accord Et Gammes Chromatiques | — | ||
| 38-10 | Souvenir D'une Marche Boche | — | ||
| 38-11 | Valse Pour Les Enfants | — | ||
| 38-12 | Les Cinq Doigts "8 Mélodies Très Faciles": no. 1, Andantino | — | ||
| 38-13 | Les Cinq Doigts "8 Mélodies Très Faciles": no. 2, Allegro | — | ||
| 38-14 | Les Cinq Doigts "8 Mélodies Très Faciles": no. 3, Allegretto | — | ||
| 38-15 | Les Cinq Doigts "8 Mélodies Très Faciles": no. 4, Larghetto | — | ||
| 38-16 | Les Cinq Doigts "8 Mélodies Très Faciles": no. 5, Moderato | — | ||
| 38-17 | Les Cinq Doigts "8 Mélodies Très Faciles": no. 6, Lento | — | ||
| 38-18 | Les Cinq Doigts "8 Mélodies Très Faciles": no. 7, Vivo | — | ||
| 38-19 | Les Cinq Doigts "8 Mélodies Très Faciles": no. 8, Pesante | — | ||
| 39-1 | Piano Sonata no. 2: I. | — | ||
| 39-2 | Piano Sonata no. 2: II. Adagietto | — | ||
| 39-3 | Piano Sonata no. 2: III. | — | ||
| 39-4 | Serenade In A: I. Hymne | — | ||
| 39-5 | Serenade In A: II. Romanza | — | ||
| 39-6 | Serenade In A: III. Rondoletto | — | ||
| 39-7 | Serenade In A: IV. Cadenza Finala | — | ||
| 39-8 | Three Movements From Petrushka: I. Russian Dance | — | ||
| 39-9 | Three Movements From Petrushka: II. Petrushka's Cell | — | ||
| 39-10 | Three Movements From Petrushka: III. The Shrovetide Fair | — | ||
| 39-11 | Piano-Rag-Music | — | ||
| 39-12 | Tango | — | ||
| 40-1 | Capriccio For Piano And Orchestra: I. Presto Doppio Movimento | — | ||
| 40-2 | Capriccio For Piano And Orchestra: II. Andante Rapsodico | — | ||
| 40-3 | Capriccio For Piano And Orchestra: III. Allegro Capriccioso, Ma Tempo Giusto | — | ||
| 40-4 | Movements: I. | — | ||
| 40-5 | Movements: II. | — | ||
| 40-6 | Movements: III. | — | ||
| 40-7 | Movements: IV. | — | ||
| 40-8 | Movements: V. | — | ||
| 40-9 | Concerto for Piano & Wind Instruments: I. Largo – Allegro | Michel Béroff, Orchestre de Paris, Seiji Ozawa | — | |
| 40-10 | Concerto for Piano & Wind Instruments: II. Largo – Cadenza: Poco rubato | Michel Béroff, Orchestre de Paris, Seiji Ozawa | — | |
| 40-11 | Concerto for Piano & Wind Instruments: III. Allegro | Michel Béroff, Orchestre de Paris, Seiji Ozawa | — | |
| 41-1 | Mythes- Trois Poèmes Pour VIolin Et Piano op. 30: La Fonatine D'arethuse | — | ||
| 41-2 | Mythes- Trois Poèmes Pour VIolin Et Piano op. 30: Narcisse | — | ||
| 41-3 | Mythes- Trois Poèmes Pour VIolin Et Piano op. 30: Dryades Et Pan | — | ||
| 41-4 | Romance Pour VIolin And Piano op. 23 | — | ||
| 41-5 | Trois Caprices De Paganini op. 40: Caprice no. 20 | — | ||
| 41-6 | Trois Caprices De Paganini op. 40: Caprice no. 21 | — | ||
| 41-7 | Trois Caprices De Paganini op. 40: Caprice no. 24 (Thème Varié) | — | ||
| 41-8 | Notturno E Tarantella op. 28 | — | ||
| 42-1 | Overture in the French Style, BWV 831: I. Overture | — | ||
| 42-2 | Overture in the French Style, BWV 831: II. Courante | — | ||
| 42-3 | Overture in the French Style, BWV 831: III. Gavottes I & II | — | ||
| 42-4 | Overture in the French Style, BWV 831: IV. Passepieds I & II | — | ||
| 42-5 | Overture in the French Style, BWV 831: V. Sarabande | — | ||
| 42-6 | Overture in the French Style, BWV 831: VI. Bourrées I & II | — | ||
| 42-7 | Overture in the French Style, BWV 831: VII. Gigue | — | ||
| 42-8 | Overture in the French Style, BWV 831: VIII. Echo | — | ||
| 42-9 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo - Adagio espressivo | — | ||
| 42-10 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | — | ||
| 42-11 | Piano Sonata no. 30 in E major, op. 109: III. (a) Andante molto cantabile e espressivo | — | ||
| 42-12 | Piano Sonata no. 30 in E major, op. 109: III. (b) Variation I. Molto espressivo | — | ||
| 42-13 | Piano Sonata no. 30 in E major, op. 109: III. (c) Variation II. Leggiermente | — | ||
| 42-14 | Piano Sonata no. 30 in E major, op. 109: III. (d) Variation III. Allegro vivace | — | ||
| 42-15 | Piano Sonata no. 30 in E major, op. 109: III. (e) Variation IV. Etwas langsamer als das Thema | — | ||
| 42-16 | Piano Sonata no. 30 in E major, op. 109: III. (f) Variation V. Allegro, ma non troppo | — | ||
| 42-17 | Piano Sonata no. 30 in E major, op. 109: III. (g) Variation VI. Tempo I del tema | — | ||
| 42-18 | Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | — | ||
| 42-19 | Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | — | ||
| 42-20 | Piano Sonata no. 31 in A-flat major, op. 110: III. (a) Adagio ma non troppo - Recitativo più adagio | — | ||
| 42-21 | Piano Sonata no. 31 in A-flat major, op. 110: III. (b) Adagio ma non troppo. Arioso dolente | — | ||
| 42-22 | Piano Sonata no. 31 in A-flat major, op. 110: III. (c) Fuga. Allegro ma non troppo | — | ||
| 42-23 | Piano Sonata no. 31 in A-flat major, op. 110: III. (d) L'istesso di Arioso | — | ||
| 42-24 | Piano Sonata no. 31 in A-flat major, op. 110: III. (e) L'istesso tempo della fuga. Poi a poi di nuovo vivente | — |
