Bach & Scarlatti: Cantatas - Albinoni, Vivaldi & Telemann: Concerti

UPC · Release

Bach & Scarlatti: Cantatas - Albinoni, Vivaldi & Telemann: Concerti

A. Scarlatti, Vivaldi, Telemann and 4 more

5021732522245
31 tracks

Last verified:

5021732522245 is the Universal Product Code (UPC barcode) for the release Bach & Scarlatti: Cantatas - Albinoni, Vivaldi & Telemann: Concerti by A. Scarlatti, Vivaldi, Telemann, J. S. Bach, Albinoni, Academy of St. Martin in the Fields, Sir Neville Marriner. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 31 tracks, each with its own ISRC. Tracks include GBAYC8200167, GBAYC8200168, GBAYC8200169.

Format

502GS1 prefix
1732Company prefix
52224Product
5Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCBach & Scarlatti: Cantatas - Albinoni, Vivaldi & Telemann: Concerti
ISRC9 recordings

Track List (31)

Jauchzet Gott in allen Landen, BWV 51: no. 1, Aria. “Jauchzet Gott in allen Landen”
Jauchzet Gott in allen Landen, BWV 51: no. 1, Aria. “Jauchzet Gott in allen Landen”
Jauchzet Gott in allen Landen, BWV 51: no. 2, Rezitativ. “Wir beten zu dem Tempel an”
Jauchzet Gott in allen Landen, BWV 51: no. 2, Rezitativ. “Wir beten zu dem Tempel an”
Jauchzet Gott in allen Landen, BWV 51: no. 3, Aria. “Höchster, mache deine Güte”
Jauchzet Gott in allen Landen, BWV 51: no. 3, Aria. “Höchster, mache deine Güte”
Jauchzet Gott in allen Landen, BWV 51: no. 4, Choral. “Sei Lob und Preis mit Ehren”
Jauchzet Gott in allen Landen, BWV 51: no. 4, Choral. “Sei Lob und Preis mit Ehren”
Jauchzet Gott in allen Landen, BWV 51: no. 5, Aria. “Alleluja!”
Jauchzet Gott in allen Landen, BWV 51: no. 5, Aria. “Alleluja!”
Concerto in F Major for Trumpet and Oboe, op. 9 no. 3: I. Allegro
Concerto in F Major for Trumpet and Oboe, op. 9 no. 3: I. Allegro
Concerto in F Major for Trumpet and Oboe, op. 9 no. 3: II. Adagio
Concerto in F Major for Trumpet and Oboe, op. 9 no. 3: II. Adagio
Concerto in F Major for Trumpet and Oboe, op. 9 no. 3: III. Allegro
Concerto in F Major for Trumpet and Oboe, op. 9 no. 3: III. Allegro
Su le sponde del Tebro: I. Sinfonia
Su le sponde del Tebro: I. Sinfonia
Su le sponde del Tebro: II. Recitativo. “Su le sponde del Tebro”
Su le sponde del Tebro: II. Recitativo. “Su le sponde del Tebro”
Su le sponde del Tebro: III. Sinfonia
Su le sponde del Tebro: III. Sinfonia
Su le sponde del Tebro: IV. Aria. “Contentatevi”
Su le sponde del Tebro: IV. Aria. “Contentatevi”
Su le sponde del Tebro: V. Recitativo. “Mesto, stanco e spirante”
Su le sponde del Tebro: V. Recitativo. “Mesto, stanco e spirante”
Su le sponde del Tebro: VI. Largo. “Infelice miei lumi”
Su le sponde del Tebro: VI. Largo. “Infelice miei lumi”
Su le sponde del Tebro: VII. Aria. “Dite almeno, astri crudeli”
Su le sponde del Tebro: VII. Aria. “Dite almeno, astri crudeli”
Su le sponde del Tebro: VIII. Ritornello
Su le sponde del Tebro: VIII. Ritornello
Su le sponde del Tebro: IX. Recitativo. “All’aura, al cielo”
Su le sponde del Tebro: IX. Recitativo. “All’aura, al cielo”
Su le sponde del Tebro: X. Aria. “Tralascia pur di piangere”
Su le sponde del Tebro: X. Aria. “Tralascia pur di piangere”
Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): I. Allegro
Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): I. Allegro
Maurice André, Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner
Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): II. Largo
Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): II. Largo
Maurice André, Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner
Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): III. Allegro
Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): III. Allegro
Maurice André, Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner
Cantata "Singet dem Herrn ein neues Lied", BWV 190: No. 3, Aria, "Lobe, Zion, deinen Gott" (Alto)
Cantata "Singet dem Herrn ein neues Lied", BWV 190: No. 3, Aria, "Lobe, Zion, deinen Gott" (Alto)
Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner
Cantata "Gelobet sei der Herr, mein Gott", BWV 129: No. 4, Aria, "Gelobet sei der Herr, mein Gott, der ewig lebet" (Alto)
Cantata "Gelobet sei der Herr, mein Gott", BWV 129: No. 4, Aria, "Gelobet sei der Herr, mein Gott, der ewig lebet" (Alto)
Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner
Cantata "O ewiges Feuer, o Ursprung der Liebe", BWV 34: No. 3, Aria, "Wohl euch, ihr auserwählten Seelen" (Alto)
Cantata "O ewiges Feuer, o Ursprung der Liebe", BWV 34: No. 3, Aria, "Wohl euch, ihr auserwählten Seelen" (Alto)
Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner
Cantata "Bleib bei uns, denn es will Abend werden", BWV 6: No. 2, Aria, "Hochgelobter Gottessohn" (Alto)
Cantata "Bleib bei uns, denn es will Abend werden", BWV 6: No. 2, Aria, "Hochgelobter Gottessohn" (Alto)
Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner
Cantata "Komm, du süsse Todesstunde", BWV 161: No. 1, Aria, "Komm, du süsse Todesstunde" (Alto)
Cantata "Komm, du süsse Todesstunde", BWV 161: No. 1, Aria, "Komm, du süsse Todesstunde" (Alto)
Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner
Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden"
Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden"
Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner
Concerto for 2 Oboes and Trumpet in D Major, TWV 53:D2: I. Allegro
Concerto for 2 Oboes and Trumpet in D Major, TWV 53:D2: I. Allegro
Concerto for 2 Oboes and Trumpet in D Major, TWV 53:D2: II. Adagio - Aria
Concerto for 2 Oboes and Trumpet in D Major, TWV 53:D2: II. Adagio - Aria
Concerto for 2 Oboes and Trumpet in D Major, TWV 53:D2: III.
Concerto for 2 Oboes and Trumpet in D Major, TWV 53:D2: III.
Concerto for 2 Oboes and Trumpet in D Major, TWV 53:D2: IV. Allegro
Concerto for 2 Oboes and Trumpet in D Major, TWV 53:D2: IV. Allegro

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People also ask

What is UPC 5021732522245?
UPC 5021732522245 is the Universal Product Code (barcode) for "Bach & Scarlatti: Cantatas - Albinoni, Vivaldi & Telemann: Concerti" by A. Scarlatti, Vivaldi, Telemann, J. S. Bach, Albinoni, Academy of St. Martin in the Fields, Sir Neville Marriner.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 5021732522245?
UPC 5021732522245 contains 31 tracks, each with its own ISRC.
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Verified on

What is UPC 5021732522245?

5021732522245 is a Universal Product Code (UPC) assigned to Bach & Scarlatti: Cantatas - Albinoni, Vivaldi & Telemann: Concerti by A. Scarlatti, Vivaldi, Telemann, J. S. Bach, Albinoni, Academy of St. Martin in the Fields, Sir Neville Marriner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 31 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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