UPC · Release
Johann Sebastian Bach
Last verified:
The UPC for “Meditation” by Johann Sebastian Bach is 5021732543370. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 117 tracks, each with its own ISRC. Tracks include GBAYC2301252, GBAYC8805460, GBAYC1801083.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Prelude for Meditation | Bertrand Chamayou | — | |
| 2 | Davidsbündlertänze, op. 6, Heft I: no. 2, Innig | Stephen Hough | — | |
| 3 | La Catedral: I. Preludio saudade | Thibaut Garcia | — | |
| 4 | Ma mère l’Oye: II. Pavane de la Belle au bois dormant: Lent – Allegro – Mouvements de valse modéré | Berliner Philharmoniker, Simon Rattle | — | |
| 5 | 24 Preludes, op. 28: No. 20 in C minor | Thibaut Garcia | — | |
| 6 | Gnossiennes: III. (Lent) | Anne Queffélec | T-004.016.586-3 | |
| 7 | Thaïs: Méditation | Gautier Capuçon, Orchestre de chambre de Paris, Douglas Boyd | — | |
| 8 | Dolly, op. 56. I. Berceuse | Jean-Philippe Collard, Bruno Rigutto | — | |
| 9 | Ave Maria (Meditation After Bach’s Prelude and Fugue in C Major, BWV 846) | Alexandre Tharaud | T-331.252.731-0 | |
| 10 | Keyboard Partita no. 1 in B-flat major, BWV 825: V. Menuet I | Piotr Anderszewski | — | |
| 11 | Mazurka in C-sharp minor, op. 63 no. 3 | Piotr Anderszewski | T-918.063.801-1 | |
| 12 | “Pictures At An Exhibition”: XIII. Con Mortuis In Lingua Mortua | Mikhail Pletnev | — | |
| 13 | Ave verum Corpus, K. 618 | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | T-011.552.099-4 | |
| 14 | Ave Maria (Meditation After Bach's Prelude and Fugue in C major, BWV 846) | Elsa Dreisig, Thibaut Garcia | T-009.147.667-3 | |
| 15 | Piano Quintet in A Major, Op. 81, B. 155: II. Dumka. Andante con moto | Nash Ensemble | — | |
| 16 | Requiem, op. 48: IV. Pie Jesus | Magali Dami, Peter Harvey, Ensemble Vocal de Lausanne, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-315.824.737-7 | |
| 17 | Méditation in D major for Violin and Orchestra, op. 32 | Rachel Barton Pine, Russian National Orchestra, José Serebrier | — | |
| 18 | Orphée et Eurydice, Wq. 41, Act I: Dance of the Blessed Spirits | Alexandre Tharaud | T-925.964.499-0 | |
| 19 | Camille | Renaud Capuçon, Brussels Philharmonic, Stéphane Denève | T-004.477.240-8 | |
| 20 | The Deer Hunter No. 1, Cavatina | Thibaut Garcia | T-011.221.528-7 | |
| 21 | Triste no. 4 | Eliot Fisk | — | |
| 22 | Romance from 'Jeux Interdits' | Pierre Laniau | T-929.588.678-1 | |
| 23 | Mass in B minor, BWV 232: Sanctus. XXVII. Dona nobis pacem (chorus) | Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz | — | |
| 24 | Album für die Jugend, op. 68: No. 9. Volksliedchen | Alexis Weissenberg | — | |
| 25 | 16 Waltzes, op. 39: No. 15 in A major (Piano 4-Hands Version) | Michel Béroff, Jean-Philippe Collard | — | |
| 26 | Jeux d'enfants, op. 22, WD 56: III. Berceuse "La poupée" | Laurence Fromentin, Dominique Plancade | — | |
| 27 | Goldberg Variations, BWV 988: Aria | Maria Tipo | T-902.128.688-4 | |
| 28 | Concerto for 2 Mandolins in G Major, RV 532 II. Andante | Sonia Maurer, Giovanni Scaramuzzino, Europa Galante, Fabio Biondi | — | |
| 29 | The Four Seasons: Violin Concerto in E major, op. 8 no. 1, RV 269 "Spring": II. Largo a pianissimo sempre | Renaud Capuçon, Orchestre de Chambre de Lausanne | — | |
| 30 | Le Carnaval des animaux: XIII. "Le cygne" | Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin | T-317.671.333-6 | |
| 31 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 1 | Nikolai Lugansky | — | |
| 32 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 2 | Nikolai Lugansky | — | |
| 33 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 3 | Nikolai Lugansky | — | |
| 34 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 4 | Nikolai Lugansky | — | |
| 35 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 5 | Nikolai Lugansky | — | |
| 36 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 6 | Nikolai Lugansky | — | |
| 37 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 7 | Nikolai Lugansky | — | |
| 38 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 8 | Nikolai Lugansky | — | |
| 39 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 9 | Nikolai Lugansky | — | |
| 40 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 10 | Nikolai Lugansky | — | |
| 41 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 11 | Nikolai Lugansky | — | |
| 42 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 12 | Nikolai Lugansky | — | |
| 43 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 13 | Nikolai Lugansky | — | |
| 44 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 14 | Nikolai Lugansky | — | |
| 45 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 15 | Nikolai Lugansky | — | |
| 46 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 16 | Nikolai Lugansky | — | |
| 47 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 17 | Nikolai Lugansky | — | |
| 48 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: VII. Aquarium | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 49 | Davidsbündlertänze, op. 6, Heft I: no. 7, Nicht schnell | Stephen Hough | — | |
| 50 | Motets: Ave verum, op. 65 no. 1 | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-915.668.767-1 | |
| 51 | Petite Suite: En bateau | Northern Sinfonia, Jean-Bernard Pommier | T-004.021.696-3 | |
| 52 | Sicilienne, op. 78/80 | Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin | T-902.591.639-6 | |
| 53 | Gymnopédies: I. (Lent et douloureux) | Anne Queffélec | T-802.750.656-6 | |
| 54 | Bagatelle no. 25 in A minor, WoO 59 "Für Elise" | Alexis Weissenberg | T-921.530.943-6 | |
| 55 | Canciones populares catalanas | Wulfin Lieske | T-042.645.034-1 | |
| 56 | Herz und Mund und Tat und Leben, BWV 147: Chorale. “Jesu, Joy of Man’s Desiring” | François-René Duchâble | T-308.020.856-2 | |
| 57 | Variations on a Rococo Theme, op. 33: Variation III: Andante sostenuto | Truls Mørk, Oslo Philharmonic Orchestra, Mariss Jansons | — | |
| 58 | Keyboard Concerto in D Minor | Alexandre Tharaud, Les Violons du Roy, Bernard Labadie | — | |
| 59 | Well-Tempered Clavier, Book I: No. 1 in C major, BWV 846: I. Prelude | Daniel Barenboim | T-910.415.372-2 | |
| 60 | Meditation (from the Light of Life, op. 29) | London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 61 | Requiem, op. 48: VII. In paradisum | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-924.489.944-3 | |
| 62 | Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 63 | Recuerdos de la Alhambra | Thibaut Garcia | — | |
| 64 | Rhapsody on a theme of Paganini: Variation 18 | Mikhail Pletnev, Philharmonia Orchestra, Libor Pešek | T-902.858.745-3 | |
| 65 | 18 Pieces, op. 72: V. Méditation | Viktoria Postnikova | — | |
| 66 | 6 Consolations, S. 172: No. 3 in D-flat major | François-René Duchâble | — | |
| 67 | Lyric Pieces V, op. 54 no. 4: Notturno | Leif Ove Andsnes | — | |
| 68 | Arabesques, CD 74, L. 66: No. 1, Andantino con moto | Aldo Ciccolini | — | |
| 69 | Golgotha: VI. Dialogue d'introduction: « Que dirais-je, que ferais-je ? » (Alto, Chorus) | Michel Corboz, Grand Chœur de l'Université de Lausanne, Marie-Lise de Montmollin, André Luy, Paulette Zanlonghi, Orchestre symphonique, Robert Faller | — | |
| 70 | Serse: Larghetto “Ombra mai fù” | David Daniels, Orchestra of the Age of Enlightenment, Sir Roger Norrington | T-061.791.488-1 | |
| 71 | Souvenir d'un lieu cher, op. 42: I. Méditation | Alexander Markov, Alexander Markovich | — | |
| 72 | Suite bergamasque: III. Clair de lune | Monique Haas | T-304.252.843-4 | |
| 73 | 12 Études, op. 10: No. 3 in E major "Tristesse" | Andrei Gavrilov | T-039.190.232-1 | |
| 74 | Julia Florida | Thibaut Garcia | T-000.914.035-5 | |
| 75 | In the Mists: I. Andante | Leif Ove Andsnes | — | |
| 76 | Fantasia on “Greensleeves” | BBC Symphony Orchestra, Sir Andrew Davis | — | |
| 77 | Messa da Requiem: V. Agnus Dei (Soprano, Mezzo-soprano, Chorus) | Angela Maria Blasi, Chœur de la Fondation Gulbenkian de Lisbonne, Ursula Kunz, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-914.368.452-0 | |
| 78 | Cello Concerto No. 9 in B-Flat Major, G. 482: II. Andantino grazioso | Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | — | |
| 79 | Liebestraum (Nocturne) in A-flat major, S. 541 no. 3 | Alexis Weissenberg | — | |
| 80 | Guitar Concerto in D major, RV 93: II. Largo | Christopher Parkening, Academy of St Martin in the Fields, Iona Brown | T-801.397.798-6 | |
| 81 | Canon and Gigue in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 | |
| 82 | Sonata for Violin Solo No. 3 C-dur, BWV 1005: III. Largo | Christian Tetzlaff | — | |
| 83 | Suite No. 5 in C minor, BWV 1011: IV. Sarabande | Ralph Kirshbaum | — | |
| 84 | Una limosnita por el amor de Dios | Thibaut Garcia | T-902.680.279-9 | |
| 85 | The Seasons, op. 37a: No. 6. June. Barcarolle | Mikhail Pletnev | — | |
| 86 | Keyboard Suite no. 4 in D minor, HWV 437: III. Sarabande | Academy of St Martin in the Fields, Alexander Briger | — | |
| 87 | Stabat mater pour soprano, contralto, cordes et basse continue: Stabat Mater dolorosa | Véronique Gens, Gérard Lesne, Il Seminario Musicale | T-905.680.072-7 | |
| 88 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Kyrie | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 89 | Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — | |
| 90 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Offertorium. Hostias (Soloists and Chorus) | Liliana Bizineche-Eisinger, Angela Maria Blasi, Michel Brodard, Chœur de la Fondation Gulbenkian de Lisbonne, Reinaldo Macias, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 91 | Cello Concerto in E-flat, RV 408: II. Largo | Han-Na Chang, London Chamber Orchestra, Christopher Warren-Green | — | |
| 92 | Waltz no. 9 in A-flat major, op. posth. 69 no. 1 "Farewell" | Dmitri Alexeev | T-306.229.926-3 | |
| 93 | 3 Intermezzi, op. 117: II. Andante non troppo e con molto espressione in B-flat minor | Nicholas Angelich | — | |
| 94 | Cello Concerto in E minor, op. 85: III. Adagio | Truls Mørk, City of Birmingham Symphony Orchestra, Simon Rattle | T-010.115.155-6 | |
| 95 | Peer Gynt, op. 23: XII. Åses død (Forspill til Akt III) | Estonian National Symphony Orchestra, Paavo Järvi | — | |
| 96 | Pavane in F sharp minor, Op. 50 | English Chamber Orchestra, Paul Tortelier | T-312.276.390-6 | |
| 97 | Adagio for Strings, op. 11 | Berliner Philharmoniker, Simon Rattle | T-070.000.199-5 | |
| 98 | Shaker Loops: II. Hymning Slews | London Chamber Orchestra, Christopher Warren-Green | — | |
| 99 | Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” | Christa Goetze, Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz | — | |
| 100 | Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Berliner Philharmoniker, Claudio Abbado | — | |
| 101 | Gaspard de la nuit: Ondine | Anne Queffélec | T-902.777.490-9 | |
| 102 | Pavane pour une infante défunte, M. 19 | Anne Queffélec | T-003.013.767-7 | |
| 103 | Violin Concerto no. 2 in E, BWV 1042: II. Adagio | Gabriela Montero | T-801.974.499-2 | |
| 104 | Keyboard Concerto in A major, BWV 1055: II. Larghetto | Deutsche Kammerphilharmonie Bremen, David Fray | — | |
| 105 | Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto | Sally Heath, Jane Murdoch, Jonathan Rees, Scottish Ensemble | — | |
| 106 | Piano Concerto no. 21 in C major, K. 467: II. Andante | Jean-Bernard Pommier, Sinfonia Varsovia | T-010.194.871-3 | |
| 107 | Piano Trio no. 2 in E-flat major, D. 929: II. Andante con moto | Frank Braley, Renaud Capuçon, Gautier Capuçon | T-918.982.163-4 | |
| 108 | Piano Concerto in G: II. Adagio assai | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T-305.194.465-7 | |
| 109 | Raindrop: Prelude | Dmitri Alexeev | — | |
| 110 | Berceuse in D-flat major, op. 57 | Aldo Ciccolini | — | |
| 111 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto (arr. Barrios Mangoré for Guitar) | Thibaut Garcia | — | |
| 112 | Organ Symphony No. 1 in C Minor, Op. 13 No. 1: VI. Méditation | Marie-Claire Alain | — | |
| 113 | Violin Sonata no. 3 in E major, BWV 1016: III. Adagio ma non tanto | Renaud Capuçon, David Fray | — | |
| 114 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | François-René Duchâble | T-925.881.218-9 | |
| 115 | Piano Concerto no. 23 in A major, K. 488: II. Andante | Maria João Pires | — | |
| 116 | Spiegel im Spiegel | Tasmin Little, Martin Roscoe | T-800.638.693-3 | |
| 117 | Piano Concerto in G major: II. Allegro assai | Hélène Grimaud, Baltimore Symphony Orchestra, David Zinman | T-003.007.887-5 |
Identifier Graph
5021732543370 is a Universal Product Code (UPC) assigned to Meditation by Johann Sebastian Bach. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 117 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Fantasia on “Greensleeves” | BBC Symphony Orchestra, Sir Andrew Davis | — |
| 6 Consolations, S. 172: No. 3 in D-flat major | François-René Duchâble | — |
| Arabesques, CD 74, L. 66: No. 1, Andantino con moto | Aldo Ciccolini | T-329.530.213-1 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | T-900.160.317-4 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Meditation” by Johann Sebastian Bach is 5021732543370. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 117 tracks, each with its own ISRC. Tracks include GBAYC2301252, GBAYC8805460, GBAYC1801083.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Prelude for Meditation | Bertrand Chamayou | — | |
| 2 | Davidsbündlertänze, op. 6, Heft I: no. 2, Innig | Stephen Hough | — | |
| 3 | La Catedral: I. Preludio saudade | Thibaut Garcia | — | |
| 4 | Ma mère l’Oye: II. Pavane de la Belle au bois dormant: Lent – Allegro – Mouvements de valse modéré | Berliner Philharmoniker, Simon Rattle | — | |
| 5 | 24 Preludes, op. 28: No. 20 in C minor | Thibaut Garcia | — | |
| 6 | Gnossiennes: III. (Lent) | Anne Queffélec | T-004.016.586-3 | |
| 7 | Thaïs: Méditation | Gautier Capuçon, Orchestre de chambre de Paris, Douglas Boyd | — | |
| 8 | Dolly, op. 56. I. Berceuse | Jean-Philippe Collard, Bruno Rigutto | — | |
| 9 | Ave Maria (Meditation After Bach’s Prelude and Fugue in C Major, BWV 846) | Alexandre Tharaud | T-331.252.731-0 | |
| 10 | Keyboard Partita no. 1 in B-flat major, BWV 825: V. Menuet I | Piotr Anderszewski | — | |
| 11 | Mazurka in C-sharp minor, op. 63 no. 3 | Piotr Anderszewski | T-918.063.801-1 | |
| 12 | “Pictures At An Exhibition”: XIII. Con Mortuis In Lingua Mortua | Mikhail Pletnev | — | |
| 13 | Ave verum Corpus, K. 618 | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | T-011.552.099-4 | |
| 14 | Ave Maria (Meditation After Bach's Prelude and Fugue in C major, BWV 846) | Elsa Dreisig, Thibaut Garcia | T-009.147.667-3 | |
| 15 | Piano Quintet in A Major, Op. 81, B. 155: II. Dumka. Andante con moto | Nash Ensemble | — | |
| 16 | Requiem, op. 48: IV. Pie Jesus | Magali Dami, Peter Harvey, Ensemble Vocal de Lausanne, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-315.824.737-7 | |
| 17 | Méditation in D major for Violin and Orchestra, op. 32 | Rachel Barton Pine, Russian National Orchestra, José Serebrier | — | |
| 18 | Orphée et Eurydice, Wq. 41, Act I: Dance of the Blessed Spirits | Alexandre Tharaud | T-925.964.499-0 | |
| 19 | Camille | Renaud Capuçon, Brussels Philharmonic, Stéphane Denève | T-004.477.240-8 | |
| 20 | The Deer Hunter No. 1, Cavatina | Thibaut Garcia | T-011.221.528-7 | |
| 21 | Triste no. 4 | Eliot Fisk | — | |
| 22 | Romance from 'Jeux Interdits' | Pierre Laniau | T-929.588.678-1 | |
| 23 | Mass in B minor, BWV 232: Sanctus. XXVII. Dona nobis pacem (chorus) | Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz | — | |
| 24 | Album für die Jugend, op. 68: No. 9. Volksliedchen | Alexis Weissenberg | — | |
| 25 | 16 Waltzes, op. 39: No. 15 in A major (Piano 4-Hands Version) | Michel Béroff, Jean-Philippe Collard | — | |
| 26 | Jeux d'enfants, op. 22, WD 56: III. Berceuse "La poupée" | Laurence Fromentin, Dominique Plancade | — | |
| 27 | Goldberg Variations, BWV 988: Aria | Maria Tipo | T-902.128.688-4 | |
| 28 | Concerto for 2 Mandolins in G Major, RV 532 II. Andante | Sonia Maurer, Giovanni Scaramuzzino, Europa Galante, Fabio Biondi | — | |
| 29 | The Four Seasons: Violin Concerto in E major, op. 8 no. 1, RV 269 "Spring": II. Largo a pianissimo sempre | Renaud Capuçon, Orchestre de Chambre de Lausanne | — | |
| 30 | Le Carnaval des animaux: XIII. "Le cygne" | Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin | T-317.671.333-6 | |
| 31 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 1 | Nikolai Lugansky | — | |
| 32 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 2 | Nikolai Lugansky | — | |
| 33 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 3 | Nikolai Lugansky | — | |
| 34 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 4 | Nikolai Lugansky | — | |
| 35 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 5 | Nikolai Lugansky | — | |
| 36 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 6 | Nikolai Lugansky | — | |
| 37 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 7 | Nikolai Lugansky | — | |
| 38 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 8 | Nikolai Lugansky | — | |
| 39 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 9 | Nikolai Lugansky | — | |
| 40 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 10 | Nikolai Lugansky | — | |
| 41 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 11 | Nikolai Lugansky | — | |
| 42 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 12 | Nikolai Lugansky | — | |
| 43 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 13 | Nikolai Lugansky | — | |
| 44 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 14 | Nikolai Lugansky | — | |
| 45 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 15 | Nikolai Lugansky | — | |
| 46 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 16 | Nikolai Lugansky | — | |
| 47 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto, Pt. 17 | Nikolai Lugansky | — | |
| 48 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: VII. Aquarium | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 49 | Davidsbündlertänze, op. 6, Heft I: no. 7, Nicht schnell | Stephen Hough | — | |
| 50 | Motets: Ave verum, op. 65 no. 1 | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-915.668.767-1 | |
| 51 | Petite Suite: En bateau | Northern Sinfonia, Jean-Bernard Pommier | T-004.021.696-3 | |
| 52 | Sicilienne, op. 78/80 | Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin | T-902.591.639-6 | |
| 53 | Gymnopédies: I. (Lent et douloureux) | Anne Queffélec | T-802.750.656-6 | |
| 54 | Bagatelle no. 25 in A minor, WoO 59 "Für Elise" | Alexis Weissenberg | T-921.530.943-6 | |
| 55 | Canciones populares catalanas | Wulfin Lieske | T-042.645.034-1 | |
| 56 | Herz und Mund und Tat und Leben, BWV 147: Chorale. “Jesu, Joy of Man’s Desiring” | François-René Duchâble | T-308.020.856-2 | |
| 57 | Variations on a Rococo Theme, op. 33: Variation III: Andante sostenuto | Truls Mørk, Oslo Philharmonic Orchestra, Mariss Jansons | — | |
| 58 | Keyboard Concerto in D Minor | Alexandre Tharaud, Les Violons du Roy, Bernard Labadie | — | |
| 59 | Well-Tempered Clavier, Book I: No. 1 in C major, BWV 846: I. Prelude | Daniel Barenboim | T-910.415.372-2 | |
| 60 | Meditation (from the Light of Life, op. 29) | London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 61 | Requiem, op. 48: VII. In paradisum | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-924.489.944-3 | |
| 62 | Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 63 | Recuerdos de la Alhambra | Thibaut Garcia | — | |
| 64 | Rhapsody on a theme of Paganini: Variation 18 | Mikhail Pletnev, Philharmonia Orchestra, Libor Pešek | T-902.858.745-3 | |
| 65 | 18 Pieces, op. 72: V. Méditation | Viktoria Postnikova | — | |
| 66 | 6 Consolations, S. 172: No. 3 in D-flat major | François-René Duchâble | — | |
| 67 | Lyric Pieces V, op. 54 no. 4: Notturno | Leif Ove Andsnes | — | |
| 68 | Arabesques, CD 74, L. 66: No. 1, Andantino con moto | Aldo Ciccolini | — | |
| 69 | Golgotha: VI. Dialogue d'introduction: « Que dirais-je, que ferais-je ? » (Alto, Chorus) | Michel Corboz, Grand Chœur de l'Université de Lausanne, Marie-Lise de Montmollin, André Luy, Paulette Zanlonghi, Orchestre symphonique, Robert Faller | — | |
| 70 | Serse: Larghetto “Ombra mai fù” | David Daniels, Orchestra of the Age of Enlightenment, Sir Roger Norrington | T-061.791.488-1 | |
| 71 | Souvenir d'un lieu cher, op. 42: I. Méditation | Alexander Markov, Alexander Markovich | — | |
| 72 | Suite bergamasque: III. Clair de lune | Monique Haas | T-304.252.843-4 | |
| 73 | 12 Études, op. 10: No. 3 in E major "Tristesse" | Andrei Gavrilov | T-039.190.232-1 | |
| 74 | Julia Florida | Thibaut Garcia | T-000.914.035-5 | |
| 75 | In the Mists: I. Andante | Leif Ove Andsnes | — | |
| 76 | Fantasia on “Greensleeves” | BBC Symphony Orchestra, Sir Andrew Davis | — | |
| 77 | Messa da Requiem: V. Agnus Dei (Soprano, Mezzo-soprano, Chorus) | Angela Maria Blasi, Chœur de la Fondation Gulbenkian de Lisbonne, Ursula Kunz, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-914.368.452-0 | |
| 78 | Cello Concerto No. 9 in B-Flat Major, G. 482: II. Andantino grazioso | Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | — | |
| 79 | Liebestraum (Nocturne) in A-flat major, S. 541 no. 3 | Alexis Weissenberg | — | |
| 80 | Guitar Concerto in D major, RV 93: II. Largo | Christopher Parkening, Academy of St Martin in the Fields, Iona Brown | T-801.397.798-6 | |
| 81 | Canon and Gigue in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 | |
| 82 | Sonata for Violin Solo No. 3 C-dur, BWV 1005: III. Largo | Christian Tetzlaff | — | |
| 83 | Suite No. 5 in C minor, BWV 1011: IV. Sarabande | Ralph Kirshbaum | — | |
| 84 | Una limosnita por el amor de Dios | Thibaut Garcia | T-902.680.279-9 | |
| 85 | The Seasons, op. 37a: No. 6. June. Barcarolle | Mikhail Pletnev | — | |
| 86 | Keyboard Suite no. 4 in D minor, HWV 437: III. Sarabande | Academy of St Martin in the Fields, Alexander Briger | — | |
| 87 | Stabat mater pour soprano, contralto, cordes et basse continue: Stabat Mater dolorosa | Véronique Gens, Gérard Lesne, Il Seminario Musicale | T-905.680.072-7 | |
| 88 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Kyrie | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 89 | Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — | |
| 90 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Offertorium. Hostias (Soloists and Chorus) | Liliana Bizineche-Eisinger, Angela Maria Blasi, Michel Brodard, Chœur de la Fondation Gulbenkian de Lisbonne, Reinaldo Macias, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 91 | Cello Concerto in E-flat, RV 408: II. Largo | Han-Na Chang, London Chamber Orchestra, Christopher Warren-Green | — | |
| 92 | Waltz no. 9 in A-flat major, op. posth. 69 no. 1 "Farewell" | Dmitri Alexeev | T-306.229.926-3 | |
| 93 | 3 Intermezzi, op. 117: II. Andante non troppo e con molto espressione in B-flat minor | Nicholas Angelich | — | |
| 94 | Cello Concerto in E minor, op. 85: III. Adagio | Truls Mørk, City of Birmingham Symphony Orchestra, Simon Rattle | T-010.115.155-6 | |
| 95 | Peer Gynt, op. 23: XII. Åses død (Forspill til Akt III) | Estonian National Symphony Orchestra, Paavo Järvi | — | |
| 96 | Pavane in F sharp minor, Op. 50 | English Chamber Orchestra, Paul Tortelier | T-312.276.390-6 | |
| 97 | Adagio for Strings, op. 11 | Berliner Philharmoniker, Simon Rattle | T-070.000.199-5 | |
| 98 | Shaker Loops: II. Hymning Slews | London Chamber Orchestra, Christopher Warren-Green | — | |
| 99 | Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” | Christa Goetze, Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz | — | |
| 100 | Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Berliner Philharmoniker, Claudio Abbado | — | |
| 101 | Gaspard de la nuit: Ondine | Anne Queffélec | T-902.777.490-9 | |
| 102 | Pavane pour une infante défunte, M. 19 | Anne Queffélec | T-003.013.767-7 | |
| 103 | Violin Concerto no. 2 in E, BWV 1042: II. Adagio | Gabriela Montero | T-801.974.499-2 | |
| 104 | Keyboard Concerto in A major, BWV 1055: II. Larghetto | Deutsche Kammerphilharmonie Bremen, David Fray | — | |
| 105 | Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto | Sally Heath, Jane Murdoch, Jonathan Rees, Scottish Ensemble | — | |
| 106 | Piano Concerto no. 21 in C major, K. 467: II. Andante | Jean-Bernard Pommier, Sinfonia Varsovia | T-010.194.871-3 | |
| 107 | Piano Trio no. 2 in E-flat major, D. 929: II. Andante con moto | Frank Braley, Renaud Capuçon, Gautier Capuçon | T-918.982.163-4 | |
| 108 | Piano Concerto in G: II. Adagio assai | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T-305.194.465-7 | |
| 109 | Raindrop: Prelude | Dmitri Alexeev | — | |
| 110 | Berceuse in D-flat major, op. 57 | Aldo Ciccolini | — | |
| 111 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto (arr. Barrios Mangoré for Guitar) | Thibaut Garcia | — | |
| 112 | Organ Symphony No. 1 in C Minor, Op. 13 No. 1: VI. Méditation | Marie-Claire Alain | — | |
| 113 | Violin Sonata no. 3 in E major, BWV 1016: III. Adagio ma non tanto | Renaud Capuçon, David Fray | — | |
| 114 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | François-René Duchâble | T-925.881.218-9 | |
| 115 | Piano Concerto no. 23 in A major, K. 488: II. Andante | Maria João Pires | — | |
| 116 | Spiegel im Spiegel | Tasmin Little, Martin Roscoe | T-800.638.693-3 | |
| 117 | Piano Concerto in G major: II. Allegro assai | Hélène Grimaud, Baltimore Symphony Orchestra, David Zinman | T-003.007.887-5 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Fantasia on “Greensleeves” | BBC Symphony Orchestra, Sir Andrew Davis | — |
| 6 Consolations, S. 172: No. 3 in D-flat major | François-René Duchâble | — |
| Arabesques, CD 74, L. 66: No. 1, Andantino con moto | Aldo Ciccolini | T-329.530.213-1 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | T-900.160.317-4 |
