UPC · Release
Various Artists
Last verified:
The UPC for “Léon Bakst: A Life for the Stage” by Various Artists is 5021732597786. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 39 tracks, each with its own ISRC. Tracks include GBAYC9101741, GBAYC9802151, GBDYG1402942.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La boutique fantasque, P. 120: II. Tarentella “La danza” | — | ||
| 2 | Sylvia, Act 3: no. 16a, Pizzicati | — | ||
| 3 | The Fair at Sorochyntsi, Act 3: Gopak | — | ||
| 4 | Carnaval, op. 9: no. 7, Coquette | — | ||
| 5 | The Nutcracker, op. 71: Act II. Divertissement: d) Trepak (Russian Dance) | The London Philharmonic, Mariss Jansons | — | |
| 6 | Suite from The Good‐Humoured Ladies: IV. Non presto, in tempo di ballo | — | ||
| 7 | Parade: Petite fille américaine | — | ||
| 8 | The Gods Go a’Begging: II. First Dance (After Teseo, HWV 9) | — | ||
| 9 | The Firebird (1910 version) (1998 Remastered Version), 2nd Tableau: Disappearance of the palace and dissolution of Kashchei's enchantments; animation of the petrified warriors. General thanksgiving | Orchestre de Paris, Seiji Ozawa | — | |
| 10 | Daphnis et Chloé, M. 57, Tableau III: XV. Danse générale (Bacchanale) | Orchestre de l’Opéra National de Paris, Philippe Jordan | — | |
| 11 | Les sylphides: Waltz, op. 70 no. 1 | — | ||
| 12 | Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse) | London Symphony Orchestra, André Previn | — | |
| 13 | Lyric Pieces, Book X, op. 71: no. 3, Puck | — | ||
| 14 | Die Zauberflöte, K. 620, Act 1: “Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno) | — | ||
| 15 | Fortunio, Act 4: “Lorsque je n’étais qu’une enfant” (Jacqueline) | — | ||
| 16 | Invitation to the Dance, op. 65, J. 260 | — | ||
| 17 | Il segreto di Susanna: Intermezzo | — | ||
| 19 | Mignon, Act 1: Romance. “Connais‐tu le pays où fleurit l’oranger ?” (Mignon) | — | ||
| 20 | Symphonic Fragment from Josephs‐Legende: I. Allegro moderato | — | ||
| 21 | Prélude à l’après‐midi d’un faune, CD 87, L. 86 | — | ||
| 22 | Mefistofele, Act 1: “Dai campi, dai prati” (Faust, Mefistofele) | — | ||
| 23 | Le carnaval des animaux: XIII. Le cygne | — | ||
| 24 | Prince Igor, Act 2: Polovtsian Dances. “Uletai na kryliyakh vetra” (Chorus) | — | ||
| 25 | Le martyre de Saint Sébastien : I. La cour des lys | Rotterdams Philharmonisch Orkest, James Conlon | — | |
| 26 | La traviata, Act 3: “Parigi, o cara noi lasceremo” (Violetta, Alfredo) | — | ||
| 27 | Faust, Act 3: “Les grands seigneurs ont seuls des airs si résolus” - Air des bijoux. “Ah, je ris de me voir si belle” (Marguerite) | — | ||
| 28 | La bohème, Act 3: “Donde lieta uscì” (Mimì) | — | ||
| 29 | Mavra: Parasha’s Song. “My Dear Friend” (Transcr. Rostropovich for Cello and Piano) | — | ||
| 30 | Orfeo ed Euridice, Wq. 30, Act 3: Che fiero momento (Euridice) | Elsa Dreisig, Il Giardino d'Amore, Stefan Plewniak | — | |
| 31 | Thaïs, Act 2: “Celle qui vient est plus belle” (La Charmeuse, Crobyle, Myrtale) | — | ||
| 32 | Ballet Suite from die Puppenfee | — | ||
| 33 | Istar, variations symphoniques, op. 42 | — | ||
| 34 | La Péri: Poème dansé | — | ||
| 35 | Salomé, Op. 54: Dance of the Seven Veils | Philharmonia Orchestra, Otto Klemperer | — | |
| 36 | Scheherazade, op. 35: I. The Sea and Sinbad’s Ship | — | ||
| 37 | Boris Godunov, Prologue: Coronation Scene. “Da zdravstvuet tsar’ Boris Feodorovich” (Shuisky, Boris, Chorus) | — | ||
| 38 | Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Moderato assai - Allegro vivo - Presto | — | ||
| 39 | Tamara | — | ||
| 40 | Jeux: Poème dansé | City of Birmingham Symphony Orchestra, Simon Rattle | T-003.011.148-8 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5021732597786 is a Universal Product Code (UPC) assigned to Léon Bakst: A Life for the Stage by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 39 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse) | London Symphony Orchestra, André Previn | T-905.014.886-2 |
The UPC for “Léon Bakst: A Life for the Stage” by Various Artists is 5021732597786. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 39 tracks, each with its own ISRC. Tracks include GBAYC9101741, GBAYC9802151, GBDYG1402942.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La boutique fantasque, P. 120: II. Tarentella “La danza” | — | ||
| 2 | Sylvia, Act 3: no. 16a, Pizzicati | — | ||
| 3 | The Fair at Sorochyntsi, Act 3: Gopak | — | ||
| 4 | Carnaval, op. 9: no. 7, Coquette | — | ||
| 5 | The Nutcracker, op. 71: Act II. Divertissement: d) Trepak (Russian Dance) | The London Philharmonic, Mariss Jansons | — | |
| 6 | Suite from The Good‐Humoured Ladies: IV. Non presto, in tempo di ballo | — | ||
| 7 | Parade: Petite fille américaine | — | ||
| 8 | The Gods Go a’Begging: II. First Dance (After Teseo, HWV 9) | — | ||
| 9 | The Firebird (1910 version) (1998 Remastered Version), 2nd Tableau: Disappearance of the palace and dissolution of Kashchei's enchantments; animation of the petrified warriors. General thanksgiving | Orchestre de Paris, Seiji Ozawa | — | |
| 10 | Daphnis et Chloé, M. 57, Tableau III: XV. Danse générale (Bacchanale) | Orchestre de l’Opéra National de Paris, Philippe Jordan | — | |
| 11 | Les sylphides: Waltz, op. 70 no. 1 | — | ||
| 12 | Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse) | London Symphony Orchestra, André Previn | — | |
| 13 | Lyric Pieces, Book X, op. 71: no. 3, Puck | — | ||
| 14 | Die Zauberflöte, K. 620, Act 1: “Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno) | — | ||
| 15 | Fortunio, Act 4: “Lorsque je n’étais qu’une enfant” (Jacqueline) | — | ||
| 16 | Invitation to the Dance, op. 65, J. 260 | — | ||
| 17 | Il segreto di Susanna: Intermezzo | — | ||
| 19 | Mignon, Act 1: Romance. “Connais‐tu le pays où fleurit l’oranger ?” (Mignon) | — | ||
| 20 | Symphonic Fragment from Josephs‐Legende: I. Allegro moderato | — | ||
| 21 | Prélude à l’après‐midi d’un faune, CD 87, L. 86 | — | ||
| 22 | Mefistofele, Act 1: “Dai campi, dai prati” (Faust, Mefistofele) | — | ||
| 23 | Le carnaval des animaux: XIII. Le cygne | — | ||
| 24 | Prince Igor, Act 2: Polovtsian Dances. “Uletai na kryliyakh vetra” (Chorus) | — | ||
| 25 | Le martyre de Saint Sébastien : I. La cour des lys | Rotterdams Philharmonisch Orkest, James Conlon | — | |
| 26 | La traviata, Act 3: “Parigi, o cara noi lasceremo” (Violetta, Alfredo) | — | ||
| 27 | Faust, Act 3: “Les grands seigneurs ont seuls des airs si résolus” - Air des bijoux. “Ah, je ris de me voir si belle” (Marguerite) | — | ||
| 28 | La bohème, Act 3: “Donde lieta uscì” (Mimì) | — | ||
| 29 | Mavra: Parasha’s Song. “My Dear Friend” (Transcr. Rostropovich for Cello and Piano) | — | ||
| 30 | Orfeo ed Euridice, Wq. 30, Act 3: Che fiero momento (Euridice) | Elsa Dreisig, Il Giardino d'Amore, Stefan Plewniak | — | |
| 31 | Thaïs, Act 2: “Celle qui vient est plus belle” (La Charmeuse, Crobyle, Myrtale) | — | ||
| 32 | Ballet Suite from die Puppenfee | — | ||
| 33 | Istar, variations symphoniques, op. 42 | — | ||
| 34 | La Péri: Poème dansé | — | ||
| 35 | Salomé, Op. 54: Dance of the Seven Veils | Philharmonia Orchestra, Otto Klemperer | — | |
| 36 | Scheherazade, op. 35: I. The Sea and Sinbad’s Ship | — | ||
| 37 | Boris Godunov, Prologue: Coronation Scene. “Da zdravstvuet tsar’ Boris Feodorovich” (Shuisky, Boris, Chorus) | — | ||
| 38 | Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Moderato assai - Allegro vivo - Presto | — | ||
| 39 | Tamara | — | ||
| 40 | Jeux: Poème dansé | City of Birmingham Symphony Orchestra, Simon Rattle | T-003.011.148-8 |
