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  3. Léon Bakst: A Life for the Stage
Léon Bakst: A Life for the Stage

UPC · Release

Léon Bakst: A Life for the Stage

Various Artists

5021732597786
39 tracks

Last verified: July 16, 2026

5021732597786 is the Universal Product Code (UPC barcode) for the release “Léon Bakst: A Life for the Stage” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 39 tracks, each with its own ISRC. Tracks include GBAYC9101741, GBAYC9802151, GBDYG1402942.

Format

502GS1 prefix
1732Company prefix
59778Product
6Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCLéon Bakst: A Life for the Stage
ISRC8 recordings
ISWC2 works
IPI1 songwriter

Track List (39)

#Track TitleArtist(s)ISWC
La boutique fantasque, P. 120: II. Tarentella “La danza”1La boutique fantasque, P. 120: II. Tarentella “La danza”—
Sylvia, Act 3: no. 16a, Pizzicati2Sylvia, Act 3: no. 16a, Pizzicati—
The Fair at Sorochyntsi, Act 3: Gopak3The Fair at Sorochyntsi, Act 3: Gopak—
Carnaval, op. 9: no. 7, Coquette4Carnaval, op. 9: no. 7, Coquette—
The Nutcracker, op. 71: Act II. Divertissement: d) Trepak (Russian Dance)5The Nutcracker, op. 71: Act II. Divertissement: d) Trepak (Russian Dance)The London Philharmonic, Mariss Jansons—
Suite from The Good‐Humoured Ladies: IV. Non presto, in tempo di ballo6Suite from The Good‐Humoured Ladies: IV. Non presto, in tempo di ballo—
Parade: Petite fille américaine7Parade: Petite fille américaine—
The Gods Go a’Begging: II. First Dance (After Teseo, HWV 9)8The Gods Go a’Begging: II. First Dance (After Teseo, HWV 9)—
The Firebird (1910 version) (1998 Remastered Version), 2nd Tableau: Disappearance of the palace and dissolution of Kashchei's enchantments; animation of the petrified warriors. General thanksgiving9The Firebird (1910 version) (1998 Remastered Version), 2nd Tableau: Disappearance of the palace and dissolution of Kashchei's enchantments; animation of the petrified warriors. General thanksgivingOrchestre de Paris, Seiji Ozawa—
Daphnis et Chloé, M. 57, Tableau III: XV. Danse générale (Bacchanale)10Daphnis et Chloé, M. 57, Tableau III: XV. Danse générale (Bacchanale)Orchestre de l’Opéra National de Paris, Philippe Jordan—
Les sylphides: Waltz, op. 70 no. 111Les sylphides: Waltz, op. 70 no. 1—
Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse)12Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse)London Symphony Orchestra, André Previn—
Lyric Pieces, Book X, op. 71: no. 3, Puck13Lyric Pieces, Book X, op. 71: no. 3, Puck—
Die Zauberflöte, K. 620, Act 1: “Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno)14Die Zauberflöte, K. 620, Act 1: “Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno)—
Fortunio, Act 4: “Lorsque je n’étais qu’une enfant” (Jacqueline)15Fortunio, Act 4: “Lorsque je n’étais qu’une enfant” (Jacqueline)—
Invitation to the Dance, op. 65, J. 26016Invitation to the Dance, op. 65, J. 260—
Il segreto di Susanna: Intermezzo17Il segreto di Susanna: Intermezzo—
Mignon, Act 1: Romance. “Connais‐tu le pays où fleurit l’oranger ?” (Mignon)19Mignon, Act 1: Romance. “Connais‐tu le pays où fleurit l’oranger ?” (Mignon)—
Symphonic Fragment from Josephs‐Legende: I. Allegro moderato20Symphonic Fragment from Josephs‐Legende: I. Allegro moderato—
Prélude à l’après‐midi d’un faune, CD 87, L. 8621Prélude à l’après‐midi d’un faune, CD 87, L. 86—
Mefistofele, Act 1: “Dai campi, dai prati” (Faust, Mefistofele)22Mefistofele, Act 1: “Dai campi, dai prati” (Faust, Mefistofele)—
Le carnaval des animaux: XIII. Le cygne23Le carnaval des animaux: XIII. Le cygne—
Prince Igor, Act 2: Polovtsian Dances. “Uletai na kryliyakh vetra” (Chorus)24Prince Igor, Act 2: Polovtsian Dances. “Uletai na kryliyakh vetra” (Chorus)—
Le martyre de Saint Sébastien : I. La cour des lys25Le martyre de Saint Sébastien : I. La cour des lysRotterdams Philharmonisch Orkest, James Conlon—
La traviata, Act 3: “Parigi, o cara noi lasceremo” (Violetta, Alfredo)26La traviata, Act 3: “Parigi, o cara noi lasceremo” (Violetta, Alfredo)—
Faust, Act 3: “Les grands seigneurs ont seuls des airs si résolus” - Air des bijoux. “Ah, je ris de me voir si belle” (Marguerite)27Faust, Act 3: “Les grands seigneurs ont seuls des airs si résolus” - Air des bijoux. “Ah, je ris de me voir si belle” (Marguerite)—
La bohème, Act 3: “Donde lieta uscì” (Mimì)28La bohème, Act 3: “Donde lieta uscì” (Mimì)—
Mavra: Parasha’s Song. “My Dear Friend” (Transcr. Rostropovich for Cello and Piano)29Mavra: Parasha’s Song. “My Dear Friend” (Transcr. Rostropovich for Cello and Piano)—
Orfeo ed Euridice, Wq. 30, Act 3: Che fiero momento (Euridice)30Orfeo ed Euridice, Wq. 30, Act 3: Che fiero momento (Euridice)Elsa Dreisig, Il Giardino d'Amore, Stefan Plewniak—
Thaïs, Act 2: “Celle qui vient est plus belle” (La Charmeuse, Crobyle, Myrtale)31Thaïs, Act 2: “Celle qui vient est plus belle” (La Charmeuse, Crobyle, Myrtale)—
Ballet Suite from die Puppenfee32Ballet Suite from die Puppenfee—
Istar, variations symphoniques, op. 4233Istar, variations symphoniques, op. 42—
La Péri: Poème dansé34La Péri: Poème dansé—
Salomé, Op. 54: Dance of the Seven Veils35Salomé, Op. 54: Dance of the Seven VeilsPhilharmonia Orchestra, Otto Klemperer—
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship36Scheherazade, op. 35: I. The Sea and Sinbad’s Ship—
Boris Godunov, Prologue: Coronation Scene. “Da zdravstvuet tsar’ Boris Feodorovich” (Shuisky, Boris, Chorus)37Boris Godunov, Prologue: Coronation Scene. “Da zdravstvuet tsar’ Boris Feodorovich” (Shuisky, Boris, Chorus)—
Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Moderato assai - Allegro vivo - Presto38Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Moderato assai - Allegro vivo - Presto—
Tamara39Tamara—
Jeux: Poème dansé40Jeux: Poème danséCity of Birmingham Symphony Orchestra, Simon RattleT-003.011.148-8
La boutique fantasque, P. 120: II. Tarentella “La danza”
La boutique fantasque, P. 120: II. Tarentella “La danza”
—
Sylvia, Act 3: no. 16a, Pizzicati
Sylvia, Act 3: no. 16a, Pizzicati
—
The Fair at Sorochyntsi, Act 3: Gopak
The Fair at Sorochyntsi, Act 3: Gopak
—
Carnaval, op. 9: no. 7, Coquette
Carnaval, op. 9: no. 7, Coquette
—
The Nutcracker, op. 71: Act II. Divertissement: d) Trepak (Russian Dance)
The Nutcracker, op. 71: Act II. Divertissement: d) Trepak (Russian Dance)
The London Philharmonic, Mariss Jansons
—
Suite from The Good‐Humoured Ladies: IV. Non presto, in tempo di ballo
Suite from The Good‐Humoured Ladies: IV. Non presto, in tempo di ballo
—
Parade: Petite fille américaine
Parade: Petite fille américaine
—
The Gods Go a’Begging: II. First Dance (After Teseo, HWV 9)
The Gods Go a’Begging: II. First Dance (After Teseo, HWV 9)
—
The Firebird (1910 version) (1998 Remastered Version), 2nd Tableau: Disappearance of the palace and dissolution of Kashchei's enchantments; animation of the petrified warriors. General thanksgiving
The Firebird (1910 version) (1998 Remastered Version), 2nd Tableau: Disappearance of the palace and dissolution of Kashchei's enchantments; animation of the petrified warriors. General thanksgiving
Orchestre de Paris, Seiji Ozawa
—
Daphnis et Chloé, M. 57, Tableau III: XV. Danse générale (Bacchanale)
Daphnis et Chloé, M. 57, Tableau III: XV. Danse générale (Bacchanale)
Orchestre de l’Opéra National de Paris, Philippe Jordan
—
Les sylphides: Waltz, op. 70 no. 1
Les sylphides: Waltz, op. 70 no. 1
—
Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse)
Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse)
London Symphony Orchestra, André Previn
—
Lyric Pieces, Book X, op. 71: no. 3, Puck
Lyric Pieces, Book X, op. 71: no. 3, Puck
—
Die Zauberflöte, K. 620, Act 1: “Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno)
Die Zauberflöte, K. 620, Act 1: “Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno)
—
Fortunio, Act 4: “Lorsque je n’étais qu’une enfant” (Jacqueline)
Fortunio, Act 4: “Lorsque je n’étais qu’une enfant” (Jacqueline)
—
Invitation to the Dance, op. 65, J. 260
Invitation to the Dance, op. 65, J. 260
—
Il segreto di Susanna: Intermezzo
Il segreto di Susanna: Intermezzo
—
Mignon, Act 1: Romance. “Connais‐tu le pays où fleurit l’oranger ?” (Mignon)
Mignon, Act 1: Romance. “Connais‐tu le pays où fleurit l’oranger ?” (Mignon)
—
Symphonic Fragment from Josephs‐Legende: I. Allegro moderato
Symphonic Fragment from Josephs‐Legende: I. Allegro moderato
—
Prélude à l’après‐midi d’un faune, CD 87, L. 86
Prélude à l’après‐midi d’un faune, CD 87, L. 86
—
Mefistofele, Act 1: “Dai campi, dai prati” (Faust, Mefistofele)
Mefistofele, Act 1: “Dai campi, dai prati” (Faust, Mefistofele)
—
Le carnaval des animaux: XIII. Le cygne
Le carnaval des animaux: XIII. Le cygne
—
Prince Igor, Act 2: Polovtsian Dances. “Uletai na kryliyakh vetra” (Chorus)
Prince Igor, Act 2: Polovtsian Dances. “Uletai na kryliyakh vetra” (Chorus)
—
Le martyre de Saint Sébastien : I. La cour des lys
Le martyre de Saint Sébastien : I. La cour des lys
Rotterdams Philharmonisch Orkest, James Conlon
—
La traviata, Act 3: “Parigi, o cara noi lasceremo” (Violetta, Alfredo)
La traviata, Act 3: “Parigi, o cara noi lasceremo” (Violetta, Alfredo)
—
Faust, Act 3: “Les grands seigneurs ont seuls des airs si résolus” - Air des bijoux. “Ah, je ris de me voir si belle” (Marguerite)
Faust, Act 3: “Les grands seigneurs ont seuls des airs si résolus” - Air des bijoux. “Ah, je ris de me voir si belle” (Marguerite)
—
La bohème, Act 3: “Donde lieta uscì” (Mimì)
La bohème, Act 3: “Donde lieta uscì” (Mimì)
—
Mavra: Parasha’s Song. “My Dear Friend” (Transcr. Rostropovich for Cello and Piano)
Mavra: Parasha’s Song. “My Dear Friend” (Transcr. Rostropovich for Cello and Piano)
—
Orfeo ed Euridice, Wq. 30, Act 3: Che fiero momento (Euridice)
Orfeo ed Euridice, Wq. 30, Act 3: Che fiero momento (Euridice)
Elsa Dreisig, Il Giardino d'Amore, Stefan Plewniak
—
Thaïs, Act 2: “Celle qui vient est plus belle” (La Charmeuse, Crobyle, Myrtale)
Thaïs, Act 2: “Celle qui vient est plus belle” (La Charmeuse, Crobyle, Myrtale)
—
Ballet Suite from die Puppenfee
Ballet Suite from die Puppenfee
—
Istar, variations symphoniques, op. 42
Istar, variations symphoniques, op. 42
—
La Péri: Poème dansé
La Péri: Poème dansé
—
Salomé, Op. 54: Dance of the Seven Veils
Salomé, Op. 54: Dance of the Seven Veils
Philharmonia Orchestra, Otto Klemperer
—
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship
—
Boris Godunov, Prologue: Coronation Scene. “Da zdravstvuet tsar’ Boris Feodorovich” (Shuisky, Boris, Chorus)
Boris Godunov, Prologue: Coronation Scene. “Da zdravstvuet tsar’ Boris Feodorovich” (Shuisky, Boris, Chorus)
—
Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Moderato assai - Allegro vivo - Presto
Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Moderato assai - Allegro vivo - Presto
—
Tamara
Tamara
—
Jeux: Poème dansé
Jeux: Poème dansé
City of Birmingham Symphony Orchestra, Simon Rattle
T-003.011.148-8

Additional database matches (1)

Track TitleArtist(s)ISWC
Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse)London Symphony Orchestra, André PrevinT-905.014.886-2
Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse)
London Symphony Orchestra, André Previn
T-905.014.886-2

What other identifiers does this connect to?

Musical Works (ISWC)

T-003.011.148-8T-905.014.886-2

Songwriters/Publishers (IPI)

00024901603

Creative Contributors (ISNI)

00000000630895680000000076893627000000007823243500000000810627720000000081824810000000008188811X0000000083593227000000009212508900000001012388440000000108617353
+40 more
0000000108770067000000010880225X00000001089642320000000109144113000000010930050X000000010944014X0000000109442137000000010951903400000001101426250000000110235047000000011027389500000001103269770000000110379569000000011057468X000000011082322800000001108496200000000110911826000000011092886300000001115362980000000114365623000000011438236X0000000114435759000000011450599900000001146160580000000114666418000000011471511X000000011474373500000001148919060000000114893733000000011497204400000001165886950000000116642428000000011667020X0000000116791300000000011777041300000001193131600000000119456479000000011954617500000001195505530000000120231138

Credits Graph

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What is UPC 5021732597786?+
UPC 5021732597786 is the Universal Product Code (barcode) for "Léon Bakst: A Life for the Stage" by Various Artists.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 5021732597786?+
UPC 5021732597786 contains 39 tracks, each with its own ISRC.
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What is UPC 5021732597786?

5021732597786 is a Universal Product Code (UPC) assigned to Léon Bakst: A Life for the Stage by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 39 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Various Artists

5021732597786 is the Universal Product Code (UPC barcode) for the release “Léon Bakst: A Life for the Stage” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 39 tracks, each with its own ISRC. Tracks include GBAYC9101741, GBAYC9802151, GBDYG1402942.

Track List (39)

#Track TitleArtist(s)ISWC
La boutique fantasque, P. 120: II. Tarentella “La danza”1La boutique fantasque, P. 120: II. Tarentella “La danza”—
Sylvia, Act 3: no. 16a, Pizzicati2Sylvia, Act 3: no. 16a, Pizzicati—
The Fair at Sorochyntsi, Act 3: Gopak3The Fair at Sorochyntsi, Act 3: Gopak—
Carnaval, op. 9: no. 7, Coquette4Carnaval, op. 9: no. 7, Coquette—
The Nutcracker, op. 71: Act II. Divertissement: d) Trepak (Russian Dance)5The Nutcracker, op. 71: Act II. Divertissement: d) Trepak (Russian Dance)The London Philharmonic, Mariss Jansons—
Suite from The Good‐Humoured Ladies: IV. Non presto, in tempo di ballo6Suite from The Good‐Humoured Ladies: IV. Non presto, in tempo di ballo—
Parade: Petite fille américaine7Parade: Petite fille américaine—
The Gods Go a’Begging: II. First Dance (After Teseo, HWV 9)8The Gods Go a’Begging: II. First Dance (After Teseo, HWV 9)—
The Firebird (1910 version) (1998 Remastered Version), 2nd Tableau: Disappearance of the palace and dissolution of Kashchei's enchantments; animation of the petrified warriors. General thanksgiving9The Firebird (1910 version) (1998 Remastered Version), 2nd Tableau: Disappearance of the palace and dissolution of Kashchei's enchantments; animation of the petrified warriors. General thanksgivingOrchestre de Paris, Seiji Ozawa—
Daphnis et Chloé, M. 57, Tableau III: XV. Danse générale (Bacchanale)10Daphnis et Chloé, M. 57, Tableau III: XV. Danse générale (Bacchanale)Orchestre de l’Opéra National de Paris, Philippe Jordan—
Les sylphides: Waltz, op. 70 no. 111Les sylphides: Waltz, op. 70 no. 1—
Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse)12Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse)London Symphony Orchestra, André Previn—
Lyric Pieces, Book X, op. 71: no. 3, Puck13Lyric Pieces, Book X, op. 71: no. 3, Puck—
Die Zauberflöte, K. 620, Act 1: “Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno)14Die Zauberflöte, K. 620, Act 1: “Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno)—
Fortunio, Act 4: “Lorsque je n’étais qu’une enfant” (Jacqueline)15Fortunio, Act 4: “Lorsque je n’étais qu’une enfant” (Jacqueline)—
Invitation to the Dance, op. 65, J. 26016Invitation to the Dance, op. 65, J. 260—
Il segreto di Susanna: Intermezzo17Il segreto di Susanna: Intermezzo—
Mignon, Act 1: Romance. “Connais‐tu le pays où fleurit l’oranger ?” (Mignon)19Mignon, Act 1: Romance. “Connais‐tu le pays où fleurit l’oranger ?” (Mignon)—
Symphonic Fragment from Josephs‐Legende: I. Allegro moderato20Symphonic Fragment from Josephs‐Legende: I. Allegro moderato—
Prélude à l’après‐midi d’un faune, CD 87, L. 8621Prélude à l’après‐midi d’un faune, CD 87, L. 86—
Mefistofele, Act 1: “Dai campi, dai prati” (Faust, Mefistofele)22Mefistofele, Act 1: “Dai campi, dai prati” (Faust, Mefistofele)—
Le carnaval des animaux: XIII. Le cygne23Le carnaval des animaux: XIII. Le cygne—
Prince Igor, Act 2: Polovtsian Dances. “Uletai na kryliyakh vetra” (Chorus)24Prince Igor, Act 2: Polovtsian Dances. “Uletai na kryliyakh vetra” (Chorus)—
Le martyre de Saint Sébastien : I. La cour des lys25Le martyre de Saint Sébastien : I. La cour des lysRotterdams Philharmonisch Orkest, James Conlon—
La traviata, Act 3: “Parigi, o cara noi lasceremo” (Violetta, Alfredo)26La traviata, Act 3: “Parigi, o cara noi lasceremo” (Violetta, Alfredo)—
Faust, Act 3: “Les grands seigneurs ont seuls des airs si résolus” - Air des bijoux. “Ah, je ris de me voir si belle” (Marguerite)27Faust, Act 3: “Les grands seigneurs ont seuls des airs si résolus” - Air des bijoux. “Ah, je ris de me voir si belle” (Marguerite)—
La bohème, Act 3: “Donde lieta uscì” (Mimì)28La bohème, Act 3: “Donde lieta uscì” (Mimì)—
Mavra: Parasha’s Song. “My Dear Friend” (Transcr. Rostropovich for Cello and Piano)29Mavra: Parasha’s Song. “My Dear Friend” (Transcr. Rostropovich for Cello and Piano)—
Orfeo ed Euridice, Wq. 30, Act 3: Che fiero momento (Euridice)30Orfeo ed Euridice, Wq. 30, Act 3: Che fiero momento (Euridice)Elsa Dreisig, Il Giardino d'Amore, Stefan Plewniak—
Thaïs, Act 2: “Celle qui vient est plus belle” (La Charmeuse, Crobyle, Myrtale)31Thaïs, Act 2: “Celle qui vient est plus belle” (La Charmeuse, Crobyle, Myrtale)—
Ballet Suite from die Puppenfee32Ballet Suite from die Puppenfee—
Istar, variations symphoniques, op. 4233Istar, variations symphoniques, op. 42—
La Péri: Poème dansé34La Péri: Poème dansé—
Salomé, Op. 54: Dance of the Seven Veils35Salomé, Op. 54: Dance of the Seven VeilsPhilharmonia Orchestra, Otto Klemperer—
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship36Scheherazade, op. 35: I. The Sea and Sinbad’s Ship—
Boris Godunov, Prologue: Coronation Scene. “Da zdravstvuet tsar’ Boris Feodorovich” (Shuisky, Boris, Chorus)37Boris Godunov, Prologue: Coronation Scene. “Da zdravstvuet tsar’ Boris Feodorovich” (Shuisky, Boris, Chorus)—
Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Moderato assai - Allegro vivo - Presto38Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Moderato assai - Allegro vivo - Presto—
Tamara39Tamara—
Jeux: Poème dansé40Jeux: Poème danséCity of Birmingham Symphony Orchestra, Simon RattleT-003.011.148-8
La boutique fantasque, P. 120: II. Tarentella “La danza”
La boutique fantasque, P. 120: II. Tarentella “La danza”
—
Sylvia, Act 3: no. 16a, Pizzicati
Sylvia, Act 3: no. 16a, Pizzicati
—
The Fair at Sorochyntsi, Act 3: Gopak
The Fair at Sorochyntsi, Act 3: Gopak
—
Carnaval, op. 9: no. 7, Coquette
Carnaval, op. 9: no. 7, Coquette
—
The Nutcracker, op. 71: Act II. Divertissement: d) Trepak (Russian Dance)
The Nutcracker, op. 71: Act II. Divertissement: d) Trepak (Russian Dance)
The London Philharmonic, Mariss Jansons
—
Suite from The Good‐Humoured Ladies: IV. Non presto, in tempo di ballo
Suite from The Good‐Humoured Ladies: IV. Non presto, in tempo di ballo
—
Parade: Petite fille américaine
Parade: Petite fille américaine
—
The Gods Go a’Begging: II. First Dance (After Teseo, HWV 9)
The Gods Go a’Begging: II. First Dance (After Teseo, HWV 9)
—
The Firebird (1910 version) (1998 Remastered Version), 2nd Tableau: Disappearance of the palace and dissolution of Kashchei's enchantments; animation of the petrified warriors. General thanksgiving
The Firebird (1910 version) (1998 Remastered Version), 2nd Tableau: Disappearance of the palace and dissolution of Kashchei's enchantments; animation of the petrified warriors. General thanksgiving
Orchestre de Paris, Seiji Ozawa
—
Daphnis et Chloé, M. 57, Tableau III: XV. Danse générale (Bacchanale)
Daphnis et Chloé, M. 57, Tableau III: XV. Danse générale (Bacchanale)
Orchestre de l’Opéra National de Paris, Philippe Jordan
—
Les sylphides: Waltz, op. 70 no. 1
Les sylphides: Waltz, op. 70 no. 1
—
Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse)
Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse)
London Symphony Orchestra, André Previn
—
Lyric Pieces, Book X, op. 71: no. 3, Puck
Lyric Pieces, Book X, op. 71: no. 3, Puck
—
Die Zauberflöte, K. 620, Act 1: “Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno)
Die Zauberflöte, K. 620, Act 1: “Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno)
—
Fortunio, Act 4: “Lorsque je n’étais qu’une enfant” (Jacqueline)
Fortunio, Act 4: “Lorsque je n’étais qu’une enfant” (Jacqueline)
—
Invitation to the Dance, op. 65, J. 260
Invitation to the Dance, op. 65, J. 260
—
Il segreto di Susanna: Intermezzo
Il segreto di Susanna: Intermezzo
—
Mignon, Act 1: Romance. “Connais‐tu le pays où fleurit l’oranger ?” (Mignon)
Mignon, Act 1: Romance. “Connais‐tu le pays où fleurit l’oranger ?” (Mignon)
—
Symphonic Fragment from Josephs‐Legende: I. Allegro moderato
Symphonic Fragment from Josephs‐Legende: I. Allegro moderato
—
Prélude à l’après‐midi d’un faune, CD 87, L. 86
Prélude à l’après‐midi d’un faune, CD 87, L. 86
—
Mefistofele, Act 1: “Dai campi, dai prati” (Faust, Mefistofele)
Mefistofele, Act 1: “Dai campi, dai prati” (Faust, Mefistofele)
—
Le carnaval des animaux: XIII. Le cygne
Le carnaval des animaux: XIII. Le cygne
—
Prince Igor, Act 2: Polovtsian Dances. “Uletai na kryliyakh vetra” (Chorus)
Prince Igor, Act 2: Polovtsian Dances. “Uletai na kryliyakh vetra” (Chorus)
—
Le martyre de Saint Sébastien : I. La cour des lys
Le martyre de Saint Sébastien : I. La cour des lys
Rotterdams Philharmonisch Orkest, James Conlon
—
La traviata, Act 3: “Parigi, o cara noi lasceremo” (Violetta, Alfredo)
La traviata, Act 3: “Parigi, o cara noi lasceremo” (Violetta, Alfredo)
—
Faust, Act 3: “Les grands seigneurs ont seuls des airs si résolus” - Air des bijoux. “Ah, je ris de me voir si belle” (Marguerite)
Faust, Act 3: “Les grands seigneurs ont seuls des airs si résolus” - Air des bijoux. “Ah, je ris de me voir si belle” (Marguerite)
—
La bohème, Act 3: “Donde lieta uscì” (Mimì)
La bohème, Act 3: “Donde lieta uscì” (Mimì)
—
Mavra: Parasha’s Song. “My Dear Friend” (Transcr. Rostropovich for Cello and Piano)
Mavra: Parasha’s Song. “My Dear Friend” (Transcr. Rostropovich for Cello and Piano)
—
Orfeo ed Euridice, Wq. 30, Act 3: Che fiero momento (Euridice)
Orfeo ed Euridice, Wq. 30, Act 3: Che fiero momento (Euridice)
Elsa Dreisig, Il Giardino d'Amore, Stefan Plewniak
—
Thaïs, Act 2: “Celle qui vient est plus belle” (La Charmeuse, Crobyle, Myrtale)
Thaïs, Act 2: “Celle qui vient est plus belle” (La Charmeuse, Crobyle, Myrtale)
—
Ballet Suite from die Puppenfee
Ballet Suite from die Puppenfee
—
Istar, variations symphoniques, op. 42
Istar, variations symphoniques, op. 42
—
La Péri: Poème dansé
La Péri: Poème dansé
—
Salomé, Op. 54: Dance of the Seven Veils
Salomé, Op. 54: Dance of the Seven Veils
Philharmonia Orchestra, Otto Klemperer
—
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship
—
Boris Godunov, Prologue: Coronation Scene. “Da zdravstvuet tsar’ Boris Feodorovich” (Shuisky, Boris, Chorus)
Boris Godunov, Prologue: Coronation Scene. “Da zdravstvuet tsar’ Boris Feodorovich” (Shuisky, Boris, Chorus)
—
Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Moderato assai - Allegro vivo - Presto
Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Moderato assai - Allegro vivo - Presto
—
Tamara
Tamara
—
Jeux: Poème dansé
Jeux: Poème dansé
City of Birmingham Symphony Orchestra, Simon Rattle
T-003.011.148-8

Additional database matches (1)

Track TitleArtist(s)ISWC
Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse)London Symphony Orchestra, André PrevinT-905.014.886-2
Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse)
London Symphony Orchestra, André Previn
T-905.014.886-2