UPC · Release
The D’Oyly Carte Opera Company
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The UPC for “Operas of Gilbert and Sullivan” by The D’Oyly Carte Opera Company is 5022810213826. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2004-01-01. Label: Avid Entertainment. This release contains 297 tracks, each with its own ISRC. Tracks include GBTYZ1000425, GBTYZ1000426, GBTYZ1000427.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Overture | — | ||
| 2 | We sail the ocean blue | — | ||
| 3 | Hail, Men o' wars' Men | — | ||
| 4 | I'm Called Little Buttercup | — | ||
| 5 | But tell me who's the youth | — | ||
| 6 | The Nightingale Sighed For The Moon's Bright Ray | — | ||
| 7 | A maiden fair to see | — | ||
| 8 | My gallant crew, good morning | — | ||
| 9 | I am the Captain of the Pinafore | — | ||
| 10 | Sir, you are sad | — | ||
| 11 | Sorry her lot who loves too well | — | ||
| 12 | Over the bright blue sea | — | ||
| 13 | I am the monarch of the sea | — | ||
| 14 | When I Was A Lad I Served A Term | — | ||
| 15 | A British tar is a soaring soul | — | ||
| 16 | Refrain, audacious tar | — | ||
| 17 | Can I survive this overbearing? | — | ||
| 18 | Oh joy, oh rapture unforeseen | — | ||
| 19 | This very night | — | ||
| 20 | Let's give three cheers | — | ||
| 21 | Entr'acte | — | ||
| 22 | Fair moon, to thee I sing | — | ||
| 23 | Things are seldom what they seem | — | ||
| 24 | The hours creep on apace | — | ||
| 25 | Never mind the why and wherefore | — | ||
| 26 | Kind Captain, I've important information | — | ||
| 27 | Carefully on tiptoe stealing | — | ||
| 28 | Pretty daughter of mine | — | ||
| 29 | He is an Englishman | — | ||
| 30 | In uttering a reprobation | — | ||
| 31 | Farewell, my own | — | ||
| 32 | A many years ago | — | ||
| 33 | Oh joy, oh rapture unforeseen | — | ||
| 2-1 | Overture | — | ||
| 2-2 | Act One - Fair is Rose as bright May Day | — | ||
| 2-3 | Act One - Sir Rupert Murgatroyd | — | ||
| 2-4 | Act One - If somebody there chanced to be | — | ||
| 2-5 | Act One - I know a youth who loves a little maid | — | ||
| 2-6 | Act One - From the briny sea | — | ||
| 2-7 | Act One - I shipped d'ye see, in a Revenue sloop | — | ||
| 2-8 | Act One - My boy, you may take it fromme | — | ||
| 2-9 | Act One - If well his suit has sped | — | ||
| 2-10 | Act One - In sailing o'er lifes ocean wide | — | ||
| 2-11 | Act One - Cheerily carols the lark | — | ||
| 2-12 | Act One - To a garden full of posies | — | ||
| 2-13 | Act One - Welcome gentry for your entry | — | ||
| 2-14 | Act One - Oh why am i moody and sad? | — | ||
| 2-15 | Act One - You understand? | — | ||
| 2-16 | Act One - Hail the bride of seventeen summers | — | ||
| 2-17 | Act One - When the buds are blossoming | — | ||
| 2-18 | Act One - Hold, bride and bridgegroom | — | ||
| 2-19 | Act One - Oh Happy the Lily | — | ||
| 2-20 | Act Two - I once was as meek as a new-born lamb | — | ||
| 2-21 | Act Two - Happily coupled are we | — | ||
| 2-22 | Act Two - In bygone days I had thy love | — | ||
| 2-23 | Act Two - Painted emblems of a race | — | ||
| 2-24 | Act Two - When the night wind howls | — | ||
| 2-25 | Act Two - He yields! He yields! | — | ||
| 2-26 | Act Two - I once was a very abandoned person | — | ||
| 2-27 | Act Two - My eyes are fully open | — | ||
| 2-28 | Act Two - There grew a little flower | — | ||
| 2-29 | Act Two - Oh happy ther lily | — | ||
| 3-1 | Overture | — | ||
| 3-2 | Act One - Twenty lovesick maidens are we | — | ||
| 3-3 | Act One - Still brooding on their mad infatuation | — | ||
| 3-4 | Act One - I cannot tell what this love may be | The D’Oyly Carte Opera Company | — | |
| 3-5 | Act One - The Soldiers of our Queen | — | ||
| 3-6 | Act One - In a doleful train...Twenty lovesick maidens are we | — | ||
| 3-7 | Act One - When I first put this uniform on | — | ||
| 3-8 | Act One - Am I alone and unobserved | — | ||
| 3-9 | Act One - Long yers ago, fourteen maybe | — | ||
| 3-10 | Act One - Prithee pretty maiden | — | ||
| 3-11 | Act One - Let the merry cymbals sound | — | ||
| 3-12 | Act One - Now tell us, we pray you | — | ||
| 3-13 | Act One - Your maiden hearts | — | ||
| 3-14 | Act One - Come walk up and purchase with avidity | — | ||
| 3-15 | Act One - True love must single-hearted be | — | ||
| 3-16 | Act One - I hear the soft note...But who is this | — | ||
| 3-17 | Act Two - Sad is the womans lot | — | ||
| 3-18 | Act Two - Turn, oh turn on this direction | — | ||
| 3-19 | Act Two - A magnet hung in a hardware shop | — | ||
| 3-20 | Act Two - Love is a plaintive song | — | ||
| 3-21 | Act Two - So go to him and say to him | The D’Oyly Carte Opera Company | — | |
| 3-22 | Act Two - Its clear that medieval art alone retains its zest | — | ||
| 3-23 | Act Two - If Saphir I choose to marry | The D’Oyly Carte Opera Company | — | |
| 3-24 | Act Two - When I go out of door | — | ||
| 3-25 | Act Two - Im a WQaterlook House young man | — | ||
| 3-26 | Act Two - After much debate internal | — | ||
| 3-27 | Overture | — | ||
| 4-1 | If you want to know who we are | — | ||
| 4-2 | Gentlemen, I pray you tell me | — | ||
| 4-3 | A Wand'ring Minstrel I | — | ||
| 4-4 | Our great Mikado, virtuous man | — | ||
| 4-5 | Young man, despair | — | ||
| 4-6 | And Have I Journey'd For A Month | — | ||
| 4-7 | Behold the Lord High Executioner | — | ||
| 4-8 | As Some Day It May Happen | — | ||
| 4-9 | Comes a train of little ladies | — | ||
| 4-10 | Three Little Maids From School | — | ||
| 4-11 | So please you, Sir, we much regret | — | ||
| 4-12 | Were you not to Ko-Ko plighted | — | ||
| 4-13 | I Am So Proud | — | ||
| 4-14 | With aspect stern | — | ||
| 4-15 | Your revels cease! | — | ||
| 4-16 | The hour of gladness | — | ||
| 4-17 | Braid the raven hair | — | ||
| 4-18 | The Sun Whose Rays Are All Ablaze | — | ||
| 4-19 | Brightly Dawns Our Wedding Day | — | ||
| 4-20 | Here's a how-de-do! | — | ||
| 4-21 | Miya sama, miya sama | — | ||
| 4-22 | A More Humane Mikado | — | ||
| 4-23 | The criminal cried | — | ||
| 4-24 | See how the fates their gifts allot | — | ||
| 4-25 | The flowers the bloom in the Spring | — | ||
| 4-26 | Alone, and yet alive | — | ||
| 4-27 | Hearts do not break | — | ||
| 4-28 | On a tree by a river a little tom tit | — | ||
| 4-29 | There is beauty in the bellow of the blast | — | ||
| 4-30 | For he's gone and married Yum-Yum | — | ||
| 5-1 | Hark, the hour of ten is sounding | — | ||
| 5-2 | Now jurymen hear my advice | — | ||
| 5-3 | Is this the Court of the Exchequer? | — | ||
| 5-4 | When first my old, old love I knew | — | ||
| 5-5 | Silence in court...all hail great judge | — | ||
| 5-6 | When I, good friends, was called to the bar | — | ||
| 5-7 | Swear thou the jury | — | ||
| 5-8 | Where Is The Plaintiff? | — | ||
| 5-9 | Comes the broken flower | — | ||
| 5-10 | Oh, never, never, never | — | ||
| 5-11 | May it please you, m'Lud! | — | ||
| 5-12 | That she is reeliing is plain to me | — | ||
| 5-13 | Oh, Gentlemen, Listen | — | ||
| 5-14 | That seems a reasonable proposition | — | ||
| 5-15 | A nice dilemma we have here | — | ||
| 5-16 | I love him, I love him | — | ||
| 5-17 | The question, gentlemen, is one of liquor | — | ||
| 5-18 | Oh joy unbounded | — | ||
| 5-19 | Overture | — | ||
| 5-20 | Pour, oh pour the pirate sherry | — | ||
| 5-21 | When Frederic was a little lad | — | ||
| 5-22 | Oh, Better Far To Live And Die | — | ||
| 5-23 | Oh, false one, you have decived me! | — | ||
| 5-24 | Climbing Over Rocky Mountain | — | ||
| 5-25 | Stop, Ladies, Pray! | — | ||
| 5-26 | Oh, is there not one maiden breast | — | ||
| 5-27 | Oh, sisters, deaf to pity's name | — | ||
| 5-28 | Poor Wandering One | — | ||
| 5-29 | What ought we to do? | — | ||
| 5-30 | Stay, We Must Not Lose Our Senses | — | ||
| 5-31 | Here's A First Rate Opportunity | — | ||
| 5-32 | Hold, Monsters! | — | ||
| 5-33 | I Am The Very Model Of A Modern Major-General | — | ||
| 5-34 | Oh, men of dark and dismal fate | — | ||
| 5-35 | I'm telling a terrible story | — | ||
| 5-36 | Oh, master, hear one word | — | ||
| 5-37 | Pray observe the magnaminity | — | ||
| 6-1 | Oh, Dry the Glistening Tear | — | ||
| 6-2 | Then, Frederic, let your escort lion-hearted | — | ||
| 6-3 | When the foeman bares his steel | — | ||
| 6-4 | Now for the pirates' lair! | — | ||
| 6-5 | Young Frederic! | — | ||
| 6-6 | When you had left the pirate fold | — | ||
| 6-7 | Away, Away! My Heart's On Fire | — | ||
| 6-8 | All is prepared | — | ||
| 6-9 | Stay, Frederic, Stay | — | ||
| 6-10 | Ah, leave me not to pine | — | ||
| 6-11 | In 1940 I of age shall be | — | ||
| 6-12 | No, I'll be brave | — | ||
| 6-13 | Though in body and in mind | — | ||
| 6-14 | When a felon's not engaged in his employment | — | ||
| 6-15 | A rollicking band of pirates we | — | ||
| 6-16 | With Cat-Like Tread | — | ||
| 6-17 | Hush, Hush! Not a Word | — | ||
| 6-18 | Sighing softly to the river | — | ||
| 6-19 | And what is this, and what is that | — | ||
| 6-20 | Frederic here! Oh joy! | — | ||
| 6-21 | Poor wandering ones | — | ||
| 6-22 | Overture | — | ||
| 6-23 | Tripping hither, tripping thither | — | ||
| 6-24 | Iolanthe | — | ||
| 6-25 | Good morrow, good mother | — | ||
| 6-26 | Fare thee well, attractive stranger | — | ||
| 6-27 | Good morrow, good lover | — | ||
| 6-28 | None shall part us from each other | — | ||
| 6-29 | Loudly let the trumpet bray | — | ||
| 6-30 | The Law Is The True Embodiment | — | ||
| 6-31 | My Well-Loved Lord and Guardian Dear | — | ||
| 6-32 | Of all the young ladies I know | — | ||
| 6-33 | Nay, tempt me not | — | ||
| 6-34 | Spurn not the nobly born | — | ||
| 6-35 | My Lords, It May Not Be | — | ||
| 6-36 | A shepherd I | — | ||
| 6-37 | When I Went To The Bar As A Very Young Man | — | ||
| 7-1 | When darkly looms the day | — | ||
| 7-2 | Oh, shameless one, tremble! | — | ||
| 7-3 | In babyhood upon her lap I lay | — | ||
| 7-4 | For riches and rank that you befall | — | ||
| 7-5 | To you I give my heart | — | ||
| 7-6 | Tripping hither, tripping thither | — | ||
| 7-7 | The lady of my love | — | ||
| 7-8 | Go away, Madam | — | ||
| 7-9 | Oh! Chancellor unwary | — | ||
| 7-10 | Young Strephon is the kind of lout | — | ||
| 7-11 | When all night long a chap remains | — | ||
| 7-12 | Strephon's A Member Of Parliament | — | ||
| 7-13 | When Britain really ruled the waves | — | ||
| 7-14 | In Vain to Us You Plead | — | ||
| 7-15 | Oh, Foolish Fay | — | ||
| 7-16 | Though p'r'aps I may incur your blame | — | ||
| 7-17 | Love, unrequited, roba me of my rest | — | ||
| 7-18 | When You're Lying Awake With A Dismal Headache | — | ||
| 7-19 | If You Go In, You're Sure To Win | — | ||
| 7-20 | If We're Weak Enough To Tarry | — | ||
| 7-21 | My Lord, A Suppliant at Your Feet I Kneel | — | ||
| 7-22 | He loves! If in the bygone years | — | ||
| 7-23 | It may not be | — | ||
| 7-24 | Soon As We May | — | ||
| 7-25 | Overture | — | ||
| 7-26 | List and learn, ye dainty roses | — | ||
| 7-27 | Good morrow, pretty maids | — | ||
| 7-28 | For the merriest fellows are we | — | ||
| 7-29 | Buon' giorno, signorine! | — | ||
| 7-30 | We're called gondolieri | — | ||
| 7-31 | And now to choose our brides | — | ||
| 7-32 | Thank you, gallant gondolierei | — | ||
| 8-1 | From the sunny Spanish shore | — | ||
| 8-2 | In enterprise of martial kind | — | ||
| 8-3 | O rapture, when alone together | — | ||
| 8-4 | There Was A Time | — | ||
| 8-5 | I stole the Prince | — | ||
| 8-6 | But, bless my heart | — | ||
| 8-7 | Try we life-long | — | ||
| 8-8 | Bridegroom and bride | — | ||
| 8-9 | When a merry maidem marries | — | ||
| 8-10 | Kind sir, you cannot have the heart | — | ||
| 8-11 | Do not give way | — | ||
| 8-12 | Then one of us will be a queen | — | ||
| 8-13 | Replying we sing | — | ||
| 8-14 | For everyone who feels inclined | — | ||
| 8-15 | Come, let's away | — | ||
| 8-16 | Then away we go to an island fair | — | ||
| 8-17 | Of happiness the very pith | — | ||
| 8-18 | Rising early in the morning | — | ||
| 8-19 | Take a pair of sparkling eyes | — | ||
| 8-20 | Here we are, at the risk of our lives | — | ||
| 8-21 | Dance a cachucha, fandango, bolero | — | ||
| 8-22 | There lived a king | — | ||
| 8-23 | In a contemplative fashion | — | ||
| 8-24 | With ducal pomp and ducal pride | — | ||
| 8-25 | On the day when I was wedded | — | ||
| 8-26 | To help unhappy commoners | — | ||
| 8-27 | Small titles and orders | — | ||
| 8-28 | I am a courtier grave and serious | — | ||
| 8-29 | Here is a case unprecedented | — | ||
| 8-30 | Now let the loyal lieges gather round | — | ||
| 8-31 | The Royal Prince | — | ||
| 9-1 | Overture | — | ||
| 9-2 | When maiden loves | — | ||
| 9-3 | Tower wardes under orders | — | ||
| 9-4 | When our gallant Norman foes | — | ||
| 9-5 | Alas! I waver to and fro | — | ||
| 9-6 | Is life a boon? | — | ||
| 9-7 | Here's a man of jollity | — | ||
| 9-8 | I Have A Song To Sing, O! | — | ||
| 9-9 | How say you, maiden, will you wed? | — | ||
| 9-10 | I've jibe and joke | — | ||
| 9-11 | 'Tis done! I am a bride | — | ||
| 9-12 | Were I thy bride | — | ||
| 9-13 | Oh, Sergeant Meryll, is it true? | — | ||
| 9-14 | Forbear my friends | — | ||
| 9-15 | The prisoner comes to meet his doom | — | ||
| 9-16 | Night has spread her pall once more | — | ||
| 9-17 | Oh! A private buffoon is a light-hearted loon | — | ||
| 9-18 | Hereupon we're both agreed | — | ||
| 9-19 | Free from his fetters grim | — | ||
| 9-20 | Strange adventure! | — | ||
| 9-21 | Hark! What was that, sir? | — | ||
| 9-22 | A man who would woo a fair maid | — | ||
| 9-23 | When a wooer goes a-wooing | — | ||
| 10-1 | Comes the pretty young bride | — | ||
| 10-2 | Hold, pretty one! | — | ||
| 10-3 | All thought of Leonard Meryll set aside | — | ||
| 10-4 | HMS Pinafore - Orchestral | — | ||
| 10-5 | The Yeoman of the Guard - Orchestral | — | ||
| 10-6 | Di Ballo Overture | — | ||
| 10-7 | Pineapple Poll 1 - Opening dance | — | ||
| 10-8 | Pineapple Poll 1 - Poll's dance and pas de deux | — | ||
| 10-9 | Pineapple Poll 1 - Belaye's solo | — | ||
| 10-10 | Pineapple Poll 1 - Pas de trois | — | ||
| 10-11 | Pineapple Poll 1 - Finale | — | ||
| 10-12 | Pineapple Poll 2 - Poll's solo | — | ||
| 10-13 | Pineapple Poll 2 - Jasper's solo | — | ||
| 10-14 | Pineapple Poll 3 - Belaye's solo and sailor's drill | — | ||
| 10-15 | Pineapple Poll 3 - Poll's solo | — | ||
| 10-16 | Pineapple Poll 3 - Entry of Belaye with Blanche as bride | — | ||
| 10-17 | Pineapple Poll 3 - Reconciliation | — | ||
| 10-18 | Pineapple Poll 3 - Grand Finale | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
5022810213826 is a Universal Product Code (UPC) assigned to Operas of Gilbert and Sullivan by The D’Oyly Carte Opera Company. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 297 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Operas of Gilbert and Sullivan” by The D’Oyly Carte Opera Company is 5022810213826. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2004-01-01. Label: Avid Entertainment. This release contains 297 tracks, each with its own ISRC. Tracks include GBTYZ1000425, GBTYZ1000426, GBTYZ1000427.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Overture | — | ||
| 2 | We sail the ocean blue | — | ||
| 3 | Hail, Men o' wars' Men | — | ||
| 4 | I'm Called Little Buttercup | — | ||
| 5 | But tell me who's the youth | — | ||
| 6 | The Nightingale Sighed For The Moon's Bright Ray | — | ||
| 7 | A maiden fair to see | — | ||
| 8 | My gallant crew, good morning | — | ||
| 9 | I am the Captain of the Pinafore | — | ||
| 10 | Sir, you are sad | — | ||
| 11 | Sorry her lot who loves too well | — | ||
| 12 | Over the bright blue sea | — | ||
| 13 | I am the monarch of the sea | — | ||
| 14 | When I Was A Lad I Served A Term | — | ||
| 15 | A British tar is a soaring soul | — | ||
| 16 | Refrain, audacious tar | — | ||
| 17 | Can I survive this overbearing? | — | ||
| 18 | Oh joy, oh rapture unforeseen | — | ||
| 19 | This very night | — | ||
| 20 | Let's give three cheers | — | ||
| 21 | Entr'acte | — | ||
| 22 | Fair moon, to thee I sing | — | ||
| 23 | Things are seldom what they seem | — | ||
| 24 | The hours creep on apace | — | ||
| 25 | Never mind the why and wherefore | — | ||
| 26 | Kind Captain, I've important information | — | ||
| 27 | Carefully on tiptoe stealing | — | ||
| 28 | Pretty daughter of mine | — | ||
| 29 | He is an Englishman | — | ||
| 30 | In uttering a reprobation | — | ||
| 31 | Farewell, my own | — | ||
| 32 | A many years ago | — | ||
| 33 | Oh joy, oh rapture unforeseen | — | ||
| 2-1 | Overture | — | ||
| 2-2 | Act One - Fair is Rose as bright May Day | — | ||
| 2-3 | Act One - Sir Rupert Murgatroyd | — | ||
| 2-4 | Act One - If somebody there chanced to be | — | ||
| 2-5 | Act One - I know a youth who loves a little maid | — | ||
| 2-6 | Act One - From the briny sea | — | ||
| 2-7 | Act One - I shipped d'ye see, in a Revenue sloop | — | ||
| 2-8 | Act One - My boy, you may take it fromme | — | ||
| 2-9 | Act One - If well his suit has sped | — | ||
| 2-10 | Act One - In sailing o'er lifes ocean wide | — | ||
| 2-11 | Act One - Cheerily carols the lark | — | ||
| 2-12 | Act One - To a garden full of posies | — | ||
| 2-13 | Act One - Welcome gentry for your entry | — | ||
| 2-14 | Act One - Oh why am i moody and sad? | — | ||
| 2-15 | Act One - You understand? | — | ||
| 2-16 | Act One - Hail the bride of seventeen summers | — | ||
| 2-17 | Act One - When the buds are blossoming | — | ||
| 2-18 | Act One - Hold, bride and bridgegroom | — | ||
| 2-19 | Act One - Oh Happy the Lily | — | ||
| 2-20 | Act Two - I once was as meek as a new-born lamb | — | ||
| 2-21 | Act Two - Happily coupled are we | — | ||
| 2-22 | Act Two - In bygone days I had thy love | — | ||
| 2-23 | Act Two - Painted emblems of a race | — | ||
| 2-24 | Act Two - When the night wind howls | — | ||
| 2-25 | Act Two - He yields! He yields! | — | ||
| 2-26 | Act Two - I once was a very abandoned person | — | ||
| 2-27 | Act Two - My eyes are fully open | — | ||
| 2-28 | Act Two - There grew a little flower | — | ||
| 2-29 | Act Two - Oh happy ther lily | — | ||
| 3-1 | Overture | — | ||
| 3-2 | Act One - Twenty lovesick maidens are we | — | ||
| 3-3 | Act One - Still brooding on their mad infatuation | — | ||
| 3-4 | Act One - I cannot tell what this love may be | The D’Oyly Carte Opera Company | — | |
| 3-5 | Act One - The Soldiers of our Queen | — | ||
| 3-6 | Act One - In a doleful train...Twenty lovesick maidens are we | — | ||
| 3-7 | Act One - When I first put this uniform on | — | ||
| 3-8 | Act One - Am I alone and unobserved | — | ||
| 3-9 | Act One - Long yers ago, fourteen maybe | — | ||
| 3-10 | Act One - Prithee pretty maiden | — | ||
| 3-11 | Act One - Let the merry cymbals sound | — | ||
| 3-12 | Act One - Now tell us, we pray you | — | ||
| 3-13 | Act One - Your maiden hearts | — | ||
| 3-14 | Act One - Come walk up and purchase with avidity | — | ||
| 3-15 | Act One - True love must single-hearted be | — | ||
| 3-16 | Act One - I hear the soft note...But who is this | — | ||
| 3-17 | Act Two - Sad is the womans lot | — | ||
| 3-18 | Act Two - Turn, oh turn on this direction | — | ||
| 3-19 | Act Two - A magnet hung in a hardware shop | — | ||
| 3-20 | Act Two - Love is a plaintive song | — | ||
| 3-21 | Act Two - So go to him and say to him | The D’Oyly Carte Opera Company | — | |
| 3-22 | Act Two - Its clear that medieval art alone retains its zest | — | ||
| 3-23 | Act Two - If Saphir I choose to marry | The D’Oyly Carte Opera Company | — | |
| 3-24 | Act Two - When I go out of door | — | ||
| 3-25 | Act Two - Im a WQaterlook House young man | — | ||
| 3-26 | Act Two - After much debate internal | — | ||
| 3-27 | Overture | — | ||
| 4-1 | If you want to know who we are | — | ||
| 4-2 | Gentlemen, I pray you tell me | — | ||
| 4-3 | A Wand'ring Minstrel I | — | ||
| 4-4 | Our great Mikado, virtuous man | — | ||
| 4-5 | Young man, despair | — | ||
| 4-6 | And Have I Journey'd For A Month | — | ||
| 4-7 | Behold the Lord High Executioner | — | ||
| 4-8 | As Some Day It May Happen | — | ||
| 4-9 | Comes a train of little ladies | — | ||
| 4-10 | Three Little Maids From School | — | ||
| 4-11 | So please you, Sir, we much regret | — | ||
| 4-12 | Were you not to Ko-Ko plighted | — | ||
| 4-13 | I Am So Proud | — | ||
| 4-14 | With aspect stern | — | ||
| 4-15 | Your revels cease! | — | ||
| 4-16 | The hour of gladness | — | ||
| 4-17 | Braid the raven hair | — | ||
| 4-18 | The Sun Whose Rays Are All Ablaze | — | ||
| 4-19 | Brightly Dawns Our Wedding Day | — | ||
| 4-20 | Here's a how-de-do! | — | ||
| 4-21 | Miya sama, miya sama | — | ||
| 4-22 | A More Humane Mikado | — | ||
| 4-23 | The criminal cried | — | ||
| 4-24 | See how the fates their gifts allot | — | ||
| 4-25 | The flowers the bloom in the Spring | — | ||
| 4-26 | Alone, and yet alive | — | ||
| 4-27 | Hearts do not break | — | ||
| 4-28 | On a tree by a river a little tom tit | — | ||
| 4-29 | There is beauty in the bellow of the blast | — | ||
| 4-30 | For he's gone and married Yum-Yum | — | ||
| 5-1 | Hark, the hour of ten is sounding | — | ||
| 5-2 | Now jurymen hear my advice | — | ||
| 5-3 | Is this the Court of the Exchequer? | — | ||
| 5-4 | When first my old, old love I knew | — | ||
| 5-5 | Silence in court...all hail great judge | — | ||
| 5-6 | When I, good friends, was called to the bar | — | ||
| 5-7 | Swear thou the jury | — | ||
| 5-8 | Where Is The Plaintiff? | — | ||
| 5-9 | Comes the broken flower | — | ||
| 5-10 | Oh, never, never, never | — | ||
| 5-11 | May it please you, m'Lud! | — | ||
| 5-12 | That she is reeliing is plain to me | — | ||
| 5-13 | Oh, Gentlemen, Listen | — | ||
| 5-14 | That seems a reasonable proposition | — | ||
| 5-15 | A nice dilemma we have here | — | ||
| 5-16 | I love him, I love him | — | ||
| 5-17 | The question, gentlemen, is one of liquor | — | ||
| 5-18 | Oh joy unbounded | — | ||
| 5-19 | Overture | — | ||
| 5-20 | Pour, oh pour the pirate sherry | — | ||
| 5-21 | When Frederic was a little lad | — | ||
| 5-22 | Oh, Better Far To Live And Die | — | ||
| 5-23 | Oh, false one, you have decived me! | — | ||
| 5-24 | Climbing Over Rocky Mountain | — | ||
| 5-25 | Stop, Ladies, Pray! | — | ||
| 5-26 | Oh, is there not one maiden breast | — | ||
| 5-27 | Oh, sisters, deaf to pity's name | — | ||
| 5-28 | Poor Wandering One | — | ||
| 5-29 | What ought we to do? | — | ||
| 5-30 | Stay, We Must Not Lose Our Senses | — | ||
| 5-31 | Here's A First Rate Opportunity | — | ||
| 5-32 | Hold, Monsters! | — | ||
| 5-33 | I Am The Very Model Of A Modern Major-General | — | ||
| 5-34 | Oh, men of dark and dismal fate | — | ||
| 5-35 | I'm telling a terrible story | — | ||
| 5-36 | Oh, master, hear one word | — | ||
| 5-37 | Pray observe the magnaminity | — | ||
| 6-1 | Oh, Dry the Glistening Tear | — | ||
| 6-2 | Then, Frederic, let your escort lion-hearted | — | ||
| 6-3 | When the foeman bares his steel | — | ||
| 6-4 | Now for the pirates' lair! | — | ||
| 6-5 | Young Frederic! | — | ||
| 6-6 | When you had left the pirate fold | — | ||
| 6-7 | Away, Away! My Heart's On Fire | — | ||
| 6-8 | All is prepared | — | ||
| 6-9 | Stay, Frederic, Stay | — | ||
| 6-10 | Ah, leave me not to pine | — | ||
| 6-11 | In 1940 I of age shall be | — | ||
| 6-12 | No, I'll be brave | — | ||
| 6-13 | Though in body and in mind | — | ||
| 6-14 | When a felon's not engaged in his employment | — | ||
| 6-15 | A rollicking band of pirates we | — | ||
| 6-16 | With Cat-Like Tread | — | ||
| 6-17 | Hush, Hush! Not a Word | — | ||
| 6-18 | Sighing softly to the river | — | ||
| 6-19 | And what is this, and what is that | — | ||
| 6-20 | Frederic here! Oh joy! | — | ||
| 6-21 | Poor wandering ones | — | ||
| 6-22 | Overture | — | ||
| 6-23 | Tripping hither, tripping thither | — | ||
| 6-24 | Iolanthe | — | ||
| 6-25 | Good morrow, good mother | — | ||
| 6-26 | Fare thee well, attractive stranger | — | ||
| 6-27 | Good morrow, good lover | — | ||
| 6-28 | None shall part us from each other | — | ||
| 6-29 | Loudly let the trumpet bray | — | ||
| 6-30 | The Law Is The True Embodiment | — | ||
| 6-31 | My Well-Loved Lord and Guardian Dear | — | ||
| 6-32 | Of all the young ladies I know | — | ||
| 6-33 | Nay, tempt me not | — | ||
| 6-34 | Spurn not the nobly born | — | ||
| 6-35 | My Lords, It May Not Be | — | ||
| 6-36 | A shepherd I | — | ||
| 6-37 | When I Went To The Bar As A Very Young Man | — | ||
| 7-1 | When darkly looms the day | — | ||
| 7-2 | Oh, shameless one, tremble! | — | ||
| 7-3 | In babyhood upon her lap I lay | — | ||
| 7-4 | For riches and rank that you befall | — | ||
| 7-5 | To you I give my heart | — | ||
| 7-6 | Tripping hither, tripping thither | — | ||
| 7-7 | The lady of my love | — | ||
| 7-8 | Go away, Madam | — | ||
| 7-9 | Oh! Chancellor unwary | — | ||
| 7-10 | Young Strephon is the kind of lout | — | ||
| 7-11 | When all night long a chap remains | — | ||
| 7-12 | Strephon's A Member Of Parliament | — | ||
| 7-13 | When Britain really ruled the waves | — | ||
| 7-14 | In Vain to Us You Plead | — | ||
| 7-15 | Oh, Foolish Fay | — | ||
| 7-16 | Though p'r'aps I may incur your blame | — | ||
| 7-17 | Love, unrequited, roba me of my rest | — | ||
| 7-18 | When You're Lying Awake With A Dismal Headache | — | ||
| 7-19 | If You Go In, You're Sure To Win | — | ||
| 7-20 | If We're Weak Enough To Tarry | — | ||
| 7-21 | My Lord, A Suppliant at Your Feet I Kneel | — | ||
| 7-22 | He loves! If in the bygone years | — | ||
| 7-23 | It may not be | — | ||
| 7-24 | Soon As We May | — | ||
| 7-25 | Overture | — | ||
| 7-26 | List and learn, ye dainty roses | — | ||
| 7-27 | Good morrow, pretty maids | — | ||
| 7-28 | For the merriest fellows are we | — | ||
| 7-29 | Buon' giorno, signorine! | — | ||
| 7-30 | We're called gondolieri | — | ||
| 7-31 | And now to choose our brides | — | ||
| 7-32 | Thank you, gallant gondolierei | — | ||
| 8-1 | From the sunny Spanish shore | — | ||
| 8-2 | In enterprise of martial kind | — | ||
| 8-3 | O rapture, when alone together | — | ||
| 8-4 | There Was A Time | — | ||
| 8-5 | I stole the Prince | — | ||
| 8-6 | But, bless my heart | — | ||
| 8-7 | Try we life-long | — | ||
| 8-8 | Bridegroom and bride | — | ||
| 8-9 | When a merry maidem marries | — | ||
| 8-10 | Kind sir, you cannot have the heart | — | ||
| 8-11 | Do not give way | — | ||
| 8-12 | Then one of us will be a queen | — | ||
| 8-13 | Replying we sing | — | ||
| 8-14 | For everyone who feels inclined | — | ||
| 8-15 | Come, let's away | — | ||
| 8-16 | Then away we go to an island fair | — | ||
| 8-17 | Of happiness the very pith | — | ||
| 8-18 | Rising early in the morning | — | ||
| 8-19 | Take a pair of sparkling eyes | — | ||
| 8-20 | Here we are, at the risk of our lives | — | ||
| 8-21 | Dance a cachucha, fandango, bolero | — | ||
| 8-22 | There lived a king | — | ||
| 8-23 | In a contemplative fashion | — | ||
| 8-24 | With ducal pomp and ducal pride | — | ||
| 8-25 | On the day when I was wedded | — | ||
| 8-26 | To help unhappy commoners | — | ||
| 8-27 | Small titles and orders | — | ||
| 8-28 | I am a courtier grave and serious | — | ||
| 8-29 | Here is a case unprecedented | — | ||
| 8-30 | Now let the loyal lieges gather round | — | ||
| 8-31 | The Royal Prince | — | ||
| 9-1 | Overture | — | ||
| 9-2 | When maiden loves | — | ||
| 9-3 | Tower wardes under orders | — | ||
| 9-4 | When our gallant Norman foes | — | ||
| 9-5 | Alas! I waver to and fro | — | ||
| 9-6 | Is life a boon? | — | ||
| 9-7 | Here's a man of jollity | — | ||
| 9-8 | I Have A Song To Sing, O! | — | ||
| 9-9 | How say you, maiden, will you wed? | — | ||
| 9-10 | I've jibe and joke | — | ||
| 9-11 | 'Tis done! I am a bride | — | ||
| 9-12 | Were I thy bride | — | ||
| 9-13 | Oh, Sergeant Meryll, is it true? | — | ||
| 9-14 | Forbear my friends | — | ||
| 9-15 | The prisoner comes to meet his doom | — | ||
| 9-16 | Night has spread her pall once more | — | ||
| 9-17 | Oh! A private buffoon is a light-hearted loon | — | ||
| 9-18 | Hereupon we're both agreed | — | ||
| 9-19 | Free from his fetters grim | — | ||
| 9-20 | Strange adventure! | — | ||
| 9-21 | Hark! What was that, sir? | — | ||
| 9-22 | A man who would woo a fair maid | — | ||
| 9-23 | When a wooer goes a-wooing | — | ||
| 10-1 | Comes the pretty young bride | — | ||
| 10-2 | Hold, pretty one! | — | ||
| 10-3 | All thought of Leonard Meryll set aside | — | ||
| 10-4 | HMS Pinafore - Orchestral | — | ||
| 10-5 | The Yeoman of the Guard - Orchestral | — | ||
| 10-6 | Di Ballo Overture | — | ||
| 10-7 | Pineapple Poll 1 - Opening dance | — | ||
| 10-8 | Pineapple Poll 1 - Poll's dance and pas de deux | — | ||
| 10-9 | Pineapple Poll 1 - Belaye's solo | — | ||
| 10-10 | Pineapple Poll 1 - Pas de trois | — | ||
| 10-11 | Pineapple Poll 1 - Finale | — | ||
| 10-12 | Pineapple Poll 2 - Poll's solo | — | ||
| 10-13 | Pineapple Poll 2 - Jasper's solo | — | ||
| 10-14 | Pineapple Poll 3 - Belaye's solo and sailor's drill | — | ||
| 10-15 | Pineapple Poll 3 - Poll's solo | — | ||
| 10-16 | Pineapple Poll 3 - Entry of Belaye with Blanche as bride | — | ||
| 10-17 | Pineapple Poll 3 - Reconciliation | — | ||
| 10-18 | Pineapple Poll 3 - Grand Finale | — |
