UPC · Release
Let It Roll - Live 1971
Ashton, Gardner & Dyke
Last verified:
5022911307318 is the Universal Product Code (UPC barcode) for the release “Let It Roll - Live 1971” by Ashton, Gardner & Dyke, released 2001-01-01 on Purple Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 12 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (12)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | It's Gonna Be High Tonight | — | ||
| 2 | Let It Roll | — | ||
| 3 | Mister Freako | — | ||
| 4 | It'a a Drag, I'm a Drag | — | ||
| 5 | I'm Dying for You | — | ||
| 6 | Resurrection Shuffle | — | ||
| 7 | Falling Song | — | ||
| 8 | Rolling Home | — | ||
| 9 | Billy and His (piano with) | — | ||
| 10 | Billy & His Piano With (different live version) | — | ||
| 11 | Rolling Home (different live version 1970) | — | ||
| 12 | Resurrection Shuffle (different live version 1971) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Credits Graph
People also ask
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What is UPC 5022911307318?
5022911307318 is a Universal Product Code (UPC) assigned to Let It Roll - Live 1971 by Ashton, Gardner & Dyke. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 12 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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