UPC · Release
At Least American Indian People Know Exactly How They Have Been Fucked Around
The Fire This Time
Last verified:
5023639900461 is the Universal Product Code (UPC barcode) for the release “At Least American Indian People Know Exactly How They Have Been Fucked Around” by The Fire This Time, released 1996-01-01 on Filter. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 4 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (4)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | At Least American Indian People Know Exactly How They've Been Fucked Around (Mad Professor original mix) | — | ||
| 2 | At Least American Indian People Know Exactly How They've Been Fucked Around (Warriors dub mix) | — | ||
| 3 | At Least American Indian People Know Exactly How They've Been Fucked Around (Pressure Drop Version2) | — | ||
| 4 | At Least American Indian People Know Exactly How They've Been Fucked Around (DJ Pulse remix) | — |
Credits Graph
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What is UPC 5023639900461?
5023639900461 is a Universal Product Code (UPC) assigned to At Least American Indian People Know Exactly How They Have Been Fucked Around by The Fire This Time. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 4 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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