UPC · Release
The Complete ‘50s Movie Masters & Session Recordings
Elvis Presley
Last verified:
5024545817423 is the Universal Product Code (UPC barcode) for the release “The Complete ‘50s Movie Masters & Session Recordings” by Elvis Presley, released 2018-01-01 on Memphis Recording Service (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 149 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (149)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Love Me Tender | — | ||
| 2 | Let Me | — | ||
| 3 | Poor Boy | — | ||
| 4 | We’re Gonna Move | — | ||
| 5 | Mean Woman Blues | — | ||
| 6 | (Let Me Be Your) Teddy Bear | — | ||
| 7 | Loving You | — | ||
| 8 | Got a Lot o’ Livin’ to Do | — | ||
| 9 | Lonesome Cowboy | — | ||
| 10 | Hot Dog | — | ||
| 11 | Party | — | ||
| 12 | Jailhouse Rock | — | ||
| 13 | Young and Beautiful | — | ||
| 14 | I Want to Be Free | — | ||
| 15 | Don’t Leave Me Now | — | ||
| 16 | (You’re So Square) Baby I Don’t Care | — | ||
| 17 | Treat Me Nice | — | ||
| 18 | King Creole | — | ||
| 19 | As Long as I Have You | — | ||
| 20 | Hard Headed Woman | — | ||
| 21 | Trouble | — | ||
| 22 | Dixieland Rock | — | ||
| 23 | Don’t Ask Me Why | — | ||
| 24 | Lover Doll | — | ||
| 25 | Crawfish (unedited master) | — | ||
| 26 | Young Dreams | — | ||
| 27 | Steadfast, Loyal and True | — | ||
| 28 | New Orleans | — | ||
| 29 | Danny | — | ||
| 30 | Love Me Tender (movie end title) | — | ||
| 31 | Mean Woman Blues (movie take 7 second version) | — | ||
| 32 | Got a Lot O’ Livin’ to Do (movie finale) | — | ||
| 33 | Jailhouse Rock (movie version) | — | ||
| 34 | Treat Me Nice (movie no overdub version) | — | ||
| 35 | Young and Beautiful (movie end title) | — | ||
| 36 | (You’re So Square) Baby I Don’t Care (movie edit) | — | ||
| 37 | Don’t Leave Me Now (movie set version) | — | ||
| 38 | Crawfish (movie version) | — | ||
| 39 | Steadfast, Loyal & True (movie version) | — | ||
| 2-1 | Let Me (take 3) | — | ||
| 2-2 | Let Me (take 4) | — | ||
| 2-3 | Poor Boy (take 3, 2, verse master) | — | ||
| 2-4 | Poor Boy (take 1 remake) | — | ||
| 2-5 | Poor Boy (3 verse overdub, take 6) | — | ||
| 2-6 | We’re Gonna Move (take 4) | — | ||
| 2-7 | We’re Gonna Move (take 9) | — | ||
| 2-8 | Got a Lot o’ Livin’ to Do (alternate movie master) | — | ||
| 2-9 | Party (alternate master) | — | ||
| 2-10 | Loving You (main version take 3) | — | ||
| 2-11 | Loving You (end version take 16) | — | ||
| 2-12 | King Creole (original alternate version take 3) | — | ||
| 2-13 | King Creole (original alternate version take 18) | — | ||
| 2-14 | Lover Doll (unedited undubbed master) | — | ||
| 2-15 | As Long as I Have You (short version take 4) | — | ||
| 2-16 | As Long as I Have You (short version take 18) | — | ||
| 2-17 | Steadfast, Loyal and True (original alternate version take 6) | — | ||
| 2-18 | Steadfast, Loyal and True (undubbed record master) | — | ||
| 2-19 | Loving You (second farm version take 14) | — | ||
| 2-20 | Loving You (take 1) | — | ||
| 2-21 | Loving You (take 2–3) | — | ||
| 2-22 | Loving You (take 4–5) | — | ||
| 2-23 | Loving You (take 6) | — | ||
| 2-24 | Loving You (take 7) | — | ||
| 2-25 | Loving You (take 8) | — | ||
| 2-26 | Loving You (take 9–10) | — | ||
| 2-27 | Loving You (take 11) | — | ||
| 2-28 | Loving You (take 12) | — | ||
| 2-29 | Loving You (take 13) | — | ||
| 2-30 | Loving You (take 14) | — | ||
| 2-31 | Loving You (take 15) | — | ||
| 2-32 | Loving You (take 16) | — | ||
| 2-33 | Loving You (take 17–18) | — | ||
| 2-34 | Loving You (take 19) | — | ||
| 2-35 | Loving You (take 20–21) | — | ||
| 2-36 | Loving You (take 21 binaural) | — | ||
| 2-37 | Loving You (take 1) | — | ||
| 2-38 | Loving You (take 2–3) | — | ||
| 2-39 | Loving You (take 4–5) | — | ||
| 2-40 | Loving You (take 6) | — | ||
| 2-41 | Loving You (take 7–9) | — | ||
| 2-42 | Loving You (take 10–12) | — | ||
| 3-1 | Jailhouse Rock (takes 1-4) | — | ||
| 3-2 | Jailhouse Rock (take 5) | — | ||
| 3-3 | Jailhouse Rock (take 6) | — | ||
| 3-4 | Jailhouse Rock (take 7) | — | ||
| 3-5 | Jailhouse Rock (instr pick up C up chorus on, takes 1-2) | — | ||
| 3-6 | (You're So Square) Baby I Don't Care (take 1) | — | ||
| 3-7 | (You're So Square) Baby I Don't Care (takes 2-4) | — | ||
| 3-8 | Treat Me Nice (takes 1-2) | — | ||
| 3-9 | Treat Me Nice (take 3) | — | ||
| 3-10 | Treat Me Nice (takes 4-5) | — | ||
| 3-11 | Treat Me Nice (takes 6-7) | — | ||
| 3-12 | Treat Me Nice (takes 8-9) | — | ||
| 3-13 | Treat Me Nice (takes 10-12) | — | ||
| 3-14 | Treat Me Nice (take 13) | — | ||
| 3-15 | Treat Me Nice (takes 14-15) | — | ||
| 3-16 | Treat Me Nice (take 16) | — | ||
| 3-17 | Treat Me Nice (take 17) | — | ||
| 3-18 | Treat Me Nice (take 18) | — | ||
| 3-19 | Treat Me Nice (take 19) | — | ||
| 3-20 | Treat Me Nice (takes 1-2) | — | ||
| 3-21 | Treat Me Nice (takes 3-5) | — | ||
| 3-22 | Treat Me Nice (take 6) | — | ||
| 3-23 | Treat Me Nice (take 7) | — | ||
| 3-24 | Treat Me Nice (take 8) | — | ||
| 3-25 | Treat Me Nice (takes 9-10) | — | ||
| 3-26 | Treat Me Nice (take 11) | — | ||
| 3-27 | Treat Me Nice (takes 12-13) | — | ||
| 4-1 | Young and Beautiful (take 1) | — | ||
| 4-2 | Young and Beautiful (take 2) | — | ||
| 4-3 | Young and Beautiful (take 3) | — | ||
| 4-4 | Young and Beautiful (take 1) | — | ||
| 4-5 | Young and Beautiful (take 2) | — | ||
| 4-6 | Young and Beautiful (takes 3–4) | — | ||
| 4-7 | Young and Beautiful (takes 5–6) | — | ||
| 4-8 | Young and Beautiful (take 7) | — | ||
| 4-9 | Young and Beautiful (take 1–3) | — | ||
| 4-10 | Young and Beautiful (takes 4–5) | — | ||
| 4-11 | Young and Beautiful (take 6) | — | ||
| 4-12 | Young and Beautiful (takes 7–8) | — | ||
| 4-13 | Young and Beautiful (take 9–11) | — | ||
| 4-14 | Young and Beautiful (take 12) | — | ||
| 4-15 | Young and Beautiful (take 13–18) | — | ||
| 4-16 | Young and Beautiful (take 19) | — | ||
| 4-17 | Young and Beautiful (takes 20–22) | — | ||
| 4-18 | I Want to Be Free (takes 1–4) | — | ||
| 4-19 | I Want to Be Free (takes 5–8) | — | ||
| 4-20 | I Want to Be Free (take 9) | — | ||
| 4-21 | I Want to Be Free (takes 10–11) | — | ||
| 4-22 | I Want to Be Free (pick up first ending takes 1–2) | — | ||
| 4-23 | I Want to Be Free (pick up second ending takes 1–5) | — | ||
| 5-1 | I Want to Be Free (takes 1–4) | — | ||
| 5-2 | I Want to Be Free (takes 5–6) | — | ||
| 5-3 | I Want to Be Free (takes 7–10) | — | ||
| 5-4 | I Want to Be Free (take 11) | — | ||
| 5-5 | I Want to Be Free (take 12) | — | ||
| 5-6 | I Want to Be Free (take 13) | — | ||
| 5-7 | Don’t Leave Me Now (take 1) | — | ||
| 5-8 | Don’t Leave Me Now (take 2) | — | ||
| 5-9 | Don’t Leave Me Now (takes 1–6) | — | ||
| 5-10 | Don’t Leave Me Now (takes 7–8) | — | ||
| 5-11 | Don’t Leave Me Now (takes 9–10) | — | ||
| 5-12 | Don’t Leave Me Now (takes 11–12) | — | ||
| 5-13 | Don’t Leave Me Now (takes 14–15) | — | ||
| 5-14 | Don’t Leave Me Now (takes 16–18) | — | ||
| 5-15 | Don’t Leave Me Now (take 19) | — | ||
| 5-16 | Don’t Leave Me Now (takes 20–21) | — | ||
| 5-17 | Don’t Leave Me Now (take 2) | — | ||
| 5-18 | Don’t Leave Me Now (take 12) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+31 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 5024545817423?
5024545817423 is a Universal Product Code (UPC) assigned to The Complete ‘50s Movie Masters & Session Recordings by Elvis Presley. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 149 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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