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Purely…

UPC · Release

Purely…

Maria Callas

5024952000173
22 tracksReleased 2009-01-01Delta (18)

Last verified:

5024952000173 is the Universal Product Code (UPC barcode) for the release “Purely…” by Maria Callas, released 2009-01-01 on Delta (18). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC. Tracks include ITD009700627, GBAYC0202602, GBAYC9701971.

Format

502GS1 prefix
4952Company prefix
00017Product
3Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCPurely…
ISRC6 recordings
ISWC5 works

Track List (22)

La bohème: Atto I. “Sì. Mi chiamano Mimì” (Mimì, Rodolfo)
La bohème: Atto I. “Sì. Mi chiamano Mimì” (Mimì, Rodolfo)
Maria Callas, Giuseppe Di Stefano, Orchestra del Teatro alla Scala di Milano, Antonino Votto
—
Tosca: Atto III. “Ah ! Franchigia a Floria Tosca”
Tosca: Atto III. “Ah ! Franchigia a Floria Tosca”
—
Gianni Schicchi: “O mio babbino caro”
Gianni Schicchi: “O mio babbino caro”
Maria Callas, Philharmonia Orchestra, Tullio Serafin
T-901.222.501-3
Madama Butterfly: Atto II. “Un bel dì, vedremo”
Madama Butterfly: Atto II. “Un bel dì, vedremo”
—
Turandot: Atto II. “In questa reggia”
Turandot: Atto II. “In questa reggia”
—
Tosca: Atto II. “Vissi d'arte” (Tosca)
Tosca: Atto II. “Vissi d'arte” (Tosca)
Maria Callas, Orchestra del Teatro alla Scala di Milano, Victor de Sabata
T-005.000.838-2
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata”
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata”
—
Suor Angelica: Atto I. “Senza mamma”
Suor Angelica: Atto I. “Senza mamma”
—
Tosca: Atto I. “Mario! Mario! Mario!”
Tosca: Atto I. “Mario! Mario! Mario!”
—
Turandot: Atto I. “Signore, ascolta!”
Turandot: Atto I. “Signore, ascolta!”
Maria Callas, Philharmonia Orchestra, Tullio Serafin
T-005.000.838-2
Madama Butterfly: Atto III. “Con onor muore”
Madama Butterfly: Atto III. “Con onor muore”
—
Manon Lescaut: Atto II. “In quelle trine morbide”
Manon Lescaut: Atto II. “In quelle trine morbide”
—
Tosca: Atto III. “Com’è lunga l’attesa”
Tosca: Atto III. “Com’è lunga l’attesa”
—
Cavalleria rusticana: Atto I. “Regina coeli laetare” (Easter Hymn)
Cavalleria rusticana: Atto I. “Regina coeli laetare” (Easter Hymn)
—
Norma: Atto II. “In mia mano alfin tu sei”
Norma: Atto II. “In mia mano alfin tu sei”
—
Rigoletto: “Gualtier Maldè! … Caro nome”
Rigoletto: “Gualtier Maldè! … Caro nome”
Norberto Mola, Coro del Teatro alla Scala di Milano, Maria Callas, William Dickie, Renato Ercolani, Carlo Forti, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
T-913.242.186-4
Lakmé: Atto II. “Dov’è l’indiana bruna”
Lakmé: Atto II. “Dov’è l’indiana bruna”
—
Norma: “Casta Diva”
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Lucia di Lammermoor: Atto III. “Il dolce suono”
Lucia di Lammermoor: Atto III. “Il dolce suono”
—
La Gioconda: Atto IV. “La barca s’avvicina”
La Gioconda: Atto IV. “La barca s’avvicina”
—
La traviata: Atto I. “È strano… Ah fors’e lui… Follie!”
La traviata: Atto I. “È strano… Ah fors’e lui… Follie!”
—
Parsifal: Atto II. “È giunto il di”
Parsifal: Atto II. “È giunto il di”
—

Additional database matches (5)

Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro)
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
T-931.280.185-7

What other identifiers does this connect to?

Musical Works (ISWC)

T-913.242.186-4T-913.242.186-4T-005.000.838-2T-901.222.501-3T-931.280.185-7

Creative Contributors (ISNI)

00000000551434210000000055149276000000010865367X0000000108675086000000010878582400000001102350470000000110347292000000011455393100000001148044380000000119546175
+6 more
000000012130546900000001216150370000000121955381000000012288066800000001236417650000000368641106

Identifier Graph

UPCPurely…ISRCLa bohème: Atto…ISRCGianni Schicchi…

People also ask

What is UPC 5024952000173?
UPC 5024952000173 is the Universal Product Code (barcode) for "Purely…" by Maria Callas, released on Delta (18).
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 5024952000173?
UPC 5024952000173 contains 22 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 5024952000173?

5024952000173 is a Universal Product Code (UPC) assigned to Purely… by Maria Callas. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm