UPC · Release
Various Artists
Last verified:
5026237300220 is the Universal Product Code (UPC barcode) for the release “G.I Jukebox Jive: The Best of the V-Disc Sessions, Volume 1” by Various Artists, released 2003-01-01 on Giant Steps Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | G.I. Jive | — | |
| 2 | If You Can’t Smile and Say Yes (Please Don’t Cry and Say No) | — | |
| 3 | Flying Home | — | |
| 4 | It Don’t Mean a Thing (If It Ain’t Got That Swing) | — | |
| 5 | Four Rich Brothers | — | |
| 6 | Ah, Your Father’s Moustache | — | |
| 7 | (There’s Gonna Be a) Hot Time in the Town of Berlin | — | |
| 8 | Southern Scandal | — | |
| 9 | Dark Eyes | — | |
| 10 | Taps Miller | — | |
| 11 | Convoy | — | |
| 12 | Blue Skies | — | |
| 13 | I Like ’em Fat Like That | — | |
| 14 | On the Alamo | — | |
| 15 | Do Nothin’ Till You Hear From Me / I’ll Get By (as Long as I Have You) | — | |
| 16 | Melodrama in a V‐Disc Record Room | — | |
| 17 | Sweet Georgia Brown | — | |
| 18 | Mop Mop | — | |
| 19 | Ac‐cen‐tuate the Positive (Mister In‐Between) | — | |
| 20 | Screamin’ Boogie | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
5026237300220 is a Universal Product Code (UPC) assigned to G.I Jukebox Jive: The Best of the V-Disc Sessions, Volume 1 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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