UPC · Release
The Very Best of Classical Chillout Gold
Various Artists
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5026535307624 is the Universal Product Code (UPC barcode) for the release “The Very Best of Classical Chillout Gold” by Various Artists, released 2003-01-01 on Decadance UK Recordings. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 12 tracks, each with its own ISRC. Tracks include HKI199247604, HKI198900207, HKI199202613.
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Credit Chain
Track List (12)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 5-1 | The Godfather | — | ||
| 5-2 | Bolero | — | ||
| 5-3 | Peer Gynt Suite No. 1, Op. 46: I. Morgenstemning (Morning Mood) | BBC Scottish Symphony Orchestra, Štátna filharmónia Košice, Stephen Gunzenhauser | — | |
| 5-4 | Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — | |
| 5-5 | CANON | Capella Istropolitana, Richard Edlinger | T-910014330-4 | |
| 5-6 | Adagio of Spartacus and Phrygia (from 'Spartacus') | — | ||
| 5-7 | Quatrième Gnossienne (lent) | Klára Körmendi | T-315303714-6 | |
| 5-8 | Symphony no. 40 in G minor with clarinets, K. 550: I. Allegro molto | Capella Istropolitana, Barry Wordsworth | — | |
| 5-9 | Blue Danube Waltz | — | ||
| 5-10 | Overture from The Marriage of Figaro | — | ||
| 5-11 | Water Music, Suite no. 2 in D major, HWV 349: II. Alla Hornpipe | Capella Istropolitana, Bohdan Warchal | — | |
| 5-12 | Romeo and Juliet: Suite no. 2, op. 64ter: I. Montagues and Capulets | Czecho-Slovak State Philharmonic Orchestra (Košice), Andrew Mogrelia | T0035067436 |
Additional database matches (47)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Unchained Melody | The City of Prague Philharmonic Orchestra, Nic Raine | T-070.193.442-0 |
| Crouching Tiger, Hidden Dragon: Crouching Tiger, Hidden Dragon / The Eternal Vow | The City of Prague Philharmonic Orchestra, Nic Raine | — |
| Midnight Cowboy | The City of Prague Philharmonic Orchestra, Nic Raine | T-070.112.744-7 |
| Out of Africa - Main Theme | The City of Prague Philharmonic Orchestra, Nic Raine | T0702427982 |
| Hymn To The Fallen (From "Saving Private Ryan") | The City of Prague Philharmonic Orchestra, Paul Bateman | T9117070254 |
| Così fan tutte: Atto I, scena 2. Terzettino: “Soave sia il vento” | Joanna Borowska, Peter Mikuláš, Rohangiz Yachmi, Capella Istropolitana, Johannes Wildner | — |
| Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | Hellen Kwon, Failoni Orchestra, Michael Halász | — |
| Nabucco: “Va, pensiero” (Chorus of Hebrew Slaves) | Slovenský filharmonický zbor, Symfonický orchester Slovenského rozhlasu, Oliver von Dohnányi | T9000217505 |
| Tosca: Atto III. “E lucevan le stelle” | Giorgio Lamberti, Czecho-Slovak Radio Symphony Orchestra (Bratislava), Alexander Rahbari | — |
| Duet from The Pearl Fishers: Au fond du temple sant | Janez Lotrič, Igor Morozov, Slovak Radio Symphony Orchestra, Johannes Wildner | — |
| Adagio for Strings, op. 11 | Capella Istropolitana | T-070.000.199-5 |
| Tosca: Atto III. “E lucevan le stelle” | Giorgio Lamberti, Czecho-Slovak Radio Symphony Orchestra (Bratislava), Alexander Rahbari | T-910067947-8 |
| Così fan tutte: Atto I, scena 2. Terzettino: “Soave sia il vento” | Joanna Borowska, Peter Mikuláš, Rohangiz Yachmi, Capella Istropolitana, Johannes Wildner | T-911784772-0 |
| Canon & Gigue in D major, P. 37: Canon | Capella Istropolitana, Richard Edlinger | T-900021469-7 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | T9258812189 |
| Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Jenő Jandó | T0013971588 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | T0711252275 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Water Music, Suite no. 2 in D major, HWV 349: II. Alla Hornpipe | Capella Istropolitana, Bohdan Warchal | — |
| Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio | Ernst Ottensamer, Vienna Mozart Academy, Johannes Wildner | — |
| Symphony no. 40 in G minor with clarinets, K. 550: I. Allegro molto | Capella Istropolitana, Barry Wordsworth | T0702417808 |
| Symphony no. 40 in G minor with clarinets, K. 550: I. Allegro molto | Capella Istropolitana, Barry Wordsworth | — |
| La Wally: “Ebben? Ne andrò lontana” | Miriam Gauci, BRT Philharmonic Orchestra, Alexander Rahbari | T9201406942 |
| Water Music, Suite no. 2 in D major, HWV 349: II. Alla Hornpipe | Capella Istropolitana, Bohdan Warchal | — |
| Duet from The Pearl Fishers: Au fond du temple sant | Janez Lotrič, Igor Morozov, Slovak Radio Symphony Orchestra, Johannes Wildner | — |
| Nabucco: “Va, pensiero” (Chorus of Hebrew Slaves) | Slovenský filharmonický zbor, Symfonický orchester Slovenského rozhlasu, Oliver von Dohnányi | T0090379900 |
| Nabucco: “Va, pensiero” (Chorus of Hebrew Slaves) | Slovenský filharmonický zbor, Symfonický orchester Slovenského rozhlasu, Oliver von Dohnányi | T9025741417 |
| I gioielli della Madonna: Intermezzo No. 2 | Ondrej Lenárd, Slovak National Symphony Orchestra | — |
| Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | Hellen Kwon, Failoni Orchestra, Michael Halász | T-918245117-8 |
| Duet from The Pearl Fishers: Au fond du temple sant | Janez Lotrič, Igor Morozov, Slovak Radio Symphony Orchestra, Johannes Wildner | T0717254255 |
| Così fan tutte: Atto I, scena 2. Terzettino: “Soave sia il vento” | Joanna Borowska, Peter Mikuláš, Rohangiz Yachmi, Capella Istropolitana, Johannes Wildner | T-902525648-8 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Suite from The Gadfly, op. 97a: VIII. Romance | National Symphony Orchestra of Ukraine, Theodore Kuchar | — |
| Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | Hellen Kwon, Failoni Orchestra, Michael Halász | — |
| Salut d’amour, op. 12 | Czecho-Slovak Radio Symphony Orchestra (Bratislava), Adrian Leaper | — |
| Symphony no. 40 in G minor with clarinets, K. 550: I. Allegro molto | Capella Istropolitana, Barry Wordsworth | T3294547874 |
| Symphony no. 3 in F major, op. 90: III. Poco allegretto | BRT Philharmonic Orchestra, Alexander Rahbari | — |
| Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Jenő Jandó | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Quatrième Gnossienne (lent) | Klára Körmendi | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Gladiator: Now We Are Free | Musica Paradiso | T-801.189.846-8 |
| Out of Africa - Main Theme | The City of Prague Philharmonic Orchestra, Nic Raine | T0702427982 |
| Nabucco: “Va, pensiero” (Chorus of Hebrew Slaves) | Slovenský filharmonický zbor, Symfonický orchester Slovenského rozhlasu, Oliver von Dohnányi | T9000217505 |
| Adagio for Strings, op. 11 | Capella Istropolitana | T-070.000.199-5 |
| Canon & Gigue in D major, P. 37: Canon | Capella Istropolitana, Richard Edlinger | T9000214697 |
| La Wally: “Ebben? Ne andrò lontana” | Miriam Gauci, BRT Philharmonic Orchestra, Alexander Rahbari | T9201406942 |
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What is UPC 5026535307624?
5026535307624 is a Universal Product Code (UPC) assigned to The Very Best of Classical Chillout Gold by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 12 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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