UPC · Release
Classical Chillout Platinum
Various Artists
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5026535310129 is the Universal Product Code (UPC barcode) for the release “Classical Chillout Platinum” by Various Artists, released 2004-11-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include GBAJC0404561, GBAJC0304423, HKI199202605.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (50)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | William Shakespeare’s Romeo and Juliet: The Balcony Scene | — | ||
| 2 | Into the West - From “The Lord of the Rings: The Return of the King” | The City of Prague Philharmonic Orchestra, Nic Raine, Crouch End Festival Chorus | T-072.006.755-9 | |
| 3 | Schindler’s List: Theme | — | ||
| 4 | Any Other Name | London Music Works | T-071.009.265-1 | |
| 5 | ADAGIO IN G MINOR (ATTRIB. ALBINONI) | Pavel Bogacz, Capella Istropolitana, Richard Edlinger | T-005.001.197-6 | |
| 6 | The English Patient | — | ||
| 7 | Unchained Melody | The City of Prague Philharmonic Orchestra, Nic Raine | T-070.193.442-0 | |
| 8 | Pirates of the Caribbean: Moonlight Serenade | — | ||
| 9 | The Last Samurai: Idyll’s End | — | ||
| 10 | Titanic: Theme | — | ||
| 11 | Harry Potter and the Prisoner of Azkaban: Hedwig’s Theme | — | ||
| 12 | French Lieutenant’s Woman: Adagio – Piano Sonata in D | — | ||
| 13 | Brief Encounter: Piano Concerto No. 2: Adagio Sostenuto | — | ||
| 2-1 | The Heart Asks Pleasure First | The City of Prague Philharmonic Orchestra, Paul Bateman | T-010.203.179-7 | |
| 2-2 | Adagio for Strings, op. 11 | Capella Istropolitana | T-070.000.199-5 | |
| 2-3 | Carnival of the Animals: Aquarium | Marián Lapšanský, Peter Toperczer, Czechoslovak Radio Symphony Orchestra, Ondrej Lenárd | — | |
| 2-4 | Peer Gynt Suite nr. 1, op. 46: I. Morgenstemning | BBC Scottish Symphony Orchestra, Jerzy Maksymiuk | T-900.163.501-4 | |
| 2-5 | Chocolat: Gnossiennes No. 1 | — | ||
| 2-6 | Love Story | — | ||
| 2-7 | Pride & Prejudice: Theme | Jaroslava Eleasova, The City of Prague Philharmonic Orchestra, Kenneth Alwyn | T-905.988.439-8 | |
| 2-8 | Merry Christmas Mr Lawrence | Mark Ayres | T-101.618.476-0 | |
| 2-9 | The Exorcist: Tubular Bells | — | ||
| 2-10 | Suite de pièce in D minor, HWV 437: IV. Sarabande | The City of Prague Philharmonic Orchestra, Paul Bateman | T-050.195.714-7 | |
| 2-11 | Hovis: Symphony No. 9, Largo | — | ||
| 2-12 | The Tales of Hoffmann: Barcarolle | CSR Symphony Orchestra (Bratislava), Keith Clark | — | |
| 3-1 | Time to Say Goodbye | — | ||
| 3-2 | Memory | — | ||
| 3-3 | O Mio Babbino Caro | — | ||
| 3-4 | Lakmé : « Dôme épais » (Flower duet) | Adriana Kohútková, Denisa Šlepkovská, Slovak Radio Symphony Orchestra, Johannes Wildner | — | |
| 3-5 | O Sole Mio | — | ||
| 3-6 | Somewhere | — | ||
| 3-7 | The Man I Love | — | ||
| 3-8 | Nessun Dorma | — | ||
| 3-9 | Bailero | — | ||
| 3-10 | Ave Maria | Franz Schubert | — | |
| 3-11 | Adagio of Spartacus and Phrygia | — | ||
| 3-12 | Silent Night (Arr. Bateman) | — | ||
| 4-1 | Symphony of Sorrowful Songs (Symphony No. 3) | — | ||
| 4-2 | Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — | |
| 4-3 | Promenade Sentimentale (From the Film Diva) | Mark Ayres | T-901.597.368-9 | |
| 4-4 | Six Consolations, S172/R12: 3. Lento placido | Philip Thomson | T-306.229.968-3 | |
| 4-5 | Rhapsody on a Theme of Paganini | — | ||
| 4-6 | Concierto de Aranjuez (Adagio) | — | ||
| 4-7 | Gymnopedie No. 1 | — | ||
| 4-8 | Canon | — | ||
| 4-9 | Für Elise | — | ||
| 4-10 | Flight of the Bumblebee | — | ||
| 4-11 | Swan Lake, Scene 1 | — | ||
| 4-12 | Guitar Concerto in D major (Largo) | — | ||
| 4-13 | Bolero | — |
Additional database matches (11)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | T-925.881.218-9 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | T-071.125.227-5 |
| The Tales of Hoffmann: Barcarolle | CSR Symphony Orchestra (Bratislava), Keith Clark | T-050.255.054-0 |
| Adagio in G minor | Pavel Bogacz, Capella Istropolitana, Richard Edlinger | T-005.001.197-6 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Peer Gynt Suite nr. 1, op. 46: I. Morgenstemning | BBC Scottish Symphony Orchestra, Jerzy Maksymiuk | — |
| Adagio in G minor (attrib. to Albinoni) | [unknown] | T-005.001.197-6 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Carnival of the Animals: Aquarium | Marián Lapšanský, Peter Toperczer, Czechoslovak Radio Symphony Orchestra, Ondrej Lenárd | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 5026535310129?
5026535310129 is a Universal Product Code (UPC) assigned to Classical Chillout Platinum by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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