UPC · Release
The Prisoner
Various Artists
5027626900045
235 tracksReleased 2008-01-01Network (5)
Last verified:
5027626900045 is the Universal Product Code (UPC barcode) for the release “The Prisoner” by Various Artists, released 2008-01-01 on Network (5). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 235 tracks, each with its own ISRC.
Format
502GS1 prefix
7626Company prefix
90004Product
5Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Prisoner
IPI2 songwriters
Track List (235)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cue 1-1: Arrival: Rover (Timpani and Base) | — | ||
| 2 | Cue 1-2: Arrival: Theme One (Timp and Piano Strings) | — | ||
| 3 | Cue 1-3: Arrival: Big Brother (Singing Timpani) | — | ||
| 4 | Cue 1-4: Arrival: Jaws Singing Harp (Jaws Harp - Normal Speed) | — | ||
| 5 | Cue 1-5: Arrival: Screams (Siren Whistle) | — | ||
| 6 | Cue 1-6: Arrival: Frantic Jaws Harp (Jaws Harp - Half Speed) | — | ||
| 7 | Cue 1-7: Arrival: "Pop Goes the Weasel" ("Pop-Weasel" - Piano) | — | ||
| 8 | Cue 1-8: Arrival: "Pop" Two ("Pop-Weasel" - Piano, Block, Etc) | — | ||
| 9 | Cue 1-9: Arrival: "Pop" Three ("Pop-Weasel" - Piano, Cymbal Etc) | — | ||
| 10 | Cue 1-10: Arrival: Secondary Theme - Jazz Slow Tempo | — | ||
| 11 | Cue 1-11: Arrival: Secondary Theme - Jazz Fast Tempo | — | ||
| 12 | Cue 1-12: Arrival: "Pop Goes the Weasel" (Most Orchestrated) | — | ||
| 13 | Cue A1M1A-3: Arrival: Second Title Section (Boss's Office to Gas) | — | ||
| 14 | Cue A1M1A-4: Arrival: First Titles Section - Over Westminster Bridge to Boss's Office | — | ||
| 15 | Cue A1M1B-9: Arrival: Third Titles Section - P. Wakes to Extended Village | — | ||
| 16 | Cue A1M1C-3: Arrival: Commercial Break in and Out | — | ||
| 17 | Cue A3M2-2: Arrival: Birth of Rover | — | ||
| 18 | Cue A6M6-5: Arrival: Open Act | — | ||
| 19 | Cue A6M7-4: Arrival: End Act | — | ||
| 20 | Cue A6M5-1: Arrival: End Credits | — | ||
| 21 | Cue A2M2-2: Arrival: Sup/Imp Section | — | ||
| 22 | Cue WT-1: Arrival: Drum FX - 1, Low Timp - Slow | — | ||
| 23 | Cue WT-2: Arrival: Drum More Menace | — | ||
| 24 | Cue WT-3: Arrival: Small Timp - Slow | — | ||
| 25 | Cue WT-4: Arrival: Small Timp - More Menace | — | ||
| 26 | Cue WT-5: Arrival: Large Timp - Single Beats | — | ||
| 27 | Cue WT-2: Arrival: Piano and Triangle Constant | — | ||
| 28 | Cue WT-3: Arrival: Cymbal Various | — | ||
| 29 | Cue A4M2-1: Arrival: All Drums at End | — | ||
| 30 | Cue A4M2-3: Arrival: P. Out of House Etc | — | ||
| 31 | Cue A6M3A-6: Arrival: No. 2 Orders, Take Over of Helicopter | — | ||
| 32 | Cue N/A: Arrival: Extra Drum | — | ||
| 33 | Cue A4M3-2: Arrival: Beach Fight - Rover Overcomes P. | — | ||
| 34 | Cue A6M1-2: Arrival: "What Shall We Do With the Drunken Sailor?" | — | ||
| 35 | Cue A6M1-4: Arrival: P. About to Enter No.2's House for First Time | — | ||
| 36 | Cue A2M4-3: Arrival: Helicopter Descends After No.2 Tour With P. | — | ||
| 37 | Cue A4M4-3: Arrival: "Boys and Girls Come Out to Play" | — | ||
| 38 | Cue A4M4-8: Arrival: "Boys and Girls Come Out to Play" | — | ||
| 39 | Cue A1M1A-4: Arrival: Main Titles, Part 1: Westminster Bridge to Boss's Door | — | ||
| 40 | Cue A1M1B-1: Arrival: Main Titles, Part 2: Boss's Door to Gassing | — | ||
| 41 | Cue A6M5-4: Arrival: End Credits | — | ||
| 42 | Cue A1M2-2: Arrival: From P. Wake From Gassing to Taxi Girl | — | ||
| 43 | Cue A6M3-1: Arrival: Take Over of Helicopter | — | ||
| 44 | Cue A6M4-2: Arrival: P. Out Helicopter, Rover, "Residents Only" | — | ||
| 45 | Cue A1M7-1: Arrival: "Welcome Home" Card | — | ||
| 46 | Cue A5M3-2: Arrival: Radezky March | — | ||
| 47 | Cue A2M2-1: Arrival: P. Goes Into No.2's Office First Time | — | ||
| 48 | Cue A3M4-1: Arrival: P. Smashes Toy After Tests in Labour Exchange | — | ||
| 49 | Cue A3M2-2: Arrival: Birth of Rover | — | ||
| 50 | Cue A4M2-4: Arrival: P. Out, Gardener, Rover, TV, Beach | — | ||
| 51 | Cue A5M1-1: Arrival: Through Alarm Bell "Cobb Dead" | — | ||
| 52 | Cue A5M2-2: Arrival: P. Out Hospital, Cards, Taxi, No.2's Office | — | ||
| 53 | Cue A6M2-4: Arrival: P. Leaves Girl, Gets to Helicopter | — | ||
| 54 | Cue A4M4-1: Arrival: W.J Version "Boys and Girls" | — | ||
| 55 | Cue A6M1-2: Arrival: "What Shall We Do With the Drunken Sailor?" | — | ||
| 56 | Cue WT-1: Arrival: High Whine Violin | — | ||
| 57 | Cue WT-2: Arrival: Celeste Theme and Chords | — | ||
| 58 | Cue WT-3: Arrival: Celeste Chords | — | ||
| 59 | Cue WT-4: Arrival: Flexatone | — | ||
| 60 | Cue N/A: Arrival: Flexatone | — | ||
| 61 | Cue WT-5: Arrival: Bass Drums FX | — | ||
| 62 | Cue N/A: Themes: The Age of Elegance | — | ||
| 63 | Cue N/A: Themes: The Age of Elegance, Part 2 | — | ||
| 64 | Cue A1M1-1: Themes: "Arrival" (take 1) | — | ||
| 65 | Cue A1M1-2: Themes: "Arrival" (take 2) | — | ||
| 66 | Cue A1M1-3: Themes: "Arrival" (take 3) | — | ||
| 67 | Cue A1M1-4: Themes: "Arrival" (take 4) | — | ||
| 68 | Cue A1M1-5: Themes: "Arrival" (take 5) | — | ||
| 69 | Cue A1M1-6: Themes: "Arrival" (take 6) | — | ||
| 70 | Cue A1M2-4: Themes: "Arrival" Opening | — | ||
| 71 | Cue B1M1-5: Themes: Standard Titles (take 5) | — | ||
| 72 | Cue B1M1-7: Themes: Standard Titles (take 7) | — | ||
| 73 | Cue B1M2-2: Themes: Episode Opening | — | ||
| 74 | Cue A6MX-3: Themes: End Titles | — | ||
| 75 | Cue N/A: Themes: Ins and Outs | — | ||
| 76 | Cue N/A: Themes: Twangs on Guitar | — | ||
| 2-1 | Cue M1-3: Degree Absolute: Sleep Music | — | ||
| 2-2 | Cue M2-1: Degree Absolute: Go for Walkies | — | ||
| 2-3 | Cue M3-2: Degree Absolute: Struggle | — | ||
| 2-4 | Cue M4-1: Degree Absolute: Schooldays / Graduation Day | — | ||
| 2-5 | Cue M5-2: Degree Absolute: Head's Study (Organ) / Prior to Breakfast | — | ||
| 2-6 | Cue M6-1: Degree Absolute: Serious Organ | — | ||
| 2-7 | Cue M7-1: Degree Absolute: Light Organ | — | ||
| 2-8 | Cue M8-1: Degree Absolute: Clock - Only 2 Minutes | — | ||
| 2-9 | Cue M9-1: Degree Absolute: Aftermath / Deserted Nursery | — | ||
| 2-10 | Cue M10-1: Degree Absolute: Pat Enters Secret Service | — | ||
| 2-11 | Cue M11-2: Degree Absolute: German P.O.W. March | — | ||
| 2-12 | Cue M12-1: Degree Absolute: Court of Justice / Gavel | — | ||
| 2-13 | Cue M13-2: Degree Absolute: 'Degree Absolute' | — | ||
| 2-14 | Cue M14-1: Degree Absolute: Kill Me! | — | ||
| 2-15 | Cue M15-1: Degree Absolute: Light Stings | — | ||
| 2-16 | Cue M16-1: Degree Absolute: Light on and Off - Beginning to Like | — | ||
| 2-17 | Cue M17-3: Play in 3 Acts: Fight 'A' | — | ||
| 2-18 | Cue M18-2: Play in 3 Acts: Fight 'B' | — | ||
| 2-19 | Cue M19-1: Play in 3 Acts: Walk Down French Street | — | ||
| 2-20 | Cue M19-2: Play in 3 Acts: Walk Down French Street | — | ||
| 2-21 | Cue M20-1: Play in 3 Acts: Off Mask / Defeat No. 2 | — | ||
| 2-22 | Cue M21-1: Play in 3 Acts: Discovery in Laboratory | — | ||
| 2-23 | Cue M22-1: Play in 3 Acts: Dance of P. / 'B' | — | ||
| 2-24 | Cue M23-2: Play in 3 Acts: Following No. 14 | — | ||
| 2-25 | Cue M24-1: Play in 3 Acts: Nightmare Noise | — | ||
| 2-26 | Cue M24a-1: Play in 3 Acts: Can Can | — | ||
| 2-27 | Cue M25-1: Play in 3 Acts: Conga | — | ||
| 2-28 | Cue M26-1: Play in 3 Acts: P. Sees No. 14 on Screen | — | ||
| 2-29 | Cue M27-1: Play in 3 Acts: P. Convulses on Stretcher | — | ||
| 2-30 | Cue M28-1: Play in 3 Acts: P. Enters Dream | — | ||
| 2-31 | Cue M29-1: Play in 3 Acts: 'Be Seeing You?' | — | ||
| 2-32 | Cue M30-2: Play in 3 Acts: Mark on Wrist | — | ||
| 2-33 | Cue M31-1: Play in 3 Acts: Warning to No. 14 | — | ||
| 2-34 | Cue M31-2: Play in 3 Acts: Warning to No. 14 | — | ||
| 2-35 | Cue M32-2: Play in 3 Acts: No. 1 Menace | — | ||
| 2-36 | Cue M33-1: Play in 3 Acts: Short Nursery Phrase - Boys and Girls | — | ||
| 2-37 | Cue Tannoy: Play in 3 Acts: Tannoy Preamble | — | ||
| 2-38 | Cue M33-4: The General: Intro to Village | — | ||
| 2-39 | Cue M34-1: The General: P. Suspicious of No. 12 | — | ||
| 2-40 | Cue M35-2: The General: Chase Professor / Discover Radio | — | ||
| 2-41 | Cue M36-1: The General: Professor Falls Down / Sting | — | ||
| 2-42 | Cue M37-2: The General: P. In Buggy Taken Home | — | ||
| 2-43 | Cue M38-1: The General: Speed Chimes 'A' | — | ||
| 2-44 | Cue M38a-1: The General: Speed Chimes 'B' (Longer) | — | ||
| 2-45 | Cue M39-1: The General: P.'s Historic Recital | — | ||
| 2-46 | Cue M39a-3: The General: P.'s Historic Recital (alternative) | — | ||
| 2-47 | Cue M41-1: The General: P. Discover's Radio Gone | — | ||
| 2-48 | Cue M42-1: The General: Destroy General | — | ||
| 2-49 | Cue M42a-1: The General: Destroy General (alternative without guitar) | — | ||
| 2-50 | Cue M43a-1: The General: Band Plays Waltz | — | ||
| 2-51 | Cue M43b-2: The General: Elms March | — | ||
| 2-52 | Cue M43c-1: The General: Free March | — | ||
| 2-53 | Cue M44-1: The General: P. Enters Interior of Professor's House | — | ||
| 2-54 | Cue M45-1: The General: The Two Busts | — | ||
| 2-55 | Cue M46-1: The General: P. Strikes Professor | — | ||
| 2-56 | Cue Tannoy: The General: New | — | ||
| 2-57 | Cue M47-2: The General: Track to P.'s Bust | — | ||
| 2-58 | Cue M47a-1: The General: Carnival | — | ||
| 2-59 | Cue M48-1: The General: 'Report' Dramatic Playout | — | ||
| 2-60 | Cue M49-1: The General: Sweet Village Music | — | ||
| 2-61 | Cue M50-1: The General: Officials Assemble | — | ||
| 2-62 | Cue M51-2: The General: P. Joins Queue | — | ||
| 2-63 | Cue M52-1: The General: Micro Lectures | — | ||
| 2-64 | Cue M53-3: The General: Hand Call Clobber | — | ||
| 2-65 | Cue M54-1: The General: Move in Closer | — | ||
| 2-66 | Cue M55-1: The General: P. Clobbered (Sting) | — | ||
| 2-67 | Cue M56-2: The General: Intro to General - Fanfare | — | ||
| 2-68 | Cue M57-1: The General: Traitor in Village | — | ||
| 2-69 | Cue M58-1: The General: End Explosions | — | ||
| 2-70 | Cue M60-1: The General: Drums Various | — | ||
| 2-71 | Cue M59-1: Free for All: Play Into No. 6's Residence | — | ||
| 2-72 | Cue M60-1: Free for All: Pat Ignores Taxi - Sees Village Map | — | ||
| 2-73 | Cue M61-1: Free for All: Sting as P. Sees Second Reporter / Rover Approaches, Call to Council | — | ||
| 2-74 | Cue M62-2: Free for All: P.'s First Twizzle Round | — | ||
| 2-75 | Cue M63-1: Free for All: Rostrum Revolves / Descends | — | ||
| 2-76 | Cue M64-1: Free for All: P. In Red Chamber | — | ||
| 2-77 | Cue M65-1: Free for All: P. Dash From Maid, Motorboat Fight | — | ||
| 2-78 | Cue M65-3: Free for All: P. Dash From Maid, Motorboat Fight | — | ||
| 2-79 | Cue M66-1: Free for All: Rover Takes Pat | — | ||
| 2-80 | Cue M67-1: Free for All: Pat the Victor | — | ||
| 2-81 | Cue M68-1: Free for All: P. Shouts to Village / Beat Up | — | ||
| 2-82 | Cue M68-2: Free for All: P. Shouts to Village / Beat Up | — | ||
| 2-83 | Cue M68-3: Free for All: P. Shouts to Village / Beat Up | — | ||
| 2-84 | Cue M69-1: Free for All: P. Stretcher Back Home | — | ||
| 2-85 | Cue M70-1: Free for All: Night Club Music | — | ||
| 2-86 | Cue M70-1: Free for All: Night Club Music (opening) | — | ||
| 3-1 | Cue M71-1: Hammer Into Anvil: Opening in Hospital / Girl in Bed | — | ||
| 3-2 | Cue M72-2: Hammer Into Anvil: P. Finds Girl Jump Out / Three Men Bring Pat In | — | ||
| 3-3 | Cue M72-3: Hammer Into Anvil: P. Finds Girl Jump Out / Three Men Bring Pat In | — | ||
| 3-4 | Cue M73-1: Hammer Into Anvil: Shopkeeper Reports to No.2 | — | ||
| 3-5 | Cue M74-1: Hammer Into Anvil: Pat Follows No.2's Aide to Home | — | ||
| 3-6 | Cue M75-1: Hammer Into Anvil: No.2 and Aide Follow P. to Boat | — | ||
| 3-7 | Cue M76-2: Hammer Into Anvil: Band's Version of Bizet | — | ||
| 3-8 | Cue Tannoy-1: Hammer Into Anvil: Chimes | — | ||
| 3-9 | Cue M77-1: Hammer Into Anvil: P. Walks by Graves | — | ||
| 3-10 | Cue M78-1: Hammer Into Anvil: Break Conspiracy - Playout | — | ||
| 3-11 | Cue M78-2: Hammer Into Anvil: Break Conspiracy (Wild) | — | ||
| 3-12 | Cue M79-1: Hammer Into Anvil: It's a Bomb | — | ||
| 3-13 | Cue M80-1: Hammer Into Anvil: Cuckoo Phrase | — | ||
| 3-14 | Cue M81-1: Hammer Into Anvil: P. Sets Off Pigeon, Tracked and Killed | — | ||
| 3-15 | Cue M81-2: Hammer Into Anvil: P. Sets Off Pigeon, Tracked and Killed | — | ||
| 3-16 | Cue M82-2: Hammer Into Anvil: Breakdown of No.2 - Playout | — | ||
| 3-17 | Cue M83-1 wild: Hammer Into Anvil: Play In - Hammer | — | ||
| 3-18 | Cue M84-1 wild: Hammer Into Anvil: Plan Hatching | — | ||
| 3-19 | Cue M85-2 wild: Hammer Into Anvil: Happy Birthday | — | ||
| 3-20 | Cue M86-1 wild: Hammer Into Anvil: Happy Birthday - Ironic Sting | — | ||
| 3-21 | Cue M87-2 wild: Hammer Into Anvil: Happy Birthday - Soft Sting | — | ||
| 3-22 | Cue M88-1 wild: Hammer Into Anvil: Happy Birthday - Sharp Sting | — | ||
| 3-23 | Cue M89-2 wild: Hammer Into Anvil: Funeral Fanfare | — | ||
| 3-24 | Cue M90-1 wild: Hammer Into Anvil: Arrival - Eerie | — | ||
| 3-25 | Cue M91-1 wild: Hammer Into Anvil: Drums | — | ||
| 3-26 | Cue M91-2 wild: Hammer Into Anvil: Drums | — | ||
| 3-27 | Cue M92-1 wild: Hammer Into Anvil: Drums | — | ||
| 3-28 | Cue M95-2: Face Unknown: Wake Up / Discovery | — | ||
| 3-29 | Cue M96-2: Face Unknown: Janet Arrives / Mirror Smash | — | ||
| 3-30 | Cue M97-1: Face Unknown: Janet Sees Her Father | — | ||
| 3-31 | Cue M98-1: Face Unknown: Superior Official Inspects P. | — | ||
| 3-32 | Cue M99-1: Face Unknown: No Use / P. Away From Office / Funeral Man | — | ||
| 3-33 | Cue M100-1: Face Unknown: P. in Garden with Janet | — | ||
| 3-34 | Cue M101-2: Face Unknown: P. Collects Photos | — | ||
| 3-35 | Cue M102-2: Face Unknown: P. Fits Slides Into Projector | — | ||
| 3-36 | Cue M103-2: Face Unknown: Kandersfelt! | — | ||
| 3-37 | Cue M104-2: Face Unknown: P. and Professor in Barbershop | — | ||
| 3-38 | Cue M105-1: Face Unknown: Potter Towards Shop | — | ||
| 3-39 | Cue M106-3: Face Unknown: Prof Dies | — | ||
| 3-40 | Cue M107-1: Face Unknown: Opening 'Bonnie' Phrase | — | ||
| 3-41 | Cue M108-2: Face Unknown: 'It Won't Be Long Now' | — | ||
| 3-42 | Cue M109-1: Face Unknown: 'Ah Colonel' | — | ||
| 3-43 | Cue 1M1-3: Living in Harmony: P. Resigns, Is Punched Up | — | ||
| 3-44 | Cue 1M1a-2: Living in Harmony: P. Brought Into 'Harmony' | — | ||
| 3-45 | Cue 1M2-2: Living in Harmony: P. Socks the Kid | — | ||
| 3-46 | Cue 1M3-4: Living in Harmony: P. Rejects Judge's Proposition | — | ||
| 3-47 | Cue 2M1-1: Living in Harmony: Kid Looks After P. in Cell. Playout | — | ||
| 3-48 | Cue 2M2-2: Living in Harmony: P. in Jail, Kid on Guard. Plays Cat-and-Mouse | — | ||
| 3-49 | Cue 3M1-2: Living in Harmony: P. Leaves Town, is Lassoed and Brought Back | — | ||
| 3-50 | Cue 3M2-1: Living in Harmony: Kathy is Tried and Judged | — | ||
| 3-51 | Cue 3M3-2: Living in Harmony: Kid Shoots P.'s Cheeck and Hand | — | ||
| 3-52 | Cue 3M4-1: Living in Harmony: Kid Watches Kathy's Face | — | ||
| 3-53 | Cue 3M5-2: Living in Harmony: Kid Lets Kathy Out of Jail | — | ||
| 3-54 | Cue 4M1-2: Living in Harmony: The Big Unarmed Fight | — | ||
| 3-55 | Cue 4M2-1: Living in Harmony: After Kid Has Shot Willy, Pat Enters | — | ||
| 3-56 | Cue 5M1-2: Living in Harmony: Dead Man at Pat's Desk | — | ||
| 3-57 | Cue 5M2-1: Living in Harmony: P. Collects an Extra Horse | — | ||
| 3-58 | Cue 5M3-1: Living in Harmony: Kid Strangles Kathy | — | ||
| 3-59 | Cue 5M4-1: Living in Harmony: P. Discovers Kathy Dead | — | ||
| 3-60 | Cue 6M1-4: Living in Harmony: P. Shoots Kid | — | ||
| 3-61 | Cue 6M2-1: Living in Harmony: Kid Falls to Ground | — | ||
| 3-62 | Cue 6M3-1: Living in Harmony: Five Seconds | — | ||
| 3-63 | Cue 6M4-3: Living in Harmony: P. Discovers He's in Village | — | ||
| 3-64 | Cue 6M5-3: Living in Harmony: Kid Strangles Kathy Then Dies | — | ||
| 3-65 | Cue 1M1-1: Fall Out: W/T - Dry Bones | — | ||
| 3-66 | Cue M2-1: Fall Out: W/T - Dry Bones | — | ||
| 3-67 | Cue M3-1: Fall Out: W/T - Dry Bones | — | ||
| 3-68 | Cue M4-3: Fall Out: W/T - Dry Bones | — | ||
| 3-69 | Cue M5-1 W/T: Living in Harmony: Honky Tonk - Medium | — | ||
| 3-70 | Cue M6-1 W/T: Living in Harmony: Honky Tonk - Slow | — | ||
| 3-71 | Cue N/A: Living in Harmony: Honky Tonk Extra Roll - Fast (1) | — | ||
| 3-72 | Cue N/A: Living in Harmony: Honky Tonk Extra Roll - Fast (2) | — | ||
| 3-73 | Cue N/A: Living in Harmony: Honky Tonk Extra Roll - Slow | — |
Cue 1-1: Arrival: Rover (Timpani and Base)
—
Cue 1-2: Arrival: Theme One (Timp and Piano Strings)
—
Cue 1-3: Arrival: Big Brother (Singing Timpani)
—
Cue 1-4: Arrival: Jaws Singing Harp (Jaws Harp - Normal Speed)
—
Cue 1-5: Arrival: Screams (Siren Whistle)
—
Cue 1-6: Arrival: Frantic Jaws Harp (Jaws Harp - Half Speed)
—
Cue 1-7: Arrival: "Pop Goes the Weasel" ("Pop-Weasel" - Piano)
—
Cue 1-8: Arrival: "Pop" Two ("Pop-Weasel" - Piano, Block, Etc)
—
Cue 1-9: Arrival: "Pop" Three ("Pop-Weasel" - Piano, Cymbal Etc)
—
Cue 1-10: Arrival: Secondary Theme - Jazz Slow Tempo
—
Cue 1-11: Arrival: Secondary Theme - Jazz Fast Tempo
—
Cue 1-12: Arrival: "Pop Goes the Weasel" (Most Orchestrated)
—
Cue A1M1A-3: Arrival: Second Title Section (Boss's Office to Gas)
—
Cue A1M1A-4: Arrival: First Titles Section - Over Westminster Bridge to Boss's Office
—
Cue A1M1B-9: Arrival: Third Titles Section - P. Wakes to Extended Village
—
Cue A1M1C-3: Arrival: Commercial Break in and Out
—
Cue A3M2-2: Arrival: Birth of Rover
—
Cue A6M6-5: Arrival: Open Act
—
Cue A6M7-4: Arrival: End Act
—
Cue A6M5-1: Arrival: End Credits
—
Cue A2M2-2: Arrival: Sup/Imp Section
—
Cue WT-1: Arrival: Drum FX - 1, Low Timp - Slow
—
Cue WT-2: Arrival: Drum More Menace
—
Cue WT-3: Arrival: Small Timp - Slow
—
Cue WT-4: Arrival: Small Timp - More Menace
—
Cue WT-5: Arrival: Large Timp - Single Beats
—
Cue WT-2: Arrival: Piano and Triangle Constant
—
Cue WT-3: Arrival: Cymbal Various
—
Cue A4M2-1: Arrival: All Drums at End
—
Cue A4M2-3: Arrival: P. Out of House Etc
—
Cue A6M3A-6: Arrival: No. 2 Orders, Take Over of Helicopter
—
Cue N/A: Arrival: Extra Drum
—
Cue A4M3-2: Arrival: Beach Fight - Rover Overcomes P.
—
Cue A6M1-2: Arrival: "What Shall We Do With the Drunken Sailor?"
—
Cue A6M1-4: Arrival: P. About to Enter No.2's House for First Time
—
Cue A2M4-3: Arrival: Helicopter Descends After No.2 Tour With P.
—
Cue A4M4-3: Arrival: "Boys and Girls Come Out to Play"
—
Cue A4M4-8: Arrival: "Boys and Girls Come Out to Play"
—
Cue A1M1A-4: Arrival: Main Titles, Part 1: Westminster Bridge to Boss's Door
—
Cue A1M1B-1: Arrival: Main Titles, Part 2: Boss's Door to Gassing
—
Cue A6M5-4: Arrival: End Credits
—
Cue A1M2-2: Arrival: From P. Wake From Gassing to Taxi Girl
—
Cue A6M3-1: Arrival: Take Over of Helicopter
—
Cue A6M4-2: Arrival: P. Out Helicopter, Rover, "Residents Only"
—
Cue A1M7-1: Arrival: "Welcome Home" Card
—
Cue A5M3-2: Arrival: Radezky March
—
Cue A2M2-1: Arrival: P. Goes Into No.2's Office First Time
—
Cue A3M4-1: Arrival: P. Smashes Toy After Tests in Labour Exchange
—
Cue A3M2-2: Arrival: Birth of Rover
—
Cue A4M2-4: Arrival: P. Out, Gardener, Rover, TV, Beach
—
Cue A5M1-1: Arrival: Through Alarm Bell "Cobb Dead"
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Cue A5M2-2: Arrival: P. Out Hospital, Cards, Taxi, No.2's Office
—
Cue A6M2-4: Arrival: P. Leaves Girl, Gets to Helicopter
—
Cue A4M4-1: Arrival: W.J Version "Boys and Girls"
—
Cue A6M1-2: Arrival: "What Shall We Do With the Drunken Sailor?"
—
Cue WT-1: Arrival: High Whine Violin
—
Cue WT-2: Arrival: Celeste Theme and Chords
—
Cue WT-3: Arrival: Celeste Chords
—
Cue WT-4: Arrival: Flexatone
—
Cue N/A: Arrival: Flexatone
—
Cue WT-5: Arrival: Bass Drums FX
—
Cue N/A: Themes: The Age of Elegance
—
Cue N/A: Themes: The Age of Elegance, Part 2
—
Cue A1M1-1: Themes: "Arrival" (take 1)
—
Cue A1M1-2: Themes: "Arrival" (take 2)
—
Cue A1M1-3: Themes: "Arrival" (take 3)
—
Cue A1M1-4: Themes: "Arrival" (take 4)
—
Cue A1M1-5: Themes: "Arrival" (take 5)
—
Cue A1M1-6: Themes: "Arrival" (take 6)
—
Cue A1M2-4: Themes: "Arrival" Opening
—
Cue B1M1-5: Themes: Standard Titles (take 5)
—
Cue B1M1-7: Themes: Standard Titles (take 7)
—
Cue B1M2-2: Themes: Episode Opening
—
Cue A6MX-3: Themes: End Titles
—
Cue N/A: Themes: Ins and Outs
—
Cue N/A: Themes: Twangs on Guitar
—
Cue M1-3: Degree Absolute: Sleep Music
—
Cue M2-1: Degree Absolute: Go for Walkies
—
Cue M3-2: Degree Absolute: Struggle
—
Cue M4-1: Degree Absolute: Schooldays / Graduation Day
—
Cue M5-2: Degree Absolute: Head's Study (Organ) / Prior to Breakfast
—
Cue M6-1: Degree Absolute: Serious Organ
—
Cue M7-1: Degree Absolute: Light Organ
—
Cue M8-1: Degree Absolute: Clock - Only 2 Minutes
—
Cue M9-1: Degree Absolute: Aftermath / Deserted Nursery
—
Cue M10-1: Degree Absolute: Pat Enters Secret Service
—
Cue M11-2: Degree Absolute: German P.O.W. March
—
Cue M12-1: Degree Absolute: Court of Justice / Gavel
—
Cue M13-2: Degree Absolute: 'Degree Absolute'
—
Cue M14-1: Degree Absolute: Kill Me!
—
Cue M15-1: Degree Absolute: Light Stings
—
Cue M16-1: Degree Absolute: Light on and Off - Beginning to Like
—
Cue M17-3: Play in 3 Acts: Fight 'A'
—
Cue M18-2: Play in 3 Acts: Fight 'B'
—
Cue M19-1: Play in 3 Acts: Walk Down French Street
—
Cue M19-2: Play in 3 Acts: Walk Down French Street
—
Cue M20-1: Play in 3 Acts: Off Mask / Defeat No. 2
—
Cue M21-1: Play in 3 Acts: Discovery in Laboratory
—
Cue M22-1: Play in 3 Acts: Dance of P. / 'B'
—
Cue M23-2: Play in 3 Acts: Following No. 14
—
Cue M24-1: Play in 3 Acts: Nightmare Noise
—
Cue M24a-1: Play in 3 Acts: Can Can
—
Cue M25-1: Play in 3 Acts: Conga
—
Cue M26-1: Play in 3 Acts: P. Sees No. 14 on Screen
—
Cue M27-1: Play in 3 Acts: P. Convulses on Stretcher
—
Cue M28-1: Play in 3 Acts: P. Enters Dream
—
Cue M29-1: Play in 3 Acts: 'Be Seeing You?'
—
Cue M30-2: Play in 3 Acts: Mark on Wrist
—
Cue M31-1: Play in 3 Acts: Warning to No. 14
—
Cue M31-2: Play in 3 Acts: Warning to No. 14
—
Cue M32-2: Play in 3 Acts: No. 1 Menace
—
Cue M33-1: Play in 3 Acts: Short Nursery Phrase - Boys and Girls
—
Cue Tannoy: Play in 3 Acts: Tannoy Preamble
—
Cue M33-4: The General: Intro to Village
—
Cue M34-1: The General: P. Suspicious of No. 12
—
Cue M35-2: The General: Chase Professor / Discover Radio
—
Cue M36-1: The General: Professor Falls Down / Sting
—
Cue M37-2: The General: P. In Buggy Taken Home
—
Cue M38-1: The General: Speed Chimes 'A'
—
Cue M38a-1: The General: Speed Chimes 'B' (Longer)
—
Cue M39-1: The General: P.'s Historic Recital
—
Cue M39a-3: The General: P.'s Historic Recital (alternative)
—
Cue M41-1: The General: P. Discover's Radio Gone
—
Cue M42-1: The General: Destroy General
—
Cue M42a-1: The General: Destroy General (alternative without guitar)
—
Cue M43a-1: The General: Band Plays Waltz
—
Cue M43b-2: The General: Elms March
—
Cue M43c-1: The General: Free March
—
Cue M44-1: The General: P. Enters Interior of Professor's House
—
Cue M45-1: The General: The Two Busts
—
Cue M46-1: The General: P. Strikes Professor
—
Cue Tannoy: The General: New
—
Cue M47-2: The General: Track to P.'s Bust
—
Cue M47a-1: The General: Carnival
—
Cue M48-1: The General: 'Report' Dramatic Playout
—
Cue M49-1: The General: Sweet Village Music
—
Cue M50-1: The General: Officials Assemble
—
Cue M51-2: The General: P. Joins Queue
—
Cue M52-1: The General: Micro Lectures
—
Cue M53-3: The General: Hand Call Clobber
—
Cue M54-1: The General: Move in Closer
—
Cue M55-1: The General: P. Clobbered (Sting)
—
Cue M56-2: The General: Intro to General - Fanfare
—
Cue M57-1: The General: Traitor in Village
—
Cue M58-1: The General: End Explosions
—
Cue M60-1: The General: Drums Various
—
Cue M59-1: Free for All: Play Into No. 6's Residence
—
Cue M60-1: Free for All: Pat Ignores Taxi - Sees Village Map
—
Cue M61-1: Free for All: Sting as P. Sees Second Reporter / Rover Approaches, Call to Council
—
Cue M62-2: Free for All: P.'s First Twizzle Round
—
Cue M63-1: Free for All: Rostrum Revolves / Descends
—
Cue M64-1: Free for All: P. In Red Chamber
—
Cue M65-1: Free for All: P. Dash From Maid, Motorboat Fight
—
Cue M65-3: Free for All: P. Dash From Maid, Motorboat Fight
—
Cue M66-1: Free for All: Rover Takes Pat
—
Cue M67-1: Free for All: Pat the Victor
—
Cue M68-1: Free for All: P. Shouts to Village / Beat Up
—
Cue M68-2: Free for All: P. Shouts to Village / Beat Up
—
Cue M68-3: Free for All: P. Shouts to Village / Beat Up
—
Cue M69-1: Free for All: P. Stretcher Back Home
—
Cue M70-1: Free for All: Night Club Music
—
Cue M70-1: Free for All: Night Club Music (opening)
—
Cue M71-1: Hammer Into Anvil: Opening in Hospital / Girl in Bed
—
Cue M72-2: Hammer Into Anvil: P. Finds Girl Jump Out / Three Men Bring Pat In
—
Cue M72-3: Hammer Into Anvil: P. Finds Girl Jump Out / Three Men Bring Pat In
—
Cue M73-1: Hammer Into Anvil: Shopkeeper Reports to No.2
—
Cue M74-1: Hammer Into Anvil: Pat Follows No.2's Aide to Home
—
Cue M75-1: Hammer Into Anvil: No.2 and Aide Follow P. to Boat
—
Cue M76-2: Hammer Into Anvil: Band's Version of Bizet
—
Cue Tannoy-1: Hammer Into Anvil: Chimes
—
Cue M77-1: Hammer Into Anvil: P. Walks by Graves
—
Cue M78-1: Hammer Into Anvil: Break Conspiracy - Playout
—
Cue M78-2: Hammer Into Anvil: Break Conspiracy (Wild)
—
Cue M79-1: Hammer Into Anvil: It's a Bomb
—
Cue M80-1: Hammer Into Anvil: Cuckoo Phrase
—
Cue M81-1: Hammer Into Anvil: P. Sets Off Pigeon, Tracked and Killed
—
Cue M81-2: Hammer Into Anvil: P. Sets Off Pigeon, Tracked and Killed
—
Cue M82-2: Hammer Into Anvil: Breakdown of No.2 - Playout
—
Cue M83-1 wild: Hammer Into Anvil: Play In - Hammer
—
Cue M84-1 wild: Hammer Into Anvil: Plan Hatching
—
Cue M85-2 wild: Hammer Into Anvil: Happy Birthday
—
Cue M86-1 wild: Hammer Into Anvil: Happy Birthday - Ironic Sting
—
Cue M87-2 wild: Hammer Into Anvil: Happy Birthday - Soft Sting
—
Cue M88-1 wild: Hammer Into Anvil: Happy Birthday - Sharp Sting
—
Cue M89-2 wild: Hammer Into Anvil: Funeral Fanfare
—
Cue M90-1 wild: Hammer Into Anvil: Arrival - Eerie
—
Cue M91-1 wild: Hammer Into Anvil: Drums
—
Cue M91-2 wild: Hammer Into Anvil: Drums
—
Cue M92-1 wild: Hammer Into Anvil: Drums
—
Cue M95-2: Face Unknown: Wake Up / Discovery
—
Cue M96-2: Face Unknown: Janet Arrives / Mirror Smash
—
Cue M97-1: Face Unknown: Janet Sees Her Father
—
Cue M98-1: Face Unknown: Superior Official Inspects P.
—
Cue M99-1: Face Unknown: No Use / P. Away From Office / Funeral Man
—
Cue M100-1: Face Unknown: P. in Garden with Janet
—
Cue M101-2: Face Unknown: P. Collects Photos
—
Cue M102-2: Face Unknown: P. Fits Slides Into Projector
—
Cue M103-2: Face Unknown: Kandersfelt!
—
Cue M104-2: Face Unknown: P. and Professor in Barbershop
—
Cue M105-1: Face Unknown: Potter Towards Shop
—
Cue M106-3: Face Unknown: Prof Dies
—
Cue M107-1: Face Unknown: Opening 'Bonnie' Phrase
—
Cue M108-2: Face Unknown: 'It Won't Be Long Now'
—
Cue M109-1: Face Unknown: 'Ah Colonel'
—
Cue 1M1-3: Living in Harmony: P. Resigns, Is Punched Up
—
Cue 1M1a-2: Living in Harmony: P. Brought Into 'Harmony'
—
Cue 1M2-2: Living in Harmony: P. Socks the Kid
—
Cue 1M3-4: Living in Harmony: P. Rejects Judge's Proposition
—
Cue 2M1-1: Living in Harmony: Kid Looks After P. in Cell. Playout
—
Cue 2M2-2: Living in Harmony: P. in Jail, Kid on Guard. Plays Cat-and-Mouse
—
Cue 3M1-2: Living in Harmony: P. Leaves Town, is Lassoed and Brought Back
—
Cue 3M2-1: Living in Harmony: Kathy is Tried and Judged
—
Cue 3M3-2: Living in Harmony: Kid Shoots P.'s Cheeck and Hand
—
Cue 3M4-1: Living in Harmony: Kid Watches Kathy's Face
—
Cue 3M5-2: Living in Harmony: Kid Lets Kathy Out of Jail
—
Cue 4M1-2: Living in Harmony: The Big Unarmed Fight
—
Cue 4M2-1: Living in Harmony: After Kid Has Shot Willy, Pat Enters
—
Cue 5M1-2: Living in Harmony: Dead Man at Pat's Desk
—
Cue 5M2-1: Living in Harmony: P. Collects an Extra Horse
—
Cue 5M3-1: Living in Harmony: Kid Strangles Kathy
—
Cue 5M4-1: Living in Harmony: P. Discovers Kathy Dead
—
Cue 6M1-4: Living in Harmony: P. Shoots Kid
—
Cue 6M2-1: Living in Harmony: Kid Falls to Ground
—
Cue 6M3-1: Living in Harmony: Five Seconds
—
Cue 6M4-3: Living in Harmony: P. Discovers He's in Village
—
Cue 6M5-3: Living in Harmony: Kid Strangles Kathy Then Dies
—
Cue 1M1-1: Fall Out: W/T - Dry Bones
—
Cue M2-1: Fall Out: W/T - Dry Bones
—
Cue M3-1: Fall Out: W/T - Dry Bones
—
Cue M4-3: Fall Out: W/T - Dry Bones
—
Cue M5-1 W/T: Living in Harmony: Honky Tonk - Medium
—
Cue M6-1 W/T: Living in Harmony: Honky Tonk - Slow
—
Cue N/A: Living in Harmony: Honky Tonk Extra Roll - Fast (1)
—
Cue N/A: Living in Harmony: Honky Tonk Extra Roll - Fast (2)
—
Cue N/A: Living in Harmony: Honky Tonk Extra Roll - Slow
—
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What is UPC 5027626900045?
5027626900045 is a Universal Product Code (UPC) assigned to The Prisoner by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 235 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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