UPC · Release
Various Artists
Last verified:
The UPC for “The Prisoner 50th Anniversary Edition: Original Soundtrack” by Various Artists is 5027626904944. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Network (5). This release contains 408 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | ARRIVAL: A1m1 Take 6 Arrival | — | ||
| 2 | ARRIVAL: A1m2 Take 4 Arrival | — | ||
| 3 | ARRIVAL: M90 Take 1 Arrival Eerie BG | — | ||
| 4 | ARRIVAL: Experiments In Space Part 2-4 Malus | — | ||
| 5 | ARRIVAL: Party Dress | — | ||
| 6 | ARRIVAL: A1m7 Take 1 Welcome Home Card | — | ||
| 7 | ARRIVAL: A2m1 Take 4 Pop Goes The Weasel | — | ||
| 8 | ARRIVAL: A2m2 Take 1 P Goes Into No2's Office | — | ||
| 9 | ARRIVAL: Industrial Vortex | — | ||
| 10 | ARRIVAL: A2m4 Take 3 Helicopter Lands After No2 Tour With P | — | ||
| 11 | ARRIVAL: A3m4 Take 1 P Smashes Toy After Test In Labour Exchange | — | ||
| 12 | ARRIVAL: Moon Lullaby | — | ||
| 13 | ARRIVAL: Petite Valse De Concert (Little Concert Waltz) | — | ||
| 14 | ARRIVAL: A4m2 Take 3 P Out Of House, Gardener (Iidentical), Bushes, Rover, Control, Arrive At Beach | — | ||
| 15 | ARRIVAL: A4m3 Take 3 Beach Fight - Rover Overcomes Prisoner | — | ||
| 16 | ARRIVAL: A4m4 Take 8 Boys & Girls Come Out To Play | — | ||
| 17 | ARRIVAL: A5m1 Take 1 Through Alarm Bell "Cobb Dead" | — | ||
| 18 | ARRIVAL: A5m2 Take 2 P Out Of Hospital, Cards, Taxi, No 2's Office. | — | ||
| 19 | ARRIVAL: A5m3 Take 2 Radezsky (Sic) March | — | ||
| 20 | ARRIVAL: Freedom Of The City | — | ||
| 21 | ARRIVAL: Double X | — | ||
| 22 | ARRIVAL: 1-9 "Pop" Three (Pop Weasel - Piano, Symbol, Trill, Drum | — | ||
| 23 | ARRIVAL: A6m1 Take 2 What Shall We Do With A Drunken Sailor | — | ||
| 24 | ARRIVAL: A6m2 Take 4 P Leaves Girl, Gets To Helicopter | — | ||
| 25 | ARRIVAL: A6m3a Take 2 No2 Orders, Take Over Of Helicopter As P Tries To Escape | — | ||
| 26 | ARRIVAL: A6m4 Take 2 P Out Of Helicopter, Rover, Residents Only | — | ||
| 27 | ONCE UPON A TIME: Almeria | — | ||
| 28 | ONCE UPON A TIME: M13 Take 2 Degree Absolute! | — | ||
| 29 | ONCE UPON A TIME: M1 Take 3 Sleep Music | — | ||
| 30 | ONCE UPON A TIME: M2 Take 1 Go For Walkies | — | ||
| 31 | ONCE UPON A TIME: M15 Take 1 Light Stings | — | ||
| 32 | ONCE UPON A TIME: M33 Take 1 Short Nursery Phrase Boys & Girls | — | ||
| 33 | ONCE UPON A TIME: M2 Take 1 Schooldays/Graduation Day | — | ||
| 34 | ONCE UPON A TIME: M5 Take 2 Head's Study (Organ) | — | ||
| 35 | ONCE UPON A TIME: M2 Take 3 Struggle | — | ||
| 36 | ONCE UPON A TIME: M16 Take 1 Light On & Off "I Thnk I'm Beginning To Like Him." | — | ||
| 37 | ONCE UPON A TIME: M10 Take 2 Pat Enters Secret Service | — | ||
| 38 | ONCE UPON A TIME: M12 Take 1 Court Of Justice | — | ||
| 39 | ONCE UPON A TIME: Off Beat Moods Part 1-3 Dramatic, Sustained | — | ||
| 40 | ONCE UPON A TIME: M14 Take 1 Kill Me! | — | ||
| 41 | ONCE UPON A TIME: M11 Take 2 German POW March | — | ||
| 42 | ONCE UPON A TIME: M6 Take 1 Serious Organ | — | ||
| 43 | ONCE UPON A TIME: M7 Take 1 Light Organ | — | ||
| 44 | ONCE UPON A TIME: M8 Take 1 Clock - Only 2 Mins | — | ||
| 45 | ONCE UPON A TIME: M9 Take 1 Aftermath - Deserted Nursery | — | ||
| 46 | A, B & C: M32 Take 2 No 1 Menace | — | ||
| 47 | A, B & C: M31 Take 2 Warning To No14 | — | ||
| 48 | A, B & C: M26 Take 1 P Sees No14 On Screen | — | ||
| 49 | A, B & C: M28 Take P Enters Dream | — | ||
| 50 | A, B & C: Capricieuse (Capricious) | — | ||
| 51 | A, B & C: M17 Take 3 Fight 'a' | — | ||
| 52 | A, B & C: Berceuse Pour Isabelle (Lullaby For Isabelle) | — | ||
| 53 | A, B & C: Promenade Dans Paris: Rue De La Paix (Walk In Paris: Rue De La Paix) | — | ||
| 54 | A, B & C: Eastside 2 Suspense In Rhythm | — | ||
| 55 | A, B & C: M22 Take 1 Dance Of P And 'b' Waltz | — | ||
| 56 | A, B & C: M18 Take 2 Fight B | — | ||
| 57 | A, B & C: M30 Take 2 Mark On Wrist | — | ||
| 58 | A, B & C: M23 Take 2 Following Number 14 Ending Strings | — | ||
| 59 | A, B & C: M21 Take 1 Discovery In Laboratory | — | ||
| 60 | A, B & C: M29 Take 1 Be Seeing You | — | ||
| 61 | A, B & C: Lullaby | — | ||
| 62 | A, B & C: Bienvenue Mister Jones (Welcome Mister Jones) | — | ||
| 63 | A, B & C: M25 Take 1 Conga | — | ||
| 64 | A, B & C: Promenade Dans Paris: 'Bords De La Seine (Walk In Paris: Bords De La Seine) | — | ||
| 65 | A, B & C: M27 Take 1 P Convulses On Stretcher | — | ||
| 66 | A, B & C: M24a Take 1 Can Can | — | ||
| 67 | A, B & C: M24 Take 1 Nightmare Noise To Accompany Can Can | — | ||
| 68 | A, B & C: M19 Take 2 Walk Down French Street (Western Style) Unused Cue | — | ||
| 69 | A, B & C: M20 Take 1 Off Mask + Defeat No 2 | — | ||
| 2-1 | Opening Titles: B1m1 Take 7: Standard | — | ||
| 2-2 | Opening Titles: B1m2 Take 2: Standard | — | ||
| 2-3 | THE GENERAL: M33 Take 4: Intro To Village | — | ||
| 2-4 | THE GENERAL: M34 Take 1: Prisoner Suspicious Of No 12 | — | ||
| 2-5 | THE GENERAL: M35 Take 2: Chase Professor + Discover Radio | — | ||
| 2-6 | THE GENERAL: M36 Take 1: Prof Falls Down. Sting | — | ||
| 2-7 | THE GENERAL: M37 Take 2: P In Buggy Taken Home | — | ||
| 2-8 | THE GENERAL: New Tannoy Take 1 | — | ||
| 2-9 | THE GENERAL: M38a Take 1: Speed Chimes 'b' (Longer) | — | ||
| 2-10 | THE GENERAL: Drumdramatics: No 2 - 4: Dream Vibrato, Rising And Falling | — | ||
| 2-11 | THE GENERAL: Electro Mind | — | ||
| 2-12 | THE GENERAL: M39 Take 1: P's Historic Recital | — | ||
| 2-13 | THE GENERAL: M42a Take 1: Destroy General (Alternative Without Guitar) | — | ||
| 2-14 | THE GENERAL: M41 Take 1: P Discovers Radio Gone | — | ||
| 2-15 | THE GENERAL: M42 Take 1: Destroy General | — | ||
| 2-16 | THE GENERAL: M43a Take 1: Band Plays Waltz | — | ||
| 2-17 | THE GENERAL: A4m4 Take 1: WJ Version 'Boys + Girls' | — | ||
| 2-18 | THE GENERAL: M44 Take 1: P Enters Interior Prof's House | — | ||
| 2-19 | THE GENERAL: M45 Take 1: The Two Busts | — | ||
| 2-20 | THE GENERAL: M46 Take 1: P Strikes Professor | — | ||
| 2-21 | THE GENERAL: M47 Take 2: Track To P's Bust | — | ||
| 2-22 | THE GENERAL: M47a Take 1: Carnival | — | ||
| 2-23 | THE GENERAL: M48 Take 1: 'Report!' Dramatic Playout | — | ||
| 2-24 | THE GENERAL: M49 Take 1: Sweet Village Music | — | ||
| 2-25 | THE GENERAL: M50 Take 1: Officials Assemble | — | ||
| 2-26 | THE GENERAL: M51 Take 2: Micro-Lectures | — | ||
| 2-27 | THE GENERAL: M52 Take 1: P Joins Cue | — | ||
| 2-28 | THE GENERAL: M53 Take 3: Hand Call, Clobber | — | ||
| 2-29 | THE GENERAL: M54 Take 1: Move In Closer | — | ||
| 2-30 | THE GENERAL: M55 Take 1: P Clobbered. Sting | — | ||
| 2-31 | THE GENERAL: Electronic Screams | — | ||
| 2-32 | THE GENERAL: M56 Take 2: Intro To General - Fanfare | — | ||
| 2-33 | THE GENERAL: M57 Take 1: Traitor In Village | — | ||
| 2-34 | THE GENERAL: M58 Take 1: End Explosions | — | ||
| 2-35 | FREE FOR ALL: Hemisphere Sud [Southern Hemisphere] | — | ||
| 2-36 | FREE FOR ALL: M34b Take 2: Elms March | — | ||
| 2-37 | FREE FOR ALL: M59 Take 1: Play In To No 6's Residence | — | ||
| 2-38 | FREE FOR ALL: M60 Take 1: Pat Ignores Taxi - Sees Village Map | — | ||
| 2-39 | FREE FOR ALL: M43c Take 1: Free March | — | ||
| 2-40 | FREE FOR ALL: M61 Take 1: Sting As P Sees Second Reporter. Rover Approaches. Call To Council | — | ||
| 2-41 | FREE FOR ALL: M62 Take 2: Pat's First Twizzle Round | — | ||
| 2-42 | FREE FOR ALL: M63 Take 1: Rostrum Revolves + Descends | — | ||
| 2-43 | FREE FOR ALL: M64 Take 1: Pat In Red Chamber | — | ||
| 2-44 | FREE FOR ALL: M65 Take 3: P Dash From Maid, Motorboat Fight | — | ||
| 2-45 | FREE FOR ALL: M66 Take 1: Rover Takes Pat | — | ||
| 2-46 | FREE FOR ALL: M70 Take 1: Opening - Night Club Music | — | ||
| 2-47 | FREE FOR ALL: M70 Take 1: Night Club Music | — | ||
| 2-48 | FREE FOR ALL: M67 Take 1: Pat The Victor | — | ||
| 2-49 | FREE FOR ALL: M68 Take 3: P Shouts To Village + Beat Up | — | ||
| 2-50 | FREE FOR ALL: M69 Take 1: P Stretcher Back Home | — | ||
| 2-51 | HAMMER INTO ANVIL: M71 Take 1: Opening On Hospital. Girl In Bed | — | ||
| 2-52 | HAMMER INTO ANVIL: M72 Take 3: P Finds Girl Jump Out Of Window - Three Men Bring Pat In | — | ||
| 2-53 | HAMMER INTO ANVIL: M73 Take 1: Shopkeeper Reports To No 2 | — | ||
| 2-54 | HAMMER INTO ANVIL: M74 Take 1: Pat Follows No 2's Aide To Home | — | ||
| 2-55 | HAMMER INTO ANVIL: M75 Take 1: No 2 + Aide Follow P To Boat | — | ||
| 2-56 | HAMMER INTO ANVIL: M76 Take 1: Band's Version Of Bizet | — | ||
| 2-57 | HAMMER INTO ANVIL: M77 Take 1: P Walks By Graves | — | ||
| 2-58 | HAMMER INTO ANVIL: M85 Take 2: Two Versions 'Happy Birthday' | — | ||
| 2-59 | HAMMER INTO ANVIL: M78 Take 2 Wild: Break Conspiracy - Playout | — | ||
| 2-60 | HAMMER INTO ANVIL: M83 Take 1: Play In - Hammer | — | ||
| 2-61 | HAMMER INTO ANVIL: Osaka | — | ||
| 2-62 | HAMMER INTO ANVIL: Kabuki | — | ||
| 2-63 | HAMMER INTO ANVIL: Chappell's Changing Scenes No 3 - 5: Gong Crash | — | ||
| 2-64 | HAMMER INTO ANVIL: M84 Take 1: Plan Hatching | — | ||
| 2-65 | HAMMER INTO ANVIL: M79 Take 1: It's A Bomb | — | ||
| 2-66 | HAMMER INTO ANVIL: M80 Take 1: Cuckoo Phrase | — | ||
| 2-67 | HAMMER INTO ANVIL: M81 Take 2: P Sets Off Pigeon - Tracked + Killed | — | ||
| 2-68 | HAMMER INTO ANVIL: CM2 Wild Take 1 | — | ||
| 2-69 | HAMMER INTO ANVIL: M82 Take 2: Breakdown Of No 2. Playout | — | ||
| 3-1 | A1m1 Take 4: Arrival (extended opening titles) | — | ||
| 3-2 | CHECKMATE: Minuet In F | — | ||
| 3-3 | CHECKMATE: Orbit | — | ||
| 3-4 | CHECKMATE: W/T 2: Celeste Theme + Chords | — | ||
| 3-5 | CHECKMATE: Drumdramatics: No 3 - 2: Double Drumbeat - Crescendo | — | ||
| 3-6 | CHECKMATE: Harp Interludes Part 2 - 9: Intense - Dramatic | — | ||
| 3-7 | CHECKMATE: Without Hope (Aka Desolation) | — | ||
| 3-8 | CHECKMATE: Extra Drums | — | ||
| 3-9 | CHECKMATE: Faith | — | ||
| 3-10 | CHECKMATE: Attente [Waiting] | — | ||
| 3-11 | CHECKMATE: W/T 3: Celeste Chords | — | ||
| 3-12 | CHECKMATE: Spaceways | — | ||
| 3-13 | CHECKMATE: Zero Minus Sixty | — | ||
| 3-14 | DANCE OF THE DEAD: Pavane | — | ||
| 3-15 | DANCE OF THE DEAD: Drumdramatics: No 2 - 1: Music Box Effect | — | ||
| 3-16 | DANCE OF THE DEAD: Les Chats Dansent [The Cats Dance] | — | ||
| 3-17 | DANCE OF THE DEAD: Univers Sideral | — | ||
| 3-18 | DANCE OF THE DEAD: CM3 Wild Take 1 | — | ||
| 3-19 | DANCE OF THE DEAD: Lonely Flute | — | ||
| 3-20 | DANCE OF THE DEAD: Harpsichord Links 2: Slow Tempo | — | ||
| 3-21 | DANCE OF THE DEAD: Harpsichord For Drama No 1 - 3: Dramatic-Slow. Harpsichord, Bass And Drums | — | ||
| 3-22 | DANCE OF THE DEAD: Cue For Murder 2: Harpsichord | — | ||
| 3-23 | DANCE OF THE DEAD: Harpsichord For Drama No 1 - 4: Very Fast Jazz. Harpsichord, Bass And Drums | — | ||
| 3-24 | DANCE OF THE DEAD: Cue For Murder 1 | — | ||
| 3-25 | THE CHIMES OF BIG BEN: The Awkward Squad | — | ||
| 3-26 | THE CHIMES OF BIG BEN: "Pop Goes The Weasel" ("Pop-Weasel" - Piano) | — | ||
| 3-27 | THE CHIMES OF BIG BEN: Radio Location | — | ||
| 3-28 | THE CHIMES OF BIG BEN: A1m2 Take 2: From P Wake From Gassing To Taxi Girl | — | ||
| 3-29 | THE CHIMES OF BIG BEN: Berceuse A L'Enfant [Lullaby For A Child] | — | ||
| 3-30 | THE CHIMES OF BIG BEN: Birth Of Rover | — | ||
| 3-31 | THE CHIMES OF BIG BEN: Series One: 2: Romantic Theme With Sad Atmosphere | — | ||
| 3-32 | THE CHIMES OF BIG BEN: Here Comes The Band | — | ||
| 3-33 | THE CHIMES OF BIG BEN: Forêt Tropicale [Tropical Forest] | — | ||
| 3-34 | THE CHIMES OF BIG BEN: National Unity March | — | ||
| 3-35 | THE CHIMES OF BIG BEN: Smiles 'n' Chuckles | — | ||
| 3-36 | THE CHIMES OF BIG BEN: Ionosphere | — | ||
| 3-37 | THE SCHIZOID MAN: Complainte [Lament] | — | ||
| 3-38 | IT'S YOUR FUNERAL: M39a Take 3: P's Historic Recital | — | ||
| 3-39 | IT'S YOUR FUNERAL: M89 Take 2: Funeral Fanfare | — | ||
| 3-40 | A CHANGE OF MIND: Enfer [Hell] | — | ||
| 3-41 | MANY HAPPY RETURNS: Ocean | — | ||
| 4-1 | THE CHIMES OF BIG BEN: The Awkward Squad | — | ||
| 4-2 | THE CHIMES OF BIG BEN: "Pop Goes The Weasel" ("Pop-Weasel" - Piano) | — | ||
| 4-3 | THE CHIMES OF BIG BEN: Radio Location | — | ||
| 4-4 | THE CHIMES OF BIG BEN: A1m2 Take 2: From P Wake From Gassing To Taxi Girl | — | ||
| 4-5 | THE CHIMES OF BIG BEN: Berceuse A L'Enfant [Lullaby For A Child] | — | ||
| 4-6 | THE CHIMES OF BIG BEN: Birth Of Rover | — | ||
| 4-7 | THE CHIMES OF BIG BEN: Series One: 2: Romantic Theme With Sad Atmosphere | — | ||
| 4-8 | THE CHIMES OF BIG BEN: Here Comes The Band | — | ||
| 4-9 | THE CHIMES OF BIG BEN: Forêt Tropicale [Tropical Forest] | — | ||
| 4-10 | THE CHIMES OF BIG BEN: National Unity March | — | ||
| 4-11 | THE CHIMES OF BIG BEN: Smiles 'n' Chuckles | — | ||
| 4-12 | THE CHIMES OF BIG BEN: Ionosphere | — | ||
| 4-13 | THE SCHIZOID MAN: Complainte [Lament] | — | ||
| 4-14 | IT'S YOUR FUNERAL: M39a Take 3: P's Historic Recital | — | ||
| 4-15 | IT'S YOUR FUNERAL: M89 Take 2: Funeral Fanfare | — | ||
| 4-16 | A CHANGE OF MIND: Enfer [Hell] | — | ||
| 4-17 | MANY HAPPY RETURNS: Ocean | — | ||
| 4-18 | DO NOT FORSAKE ME OH MY DARLING: M107 Take 1: Opening 'Bonnie' phrase | — | ||
| 4-19 | DO NOT FORSAKE ME OH MY DARLING: M108 Take 2 - 'It Won't Be Long Now' | — | ||
| 4-20 | DO NOT FORSAKE ME OH MY DARLING: M95 Take 3 - Wake up + discovery | — | ||
| 4-21 | DO NOT FORSAKE ME OH MY DARLING: M96 Take 2 - Janet arrives - Mirror Smash | — | ||
| 4-22 | DO NOT FORSAKE ME OH MY DARLING: M97 Take 1 - Janet sees her father [unused cue] | — | ||
| 4-23 | DO NOT FORSAKE ME OH MY DARLING: M98 Take 1 - Superior official inspects P | — | ||
| 4-24 | DO NOT FORSAKE ME OH MY DARLING: M99 Take 1 - No use - P away from office + funeral man | — | ||
| 4-25 | DO NOT FORSAKE ME OH MY DARLING: Uptown Jazz | — | ||
| 4-26 | DO NOT FORSAKE ME OH MY DARLING: Hipster | — | ||
| 4-27 | DO NOT FORSAKE ME OH MY DARLING: The Dark Room | — | ||
| 4-28 | DO NOT FORSAKE ME OH MY DARLING: M100 Take 1 - P in garden with Janet | — | ||
| 4-29 | DO NOT FORSAKE ME OH MY DARLING: M101 Take 2 - P collects photos | — | ||
| 4-30 | DO NOT FORSAKE ME OH MY DARLING: M102 Take 1 - P fits slides into projector | — | ||
| 4-31 | DO NOT FORSAKE ME OH MY DARLING: M103 Take 2 - KANDERSFELT! | — | ||
| 4-32 | DO NOT FORSAKE ME OH MY DARLING: Café Au Lait | — | ||
| 4-33 | DO NOT FORSAKE ME OH MY DARLING: Swiss Polka | — | ||
| 4-34 | DO NOT FORSAKE ME OH MY DARLING: M104 Take 2 - P + Prof in barbershop | — | ||
| 4-35 | DO NOT FORSAKE ME OH MY DARLING: M105 Take 1 - Potter towards shop | — | ||
| 4-36 | DO NOT FORSAKE ME OH MY DARLING: M109 Take 1 - Ah Colonel! | — | ||
| 4-37 | DO NOT FORSAKE ME OH MY DARLING: M106 Take 3 - Prof dies | — | ||
| 4-38 | LIVING IN HARMONY: 1M1 Take 3 - P resigns, is punched up | — | ||
| 4-39 | LIVING IN HARMONY: 1M1A Take 1 - P brought into 'Harmony' | — | ||
| 4-40 | LIVING IN HARMONY: 1M2 Take 2 - P socks the kid | — | ||
| 4-41 | LIVING IN HARMONY: 1M3 Take 4 - P rejects Judge's proposition | — | ||
| 4-42 | LIVING IN HARMONY: 2M1 Take 1 - Kid looks after P in cell. Playout [unused cue] | — | ||
| 4-43 | LIVING IN HARMONY: 2M2 Take 2 - P in jail, kid on guard plays cat + mouse | — | ||
| 4-44 | LIVING IN HARMONY: W/T M6 Take 1 - Honky Tonk Slow | — | ||
| 4-45 | LIVING IN HARMONY: Honky Tonk Extra Roll: Slow | — | ||
| 4-46 | LIVING IN HARMONY: 3M1 Take 2 - P leaves town, is lassoed + brought back | — | ||
| 4-47 | LIVING IN HARMONY: 3M2 Take 1 - Kathy is tried + judged | — | ||
| 4-48 | LIVING IN HARMONY: 3M3 Take 2 - Kid shoots P's cheek + hand | — | ||
| 4-49 | LIVING IN HARMONY: 3M4 Take 1 - Kid watches Kathy Pace | — | ||
| 4-50 | LIVING IN HARMONY: 3M5 Take 2: Kid lets Kathy out of jail | — | ||
| 4-51 | LIVING IN HARMONY: 4M1 Take 2 - The big unarmed fight | — | ||
| 4-52 | LIVING IN HARMONY: W/T M5 Take 1 - Honky Tonk Medium | — | ||
| 4-53 | LIVING IN HARMONY: Honky Tonk Extra Roll - Fast (First) | — | ||
| 4-54 | LIVING IN HARMONY: 4M2 Take 1 - After Kid has shot Willy, Pat enters [unused cue] | — | ||
| 4-55 | LIVING IN HARMONY: 5M1 Take 2 - Dead man at Pat's desk [unused cue] | — | ||
| 4-56 | LIVING IN HARMONY: 5M2 Take 1 - P collects an extra horse | — | ||
| 4-57 | LIVING IN HARMONY: 5M3 Take 1 - Kid strangles Kathy | — | ||
| 4-58 | LIVING IN HARMONY: 5M4 Take 1 - P discovers Kathy dead | — | ||
| 4-59 | LIVING IN HARMONY: 6M1 Take 4 - P shoots Kid | — | ||
| 4-60 | LIVING IN HARMONY: 6M2 Take 1 - Kid falls to ground | — | ||
| 4-61 | LIVING IN HARMONY: 6M3 Take 1 - Five seconds | — | ||
| 4-62 | LIVING IN HARMONY: 6M4 Take 3 - P discovers he's in village | — | ||
| 4-63 | LIVING IN HARMONY: 6M5 Take 3 - Kid strangles Kathy, then dies | — | ||
| 4-64 | LIVING IN HARMONY: Leads In + Out: 3 [sting accompanying commercial break bumpers leading out of act] | — | ||
| 5-1 | Leads In + Out: 2 [sting accompanying commercial break bumpers leading into act] | — | ||
| 5-2 | THE GIRL WHO WAS DEATH: Dramatic Harpsichord Links - 2: Slow, ominous | — | ||
| 5-3 | THE GIRL WHO WAS DEATH: Blast Off | — | ||
| 5-4 | THE GIRL WHO WAS DEATH: Psychedlic Portrait | — | ||
| 5-5 | THE GIRL WHO WAS DEATH: The Whistler (aka Le Siffleur) | — | ||
| 5-6 | THE GIRL WHO WAS DEATH: Stings 9: Shivers, 3 mounting chords | — | ||
| 5-7 | THE GIRL WHO WAS DEATH: Marche Rythmique (Rhythmic March) | — | ||
| 5-8 | THE GIRL WHO WAS DEATH: Arabian Market | — | ||
| 5-9 | THE GIRL WHO WAS DEATH: Fête Foraine [Fairground] | — | ||
| 5-10 | THE GIRL WHO WAS DEATH: Harpsichord Links 3: Slow tempo | — | ||
| 5-11 | THE GIRL WHO WAS DEATH: Flashes vii: Fantôme de Service [Ghost Service] | — | ||
| 5-12 | THE GIRL WHO WAS DEATH: Stac-Flat | — | ||
| 5-13 | THE GIRL WHO WAS DEATH: Bring on the Girls | — | ||
| 5-14 | THE GIRL WHO WAS DEATH: Chasse a Courre [Hunting with Hounds] | — | ||
| 5-15 | THE GIRL WHO WAS DEATH: Psychedelia | — | ||
| 5-16 | THE GIRL WHO WAS DEATH: Fond Des Mers [Bottom Of The Sea] | — | ||
| 5-17 | THE GIRL WHO WAS DEATH: Drumnastics No 1 - 2: Crisis | — | ||
| 5-18 | THE GIRL WHO WAS DEATH: 1er Concert: b) Adante | — | ||
| 5-19 | THE GIRL WHO WAS DEATH: Drumdramatics: No 2 - 3: Death Knell; chimes and drumbeat | — | ||
| 5-20 | THE GIRL WHO WAS DEATH: Catch That Man! | — | ||
| 5-21 | THE GIRL WHO WAS DEATH: Drumdramatics: No 1 - 5: Side Drum Roll; Continuous | — | ||
| 5-22 | THE GIRL WHO WAS DEATH: Irish Harp Themes - 1: Londonderry Air | — | ||
| 5-23 | THE GIRL WHO WAS DEATH: They Are Coming | — | ||
| 5-24 | THE GIRL WHO WAS DEATH: Drumdramatics: No 1 - 6: Tympani Roll; continuous | — | ||
| 5-25 | THE GIRL WHO WAS DEATH: Stings - 3: Ominous, 4 mounting chords | — | ||
| 5-26 | FALL OUT: Drumdramatics: No 1 - 1: Rolling Tympani with beat | — | ||
| 5-27 | FALL OUT: Drumnastics No 3 - 3: Reverse space waves | — | ||
| 5-28 | FALL OUT: September Ballad | — | ||
| 5-29 | FALL OUT: W/T M3 Take 1 - Dry Bones | — | ||
| 5-30 | FALL OUT: Lost In Atlantis | — | ||
| 5-31 | FALL OUT: Marche Funèbre (Funeral Parade) | — | ||
| 5-32 | FALL OUT: Lunar Landscape | — | ||
| 5-33 | FALL OUT: Rag March | — | ||
| 5-34 | FALL OUT: W/T 1 - Low Timp - Slow | — | ||
| 5-35 | FALL OUT: Toccata | — | ||
| 5-36 | FALL OUT: End Titles | — | ||
| 5-37 | FALL OUT: W/T M1 Take 1: Dry Bones [Alternate and unused takes and sound effects] | — | ||
| 5-38 | FALL OUT: W/T M2 Take 1: Dry Bones [Alternate and unused takes and sound effects] | — | ||
| 5-39 | FALL OUT: W/T M4 Take 3: Dry Bones [Alternate and unused takes and sound effects] | — | ||
| 6-1 | Leads In + Out: 2 [Sting Accompanying Commercial Break Bumpers Leading Into Act] | — | ||
| 6-2 | THE GIRL WHO WAS DEATH: Dramatic Harpsichord Links - 2: Slow, Ominous | — | ||
| 6-3 | THE GIRL WHO WAS DEATH: Blast Off | — | ||
| 6-4 | THE GIRL WHO WAS DEATH: Psychedlic Portrait | — | ||
| 6-5 | THE GIRL WHO WAS DEATH: The Whistler (aka Le Siffleur) | — | ||
| 6-6 | THE GIRL WHO WAS DEATH: Stings 9: Shivers, 3 Mounting Chords | — | ||
| 6-7 | THE GIRL WHO WAS DEATH: Marche Rythmique (Rhythmic March) | — | ||
| 6-8 | THE GIRL WHO WAS DEATH: Arabian Market | — | ||
| 6-9 | THE GIRL WHO WAS DEATH: Fête Foraine [Fairground] | — | ||
| 6-10 | THE GIRL WHO WAS DEATH: Harpsichord Links 3: Slow Tempo | — | ||
| 6-11 | THE GIRL WHO WAS DEATH: Flashes Vii: Fantôme de Service [Ghost Service] | — | ||
| 6-12 | THE GIRL WHO WAS DEATH: Stac-Flat | — | ||
| 6-13 | THE GIRL WHO WAS DEATH: Bring on the Girls | — | ||
| 6-14 | THE GIRL WHO WAS DEATH: Chasse a Courre [Hunting with Hounds] | — | ||
| 6-15 | THE GIRL WHO WAS DEATH: Psychedelia | — | ||
| 6-16 | THE GIRL WHO WAS DEATH: Fond Des Mers [Bottom of the Sea] | — | ||
| 6-17 | THE GIRL WHO WAS DEATH: Drumnastics No 1 - 2: Crisis | — | ||
| 6-18 | THE GIRL WHO WAS DEATH: 1er Concert: B) Adante | — | ||
| 6-19 | THE GIRL WHO WAS DEATH: Drumdramatics: No 2 - 3: Death Knell; Chimes and Drumbeat | — | ||
| 6-20 | THE GIRL WHO WAS DEATH: Catch That Man! | — | ||
| 6-21 | THE GIRL WHO WAS DEATH: Drumdramatics: No 1 - 5: Side Drum Roll; Continuous | — | ||
| 6-22 | THE GIRL WHO WAS DEATH: Irish Harp Themes - 1: Londonderry Air | — | ||
| 6-23 | THE GIRL WHO WAS DEATH: They Are Coming | — | ||
| 6-24 | THE GIRL WHO WAS DEATH: Drumdramatics: No 1 - 6: Tympani Roll; Continuous | — | ||
| 6-25 | THE GIRL WHO WAS DEATH: Stings - 3: Ominous, 4 Mounting Chords | — | ||
| 6-26 | FALL OUT: Drumdramatics: No 1 - 1: Rolling Tympani With Beat | — | ||
| 6-27 | FALL OUT: Drumnastics No 3 - 3: Reverse Space Waves | — | ||
| 6-28 | FALL OUT: September Ballad | — | ||
| 6-29 | FALL OUT: W/T M3 Take 1 - Dry Bones | — | ||
| 6-30 | FALL OUT: Lost in Atlantis | — | ||
| 6-31 | FALL OUT: Marche Funèbre (Funeral Parade) | — | ||
| 6-32 | FALL OUT: Lunar Landscape | — | ||
| 6-33 | FALL OUT: Rag March | — | ||
| 6-34 | FALL OUT: W/T 1 - Low Timp - Slow | — | ||
| 6-35 | FALL OUT: Toccata | — | ||
| 6-36 | FALL OUT: End Titles | — | ||
| 6-37 | FALL OUT: W/T M1 Take 1: Dry Bones [alternate and Unused takes and Sound Effects] | — | ||
| 6-38 | FALL OUT: W/T M2 Take 1: Dry Bones [alternate and Unused takes and Sound Effects] | — | ||
| 6-39 | FALL OUT: W/T M4 Take 3: Dry Bones [alternate and Unused takes and Sound Effects] | — | ||
| 6-40 | Arrival (Robert Farnon Theme and Score): A1m1 Take 4: First Titles Section (Car Over Westminster Bridge to Door of Boss's Office) | — | ||
| 6-41 | Arrival (Robert Farnon Theme and Score): A1m1a Take 3: Second Title Section (From Boss's Office to Gassing) | — | ||
| 6-42 | Arrival (Robert Farnon Theme and Score): A1m1b Take 9: Third Title Section (P Wake to Ext Village) | — | ||
| 6-43 | Arrival (Robert Farnon Theme and Score): A2m1 Take 4: Prisoner About to Enter No 2's House for 1st Time - Pop Goes the Weasel | — | ||
| 6-44 | Arrival (Robert Farnon Theme and Score): Sup/Imp Secion X 2 | — | ||
| 6-45 | Arrival (Robert Farnon Theme and Score): A2m4 Take 3: Helicopter Descends After No 2 Tour With P Round Village, Old Peoples Home | — | ||
| 6-46 | Arrival (Robert Farnon Theme and Score): A3m2 Take 2: Birth of Rover | — | ||
| 6-47 | Arrival (Robert Farnon Theme and Score): A6m7 Take 1: End Act | — | ||
| 6-48 | Arrival (Robert Farnon Theme and Score): A6m6 Take 5: Open Act | — | ||
| 6-49 | Arrival (Robert Farnon Theme and Score): A4m2 Take 1: P Out of House, Gardener (Identical), Bushes, Rover, Control, Arrive at Beach | — | ||
| 6-50 | Arrival (Robert Farnon Theme and Score): A4m3 Take 3: Beach Fight - Rover Overcomes Prisoner | — | ||
| 6-51 | Arrival (Robert Farnon Theme and Score): A4m4 Take 8: "Boys + Girls Come Out to Play" | — | ||
| 6-52 | Arrival (Robert Farnon Theme and Score): 1-9: 'Pop' Three ("Pop-Weasel" - piano, Cymbal Etc) | — | ||
| 6-53 | Arrival (Robert Farnon Theme and Score): A6m1 Take 2: "What Shall We Do With a Drunken Sailor?" | — | ||
| 6-54 | Arrival (Robert Farnon Theme and Score): A6m3a Take 6: No 2 Orders, Take Over of Helicopter as P Tries to Escape | — | ||
| 6-55 | Arrival (Robert Farnon Theme and Score): A1m1c Take 3: Gate Clang, Comm In-Out | — | ||
| 6-56 | Arrival (Robert Farnon Theme and Score): A6m5 Take 1: End Credits | — | ||
| 6-57 | Arrival (Wilfred Josephs Theme and Score): A1m1a Take 4: Main Titles Part 1 - Westminster Bridge to Door | — | ||
| 6-58 | Arrival (Wilfred Josephs Theme and Score): A1m1b Take 1: Main Titles Part 2 - Boss's Door to Gassing | — | ||
| 6-59 | Arrival (Wilfred Josephs Theme and Score): A1m2 Take 2: From P Wake From Gassing to Taxi Girl | — | ||
| 6-60 | Arrival (Wilfred Josephs Theme and Score): A1m7 Take 1: "Welcome Home" Card | — | ||
| 6-61 | Arrival (Wilfred Josephs Theme and Score): A2m2 Take 1: P Goes Into No 2's Office First Time | — | ||
| 6-62 | Arrival (Wilfred Josephs Theme and Score): A3m2 Take 2: Birth of Rover | — | ||
| 6-63 | Arrival (Wilfred Josephs Theme and Score): A3m4 Take 1: P Smashes Toy After Test in Labour Exc | — | ||
| 6-64 | Arrival (Wilfred Josephs Theme and Score): A4m2 Take 4: P Out, Gardener, Rover, TV, Beach | — | ||
| 6-65 | Arrival (Wilfred Josephs Theme and Score): A4m4 Take 1: WJ Version "Boys + Girls" | — | ||
| 6-66 | Arrival (Wilfred Josephs Theme and Score): A5m1 Take 1: Through Alarm Bell "Cobb Dead" | — | ||
| 6-67 | Arrival (Wilfred Josephs Theme and Score): A5m2 Take 2: P Out Hospital, Cards, Taxi, No 2's Office | — | ||
| 6-68 | Arrival (Wilfred Josephs Theme and Score): A5m3 Take 2: Radezsky [Sic] March (Johann Strauss) | — | ||
| 6-69 | ARRIVAL (Wilfred Josephs Theme and Score): A6M1 Take 2 - "What Shall We Do With Drunken Sailor?" [References Drunken Sailor] | — | ||
| 6-70 | Arrival (Wilfred Josephs Theme and Score): A6m2 Take 4: P Leaves Girls, Gets to Helicopter | — | ||
| 6-71 | Arrival (Wilfred Josephs Theme and Score): A6m3 Take 1: Take Over of Helicopter | — | ||
| 6-72 | Arrival (Wilfred Josephs Theme and Score): A6m4 Take 2: Prisoner Out Helicopter, Rover, "Residents Only" | — | ||
| 6-73 | Arrival (Wilfred Josephs Theme and Score): A6m5 Take 4: End Credits | — | ||
| 6-74 | Original Edit Library Tracks: ARRIVAL: Holiday for Drums | — | ||
| 6-75 | Original Edit Library Tracks: THE CHIMES OF BIG BEN: UFO | — | ||
| 6-76 | Original Edit Library Tracks: THE CHIMES OF BIG BEN: Prelude to Doom | — | ||
| 6-77 | Original Edit Library Tracks: THE CHIMES OF BIG BEN: The Lathe | — | ||
| 6-78 | Ron Grainer Theme: The Age of Elegance | — | ||
| 6-79 | Ron Grainer Theme: The Age of Elegance: Part 2 | — | ||
| 6-80 | Ron Grainer Theme: A1m1 Take 1: Arrival | — | ||
| 6-81 | Ron Grainer Theme: A1m1 Take 2: Arrival | — | ||
| 6-82 | Ron Grainer Theme: A1m1 Take 3: Arrival | — | ||
| 6-83 | Ron Grainer Theme: A1m1 Take 5: Arrival | — | ||
| 6-84 | Ron Grainer Theme: B1m1 Take 5: Standard | — | ||
| 6-85 | Ron Grainer Theme: Leads In + Out: 1 | — | ||
| 6-86 | Ron Grainer Theme: Twangs on Guitar | — | ||
| 6-87 | Alternate and Unused Takes and Sound Effects - A. B. AND C.: M19 Take 1 - Walk Down French Street (Western Style) | — | ||
| 6-88 | Alternate and Unused Takes and Sound Effects - A. B. AND C.: M31 Take 1 - Warning to No. 14 | — | ||
| 6-89 | Alternate and Unused Takes and Sound Effects - A. B. AND C.: M Tannoy Take 1 - Tannoy Preamble [References Girls and Boys Come Out to Play] | — | ||
| 6-90 | Alternate and Unused Takes and Sound Effects - THE GENERAL: M38 Take 1 - Speed Chimes 'a' | — | ||
| 6-91 | Alternate and Unused Takes and Sound Effects - THE GENERAL: M60 Take 1 - Drums Various | — | ||
| 6-92 | Alternate and Unused Takes and Sound Effects - THE GENERAL: M65 Take 1 - P Dash From Maid, Motorboat Fight | — | ||
| 6-93 | Alternate and Unused Takes and Sound Effects - THE GENERAL: M68 Take 1 - Prisoner Shouts to Village/Beat Up | — | ||
| 6-94 | Alternate and Unused Takes and Sound Effects - THE GENERAL: M68 Take 2 - Prisoner Shouts to Village/Beat Up | — | ||
| 6-95 | Alternate and Unused Takes and Sound Effects - HAMMER INTO ANVIL: M72 Take 2 - P Finds Girl Jump Out of Window - Three Men Bring Pat In | — | ||
| 6-96 | Alternate and Unused Takes and Sound Effects - HAMMER INTO ANVIL: Tannoy Take 1 - Chimes | — | ||
| 6-97 | Alternate and Unused Takes and Sound Effects - HAMMER INTO ANVIL: M78 Take 1 - Break Conspiracy - Playout | — | ||
| 6-98 | Alternate and Unused Takes and Sound Effects - HAMMER INTO ANVIL: M81 Take 1 - P Sets Off Pigeon - Tracked + Killed | — | ||
| 6-99 | Alternate and Unused Takes and Sound Effects - HAMMER INTO ANVIL: M86 Take 1 - 'Happy Birthday' Ironic Sting | — | ||
| 6-100 | Alternate and Unused Takes and Sound Effects - HAMMER INTO ANVIL: M87 Take 2 - 'Happy Birthday' Soft Sting | — | ||
| 6-101 | Alternate and Unused Takes and Sound Effects - HAMMER INTO ANVIL: M88 Take 1 - 'Happy Birthday' Sharp Sting | — | ||
| 6-102 | Alternate and Unused Takes and Sound Effects - Unspecified: M91 Take 1 - Drums | — | ||
| 6-103 | Alternate and Unused Takes and Sound Effects - Unspecified: M91 Take 2 - Drums | — | ||
| 6-104 | Alternate and Unused Takes and Sound Effects - Unspecified: M92 Take 1 - Drums | — | ||
| 6-105 | Alternate and Unused Takes and Sound Effects - LIVING IN HARMONY: Honky Tonk Extra Roll: Fast (Second) | — | ||
| 6-106 | Alternate and Unused Takes and Sound Effects - ARRIVAL: 1-1 - Rover (Timpani + Bass) | — | ||
| 6-107 | Alternate and Unused Takes and Sound Effects - ARRIVAL: 1-2 - Theme One (Timp + piano Strings) | — | ||
| 6-108 | Alternate and Unused Takes and Sound Effects - ARRIVAL: 1-3 - Big Brother (Singing Timpani) | — | ||
| 6-109 | Alternate and Unused Takes and Sound Effects - ARRIVAL: 1-4 - Jaws Singing Harp (Jaws Harp - Normal Speed) | — | ||
| 6-110 | Alternate and Unused Takes and Sound Effects - ARRIVAL: 1-5 - Screams (Siren Whistle) | — | ||
| 6-111 | Alternate and Unused Takes and Sound Effects - ARRIVAL: 1-6 - Frantic Jaws Harp (Jaws Harp - Half Speed) | — | ||
| 6-112 | Alternate and Unused Takes and Sound Effects - ARRIVAL: 1-8 - "Pop" Two ("Pop-Weasel" - piano, Block, Snare Drum) | — | ||
| 6-113 | Alternate and Unused Takes and Sound Effects - ARRIVAL: 1-10 - Secondary Theme - Jazz - Slow Tempo | — | ||
| 6-114 | Alternate and Unused Takes and Sound Effects - ARRIVAL: 1-11 - Secondary Theme - Jazz - Fast Tempo | — | ||
| 6-115 | Alternate and Unused Takes and Sound Effects - ARRIVAL: 1-12 - "Pop Goes the Weasel" - Jazz (Most Orchestrated) | — | ||
| 6-116 | Alternate and Unused Takes and Sound Effects - ARRIVAL: W/T 1 - Low Timp - More Menace | — | ||
| 6-117 | Alternate and Unused Takes and Sound Effects - ARRIVAL: W/T 1 - Small Timp - Slow | — | ||
| 6-118 | Alternate and Unused Takes and Sound Effects - ARRIVAL: W/T 1 - Small Timp - More Menace | — | ||
| 6-119 | Alternate and Unused Takes and Sound Effects - ARRIVAL: W/T 1 - Large Timp - Single Beats | — | ||
| 6-120 | Alternate and Unused Takes and Sound Effects - ARRIVAL: W/T 2 - Piano + Triangle Constant | — | ||
| 6-121 | Alternate and Unused Takes and Sound Effects - ARRIVAL: W/T 3 - Cymbal Various | — | ||
| 6-122 | Alternate and Unused Takes and Sound Effects - ARRIVAL: A4M4 Take 3 - "Boys + Girls Come Out to Play" | — | ||
| 6-123 | Alternate and Unused Takes and Sound Effects - ARRIVAL: W/T 1 - High Whine Violin | — | ||
| 6-124 | Alternate and Unused Takes and Sound Effects - ARRIVAL: W/T 4 - Flexatone | — | ||
| 6-125 | Alternate and Unused Takes and Sound Effects - ARRIVAL: Flexatone | — | ||
| 6-126 | Alternate and Unused Takes and Sound Effects - ARRIVAL: W/T 5 - Bass Drums FX | — |
Songwriters/Publishers (IPI)
Credits Graph
5027626904944 is a Universal Product Code (UPC) assigned to The Prisoner 50th Anniversary Edition: Original Soundtrack by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 408 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Prisoner 50th Anniversary Edition: Original Soundtrack” by Various Artists is 5027626904944. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Network (5). This release contains 408 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | ARRIVAL: A1m1 Take 6 Arrival | — | ||
| 2 | ARRIVAL: A1m2 Take 4 Arrival | — | ||
| 3 | ARRIVAL: M90 Take 1 Arrival Eerie BG | — | ||
| 4 | ARRIVAL: Experiments In Space Part 2-4 Malus | — | ||
| 5 | ARRIVAL: Party Dress | — | ||
| 6 | ARRIVAL: A1m7 Take 1 Welcome Home Card | — | ||
| 7 | ARRIVAL: A2m1 Take 4 Pop Goes The Weasel | — | ||
| 8 | ARRIVAL: A2m2 Take 1 P Goes Into No2's Office | — | ||
| 9 | ARRIVAL: Industrial Vortex | — | ||
| 10 | ARRIVAL: A2m4 Take 3 Helicopter Lands After No2 Tour With P | — | ||
| 11 | ARRIVAL: A3m4 Take 1 P Smashes Toy After Test In Labour Exchange | — | ||
| 12 | ARRIVAL: Moon Lullaby | — | ||
| 13 | ARRIVAL: Petite Valse De Concert (Little Concert Waltz) | — | ||
| 14 | ARRIVAL: A4m2 Take 3 P Out Of House, Gardener (Iidentical), Bushes, Rover, Control, Arrive At Beach | — | ||
| 15 | ARRIVAL: A4m3 Take 3 Beach Fight - Rover Overcomes Prisoner | — | ||
| 16 | ARRIVAL: A4m4 Take 8 Boys & Girls Come Out To Play | — | ||
| 17 | ARRIVAL: A5m1 Take 1 Through Alarm Bell "Cobb Dead" | — | ||
| 18 | ARRIVAL: A5m2 Take 2 P Out Of Hospital, Cards, Taxi, No 2's Office. | — | ||
| 19 | ARRIVAL: A5m3 Take 2 Radezsky (Sic) March | — | ||
| 20 | ARRIVAL: Freedom Of The City | — | ||
| 21 | ARRIVAL: Double X | — | ||
| 22 | ARRIVAL: 1-9 "Pop" Three (Pop Weasel - Piano, Symbol, Trill, Drum | — | ||
| 23 | ARRIVAL: A6m1 Take 2 What Shall We Do With A Drunken Sailor | — | ||
| 24 | ARRIVAL: A6m2 Take 4 P Leaves Girl, Gets To Helicopter | — | ||
| 25 | ARRIVAL: A6m3a Take 2 No2 Orders, Take Over Of Helicopter As P Tries To Escape | — | ||
| 26 | ARRIVAL: A6m4 Take 2 P Out Of Helicopter, Rover, Residents Only | — | ||
| 27 | ONCE UPON A TIME: Almeria | — | ||
| 28 | ONCE UPON A TIME: M13 Take 2 Degree Absolute! | — | ||
| 29 | ONCE UPON A TIME: M1 Take 3 Sleep Music | — | ||
| 30 | ONCE UPON A TIME: M2 Take 1 Go For Walkies | — | ||
| 31 | ONCE UPON A TIME: M15 Take 1 Light Stings | — | ||
| 32 | ONCE UPON A TIME: M33 Take 1 Short Nursery Phrase Boys & Girls | — | ||
| 33 | ONCE UPON A TIME: M2 Take 1 Schooldays/Graduation Day | — | ||
| 34 | ONCE UPON A TIME: M5 Take 2 Head's Study (Organ) | — | ||
| 35 | ONCE UPON A TIME: M2 Take 3 Struggle | — | ||
| 36 | ONCE UPON A TIME: M16 Take 1 Light On & Off "I Thnk I'm Beginning To Like Him." | — | ||
| 37 | ONCE UPON A TIME: M10 Take 2 Pat Enters Secret Service | — | ||
| 38 | ONCE UPON A TIME: M12 Take 1 Court Of Justice | — | ||
| 39 | ONCE UPON A TIME: Off Beat Moods Part 1-3 Dramatic, Sustained | — | ||
| 40 | ONCE UPON A TIME: M14 Take 1 Kill Me! | — | ||
| 41 | ONCE UPON A TIME: M11 Take 2 German POW March | — | ||
| 42 | ONCE UPON A TIME: M6 Take 1 Serious Organ | — | ||
| 43 | ONCE UPON A TIME: M7 Take 1 Light Organ | — | ||
| 44 | ONCE UPON A TIME: M8 Take 1 Clock - Only 2 Mins | — | ||
| 45 | ONCE UPON A TIME: M9 Take 1 Aftermath - Deserted Nursery | — | ||
| 46 | A, B & C: M32 Take 2 No 1 Menace | — | ||
| 47 | A, B & C: M31 Take 2 Warning To No14 | — | ||
| 48 | A, B & C: M26 Take 1 P Sees No14 On Screen | — | ||
| 49 | A, B & C: M28 Take P Enters Dream | — | ||
| 50 | A, B & C: Capricieuse (Capricious) | — | ||
| 51 | A, B & C: M17 Take 3 Fight 'a' | — | ||
| 52 | A, B & C: Berceuse Pour Isabelle (Lullaby For Isabelle) | — | ||
| 53 | A, B & C: Promenade Dans Paris: Rue De La Paix (Walk In Paris: Rue De La Paix) | — | ||
| 54 | A, B & C: Eastside 2 Suspense In Rhythm | — | ||
| 55 | A, B & C: M22 Take 1 Dance Of P And 'b' Waltz | — | ||
| 56 | A, B & C: M18 Take 2 Fight B | — | ||
| 57 | A, B & C: M30 Take 2 Mark On Wrist | — | ||
| 58 | A, B & C: M23 Take 2 Following Number 14 Ending Strings | — | ||
| 59 | A, B & C: M21 Take 1 Discovery In Laboratory | — | ||
| 60 | A, B & C: M29 Take 1 Be Seeing You | — | ||
| 61 | A, B & C: Lullaby | — | ||
| 62 | A, B & C: Bienvenue Mister Jones (Welcome Mister Jones) | — | ||
| 63 | A, B & C: M25 Take 1 Conga | — | ||
| 64 | A, B & C: Promenade Dans Paris: 'Bords De La Seine (Walk In Paris: Bords De La Seine) | — | ||
| 65 | A, B & C: M27 Take 1 P Convulses On Stretcher | — | ||
| 66 | A, B & C: M24a Take 1 Can Can | — | ||
| 67 | A, B & C: M24 Take 1 Nightmare Noise To Accompany Can Can | — | ||
| 68 | A, B & C: M19 Take 2 Walk Down French Street (Western Style) Unused Cue | — | ||
| 69 | A, B & C: M20 Take 1 Off Mask + Defeat No 2 | — | ||
| 2-1 | Opening Titles: B1m1 Take 7: Standard | — | ||
| 2-2 | Opening Titles: B1m2 Take 2: Standard | — | ||
| 2-3 | THE GENERAL: M33 Take 4: Intro To Village | — | ||
| 2-4 | THE GENERAL: M34 Take 1: Prisoner Suspicious Of No 12 | — | ||
| 2-5 | THE GENERAL: M35 Take 2: Chase Professor + Discover Radio | — | ||
| 2-6 | THE GENERAL: M36 Take 1: Prof Falls Down. Sting | — | ||
| 2-7 | THE GENERAL: M37 Take 2: P In Buggy Taken Home | — | ||
| 2-8 | THE GENERAL: New Tannoy Take 1 | — | ||
| 2-9 | THE GENERAL: M38a Take 1: Speed Chimes 'b' (Longer) | — | ||
| 2-10 | THE GENERAL: Drumdramatics: No 2 - 4: Dream Vibrato, Rising And Falling | — | ||
| 2-11 | THE GENERAL: Electro Mind | — | ||
| 2-12 | THE GENERAL: M39 Take 1: P's Historic Recital | — | ||
| 2-13 | THE GENERAL: M42a Take 1: Destroy General (Alternative Without Guitar) | — | ||
| 2-14 | THE GENERAL: M41 Take 1: P Discovers Radio Gone | — | ||
| 2-15 | THE GENERAL: M42 Take 1: Destroy General | — | ||
| 2-16 | THE GENERAL: M43a Take 1: Band Plays Waltz | — | ||
| 2-17 | THE GENERAL: A4m4 Take 1: WJ Version 'Boys + Girls' | — | ||
| 2-18 | THE GENERAL: M44 Take 1: P Enters Interior Prof's House | — | ||
| 2-19 | THE GENERAL: M45 Take 1: The Two Busts | — | ||
| 2-20 | THE GENERAL: M46 Take 1: P Strikes Professor | — | ||
| 2-21 | THE GENERAL: M47 Take 2: Track To P's Bust | — | ||
| 2-22 | THE GENERAL: M47a Take 1: Carnival | — | ||
| 2-23 | THE GENERAL: M48 Take 1: 'Report!' Dramatic Playout | — | ||
| 2-24 | THE GENERAL: M49 Take 1: Sweet Village Music | — | ||
| 2-25 | THE GENERAL: M50 Take 1: Officials Assemble | — | ||
| 2-26 | THE GENERAL: M51 Take 2: Micro-Lectures | — | ||
| 2-27 | THE GENERAL: M52 Take 1: P Joins Cue | — | ||
| 2-28 | THE GENERAL: M53 Take 3: Hand Call, Clobber | — | ||
| 2-29 | THE GENERAL: M54 Take 1: Move In Closer | — | ||
| 2-30 | THE GENERAL: M55 Take 1: P Clobbered. Sting | — | ||
| 2-31 | THE GENERAL: Electronic Screams | — | ||
| 2-32 | THE GENERAL: M56 Take 2: Intro To General - Fanfare | — | ||
| 2-33 | THE GENERAL: M57 Take 1: Traitor In Village | — | ||
| 2-34 | THE GENERAL: M58 Take 1: End Explosions | — | ||
| 2-35 | FREE FOR ALL: Hemisphere Sud [Southern Hemisphere] | — | ||
| 2-36 | FREE FOR ALL: M34b Take 2: Elms March | — | ||
| 2-37 | FREE FOR ALL: M59 Take 1: Play In To No 6's Residence | — | ||
| 2-38 | FREE FOR ALL: M60 Take 1: Pat Ignores Taxi - Sees Village Map | — | ||
| 2-39 | FREE FOR ALL: M43c Take 1: Free March | — | ||
| 2-40 | FREE FOR ALL: M61 Take 1: Sting As P Sees Second Reporter. Rover Approaches. Call To Council | — | ||
| 2-41 | FREE FOR ALL: M62 Take 2: Pat's First Twizzle Round | — | ||
| 2-42 | FREE FOR ALL: M63 Take 1: Rostrum Revolves + Descends | — | ||
| 2-43 | FREE FOR ALL: M64 Take 1: Pat In Red Chamber | — | ||
| 2-44 | FREE FOR ALL: M65 Take 3: P Dash From Maid, Motorboat Fight | — | ||
| 2-45 | FREE FOR ALL: M66 Take 1: Rover Takes Pat | — | ||
| 2-46 | FREE FOR ALL: M70 Take 1: Opening - Night Club Music | — | ||
| 2-47 | FREE FOR ALL: M70 Take 1: Night Club Music | — | ||
| 2-48 | FREE FOR ALL: M67 Take 1: Pat The Victor | — | ||
| 2-49 | FREE FOR ALL: M68 Take 3: P Shouts To Village + Beat Up | — | ||
| 2-50 | FREE FOR ALL: M69 Take 1: P Stretcher Back Home | — | ||
| 2-51 | HAMMER INTO ANVIL: M71 Take 1: Opening On Hospital. Girl In Bed | — | ||
| 2-52 | HAMMER INTO ANVIL: M72 Take 3: P Finds Girl Jump Out Of Window - Three Men Bring Pat In | — | ||
| 2-53 | HAMMER INTO ANVIL: M73 Take 1: Shopkeeper Reports To No 2 | — | ||
| 2-54 | HAMMER INTO ANVIL: M74 Take 1: Pat Follows No 2's Aide To Home | — | ||
| 2-55 | HAMMER INTO ANVIL: M75 Take 1: No 2 + Aide Follow P To Boat | — | ||
| 2-56 | HAMMER INTO ANVIL: M76 Take 1: Band's Version Of Bizet | — | ||
| 2-57 | HAMMER INTO ANVIL: M77 Take 1: P Walks By Graves | — | ||
| 2-58 | HAMMER INTO ANVIL: M85 Take 2: Two Versions 'Happy Birthday' | — | ||
| 2-59 | HAMMER INTO ANVIL: M78 Take 2 Wild: Break Conspiracy - Playout | — | ||
| 2-60 | HAMMER INTO ANVIL: M83 Take 1: Play In - Hammer | — | ||
| 2-61 | HAMMER INTO ANVIL: Osaka | — | ||
| 2-62 | HAMMER INTO ANVIL: Kabuki | — | ||
| 2-63 | HAMMER INTO ANVIL: Chappell's Changing Scenes No 3 - 5: Gong Crash | — | ||
| 2-64 | HAMMER INTO ANVIL: M84 Take 1: Plan Hatching | — | ||
| 2-65 | HAMMER INTO ANVIL: M79 Take 1: It's A Bomb | — | ||
| 2-66 | HAMMER INTO ANVIL: M80 Take 1: Cuckoo Phrase | — | ||
| 2-67 | HAMMER INTO ANVIL: M81 Take 2: P Sets Off Pigeon - Tracked + Killed | — | ||
| 2-68 | HAMMER INTO ANVIL: CM2 Wild Take 1 | — | ||
| 2-69 | HAMMER INTO ANVIL: M82 Take 2: Breakdown Of No 2. Playout | — | ||
| 3-1 | A1m1 Take 4: Arrival (extended opening titles) | — | ||
| 3-2 | CHECKMATE: Minuet In F | — | ||
| 3-3 | CHECKMATE: Orbit | — | ||
| 3-4 | CHECKMATE: W/T 2: Celeste Theme + Chords | — | ||
| 3-5 | CHECKMATE: Drumdramatics: No 3 - 2: Double Drumbeat - Crescendo | — | ||
| 3-6 | CHECKMATE: Harp Interludes Part 2 - 9: Intense - Dramatic | — | ||
| 3-7 | CHECKMATE: Without Hope (Aka Desolation) | — | ||
| 3-8 | CHECKMATE: Extra Drums | — | ||
| 3-9 | CHECKMATE: Faith | — | ||
| 3-10 | CHECKMATE: Attente [Waiting] | — | ||
| 3-11 | CHECKMATE: W/T 3: Celeste Chords | — | ||
| 3-12 | CHECKMATE: Spaceways | — | ||
| 3-13 | CHECKMATE: Zero Minus Sixty | — | ||
| 3-14 | DANCE OF THE DEAD: Pavane | — | ||
| 3-15 | DANCE OF THE DEAD: Drumdramatics: No 2 - 1: Music Box Effect | — | ||
| 3-16 | DANCE OF THE DEAD: Les Chats Dansent [The Cats Dance] | — | ||
| 3-17 | DANCE OF THE DEAD: Univers Sideral | — | ||
| 3-18 | DANCE OF THE DEAD: CM3 Wild Take 1 | — | ||
| 3-19 | DANCE OF THE DEAD: Lonely Flute | — | ||
| 3-20 | DANCE OF THE DEAD: Harpsichord Links 2: Slow Tempo | — | ||
| 3-21 | DANCE OF THE DEAD: Harpsichord For Drama No 1 - 3: Dramatic-Slow. Harpsichord, Bass And Drums | — | ||
| 3-22 | DANCE OF THE DEAD: Cue For Murder 2: Harpsichord | — | ||
| 3-23 | DANCE OF THE DEAD: Harpsichord For Drama No 1 - 4: Very Fast Jazz. Harpsichord, Bass And Drums | — | ||
| 3-24 | DANCE OF THE DEAD: Cue For Murder 1 | — | ||
| 3-25 | THE CHIMES OF BIG BEN: The Awkward Squad | — | ||
| 3-26 | THE CHIMES OF BIG BEN: "Pop Goes The Weasel" ("Pop-Weasel" - Piano) | — | ||
| 3-27 | THE CHIMES OF BIG BEN: Radio Location | — | ||
| 3-28 | THE CHIMES OF BIG BEN: A1m2 Take 2: From P Wake From Gassing To Taxi Girl | — | ||
| 3-29 | THE CHIMES OF BIG BEN: Berceuse A L'Enfant [Lullaby For A Child] | — | ||
| 3-30 | THE CHIMES OF BIG BEN: Birth Of Rover | — | ||
| 3-31 | THE CHIMES OF BIG BEN: Series One: 2: Romantic Theme With Sad Atmosphere | — | ||
| 3-32 | THE CHIMES OF BIG BEN: Here Comes The Band | — | ||
| 3-33 | THE CHIMES OF BIG BEN: Forêt Tropicale [Tropical Forest] | — | ||
| 3-34 | THE CHIMES OF BIG BEN: National Unity March | — | ||
| 3-35 | THE CHIMES OF BIG BEN: Smiles 'n' Chuckles | — | ||
| 3-36 | THE CHIMES OF BIG BEN: Ionosphere | — | ||
| 3-37 | THE SCHIZOID MAN: Complainte [Lament] | — | ||
| 3-38 | IT'S YOUR FUNERAL: M39a Take 3: P's Historic Recital | — | ||
| 3-39 | IT'S YOUR FUNERAL: M89 Take 2: Funeral Fanfare | — | ||
| 3-40 | A CHANGE OF MIND: Enfer [Hell] | — | ||
| 3-41 | MANY HAPPY RETURNS: Ocean | — | ||
| 4-1 | THE CHIMES OF BIG BEN: The Awkward Squad | — | ||
| 4-2 | THE CHIMES OF BIG BEN: "Pop Goes The Weasel" ("Pop-Weasel" - Piano) | — | ||
| 4-3 | THE CHIMES OF BIG BEN: Radio Location | — | ||
| 4-4 | THE CHIMES OF BIG BEN: A1m2 Take 2: From P Wake From Gassing To Taxi Girl | — | ||
| 4-5 | THE CHIMES OF BIG BEN: Berceuse A L'Enfant [Lullaby For A Child] | — | ||
| 4-6 | THE CHIMES OF BIG BEN: Birth Of Rover | — | ||
| 4-7 | THE CHIMES OF BIG BEN: Series One: 2: Romantic Theme With Sad Atmosphere | — | ||
| 4-8 | THE CHIMES OF BIG BEN: Here Comes The Band | — | ||
| 4-9 | THE CHIMES OF BIG BEN: Forêt Tropicale [Tropical Forest] | — | ||
| 4-10 | THE CHIMES OF BIG BEN: National Unity March | — | ||
| 4-11 | THE CHIMES OF BIG BEN: Smiles 'n' Chuckles | — | ||
| 4-12 | THE CHIMES OF BIG BEN: Ionosphere | — | ||
| 4-13 | THE SCHIZOID MAN: Complainte [Lament] | — | ||
| 4-14 | IT'S YOUR FUNERAL: M39a Take 3: P's Historic Recital | — | ||
| 4-15 | IT'S YOUR FUNERAL: M89 Take 2: Funeral Fanfare | — | ||
| 4-16 | A CHANGE OF MIND: Enfer [Hell] | — | ||
| 4-17 | MANY HAPPY RETURNS: Ocean | — | ||
| 4-18 | DO NOT FORSAKE ME OH MY DARLING: M107 Take 1: Opening 'Bonnie' phrase | — | ||
| 4-19 | DO NOT FORSAKE ME OH MY DARLING: M108 Take 2 - 'It Won't Be Long Now' | — | ||
| 4-20 | DO NOT FORSAKE ME OH MY DARLING: M95 Take 3 - Wake up + discovery | — | ||
| 4-21 | DO NOT FORSAKE ME OH MY DARLING: M96 Take 2 - Janet arrives - Mirror Smash | — | ||
| 4-22 | DO NOT FORSAKE ME OH MY DARLING: M97 Take 1 - Janet sees her father [unused cue] | — | ||
| 4-23 | DO NOT FORSAKE ME OH MY DARLING: M98 Take 1 - Superior official inspects P | — | ||
| 4-24 | DO NOT FORSAKE ME OH MY DARLING: M99 Take 1 - No use - P away from office + funeral man | — | ||
| 4-25 | DO NOT FORSAKE ME OH MY DARLING: Uptown Jazz | — | ||
| 4-26 | DO NOT FORSAKE ME OH MY DARLING: Hipster | — | ||
| 4-27 | DO NOT FORSAKE ME OH MY DARLING: The Dark Room | — | ||
| 4-28 | DO NOT FORSAKE ME OH MY DARLING: M100 Take 1 - P in garden with Janet | — | ||
| 4-29 | DO NOT FORSAKE ME OH MY DARLING: M101 Take 2 - P collects photos | — | ||
| 4-30 | DO NOT FORSAKE ME OH MY DARLING: M102 Take 1 - P fits slides into projector | — | ||
| 4-31 | DO NOT FORSAKE ME OH MY DARLING: M103 Take 2 - KANDERSFELT! | — | ||
| 4-32 | DO NOT FORSAKE ME OH MY DARLING: Café Au Lait | — | ||
| 4-33 | DO NOT FORSAKE ME OH MY DARLING: Swiss Polka | — | ||
| 4-34 | DO NOT FORSAKE ME OH MY DARLING: M104 Take 2 - P + Prof in barbershop | — | ||
| 4-35 | DO NOT FORSAKE ME OH MY DARLING: M105 Take 1 - Potter towards shop | — | ||
| 4-36 | DO NOT FORSAKE ME OH MY DARLING: M109 Take 1 - Ah Colonel! | — | ||
| 4-37 | DO NOT FORSAKE ME OH MY DARLING: M106 Take 3 - Prof dies | — | ||
| 4-38 | LIVING IN HARMONY: 1M1 Take 3 - P resigns, is punched up | — | ||
| 4-39 | LIVING IN HARMONY: 1M1A Take 1 - P brought into 'Harmony' | — | ||
| 4-40 | LIVING IN HARMONY: 1M2 Take 2 - P socks the kid | — | ||
| 4-41 | LIVING IN HARMONY: 1M3 Take 4 - P rejects Judge's proposition | — | ||
| 4-42 | LIVING IN HARMONY: 2M1 Take 1 - Kid looks after P in cell. Playout [unused cue] | — | ||
| 4-43 | LIVING IN HARMONY: 2M2 Take 2 - P in jail, kid on guard plays cat + mouse | — | ||
| 4-44 | LIVING IN HARMONY: W/T M6 Take 1 - Honky Tonk Slow | — | ||
| 4-45 | LIVING IN HARMONY: Honky Tonk Extra Roll: Slow | — | ||
| 4-46 | LIVING IN HARMONY: 3M1 Take 2 - P leaves town, is lassoed + brought back | — | ||
| 4-47 | LIVING IN HARMONY: 3M2 Take 1 - Kathy is tried + judged | — | ||
| 4-48 | LIVING IN HARMONY: 3M3 Take 2 - Kid shoots P's cheek + hand | — | ||
| 4-49 | LIVING IN HARMONY: 3M4 Take 1 - Kid watches Kathy Pace | — | ||
| 4-50 | LIVING IN HARMONY: 3M5 Take 2: Kid lets Kathy out of jail | — | ||
| 4-51 | LIVING IN HARMONY: 4M1 Take 2 - The big unarmed fight | — | ||
| 4-52 | LIVING IN HARMONY: W/T M5 Take 1 - Honky Tonk Medium | — | ||
| 4-53 | LIVING IN HARMONY: Honky Tonk Extra Roll - Fast (First) | — | ||
| 4-54 | LIVING IN HARMONY: 4M2 Take 1 - After Kid has shot Willy, Pat enters [unused cue] | — | ||
| 4-55 | LIVING IN HARMONY: 5M1 Take 2 - Dead man at Pat's desk [unused cue] | — | ||
| 4-56 | LIVING IN HARMONY: 5M2 Take 1 - P collects an extra horse | — | ||
| 4-57 | LIVING IN HARMONY: 5M3 Take 1 - Kid strangles Kathy | — | ||
| 4-58 | LIVING IN HARMONY: 5M4 Take 1 - P discovers Kathy dead | — | ||
| 4-59 | LIVING IN HARMONY: 6M1 Take 4 - P shoots Kid | — | ||
| 4-60 | LIVING IN HARMONY: 6M2 Take 1 - Kid falls to ground | — | ||
| 4-61 | LIVING IN HARMONY: 6M3 Take 1 - Five seconds | — | ||
| 4-62 | LIVING IN HARMONY: 6M4 Take 3 - P discovers he's in village | — | ||
| 4-63 | LIVING IN HARMONY: 6M5 Take 3 - Kid strangles Kathy, then dies | — | ||
| 4-64 | LIVING IN HARMONY: Leads In + Out: 3 [sting accompanying commercial break bumpers leading out of act] | — | ||
| 5-1 | Leads In + Out: 2 [sting accompanying commercial break bumpers leading into act] | — | ||
| 5-2 | THE GIRL WHO WAS DEATH: Dramatic Harpsichord Links - 2: Slow, ominous | — | ||
| 5-3 | THE GIRL WHO WAS DEATH: Blast Off | — | ||
| 5-4 | THE GIRL WHO WAS DEATH: Psychedlic Portrait | — | ||
| 5-5 | THE GIRL WHO WAS DEATH: The Whistler (aka Le Siffleur) | — | ||
| 5-6 | THE GIRL WHO WAS DEATH: Stings 9: Shivers, 3 mounting chords | — | ||
| 5-7 | THE GIRL WHO WAS DEATH: Marche Rythmique (Rhythmic March) | — | ||
| 5-8 | THE GIRL WHO WAS DEATH: Arabian Market | — | ||
| 5-9 | THE GIRL WHO WAS DEATH: Fête Foraine [Fairground] | — | ||
| 5-10 | THE GIRL WHO WAS DEATH: Harpsichord Links 3: Slow tempo | — | ||
| 5-11 | THE GIRL WHO WAS DEATH: Flashes vii: Fantôme de Service [Ghost Service] | — | ||
| 5-12 | THE GIRL WHO WAS DEATH: Stac-Flat | — | ||
| 5-13 | THE GIRL WHO WAS DEATH: Bring on the Girls | — | ||
| 5-14 | THE GIRL WHO WAS DEATH: Chasse a Courre [Hunting with Hounds] | — | ||
| 5-15 | THE GIRL WHO WAS DEATH: Psychedelia | — | ||
| 5-16 | THE GIRL WHO WAS DEATH: Fond Des Mers [Bottom Of The Sea] | — | ||
| 5-17 | THE GIRL WHO WAS DEATH: Drumnastics No 1 - 2: Crisis | — | ||
| 5-18 | THE GIRL WHO WAS DEATH: 1er Concert: b) Adante | — | ||
| 5-19 | THE GIRL WHO WAS DEATH: Drumdramatics: No 2 - 3: Death Knell; chimes and drumbeat | — | ||
| 5-20 | THE GIRL WHO WAS DEATH: Catch That Man! | — | ||
| 5-21 | THE GIRL WHO WAS DEATH: Drumdramatics: No 1 - 5: Side Drum Roll; Continuous | — | ||
| 5-22 | THE GIRL WHO WAS DEATH: Irish Harp Themes - 1: Londonderry Air | — | ||
| 5-23 | THE GIRL WHO WAS DEATH: They Are Coming | — | ||
| 5-24 | THE GIRL WHO WAS DEATH: Drumdramatics: No 1 - 6: Tympani Roll; continuous | — | ||
| 5-25 | THE GIRL WHO WAS DEATH: Stings - 3: Ominous, 4 mounting chords | — | ||
| 5-26 | FALL OUT: Drumdramatics: No 1 - 1: Rolling Tympani with beat | — | ||
| 5-27 | FALL OUT: Drumnastics No 3 - 3: Reverse space waves | — | ||
| 5-28 | FALL OUT: September Ballad | — | ||
| 5-29 | FALL OUT: W/T M3 Take 1 - Dry Bones | — | ||
| 5-30 | FALL OUT: Lost In Atlantis | — | ||
| 5-31 | FALL OUT: Marche Funèbre (Funeral Parade) | — | ||
| 5-32 | FALL OUT: Lunar Landscape | — | ||
| 5-33 | FALL OUT: Rag March | — | ||
| 5-34 | FALL OUT: W/T 1 - Low Timp - Slow | — | ||
| 5-35 | FALL OUT: Toccata | — | ||
| 5-36 | FALL OUT: End Titles | — | ||
| 5-37 | FALL OUT: W/T M1 Take 1: Dry Bones [Alternate and unused takes and sound effects] | — | ||
| 5-38 | FALL OUT: W/T M2 Take 1: Dry Bones [Alternate and unused takes and sound effects] | — | ||
| 5-39 | FALL OUT: W/T M4 Take 3: Dry Bones [Alternate and unused takes and sound effects] | — | ||
| 6-1 | Leads In + Out: 2 [Sting Accompanying Commercial Break Bumpers Leading Into Act] | — | ||
| 6-2 | THE GIRL WHO WAS DEATH: Dramatic Harpsichord Links - 2: Slow, Ominous | — | ||
| 6-3 | THE GIRL WHO WAS DEATH: Blast Off | — | ||
| 6-4 | THE GIRL WHO WAS DEATH: Psychedlic Portrait | — | ||
| 6-5 | THE GIRL WHO WAS DEATH: The Whistler (aka Le Siffleur) | — | ||
| 6-6 | THE GIRL WHO WAS DEATH: Stings 9: Shivers, 3 Mounting Chords | — | ||
| 6-7 | THE GIRL WHO WAS DEATH: Marche Rythmique (Rhythmic March) | — | ||
| 6-8 | THE GIRL WHO WAS DEATH: Arabian Market | — | ||
| 6-9 | THE GIRL WHO WAS DEATH: Fête Foraine [Fairground] | — | ||
| 6-10 | THE GIRL WHO WAS DEATH: Harpsichord Links 3: Slow Tempo | — | ||
| 6-11 | THE GIRL WHO WAS DEATH: Flashes Vii: Fantôme de Service [Ghost Service] | — | ||
| 6-12 | THE GIRL WHO WAS DEATH: Stac-Flat | — | ||
| 6-13 | THE GIRL WHO WAS DEATH: Bring on the Girls | — | ||
| 6-14 | THE GIRL WHO WAS DEATH: Chasse a Courre [Hunting with Hounds] | — | ||
| 6-15 | THE GIRL WHO WAS DEATH: Psychedelia | — | ||
| 6-16 | THE GIRL WHO WAS DEATH: Fond Des Mers [Bottom of the Sea] | — | ||
| 6-17 | THE GIRL WHO WAS DEATH: Drumnastics No 1 - 2: Crisis | — | ||
| 6-18 | THE GIRL WHO WAS DEATH: 1er Concert: B) Adante | — | ||
| 6-19 | THE GIRL WHO WAS DEATH: Drumdramatics: No 2 - 3: Death Knell; Chimes and Drumbeat | — | ||
| 6-20 | THE GIRL WHO WAS DEATH: Catch That Man! | — | ||
| 6-21 | THE GIRL WHO WAS DEATH: Drumdramatics: No 1 - 5: Side Drum Roll; Continuous | — | ||
| 6-22 | THE GIRL WHO WAS DEATH: Irish Harp Themes - 1: Londonderry Air | — | ||
| 6-23 | THE GIRL WHO WAS DEATH: They Are Coming | — | ||
| 6-24 | THE GIRL WHO WAS DEATH: Drumdramatics: No 1 - 6: Tympani Roll; Continuous | — | ||
| 6-25 | THE GIRL WHO WAS DEATH: Stings - 3: Ominous, 4 Mounting Chords | — | ||
| 6-26 | FALL OUT: Drumdramatics: No 1 - 1: Rolling Tympani With Beat | — | ||
| 6-27 | FALL OUT: Drumnastics No 3 - 3: Reverse Space Waves | — | ||
| 6-28 | FALL OUT: September Ballad | — | ||
| 6-29 | FALL OUT: W/T M3 Take 1 - Dry Bones | — | ||
| 6-30 | FALL OUT: Lost in Atlantis | — | ||
| 6-31 | FALL OUT: Marche Funèbre (Funeral Parade) | — | ||
| 6-32 | FALL OUT: Lunar Landscape | — | ||
| 6-33 | FALL OUT: Rag March | — | ||
| 6-34 | FALL OUT: W/T 1 - Low Timp - Slow | — | ||
| 6-35 | FALL OUT: Toccata | — | ||
| 6-36 | FALL OUT: End Titles | — | ||
| 6-37 | FALL OUT: W/T M1 Take 1: Dry Bones [alternate and Unused takes and Sound Effects] | — | ||
| 6-38 | FALL OUT: W/T M2 Take 1: Dry Bones [alternate and Unused takes and Sound Effects] | — | ||
| 6-39 | FALL OUT: W/T M4 Take 3: Dry Bones [alternate and Unused takes and Sound Effects] | — | ||
| 6-40 | Arrival (Robert Farnon Theme and Score): A1m1 Take 4: First Titles Section (Car Over Westminster Bridge to Door of Boss's Office) | — | ||
| 6-41 | Arrival (Robert Farnon Theme and Score): A1m1a Take 3: Second Title Section (From Boss's Office to Gassing) | — | ||
| 6-42 | Arrival (Robert Farnon Theme and Score): A1m1b Take 9: Third Title Section (P Wake to Ext Village) | — | ||
| 6-43 | Arrival (Robert Farnon Theme and Score): A2m1 Take 4: Prisoner About to Enter No 2's House for 1st Time - Pop Goes the Weasel | — | ||
| 6-44 | Arrival (Robert Farnon Theme and Score): Sup/Imp Secion X 2 | — | ||
| 6-45 | Arrival (Robert Farnon Theme and Score): A2m4 Take 3: Helicopter Descends After No 2 Tour With P Round Village, Old Peoples Home | — | ||
| 6-46 | Arrival (Robert Farnon Theme and Score): A3m2 Take 2: Birth of Rover | — | ||
| 6-47 | Arrival (Robert Farnon Theme and Score): A6m7 Take 1: End Act | — | ||
| 6-48 | Arrival (Robert Farnon Theme and Score): A6m6 Take 5: Open Act | — | ||
| 6-49 | Arrival (Robert Farnon Theme and Score): A4m2 Take 1: P Out of House, Gardener (Identical), Bushes, Rover, Control, Arrive at Beach | — | ||
| 6-50 | Arrival (Robert Farnon Theme and Score): A4m3 Take 3: Beach Fight - Rover Overcomes Prisoner | — | ||
| 6-51 | Arrival (Robert Farnon Theme and Score): A4m4 Take 8: "Boys + Girls Come Out to Play" | — | ||
| 6-52 | Arrival (Robert Farnon Theme and Score): 1-9: 'Pop' Three ("Pop-Weasel" - piano, Cymbal Etc) | — | ||
| 6-53 | Arrival (Robert Farnon Theme and Score): A6m1 Take 2: "What Shall We Do With a Drunken Sailor?" | — | ||
| 6-54 | Arrival (Robert Farnon Theme and Score): A6m3a Take 6: No 2 Orders, Take Over of Helicopter as P Tries to Escape | — | ||
| 6-55 | Arrival (Robert Farnon Theme and Score): A1m1c Take 3: Gate Clang, Comm In-Out | — | ||
| 6-56 | Arrival (Robert Farnon Theme and Score): A6m5 Take 1: End Credits | — | ||
| 6-57 | Arrival (Wilfred Josephs Theme and Score): A1m1a Take 4: Main Titles Part 1 - Westminster Bridge to Door | — | ||
| 6-58 | Arrival (Wilfred Josephs Theme and Score): A1m1b Take 1: Main Titles Part 2 - Boss's Door to Gassing | — | ||
| 6-59 | Arrival (Wilfred Josephs Theme and Score): A1m2 Take 2: From P Wake From Gassing to Taxi Girl | — | ||
| 6-60 | Arrival (Wilfred Josephs Theme and Score): A1m7 Take 1: "Welcome Home" Card | — | ||
| 6-61 | Arrival (Wilfred Josephs Theme and Score): A2m2 Take 1: P Goes Into No 2's Office First Time | — | ||
| 6-62 | Arrival (Wilfred Josephs Theme and Score): A3m2 Take 2: Birth of Rover | — | ||
| 6-63 | Arrival (Wilfred Josephs Theme and Score): A3m4 Take 1: P Smashes Toy After Test in Labour Exc | — | ||
| 6-64 | Arrival (Wilfred Josephs Theme and Score): A4m2 Take 4: P Out, Gardener, Rover, TV, Beach | — | ||
| 6-65 | Arrival (Wilfred Josephs Theme and Score): A4m4 Take 1: WJ Version "Boys + Girls" | — | ||
| 6-66 | Arrival (Wilfred Josephs Theme and Score): A5m1 Take 1: Through Alarm Bell "Cobb Dead" | — | ||
| 6-67 | Arrival (Wilfred Josephs Theme and Score): A5m2 Take 2: P Out Hospital, Cards, Taxi, No 2's Office | — | ||
| 6-68 | Arrival (Wilfred Josephs Theme and Score): A5m3 Take 2: Radezsky [Sic] March (Johann Strauss) | — | ||
| 6-69 | ARRIVAL (Wilfred Josephs Theme and Score): A6M1 Take 2 - "What Shall We Do With Drunken Sailor?" [References Drunken Sailor] | — | ||
| 6-70 | Arrival (Wilfred Josephs Theme and Score): A6m2 Take 4: P Leaves Girls, Gets to Helicopter | — | ||
| 6-71 | Arrival (Wilfred Josephs Theme and Score): A6m3 Take 1: Take Over of Helicopter | — | ||
| 6-72 | Arrival (Wilfred Josephs Theme and Score): A6m4 Take 2: Prisoner Out Helicopter, Rover, "Residents Only" | — | ||
| 6-73 | Arrival (Wilfred Josephs Theme and Score): A6m5 Take 4: End Credits | — | ||
| 6-74 | Original Edit Library Tracks: ARRIVAL: Holiday for Drums | — | ||
| 6-75 | Original Edit Library Tracks: THE CHIMES OF BIG BEN: UFO | — | ||
| 6-76 | Original Edit Library Tracks: THE CHIMES OF BIG BEN: Prelude to Doom | — | ||
| 6-77 | Original Edit Library Tracks: THE CHIMES OF BIG BEN: The Lathe | — | ||
| 6-78 | Ron Grainer Theme: The Age of Elegance | — | ||
| 6-79 | Ron Grainer Theme: The Age of Elegance: Part 2 | — | ||
| 6-80 | Ron Grainer Theme: A1m1 Take 1: Arrival | — | ||
| 6-81 | Ron Grainer Theme: A1m1 Take 2: Arrival | — | ||
| 6-82 | Ron Grainer Theme: A1m1 Take 3: Arrival | — | ||
| 6-83 | Ron Grainer Theme: A1m1 Take 5: Arrival | — | ||
| 6-84 | Ron Grainer Theme: B1m1 Take 5: Standard | — | ||
| 6-85 | Ron Grainer Theme: Leads In + Out: 1 | — | ||
| 6-86 | Ron Grainer Theme: Twangs on Guitar | — | ||
| 6-87 | Alternate and Unused Takes and Sound Effects - A. B. AND C.: M19 Take 1 - Walk Down French Street (Western Style) | — | ||
| 6-88 | Alternate and Unused Takes and Sound Effects - A. B. AND C.: M31 Take 1 - Warning to No. 14 | — | ||
| 6-89 | Alternate and Unused Takes and Sound Effects - A. B. AND C.: M Tannoy Take 1 - Tannoy Preamble [References Girls and Boys Come Out to Play] | — | ||
| 6-90 | Alternate and Unused Takes and Sound Effects - THE GENERAL: M38 Take 1 - Speed Chimes 'a' | — | ||
| 6-91 | Alternate and Unused Takes and Sound Effects - THE GENERAL: M60 Take 1 - Drums Various | — | ||
| 6-92 | Alternate and Unused Takes and Sound Effects - THE GENERAL: M65 Take 1 - P Dash From Maid, Motorboat Fight | — | ||
| 6-93 | Alternate and Unused Takes and Sound Effects - THE GENERAL: M68 Take 1 - Prisoner Shouts to Village/Beat Up | — | ||
| 6-94 | Alternate and Unused Takes and Sound Effects - THE GENERAL: M68 Take 2 - Prisoner Shouts to Village/Beat Up | — | ||
| 6-95 | Alternate and Unused Takes and Sound Effects - HAMMER INTO ANVIL: M72 Take 2 - P Finds Girl Jump Out of Window - Three Men Bring Pat In | — | ||
| 6-96 | Alternate and Unused Takes and Sound Effects - HAMMER INTO ANVIL: Tannoy Take 1 - Chimes | — | ||
| 6-97 | Alternate and Unused Takes and Sound Effects - HAMMER INTO ANVIL: M78 Take 1 - Break Conspiracy - Playout | — | ||
| 6-98 | Alternate and Unused Takes and Sound Effects - HAMMER INTO ANVIL: M81 Take 1 - P Sets Off Pigeon - Tracked + Killed | — | ||
| 6-99 | Alternate and Unused Takes and Sound Effects - HAMMER INTO ANVIL: M86 Take 1 - 'Happy Birthday' Ironic Sting | — | ||
| 6-100 | Alternate and Unused Takes and Sound Effects - HAMMER INTO ANVIL: M87 Take 2 - 'Happy Birthday' Soft Sting | — | ||
| 6-101 | Alternate and Unused Takes and Sound Effects - HAMMER INTO ANVIL: M88 Take 1 - 'Happy Birthday' Sharp Sting | — | ||
| 6-102 | Alternate and Unused Takes and Sound Effects - Unspecified: M91 Take 1 - Drums | — | ||
| 6-103 | Alternate and Unused Takes and Sound Effects - Unspecified: M91 Take 2 - Drums | — | ||
| 6-104 | Alternate and Unused Takes and Sound Effects - Unspecified: M92 Take 1 - Drums | — | ||
| 6-105 | Alternate and Unused Takes and Sound Effects - LIVING IN HARMONY: Honky Tonk Extra Roll: Fast (Second) | — | ||
| 6-106 | Alternate and Unused Takes and Sound Effects - ARRIVAL: 1-1 - Rover (Timpani + Bass) | — | ||
| 6-107 | Alternate and Unused Takes and Sound Effects - ARRIVAL: 1-2 - Theme One (Timp + piano Strings) | — | ||
| 6-108 | Alternate and Unused Takes and Sound Effects - ARRIVAL: 1-3 - Big Brother (Singing Timpani) | — | ||
| 6-109 | Alternate and Unused Takes and Sound Effects - ARRIVAL: 1-4 - Jaws Singing Harp (Jaws Harp - Normal Speed) | — | ||
| 6-110 | Alternate and Unused Takes and Sound Effects - ARRIVAL: 1-5 - Screams (Siren Whistle) | — | ||
| 6-111 | Alternate and Unused Takes and Sound Effects - ARRIVAL: 1-6 - Frantic Jaws Harp (Jaws Harp - Half Speed) | — | ||
| 6-112 | Alternate and Unused Takes and Sound Effects - ARRIVAL: 1-8 - "Pop" Two ("Pop-Weasel" - piano, Block, Snare Drum) | — | ||
| 6-113 | Alternate and Unused Takes and Sound Effects - ARRIVAL: 1-10 - Secondary Theme - Jazz - Slow Tempo | — | ||
| 6-114 | Alternate and Unused Takes and Sound Effects - ARRIVAL: 1-11 - Secondary Theme - Jazz - Fast Tempo | — | ||
| 6-115 | Alternate and Unused Takes and Sound Effects - ARRIVAL: 1-12 - "Pop Goes the Weasel" - Jazz (Most Orchestrated) | — | ||
| 6-116 | Alternate and Unused Takes and Sound Effects - ARRIVAL: W/T 1 - Low Timp - More Menace | — | ||
| 6-117 | Alternate and Unused Takes and Sound Effects - ARRIVAL: W/T 1 - Small Timp - Slow | — | ||
| 6-118 | Alternate and Unused Takes and Sound Effects - ARRIVAL: W/T 1 - Small Timp - More Menace | — | ||
| 6-119 | Alternate and Unused Takes and Sound Effects - ARRIVAL: W/T 1 - Large Timp - Single Beats | — | ||
| 6-120 | Alternate and Unused Takes and Sound Effects - ARRIVAL: W/T 2 - Piano + Triangle Constant | — | ||
| 6-121 | Alternate and Unused Takes and Sound Effects - ARRIVAL: W/T 3 - Cymbal Various | — | ||
| 6-122 | Alternate and Unused Takes and Sound Effects - ARRIVAL: A4M4 Take 3 - "Boys + Girls Come Out to Play" | — | ||
| 6-123 | Alternate and Unused Takes and Sound Effects - ARRIVAL: W/T 1 - High Whine Violin | — | ||
| 6-124 | Alternate and Unused Takes and Sound Effects - ARRIVAL: W/T 4 - Flexatone | — | ||
| 6-125 | Alternate and Unused Takes and Sound Effects - ARRIVAL: Flexatone | — | ||
| 6-126 | Alternate and Unused Takes and Sound Effects - ARRIVAL: W/T 5 - Bass Drums FX | — |
