UPC · Release
The Ghost Orchid: An Introduction to EVP
Various Artists
Last verified:
5027803040120 is the Universal Product Code (UPC barcode) for the release “The Ghost Orchid: An Introduction to EVP” by Various Artists, released 2006-01-01 on Parapsychic Acoustic Research Cooperative. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 77 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (77)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introduction | — | ||
| 2 | [untitled] | — | ||
| 3 | Commentary | — | ||
| 4 | Sonja Liepina | — | ||
| 5 | Where's Mable? | — | ||
| 6 | Cold Soldart | — | ||
| 7 | Gorgeskov | — | ||
| 8 | Dawson | — | ||
| 9 | Germans Visit Frederic | — | ||
| 10 | You're Very Good | — | ||
| 11 | Commentary | — | ||
| 12 | She Doesn't Bother | — | ||
| 13 | Aircraft Intercept | — | ||
| 14 | Elvis | — | ||
| 15 | Put It on Ice and I'll Mend Your Feet | — | ||
| 16 | Jesus | — | ||
| 17 | Radio Luxembourg | — | ||
| 18 | Raudive | — | ||
| 19 | Not Enough There to Copy | — | ||
| 20 | Oliver | — | ||
| 21 | Don't Do It! | — | ||
| 22 | Commentary | — | ||
| 23 | Out of This World | — | ||
| 24 | All Your Sorrows | — | ||
| 25 | Only Sonja Will Make It | — | ||
| 26 | Uppsala Sun Countess | — | ||
| 27 | I'm Joined to Many Countries | — | ||
| 28 | I've Made It! | — | ||
| 29 | Copyist | — | ||
| 30 | Commentary | — | ||
| 31 | Prometheus Passademus | — | ||
| 32 | Of Unknown Origin | — | ||
| 33 | Raudive 2 | — | ||
| 34 | Mrs Green | — | ||
| 35 | Waistcoat | — | ||
| 36 | Justified Theft | — | ||
| 37 | Philip Larkin | — | ||
| 38 | Tramping | — | ||
| 39 | Unknown Possible | — | ||
| 40 | So Strange I Remember You | — | ||
| 41 | Bruckerby | — | ||
| 42 | Burned With Force | — | ||
| 43 | Commentary | — | ||
| 44 | [untitled] | — | ||
| 45 | Dead Machines | — | ||
| 46 | Mysterious Voices | — | ||
| 47 | Cosmic Race | — | ||
| 48 | Wacky Shout | — | ||
| 49 | We Are Eagles | — | ||
| 50 | Less Weird | — | ||
| 51 | We Can See Edith by Radio | — | ||
| 52 | Referring to Me | — | ||
| 53 | He'll Be Ready to Be a Hero | — | ||
| 54 | Exalted Visitor | — | ||
| 55 | The Duke of Biarritz | — | ||
| 56 | Prophetic Voice | — | ||
| 57 | Carefully With Nerve Gas | — | ||
| 58 | The Evil Struggle | — | ||
| 59 | Monopoly Asian | — | ||
| 60 | Intriguing Female | — | ||
| 61 | Here ist Astauder | — | ||
| 62 | Gutteral Male | — | ||
| 63 | We Originate on a Planet | — | ||
| 64 | This Pressure | — | ||
| 65 | More Pleasant Female | — | ||
| 66 | Schallplatten | — | ||
| 67 | Mysterious Females | — | ||
| 68 | Una | — | ||
| 69 | Male Entity | — | ||
| 70 | Sistrenatus | — | ||
| 71 | Gutteral Entity | — | ||
| 72 | They'll Never Believe Us | — | ||
| 73 | There Are Probably Millions Now | — | ||
| 74 | Commentary | — | ||
| 75 | Breakthrough 7" Side A | — | ||
| 76 | Breakthrough 7" Side B | — | ||
| 77 | Conclusion | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 5027803040120?
5027803040120 is a Universal Product Code (UPC) assigned to The Ghost Orchid: An Introduction to EVP by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 77 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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