UPC · Release
Ringtones
Various Artists
5027803141421
99 tracksReleased 2003-01-01Touch
Last verified:
5027803141421 is the Universal Product Code (UPC barcode) for the release “Ringtones” by Various Artists, released 2003-01-01 on Touch. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 99 tracks, each with its own ISRC.
Format
502GS1 prefix
7803Company prefix
14142Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCRingtones
ISWC1 work
IPI12 songwriters
Track List (99)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cellular Research | — | ||
| 2 | Skadooor | — | ||
| 3 | Uggue | — | ||
| 4 | Psst… Shsh! | — | ||
| 5 | The Birth of Newsprint | — | ||
| 6 | Security Clearance Code | — | ||
| 7 | Tawny Owl / African Fish Eagles / Atlantic Puffin / Corncrake / Curlew / Golden Plover / Spotted Crake / Spotted Hyenas / Wolves | — | ||
| 8 | Digi Bird | — | ||
| 9 | Hi-Speed Insect of the Night | — | ||
| 10 | Arrowfrog / Baboon / Emperor Penguins / Hippopotamus / Hyrax / Oropendola | — | ||
| 11 | Cool in the North | — | ||
| 12 | Four Seasons | — | ||
| 13 | Radio Bulgaria | — | ||
| 14 | Molar | — | ||
| 15 | Eavesdrop | — | ||
| 16 | La Illaha… (There Is No God…) | — | ||
| 17 | Washing Machine | — | ||
| 18 | The World of Gilbert & George 1 | — | ||
| 19 | Mono | — | ||
| 20 | Yume | — | ||
| 21 | Hello Everybody | — | ||
| 22 | Help! / MansLaughter | — | ||
| 23 | Cowlick | — | ||
| 24 | Black Sabbath Riot Milwaukee 1980 / The Japanese Imperial Army | — | ||
| 25 | Hell’s Bells | — | ||
| 26 | Come, Take Me | — | ||
| 27 | Arctic | — | ||
| 28 | Queen of the Night | — | ||
| 29 | V2 “Attençion” | — | ||
| 30 | 1234 / Law and Order | — | ||
| 31 | Forty Thirty | — | ||
| 32 | Therering | — | ||
| 33 | Trip / Tenthprime / Lighthouse / Octave / Demand / Asymptote | — | ||
| 34 | Whirleygig | — | ||
| 35 | Ipcress | — | ||
| 36 | I Know… | — | ||
| 37 | Enotgnir | — | ||
| 38 | Shifty Slippy | — | ||
| 39 | The World of Gilbert & George 2 | — | ||
| 40 | Grand Organ / Ringer’s Revenge / Samba | — | ||
| 41 | SQK_0003 | — | ||
| 42 | Waveforms 1–8 | — | ||
| 43 | (ap. 7500 Hz) | — | ||
| 44 | Video 5-8-6 | — | ||
| 45 | “Carry on Sergeant. Right Oh, Sir!” | — | ||
| 46 | Homage to Rhythm & Sound | — | ||
| 47 | Horn | — | ||
| 48 | Be Calm | — | ||
| 49 | Radio Bulgaria (continued) | — | ||
| 50 | Sniff | — | ||
| 51 | El ringtones es el challenge | — | ||
| 52 | Accelerate | — | ||
| 53 | Magnet | — | ||
| 54 | Jimi Burns the Phone Down | — | ||
| 55 | Conduct Endangering the Safety of Information | — | ||
| 56 | Jar: FNN / Snull 2000: snull_cell | — | ||
| 57 | Live | — | ||
| 58 | Sound Mobile | — | ||
| 59 | A Concise History of Californian Rock Music in Under 5 Seconds | — | ||
| 60 | Robbery / Air Raid | — | ||
| 61 | KREVmorse | — | ||
| 62 | Stereocellular | — | ||
| 63 | Fiat / Kanuanser / Ker-Ring! (For Use with the Nokia Vibrating Phone Only) / Doob | — | ||
| 64 | Touch.3 | — | ||
| 65 | Blau | — | ||
| 66 | Homage to Pan Sonic | — | ||
| 67 | It’s for Me | — | ||
| 68 | The World of Gilbert & George 3 | — | ||
| 69 | Trickling | — | ||
| 70 | HekRiTo | — | ||
| 71 | On the Beach | — | ||
| 72 | :cd=mltpl.dvsn | — | ||
| 73 | Red Lights | — | ||
| 74 | Still Striped | — | ||
| 75 | Where the Fuck Are You? / I’m a Few Minutes Late / I’m on the Train / Hold on, I’m Losing You! / The Battery’s Going! / I’m in the Pub / Ciao! | — | ||
| 76 | Touchtone | — | ||
| 77 | Twisted and Aggressive | — | ||
| 78 | Naked | — | ||
| 79 | A Ringtone From Under the Floorboards | — | ||
| 80 | Polar / Tele / Whale / Sounder | — | ||
| 81 | Note / Oatmeal / Pencil / Stalker / Bell / Bees | — | ||
| 82 | Nºs 1–4 | — | ||
| 83 | Crab Nebula 3 | — | ||
| 84 | Twisted and Aggressive 2 | — | ||
| 85 | Organ Loft | — | ||
| 86 | Tones for Guy | — | ||
| 87 | Cellphone Sonata | — | ||
| 88 | ringtone_1 / ringtone_2 | — | ||
| 89 | The Portuguese Cleaner | — | ||
| 90 | Preacher Talking Backwards / Embassy Voice | — | ||
| 91 | Ichiban | — | ||
| 92 | ..-.-.. | — | ||
| 93 | ¡IT! | — | ||
| 94 | Úkσ | — | ||
| 95 | The Becquerel | — | ||
| 96 | Untitled #124 | — | ||
| 97 | Engaged Tone | — | ||
| 98 | Unobtainable | — | ||
| 99 | 11.09 - 09.11 | — |
Cellular Research
—
Skadooor
—
Uggue
—
Psst… Shsh!
—
The Birth of Newsprint
—
Security Clearance Code
—
Tawny Owl / African Fish Eagles / Atlantic Puffin / Corncrake / Curlew / Golden Plover / Spotted Crake / Spotted Hyenas / Wolves
—
Digi Bird
—
Hi-Speed Insect of the Night
—
Arrowfrog / Baboon / Emperor Penguins / Hippopotamus / Hyrax / Oropendola
—
Cool in the North
—
Four Seasons
—
Radio Bulgaria
—
Molar
—
Eavesdrop
—
La Illaha… (There Is No God…)
—
Washing Machine
—
The World of Gilbert & George 1
—
Mono
—
Yume
—
Hello Everybody
—
Help! / MansLaughter
—
Cowlick
—
Black Sabbath Riot Milwaukee 1980 / The Japanese Imperial Army
—
Hell’s Bells
—
Come, Take Me
—
Arctic
—
Queen of the Night
—
V2 “Attençion”
—
1234 / Law and Order
—
Forty Thirty
—
Therering
—
Trip / Tenthprime / Lighthouse / Octave / Demand / Asymptote
—
Whirleygig
—
Ipcress
—
I Know…
—
Enotgnir
—
Shifty Slippy
—
The World of Gilbert & George 2
—
Grand Organ / Ringer’s Revenge / Samba
—
SQK_0003
—
Waveforms 1–8
—
(ap. 7500 Hz)
—
Video 5-8-6
—
“Carry on Sergeant. Right Oh, Sir!”
—
Homage to Rhythm & Sound
—
Horn
—
Be Calm
—
Radio Bulgaria (continued)
—
Sniff
—
El ringtones es el challenge
—
Accelerate
—
Magnet
—
Jimi Burns the Phone Down
—
Conduct Endangering the Safety of Information
—
Jar: FNN / Snull 2000: snull_cell
—
Live
—
Sound Mobile
—
A Concise History of Californian Rock Music in Under 5 Seconds
—
Robbery / Air Raid
—
KREVmorse
—
Stereocellular
—
Fiat / Kanuanser / Ker-Ring! (For Use with the Nokia Vibrating Phone Only) / Doob
—
Touch.3
—
Blau
—
Homage to Pan Sonic
—
It’s for Me
—
The World of Gilbert & George 3
—
Trickling
—
HekRiTo
—
On the Beach
—
:cd=mltpl.dvsn
—
Red Lights
—
Still Striped
—
Where the Fuck Are You? / I’m a Few Minutes Late / I’m on the Train / Hold on, I’m Losing You! / The Battery’s Going! / I’m in the Pub / Ciao!
—
Touchtone
—
Twisted and Aggressive
—
Naked
—
A Ringtone From Under the Floorboards
—
Polar / Tele / Whale / Sounder
—
Note / Oatmeal / Pencil / Stalker / Bell / Bees
—
Nºs 1–4
—
Crab Nebula 3
—
Twisted and Aggressive 2
—
Organ Loft
—
Tones for Guy
—
Cellphone Sonata
—
ringtone_1 / ringtone_2
—
The Portuguese Cleaner
—
Preacher Talking Backwards / Embassy Voice
—
Ichiban
—
..-.-..
—
¡IT!
—
Úkσ
—
The Becquerel
—
Untitled #124
—
Engaged Tone
—
Unobtainable
—
11.09 - 09.11
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000003019672000000000305542X000000003672339100000000427714530000000050428831000000005472841X0000000055197585000000005712451500000000784076450000000078447348
+26 more
00000000787787450000000083980016000000008398002400000000999312940000000107926883000000010848349800000001146732470000000114786057000000011930629400000001203121810000000120966871000000012098740200000001214144110000000122861862000000013070863000000001315945240000000366185549000000037245621000000003725290290000000372744255000000037275395200000003825194060000000399517124000000046132233700000004665700570000000467127903
Credits Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 5027803141421?
5027803141421 is a Universal Product Code (UPC) assigned to Ringtones by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 99 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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