UPC · Release
The Masterworks
Bach
5028421923918
761 tracksReleased 2008-01-01Brilliant Classics
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5028421923918 is the Universal Product Code (UPC barcode) for the release “The Masterworks” by Bach, released 2008-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 761 tracks, each with its own ISRC. Tracks include NLY331603801, NLY331603802, NLY331603803.
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Credit Chain
UPCThe Masterworks
ISRC10 recordings
ISWC13 works
Track List (761)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto No. 1 in F major, BWV 1046: I. Allegro | — | ||
| 2 | Concerto No. 1 in F major, BWV 1046: II. Adagio | — | ||
| 3 | Concerto No. 1 in F major, BWV 1046: III. Allegro | — | ||
| 4 | Concerto No. 1 in F major, BWV 1046: IV. Minuetto - Trio I - Polonaise - Trio II | — | ||
| 5 | Concerto No. 2 in F major, BWV 1047: I. Allegro | — | ||
| 6 | Concerto No. 2 in F major, BWV 1047: II. Andante | — | ||
| 7 | Concerto No. 2 in F major, BWV 1047: III. Allegro assai | — | ||
| 8 | Concerto No. 2 in G major, BWV 1048: I. Allegro | — | ||
| 9 | Concerto No. 2 in G major, BWV 1048: II. Adagio (from Trio Sonate in G major, BWV 1048) | — | ||
| 10 | Concerto No. 2 in G major, BWV 1048: III. Allegro | — | ||
| 2-1 | Concerto No. 4 in G major, BWV 1049: I. Allegro | — | ||
| 2-2 | Concerto No. 4 in G major, BWV 1049: II. Andante | — | ||
| 2-3 | Concerto No. 4 in G major, BWV 1049: III. Presto | — | ||
| 2-4 | Concerto No. 5 in D major, BWV 1050: I. Allegro | — | ||
| 2-5 | Concerto No. 5 in D major, BWV 1050: II. Affettuoso | — | ||
| 2-6 | Concerto No. 5 in D major, BWV 1050: III. Allegro | — | ||
| 2-7 | Concerto No. 6 in B-flat major, BWV 1051: I. Allegro | — | ||
| 2-8 | Concerto No. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | — | ||
| 2-9 | Concerto No. 6 in B-flat major, BWV 1051: III. Allegro | — | ||
| 3-1 | Orchestral Suite No. 1 in C major, BWV 1066: I. Ouverture | — | ||
| 3-2 | Orchestral Suite No. 1 in C major, BWV 1066: II. Courante | — | ||
| 3-3 | Orchestral Suite No. 1 in C major, BWV 1066: III. Gavotte 1 & 2 | — | ||
| 3-4 | Orchestral Suite No. 1 in C major, BWV 1066: IV. Forlane | — | ||
| 3-5 | Orchestral Suite No. 1 in C major, BWV 1066: V. Menuet I & II | — | ||
| 3-6 | Orchestral Suite No. 1 in C major, BWV 1066: VI. Bourrée I & II | — | ||
| 3-7 | Orchestral Suite No. 1 in C major, BWV 1066: VII. Passepied I & II | — | ||
| 3-8 | Orchestral Suite No. 2 in B minor, BWV 1067: I. Ouverture | — | ||
| 3-9 | Orchestral Suite No. 2 in B minor, BWV 1067: II. Rondeau | — | ||
| 3-10 | Orchestral Suite No. 2 in B minor, BWV 1067: III. Sarabande | — | ||
| 3-11 | Orchestral Suite No. 2 in B minor, BWV 1067: IV. Bourrée I & II | — | ||
| 3-12 | Orchestral Suite No. 2 in B minor, BWV 1067: V. Polonaise | — | ||
| 3-13 | Orchestral Suite No. 2 in B minor, BWV 1067: VI. Menuet | — | ||
| 3-14 | Orchestral Suite No. 2 in B minor, BWV 1067: VII. Badinerie | — | ||
| 4-1 | Orchestral Suite No. 3 in D major, BWV 1068: I. Ouverture | — | ||
| 4-2 | Orchestral Suite No. 3 in D major, BWV 1068: II. Air | — | ||
| 4-3 | Orchestral Suite No. 3 in D major, BWV 1068: III. Gavotte I & II | — | ||
| 4-4 | Orchestral Suite No. 3 in D major, BWV 1068: IV. Bourrée | — | ||
| 4-5 | Orchestral Suite No. 3 in D major, BWV 1068: V. Gigue | — | ||
| 4-6 | Orchestral Suite No. 4 in D major, BWV 1069: I. Ouverture | — | ||
| 4-7 | Orchestral Suite No. 4 in D major, BWV 1069: II. Bourrée I & II | — | ||
| 4-8 | Orchestral Suite No. 4 in D major, BWV 1069: III. Gavotte | — | ||
| 4-9 | Orchestral Suite No. 4 in D major, BWV 1069: IV. Menuet I & II | — | ||
| 4-10 | Orchestral Suite No. 4 in D major, BWV 1069: V. Rejouissance | — | ||
| 5-1 | Violin Concerto in A minor, BWV 1041: I. Allegro (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-2 | Violin Concerto in A minor, BWV 1041: II. Adagio (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-3 | Violin Concerto in A minor, BWV 1041: III. Allegro (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-4 | Violin Concerto in E major, BWV 1042: I. Allegro (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-5 | Violin Concerto in E major, BWV 1042: II. Adagio (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-6 | Violin Concerto in E major, BWV 1042: III. Allegro assai (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-7 | Violin Concerto in D minor, BWV 1052: I. Allegro (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-8 | Violin Concerto in D minor, BWV 1052: II. Largo (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-9 | Violin Concerto in D minor, BWV 1052: III. Presto (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-10 | Violin Concerto in G minor, BWV 1056: I. Allegro (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-11 | Violin Concerto in G minor, BWV 1056: II. Andante (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-12 | Violin Concerto in G minor, BWV 1056: III. Allegro assai (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-13 | Concerto for 3 violins, strings and basso continuo, BWV 1064: I. Allegro | Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists | T-914.323.771-2 | |
| 5-14 | Concerto for 3 violins, strings and basso continuo, BWV 1064: II. Adagio | Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists | T-917.755.866-6 | |
| 5-15 | Concerto for 3 violins, strings and basso continuo, BWV 1064: III. Allegro | Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists | — | |
| 6-1 | Concerto for flute, violin, harpsichord, strings and basso continuo in A minor, BWV 1044: I. Allegro | Marieke Schneemann, Elisabeth Perry, Menno van Delft, Netherlands Bach Ensemble, Krijn Koetsveld | — | |
| 6-2 | Concerto for flute, violin, harpsichord, strings and basso continuo in A minor, BWV 1044: II. Adagio | Marieke Schneemann, Elisabeth Perry, Menno van Delft, Netherlands Bach Ensemble, Krijn Koetsveld | T-917.755.866-6 | |
| 6-3 | Concerto for flute, violin, harpsichord, strings and basso continuo in A minor, BWV 1044: III. Alla breve | Marieke Schneemann, Elisabeth Perry, Menno van Delft, Netherlands Bach Ensemble, Krijn Koetsveld | — | |
| 6-4 | Concerto for Oboe, Violin & Strings in D minor, BWV 1060: I. Allegro | Netherlands Bach Ensemble, Daniëlle Kreeft, Juditha Heberlin | — | |
| 6-5 | Concerto for Oboe, Violin & Strings in D minor, BWV 1060: II. Adagio | Netherlands Bach Ensemble, Daniëlle Kreeft, Juditha Heberlin | T-917.755.866-6 | |
| 6-6 | Concerto for Oboe, Violin & Strings in D minor, BWV 1060: III. Allegro | Netherlands Bach Ensemble, Daniëlle Kreeft, Juditha Heberlin | — | |
| 6-7 | Concerto for oboe d’amore, strings and basso continuo in A major, BWV 1055: I. Allegro | — | ||
| 6-8 | Concerto for oboe d’amore, strings and basso continuo in A major, BWV 1055: II. Larghetto | — | ||
| 6-9 | Concerto for oboe d’amore, strings and basso continuo in A major, BWV 1055: III. Allegro ma non tanto | — | ||
| 6-10 | Concerto for 2 violins, strings and basso continuo in D minor, BWV 1043: I. Vivace | — | ||
| 6-11 | Concerto for 2 violins, strings and basso continuo in D minor, BWV 1043: II. Largo | — | ||
| 6-12 | Concerto for 2 violins, strings and basso continuo in D minor, BWV 1043: III. Allegro | — | ||
| 7-1 | The Well-Tempered Clavier Book I Prelude & Fuge No.1 in C major BWV 846 - I Praeludium | — | ||
| 7-2 | The Well-Tempered Clavier Book I Prelude & Fuge No.1 in C major BWV 846 - II Fuga | — | ||
| 7-3 | The Well-Tempered Clavier Book I Prelude & Fuge No.2 in C minor BWV 847 - I Praeludium | — | ||
| 7-4 | The Well-Tempered Clavier Book I Prelude & Fuge No.2 in C minor BWV 847 - II Fuga | — | ||
| 7-5 | The Well-Tempered Clavier Book I Prelude & Fuge No.3 in C sharp major BWV 848 - I Praeludium | — | ||
| 7-6 | The Well-Tempered Clavier Book I Prelude & Fuge No.3 in C sharp major BWV 848 - II Fuga | — | ||
| 7-7 | The Well-Tempered Clavier Book I Prelude & Fuge No.4 in C sharp minor BWV 849 - I Praeludium | — | ||
| 7-8 | The Well-Tempered Clavier Book I Prelude & Fuge No.4 in C sharp minor BWV 849 - II Fuga | — | ||
| 7-9 | The Well-Tempered Clavier Book I Prelude & Fuge No.5 in D major BWV 850 - I Praeludium | — | ||
| 7-10 | The Well-Tempered Clavier Book I Prelude & Fuge No.5 in D major BWV 850 - II Fuga | — | ||
| 7-11 | The Well-Tempered Clavier Book I Prelude & Fuge No.6 in D minor BWV 851 - I Praeludium | — | ||
| 7-12 | The Well-Tempered Clavier Book I Prelude & Fuge No.6 in D minor BWV 851 - II Fuga | — | ||
| 7-13 | The Well-Tempered Clavier Book I Prelude & Fuge No.7 in E flat major BWV 852 - I Praeludium | — | ||
| 7-14 | The Well-Tempered Clavier Book I Prelude & Fuge No.7 in E flat major BWV 852 - II Fuga | — | ||
| 7-15 | The Well-Tempered Clavier Book I Prelude & Fuge No.8 in E flat minor BWV 853 - I Praeludium | — | ||
| 7-16 | The Well-Tempered Clavier Book I Prelude & Fuge No.8 in E flat minor BWV 853 - II Fuga | — | ||
| 7-17 | The Well-Tempered Clavier Book I Prelude & Fuge No.9 in E major BWV 854 - I Praeludium | — | ||
| 7-18 | The Well-Tempered Clavier Book I Prelude & Fuge No.9 in E major BWV 854 - II Fuga | — | ||
| 7-19 | The Well-Tempered Clavier Book I Prelude & Fuge No.10 in E minor BWV 855 - I Praeludium | — | ||
| 7-20 | The Well-Tempered Clavier Book I Prelude & Fuge No.10 in E minor BWV 855 - II Fuga | — | ||
| 7-21 | The Well-Tempered Clavier Book I Prelude & Fuge No.11 in F major BWV 856 - I Praeludium | — | ||
| 7-22 | The Well-Tempered Clavier Book I Prelude & Fuge No.11 in F major BWV 856 - II Fuga | — | ||
| 7-23 | The Well-Tempered Clavier Book I Prelude & Fuge No.12 in F minor BWV 857 - I Praeludium | — | ||
| 7-24 | The Well-Tempered Clavier Book I Prelude & Fuge No.12 in F minor BWV 857 - II Fuga | — | ||
| 8-1 | The Well-Tempered Clavier Book I Prelude & Fuge No.13 in F sharp major BWV 858 - I Praeludium | — | ||
| 8-2 | The Well-Tempered Clavier Book I Prelude & Fuge No.13 in F sharp major BWV 858 - II Fuga | — | ||
| 8-3 | The Well-Tempered Clavier Book I Prelude & Fuge No.14 in F sharp minor BWV 859 - I Praeludium | — | ||
| 8-4 | The Well-Tempered Clavier Book I Prelude & Fuge No.14 in F sharp minor BWV 859 - II Fuga | — | ||
| 8-5 | The Well-Tempered Clavier Book I Prelude & Fuge No.15 in G major BWV 860 - I Praeludium | — | ||
| 8-6 | The Well-Tempered Clavier Book I Prelude & Fuge No.15 in G major BWV 860 - II Fuga | — | ||
| 8-7 | The Well-Tempered Clavier Book I Prelude & Fuge No.16 in G minor BWV 861 - I Praeludium | — | ||
| 8-8 | The Well-Tempered Clavier Book I Prelude & Fuge No.16 in G minor BWV 861 - II Fuga | — | ||
| 8-9 | The Well-Tempered Clavier Book I Prelude & Fuge No.17 in A flat major BWV 862 - I Praeludium | — | ||
| 8-10 | The Well-Tempered Clavier Book I Prelude & Fuge No.17 in A flat major BWV 862 - II Fuga | — | ||
| 8-11 | The Well-Tempered Clavier Book I Prelude & Fuge No.18 in G sharp minor BWV 863 - I Praeludium | — | ||
| 8-12 | The Well-Tempered Clavier Book I Prelude & Fuge No.18 in G sharp minor BWV 863 - II Fuga | — | ||
| 8-13 | The Well-Tempered Clavier Book I Prelude & Fuge No.19 in A major BWV 864 - I Praeludium | — | ||
| 8-14 | The Well-Tempered Clavier Book I Prelude & Fuge No.19 in A major BWV 864 - II Fuga | — | ||
| 8-15 | The Well-Tempered Clavier Book I Prelude & Fuge No.20 in A minor BWV 865 - I Praeludium | — | ||
| 8-16 | The Well-Tempered Clavier Book I Prelude & Fuge No.20 in A minor BWV 865 - II Fuga | — | ||
| 8-17 | The Well-Tempered Clavier Book I Prelude & Fuge No.21 in B flat major BWV 866 - I Praeludium | — | ||
| 8-18 | The Well-Tempered Clavier Book I Prelude & Fuge No.21 in B flat major BWV 866 - II Fuga | — | ||
| 8-19 | The Well-Tempered Clavier Book I Prelude & Fuge No.22 in B flat minor BWV 867 - I Praeludium | — | ||
| 8-20 | The Well-Tempered Clavier Book I Prelude & Fuge No.22 in B flat minor BWV 867 - II Fuga | — | ||
| 8-21 | The Well-Tempered Clavier Book I Prelude & Fuge No.23 in B major BWV 868 - I Praeludium | — | ||
| 8-22 | The Well-Tempered Clavier Book I Prelude & Fuge No.23 in B major BWV 868 - II Fuga | — | ||
| 8-23 | The Well-Tempered Clavier Book I Prelude & Fuge No.24 in B minor BWV 869 - I Praeludium | — | ||
| 8-24 | The Well-Tempered Clavier Book I Prelude & Fuge No.24 in B minor BWV 869 - II Fuga | — | ||
| 9-1 | The Well-Tempered Clavier Book II Prelude & Fuge No.1 in C major BWV 870 - I Praeludium | — | ||
| 9-2 | The Well-Tempered Clavier Book II Prelude & Fuge No.1 in C major BWV 870 - II Fuga | — | ||
| 9-3 | The Well-Tempered Clavier Book II Prelude & Fuge No.2 in C minor BWV 871 - I Praeludium | — | ||
| 9-4 | The Well-Tempered Clavier Book II Prelude & Fuge No.2 in C minor BWV 871 - II Fuga | — | ||
| 9-5 | The Well-Tempered Clavier Book II Prelude & Fuge No.3 in C sharp major BWV 872 - I Praeludium | — | ||
| 9-6 | The Well-Tempered Clavier Book II Prelude & Fuge No.3 in C sharp major BWV 872 - II Fuga | — | ||
| 9-7 | The Well-Tempered Clavier Book II Prelude & Fuge No.4 in C sharp minor BWV 873 - I Praeludium | — | ||
| 9-8 | The Well-Tempered Clavier Book II Prelude & Fuge No.4 in C sharp minor BWV 873 - II Fuga | — | ||
| 9-9 | The Well-Tempered Clavier Book II Prelude & Fuge No.5 in D major BWV 874 - I Praeludium | — | ||
| 9-10 | The Well-Tempered Clavier Book II Prelude & Fuge No.5 in D major BWV 874 - II Fuga | — | ||
| 9-11 | The Well-Tempered Clavier Book II Prelude & Fuge No.6 in D minor BWV 875 - I Praeludium | — | ||
| 9-12 | The Well-Tempered Clavier Book II Prelude & Fuge No.6 in D minor BWV 875 - II Fuga | — | ||
| 9-13 | The Well-Tempered Clavier Book II Prelude & Fuge No.7 in E flat major BWV 876 - I Praeludium | — | ||
| 9-14 | The Well-Tempered Clavier Book II Prelude & Fuge No.7 in E flat major BWV 876 - II Fuga | — | ||
| 9-15 | The Well-Tempered Clavier Book II Prelude & Fuge No.8 in E flat minor BWV 877 - I Praeludium | — | ||
| 9-16 | The Well-Tempered Clavier Book II Prelude & Fuge No.8 in E flat minor BWV 877 - II Fuga | — | ||
| 9-17 | The Well-Tempered Clavier Book II Prelude & Fuge No.9 in E major BWV 878 - I Praeludium | — | ||
| 9-18 | The Well-Tempered Clavier Book II Prelude & Fuge No.9 in E major BWV 878 - II Fuga | — | ||
| 9-19 | The Well-Tempered Clavier Book II Prelude & Fuge No.10 in E minor BWV 879 - I Praeludium | — | ||
| 9-20 | The Well-Tempered Clavier Book II Prelude & Fuge No.10 in E minor BWV 879 - II Fuga | — | ||
| 9-21 | The Well-Tempered Clavier Book II Prelude & Fuge No.11 in F major BWV 880 - I Praeludium | — | ||
| 9-22 | The Well-Tempered Clavier Book II Prelude & Fuge No.11 in F major BWV 880 - II Fuga | — | ||
| 9-23 | The Well-Tempered Clavier Book II Prelude & Fuge No.12 in F minor BWV 881 - I Praeludium | — | ||
| 9-24 | The Well-Tempered Clavier Book II Prelude & Fuge No.12 in F minor BWV 881 - II Fuga | — | ||
| 10-1 | The Well-Tempered Clavier Book II Prelude & Fuge No.13 in F sharp major BWV 882 - I Praeludium | — | ||
| 10-2 | The Well-Tempered Clavier Book II Prelude & Fuge No.13 in F sharp major BWV 882 - II Fuga | — | ||
| 10-3 | The Well-Tempered Clavier Book II Prelude & Fuge No.14 in F sharp minor BWV 883 - I Praeludium | — | ||
| 10-4 | The Well-Tempered Clavier Book II Prelude & Fuge No.14 in F sharp minor BWV 883 - II Fuga | — | ||
| 10-5 | The Well-Tempered Clavier Book II Prelude & Fuge No.15 in G major BWV 884 - I Praeludium | — | ||
| 10-6 | The Well-Tempered Clavier Book II Prelude & Fuge No.15 in G major BWV 884 - II Fuga | — | ||
| 10-7 | The Well-Tempered Clavier Book II Prelude & Fuge No.16 in G minor BWV 885 - I Praeludium | — | ||
| 10-8 | The Well-Tempered Clavier Book II Prelude & Fuge No.16 in G minor BWV 885 - II Fuga | — | ||
| 10-9 | The Well-Tempered Clavier Book II Prelude & Fuge No.17 in A flat major BWV 886 - I Praeludium | — | ||
| 10-10 | The Well-Tempered Clavier Book II Prelude & Fuge No.17 in A flat major BWV 886 - II Fuga | — | ||
| 10-11 | The Well-Tempered Clavier Book II Prelude & Fuge No.18 in G sharp minor BWV 887 - I Praeludium | — | ||
| 10-12 | The Well-Tempered Clavier Book II Prelude & Fuge No.18 in G sharp minor BWV 887 - II Fuga | — | ||
| 10-13 | The Well-Tempered Clavier Book II Prelude & Fuge No.19 in A major BWV 888 - I Praeludium | — | ||
| 10-14 | The Well-Tempered Clavier Book II Prelude & Fuge No.19 in A major BWV 888 - II Fuga | — | ||
| 10-15 | The Well-Tempered Clavier Book II Prelude & Fuge No.20 in A minor BWV 889 - I Praeludium | — | ||
| 10-16 | The Well-Tempered Clavier Book II Prelude & Fuge No.20 in A Minor BWV 889 - II Fuga | — | ||
| 10-17 | The Well-Tempered Clavier Book II Prelude & Fuge No.21 in B flat major BWV 890 - I Praeludium | — | ||
| 10-18 | The Well-Tempered Clavier Book II Prelude & Fuge No.21 in B flat major BWV 890 - II Fuga | — | ||
| 10-19 | The Well-Tempered Clavier Book II Prelude & Fuge No.22 in B flat minor BWV 891 - I Praeludium | — | ||
| 10-20 | The Well-Tempered Clavier Book II Prelude & Fuge No.22 in B flat minor BWV 891 - II Fuga | — | ||
| 10-21 | The Well-Tempered Clavier Book II Prelude & Fuge No.23 in B major BWV 892 - I Praeludium | — | ||
| 10-22 | The Well-Tempered Clavier Book II Prelude & Fuge No.23 in B major BWV 892 - II Fuga | — | ||
| 10-23 | The Well-Tempered Clavier Book II Prelude & Fuge No.24 in B minor BWV 893 - I Praeludium | — | ||
| 10-24 | The Well-Tempered Clavier Book II Prelude & Fuge No.24 in B minor BWV 893 - II Fuga | — | ||
| 11-1 | Partita No. 1 in B-flat major, BWV 825: I. Praeludium | — | ||
| 11-2 | Partita No. 1 in B-flat major, BWV 825: II. Allemande | — | ||
| 11-3 | Partita No. 1 in B-flat major, BWV 825: III. Corrente | — | ||
| 11-4 | Partita No. 1 in B-flat major, BWV 825: IV. Sarabande | — | ||
| 11-5 | Partita No. 1 in B-flat major, BWV 825: V. Menuet I & II | — | ||
| 11-6 | Partita No. 1 in B-flat major, BWV 825: VI. Giga | — | ||
| 11-7 | Partita No. 2 in C minor, BWV 826: I. Sinfonia | — | ||
| 11-8 | Partita No. 2 in C minor, BWV 826: II. Allemande | — | ||
| 11-9 | Partita No. 2 in C minor, BWV 826: III. Courante | — | ||
| 11-10 | Partita No. 2 in C minor, BWV 826: IV. Sarabande | — | ||
| 11-11 | Partita No. 2 in C minor, BWV 826: V. Rondeaux | — | ||
| 11-12 | Partita No. 2 in C minor, BWV 826: VI. Capriccio | — | ||
| 11-13 | Partita No. 6 in E minor, BWV 830: I. Toccata | — | ||
| 11-14 | Partita No. 6 in E minor, BWV 830: II. Allemanda | — | ||
| 11-15 | Partita No. 6 in E minor, BWV 830: III. Corrente | — | ||
| 11-16 | Partita No. 6 in E minor, BWV 830: IV. Air | — | ||
| 11-17 | Partita No. 6 in E minor, BWV 830: V. Sarabande | — | ||
| 11-18 | Partita No. 6 in E minor, BWV 830: VI. Tempo di Gavotta | — | ||
| 11-19 | Partita No. 6 in E minor, BWV 830: VII. Gigue | — | ||
| 12-1 | Partita No. 3 in A minor, BWV 827: I. Fantasia | — | ||
| 12-2 | Partita No. 3 in A minor, BWV 827: II. Allemande | — | ||
| 12-3 | Partita No. 3 in A minor, BWV 827: III. Corrente | — | ||
| 12-4 | Partita No. 3 in A minor, BWV 827: IV. Sarabande | — | ||
| 12-5 | Partita No. 3 in A minor, BWV 827: V. Burlesca | — | ||
| 12-6 | Partita No. 3 in A minor, BWV 827: VI. Scherzo | — | ||
| 12-7 | Partita No. 3 in A minor, BWV 827: VII. Gigue | — | ||
| 12-8 | Partita No. 4 in D major, BWV 828: I. Overture | — | ||
| 12-9 | Partita No. 4 in D major, BWV 828: II. Allemande | — | ||
| 12-10 | Partita No. 4 in D major, BWV 828: III. Courante | — | ||
| 12-11 | Partita No. 4 in D major, BWV 828: IV. Sarabande | — | ||
| 12-12 | Partita No. 4 in D major, BWV 828: V. Aria | — | ||
| 12-13 | Partita No. 4 in D major, BWV 828: VI. Menuet | — | ||
| 12-14 | Partita No. 4 in D major, BWV 828: VII. Gigue | — | ||
| 12-15 | Partita No. 5 in G major, BWV 829: I. Præambulum | — | ||
| 12-16 | Partita No. 5 in G major, BWV 829: II. Allemande | — | ||
| 12-17 | Partita No. 5 in G major, BWV 829: III. Corrente | — | ||
| 12-18 | Partita No. 5 in G major, BWV 829: IV. Sarabande | — | ||
| 12-19 | Partita No. 5 in G major, BWV 829: V. Tempo di Minuetto | — | ||
| 12-20 | Partita No. 5 in G major, BWV 829: VI. Passepied | — | ||
| 12-21 | Partita No. 5 in G major, BWV 829: VII. Gigue | — | ||
| 13-1 | Italian concerto in F major, BWV 971: I. Allegro | — | ||
| 13-2 | Italian concerto in F major, BWV 971: II. Largo | — | ||
| 13-3 | Italian concerto in F major, BWV 971: III. Presto | — | ||
| 13-4 | Overture in the French Style in B minor, BWV 831: I. Ouvertüre | — | ||
| 13-5 | Overture in the French Style in B minor, BWV 831: II. Courante | — | ||
| 13-6 | Overture in the French Style in B minor, BWV 831: III. Gavotte I & II, Da capo | — | ||
| 13-7 | Overture in the French Style in B minor, BWV 831: IV. Passepied I & II, Da capo | — | ||
| 13-8 | Overture in the French Style in B minor, BWV 831: V. Sarabande | — | ||
| 13-9 | Overture in the French Style in B minor, BWV 831: VI. Bourrée I & II, Da capo | — | ||
| 13-10 | Overture in the French Style in B minor, BWV 831: VII. Gigue | — | ||
| 13-11 | Overture in the French Style in B minor, BWV 831: VIII. Echo | — | ||
| 13-12 | Chromatic Fantasy and Fugue in D minor, BWV 903: I. Fantasie | — | ||
| 13-13 | Chromatic Fantasy and Fugue in D minor, BWV 903: II. Fugue | — | ||
| 14-1 | Goldberg Variations, BWV 988: Aria | — | ||
| 14-2 | Goldberg Variations, BWV 988: Variation 01 | — | ||
| 14-3 | Goldberg Variations, BWV 988: Variation 02 | — | ||
| 14-4 | Goldberg Variations, BWV 988: Variation 03. Canon on the Unison | — | ||
| 14-5 | Goldberg Variations, BWV 988: Variation 04 | — | ||
| 14-6 | Goldberg Variations, BWV 988: Variation 05 | — | ||
| 14-7 | Goldberg Variations, BWV 988: Variation 06. Canon on the Second | — | ||
| 14-8 | Goldberg Variations, BWV 988: Variation 07 | — | ||
| 14-9 | Goldberg Variations, BWV 988: Variation 08 | — | ||
| 14-10 | Goldberg Variations, BWV 988: Variation 09. Canon on the Third | — | ||
| 14-11 | Goldberg Variations, BWV 988: Variation 10. Fughetta | — | ||
| 14-12 | Goldberg Variations, BWV 988: Variation 11 | — | ||
| 14-13 | Goldberg Variations, BWV 988: Variation 12. Canon on the Fourth | — | ||
| 14-14 | Goldberg Variations, BWV 988: Variation 13 | — | ||
| 14-15 | Goldberg Variations, BWV 988: Variation 14 | — | ||
| 14-16 | Goldberg Variations, BWV 988: Variation 15. Canon on the Fifth | — | ||
| 14-17 | Goldberg Variations, BWV 988: Variation 16. Overture | — | ||
| 14-18 | Goldberg Variations, BWV 988: Variation 17 | — | ||
| 14-19 | Goldberg Variations, BWV 988: Variation 18. Canon on the Sixth | — | ||
| 14-20 | Goldberg Variations, BWV 988: Variation 19 | — | ||
| 14-21 | Goldberg Variations, BWV 988: Variation 20 | — | ||
| 14-22 | Goldberg Variations, BWV 988: Variation 21. Canon on the Seventh | — | ||
| 14-23 | Goldberg Variations, BWV 988: Variation 22. Alla breve | — | ||
| 14-24 | Goldberg Variations, BWV 988: Variation 23 | — | ||
| 14-25 | Goldberg Variations, BWV 988: Variation 24. Canon on the Octave | — | ||
| 14-26 | Goldberg Variations, BWV 988: Variation 25 | — | ||
| 14-27 | Goldberg Variations, BWV 988: Variation 26 | — | ||
| 14-28 | Goldberg Variations, BWV 988: Variation 27. Canon on the Ninth | — | ||
| 14-29 | Goldberg Variations, BWV 988: Variation 28 | — | ||
| 14-30 | Goldberg Variations, BWV 988: Variation 29 | — | ||
| 14-31 | Goldberg Variations, BWV 988: Variation 30. Quodlibet | — | ||
| 14-32 | Goldberg Variations, BWV 988: Aria de Capo | — | ||
| 15-1 | English Suite No. 1 in A major, BWV 806: I. Prelude | — | ||
| 15-2 | English Suite No. 1 in A major, BWV 806: II. Allemande | — | ||
| 15-3 | English Suite No. 1 in A major, BWV 806: III. Courante I | — | ||
| 15-4 | English Suite No. 1 in A major, BWV 806: IV. Courante II | — | ||
| 15-5 | English Suite No. 1 in A major, BWV 806: V. Double I | — | ||
| 15-6 | English Suite No. 1 in A major, BWV 806: VI. Double II | — | ||
| 15-7 | English Suite No. 1 in A major, BWV 806: VII. Sarabande | — | ||
| 15-8 | English Suite No. 1 in A major, BWV 806: VIII. Bourrée I | — | ||
| 15-9 | English Suite No. 1 in A major, BWV 806: IX. Bourrée II | — | ||
| 15-10 | English Suite No. 1 in A major, BWV 806: X. Bourrée I da capo | — | ||
| 15-11 | English Suite No. 1 in A major, BWV 806: XI. Gigue | — | ||
| 15-12 | English Suite No. 2 in A minor, BWV 807: I. Prelude | — | ||
| 15-13 | English Suite No. 2 in A minor, BWV 807: II. Allemande | — | ||
| 15-14 | English Suite No. 2 in A minor, BWV 807: III. Courante | — | ||
| 15-15 | English Suite No. 2 in A minor, BWV 807: IV. Sarabande | — | ||
| 15-16 | English Suite No. 2 in A minor, BWV 807: V. Bourrée I | — | ||
| 15-17 | English Suite No. 2 in A minor, BWV 807: VI. Bourrée II | — | ||
| 15-18 | English Suite No. 2 in A minor, BWV 807: VII. Bourrée I da capo | — | ||
| 15-19 | English Suite No. 2 in A minor, BWV 807: VIII. Gigue | — | ||
| 15-20 | English Suite No. 3 in G minor, BWV 808: I. Prelude | — | ||
| 15-21 | English Suite No. 3 in G minor, BWV 808: II. Allemande | — | ||
| 15-22 | English Suite No. 3 in G minor, BWV 808: III. Courante | — | ||
| 15-23 | English Suite No. 3 in G minor, BWV 808: IV. Sarabande | — | ||
| 15-24 | English Suite No. 3 in G minor, BWV 808: V. Gavotte I | — | ||
| 15-25 | English Suite No. 3 in G minor, BWV 808: VI. Gavotte II | — | ||
| 15-26 | English Suite No. 3 in G minor, BWV 808: VII. Gavotte I da capo | — | ||
| 15-27 | English Suite No. 3 in G minor, BWV 808: VIII. Gigue | — | ||
| 16-1 | English Suite No. 4 in F major, BWV 809: I. Prelude | — | ||
| 16-2 | English Suite No. 4 in F major, BWV 809: II. Allemande | — | ||
| 16-3 | English Suite No. 4 in F major, BWV 809: III. Courante | — | ||
| 16-4 | English Suite No. 4 in F major, BWV 809: IV. Sarabande | — | ||
| 16-5 | English Suite No. 4 in F major, BWV 809: V. Menuet I | — | ||
| 16-6 | English Suite No. 4 in F major, BWV 809: VI. Menuet II | — | ||
| 16-7 | English Suite No. 4 in F major, BWV 809: VII. Menuet I da capo | — | ||
| 16-8 | English Suite No. 4 in F major, BWV 809: VIII. Gigue | — | ||
| 16-9 | English Suite No. 5 in E minor, BWV 810: I. Prelude | — | ||
| 16-10 | English Suite No. 5 in E minor, BWV 810: II. Allemande | — | ||
| 16-11 | English Suite No. 5 in E minor, BWV 810: III. Courante | — | ||
| 16-12 | English Suite No. 5 in E minor, BWV 810: IV. Sarabande | — | ||
| 16-13 | English Suite No. 5 in E minor, BWV 810: V. Passepied I | — | ||
| 16-14 | English Suite No. 5 in E minor, BWV 810: VI. Passepied II | — | ||
| 16-15 | English Suite No. 5 in E minor, BWV 810: VII. Passepied I da capo | — | ||
| 16-16 | English Suite No. 5 in E minor, BWV 810: VIII. Gigue | — | ||
| 16-17 | English Suite No. 6 in D minor, BWV 811: I. Prelude | — | ||
| 16-18 | English Suite No. 6 in D minor, BWV 811: II. Allemande | — | ||
| 16-19 | English Suite No. 6 in D minor, BWV 811: III. Courante | — | ||
| 16-20 | English Suite No. 6 in D minor, BWV 811: IV. Sarabande | — | ||
| 16-21 | English Suite No. 6 in D minor, BWV 811: V. Double | — | ||
| 16-22 | English Suite No. 6 in D minor, BWV 811: VI. Gavotte I | — | ||
| 16-23 | English Suite No. 6 in D minor, BWV 811: VII. Gavotte II | — | ||
| 16-24 | English Suite No. 6 in D minor, BWV 811: VIII. Gavotte I da capo | — | ||
| 16-25 | English Suite No. 6 in D minor, BWV 811: IX. Gigue | — | ||
| 17-1 | Präludium & Fuge Es-Dur/E flat major BWV 552 | — | ||
| 17-2 | Partite sopra “O Gott, du frommer Gott” BWV 767 | — | ||
| 17-3 | Fantasie & Fuge g-Moll/G minor BWV 542 | — | ||
| 17-4 | Choral “Nun komm, der Heiden Heiland” BWV 659 | — | ||
| 17-5 | Choral “Wachet auf, ruft uns die Stimme” BWV 645 | — | ||
| 17-6 | Choral “Ich ruf zu dir, Herr Jesu Christ” BWV 639 | — | ||
| 17-7 | Toccata und Fuge d-Moll, BWV 565 | Ton Koopman | T-909.243.105-5 | |
| 18-1 | Dorische Toccata & Fuge BWV 538: I. Toccata | — | ||
| 18-2 | Dorische Toccata & Fuge BWV 538: II. Fuge | — | ||
| 18-3 | Partita “Sei gegrüsset, Jesu gütig” BWV 768 | — | ||
| 18-4 | Fantasie G-Dur/G major BWV 572 | — | ||
| 18-5 | Trio-Sonate G-Dur/G major BWV 530: I. Vivace | — | ||
| 18-6 | Trio-Sonate G-Dur/G major BWV 530: II. Lento | — | ||
| 18-7 | Trio-Sonate G-Dur/G major BWV 530: III. Allegro | — | ||
| 18-8 | Choral “Vater unser im Himmelreich” BWV 682 | — | ||
| 18-9 | Choral “Jesu Christus, unser Heiland” BWV 688 | — | ||
| 18-10 | Präludium & Fuge a-Moll/A minor BWV 543: I. Präludium | — | ||
| 18-11 | Präludium & Fuge a-Moll/A minor BWV 543: II. Fuge | — | ||
| 19-1 | Toccata, Adagio and Fugue in C major, BWV 564: 1. Toccata | — | ||
| 19-2 | Toccata, Adagio and Fugue in C major, BWV 564: 2. Adagio | — | ||
| 19-3 | Toccata, Adagio and Fugue in C major, BWV 564: 3. Fuge | — | ||
| 19-4 | Trio-Sonate Es-Dur/E flat major BWV 525: I. Allegro Moderato | — | ||
| 19-5 | Trio-Sonate Es-Dur/E flat major BWV 525: II. Adagio | — | ||
| 19-6 | Trio-Sonate Es-Dur/E flat major BWV 525: III. Allegro | — | ||
| 19-7 | Acht kleine Präludien & Fugen BWV 553-560: C-Dur/C major BWV 553 | — | ||
| 19-8 | Acht kleine Präludien & Fugen BWV 553-560: d-Moll/D minor BWV 554 | — | ||
| 19-9 | Acht kleine Präludien & Fugen BWV 553-560: e-Moll/E minor BWV 555 | — | ||
| 19-10 | Acht kleine Präludien & Fugen BWV 553-560: F-Dur/F major BWV 556 | — | ||
| 19-11 | Acht kleine Präludien & Fugen BWV 553-560: G-Dur/G major BWV 557 | — | ||
| 19-12 | Acht kleine Präludien & Fugen BWV 553-560: g-Moll/G minor BWV 558 | — | ||
| 19-13 | Acht kleine Präludien & Fugen BWV 553-560: a-Moll/A minor BWV 559 | — | ||
| 19-14 | Acht kleine Präludien & Fugen BWV 553-560: B-Dur/B flat major BWV 560 | — | ||
| 19-15 | Choral “Aus tiefer Not schrei’ich zu dir” BWV 686 | — | ||
| 19-16 | Präludium & Fuge D-Dur BWV 532: I. Präludium | — | ||
| 19-17 | Präludium & Fuge D-Dur BWV 532: II. Fuge | — | ||
| 20-1 | Sonata No. 1 in G minor, BWV 1001: I. Adagio | — | ||
| 20-2 | Sonata No. 1 in G minor, BWV 1001: II. Fuga (allegro) | — | ||
| 20-3 | Sonata No. 1 in G minor, BWV 1001: III. Siciliana | — | ||
| 20-4 | Sonata No. 1 in G minor, BWV 1001: IV. Presto | — | ||
| 20-5 | Partita No. 1 in B minor, BWV 1002: I. Allemanda | — | ||
| 20-6 | Partita No. 1 in B minor, BWV 1002: II. Double | — | ||
| 20-7 | Partita No. 1 in B minor, BWV 1002: III. Corrente | — | ||
| 20-8 | Partita No. 1 in B minor, BWV 1002: IV. Double - Presto | — | ||
| 20-9 | Partita No. 1 in B minor, BWV 1002: V. Sarabande | — | ||
| 20-10 | Partita No. 1 in B minor, BWV 1002: VI. Double | — | ||
| 20-11 | Partita No. 1 in B minor, BWV 1002: VII. Tempo di Borea | — | ||
| 20-12 | Partita No. 1 in B minor, BWV 1002: VIII. Double | — | ||
| 20-13 | Sonata No. 2 in A minor, BWV 1003: I. Grave | — | ||
| 20-14 | Sonata No. 2 in A minor, BWV 1003: II. Fuga | — | ||
| 20-15 | Sonata No. 2 in A minor, BWV 1003: III. Andante | — | ||
| 20-16 | Sonata No. 2 in A minor, BWV 1003: IV. Allegro | — | ||
| 21-1 | Partita No. 2 in D minor, BWV 1004: I. Allemanda | — | ||
| 21-2 | Partita No. 2 in D minor, BWV 1004: II. Corrente | — | ||
| 21-3 | Partita No. 2 in D minor, BWV 1004: III. Sarabande | — | ||
| 21-4 | Partita No. 2 in D minor, BWV 1004: IV. Giga | — | ||
| 21-5 | Partita No. 2 in D minor, BWV 1004: V. Ciacona | — | ||
| 21-6 | Sonata No. 3 in C major, BWV 1005: I. Adagio | — | ||
| 21-7 | Sonata No. 3 in C major, BWV 1005: II. Fuga | — | ||
| 21-8 | Sonata No. 3 in C major, BWV 1005: III. Largo | — | ||
| 21-9 | Sonata No. 3 in C major, BWV 1005: IV. Allegro assai | — | ||
| 21-10 | Partita No. 3 in E major, BWV 1006: I. Preludio | — | ||
| 21-11 | Partita No. 3 in E major, BWV 1006: II. Loure | — | ||
| 21-12 | Partita No. 3 in E major, BWV 1006: III. Gavotte en Rondeau | — | ||
| 21-13 | Partita No. 3 in E major, BWV 1006: IV. Menuet I - Menuet II - Menuet I | — | ||
| 21-14 | Partita No. 3 in E major, BWV 1006: V. Bourrée | — | ||
| 21-15 | Partita No. 3 in E major, BWV 1006: VI. Gigue | — | ||
| 22-1 | Suite No.1 in G major BWV 1007 - I Prelude | — | ||
| 22-2 | Suite No.1 in G major BWV 1007 - II Allemande | — | ||
| 22-3 | Suite No.1 in G major BWV 1007 - III Courante | — | ||
| 22-4 | Suite No.1 in G major BWV 1007 - IV Sarabande | — | ||
| 22-5 | Suite No.1 in G major BWV 1007 - V Minuet I & II | — | ||
| 22-6 | Suite No.1 in G major BWV 1007 - VI Gigue | — | ||
| 22-7 | Suite No.3 in C major BWV 1009 - I Prelude | — | ||
| 22-8 | Suite No.3 in C major BWV 1009 - II Allemande | — | ||
| 22-9 | Suite No.3 in C major BWV 1009 - III Courante | — | ||
| 22-10 | Suite No.3 in C major BWV 1009 - IV Sarabande | — | ||
| 22-11 | Suite No.3 in C major BWV 1009 - V Bourrée I & II | — | ||
| 22-12 | Suite No.3 in C major BWV 1009 - VI Gigue | — | ||
| 22-13 | Suite No.5 in C minor BWV 1011 - I Prelude | — | ||
| 22-14 | Suite No.5 in C minor BWV 1011 - II Allemande | — | ||
| 22-15 | Suite No.5 in C minor BWV 1011 - III Courante | — | ||
| 22-16 | Suite No.5 in C minor BWV 1011 - IV Sarabande | — | ||
| 22-17 | Suite No.5 in C minor BWV 1011 - V Gavotte I & II | — | ||
| 22-18 | Suite No.5 in C minor BWV 1011 - VI Gigue | — | ||
| 23-1 | Suite No.2 in D minor BWV 1008 - I Prelude | — | ||
| 23-2 | Suite No.2 in D minor BWV 1008 - II Allemande | — | ||
| 23-3 | Suite No.2 in D minor BWV 1008 - III Courante | — | ||
| 23-4 | Suite No.2 in D minor BWV 1008 - IV Sarabande | — | ||
| 23-5 | Suite No.2 in D minor BWV 1008 - V Minuet I & II | — | ||
| 23-6 | Suite No.2 in D minor BWV 1008 - VI Gigue | — | ||
| 23-7 | Suite No.4 in E flat major BWV 1010 - I Prelude | — | ||
| 23-8 | Suite No.4 in E flat major BWV 1010 - II Allemande | — | ||
| 23-9 | Suite No.4 in E flat major BWV 1010 - III Courante | — | ||
| 23-10 | Suite No.4 in E flat major BWV 1010 - IV Sarabande | — | ||
| 23-11 | Suite No.4 in E flat major BWV 1010 - V Bourrée I & II | — | ||
| 23-12 | Suite No.4 in E flat major BWV 1010 - VI Gigue | — | ||
| 23-13 | Suite No.6 in D major BWV 1012 - I Prelude | — | ||
| 23-14 | Suite No.6 in D major BWV 1012 - II Allemande | — | ||
| 23-15 | Suite No.6 in D major BWV 1012 - III Courante | — | ||
| 23-16 | Suite No.6 in D major BWV 1012 - IV Sarabande | — | ||
| 23-17 | Suite No.6 in D major BWV 1012 - V Gavotte I & II | — | ||
| 23-18 | Suite No.6 in D major BWV 1012 - VI Gigue | — | ||
| 24-1 | Musikalisches Opfer BWV1079: Ricercare a 3 | — | ||
| 24-2 | Musikalisches Opfer BWV1079: Ricercare a 6 | — | ||
| 24-3 | Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo: Largo | — | ||
| 24-4 | Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo: Allegro | — | ||
| 24-5 | Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo: Andante | — | ||
| 24-6 | Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo: Allegro | — | ||
| 24-7 | Thematis Regii, Elaborationes Canonicae: Canon a 2 cancrizans | — | ||
| 24-8 | Thematis Regii, Elaborationes Canonicae: Canon a 2 in unisono | — | ||
| 24-9 | Thematis Regii, Elaborationes Canonicae: Canon a 2 motum contrarium | — | ||
| 24-10 | Thematis Regii, Elaborationes Canonicae: Canon a 2 per augmentationum contrario motu | — | ||
| 24-11 | Thematis Regii, Elaborationes Canonicae: Canon a 2 per tonos | — | ||
| 24-12 | Thematis Regii, Elaborationes Canonicae: Fuga canonica in Epidiapente | — | ||
| 24-13 | Thematis Regii, Elaborationes Canonicae: Canon perpetuus super Thema Regium | — | ||
| 24-14 | Thematis Regii, Elaborationes Canonicae: Canon a 2 | — | ||
| 24-15 | Thematis Regii, Elaborationes Canonicae: Canon a 4 | — | ||
| 24-16 | Thematis Regii, Elaborationes Canonicae: Canon perpetuus | — | ||
| 24-17 | Canons BWV 1072-1078: Canon a 8, BWV 1072 | — | ||
| 24-18 | Canons BWV 1072-1078: Canon a 4, BWV 1073 | — | ||
| 24-19 | Canons BWV 1072-1078: Canon a 4, BWV 1074 (part 1) | — | ||
| 24-20 | Canons BWV 1072-1078: Canon a 4, BWV 1074 (part 2) | — | ||
| 24-21 | Canons BWV 1072-1078: Canon a 2, BWV 1075 | — | ||
| 24-22 | Canons BWV 1072-1078: Canon a 6, BWV 1076 | — | ||
| 24-23 | Canons BWV 1072-1078: Canon a 4, BWV 1077 | — | ||
| 24-24 | Canons BWV 1072-1078: Canon a 7, BWV 1078 | — | ||
| 24-25 | Canons BWV 1072-1078: Canon a 2, BWV deest | — | ||
| 24-26 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon simplex | — | ||
| 24-27 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: All' roverscio | — | ||
| 24-28 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Beide zugleich, motu recto e contrario | — | ||
| 24-29 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Motu contrario e recto | — | ||
| 24-30 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon duplex a 4 | — | ||
| 24-31 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon simplex über besagtes Fundament a 3 | — | ||
| 24-32 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Idem a 3 | — | ||
| 24-33 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon simplex a 3 | — | ||
| 24-34 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon in unisono post semi fugam a 3 | — | ||
| 24-35 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Alio modo | — | ||
| 24-36 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Evolutio | — | ||
| 24-37 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon duplex a 5 | — | ||
| 24-38 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon duplex a 5 | — | ||
| 24-39 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon triplex a 6 | — | ||
| 24-40 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon a 4 augumentationem et diminutionem | — | ||
| 25-1 | Sonata No. 1, BWV 1014: I. Adagio | — | ||
| 25-2 | Sonata No. 1, BWV 1014: II. Allegro | — | ||
| 25-3 | Sonata No. 1, BWV 1014: III. Andante | — | ||
| 25-4 | Sonata No. 1, BWV 1014: IV. Allegro | — | ||
| 25-5 | Sonata No. 2, BWV 1015: I. Without tempo indication | — | ||
| 25-6 | Sonata No. 2, BWV 1015: II. Allegro assai | — | ||
| 25-7 | Sonata No. 2, BWV 1015: III. Andante | — | ||
| 25-8 | Sonata No. 2, BWV 1015: IV. Presto | — | ||
| 25-9 | Sonata No. 3, BWV 1016: I. Adagio | — | ||
| 25-10 | Sonata No. 3, BWV 1016: II. Allegro | — | ||
| 25-11 | Sonata No. 3, BWV 1016: III. Adagio ma non tanto | — | ||
| 25-12 | Sonata No. 3, BWV 1016: IV. Allegro | — | ||
| 26-1 | Sonata No. 4 in C minor, BWV 1017: I. Siciliano, largo | — | ||
| 26-2 | Sonata No. 4 in C minor, BWV 1017: II. Allegro | — | ||
| 26-3 | Sonata No. 4 in C minor, BWV 1017: III. Adagio | — | ||
| 26-4 | Sonata No. 4 in C minor, BWV 1017: IV. Allegro | — | ||
| 26-5 | Sonata No. 5 in F minor, BWV 1018: I. Largo | — | ||
| 26-6 | Sonata No. 5 in F minor, BWV 1018: II. Allegro | — | ||
| 26-7 | Sonata No. 5 in F minor, BWV 1018: III. Adagio | — | ||
| 26-8 | Sonata No. 5 in F minor, BWV 1018: IV. Vivace | — | ||
| 26-9 | Sonata No. 6 in G major, BWV 1019: I. Allegro | — | ||
| 26-10 | Sonata No. 6 in G major, BWV 1019: II. Largo | — | ||
| 26-11 | Sonata No. 6 in G major, BWV 1019: III. Allegro | — | ||
| 26-12 | Sonata No. 6 in G major, BWV 1019: IV. Adagio | — | ||
| 26-13 | Sonata No. 6 in G major, BWV 1019: V. Allegro | — | ||
| 27-1 | Lobet den Herrn, alle Heiden, BWV 230 | — | ||
| 27-2 | Komm, Jesu, Komm, BWV 229 | — | ||
| 27-3 | Singet den Herrn ein neues Lied, BWV 225 | — | ||
| 27-4 | Jesu, meine Freude, BWV 227 | — | ||
| 27-5 | Der Geist hilft unser Schwachheit auf, BWV 226 | — | ||
| 27-6 | Fürchte dich nicht, ich bin bei dir, BWV 228 | — | ||
| 28-1 | Easter Oratorio, BWV 249: I. Sinfonia | — | ||
| 28-2 | Easter Oratorio, BWV 249: II. Adagio | — | ||
| 28-3 | Easter Oratorio, BWV 249: III. Duet & Chorus "Kommt, eilet und laufet" | — | ||
| 28-4 | Easter Oratorio, BWV 249: IV. Recitative "O kalter Männer Sinn!" | — | ||
| 28-5 | Easter Oratorio, BWV 249: V. Aria "Seele, deine Spezereien" | — | ||
| 28-6 | Easter Oratorio, BWV 249: VI. Recitative "Hier ist die Gruft" | — | ||
| 28-7 | Easter Oratorio, BWV 249: VII. Aria "Sanfte soll mein Todeskummer" | — | ||
| 28-8 | Easter Oratorio, BWV 249: VIII. Recitative "Indessen seufzen wir" | — | ||
| 28-9 | Easter Oratorio, BWV 249: IX. Aria "Saget, saget mir geschwinde" | — | ||
| 28-10 | Easter Oratorio, BWV 249: X. Recitative "Wir sind erfreut" | — | ||
| 28-11 | Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank" | — | ||
| 28-12 | Easter Oratorio, BWV 249: XII. Chorale "Es hat mit uns nun keine Not" | — | ||
| 29-1 | Matthäus-Passion, BWV 244: Teil I, I. Coro "Kommt, ihr Töchter, helft mir klagen" - Corale "O Lamm Gottes, unschuldig" | — | ||
| 29-2 | Matthäus-Passion, BWV 244: Teil I, II. "Da Jesus diese Rede vollendet hatte" (Evangelista, Jesus) | — | ||
| 29-3 | Matthäus-Passion, BWV 244: Teil I, III. Corale "Herzliebster Jesu, was hast du verbrochen" | — | ||
| 29-4 | Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) | — | ||
| 29-5 | Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest" | — | ||
| 29-6 | Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista) | — | ||
| 29-7 | Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat" | — | ||
| 29-8 | Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus) | — | ||
| 29-9 | Matthäus-Passion, BWV 244: Teil I, V. Recitativo (Alto) "Du lieber Heiland du" | — | ||
| 29-10 | Matthäus-Passion, BWV 244: Teil I, VI. Aria (Alto) "Buss und Reu" | — | ||
| 29-11 | Matthäus-Passion, BWV 244: Teil I, VII. "Da ging hin der Zwölfen einer" (Evangelista, Judas) | — | ||
| 29-12 | Matthäus-Passion, BWV 244: Teil I, VIII. Aria (Soprano) "Blute nur, du liebes Herz" | — | ||
| 29-13 | Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista) | — | ||
| 29-14 | Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" | — | ||
| 29-15 | Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus) | — | ||
| 29-16 | Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista) | — | ||
| 29-17 | Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs" | — | ||
| 29-18 | Matthäus-Passion, BWV 244: Teil I, X. Corale "Ich bin's, ich sollte büssen" | — | ||
| 29-19 | Matthäus-Passion, BWV 244: Teil I, XI. "Er antwortete und sprach" (Evangelista, Jesus, Judas) | — | ||
| 29-20 | Matthäus-Passion, BWV 244: Teil I, XII. Recitativo (Soprano) "Wiewohl mein Herz in Tränen schwimmt" | — | ||
| 29-21 | Matthäus-Passion, BWV 244: Teil I, XIII. Aria (Soprano) "Ich will dir mein Herze schenken" | — | ||
| 29-22 | Matthäus-Passion, BWV 244: Teil I, XIV. "Und da sie den Lobgesang gesprochen hatten" (Evangelista, Judas) | — | ||
| 29-23 | Matthäus-Passion, BWV 244: Teil I, XV. Corale "Erkenne mich, mein Hüter" | — | ||
| 29-24 | Matthäus-Passion, BWV 244: Teil I, XVI. "Petrus aber antwortete und sprach zu ihm" (Evangelista, Petrus, Jesus) | — | ||
| 29-25 | Matthäus-Passion, BWV 244: Teil I, XVII. Corale "Ich will hier bei dir stehen" | — | ||
| 29-26 | Matthäus-Passion, BWV 244: Teil I, XVIII. "Da kam Jesus mit ihnen zu einen Hofe" (Evangelista, Jesus) | — | ||
| 29-27 | Matthäus-Passion, BWV 244: Teil I, XIX. Corale "Was ist die Ursach' aller solcher Plagen" | — | ||
| 29-28 | Matthäus-Passion, BWV 244: Teil I, XX. Coro "So schlafen unsre Sünden ein" | — | ||
| 29-29 | Matthäus-Passion, BWV 244: Teil I, XXI. "Und ging hin ein wenig" (Evangelista, Jesus) | — | ||
| 29-30 | Matthäus-Passion, BWV 244: Teil I, XXII. Recitativo (Basso) "Der Heiland fällt vor seinem Vater nieder" | — | ||
| 29-31 | Matthäus-Passion, BWV 244: Teil I, XXIII. Aria (Basso) "Gerne will ich mich bequemen" | — | ||
| 29-32 | Matthäus-Passion, BWV 244: Teil I, XXIV. "Und er kam zu seinen Jüngern" (Evangelista, Jesus) | — | ||
| 29-33 | Matthäus-Passion, BWV 244: Teil I, XXV. Corale "Was mein Gott will, das g'scheh allzeit" | — | ||
| 29-34 | Matthäus-Passion, BWV 244: Teil I, XXVI. "Und er kam und fand sie aber schlafend" (Evangelista, Jesus, Judas) | — | ||
| 29-35 | Matthäus-Passion, BWV 244: Teil I, XXVIIa. Coro "Lasst ihn, haltet, bindet nicht" | — | ||
| 29-36 | Matthäus-Passion, BWV 244: Teil I, XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" | — | ||
| 29-37 | Matthäus-Passion, BWV 244: Teil I, XXVIII. "Und siehe, einer aus denen, die mit Jesu waren" (Evangelista, Jesus) | — | ||
| 29-38 | Matthäus-Passion, BWV 244: Teil I, XXIX. Corale "O Mensch, bewein dein Sünde gross" | — | ||
| 30-1 | Matthäus-Passion, BWV 244: Teil II, XXX. Coro "Wo ist denn dein Freund hingegangen" | — | ||
| 30-2 | Matthäus-Passion, BWV 244: Teil II, XXXI. "Die aber Jesum gegriffen hatten" (Evangelista) | — | ||
| 30-3 | Matthäus-Passion, BWV 244: Teil II, XXXII. Corale "Mir hat die Welt trüglich gericht'" | — | ||
| 30-4 | Matthäus-Passion, BWV 244: Teil II, XXXIII. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista, Testis I/II, Pontifex) | — | ||
| 30-5 | Matthäus-Passion, BWV 244: Teil II, XXXIV. Recitativo (Tenore) "Mein Jesus schweigt zu falschen Lügen stille" | — | ||
| 30-6 | Matthäus-Passion, BWV 244: Teil II, XXXV. Aria (Tenore) "Geduld! Wenn mich falsche Zungen stechen" | — | ||
| 30-7 | Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) | — | ||
| 30-8 | Matthäus-Passion, BWV 244: Teil II, XXXVIb. Cori "Er ist des Todes schuldig" | — | ||
| 30-9 | Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) | — | ||
| 30-10 | Matthäus-Passion, BWV 244: Teil II, XXXVId. Cori "Weissage uns, Christe" | — | ||
| 30-11 | Matthäus-Passion, BWV 244: Teil II, XXXVII. Corale "Wer hat dich so geschlagen" | — | ||
| 30-12 | Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber sass draussen im Palast" (Evangelista, Ancilla I/II, Petrus) | — | ||
| 30-13 | Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" | — | ||
| 30-14 | Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) | — | ||
| 30-15 | Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" | — | ||
| 30-16 | Matthäus-Passion, BWV 244: Teil II, XL. Corale "Bin ich gleich von dir gewichen" | — | ||
| 30-17 | Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) | — | ||
| 30-18 | Matthäus-Passion, BWV 244: Teil II, XLIb. Cori "Was gehet uns das an?" | — | ||
| 30-19 | Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) | — | ||
| 30-20 | Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" | — | ||
| 30-21 | Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) | — | ||
| 30-22 | Matthäus-Passion, BWV 244: Teil II, XLIV. Corale "Befiehl du deine Wege" | — | ||
| 30-23 | Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) | — | ||
| 30-24 | Matthäus-Passion, BWV 244: Teil II, XLVb. Cori "Lass ihn kreuzigen" | — | ||
| 30-25 | Matthäus-Passion, BWV 244: Teil II, XLVI. Corale "Wie wunderbarlich ist doch diese Strafe" | — | ||
| 30-26 | Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) | — | ||
| 30-27 | Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" | — | ||
| 30-28 | Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" | — | ||
| 31-1 | Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) | — | ||
| 31-2 | Matthäus-Passion, BWV 244: Teil II, Lb. Cori "Lass ihn kreuzigen" | — | ||
| 31-3 | Matthäus-Passion, BWV 244: Teil II, Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) | — | ||
| 31-4 | Matthäus-Passion, BWV 244: Teil II, Ld. Cori "Sein Blut komme über uns" | — | ||
| 31-5 | Matthäus-Passion, BWV 244: Teil II, Le. "Da gab er ihnen Barrabam los" (Evangelista) | — | ||
| 31-6 | Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" | — | ||
| 31-7 | Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" | — | ||
| 31-8 | Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) | — | ||
| 31-9 | Matthäus-Passion, BWV 244: Teil II, LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" | — | ||
| 31-10 | Matthäus-Passion, BWV 244: Teil II, LIIIc. "Und speieten ihn an" (Evangelista) | — | ||
| 31-11 | Matthäus-Passion, BWV 244: Teil II, LIV. Corale "O Haupt voll Blut und Wunden" | — | ||
| 31-12 | Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) | — | ||
| 31-13 | Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" | — | ||
| 31-14 | Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süsses Kreuz, so will ich sagen" | — | ||
| 31-15 | Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" (Evangelista) | — | ||
| 31-16 | Matthäus-Passion, BWV 244: Teil II, LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" | — | ||
| 31-17 | Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista) | — | ||
| 31-18 | Matthäus-Passion, BWV 244: Teil II, LVIIId. Cori "Andern hat er geholfen" | — | ||
| 31-19 | Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) | — | ||
| 31-20 | Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" | — | ||
| 31-21 | Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" | — | ||
| 31-22 | Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) | — | ||
| 31-23 | Matthäus-Passion, BWV 244: Teil II, LXIb. Coro "Der rufet dem Elias" | — | ||
| 31-24 | Matthäus-Passion, BWV 244: Teil II, LXIc. "Und bald lief einer unter ihnen" (Evangelista) | — | ||
| 31-25 | Matthäus-Passion, BWV 244: Teil II, LXId. Coro "Halt! lass sehen" | — | ||
| 31-26 | Matthäus-Passion, BWV 244: Teil II, LXIe. "Aber Jesus schriee abermal" (Evangelista) | — | ||
| 31-27 | Matthäus-Passion, BWV 244: Teil II, LXII. Corale "Wenn ich einmal soll scheiden" | — | ||
| 31-28 | Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) | — | ||
| 31-29 | Matthäus-Passion, BWV 244: Teil II, LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" | — | ||
| 31-30 | Matthäus-Passion, BWV 244: Teil II, LXIIIc. "Und es waren viel Weiber da" (Evangelista) | — | ||
| 31-31 | Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" | — | ||
| 31-32 | Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" | — | ||
| 31-33 | Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) | — | ||
| 31-34 | Matthäus-Passion, BWV 244: Teil II, LXVIb. Cori "Herr, wir haben gedacht" | — | ||
| 31-35 | Matthäus-Passion, BWV 244: Teil II, LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) | — | ||
| 31-36 | Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" | — | ||
| 31-37 | Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" | — | ||
| 32-1 | Johannes-Passion, BWV 245: I. Verrat und Gefangennahme - Chor - Herr, unser Herrscher | — | ||
| 32-2 | Johannes-Passion, BWV 245: II. Evangelist, Jesus, Chor - Jesus ging mit seinen Jüngern | — | ||
| 32-3 | Johannes-Passion, BWV 245: III. Choral - O große Lieb | — | ||
| 32-4 | Johannes-Passion, BWV 245: IV. Evangelist, Jesus - Auf dass das Wort erfüllet wurde | — | ||
| 32-5 | Johannes-Passion, BWV 245: V. Choral - Dein Wille geschehe, Herr Gott, zugleich | — | ||
| 32-6 | Johannes-Passion, BWV 245: VI. Evangelist - Die Schar aber und der Oberhauptmann | — | ||
| 32-7 | Johannes-Passion, BWV 245: VII. Arie (Alt) - Von der Stricken meiner Sünden | — | ||
| 32-8 | Johannes-Passion, BWV 245: VIII. Verhör -Evangelist - Simon Petrus aber folgete Jesus nach | — | ||
| 32-9 | Johannes-Passion, BWV 245: IX. Arie (Sopran) - Ich folge dir gleichfalls mit freudigen Schritten | — | ||
| 32-10 | Johannes-Passion, BWV 245: X. Evangelist, Magd, Petrus, Jesus, Jünger - Derselbige Jünger war dem Hohenpriester bekannt | — | ||
| 32-11 | Johannes-Passion, BWV 245: XI. Choral - Wer hat dich so geschlagen? | — | ||
| 32-12 | Johannes-Passion, BWV 245: XII. Evangelist, Chor, Petrus, Jünger - Und Hannas sandte ihn gebunden | — | ||
| 32-13 | Johannes-Passion, BWV 245: XIII. Arie (Tenor) - Ach, mein Sinn | — | ||
| 32-14 | Johannes-Passion, BWV 245: XIV. Choral - Petrus, der nicht denkt zurück | — | ||
| 32-15 | Johannes-Passion, BWV 245: XV. Verhör und Geißelung - Choral - Christus, der uns selig macht | — | ||
| 32-16 | Johannes-Passion, BWV 245: XVI. Evangelist, Pilatus, Chor, Jesus - Da führeten sie Jesum | — | ||
| 32-17 | Johannes-Passion, BWV 245: XVII. Choral - Ach großer König | — | ||
| 32-18 | Johannes-Passion, BWV 245: XVIII. Evangelist, Pilatus, Jesus, Chor - Da sprach Pilatus zu ihm | — | ||
| 32-19 | Johannes-Passion, BWV 245: XIX. Arioso (Bass) - Betrachte, meine Seele | — | ||
| 32-20 | Johannes-Passion, BWV 245: XX. Arie (Tenor) - Erwäge, wie sein blutgefärbter Rücken | — | ||
| 32-21 | Johannes-Passion, BWV 245: XXI. Evangelist, Chor, Pilatus, Jesus - Und die Kriegsknechte flochten eine Krone | — | ||
| 32-22 | Johannes-Passion, BWV 245: XXII. Chor - Durch dein Gefängnis, Gottes Sohn | — | ||
| 32-23 | Johannes-Passion, BWV 245: XXIII. Evangelist, Chor, Pilatus - Die Juden aber schrieen und sprachen | — | ||
| 32-24 | Johannes-Passion, BWV 245: XXIV. Arie (Bass) mit Chor - Eilt, ihr angefochtnen Seelen | — | ||
| 32-25 | Johannes-Passion, BWV 245: XXV. Evangelist, Chor, Pilatus - Allda kreuzigten sie ihn | — | ||
| 32-26 | Johannes-Passion, BWV 245: XXVI. Choral - In meines Herzens Grunde | — | ||
| 33-1 | Johannes-Passion, BWV 245: XXVII. Die Kriegsknechte aber: Recitativ | — | ||
| 33-2 | Johannes-Passion, BWV 245: XXVIII. Er nahm alles wohl in acht: Choral | — | ||
| 33-3 | Johannes-Passion, BWV 245: XXIX. Und von Stund an nahm sie die Jünger: Recitativ | — | ||
| 33-4 | Johannes-Passion, BWV 245: XXX. Es ist vollbracht!: Arie (Alt) | — | ||
| 33-5 | Johannes-Passion, BWV 245: XXXI. Und neiget das Haupt und verschied: Recitativ | — | ||
| 33-6 | Johannes-Passion, BWV 245: XXXII. Mein teurer Heiland, lass dich fragen: Aria (Bass) | — | ||
| 33-7 | Johannes-Passion, BWV 245: XXXIII. Und siehe da, der Vorhang im Tempel zerriss: Recitativ | — | ||
| 33-8 | Johannes-Passion, BWV 245: XXXIV. Mein Herz, in dem die ganze Welt: Arioso (Tenor) | — | ||
| 33-9 | Johannes-Passion, BWV 245: XXXV. Zerfließe mein Herze: Arie (Sopran) | — | ||
| 33-10 | Johannes-Passion, BWV 245: XXXVI. Die Juden aber, dieweil es der Rüsttag war: Recitativ | — | ||
| 33-11 | Johannes-Passion, BWV 245: XXXVII. O hilf, Christe, Gottes Sohn: Choral | — | ||
| 33-12 | Johannes-Passion, BWV 245: XXXVIII. Darnach bat Pilatum Joseph von Arimathia: Recitativ | — | ||
| 33-13 | Johannes-Passion, BWV 245: XXXIX. Ruht wohl, ihr heiligen Gebeine: Chor | — | ||
| 33-14 | Johannes-Passion, BWV 245: XL. Ach Herr, lass dein lieb Engelein: Choral | — | ||
| 34-1 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": I. Coro "Ein' feste Burg ist unser Gott" | — | ||
| 34-2 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": II. Aria (Soprano, Basso) "Mit unser Macht" | — | ||
| 34-3 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": III. Recitativo (Basso) "Erwäge doch, Kind Gottes" | — | ||
| 34-4 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": IV. Aria (Soprano) "Komm in mein Herzenshaus" | — | ||
| 34-5 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": V. Choral (Coro) "Und wenn die Welt voll Teufel wär" | — | ||
| 34-6 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": VI. Recitativo (Tenore) "So stehe denn bei Christi" | — | ||
| 34-7 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": VII. Duetto (Alto, Tenore) "Wie selig sind doch die" | — | ||
| 34-8 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": VIII. Choral (Coro) "Das Wort sie sollen lassen stahn" | — | ||
| 34-9 | Cantata, BWV 82 "Ich habe genug": I. Aria (Basso) "Ich habe genug" | — | ||
| 34-10 | Cantata, BWV 82 "Ich habe genug": II. Recitativo (Basso) "Ich habe genug!" | — | ||
| 34-11 | Cantata, BWV 82 "Ich habe genug": III. Aria (Basso) "Schlummert ein, ihr matten Augen" | — | ||
| 34-12 | Cantata, BWV 82 "Ich habe genug": IV. Recitativo (Basso) "Mein Gott! wann kommt das schöne" | — | ||
| 34-13 | Cantata, BWV 82 "Ich habe genug": V. Aria (Basso) "Ich freue mich auf meinen Tod" | — | ||
| 34-14 | Cantata, BWV 61 "Nun komm, der Heiden Heiland": I. Ouvertüre (Coro) "Nun komm, der Heiden Heiland" | — | ||
| 34-15 | Cantata, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore) "Der Heiland ist gekommen" | — | ||
| 34-16 | Cantata, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche" | — | ||
| 34-17 | Cantata, BWV 61 "Nun komm, der Heiden Heiland": IV. Recitativo (Basso) "Siehe, ich stehe vor der Tür" | — | ||
| 34-18 | Cantata, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze" | — | ||
| 34-19 | Cantata, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral (Coro) "Amen, Amen!" | — | ||
| 35-1 | Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": I. Sonatina | — | ||
| 35-2 | Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" / IIb. Arioso (Tenore) "Ach, Herr, lehre uns bedenken" / IIc. Aria (Basso) "Bestelle dein Haus" / IId. Coro "Es ist der alte Bund" | — | ||
| 35-3 | Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IIIa. Aria (Alto) "In deine Hände befehl ich meinen Geist" / IIIb. Arioso e Choral (Basso, Alto) "Heute wirst du mit mir im Paradies sein" | — | ||
| 35-4 | Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IV. Coro "Glorie, Lob, Ehr und Herrlichkeit" | — | ||
| 35-5 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": I. Recitativo (Soprano) "Mein Herze schwimmt im Blut" | — | ||
| 35-6 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": II. Aria (Soprano) "Stumme Seufzer, stille Klagen" | — | ||
| 35-7 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": III. Recitativo (Soprano) "Doch Gott muß mir genädig sein" | — | ||
| 35-8 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": IV. Aria (Soprano) "Tief gebückt und voller Reue" | — | ||
| 35-9 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": V. Recitativo (Soprano) "Auf diese Schmerzensreu" | — | ||
| 35-10 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": VI. Choral (Soprano) "Ich, dein betrübtes Kind" | — | ||
| 35-11 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": VII. Recitativo (Soprano) "Ich lege mich in diese Wunden" | — | ||
| 35-12 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria (Soprano) "Wie freudig ist mein Herz" | — | ||
| 35-13 | Cantata, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alto) "Komm, du süße Todesstunde" | — | ||
| 35-14 | Cantata, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenore) "Welt, deine Lust ist Last" | — | ||
| 35-15 | Cantata, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenore) "Mein Verlangen" | — | ||
| 35-16 | Cantata, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alto) "Der Schluß ist schon gemacht" | — | ||
| 35-17 | Cantata, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille" | — | ||
| 35-18 | Cantata, BWV 161 "Komm, du süße Todesstunde": VI. Choral (Coro) "Der Leib zwar in der Erden" | — | ||
| 36-1 | Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": I. Coro "Man singet mit Freuden vom Sieg in den Hütten der Gerechten" | — | ||
| 36-2 | Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": II. Aria (Basso) "Kraft und Stärke sei gesungen" | — | ||
| 36-3 | Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": III. Recitativo (Alto) "Ich fürchte mich vor tausend Feinden nicht" | — | ||
| 36-4 | Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": IV. Aria (Soprano) "Gottes Engel weichen nie" | — | ||
| 36-5 | Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": V. Recitativo (Tenore) "Ich danke dir, mein lieber Gott" | — | ||
| 36-6 | Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": VI. Aria (Duetto: Alto, Tenore) "Seid wachsam, ihr heiligen Wächter" | — | ||
| 36-7 | Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": VII. Choral "Ach Herr, lass dein lieb Engelein" | — | ||
| 36-8 | Cantata, BWV 69 "Lobe den Herrn, meine Seele": I. Recitativo (Soprano) "Wie groß ist Gottes Güte doch!" | — | ||
| 36-9 | Cantata, BWV 69 "Lobe den Herrn, meine Seele": II. Aria (Alto) "Meine Seele, Auf! erzähle" | — | ||
| 36-10 | Cantata, BWV 69 "Lobe den Herrn, meine Seele": III. Recitativo (Tenore) "Der Herr hat große Ding an uns getan" | — | ||
| 36-11 | Cantata, BWV 69 "Lobe den Herrn, meine Seele": IV. Choral "Es danke, Gott, und lobe dich" | — | ||
| 36-12 | Cantata, BWV 169 "Gott soll allein mein Herze haben": I. Sinfonia | — | ||
| 36-13 | Cantata, BWV 169 "Gott soll allein mein Herze haben": II. Arioso (Alto) "Gott soll allein mein Herze haben" | — | ||
| 36-14 | Cantata, BWV 169 "Gott soll allein mein Herze haben": III. Aria (Alto) "Gott soll allein mein Herze haben" | — | ||
| 36-15 | Cantata, BWV 169 "Gott soll allein mein Herze haben": IV. Recitativo (Alto) "Was ist die Liebe Gottes?" | — | ||
| 36-16 | Cantata, BWV 169 "Gott soll allein mein Herze haben": V. Aria (Alto) "Stirb in mir" | — | ||
| 36-17 | Cantata, BWV 169 "Gott soll allein mein Herze haben": VI. Recitativo (Alto) "Doch meint es auch dabei" | — | ||
| 36-18 | Cantata, BWV 169 "Gott soll allein mein Herze haben": VII. Choral "Du süße Liebe, schenk uns deine Gunst" | — | ||
| 37-1 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": I. Coro "Bleib bei uns, denn es will Abend werden" | — | ||
| 37-2 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn" | — | ||
| 37-3 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ" | — | ||
| 37-4 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": IV. Recitativo (Basso) "Es hat die Dunkelheit" | — | ||
| 37-5 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": V. Aria (Tenore) "Jesu, lass uns auf dich sehen" | — | ||
| 37-6 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": VI. Choral "Beweis dein Macht, Herr Jesu Christ" | — | ||
| 37-7 | Cantata, BWV 163 "Nur jedem das Seine!": I. Aria (Tenore) "Nur jedem das Seine!" | — | ||
| 37-8 | Cantata, BWV 163 "Nur jedem das Seine!": II. Recitativo (Basso) "Du bist, mein Gott, der Geber aller Gaben" | — | ||
| 37-9 | Cantata, BWV 163 "Nur jedem das Seine!": III. Aria (Basso) "Laß mein Herz die Münze sein" | — | ||
| 37-10 | Cantata, BWV 163 "Nur jedem das Seine!": IV. Arioso (Duetto: Soprano, Alto) "Ich wollte dir, o Gott, das Herze gerne geben" | — | ||
| 37-11 | Cantata, BWV 163 "Nur jedem das Seine!": V. Aria (Duetto: Soprano, Alto) "Nimm mich mir und gib mich dir!" | — | ||
| 37-12 | Cantata, BWV 163 "Nur jedem das Seine!": VI. Choral "Führ auch mein Herz und Sinn" | — | ||
| 37-13 | Cantata, BWV 96 "Herr Christ, der einge Gottessohn": I. Coro "Herr Christ, der einge Gottessohn" | — | ||
| 37-14 | Cantata, BWV 96 "Herr Christ, der einge Gottessohn": II. Recitativo (Alto) "O Wunderkraft der Liebe" | — | ||
| 37-15 | Cantata, BWV 96 "Herr Christ, der einge Gottessohn": III. Aria (Tenore) "Ach, ziehe die Seele mit Seilen der Liebe" | — | ||
| 37-16 | Cantata, BWV 96 "Herr Christ, der einge Gottessohn": IV. Recitativo (Soprano) "Ach, führe mich, o Gott, zum rechten Wege" | — | ||
| 37-17 | Cantata, BWV 96 "Herr Christ, der einge Gottessohn": V. Aria (Basso) "Bald zur Rechten, bald zur Linken" | — | ||
| 37-18 | Cantata, BWV 96 "Herr Christ, der einge Gottessohn": VI. Choral "Ertöt uns durch dein Güte" | — | ||
| 38-1 | Cantata, BWV 60 "O Ewigkeit, du Donnerwort II": I. Aria (Tenore) e Choral (Alto) "O Ewigkeit, du Donnerwort" | — | ||
| 38-2 | Cantata, BWV 60 "O Ewigkeit, du Donnerwort II": II. Recitativo (Alto, Tenore) "O schwerer Gang zum letzten Kampf und Streite!" | — | ||
| 38-3 | Cantata, BWV 60 "O Ewigkeit, du Donnerwort II": III. Aria (Duetto: Alto, Tenore) "Mein letztes Lager will mich schrecken" | — | ||
| 38-4 | Cantata, BWV 60 "O Ewigkeit, du Donnerwort II": IV. Recitativo (Alto) e Arioso (Basso) "Der Tod bleibt doch der menschlichen Natur verhasst" | — | ||
| 38-5 | Cantata, BWV 60 "O Ewigkeit, du Donnerwort II": V. Choral "Es ist genug" | — | ||
| 38-6 | Cantata, BWV 78 "Jesu, der du meine Seele": I. Coro "Jesu, der du meine Seele" | — | ||
| 38-7 | Cantata, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto: Soprano, Alto) "Wir eilen mit schwachen, doch emsigen Schritten" | — | ||
| 38-8 | Cantata, BWV 78 "Jesu, der du meine Seele": III. Recitativo (Tenore) "Ach! ich bin ein Kind der Sünden" | — | ||
| 38-9 | Cantata, BWV 78 "Jesu, der du meine Seele": IV. Aria (Tenore) "Das Blut, so meine Schuld durchstreicht" | — | ||
| 38-10 | Cantata, BWV 78 "Jesu, der du meine Seele": V. Recitativo (Basso) "Die Wunden, Nägel, Kron und Grab" | — | ||
| 38-11 | Cantata, BWV 78 "Jesu, der du meine Seele": VI. Aria (Basso) "Nun du wirst mein Gewissen stillen" | — | ||
| 38-12 | Cantata, BWV 78 "Jesu, der du meine Seele": VII. Choral "Herr, ich glaube, hilf mir Schwachen" | — | ||
| 38-13 | Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": I. Aria (Soprano) "Süßer Trost, mein Jesus kömmt" | — | ||
| 38-14 | Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": II. Recitativo (Basso) "Erfreue dich, mein Herz" | — | ||
| 38-15 | Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": III. Aria (Alto) "In Jesu Demut kann ich Trost" | — | ||
| 38-16 | Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": IV. Recitativo (Tenore) "Du teurer Gottessohn" | — | ||
| 38-17 | Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": V. Choral "Heut schleußt er wieder auf die Tür" | — | ||
| 39-1 | Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: I. Coro (Soprano, Alto, Tenore, Basso): Dem Gerechten muß das Licht | — | ||
| 39-2 | Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: II. Recitativo (Basso): Dem Freudenlicht gerechter Frommen | — | ||
| 39-3 | Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: II. Aria (Basso): Rühmet Gottes Güt und Treu | — | ||
| 39-4 | Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: IV. Recitativo (Soprano): Wohlan, so knüpfet denn ein Band | — | ||
| 39-5 | Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: V. Coro (Soprano, Alto, Tenore, Basso): Wir kommen, deine Heiligkeit Nach der Trauung | — | ||
| 39-6 | Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: VI. Choral (Coro): Nun danket all und bringet Ehr | — | ||
| 39-7 | Wie Schön Leuchtet Der Morgenstern, BWV 1: I. Coro: Wie schön leuchtet der Morgenstern | — | ||
| 39-8 | Wie Schön Leuchtet Der Morgenstern, BWV 1: II. Recitativo (Tenore): Du wahrer Gottes und Marien Sohn | — | ||
| 39-9 | Wie Schön Leuchtet Der Morgenstern, BWV 1: III. Aria (Soprano): Erfüllet, ihr himmlischen | — | ||
| 39-10 | Wie Schön Leuchtet Der Morgenstern, BWV 1: IV. Recitativo (Basso): Ein irdscher Glanz | — | ||
| 39-11 | Wie Schön Leuchtet Der Morgenstern, BWV 1: V. Aria (Tenore): Unser Mund und Ton der Saiten | — | ||
| 39-12 | Wie Schön Leuchtet Der Morgenstern, BWV 1: VI. Choral (Coro): Wie bin ich doch so herzlich froh | — | ||
| 39-13 | Christen, Ätzet Diesen Tag, BWV 63: I. Coro: Christen, ätzet diesen Tag | — | ||
| 39-14 | Christen, Ätzet Diesen Tag, BWV 63: II. Recitativo (Alto): O selger Tag! | — | ||
| 39-15 | Christen, Ätzet Diesen Tag, BWV 63: III. Duetto (Soprano, Basso): Gott, du hast es wohl gefüget | — | ||
| 39-16 | Christen, Ätzet Diesen Tag, BWV 63: IV. Recitativo (Tenore): So kehret sich nun heut | — | ||
| 39-17 | Christen, Ätzet Diesen Tag, BWV 63: V. Duetto (Alto, Basso): Ruft und fleht den Himmel an | — | ||
| 39-18 | Christen, Ätzet Diesen Tag, BWV 63: VI. Recitativo (Basso): Verdoppelt euch demnach | — | ||
| 39-19 | Christen, Ätzet Diesen Tag, BWV 63: VII. Coro: Höchster, schau in Gnaden an | — | ||
| 40-1 | Herz Und Mund Und Tat Und Leben, BWV 147: I. Herz und Mund und Tat und Leben | — | ||
| 40-2 | Herz Und Mund Und Tat Und Leben, BWV 147: II. Recitativo (Tenore): Gebenedeiter Mund! | — | ||
| 40-3 | Herz Und Mund Und Tat Und Leben, BWV 147: III. Aria (Alto): Schäme dich, o Seele, nicht | — | ||
| 40-4 | Herz Und Mund Und Tat Und Leben, BWV 147: IV. Recitativo (Basso): Verstockung kann Gewaltige | — | ||
| 40-5 | Herz Und Mund Und Tat Und Leben, BWV 147: V. Aria (Soprano): Bereite dir, Jesu | — | ||
| 40-6 | Herz Und Mund Und Tat Und Leben, BWV 147: VI. Choral (Coro): Wohl mir, daß ich Jesum habe | — | ||
| 40-7 | Herz Und Mund Und Tat Und Leben, BWV 147: VII. Aria (Tenore): Hilf, Jesu, hilf | — | ||
| 40-8 | Herz Und Mund Und Tat Und Leben, BWV 147: VIII. Recitativo (Alto): Der höchsten Allmacht | — | ||
| 40-9 | Herz Und Mund Und Tat Und Leben, BWV 147: IX. Aria (Basso): Ich will von Jesu Wundern singen | — | ||
| 40-10 | Herz Und Mund Und Tat Und Leben, BWV 147: X. Choral (Coro): Jesu bleibet meine Freude | — | ||
| 40-11 | Leichtgesinnte Flattergeister, BWV 181: I. Aria (Basso): Leichtgesinnte Flattergeister | — | ||
| 40-12 | Leichtgesinnte Flattergeister, BWV 181: II. Recitativo (Alto): O unglückselger Stand | — | ||
| 40-13 | Leichtgesinnte Flattergeister, BWV 181: III. Aria (Tenore): Der schädlichen Dornen | — | ||
| 40-14 | Leichtgesinnte Flattergeister, BWV 181: IV. Recitativo (Soprano): Von diesen wird die Kraft erstickt | — | ||
| 40-15 | Leichtgesinnte Flattergeister, BWV 181: V. Coro: Laß, Höchster, uns zu allen Zeiten | — | ||
| 40-16 | Erfreut Euch, Ihr Herzen, BWV 66: I. Coro: Erfreut euch, ihr Herzen | — | ||
| 40-17 | Erfreut Euch, Ihr Herzen, BWV 66: II. Recitativo (Basso): Es bricht das Grab | — | ||
| 40-18 | Erfreut Euch, Ihr Herzen, BWV 66: III. Aria (Basso): Lasset dem Höchsten ein Danklied | — | ||
| 40-19 | Erfreut Euch, Ihr Herzen, BWV 66: IV. Recitativo (Alto, Tenore): Bei Jesu Leben freudig sein | — | ||
| 40-20 | Erfreut Euch, Ihr Herzen, BWV 66: V. Duetto (Alto, Tenore): Ich furchte zwar | — | ||
| 40-21 | Erfreut Euch, Ihr Herzen, BWV 66: VI. Choral (Coro): Alleluja! Alleluja! Alleluja! | — |
Concerto No. 1 in F major, BWV 1046: I. Allegro
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Concerto No. 1 in F major, BWV 1046: II. Adagio
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Concerto No. 1 in F major, BWV 1046: III. Allegro
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Concerto No. 1 in F major, BWV 1046: IV. Minuetto - Trio I - Polonaise - Trio II
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Concerto No. 2 in F major, BWV 1047: I. Allegro
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Concerto No. 2 in F major, BWV 1047: II. Andante
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Concerto No. 2 in F major, BWV 1047: III. Allegro assai
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Concerto No. 2 in G major, BWV 1048: I. Allegro
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Concerto No. 2 in G major, BWV 1048: II. Adagio (from Trio Sonate in G major, BWV 1048)
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Concerto No. 2 in G major, BWV 1048: III. Allegro
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Concerto No. 4 in G major, BWV 1049: I. Allegro
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Concerto No. 4 in G major, BWV 1049: II. Andante
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Concerto No. 4 in G major, BWV 1049: III. Presto
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Concerto No. 5 in D major, BWV 1050: I. Allegro
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Concerto No. 5 in D major, BWV 1050: II. Affettuoso
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Concerto No. 5 in D major, BWV 1050: III. Allegro
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Concerto No. 6 in B-flat major, BWV 1051: I. Allegro
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Concerto No. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto
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Concerto No. 6 in B-flat major, BWV 1051: III. Allegro
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Orchestral Suite No. 1 in C major, BWV 1066: I. Ouverture
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Orchestral Suite No. 1 in C major, BWV 1066: II. Courante
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Orchestral Suite No. 1 in C major, BWV 1066: III. Gavotte 1 & 2
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Orchestral Suite No. 1 in C major, BWV 1066: IV. Forlane
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Orchestral Suite No. 1 in C major, BWV 1066: V. Menuet I & II
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Orchestral Suite No. 1 in C major, BWV 1066: VI. Bourrée I & II
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Orchestral Suite No. 1 in C major, BWV 1066: VII. Passepied I & II
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Orchestral Suite No. 2 in B minor, BWV 1067: I. Ouverture
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Orchestral Suite No. 2 in B minor, BWV 1067: II. Rondeau
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Orchestral Suite No. 2 in B minor, BWV 1067: III. Sarabande
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Orchestral Suite No. 2 in B minor, BWV 1067: IV. Bourrée I & II
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Orchestral Suite No. 2 in B minor, BWV 1067: V. Polonaise
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Orchestral Suite No. 2 in B minor, BWV 1067: VI. Menuet
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Orchestral Suite No. 2 in B minor, BWV 1067: VII. Badinerie
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Orchestral Suite No. 3 in D major, BWV 1068: I. Ouverture
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Orchestral Suite No. 3 in D major, BWV 1068: II. Air
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Orchestral Suite No. 3 in D major, BWV 1068: III. Gavotte I & II
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Orchestral Suite No. 3 in D major, BWV 1068: IV. Bourrée
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Orchestral Suite No. 3 in D major, BWV 1068: V. Gigue
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Orchestral Suite No. 4 in D major, BWV 1069: I. Ouverture
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Orchestral Suite No. 4 in D major, BWV 1069: II. Bourrée I & II
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Orchestral Suite No. 4 in D major, BWV 1069: III. Gavotte
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Orchestral Suite No. 4 in D major, BWV 1069: IV. Menuet I & II
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Orchestral Suite No. 4 in D major, BWV 1069: V. Rejouissance
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Violin Concerto in A minor, BWV 1041: I. Allegro (Camerata Antonio Luco feat. violin: Emmy Verhey)
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Violin Concerto in A minor, BWV 1041: II. Adagio (Camerata Antonio Luco feat. violin: Emmy Verhey)
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Violin Concerto in A minor, BWV 1041: III. Allegro (Camerata Antonio Luco feat. violin: Emmy Verhey)
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Violin Concerto in E major, BWV 1042: I. Allegro (Camerata Antonio Luco feat. violin: Emmy Verhey)
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Violin Concerto in E major, BWV 1042: II. Adagio (Camerata Antonio Luco feat. violin: Emmy Verhey)
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Violin Concerto in E major, BWV 1042: III. Allegro assai (Camerata Antonio Luco feat. violin: Emmy Verhey)
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Violin Concerto in D minor, BWV 1052: I. Allegro (Camerata Antonio Luco feat. violin: Emmy Verhey)
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Violin Concerto in D minor, BWV 1052: II. Largo (Camerata Antonio Luco feat. violin: Emmy Verhey)
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Violin Concerto in D minor, BWV 1052: III. Presto (Camerata Antonio Luco feat. violin: Emmy Verhey)
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Violin Concerto in G minor, BWV 1056: I. Allegro (Camerata Antonio Luco feat. violin: Emmy Verhey)
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Violin Concerto in G minor, BWV 1056: II. Andante (Camerata Antonio Luco feat. violin: Emmy Verhey)
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Violin Concerto in G minor, BWV 1056: III. Allegro assai (Camerata Antonio Luco feat. violin: Emmy Verhey)
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Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists
Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists
Concerto for 3 violins, strings and basso continuo, BWV 1064: III. Allegro
Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists
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Concerto for flute, violin, harpsichord, strings and basso continuo in A minor, BWV 1044: I. Allegro
Marieke Schneemann, Elisabeth Perry, Menno van Delft, Netherlands Bach Ensemble, Krijn Koetsveld
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Concerto for flute, violin, harpsichord, strings and basso continuo in A minor, BWV 1044: II. Adagio
Marieke Schneemann, Elisabeth Perry, Menno van Delft, Netherlands Bach Ensemble, Krijn Koetsveld
Concerto for flute, violin, harpsichord, strings and basso continuo in A minor, BWV 1044: III. Alla breve
Marieke Schneemann, Elisabeth Perry, Menno van Delft, Netherlands Bach Ensemble, Krijn Koetsveld
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Concerto for Oboe, Violin & Strings in D minor, BWV 1060: I. Allegro
Netherlands Bach Ensemble, Daniëlle Kreeft, Juditha Heberlin
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Netherlands Bach Ensemble, Daniëlle Kreeft, Juditha Heberlin
Concerto for Oboe, Violin & Strings in D minor, BWV 1060: III. Allegro
Netherlands Bach Ensemble, Daniëlle Kreeft, Juditha Heberlin
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Concerto for oboe d’amore, strings and basso continuo in A major, BWV 1055: I. Allegro
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Concerto for oboe d’amore, strings and basso continuo in A major, BWV 1055: II. Larghetto
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Concerto for oboe d’amore, strings and basso continuo in A major, BWV 1055: III. Allegro ma non tanto
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Concerto for 2 violins, strings and basso continuo in D minor, BWV 1043: I. Vivace
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Concerto for 2 violins, strings and basso continuo in D minor, BWV 1043: II. Largo
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Concerto for 2 violins, strings and basso continuo in D minor, BWV 1043: III. Allegro
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The Well-Tempered Clavier Book I Prelude & Fuge No.1 in C major BWV 846 - I Praeludium
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The Well-Tempered Clavier Book I Prelude & Fuge No.1 in C major BWV 846 - II Fuga
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The Well-Tempered Clavier Book I Prelude & Fuge No.2 in C minor BWV 847 - I Praeludium
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The Well-Tempered Clavier Book I Prelude & Fuge No.2 in C minor BWV 847 - II Fuga
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The Well-Tempered Clavier Book I Prelude & Fuge No.3 in C sharp major BWV 848 - I Praeludium
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The Well-Tempered Clavier Book I Prelude & Fuge No.3 in C sharp major BWV 848 - II Fuga
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The Well-Tempered Clavier Book I Prelude & Fuge No.4 in C sharp minor BWV 849 - I Praeludium
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The Well-Tempered Clavier Book I Prelude & Fuge No.4 in C sharp minor BWV 849 - II Fuga
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The Well-Tempered Clavier Book I Prelude & Fuge No.5 in D major BWV 850 - I Praeludium
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The Well-Tempered Clavier Book I Prelude & Fuge No.5 in D major BWV 850 - II Fuga
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The Well-Tempered Clavier Book I Prelude & Fuge No.6 in D minor BWV 851 - I Praeludium
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The Well-Tempered Clavier Book I Prelude & Fuge No.6 in D minor BWV 851 - II Fuga
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The Well-Tempered Clavier Book I Prelude & Fuge No.7 in E flat major BWV 852 - I Praeludium
—
The Well-Tempered Clavier Book I Prelude & Fuge No.7 in E flat major BWV 852 - II Fuga
—
The Well-Tempered Clavier Book I Prelude & Fuge No.8 in E flat minor BWV 853 - I Praeludium
—
The Well-Tempered Clavier Book I Prelude & Fuge No.8 in E flat minor BWV 853 - II Fuga
—
The Well-Tempered Clavier Book I Prelude & Fuge No.9 in E major BWV 854 - I Praeludium
—
The Well-Tempered Clavier Book I Prelude & Fuge No.9 in E major BWV 854 - II Fuga
—
The Well-Tempered Clavier Book I Prelude & Fuge No.10 in E minor BWV 855 - I Praeludium
—
The Well-Tempered Clavier Book I Prelude & Fuge No.10 in E minor BWV 855 - II Fuga
—
The Well-Tempered Clavier Book I Prelude & Fuge No.11 in F major BWV 856 - I Praeludium
—
The Well-Tempered Clavier Book I Prelude & Fuge No.11 in F major BWV 856 - II Fuga
—
The Well-Tempered Clavier Book I Prelude & Fuge No.12 in F minor BWV 857 - I Praeludium
—
The Well-Tempered Clavier Book I Prelude & Fuge No.12 in F minor BWV 857 - II Fuga
—
The Well-Tempered Clavier Book I Prelude & Fuge No.13 in F sharp major BWV 858 - I Praeludium
—
The Well-Tempered Clavier Book I Prelude & Fuge No.13 in F sharp major BWV 858 - II Fuga
—
The Well-Tempered Clavier Book I Prelude & Fuge No.14 in F sharp minor BWV 859 - I Praeludium
—
The Well-Tempered Clavier Book I Prelude & Fuge No.14 in F sharp minor BWV 859 - II Fuga
—
The Well-Tempered Clavier Book I Prelude & Fuge No.15 in G major BWV 860 - I Praeludium
—
The Well-Tempered Clavier Book I Prelude & Fuge No.15 in G major BWV 860 - II Fuga
—
The Well-Tempered Clavier Book I Prelude & Fuge No.16 in G minor BWV 861 - I Praeludium
—
The Well-Tempered Clavier Book I Prelude & Fuge No.16 in G minor BWV 861 - II Fuga
—
The Well-Tempered Clavier Book I Prelude & Fuge No.17 in A flat major BWV 862 - I Praeludium
—
The Well-Tempered Clavier Book I Prelude & Fuge No.17 in A flat major BWV 862 - II Fuga
—
The Well-Tempered Clavier Book I Prelude & Fuge No.18 in G sharp minor BWV 863 - I Praeludium
—
The Well-Tempered Clavier Book I Prelude & Fuge No.18 in G sharp minor BWV 863 - II Fuga
—
The Well-Tempered Clavier Book I Prelude & Fuge No.19 in A major BWV 864 - I Praeludium
—
The Well-Tempered Clavier Book I Prelude & Fuge No.19 in A major BWV 864 - II Fuga
—
The Well-Tempered Clavier Book I Prelude & Fuge No.20 in A minor BWV 865 - I Praeludium
—
The Well-Tempered Clavier Book I Prelude & Fuge No.20 in A minor BWV 865 - II Fuga
—
The Well-Tempered Clavier Book I Prelude & Fuge No.21 in B flat major BWV 866 - I Praeludium
—
The Well-Tempered Clavier Book I Prelude & Fuge No.21 in B flat major BWV 866 - II Fuga
—
The Well-Tempered Clavier Book I Prelude & Fuge No.22 in B flat minor BWV 867 - I Praeludium
—
The Well-Tempered Clavier Book I Prelude & Fuge No.22 in B flat minor BWV 867 - II Fuga
—
The Well-Tempered Clavier Book I Prelude & Fuge No.23 in B major BWV 868 - I Praeludium
—
The Well-Tempered Clavier Book I Prelude & Fuge No.23 in B major BWV 868 - II Fuga
—
The Well-Tempered Clavier Book I Prelude & Fuge No.24 in B minor BWV 869 - I Praeludium
—
The Well-Tempered Clavier Book I Prelude & Fuge No.24 in B minor BWV 869 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.1 in C major BWV 870 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.1 in C major BWV 870 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.2 in C minor BWV 871 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.2 in C minor BWV 871 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.3 in C sharp major BWV 872 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.3 in C sharp major BWV 872 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.4 in C sharp minor BWV 873 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.4 in C sharp minor BWV 873 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.5 in D major BWV 874 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.5 in D major BWV 874 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.6 in D minor BWV 875 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.6 in D minor BWV 875 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.7 in E flat major BWV 876 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.7 in E flat major BWV 876 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.8 in E flat minor BWV 877 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.8 in E flat minor BWV 877 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.9 in E major BWV 878 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.9 in E major BWV 878 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.10 in E minor BWV 879 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.10 in E minor BWV 879 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.11 in F major BWV 880 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.11 in F major BWV 880 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.12 in F minor BWV 881 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.12 in F minor BWV 881 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.13 in F sharp major BWV 882 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.13 in F sharp major BWV 882 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.14 in F sharp minor BWV 883 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.14 in F sharp minor BWV 883 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.15 in G major BWV 884 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.15 in G major BWV 884 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.16 in G minor BWV 885 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.16 in G minor BWV 885 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.17 in A flat major BWV 886 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.17 in A flat major BWV 886 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.18 in G sharp minor BWV 887 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.18 in G sharp minor BWV 887 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.19 in A major BWV 888 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.19 in A major BWV 888 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.20 in A minor BWV 889 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.20 in A Minor BWV 889 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.21 in B flat major BWV 890 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.21 in B flat major BWV 890 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.22 in B flat minor BWV 891 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.22 in B flat minor BWV 891 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.23 in B major BWV 892 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.23 in B major BWV 892 - II Fuga
—
The Well-Tempered Clavier Book II Prelude & Fuge No.24 in B minor BWV 893 - I Praeludium
—
The Well-Tempered Clavier Book II Prelude & Fuge No.24 in B minor BWV 893 - II Fuga
—
Partita No. 1 in B-flat major, BWV 825: I. Praeludium
—
Partita No. 1 in B-flat major, BWV 825: II. Allemande
—
Partita No. 1 in B-flat major, BWV 825: III. Corrente
—
Partita No. 1 in B-flat major, BWV 825: IV. Sarabande
—
Partita No. 1 in B-flat major, BWV 825: V. Menuet I & II
—
Partita No. 1 in B-flat major, BWV 825: VI. Giga
—
Partita No. 2 in C minor, BWV 826: I. Sinfonia
—
Partita No. 2 in C minor, BWV 826: II. Allemande
—
Partita No. 2 in C minor, BWV 826: III. Courante
—
Partita No. 2 in C minor, BWV 826: IV. Sarabande
—
Partita No. 2 in C minor, BWV 826: V. Rondeaux
—
Partita No. 2 in C minor, BWV 826: VI. Capriccio
—
Partita No. 6 in E minor, BWV 830: I. Toccata
—
Partita No. 6 in E minor, BWV 830: II. Allemanda
—
Partita No. 6 in E minor, BWV 830: III. Corrente
—
Partita No. 6 in E minor, BWV 830: IV. Air
—
Partita No. 6 in E minor, BWV 830: V. Sarabande
—
Partita No. 6 in E minor, BWV 830: VI. Tempo di Gavotta
—
Partita No. 6 in E minor, BWV 830: VII. Gigue
—
Partita No. 3 in A minor, BWV 827: I. Fantasia
—
Partita No. 3 in A minor, BWV 827: II. Allemande
—
Partita No. 3 in A minor, BWV 827: III. Corrente
—
Partita No. 3 in A minor, BWV 827: IV. Sarabande
—
Partita No. 3 in A minor, BWV 827: V. Burlesca
—
Partita No. 3 in A minor, BWV 827: VI. Scherzo
—
Partita No. 3 in A minor, BWV 827: VII. Gigue
—
Partita No. 4 in D major, BWV 828: I. Overture
—
Partita No. 4 in D major, BWV 828: II. Allemande
—
Partita No. 4 in D major, BWV 828: III. Courante
—
Partita No. 4 in D major, BWV 828: IV. Sarabande
—
Partita No. 4 in D major, BWV 828: V. Aria
—
Partita No. 4 in D major, BWV 828: VI. Menuet
—
Partita No. 4 in D major, BWV 828: VII. Gigue
—
Partita No. 5 in G major, BWV 829: I. Præambulum
—
Partita No. 5 in G major, BWV 829: II. Allemande
—
Partita No. 5 in G major, BWV 829: III. Corrente
—
Partita No. 5 in G major, BWV 829: IV. Sarabande
—
Partita No. 5 in G major, BWV 829: V. Tempo di Minuetto
—
Partita No. 5 in G major, BWV 829: VI. Passepied
—
Partita No. 5 in G major, BWV 829: VII. Gigue
—
Italian concerto in F major, BWV 971: I. Allegro
—
Italian concerto in F major, BWV 971: II. Largo
—
Italian concerto in F major, BWV 971: III. Presto
—
Overture in the French Style in B minor, BWV 831: I. Ouvertüre
—
Overture in the French Style in B minor, BWV 831: II. Courante
—
Overture in the French Style in B minor, BWV 831: III. Gavotte I & II, Da capo
—
Overture in the French Style in B minor, BWV 831: IV. Passepied I & II, Da capo
—
Overture in the French Style in B minor, BWV 831: V. Sarabande
—
Overture in the French Style in B minor, BWV 831: VI. Bourrée I & II, Da capo
—
Overture in the French Style in B minor, BWV 831: VII. Gigue
—
Overture in the French Style in B minor, BWV 831: VIII. Echo
—
Chromatic Fantasy and Fugue in D minor, BWV 903: I. Fantasie
—
Chromatic Fantasy and Fugue in D minor, BWV 903: II. Fugue
—
Goldberg Variations, BWV 988: Aria
—
Goldberg Variations, BWV 988: Variation 01
—
Goldberg Variations, BWV 988: Variation 02
—
Goldberg Variations, BWV 988: Variation 03. Canon on the Unison
—
Goldberg Variations, BWV 988: Variation 04
—
Goldberg Variations, BWV 988: Variation 05
—
Goldberg Variations, BWV 988: Variation 06. Canon on the Second
—
Goldberg Variations, BWV 988: Variation 07
—
Goldberg Variations, BWV 988: Variation 08
—
Goldberg Variations, BWV 988: Variation 09. Canon on the Third
—
Goldberg Variations, BWV 988: Variation 10. Fughetta
—
Goldberg Variations, BWV 988: Variation 11
—
Goldberg Variations, BWV 988: Variation 12. Canon on the Fourth
—
Goldberg Variations, BWV 988: Variation 13
—
Goldberg Variations, BWV 988: Variation 14
—
Goldberg Variations, BWV 988: Variation 15. Canon on the Fifth
—
Goldberg Variations, BWV 988: Variation 16. Overture
—
Goldberg Variations, BWV 988: Variation 17
—
Goldberg Variations, BWV 988: Variation 18. Canon on the Sixth
—
Goldberg Variations, BWV 988: Variation 19
—
Goldberg Variations, BWV 988: Variation 20
—
Goldberg Variations, BWV 988: Variation 21. Canon on the Seventh
—
Goldberg Variations, BWV 988: Variation 22. Alla breve
—
Goldberg Variations, BWV 988: Variation 23
—
Goldberg Variations, BWV 988: Variation 24. Canon on the Octave
—
Goldberg Variations, BWV 988: Variation 25
—
Goldberg Variations, BWV 988: Variation 26
—
Goldberg Variations, BWV 988: Variation 27. Canon on the Ninth
—
Goldberg Variations, BWV 988: Variation 28
—
Goldberg Variations, BWV 988: Variation 29
—
Goldberg Variations, BWV 988: Variation 30. Quodlibet
—
Goldberg Variations, BWV 988: Aria de Capo
—
English Suite No. 1 in A major, BWV 806: I. Prelude
—
English Suite No. 1 in A major, BWV 806: II. Allemande
—
English Suite No. 1 in A major, BWV 806: III. Courante I
—
English Suite No. 1 in A major, BWV 806: IV. Courante II
—
English Suite No. 1 in A major, BWV 806: V. Double I
—
English Suite No. 1 in A major, BWV 806: VI. Double II
—
English Suite No. 1 in A major, BWV 806: VII. Sarabande
—
English Suite No. 1 in A major, BWV 806: VIII. Bourrée I
—
English Suite No. 1 in A major, BWV 806: IX. Bourrée II
—
English Suite No. 1 in A major, BWV 806: X. Bourrée I da capo
—
English Suite No. 1 in A major, BWV 806: XI. Gigue
—
English Suite No. 2 in A minor, BWV 807: I. Prelude
—
English Suite No. 2 in A minor, BWV 807: II. Allemande
—
English Suite No. 2 in A minor, BWV 807: III. Courante
—
English Suite No. 2 in A minor, BWV 807: IV. Sarabande
—
English Suite No. 2 in A minor, BWV 807: V. Bourrée I
—
English Suite No. 2 in A minor, BWV 807: VI. Bourrée II
—
English Suite No. 2 in A minor, BWV 807: VII. Bourrée I da capo
—
English Suite No. 2 in A minor, BWV 807: VIII. Gigue
—
English Suite No. 3 in G minor, BWV 808: I. Prelude
—
English Suite No. 3 in G minor, BWV 808: II. Allemande
—
English Suite No. 3 in G minor, BWV 808: III. Courante
—
English Suite No. 3 in G minor, BWV 808: IV. Sarabande
—
English Suite No. 3 in G minor, BWV 808: V. Gavotte I
—
English Suite No. 3 in G minor, BWV 808: VI. Gavotte II
—
English Suite No. 3 in G minor, BWV 808: VII. Gavotte I da capo
—
English Suite No. 3 in G minor, BWV 808: VIII. Gigue
—
English Suite No. 4 in F major, BWV 809: I. Prelude
—
English Suite No. 4 in F major, BWV 809: II. Allemande
—
English Suite No. 4 in F major, BWV 809: III. Courante
—
English Suite No. 4 in F major, BWV 809: IV. Sarabande
—
English Suite No. 4 in F major, BWV 809: V. Menuet I
—
English Suite No. 4 in F major, BWV 809: VI. Menuet II
—
English Suite No. 4 in F major, BWV 809: VII. Menuet I da capo
—
English Suite No. 4 in F major, BWV 809: VIII. Gigue
—
English Suite No. 5 in E minor, BWV 810: I. Prelude
—
English Suite No. 5 in E minor, BWV 810: II. Allemande
—
English Suite No. 5 in E minor, BWV 810: III. Courante
—
English Suite No. 5 in E minor, BWV 810: IV. Sarabande
—
English Suite No. 5 in E minor, BWV 810: V. Passepied I
—
English Suite No. 5 in E minor, BWV 810: VI. Passepied II
—
English Suite No. 5 in E minor, BWV 810: VII. Passepied I da capo
—
English Suite No. 5 in E minor, BWV 810: VIII. Gigue
—
English Suite No. 6 in D minor, BWV 811: I. Prelude
—
English Suite No. 6 in D minor, BWV 811: II. Allemande
—
English Suite No. 6 in D minor, BWV 811: III. Courante
—
English Suite No. 6 in D minor, BWV 811: IV. Sarabande
—
English Suite No. 6 in D minor, BWV 811: V. Double
—
English Suite No. 6 in D minor, BWV 811: VI. Gavotte I
—
English Suite No. 6 in D minor, BWV 811: VII. Gavotte II
—
English Suite No. 6 in D minor, BWV 811: VIII. Gavotte I da capo
—
English Suite No. 6 in D minor, BWV 811: IX. Gigue
—
Präludium & Fuge Es-Dur/E flat major BWV 552
—
Partite sopra “O Gott, du frommer Gott” BWV 767
—
Fantasie & Fuge g-Moll/G minor BWV 542
—
Choral “Nun komm, der Heiden Heiland” BWV 659
—
Choral “Wachet auf, ruft uns die Stimme” BWV 645
—
Choral “Ich ruf zu dir, Herr Jesu Christ” BWV 639
—
Dorische Toccata & Fuge BWV 538: I. Toccata
—
Dorische Toccata & Fuge BWV 538: II. Fuge
—
Partita “Sei gegrüsset, Jesu gütig” BWV 768
—
Fantasie G-Dur/G major BWV 572
—
Trio-Sonate G-Dur/G major BWV 530: I. Vivace
—
Trio-Sonate G-Dur/G major BWV 530: II. Lento
—
Trio-Sonate G-Dur/G major BWV 530: III. Allegro
—
Choral “Vater unser im Himmelreich” BWV 682
—
Choral “Jesu Christus, unser Heiland” BWV 688
—
Präludium & Fuge a-Moll/A minor BWV 543: I. Präludium
—
Präludium & Fuge a-Moll/A minor BWV 543: II. Fuge
—
Toccata, Adagio and Fugue in C major, BWV 564: 1. Toccata
—
Toccata, Adagio and Fugue in C major, BWV 564: 2. Adagio
—
Toccata, Adagio and Fugue in C major, BWV 564: 3. Fuge
—
Trio-Sonate Es-Dur/E flat major BWV 525: I. Allegro Moderato
—
Trio-Sonate Es-Dur/E flat major BWV 525: II. Adagio
—
Trio-Sonate Es-Dur/E flat major BWV 525: III. Allegro
—
Acht kleine Präludien & Fugen BWV 553-560: C-Dur/C major BWV 553
—
Acht kleine Präludien & Fugen BWV 553-560: d-Moll/D minor BWV 554
—
Acht kleine Präludien & Fugen BWV 553-560: e-Moll/E minor BWV 555
—
Acht kleine Präludien & Fugen BWV 553-560: F-Dur/F major BWV 556
—
Acht kleine Präludien & Fugen BWV 553-560: G-Dur/G major BWV 557
—
Acht kleine Präludien & Fugen BWV 553-560: g-Moll/G minor BWV 558
—
Acht kleine Präludien & Fugen BWV 553-560: a-Moll/A minor BWV 559
—
Acht kleine Präludien & Fugen BWV 553-560: B-Dur/B flat major BWV 560
—
Choral “Aus tiefer Not schrei’ich zu dir” BWV 686
—
Präludium & Fuge D-Dur BWV 532: I. Präludium
—
Präludium & Fuge D-Dur BWV 532: II. Fuge
—
Sonata No. 1 in G minor, BWV 1001: I. Adagio
—
Sonata No. 1 in G minor, BWV 1001: II. Fuga (allegro)
—
Sonata No. 1 in G minor, BWV 1001: III. Siciliana
—
Sonata No. 1 in G minor, BWV 1001: IV. Presto
—
Partita No. 1 in B minor, BWV 1002: I. Allemanda
—
Partita No. 1 in B minor, BWV 1002: II. Double
—
Partita No. 1 in B minor, BWV 1002: III. Corrente
—
Partita No. 1 in B minor, BWV 1002: IV. Double - Presto
—
Partita No. 1 in B minor, BWV 1002: V. Sarabande
—
Partita No. 1 in B minor, BWV 1002: VI. Double
—
Partita No. 1 in B minor, BWV 1002: VII. Tempo di Borea
—
Partita No. 1 in B minor, BWV 1002: VIII. Double
—
Sonata No. 2 in A minor, BWV 1003: I. Grave
—
Sonata No. 2 in A minor, BWV 1003: II. Fuga
—
Sonata No. 2 in A minor, BWV 1003: III. Andante
—
Sonata No. 2 in A minor, BWV 1003: IV. Allegro
—
Partita No. 2 in D minor, BWV 1004: I. Allemanda
—
Partita No. 2 in D minor, BWV 1004: II. Corrente
—
Partita No. 2 in D minor, BWV 1004: III. Sarabande
—
Partita No. 2 in D minor, BWV 1004: IV. Giga
—
Partita No. 2 in D minor, BWV 1004: V. Ciacona
—
Sonata No. 3 in C major, BWV 1005: I. Adagio
—
Sonata No. 3 in C major, BWV 1005: II. Fuga
—
Sonata No. 3 in C major, BWV 1005: III. Largo
—
Sonata No. 3 in C major, BWV 1005: IV. Allegro assai
—
Partita No. 3 in E major, BWV 1006: I. Preludio
—
Partita No. 3 in E major, BWV 1006: II. Loure
—
Partita No. 3 in E major, BWV 1006: III. Gavotte en Rondeau
—
Partita No. 3 in E major, BWV 1006: IV. Menuet I - Menuet II - Menuet I
—
Partita No. 3 in E major, BWV 1006: V. Bourrée
—
Partita No. 3 in E major, BWV 1006: VI. Gigue
—
Suite No.1 in G major BWV 1007 - I Prelude
—
Suite No.1 in G major BWV 1007 - II Allemande
—
Suite No.1 in G major BWV 1007 - III Courante
—
Suite No.1 in G major BWV 1007 - IV Sarabande
—
Suite No.1 in G major BWV 1007 - V Minuet I & II
—
Suite No.1 in G major BWV 1007 - VI Gigue
—
Suite No.3 in C major BWV 1009 - I Prelude
—
Suite No.3 in C major BWV 1009 - II Allemande
—
Suite No.3 in C major BWV 1009 - III Courante
—
Suite No.3 in C major BWV 1009 - IV Sarabande
—
Suite No.3 in C major BWV 1009 - V Bourrée I & II
—
Suite No.3 in C major BWV 1009 - VI Gigue
—
Suite No.5 in C minor BWV 1011 - I Prelude
—
Suite No.5 in C minor BWV 1011 - II Allemande
—
Suite No.5 in C minor BWV 1011 - III Courante
—
Suite No.5 in C minor BWV 1011 - IV Sarabande
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Suite No.5 in C minor BWV 1011 - V Gavotte I & II
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Suite No.5 in C minor BWV 1011 - VI Gigue
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Suite No.2 in D minor BWV 1008 - I Prelude
—
Suite No.2 in D minor BWV 1008 - II Allemande
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Suite No.2 in D minor BWV 1008 - III Courante
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Suite No.2 in D minor BWV 1008 - IV Sarabande
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Suite No.2 in D minor BWV 1008 - V Minuet I & II
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Suite No.2 in D minor BWV 1008 - VI Gigue
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Suite No.4 in E flat major BWV 1010 - I Prelude
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Suite No.4 in E flat major BWV 1010 - II Allemande
—
Suite No.4 in E flat major BWV 1010 - III Courante
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Suite No.4 in E flat major BWV 1010 - IV Sarabande
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Suite No.4 in E flat major BWV 1010 - V Bourrée I & II
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Suite No.4 in E flat major BWV 1010 - VI Gigue
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Suite No.6 in D major BWV 1012 - I Prelude
—
Suite No.6 in D major BWV 1012 - II Allemande
—
Suite No.6 in D major BWV 1012 - III Courante
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Suite No.6 in D major BWV 1012 - IV Sarabande
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Suite No.6 in D major BWV 1012 - V Gavotte I & II
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Suite No.6 in D major BWV 1012 - VI Gigue
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Musikalisches Opfer BWV1079: Ricercare a 3
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Musikalisches Opfer BWV1079: Ricercare a 6
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Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo: Largo
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Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo: Allegro
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Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo: Andante
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Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo: Allegro
—
Thematis Regii, Elaborationes Canonicae: Canon a 2 cancrizans
—
Thematis Regii, Elaborationes Canonicae: Canon a 2 in unisono
—
Thematis Regii, Elaborationes Canonicae: Canon a 2 motum contrarium
—
Thematis Regii, Elaborationes Canonicae: Canon a 2 per augmentationum contrario motu
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Thematis Regii, Elaborationes Canonicae: Canon a 2 per tonos
—
Thematis Regii, Elaborationes Canonicae: Fuga canonica in Epidiapente
—
Thematis Regii, Elaborationes Canonicae: Canon perpetuus super Thema Regium
—
Thematis Regii, Elaborationes Canonicae: Canon a 2
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Thematis Regii, Elaborationes Canonicae: Canon a 4
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Thematis Regii, Elaborationes Canonicae: Canon perpetuus
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Canons BWV 1072-1078: Canon a 8, BWV 1072
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Canons BWV 1072-1078: Canon a 4, BWV 1073
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Canons BWV 1072-1078: Canon a 4, BWV 1074 (part 1)
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Canons BWV 1072-1078: Canon a 4, BWV 1074 (part 2)
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Canons BWV 1072-1078: Canon a 2, BWV 1075
—
Canons BWV 1072-1078: Canon a 6, BWV 1076
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Canons BWV 1072-1078: Canon a 4, BWV 1077
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Canons BWV 1072-1078: Canon a 7, BWV 1078
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Canons BWV 1072-1078: Canon a 2, BWV deest
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Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon simplex
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Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: All' roverscio
—
Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Beide zugleich, motu recto e contrario
—
Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Motu contrario e recto
—
Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon duplex a 4
—
Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon simplex über besagtes Fundament a 3
—
Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Idem a 3
—
Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon simplex a 3
—
Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon in unisono post semi fugam a 3
—
Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Alio modo
—
Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Evolutio
—
Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon duplex a 5
—
Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon duplex a 5
—
Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon triplex a 6
—
Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon a 4 augumentationem et diminutionem
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Sonata No. 1, BWV 1014: I. Adagio
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Sonata No. 1, BWV 1014: II. Allegro
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Sonata No. 1, BWV 1014: III. Andante
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Sonata No. 1, BWV 1014: IV. Allegro
—
Sonata No. 2, BWV 1015: I. Without tempo indication
—
Sonata No. 2, BWV 1015: II. Allegro assai
—
Sonata No. 2, BWV 1015: III. Andante
—
Sonata No. 2, BWV 1015: IV. Presto
—
Sonata No. 3, BWV 1016: I. Adagio
—
Sonata No. 3, BWV 1016: II. Allegro
—
Sonata No. 3, BWV 1016: III. Adagio ma non tanto
—
Sonata No. 3, BWV 1016: IV. Allegro
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Sonata No. 4 in C minor, BWV 1017: I. Siciliano, largo
—
Sonata No. 4 in C minor, BWV 1017: II. Allegro
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Sonata No. 4 in C minor, BWV 1017: III. Adagio
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Sonata No. 4 in C minor, BWV 1017: IV. Allegro
—
Sonata No. 5 in F minor, BWV 1018: I. Largo
—
Sonata No. 5 in F minor, BWV 1018: II. Allegro
—
Sonata No. 5 in F minor, BWV 1018: III. Adagio
—
Sonata No. 5 in F minor, BWV 1018: IV. Vivace
—
Sonata No. 6 in G major, BWV 1019: I. Allegro
—
Sonata No. 6 in G major, BWV 1019: II. Largo
—
Sonata No. 6 in G major, BWV 1019: III. Allegro
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Sonata No. 6 in G major, BWV 1019: IV. Adagio
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Sonata No. 6 in G major, BWV 1019: V. Allegro
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Lobet den Herrn, alle Heiden, BWV 230
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Komm, Jesu, Komm, BWV 229
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Singet den Herrn ein neues Lied, BWV 225
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Jesu, meine Freude, BWV 227
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Der Geist hilft unser Schwachheit auf, BWV 226
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Fürchte dich nicht, ich bin bei dir, BWV 228
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Easter Oratorio, BWV 249: I. Sinfonia
—
Easter Oratorio, BWV 249: II. Adagio
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Easter Oratorio, BWV 249: III. Duet & Chorus "Kommt, eilet und laufet"
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Easter Oratorio, BWV 249: IV. Recitative "O kalter Männer Sinn!"
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Easter Oratorio, BWV 249: V. Aria "Seele, deine Spezereien"
—
Easter Oratorio, BWV 249: VI. Recitative "Hier ist die Gruft"
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Easter Oratorio, BWV 249: VII. Aria "Sanfte soll mein Todeskummer"
—
Easter Oratorio, BWV 249: VIII. Recitative "Indessen seufzen wir"
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Easter Oratorio, BWV 249: IX. Aria "Saget, saget mir geschwinde"
—
Easter Oratorio, BWV 249: X. Recitative "Wir sind erfreut"
—
Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank"
—
Easter Oratorio, BWV 249: XII. Chorale "Es hat mit uns nun keine Not"
—
Matthäus-Passion, BWV 244: Teil I, I. Coro "Kommt, ihr Töchter, helft mir klagen" - Corale "O Lamm Gottes, unschuldig"
—
Matthäus-Passion, BWV 244: Teil I, II. "Da Jesus diese Rede vollendet hatte" (Evangelista, Jesus)
—
Matthäus-Passion, BWV 244: Teil I, III. Corale "Herzliebster Jesu, was hast du verbrochen"
—
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista)
—
Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest"
—
Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista)
—
Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat"
—
Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus)
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Matthäus-Passion, BWV 244: Teil I, V. Recitativo (Alto) "Du lieber Heiland du"
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Matthäus-Passion, BWV 244: Teil I, VI. Aria (Alto) "Buss und Reu"
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Matthäus-Passion, BWV 244: Teil I, VII. "Da ging hin der Zwölfen einer" (Evangelista, Judas)
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Matthäus-Passion, BWV 244: Teil I, VIII. Aria (Soprano) "Blute nur, du liebes Herz"
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Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista)
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Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten"
—
Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus)
—
Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista)
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Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs"
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Matthäus-Passion, BWV 244: Teil I, X. Corale "Ich bin's, ich sollte büssen"
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Matthäus-Passion, BWV 244: Teil I, XI. "Er antwortete und sprach" (Evangelista, Jesus, Judas)
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Matthäus-Passion, BWV 244: Teil I, XII. Recitativo (Soprano) "Wiewohl mein Herz in Tränen schwimmt"
—
Matthäus-Passion, BWV 244: Teil I, XIII. Aria (Soprano) "Ich will dir mein Herze schenken"
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Matthäus-Passion, BWV 244: Teil I, XIV. "Und da sie den Lobgesang gesprochen hatten" (Evangelista, Judas)
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Matthäus-Passion, BWV 244: Teil I, XV. Corale "Erkenne mich, mein Hüter"
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Matthäus-Passion, BWV 244: Teil I, XVI. "Petrus aber antwortete und sprach zu ihm" (Evangelista, Petrus, Jesus)
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Matthäus-Passion, BWV 244: Teil I, XVII. Corale "Ich will hier bei dir stehen"
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Matthäus-Passion, BWV 244: Teil I, XVIII. "Da kam Jesus mit ihnen zu einen Hofe" (Evangelista, Jesus)
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Matthäus-Passion, BWV 244: Teil I, XIX. Corale "Was ist die Ursach' aller solcher Plagen"
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Matthäus-Passion, BWV 244: Teil I, XX. Coro "So schlafen unsre Sünden ein"
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Matthäus-Passion, BWV 244: Teil I, XXI. "Und ging hin ein wenig" (Evangelista, Jesus)
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Matthäus-Passion, BWV 244: Teil I, XXII. Recitativo (Basso) "Der Heiland fällt vor seinem Vater nieder"
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Matthäus-Passion, BWV 244: Teil I, XXIII. Aria (Basso) "Gerne will ich mich bequemen"
—
Matthäus-Passion, BWV 244: Teil I, XXIV. "Und er kam zu seinen Jüngern" (Evangelista, Jesus)
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Matthäus-Passion, BWV 244: Teil I, XXV. Corale "Was mein Gott will, das g'scheh allzeit"
—
Matthäus-Passion, BWV 244: Teil I, XXVI. "Und er kam und fand sie aber schlafend" (Evangelista, Jesus, Judas)
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Matthäus-Passion, BWV 244: Teil I, XXVIIa. Coro "Lasst ihn, haltet, bindet nicht"
—
Matthäus-Passion, BWV 244: Teil I, XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
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Matthäus-Passion, BWV 244: Teil I, XXVIII. "Und siehe, einer aus denen, die mit Jesu waren" (Evangelista, Jesus)
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Matthäus-Passion, BWV 244: Teil I, XXIX. Corale "O Mensch, bewein dein Sünde gross"
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Matthäus-Passion, BWV 244: Teil II, XXX. Coro "Wo ist denn dein Freund hingegangen"
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Matthäus-Passion, BWV 244: Teil II, XXXI. "Die aber Jesum gegriffen hatten" (Evangelista)
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Matthäus-Passion, BWV 244: Teil II, XXXII. Corale "Mir hat die Welt trüglich gericht'"
—
Matthäus-Passion, BWV 244: Teil II, XXXIII. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista, Testis I/II, Pontifex)
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Matthäus-Passion, BWV 244: Teil II, XXXIV. Recitativo (Tenore) "Mein Jesus schweigt zu falschen Lügen stille"
—
Matthäus-Passion, BWV 244: Teil II, XXXV. Aria (Tenore) "Geduld! Wenn mich falsche Zungen stechen"
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Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus)
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Matthäus-Passion, BWV 244: Teil II, XXXVIb. Cori "Er ist des Todes schuldig"
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Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista)
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Matthäus-Passion, BWV 244: Teil II, XXXVId. Cori "Weissage uns, Christe"
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Matthäus-Passion, BWV 244: Teil II, XXXVII. Corale "Wer hat dich so geschlagen"
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Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber sass draussen im Palast" (Evangelista, Ancilla I/II, Petrus)
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Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen"
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Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
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Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
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Matthäus-Passion, BWV 244: Teil II, XL. Corale "Bin ich gleich von dir gewichen"
—
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas)
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Matthäus-Passion, BWV 244: Teil II, XLIb. Cori "Was gehet uns das an?"
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Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
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Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder"
—
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus)
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Matthäus-Passion, BWV 244: Teil II, XLIV. Corale "Befiehl du deine Wege"
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Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori)
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Matthäus-Passion, BWV 244: Teil II, XLVb. Cori "Lass ihn kreuzigen"
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Matthäus-Passion, BWV 244: Teil II, XLVI. Corale "Wie wunderbarlich ist doch diese Strafe"
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Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus)
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Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan"
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Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben"
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Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista)
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Matthäus-Passion, BWV 244: Teil II, Lb. Cori "Lass ihn kreuzigen"
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Matthäus-Passion, BWV 244: Teil II, Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus)
—
Matthäus-Passion, BWV 244: Teil II, Ld. Cori "Sein Blut komme über uns"
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Matthäus-Passion, BWV 244: Teil II, Le. "Da gab er ihnen Barrabam los" (Evangelista)
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Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott"
—
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen"
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Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista)
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Matthäus-Passion, BWV 244: Teil II, LIIIb. Cori "Gegrüsset seist du, Jüdenkönig"
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Matthäus-Passion, BWV 244: Teil II, LIIIc. "Und speieten ihn an" (Evangelista)
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Matthäus-Passion, BWV 244: Teil II, LIV. Corale "O Haupt voll Blut und Wunden"
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Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista)
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Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut"
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Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süsses Kreuz, so will ich sagen"
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Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" (Evangelista)
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Matthäus-Passion, BWV 244: Teil II, LVIIIb. Cori "Der du den Tempel Gottes zerbrichst"
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Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista)
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Matthäus-Passion, BWV 244: Teil II, LVIIId. Cori "Andern hat er geholfen"
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Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista)
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Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha"
—
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?"
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Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus)
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Matthäus-Passion, BWV 244: Teil II, LXIb. Coro "Der rufet dem Elias"
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Matthäus-Passion, BWV 244: Teil II, LXIc. "Und bald lief einer unter ihnen" (Evangelista)
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Matthäus-Passion, BWV 244: Teil II, LXId. Coro "Halt! lass sehen"
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Matthäus-Passion, BWV 244: Teil II, LXIe. "Aber Jesus schriee abermal" (Evangelista)
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Matthäus-Passion, BWV 244: Teil II, LXII. Corale "Wenn ich einmal soll scheiden"
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Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista)
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Matthäus-Passion, BWV 244: Teil II, LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen"
—
Matthäus-Passion, BWV 244: Teil II, LXIIIc. "Und es waren viel Weiber da" (Evangelista)
—
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war"
—
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein"
—
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista)
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Matthäus-Passion, BWV 244: Teil II, LXVIb. Cori "Herr, wir haben gedacht"
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Matthäus-Passion, BWV 244: Teil II, LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
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Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht"
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Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
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Johannes-Passion, BWV 245: I. Verrat und Gefangennahme - Chor - Herr, unser Herrscher
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Johannes-Passion, BWV 245: II. Evangelist, Jesus, Chor - Jesus ging mit seinen Jüngern
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Johannes-Passion, BWV 245: III. Choral - O große Lieb
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Johannes-Passion, BWV 245: IV. Evangelist, Jesus - Auf dass das Wort erfüllet wurde
—
Johannes-Passion, BWV 245: V. Choral - Dein Wille geschehe, Herr Gott, zugleich
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Johannes-Passion, BWV 245: VI. Evangelist - Die Schar aber und der Oberhauptmann
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Johannes-Passion, BWV 245: VII. Arie (Alt) - Von der Stricken meiner Sünden
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Johannes-Passion, BWV 245: VIII. Verhör -Evangelist - Simon Petrus aber folgete Jesus nach
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Johannes-Passion, BWV 245: IX. Arie (Sopran) - Ich folge dir gleichfalls mit freudigen Schritten
—
Johannes-Passion, BWV 245: X. Evangelist, Magd, Petrus, Jesus, Jünger - Derselbige Jünger war dem Hohenpriester bekannt
—
Johannes-Passion, BWV 245: XI. Choral - Wer hat dich so geschlagen?
—
Johannes-Passion, BWV 245: XII. Evangelist, Chor, Petrus, Jünger - Und Hannas sandte ihn gebunden
—
Johannes-Passion, BWV 245: XIII. Arie (Tenor) - Ach, mein Sinn
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Johannes-Passion, BWV 245: XIV. Choral - Petrus, der nicht denkt zurück
—
Johannes-Passion, BWV 245: XV. Verhör und Geißelung - Choral - Christus, der uns selig macht
—
Johannes-Passion, BWV 245: XVI. Evangelist, Pilatus, Chor, Jesus - Da führeten sie Jesum
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Johannes-Passion, BWV 245: XVII. Choral - Ach großer König
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Johannes-Passion, BWV 245: XVIII. Evangelist, Pilatus, Jesus, Chor - Da sprach Pilatus zu ihm
—
Johannes-Passion, BWV 245: XIX. Arioso (Bass) - Betrachte, meine Seele
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Johannes-Passion, BWV 245: XX. Arie (Tenor) - Erwäge, wie sein blutgefärbter Rücken
—
Johannes-Passion, BWV 245: XXI. Evangelist, Chor, Pilatus, Jesus - Und die Kriegsknechte flochten eine Krone
—
Johannes-Passion, BWV 245: XXII. Chor - Durch dein Gefängnis, Gottes Sohn
—
Johannes-Passion, BWV 245: XXIII. Evangelist, Chor, Pilatus - Die Juden aber schrieen und sprachen
—
Johannes-Passion, BWV 245: XXIV. Arie (Bass) mit Chor - Eilt, ihr angefochtnen Seelen
—
Johannes-Passion, BWV 245: XXV. Evangelist, Chor, Pilatus - Allda kreuzigten sie ihn
—
Johannes-Passion, BWV 245: XXVI. Choral - In meines Herzens Grunde
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Johannes-Passion, BWV 245: XXVII. Die Kriegsknechte aber: Recitativ
—
Johannes-Passion, BWV 245: XXVIII. Er nahm alles wohl in acht: Choral
—
Johannes-Passion, BWV 245: XXIX. Und von Stund an nahm sie die Jünger: Recitativ
—
Johannes-Passion, BWV 245: XXX. Es ist vollbracht!: Arie (Alt)
—
Johannes-Passion, BWV 245: XXXI. Und neiget das Haupt und verschied: Recitativ
—
Johannes-Passion, BWV 245: XXXII. Mein teurer Heiland, lass dich fragen: Aria (Bass)
—
Johannes-Passion, BWV 245: XXXIII. Und siehe da, der Vorhang im Tempel zerriss: Recitativ
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Johannes-Passion, BWV 245: XXXIV. Mein Herz, in dem die ganze Welt: Arioso (Tenor)
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Johannes-Passion, BWV 245: XXXV. Zerfließe mein Herze: Arie (Sopran)
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Johannes-Passion, BWV 245: XXXVI. Die Juden aber, dieweil es der Rüsttag war: Recitativ
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Johannes-Passion, BWV 245: XXXVII. O hilf, Christe, Gottes Sohn: Choral
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Johannes-Passion, BWV 245: XXXVIII. Darnach bat Pilatum Joseph von Arimathia: Recitativ
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Johannes-Passion, BWV 245: XXXIX. Ruht wohl, ihr heiligen Gebeine: Chor
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Johannes-Passion, BWV 245: XL. Ach Herr, lass dein lieb Engelein: Choral
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Cantata, BWV 80 "Ein' feste Burg ist unser Gott": I. Coro "Ein' feste Burg ist unser Gott"
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Cantata, BWV 80 "Ein' feste Burg ist unser Gott": II. Aria (Soprano, Basso) "Mit unser Macht"
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Cantata, BWV 80 "Ein' feste Burg ist unser Gott": III. Recitativo (Basso) "Erwäge doch, Kind Gottes"
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Cantata, BWV 80 "Ein' feste Burg ist unser Gott": IV. Aria (Soprano) "Komm in mein Herzenshaus"
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Cantata, BWV 80 "Ein' feste Burg ist unser Gott": V. Choral (Coro) "Und wenn die Welt voll Teufel wär"
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Cantata, BWV 80 "Ein' feste Burg ist unser Gott": VI. Recitativo (Tenore) "So stehe denn bei Christi"
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Cantata, BWV 80 "Ein' feste Burg ist unser Gott": VII. Duetto (Alto, Tenore) "Wie selig sind doch die"
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Cantata, BWV 80 "Ein' feste Burg ist unser Gott": VIII. Choral (Coro) "Das Wort sie sollen lassen stahn"
—
Cantata, BWV 82 "Ich habe genug": I. Aria (Basso) "Ich habe genug"
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Cantata, BWV 82 "Ich habe genug": II. Recitativo (Basso) "Ich habe genug!"
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Cantata, BWV 82 "Ich habe genug": III. Aria (Basso) "Schlummert ein, ihr matten Augen"
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Cantata, BWV 82 "Ich habe genug": IV. Recitativo (Basso) "Mein Gott! wann kommt das schöne"
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Cantata, BWV 82 "Ich habe genug": V. Aria (Basso) "Ich freue mich auf meinen Tod"
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Cantata, BWV 61 "Nun komm, der Heiden Heiland": I. Ouvertüre (Coro) "Nun komm, der Heiden Heiland"
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Cantata, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore) "Der Heiland ist gekommen"
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Cantata, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche"
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Cantata, BWV 61 "Nun komm, der Heiden Heiland": IV. Recitativo (Basso) "Siehe, ich stehe vor der Tür"
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Cantata, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze"
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Cantata, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral (Coro) "Amen, Amen!"
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Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": I. Sonatina
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Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" / IIb. Arioso (Tenore) "Ach, Herr, lehre uns bedenken" / IIc. Aria (Basso) "Bestelle dein Haus" / IId. Coro "Es ist der alte Bund"
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Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IIIa. Aria (Alto) "In deine Hände befehl ich meinen Geist" / IIIb. Arioso e Choral (Basso, Alto) "Heute wirst du mit mir im Paradies sein"
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Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IV. Coro "Glorie, Lob, Ehr und Herrlichkeit"
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Cantata, BWV 199 "Mein Herze schwimmt im Blut": I. Recitativo (Soprano) "Mein Herze schwimmt im Blut"
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Cantata, BWV 199 "Mein Herze schwimmt im Blut": II. Aria (Soprano) "Stumme Seufzer, stille Klagen"
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Cantata, BWV 199 "Mein Herze schwimmt im Blut": III. Recitativo (Soprano) "Doch Gott muß mir genädig sein"
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Cantata, BWV 199 "Mein Herze schwimmt im Blut": IV. Aria (Soprano) "Tief gebückt und voller Reue"
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Cantata, BWV 199 "Mein Herze schwimmt im Blut": V. Recitativo (Soprano) "Auf diese Schmerzensreu"
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Cantata, BWV 199 "Mein Herze schwimmt im Blut": VI. Choral (Soprano) "Ich, dein betrübtes Kind"
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Cantata, BWV 199 "Mein Herze schwimmt im Blut": VII. Recitativo (Soprano) "Ich lege mich in diese Wunden"
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Cantata, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria (Soprano) "Wie freudig ist mein Herz"
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Cantata, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alto) "Komm, du süße Todesstunde"
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Cantata, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenore) "Welt, deine Lust ist Last"
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Cantata, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenore) "Mein Verlangen"
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Cantata, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alto) "Der Schluß ist schon gemacht"
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Cantata, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille"
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Cantata, BWV 161 "Komm, du süße Todesstunde": VI. Choral (Coro) "Der Leib zwar in der Erden"
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Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": I. Coro "Man singet mit Freuden vom Sieg in den Hütten der Gerechten"
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Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": II. Aria (Basso) "Kraft und Stärke sei gesungen"
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Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": III. Recitativo (Alto) "Ich fürchte mich vor tausend Feinden nicht"
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Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": IV. Aria (Soprano) "Gottes Engel weichen nie"
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Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": V. Recitativo (Tenore) "Ich danke dir, mein lieber Gott"
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Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": VI. Aria (Duetto: Alto, Tenore) "Seid wachsam, ihr heiligen Wächter"
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Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": VII. Choral "Ach Herr, lass dein lieb Engelein"
—
Cantata, BWV 69 "Lobe den Herrn, meine Seele": I. Recitativo (Soprano) "Wie groß ist Gottes Güte doch!"
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Cantata, BWV 69 "Lobe den Herrn, meine Seele": II. Aria (Alto) "Meine Seele, Auf! erzähle"
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Cantata, BWV 69 "Lobe den Herrn, meine Seele": III. Recitativo (Tenore) "Der Herr hat große Ding an uns getan"
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Cantata, BWV 69 "Lobe den Herrn, meine Seele": IV. Choral "Es danke, Gott, und lobe dich"
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Cantata, BWV 169 "Gott soll allein mein Herze haben": I. Sinfonia
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Cantata, BWV 169 "Gott soll allein mein Herze haben": II. Arioso (Alto) "Gott soll allein mein Herze haben"
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Cantata, BWV 169 "Gott soll allein mein Herze haben": III. Aria (Alto) "Gott soll allein mein Herze haben"
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Cantata, BWV 169 "Gott soll allein mein Herze haben": IV. Recitativo (Alto) "Was ist die Liebe Gottes?"
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Cantata, BWV 169 "Gott soll allein mein Herze haben": V. Aria (Alto) "Stirb in mir"
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Cantata, BWV 169 "Gott soll allein mein Herze haben": VI. Recitativo (Alto) "Doch meint es auch dabei"
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Cantata, BWV 169 "Gott soll allein mein Herze haben": VII. Choral "Du süße Liebe, schenk uns deine Gunst"
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Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": I. Coro "Bleib bei uns, denn es will Abend werden"
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Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn"
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Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ"
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Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": IV. Recitativo (Basso) "Es hat die Dunkelheit"
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Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": V. Aria (Tenore) "Jesu, lass uns auf dich sehen"
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Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": VI. Choral "Beweis dein Macht, Herr Jesu Christ"
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Cantata, BWV 163 "Nur jedem das Seine!": I. Aria (Tenore) "Nur jedem das Seine!"
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Cantata, BWV 163 "Nur jedem das Seine!": II. Recitativo (Basso) "Du bist, mein Gott, der Geber aller Gaben"
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Cantata, BWV 163 "Nur jedem das Seine!": III. Aria (Basso) "Laß mein Herz die Münze sein"
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Cantata, BWV 163 "Nur jedem das Seine!": IV. Arioso (Duetto: Soprano, Alto) "Ich wollte dir, o Gott, das Herze gerne geben"
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Cantata, BWV 163 "Nur jedem das Seine!": V. Aria (Duetto: Soprano, Alto) "Nimm mich mir und gib mich dir!"
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Cantata, BWV 163 "Nur jedem das Seine!": VI. Choral "Führ auch mein Herz und Sinn"
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Cantata, BWV 96 "Herr Christ, der einge Gottessohn": I. Coro "Herr Christ, der einge Gottessohn"
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Cantata, BWV 96 "Herr Christ, der einge Gottessohn": II. Recitativo (Alto) "O Wunderkraft der Liebe"
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Cantata, BWV 96 "Herr Christ, der einge Gottessohn": III. Aria (Tenore) "Ach, ziehe die Seele mit Seilen der Liebe"
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Cantata, BWV 96 "Herr Christ, der einge Gottessohn": IV. Recitativo (Soprano) "Ach, führe mich, o Gott, zum rechten Wege"
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Cantata, BWV 96 "Herr Christ, der einge Gottessohn": V. Aria (Basso) "Bald zur Rechten, bald zur Linken"
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Cantata, BWV 96 "Herr Christ, der einge Gottessohn": VI. Choral "Ertöt uns durch dein Güte"
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Cantata, BWV 60 "O Ewigkeit, du Donnerwort II": I. Aria (Tenore) e Choral (Alto) "O Ewigkeit, du Donnerwort"
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Cantata, BWV 60 "O Ewigkeit, du Donnerwort II": II. Recitativo (Alto, Tenore) "O schwerer Gang zum letzten Kampf und Streite!"
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Cantata, BWV 60 "O Ewigkeit, du Donnerwort II": III. Aria (Duetto: Alto, Tenore) "Mein letztes Lager will mich schrecken"
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Cantata, BWV 60 "O Ewigkeit, du Donnerwort II": IV. Recitativo (Alto) e Arioso (Basso) "Der Tod bleibt doch der menschlichen Natur verhasst"
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Cantata, BWV 60 "O Ewigkeit, du Donnerwort II": V. Choral "Es ist genug"
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Cantata, BWV 78 "Jesu, der du meine Seele": I. Coro "Jesu, der du meine Seele"
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Cantata, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto: Soprano, Alto) "Wir eilen mit schwachen, doch emsigen Schritten"
—
Cantata, BWV 78 "Jesu, der du meine Seele": III. Recitativo (Tenore) "Ach! ich bin ein Kind der Sünden"
—
Cantata, BWV 78 "Jesu, der du meine Seele": IV. Aria (Tenore) "Das Blut, so meine Schuld durchstreicht"
—
Cantata, BWV 78 "Jesu, der du meine Seele": V. Recitativo (Basso) "Die Wunden, Nägel, Kron und Grab"
—
Cantata, BWV 78 "Jesu, der du meine Seele": VI. Aria (Basso) "Nun du wirst mein Gewissen stillen"
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Cantata, BWV 78 "Jesu, der du meine Seele": VII. Choral "Herr, ich glaube, hilf mir Schwachen"
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Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": I. Aria (Soprano) "Süßer Trost, mein Jesus kömmt"
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Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": II. Recitativo (Basso) "Erfreue dich, mein Herz"
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Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": III. Aria (Alto) "In Jesu Demut kann ich Trost"
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Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": IV. Recitativo (Tenore) "Du teurer Gottessohn"
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Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": V. Choral "Heut schleußt er wieder auf die Tür"
—
Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: I. Coro (Soprano, Alto, Tenore, Basso): Dem Gerechten muß das Licht
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Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: II. Recitativo (Basso): Dem Freudenlicht gerechter Frommen
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Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: II. Aria (Basso): Rühmet Gottes Güt und Treu
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Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: IV. Recitativo (Soprano): Wohlan, so knüpfet denn ein Band
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Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: V. Coro (Soprano, Alto, Tenore, Basso): Wir kommen, deine Heiligkeit Nach der Trauung
—
Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: VI. Choral (Coro): Nun danket all und bringet Ehr
—
Wie Schön Leuchtet Der Morgenstern, BWV 1: I. Coro: Wie schön leuchtet der Morgenstern
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Wie Schön Leuchtet Der Morgenstern, BWV 1: II. Recitativo (Tenore): Du wahrer Gottes und Marien Sohn
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Wie Schön Leuchtet Der Morgenstern, BWV 1: III. Aria (Soprano): Erfüllet, ihr himmlischen
—
Wie Schön Leuchtet Der Morgenstern, BWV 1: IV. Recitativo (Basso): Ein irdscher Glanz
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Wie Schön Leuchtet Der Morgenstern, BWV 1: V. Aria (Tenore): Unser Mund und Ton der Saiten
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Wie Schön Leuchtet Der Morgenstern, BWV 1: VI. Choral (Coro): Wie bin ich doch so herzlich froh
—
Christen, Ätzet Diesen Tag, BWV 63: I. Coro: Christen, ätzet diesen Tag
—
Christen, Ätzet Diesen Tag, BWV 63: II. Recitativo (Alto): O selger Tag!
—
Christen, Ätzet Diesen Tag, BWV 63: III. Duetto (Soprano, Basso): Gott, du hast es wohl gefüget
—
Christen, Ätzet Diesen Tag, BWV 63: IV. Recitativo (Tenore): So kehret sich nun heut
—
Christen, Ätzet Diesen Tag, BWV 63: V. Duetto (Alto, Basso): Ruft und fleht den Himmel an
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Christen, Ätzet Diesen Tag, BWV 63: VI. Recitativo (Basso): Verdoppelt euch demnach
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Christen, Ätzet Diesen Tag, BWV 63: VII. Coro: Höchster, schau in Gnaden an
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Herz Und Mund Und Tat Und Leben, BWV 147: I. Herz und Mund und Tat und Leben
—
Herz Und Mund Und Tat Und Leben, BWV 147: II. Recitativo (Tenore): Gebenedeiter Mund!
—
Herz Und Mund Und Tat Und Leben, BWV 147: III. Aria (Alto): Schäme dich, o Seele, nicht
—
Herz Und Mund Und Tat Und Leben, BWV 147: IV. Recitativo (Basso): Verstockung kann Gewaltige
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Herz Und Mund Und Tat Und Leben, BWV 147: V. Aria (Soprano): Bereite dir, Jesu
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Herz Und Mund Und Tat Und Leben, BWV 147: VI. Choral (Coro): Wohl mir, daß ich Jesum habe
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Herz Und Mund Und Tat Und Leben, BWV 147: VII. Aria (Tenore): Hilf, Jesu, hilf
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Herz Und Mund Und Tat Und Leben, BWV 147: VIII. Recitativo (Alto): Der höchsten Allmacht
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Herz Und Mund Und Tat Und Leben, BWV 147: IX. Aria (Basso): Ich will von Jesu Wundern singen
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Herz Und Mund Und Tat Und Leben, BWV 147: X. Choral (Coro): Jesu bleibet meine Freude
—
Leichtgesinnte Flattergeister, BWV 181: I. Aria (Basso): Leichtgesinnte Flattergeister
—
Leichtgesinnte Flattergeister, BWV 181: II. Recitativo (Alto): O unglückselger Stand
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Leichtgesinnte Flattergeister, BWV 181: III. Aria (Tenore): Der schädlichen Dornen
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Leichtgesinnte Flattergeister, BWV 181: IV. Recitativo (Soprano): Von diesen wird die Kraft erstickt
—
Leichtgesinnte Flattergeister, BWV 181: V. Coro: Laß, Höchster, uns zu allen Zeiten
—
Erfreut Euch, Ihr Herzen, BWV 66: I. Coro: Erfreut euch, ihr Herzen
—
Erfreut Euch, Ihr Herzen, BWV 66: II. Recitativo (Basso): Es bricht das Grab
—
Erfreut Euch, Ihr Herzen, BWV 66: III. Aria (Basso): Lasset dem Höchsten ein Danklied
—
Erfreut Euch, Ihr Herzen, BWV 66: IV. Recitativo (Alto, Tenore): Bei Jesu Leben freudig sein
—
Erfreut Euch, Ihr Herzen, BWV 66: V. Duetto (Alto, Tenore): Ich furchte zwar
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Erfreut Euch, Ihr Herzen, BWV 66: VI. Choral (Coro): Alleluja! Alleluja! Alleluja!
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