UPC · Release
Bach
Last verified:
The UPC for “The Masterworks” by Bach is 5028421923918. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2008-01-01. Label: Brilliant Classics. This release contains 761 tracks, each with its own ISRC. Tracks include NLY331603801, NLY331603802, NLY331603803.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto No. 1 in F major, BWV 1046: I. Allegro | — | ||
| 2 | Concerto No. 1 in F major, BWV 1046: II. Adagio | — | ||
| 3 | Concerto No. 1 in F major, BWV 1046: III. Allegro | — | ||
| 4 | Concerto No. 1 in F major, BWV 1046: IV. Minuetto - Trio I - Polonaise - Trio II | — | ||
| 5 | Concerto No. 2 in F major, BWV 1047: I. Allegro | — | ||
| 6 | Concerto No. 2 in F major, BWV 1047: II. Andante | — | ||
| 7 | Concerto No. 2 in F major, BWV 1047: III. Allegro assai | — | ||
| 8 | Concerto No. 2 in G major, BWV 1048: I. Allegro | — | ||
| 9 | Concerto No. 2 in G major, BWV 1048: II. Adagio (from Trio Sonate in G major, BWV 1048) | — | ||
| 10 | Concerto No. 2 in G major, BWV 1048: III. Allegro | — | ||
| 2-1 | Concerto No. 4 in G major, BWV 1049: I. Allegro | — | ||
| 2-2 | Concerto No. 4 in G major, BWV 1049: II. Andante | — | ||
| 2-3 | Concerto No. 4 in G major, BWV 1049: III. Presto | — | ||
| 2-4 | Concerto No. 5 in D major, BWV 1050: I. Allegro | — | ||
| 2-5 | Concerto No. 5 in D major, BWV 1050: II. Affettuoso | — | ||
| 2-6 | Concerto No. 5 in D major, BWV 1050: III. Allegro | — | ||
| 2-7 | Concerto No. 6 in B-flat major, BWV 1051: I. Allegro | — | ||
| 2-8 | Concerto No. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | — | ||
| 2-9 | Concerto No. 6 in B-flat major, BWV 1051: III. Allegro | — | ||
| 3-1 | Orchestral Suite No. 1 in C major, BWV 1066: I. Ouverture | — | ||
| 3-2 | Orchestral Suite No. 1 in C major, BWV 1066: II. Courante | — | ||
| 3-3 | Orchestral Suite No. 1 in C major, BWV 1066: III. Gavotte 1 & 2 | — | ||
| 3-4 | Orchestral Suite No. 1 in C major, BWV 1066: IV. Forlane | — | ||
| 3-5 | Orchestral Suite No. 1 in C major, BWV 1066: V. Menuet I & II | — | ||
| 3-6 | Orchestral Suite No. 1 in C major, BWV 1066: VI. Bourrée I & II | — | ||
| 3-7 | Orchestral Suite No. 1 in C major, BWV 1066: VII. Passepied I & II | — | ||
| 3-8 | Orchestral Suite No. 2 in B minor, BWV 1067: I. Ouverture | — | ||
| 3-9 | Orchestral Suite No. 2 in B minor, BWV 1067: II. Rondeau | — | ||
| 3-10 | Orchestral Suite No. 2 in B minor, BWV 1067: III. Sarabande | — | ||
| 3-11 | Orchestral Suite No. 2 in B minor, BWV 1067: IV. Bourrée I & II | — | ||
| 3-12 | Orchestral Suite No. 2 in B minor, BWV 1067: V. Polonaise | — | ||
| 3-13 | Orchestral Suite No. 2 in B minor, BWV 1067: VI. Menuet | — | ||
| 3-14 | Orchestral Suite No. 2 in B minor, BWV 1067: VII. Badinerie | — | ||
| 4-1 | Orchestral Suite No. 3 in D major, BWV 1068: I. Ouverture | — | ||
| 4-2 | Orchestral Suite No. 3 in D major, BWV 1068: II. Air | — | ||
| 4-3 | Orchestral Suite No. 3 in D major, BWV 1068: III. Gavotte I & II | — | ||
| 4-4 | Orchestral Suite No. 3 in D major, BWV 1068: IV. Bourrée | — | ||
| 4-5 | Orchestral Suite No. 3 in D major, BWV 1068: V. Gigue | — | ||
| 4-6 | Orchestral Suite No. 4 in D major, BWV 1069: I. Ouverture | — | ||
| 4-7 | Orchestral Suite No. 4 in D major, BWV 1069: II. Bourrée I & II | — | ||
| 4-8 | Orchestral Suite No. 4 in D major, BWV 1069: III. Gavotte | — | ||
| 4-9 | Orchestral Suite No. 4 in D major, BWV 1069: IV. Menuet I & II | — | ||
| 4-10 | Orchestral Suite No. 4 in D major, BWV 1069: V. Rejouissance | — | ||
| 5-1 | Violin Concerto in A minor, BWV 1041: I. Allegro (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-2 | Violin Concerto in A minor, BWV 1041: II. Adagio (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-3 | Violin Concerto in A minor, BWV 1041: III. Allegro (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-4 | Violin Concerto in E major, BWV 1042: I. Allegro (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-5 | Violin Concerto in E major, BWV 1042: II. Adagio (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-6 | Violin Concerto in E major, BWV 1042: III. Allegro assai (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-7 | Violin Concerto in D minor, BWV 1052: I. Allegro (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-8 | Violin Concerto in D minor, BWV 1052: II. Largo (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-9 | Violin Concerto in D minor, BWV 1052: III. Presto (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-10 | Violin Concerto in G minor, BWV 1056: I. Allegro (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-11 | Violin Concerto in G minor, BWV 1056: II. Andante (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-12 | Violin Concerto in G minor, BWV 1056: III. Allegro assai (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-13 | Concerto for 3 violins, strings and basso continuo, BWV 1064: I. Allegro | Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists | T-914.323.771-2 | |
| 5-14 | Concerto for 3 violins, strings and basso continuo, BWV 1064: II. Adagio | Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists | T-917.755.866-6 | |
| 5-15 | Concerto for 3 violins, strings and basso continuo, BWV 1064: III. Allegro | Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists | — | |
| 6-1 | Concerto for flute, violin, harpsichord, strings and basso continuo in A minor, BWV 1044: I. Allegro | Marieke Schneemann, Elisabeth Perry, Menno van Delft, Netherlands Bach Ensemble, Krijn Koetsveld | — | |
| 6-2 | Concerto for flute, violin, harpsichord, strings and basso continuo in A minor, BWV 1044: II. Adagio | Marieke Schneemann, Elisabeth Perry, Menno van Delft, Netherlands Bach Ensemble, Krijn Koetsveld | T-917.755.866-6 | |
| 6-3 | Concerto for flute, violin, harpsichord, strings and basso continuo in A minor, BWV 1044: III. Alla breve | Marieke Schneemann, Elisabeth Perry, Menno van Delft, Netherlands Bach Ensemble, Krijn Koetsveld | — | |
| 6-4 | Concerto for Oboe, Violin & Strings in D minor, BWV 1060: I. Allegro | Netherlands Bach Ensemble, Daniëlle Kreeft, Juditha Heberlin | — | |
| 6-5 | Concerto for Oboe, Violin & Strings in D minor, BWV 1060: II. Adagio | Netherlands Bach Ensemble, Daniëlle Kreeft, Juditha Heberlin | T-917.755.866-6 | |
| 6-6 | Concerto for Oboe, Violin & Strings in D minor, BWV 1060: III. Allegro | Netherlands Bach Ensemble, Daniëlle Kreeft, Juditha Heberlin | — | |
| 6-7 | Concerto for oboe d’amore, strings and basso continuo in A major, BWV 1055: I. Allegro | — | ||
| 6-8 | Concerto for oboe d’amore, strings and basso continuo in A major, BWV 1055: II. Larghetto | — | ||
| 6-9 | Concerto for oboe d’amore, strings and basso continuo in A major, BWV 1055: III. Allegro ma non tanto | — | ||
| 6-10 | Concerto for 2 violins, strings and basso continuo in D minor, BWV 1043: I. Vivace | — | ||
| 6-11 | Concerto for 2 violins, strings and basso continuo in D minor, BWV 1043: II. Largo | — | ||
| 6-12 | Concerto for 2 violins, strings and basso continuo in D minor, BWV 1043: III. Allegro | — | ||
| 7-1 | The Well-Tempered Clavier Book I Prelude & Fuge No.1 in C major BWV 846 - I Praeludium | — | ||
| 7-2 | The Well-Tempered Clavier Book I Prelude & Fuge No.1 in C major BWV 846 - II Fuga | — | ||
| 7-3 | The Well-Tempered Clavier Book I Prelude & Fuge No.2 in C minor BWV 847 - I Praeludium | — | ||
| 7-4 | The Well-Tempered Clavier Book I Prelude & Fuge No.2 in C minor BWV 847 - II Fuga | — | ||
| 7-5 | The Well-Tempered Clavier Book I Prelude & Fuge No.3 in C sharp major BWV 848 - I Praeludium | — | ||
| 7-6 | The Well-Tempered Clavier Book I Prelude & Fuge No.3 in C sharp major BWV 848 - II Fuga | — | ||
| 7-7 | The Well-Tempered Clavier Book I Prelude & Fuge No.4 in C sharp minor BWV 849 - I Praeludium | — | ||
| 7-8 | The Well-Tempered Clavier Book I Prelude & Fuge No.4 in C sharp minor BWV 849 - II Fuga | — | ||
| 7-9 | The Well-Tempered Clavier Book I Prelude & Fuge No.5 in D major BWV 850 - I Praeludium | — | ||
| 7-10 | The Well-Tempered Clavier Book I Prelude & Fuge No.5 in D major BWV 850 - II Fuga | — | ||
| 7-11 | The Well-Tempered Clavier Book I Prelude & Fuge No.6 in D minor BWV 851 - I Praeludium | — | ||
| 7-12 | The Well-Tempered Clavier Book I Prelude & Fuge No.6 in D minor BWV 851 - II Fuga | — | ||
| 7-13 | The Well-Tempered Clavier Book I Prelude & Fuge No.7 in E flat major BWV 852 - I Praeludium | — | ||
| 7-14 | The Well-Tempered Clavier Book I Prelude & Fuge No.7 in E flat major BWV 852 - II Fuga | — | ||
| 7-15 | The Well-Tempered Clavier Book I Prelude & Fuge No.8 in E flat minor BWV 853 - I Praeludium | — | ||
| 7-16 | The Well-Tempered Clavier Book I Prelude & Fuge No.8 in E flat minor BWV 853 - II Fuga | — | ||
| 7-17 | The Well-Tempered Clavier Book I Prelude & Fuge No.9 in E major BWV 854 - I Praeludium | — | ||
| 7-18 | The Well-Tempered Clavier Book I Prelude & Fuge No.9 in E major BWV 854 - II Fuga | — | ||
| 7-19 | The Well-Tempered Clavier Book I Prelude & Fuge No.10 in E minor BWV 855 - I Praeludium | — | ||
| 7-20 | The Well-Tempered Clavier Book I Prelude & Fuge No.10 in E minor BWV 855 - II Fuga | — | ||
| 7-21 | The Well-Tempered Clavier Book I Prelude & Fuge No.11 in F major BWV 856 - I Praeludium | — | ||
| 7-22 | The Well-Tempered Clavier Book I Prelude & Fuge No.11 in F major BWV 856 - II Fuga | — | ||
| 7-23 | The Well-Tempered Clavier Book I Prelude & Fuge No.12 in F minor BWV 857 - I Praeludium | — | ||
| 7-24 | The Well-Tempered Clavier Book I Prelude & Fuge No.12 in F minor BWV 857 - II Fuga | — | ||
| 8-1 | The Well-Tempered Clavier Book I Prelude & Fuge No.13 in F sharp major BWV 858 - I Praeludium | — | ||
| 8-2 | The Well-Tempered Clavier Book I Prelude & Fuge No.13 in F sharp major BWV 858 - II Fuga | — | ||
| 8-3 | The Well-Tempered Clavier Book I Prelude & Fuge No.14 in F sharp minor BWV 859 - I Praeludium | — | ||
| 8-4 | The Well-Tempered Clavier Book I Prelude & Fuge No.14 in F sharp minor BWV 859 - II Fuga | — | ||
| 8-5 | The Well-Tempered Clavier Book I Prelude & Fuge No.15 in G major BWV 860 - I Praeludium | — | ||
| 8-6 | The Well-Tempered Clavier Book I Prelude & Fuge No.15 in G major BWV 860 - II Fuga | — | ||
| 8-7 | The Well-Tempered Clavier Book I Prelude & Fuge No.16 in G minor BWV 861 - I Praeludium | — | ||
| 8-8 | The Well-Tempered Clavier Book I Prelude & Fuge No.16 in G minor BWV 861 - II Fuga | — | ||
| 8-9 | The Well-Tempered Clavier Book I Prelude & Fuge No.17 in A flat major BWV 862 - I Praeludium | — | ||
| 8-10 | The Well-Tempered Clavier Book I Prelude & Fuge No.17 in A flat major BWV 862 - II Fuga | — | ||
| 8-11 | The Well-Tempered Clavier Book I Prelude & Fuge No.18 in G sharp minor BWV 863 - I Praeludium | — | ||
| 8-12 | The Well-Tempered Clavier Book I Prelude & Fuge No.18 in G sharp minor BWV 863 - II Fuga | — | ||
| 8-13 | The Well-Tempered Clavier Book I Prelude & Fuge No.19 in A major BWV 864 - I Praeludium | — | ||
| 8-14 | The Well-Tempered Clavier Book I Prelude & Fuge No.19 in A major BWV 864 - II Fuga | — | ||
| 8-15 | The Well-Tempered Clavier Book I Prelude & Fuge No.20 in A minor BWV 865 - I Praeludium | — | ||
| 8-16 | The Well-Tempered Clavier Book I Prelude & Fuge No.20 in A minor BWV 865 - II Fuga | — | ||
| 8-17 | The Well-Tempered Clavier Book I Prelude & Fuge No.21 in B flat major BWV 866 - I Praeludium | — | ||
| 8-18 | The Well-Tempered Clavier Book I Prelude & Fuge No.21 in B flat major BWV 866 - II Fuga | — | ||
| 8-19 | The Well-Tempered Clavier Book I Prelude & Fuge No.22 in B flat minor BWV 867 - I Praeludium | — | ||
| 8-20 | The Well-Tempered Clavier Book I Prelude & Fuge No.22 in B flat minor BWV 867 - II Fuga | — | ||
| 8-21 | The Well-Tempered Clavier Book I Prelude & Fuge No.23 in B major BWV 868 - I Praeludium | — | ||
| 8-22 | The Well-Tempered Clavier Book I Prelude & Fuge No.23 in B major BWV 868 - II Fuga | — | ||
| 8-23 | The Well-Tempered Clavier Book I Prelude & Fuge No.24 in B minor BWV 869 - I Praeludium | — | ||
| 8-24 | The Well-Tempered Clavier Book I Prelude & Fuge No.24 in B minor BWV 869 - II Fuga | — | ||
| 9-1 | The Well-Tempered Clavier Book II Prelude & Fuge No.1 in C major BWV 870 - I Praeludium | — | ||
| 9-2 | The Well-Tempered Clavier Book II Prelude & Fuge No.1 in C major BWV 870 - II Fuga | — | ||
| 9-3 | The Well-Tempered Clavier Book II Prelude & Fuge No.2 in C minor BWV 871 - I Praeludium | — | ||
| 9-4 | The Well-Tempered Clavier Book II Prelude & Fuge No.2 in C minor BWV 871 - II Fuga | — | ||
| 9-5 | The Well-Tempered Clavier Book II Prelude & Fuge No.3 in C sharp major BWV 872 - I Praeludium | — | ||
| 9-6 | The Well-Tempered Clavier Book II Prelude & Fuge No.3 in C sharp major BWV 872 - II Fuga | — | ||
| 9-7 | The Well-Tempered Clavier Book II Prelude & Fuge No.4 in C sharp minor BWV 873 - I Praeludium | — | ||
| 9-8 | The Well-Tempered Clavier Book II Prelude & Fuge No.4 in C sharp minor BWV 873 - II Fuga | — | ||
| 9-9 | The Well-Tempered Clavier Book II Prelude & Fuge No.5 in D major BWV 874 - I Praeludium | — | ||
| 9-10 | The Well-Tempered Clavier Book II Prelude & Fuge No.5 in D major BWV 874 - II Fuga | — | ||
| 9-11 | The Well-Tempered Clavier Book II Prelude & Fuge No.6 in D minor BWV 875 - I Praeludium | — | ||
| 9-12 | The Well-Tempered Clavier Book II Prelude & Fuge No.6 in D minor BWV 875 - II Fuga | — | ||
| 9-13 | The Well-Tempered Clavier Book II Prelude & Fuge No.7 in E flat major BWV 876 - I Praeludium | — | ||
| 9-14 | The Well-Tempered Clavier Book II Prelude & Fuge No.7 in E flat major BWV 876 - II Fuga | — | ||
| 9-15 | The Well-Tempered Clavier Book II Prelude & Fuge No.8 in E flat minor BWV 877 - I Praeludium | — | ||
| 9-16 | The Well-Tempered Clavier Book II Prelude & Fuge No.8 in E flat minor BWV 877 - II Fuga | — | ||
| 9-17 | The Well-Tempered Clavier Book II Prelude & Fuge No.9 in E major BWV 878 - I Praeludium | — | ||
| 9-18 | The Well-Tempered Clavier Book II Prelude & Fuge No.9 in E major BWV 878 - II Fuga | — | ||
| 9-19 | The Well-Tempered Clavier Book II Prelude & Fuge No.10 in E minor BWV 879 - I Praeludium | — | ||
| 9-20 | The Well-Tempered Clavier Book II Prelude & Fuge No.10 in E minor BWV 879 - II Fuga | — | ||
| 9-21 | The Well-Tempered Clavier Book II Prelude & Fuge No.11 in F major BWV 880 - I Praeludium | — | ||
| 9-22 | The Well-Tempered Clavier Book II Prelude & Fuge No.11 in F major BWV 880 - II Fuga | — | ||
| 9-23 | The Well-Tempered Clavier Book II Prelude & Fuge No.12 in F minor BWV 881 - I Praeludium | — | ||
| 9-24 | The Well-Tempered Clavier Book II Prelude & Fuge No.12 in F minor BWV 881 - II Fuga | — | ||
| 10-1 | The Well-Tempered Clavier Book II Prelude & Fuge No.13 in F sharp major BWV 882 - I Praeludium | — | ||
| 10-2 | The Well-Tempered Clavier Book II Prelude & Fuge No.13 in F sharp major BWV 882 - II Fuga | — | ||
| 10-3 | The Well-Tempered Clavier Book II Prelude & Fuge No.14 in F sharp minor BWV 883 - I Praeludium | — | ||
| 10-4 | The Well-Tempered Clavier Book II Prelude & Fuge No.14 in F sharp minor BWV 883 - II Fuga | — | ||
| 10-5 | The Well-Tempered Clavier Book II Prelude & Fuge No.15 in G major BWV 884 - I Praeludium | — | ||
| 10-6 | The Well-Tempered Clavier Book II Prelude & Fuge No.15 in G major BWV 884 - II Fuga | — | ||
| 10-7 | The Well-Tempered Clavier Book II Prelude & Fuge No.16 in G minor BWV 885 - I Praeludium | — | ||
| 10-8 | The Well-Tempered Clavier Book II Prelude & Fuge No.16 in G minor BWV 885 - II Fuga | — | ||
| 10-9 | The Well-Tempered Clavier Book II Prelude & Fuge No.17 in A flat major BWV 886 - I Praeludium | — | ||
| 10-10 | The Well-Tempered Clavier Book II Prelude & Fuge No.17 in A flat major BWV 886 - II Fuga | — | ||
| 10-11 | The Well-Tempered Clavier Book II Prelude & Fuge No.18 in G sharp minor BWV 887 - I Praeludium | — | ||
| 10-12 | The Well-Tempered Clavier Book II Prelude & Fuge No.18 in G sharp minor BWV 887 - II Fuga | — | ||
| 10-13 | The Well-Tempered Clavier Book II Prelude & Fuge No.19 in A major BWV 888 - I Praeludium | — | ||
| 10-14 | The Well-Tempered Clavier Book II Prelude & Fuge No.19 in A major BWV 888 - II Fuga | — | ||
| 10-15 | The Well-Tempered Clavier Book II Prelude & Fuge No.20 in A minor BWV 889 - I Praeludium | — | ||
| 10-16 | The Well-Tempered Clavier Book II Prelude & Fuge No.20 in A Minor BWV 889 - II Fuga | — | ||
| 10-17 | The Well-Tempered Clavier Book II Prelude & Fuge No.21 in B flat major BWV 890 - I Praeludium | — | ||
| 10-18 | The Well-Tempered Clavier Book II Prelude & Fuge No.21 in B flat major BWV 890 - II Fuga | — | ||
| 10-19 | The Well-Tempered Clavier Book II Prelude & Fuge No.22 in B flat minor BWV 891 - I Praeludium | — | ||
| 10-20 | The Well-Tempered Clavier Book II Prelude & Fuge No.22 in B flat minor BWV 891 - II Fuga | — | ||
| 10-21 | The Well-Tempered Clavier Book II Prelude & Fuge No.23 in B major BWV 892 - I Praeludium | — | ||
| 10-22 | The Well-Tempered Clavier Book II Prelude & Fuge No.23 in B major BWV 892 - II Fuga | — | ||
| 10-23 | The Well-Tempered Clavier Book II Prelude & Fuge No.24 in B minor BWV 893 - I Praeludium | — | ||
| 10-24 | The Well-Tempered Clavier Book II Prelude & Fuge No.24 in B minor BWV 893 - II Fuga | — | ||
| 11-1 | Partita No. 1 in B-flat major, BWV 825: I. Praeludium | — | ||
| 11-2 | Partita No. 1 in B-flat major, BWV 825: II. Allemande | — | ||
| 11-3 | Partita No. 1 in B-flat major, BWV 825: III. Corrente | — | ||
| 11-4 | Partita No. 1 in B-flat major, BWV 825: IV. Sarabande | — | ||
| 11-5 | Partita No. 1 in B-flat major, BWV 825: V. Menuet I & II | — | ||
| 11-6 | Partita No. 1 in B-flat major, BWV 825: VI. Giga | — | ||
| 11-7 | Partita No. 2 in C minor, BWV 826: I. Sinfonia | — | ||
| 11-8 | Partita No. 2 in C minor, BWV 826: II. Allemande | — | ||
| 11-9 | Partita No. 2 in C minor, BWV 826: III. Courante | — | ||
| 11-10 | Partita No. 2 in C minor, BWV 826: IV. Sarabande | — | ||
| 11-11 | Partita No. 2 in C minor, BWV 826: V. Rondeaux | — | ||
| 11-12 | Partita No. 2 in C minor, BWV 826: VI. Capriccio | — | ||
| 11-13 | Partita No. 6 in E minor, BWV 830: I. Toccata | — | ||
| 11-14 | Partita No. 6 in E minor, BWV 830: II. Allemanda | — | ||
| 11-15 | Partita No. 6 in E minor, BWV 830: III. Corrente | — | ||
| 11-16 | Partita No. 6 in E minor, BWV 830: IV. Air | — | ||
| 11-17 | Partita No. 6 in E minor, BWV 830: V. Sarabande | — | ||
| 11-18 | Partita No. 6 in E minor, BWV 830: VI. Tempo di Gavotta | — | ||
| 11-19 | Partita No. 6 in E minor, BWV 830: VII. Gigue | — | ||
| 12-1 | Partita No. 3 in A minor, BWV 827: I. Fantasia | — | ||
| 12-2 | Partita No. 3 in A minor, BWV 827: II. Allemande | — | ||
| 12-3 | Partita No. 3 in A minor, BWV 827: III. Corrente | — | ||
| 12-4 | Partita No. 3 in A minor, BWV 827: IV. Sarabande | — | ||
| 12-5 | Partita No. 3 in A minor, BWV 827: V. Burlesca | — | ||
| 12-6 | Partita No. 3 in A minor, BWV 827: VI. Scherzo | — | ||
| 12-7 | Partita No. 3 in A minor, BWV 827: VII. Gigue | — | ||
| 12-8 | Partita No. 4 in D major, BWV 828: I. Overture | — | ||
| 12-9 | Partita No. 4 in D major, BWV 828: II. Allemande | — | ||
| 12-10 | Partita No. 4 in D major, BWV 828: III. Courante | — | ||
| 12-11 | Partita No. 4 in D major, BWV 828: IV. Sarabande | — | ||
| 12-12 | Partita No. 4 in D major, BWV 828: V. Aria | — | ||
| 12-13 | Partita No. 4 in D major, BWV 828: VI. Menuet | — | ||
| 12-14 | Partita No. 4 in D major, BWV 828: VII. Gigue | — | ||
| 12-15 | Partita No. 5 in G major, BWV 829: I. Præambulum | — | ||
| 12-16 | Partita No. 5 in G major, BWV 829: II. Allemande | — | ||
| 12-17 | Partita No. 5 in G major, BWV 829: III. Corrente | — | ||
| 12-18 | Partita No. 5 in G major, BWV 829: IV. Sarabande | — | ||
| 12-19 | Partita No. 5 in G major, BWV 829: V. Tempo di Minuetto | — | ||
| 12-20 | Partita No. 5 in G major, BWV 829: VI. Passepied | — | ||
| 12-21 | Partita No. 5 in G major, BWV 829: VII. Gigue | — | ||
| 13-1 | Italian concerto in F major, BWV 971: I. Allegro | — | ||
| 13-2 | Italian concerto in F major, BWV 971: II. Largo | — | ||
| 13-3 | Italian concerto in F major, BWV 971: III. Presto | — | ||
| 13-4 | Overture in the French Style in B minor, BWV 831: I. Ouvertüre | — | ||
| 13-5 | Overture in the French Style in B minor, BWV 831: II. Courante | — | ||
| 13-6 | Overture in the French Style in B minor, BWV 831: III. Gavotte I & II, Da capo | — | ||
| 13-7 | Overture in the French Style in B minor, BWV 831: IV. Passepied I & II, Da capo | — | ||
| 13-8 | Overture in the French Style in B minor, BWV 831: V. Sarabande | — | ||
| 13-9 | Overture in the French Style in B minor, BWV 831: VI. Bourrée I & II, Da capo | — | ||
| 13-10 | Overture in the French Style in B minor, BWV 831: VII. Gigue | — | ||
| 13-11 | Overture in the French Style in B minor, BWV 831: VIII. Echo | — | ||
| 13-12 | Chromatic Fantasy and Fugue in D minor, BWV 903: I. Fantasie | — | ||
| 13-13 | Chromatic Fantasy and Fugue in D minor, BWV 903: II. Fugue | — | ||
| 14-1 | Goldberg Variations, BWV 988: Aria | — | ||
| 14-2 | Goldberg Variations, BWV 988: Variation 01 | — | ||
| 14-3 | Goldberg Variations, BWV 988: Variation 02 | — | ||
| 14-4 | Goldberg Variations, BWV 988: Variation 03. Canon on the Unison | — | ||
| 14-5 | Goldberg Variations, BWV 988: Variation 04 | — | ||
| 14-6 | Goldberg Variations, BWV 988: Variation 05 | — | ||
| 14-7 | Goldberg Variations, BWV 988: Variation 06. Canon on the Second | — | ||
| 14-8 | Goldberg Variations, BWV 988: Variation 07 | — | ||
| 14-9 | Goldberg Variations, BWV 988: Variation 08 | — | ||
| 14-10 | Goldberg Variations, BWV 988: Variation 09. Canon on the Third | — | ||
| 14-11 | Goldberg Variations, BWV 988: Variation 10. Fughetta | — | ||
| 14-12 | Goldberg Variations, BWV 988: Variation 11 | — | ||
| 14-13 | Goldberg Variations, BWV 988: Variation 12. Canon on the Fourth | — | ||
| 14-14 | Goldberg Variations, BWV 988: Variation 13 | — | ||
| 14-15 | Goldberg Variations, BWV 988: Variation 14 | — | ||
| 14-16 | Goldberg Variations, BWV 988: Variation 15. Canon on the Fifth | — | ||
| 14-17 | Goldberg Variations, BWV 988: Variation 16. Overture | — | ||
| 14-18 | Goldberg Variations, BWV 988: Variation 17 | — | ||
| 14-19 | Goldberg Variations, BWV 988: Variation 18. Canon on the Sixth | — | ||
| 14-20 | Goldberg Variations, BWV 988: Variation 19 | — | ||
| 14-21 | Goldberg Variations, BWV 988: Variation 20 | — | ||
| 14-22 | Goldberg Variations, BWV 988: Variation 21. Canon on the Seventh | — | ||
| 14-23 | Goldberg Variations, BWV 988: Variation 22. Alla breve | — | ||
| 14-24 | Goldberg Variations, BWV 988: Variation 23 | — | ||
| 14-25 | Goldberg Variations, BWV 988: Variation 24. Canon on the Octave | — | ||
| 14-26 | Goldberg Variations, BWV 988: Variation 25 | — | ||
| 14-27 | Goldberg Variations, BWV 988: Variation 26 | — | ||
| 14-28 | Goldberg Variations, BWV 988: Variation 27. Canon on the Ninth | — | ||
| 14-29 | Goldberg Variations, BWV 988: Variation 28 | — | ||
| 14-30 | Goldberg Variations, BWV 988: Variation 29 | — | ||
| 14-31 | Goldberg Variations, BWV 988: Variation 30. Quodlibet | — | ||
| 14-32 | Goldberg Variations, BWV 988: Aria de Capo | — | ||
| 15-1 | English Suite No. 1 in A major, BWV 806: I. Prelude | — | ||
| 15-2 | English Suite No. 1 in A major, BWV 806: II. Allemande | — | ||
| 15-3 | English Suite No. 1 in A major, BWV 806: III. Courante I | — | ||
| 15-4 | English Suite No. 1 in A major, BWV 806: IV. Courante II | — | ||
| 15-5 | English Suite No. 1 in A major, BWV 806: V. Double I | — | ||
| 15-6 | English Suite No. 1 in A major, BWV 806: VI. Double II | — | ||
| 15-7 | English Suite No. 1 in A major, BWV 806: VII. Sarabande | — | ||
| 15-8 | English Suite No. 1 in A major, BWV 806: VIII. Bourrée I | — | ||
| 15-9 | English Suite No. 1 in A major, BWV 806: IX. Bourrée II | — | ||
| 15-10 | English Suite No. 1 in A major, BWV 806: X. Bourrée I da capo | — | ||
| 15-11 | English Suite No. 1 in A major, BWV 806: XI. Gigue | — | ||
| 15-12 | English Suite No. 2 in A minor, BWV 807: I. Prelude | — | ||
| 15-13 | English Suite No. 2 in A minor, BWV 807: II. Allemande | — | ||
| 15-14 | English Suite No. 2 in A minor, BWV 807: III. Courante | — | ||
| 15-15 | English Suite No. 2 in A minor, BWV 807: IV. Sarabande | — | ||
| 15-16 | English Suite No. 2 in A minor, BWV 807: V. Bourrée I | — | ||
| 15-17 | English Suite No. 2 in A minor, BWV 807: VI. Bourrée II | — | ||
| 15-18 | English Suite No. 2 in A minor, BWV 807: VII. Bourrée I da capo | — | ||
| 15-19 | English Suite No. 2 in A minor, BWV 807: VIII. Gigue | — | ||
| 15-20 | English Suite No. 3 in G minor, BWV 808: I. Prelude | — | ||
| 15-21 | English Suite No. 3 in G minor, BWV 808: II. Allemande | — | ||
| 15-22 | English Suite No. 3 in G minor, BWV 808: III. Courante | — | ||
| 15-23 | English Suite No. 3 in G minor, BWV 808: IV. Sarabande | — | ||
| 15-24 | English Suite No. 3 in G minor, BWV 808: V. Gavotte I | — | ||
| 15-25 | English Suite No. 3 in G minor, BWV 808: VI. Gavotte II | — | ||
| 15-26 | English Suite No. 3 in G minor, BWV 808: VII. Gavotte I da capo | — | ||
| 15-27 | English Suite No. 3 in G minor, BWV 808: VIII. Gigue | — | ||
| 16-1 | English Suite No. 4 in F major, BWV 809: I. Prelude | — | ||
| 16-2 | English Suite No. 4 in F major, BWV 809: II. Allemande | — | ||
| 16-3 | English Suite No. 4 in F major, BWV 809: III. Courante | — | ||
| 16-4 | English Suite No. 4 in F major, BWV 809: IV. Sarabande | — | ||
| 16-5 | English Suite No. 4 in F major, BWV 809: V. Menuet I | — | ||
| 16-6 | English Suite No. 4 in F major, BWV 809: VI. Menuet II | — | ||
| 16-7 | English Suite No. 4 in F major, BWV 809: VII. Menuet I da capo | — | ||
| 16-8 | English Suite No. 4 in F major, BWV 809: VIII. Gigue | — | ||
| 16-9 | English Suite No. 5 in E minor, BWV 810: I. Prelude | — | ||
| 16-10 | English Suite No. 5 in E minor, BWV 810: II. Allemande | — | ||
| 16-11 | English Suite No. 5 in E minor, BWV 810: III. Courante | — | ||
| 16-12 | English Suite No. 5 in E minor, BWV 810: IV. Sarabande | — | ||
| 16-13 | English Suite No. 5 in E minor, BWV 810: V. Passepied I | — | ||
| 16-14 | English Suite No. 5 in E minor, BWV 810: VI. Passepied II | — | ||
| 16-15 | English Suite No. 5 in E minor, BWV 810: VII. Passepied I da capo | — | ||
| 16-16 | English Suite No. 5 in E minor, BWV 810: VIII. Gigue | — | ||
| 16-17 | English Suite No. 6 in D minor, BWV 811: I. Prelude | — | ||
| 16-18 | English Suite No. 6 in D minor, BWV 811: II. Allemande | — | ||
| 16-19 | English Suite No. 6 in D minor, BWV 811: III. Courante | — | ||
| 16-20 | English Suite No. 6 in D minor, BWV 811: IV. Sarabande | — | ||
| 16-21 | English Suite No. 6 in D minor, BWV 811: V. Double | — | ||
| 16-22 | English Suite No. 6 in D minor, BWV 811: VI. Gavotte I | — | ||
| 16-23 | English Suite No. 6 in D minor, BWV 811: VII. Gavotte II | — | ||
| 16-24 | English Suite No. 6 in D minor, BWV 811: VIII. Gavotte I da capo | — | ||
| 16-25 | English Suite No. 6 in D minor, BWV 811: IX. Gigue | — | ||
| 17-1 | Präludium & Fuge Es-Dur/E flat major BWV 552 | — | ||
| 17-2 | Partite sopra “O Gott, du frommer Gott” BWV 767 | — | ||
| 17-3 | Fantasie & Fuge g-Moll/G minor BWV 542 | — | ||
| 17-4 | Choral “Nun komm, der Heiden Heiland” BWV 659 | — | ||
| 17-5 | Choral “Wachet auf, ruft uns die Stimme” BWV 645 | — | ||
| 17-6 | Choral “Ich ruf zu dir, Herr Jesu Christ” BWV 639 | — | ||
| 17-7 | Toccata und Fuge d-Moll, BWV 565 | Ton Koopman | T-909.243.105-5 | |
| 18-1 | Dorische Toccata & Fuge BWV 538: I. Toccata | — | ||
| 18-2 | Dorische Toccata & Fuge BWV 538: II. Fuge | — | ||
| 18-3 | Partita “Sei gegrüsset, Jesu gütig” BWV 768 | — | ||
| 18-4 | Fantasie G-Dur/G major BWV 572 | — | ||
| 18-5 | Trio-Sonate G-Dur/G major BWV 530: I. Vivace | — | ||
| 18-6 | Trio-Sonate G-Dur/G major BWV 530: II. Lento | — | ||
| 18-7 | Trio-Sonate G-Dur/G major BWV 530: III. Allegro | — | ||
| 18-8 | Choral “Vater unser im Himmelreich” BWV 682 | — | ||
| 18-9 | Choral “Jesu Christus, unser Heiland” BWV 688 | — | ||
| 18-10 | Präludium & Fuge a-Moll/A minor BWV 543: I. Präludium | — | ||
| 18-11 | Präludium & Fuge a-Moll/A minor BWV 543: II. Fuge | — | ||
| 19-1 | Toccata, Adagio and Fugue in C major, BWV 564: 1. Toccata | — | ||
| 19-2 | Toccata, Adagio and Fugue in C major, BWV 564: 2. Adagio | — | ||
| 19-3 | Toccata, Adagio and Fugue in C major, BWV 564: 3. Fuge | — | ||
| 19-4 | Trio-Sonate Es-Dur/E flat major BWV 525: I. Allegro Moderato | — | ||
| 19-5 | Trio-Sonate Es-Dur/E flat major BWV 525: II. Adagio | — | ||
| 19-6 | Trio-Sonate Es-Dur/E flat major BWV 525: III. Allegro | — | ||
| 19-7 | Acht kleine Präludien & Fugen BWV 553-560: C-Dur/C major BWV 553 | — | ||
| 19-8 | Acht kleine Präludien & Fugen BWV 553-560: d-Moll/D minor BWV 554 | — | ||
| 19-9 | Acht kleine Präludien & Fugen BWV 553-560: e-Moll/E minor BWV 555 | — | ||
| 19-10 | Acht kleine Präludien & Fugen BWV 553-560: F-Dur/F major BWV 556 | — | ||
| 19-11 | Acht kleine Präludien & Fugen BWV 553-560: G-Dur/G major BWV 557 | — | ||
| 19-12 | Acht kleine Präludien & Fugen BWV 553-560: g-Moll/G minor BWV 558 | — | ||
| 19-13 | Acht kleine Präludien & Fugen BWV 553-560: a-Moll/A minor BWV 559 | — | ||
| 19-14 | Acht kleine Präludien & Fugen BWV 553-560: B-Dur/B flat major BWV 560 | — | ||
| 19-15 | Choral “Aus tiefer Not schrei’ich zu dir” BWV 686 | — | ||
| 19-16 | Präludium & Fuge D-Dur BWV 532: I. Präludium | — | ||
| 19-17 | Präludium & Fuge D-Dur BWV 532: II. Fuge | — | ||
| 20-1 | Sonata No. 1 in G minor, BWV 1001: I. Adagio | — | ||
| 20-2 | Sonata No. 1 in G minor, BWV 1001: II. Fuga (allegro) | — | ||
| 20-3 | Sonata No. 1 in G minor, BWV 1001: III. Siciliana | — | ||
| 20-4 | Sonata No. 1 in G minor, BWV 1001: IV. Presto | — | ||
| 20-5 | Partita No. 1 in B minor, BWV 1002: I. Allemanda | — | ||
| 20-6 | Partita No. 1 in B minor, BWV 1002: II. Double | — | ||
| 20-7 | Partita No. 1 in B minor, BWV 1002: III. Corrente | — | ||
| 20-8 | Partita No. 1 in B minor, BWV 1002: IV. Double - Presto | — | ||
| 20-9 | Partita No. 1 in B minor, BWV 1002: V. Sarabande | — | ||
| 20-10 | Partita No. 1 in B minor, BWV 1002: VI. Double | — | ||
| 20-11 | Partita No. 1 in B minor, BWV 1002: VII. Tempo di Borea | — | ||
| 20-12 | Partita No. 1 in B minor, BWV 1002: VIII. Double | — | ||
| 20-13 | Sonata No. 2 in A minor, BWV 1003: I. Grave | — | ||
| 20-14 | Sonata No. 2 in A minor, BWV 1003: II. Fuga | — | ||
| 20-15 | Sonata No. 2 in A minor, BWV 1003: III. Andante | — | ||
| 20-16 | Sonata No. 2 in A minor, BWV 1003: IV. Allegro | — | ||
| 21-1 | Partita No. 2 in D minor, BWV 1004: I. Allemanda | — | ||
| 21-2 | Partita No. 2 in D minor, BWV 1004: II. Corrente | — | ||
| 21-3 | Partita No. 2 in D minor, BWV 1004: III. Sarabande | — | ||
| 21-4 | Partita No. 2 in D minor, BWV 1004: IV. Giga | — | ||
| 21-5 | Partita No. 2 in D minor, BWV 1004: V. Ciacona | — | ||
| 21-6 | Sonata No. 3 in C major, BWV 1005: I. Adagio | — | ||
| 21-7 | Sonata No. 3 in C major, BWV 1005: II. Fuga | — | ||
| 21-8 | Sonata No. 3 in C major, BWV 1005: III. Largo | — | ||
| 21-9 | Sonata No. 3 in C major, BWV 1005: IV. Allegro assai | — | ||
| 21-10 | Partita No. 3 in E major, BWV 1006: I. Preludio | — | ||
| 21-11 | Partita No. 3 in E major, BWV 1006: II. Loure | — | ||
| 21-12 | Partita No. 3 in E major, BWV 1006: III. Gavotte en Rondeau | — | ||
| 21-13 | Partita No. 3 in E major, BWV 1006: IV. Menuet I - Menuet II - Menuet I | — | ||
| 21-14 | Partita No. 3 in E major, BWV 1006: V. Bourrée | — | ||
| 21-15 | Partita No. 3 in E major, BWV 1006: VI. Gigue | — | ||
| 22-1 | Suite No.1 in G major BWV 1007 - I Prelude | — | ||
| 22-2 | Suite No.1 in G major BWV 1007 - II Allemande | — | ||
| 22-3 | Suite No.1 in G major BWV 1007 - III Courante | — | ||
| 22-4 | Suite No.1 in G major BWV 1007 - IV Sarabande | — | ||
| 22-5 | Suite No.1 in G major BWV 1007 - V Minuet I & II | — | ||
| 22-6 | Suite No.1 in G major BWV 1007 - VI Gigue | — | ||
| 22-7 | Suite No.3 in C major BWV 1009 - I Prelude | — | ||
| 22-8 | Suite No.3 in C major BWV 1009 - II Allemande | — | ||
| 22-9 | Suite No.3 in C major BWV 1009 - III Courante | — | ||
| 22-10 | Suite No.3 in C major BWV 1009 - IV Sarabande | — | ||
| 22-11 | Suite No.3 in C major BWV 1009 - V Bourrée I & II | — | ||
| 22-12 | Suite No.3 in C major BWV 1009 - VI Gigue | — | ||
| 22-13 | Suite No.5 in C minor BWV 1011 - I Prelude | — | ||
| 22-14 | Suite No.5 in C minor BWV 1011 - II Allemande | — | ||
| 22-15 | Suite No.5 in C minor BWV 1011 - III Courante | — | ||
| 22-16 | Suite No.5 in C minor BWV 1011 - IV Sarabande | — | ||
| 22-17 | Suite No.5 in C minor BWV 1011 - V Gavotte I & II | — | ||
| 22-18 | Suite No.5 in C minor BWV 1011 - VI Gigue | — | ||
| 23-1 | Suite No.2 in D minor BWV 1008 - I Prelude | — | ||
| 23-2 | Suite No.2 in D minor BWV 1008 - II Allemande | — | ||
| 23-3 | Suite No.2 in D minor BWV 1008 - III Courante | — | ||
| 23-4 | Suite No.2 in D minor BWV 1008 - IV Sarabande | — | ||
| 23-5 | Suite No.2 in D minor BWV 1008 - V Minuet I & II | — | ||
| 23-6 | Suite No.2 in D minor BWV 1008 - VI Gigue | — | ||
| 23-7 | Suite No.4 in E flat major BWV 1010 - I Prelude | — | ||
| 23-8 | Suite No.4 in E flat major BWV 1010 - II Allemande | — | ||
| 23-9 | Suite No.4 in E flat major BWV 1010 - III Courante | — | ||
| 23-10 | Suite No.4 in E flat major BWV 1010 - IV Sarabande | — | ||
| 23-11 | Suite No.4 in E flat major BWV 1010 - V Bourrée I & II | — | ||
| 23-12 | Suite No.4 in E flat major BWV 1010 - VI Gigue | — | ||
| 23-13 | Suite No.6 in D major BWV 1012 - I Prelude | — | ||
| 23-14 | Suite No.6 in D major BWV 1012 - II Allemande | — | ||
| 23-15 | Suite No.6 in D major BWV 1012 - III Courante | — | ||
| 23-16 | Suite No.6 in D major BWV 1012 - IV Sarabande | — | ||
| 23-17 | Suite No.6 in D major BWV 1012 - V Gavotte I & II | — | ||
| 23-18 | Suite No.6 in D major BWV 1012 - VI Gigue | — | ||
| 24-1 | Musikalisches Opfer BWV1079: Ricercare a 3 | — | ||
| 24-2 | Musikalisches Opfer BWV1079: Ricercare a 6 | — | ||
| 24-3 | Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo: Largo | — | ||
| 24-4 | Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo: Allegro | — | ||
| 24-5 | Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo: Andante | — | ||
| 24-6 | Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo: Allegro | — | ||
| 24-7 | Thematis Regii, Elaborationes Canonicae: Canon a 2 cancrizans | — | ||
| 24-8 | Thematis Regii, Elaborationes Canonicae: Canon a 2 in unisono | — | ||
| 24-9 | Thematis Regii, Elaborationes Canonicae: Canon a 2 motum contrarium | — | ||
| 24-10 | Thematis Regii, Elaborationes Canonicae: Canon a 2 per augmentationum contrario motu | — | ||
| 24-11 | Thematis Regii, Elaborationes Canonicae: Canon a 2 per tonos | — | ||
| 24-12 | Thematis Regii, Elaborationes Canonicae: Fuga canonica in Epidiapente | — | ||
| 24-13 | Thematis Regii, Elaborationes Canonicae: Canon perpetuus super Thema Regium | — | ||
| 24-14 | Thematis Regii, Elaborationes Canonicae: Canon a 2 | — | ||
| 24-15 | Thematis Regii, Elaborationes Canonicae: Canon a 4 | — | ||
| 24-16 | Thematis Regii, Elaborationes Canonicae: Canon perpetuus | — | ||
| 24-17 | Canons BWV 1072-1078: Canon a 8, BWV 1072 | — | ||
| 24-18 | Canons BWV 1072-1078: Canon a 4, BWV 1073 | — | ||
| 24-19 | Canons BWV 1072-1078: Canon a 4, BWV 1074 (part 1) | — | ||
| 24-20 | Canons BWV 1072-1078: Canon a 4, BWV 1074 (part 2) | — | ||
| 24-21 | Canons BWV 1072-1078: Canon a 2, BWV 1075 | — | ||
| 24-22 | Canons BWV 1072-1078: Canon a 6, BWV 1076 | — | ||
| 24-23 | Canons BWV 1072-1078: Canon a 4, BWV 1077 | — | ||
| 24-24 | Canons BWV 1072-1078: Canon a 7, BWV 1078 | — | ||
| 24-25 | Canons BWV 1072-1078: Canon a 2, BWV deest | — | ||
| 24-26 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon simplex | — | ||
| 24-27 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: All' roverscio | — | ||
| 24-28 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Beide zugleich, motu recto e contrario | — | ||
| 24-29 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Motu contrario e recto | — | ||
| 24-30 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon duplex a 4 | — | ||
| 24-31 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon simplex über besagtes Fundament a 3 | — | ||
| 24-32 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Idem a 3 | — | ||
| 24-33 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon simplex a 3 | — | ||
| 24-34 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon in unisono post semi fugam a 3 | — | ||
| 24-35 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Alio modo | — | ||
| 24-36 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Evolutio | — | ||
| 24-37 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon duplex a 5 | — | ||
| 24-38 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon duplex a 5 | — | ||
| 24-39 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon triplex a 6 | — | ||
| 24-40 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon a 4 augumentationem et diminutionem | — | ||
| 25-1 | Sonata No. 1, BWV 1014: I. Adagio | — | ||
| 25-2 | Sonata No. 1, BWV 1014: II. Allegro | — | ||
| 25-3 | Sonata No. 1, BWV 1014: III. Andante | — | ||
| 25-4 | Sonata No. 1, BWV 1014: IV. Allegro | — | ||
| 25-5 | Sonata No. 2, BWV 1015: I. Without tempo indication | — | ||
| 25-6 | Sonata No. 2, BWV 1015: II. Allegro assai | — | ||
| 25-7 | Sonata No. 2, BWV 1015: III. Andante | — | ||
| 25-8 | Sonata No. 2, BWV 1015: IV. Presto | — | ||
| 25-9 | Sonata No. 3, BWV 1016: I. Adagio | — | ||
| 25-10 | Sonata No. 3, BWV 1016: II. Allegro | — | ||
| 25-11 | Sonata No. 3, BWV 1016: III. Adagio ma non tanto | — | ||
| 25-12 | Sonata No. 3, BWV 1016: IV. Allegro | — | ||
| 26-1 | Sonata No. 4 in C minor, BWV 1017: I. Siciliano, largo | — | ||
| 26-2 | Sonata No. 4 in C minor, BWV 1017: II. Allegro | — | ||
| 26-3 | Sonata No. 4 in C minor, BWV 1017: III. Adagio | — | ||
| 26-4 | Sonata No. 4 in C minor, BWV 1017: IV. Allegro | — | ||
| 26-5 | Sonata No. 5 in F minor, BWV 1018: I. Largo | — | ||
| 26-6 | Sonata No. 5 in F minor, BWV 1018: II. Allegro | — | ||
| 26-7 | Sonata No. 5 in F minor, BWV 1018: III. Adagio | — | ||
| 26-8 | Sonata No. 5 in F minor, BWV 1018: IV. Vivace | — | ||
| 26-9 | Sonata No. 6 in G major, BWV 1019: I. Allegro | — | ||
| 26-10 | Sonata No. 6 in G major, BWV 1019: II. Largo | — | ||
| 26-11 | Sonata No. 6 in G major, BWV 1019: III. Allegro | — | ||
| 26-12 | Sonata No. 6 in G major, BWV 1019: IV. Adagio | — | ||
| 26-13 | Sonata No. 6 in G major, BWV 1019: V. Allegro | — | ||
| 27-1 | Lobet den Herrn, alle Heiden, BWV 230 | — | ||
| 27-2 | Komm, Jesu, Komm, BWV 229 | — | ||
| 27-3 | Singet den Herrn ein neues Lied, BWV 225 | — | ||
| 27-4 | Jesu, meine Freude, BWV 227 | — | ||
| 27-5 | Der Geist hilft unser Schwachheit auf, BWV 226 | — | ||
| 27-6 | Fürchte dich nicht, ich bin bei dir, BWV 228 | — | ||
| 28-1 | Easter Oratorio, BWV 249: I. Sinfonia | — | ||
| 28-2 | Easter Oratorio, BWV 249: II. Adagio | — | ||
| 28-3 | Easter Oratorio, BWV 249: III. Duet & Chorus "Kommt, eilet und laufet" | — | ||
| 28-4 | Easter Oratorio, BWV 249: IV. Recitative "O kalter Männer Sinn!" | — | ||
| 28-5 | Easter Oratorio, BWV 249: V. Aria "Seele, deine Spezereien" | — | ||
| 28-6 | Easter Oratorio, BWV 249: VI. Recitative "Hier ist die Gruft" | — | ||
| 28-7 | Easter Oratorio, BWV 249: VII. Aria "Sanfte soll mein Todeskummer" | — | ||
| 28-8 | Easter Oratorio, BWV 249: VIII. Recitative "Indessen seufzen wir" | — | ||
| 28-9 | Easter Oratorio, BWV 249: IX. Aria "Saget, saget mir geschwinde" | — | ||
| 28-10 | Easter Oratorio, BWV 249: X. Recitative "Wir sind erfreut" | — | ||
| 28-11 | Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank" | — | ||
| 28-12 | Easter Oratorio, BWV 249: XII. Chorale "Es hat mit uns nun keine Not" | — | ||
| 29-1 | Matthäus-Passion, BWV 244: Teil I, I. Coro "Kommt, ihr Töchter, helft mir klagen" - Corale "O Lamm Gottes, unschuldig" | — | ||
| 29-2 | Matthäus-Passion, BWV 244: Teil I, II. "Da Jesus diese Rede vollendet hatte" (Evangelista, Jesus) | — | ||
| 29-3 | Matthäus-Passion, BWV 244: Teil I, III. Corale "Herzliebster Jesu, was hast du verbrochen" | — | ||
| 29-4 | Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) | — | ||
| 29-5 | Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest" | — | ||
| 29-6 | Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista) | — | ||
| 29-7 | Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat" | — | ||
| 29-8 | Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus) | — | ||
| 29-9 | Matthäus-Passion, BWV 244: Teil I, V. Recitativo (Alto) "Du lieber Heiland du" | — | ||
| 29-10 | Matthäus-Passion, BWV 244: Teil I, VI. Aria (Alto) "Buss und Reu" | — | ||
| 29-11 | Matthäus-Passion, BWV 244: Teil I, VII. "Da ging hin der Zwölfen einer" (Evangelista, Judas) | — | ||
| 29-12 | Matthäus-Passion, BWV 244: Teil I, VIII. Aria (Soprano) "Blute nur, du liebes Herz" | — | ||
| 29-13 | Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista) | — | ||
| 29-14 | Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" | — | ||
| 29-15 | Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus) | — | ||
| 29-16 | Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista) | — | ||
| 29-17 | Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs" | — | ||
| 29-18 | Matthäus-Passion, BWV 244: Teil I, X. Corale "Ich bin's, ich sollte büssen" | — | ||
| 29-19 | Matthäus-Passion, BWV 244: Teil I, XI. "Er antwortete und sprach" (Evangelista, Jesus, Judas) | — | ||
| 29-20 | Matthäus-Passion, BWV 244: Teil I, XII. Recitativo (Soprano) "Wiewohl mein Herz in Tränen schwimmt" | — | ||
| 29-21 | Matthäus-Passion, BWV 244: Teil I, XIII. Aria (Soprano) "Ich will dir mein Herze schenken" | — | ||
| 29-22 | Matthäus-Passion, BWV 244: Teil I, XIV. "Und da sie den Lobgesang gesprochen hatten" (Evangelista, Judas) | — | ||
| 29-23 | Matthäus-Passion, BWV 244: Teil I, XV. Corale "Erkenne mich, mein Hüter" | — | ||
| 29-24 | Matthäus-Passion, BWV 244: Teil I, XVI. "Petrus aber antwortete und sprach zu ihm" (Evangelista, Petrus, Jesus) | — | ||
| 29-25 | Matthäus-Passion, BWV 244: Teil I, XVII. Corale "Ich will hier bei dir stehen" | — | ||
| 29-26 | Matthäus-Passion, BWV 244: Teil I, XVIII. "Da kam Jesus mit ihnen zu einen Hofe" (Evangelista, Jesus) | — | ||
| 29-27 | Matthäus-Passion, BWV 244: Teil I, XIX. Corale "Was ist die Ursach' aller solcher Plagen" | — | ||
| 29-28 | Matthäus-Passion, BWV 244: Teil I, XX. Coro "So schlafen unsre Sünden ein" | — | ||
| 29-29 | Matthäus-Passion, BWV 244: Teil I, XXI. "Und ging hin ein wenig" (Evangelista, Jesus) | — | ||
| 29-30 | Matthäus-Passion, BWV 244: Teil I, XXII. Recitativo (Basso) "Der Heiland fällt vor seinem Vater nieder" | — | ||
| 29-31 | Matthäus-Passion, BWV 244: Teil I, XXIII. Aria (Basso) "Gerne will ich mich bequemen" | — | ||
| 29-32 | Matthäus-Passion, BWV 244: Teil I, XXIV. "Und er kam zu seinen Jüngern" (Evangelista, Jesus) | — | ||
| 29-33 | Matthäus-Passion, BWV 244: Teil I, XXV. Corale "Was mein Gott will, das g'scheh allzeit" | — | ||
| 29-34 | Matthäus-Passion, BWV 244: Teil I, XXVI. "Und er kam und fand sie aber schlafend" (Evangelista, Jesus, Judas) | — | ||
| 29-35 | Matthäus-Passion, BWV 244: Teil I, XXVIIa. Coro "Lasst ihn, haltet, bindet nicht" | — | ||
| 29-36 | Matthäus-Passion, BWV 244: Teil I, XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" | — | ||
| 29-37 | Matthäus-Passion, BWV 244: Teil I, XXVIII. "Und siehe, einer aus denen, die mit Jesu waren" (Evangelista, Jesus) | — | ||
| 29-38 | Matthäus-Passion, BWV 244: Teil I, XXIX. Corale "O Mensch, bewein dein Sünde gross" | — | ||
| 30-1 | Matthäus-Passion, BWV 244: Teil II, XXX. Coro "Wo ist denn dein Freund hingegangen" | — | ||
| 30-2 | Matthäus-Passion, BWV 244: Teil II, XXXI. "Die aber Jesum gegriffen hatten" (Evangelista) | — | ||
| 30-3 | Matthäus-Passion, BWV 244: Teil II, XXXII. Corale "Mir hat die Welt trüglich gericht'" | — | ||
| 30-4 | Matthäus-Passion, BWV 244: Teil II, XXXIII. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista, Testis I/II, Pontifex) | — | ||
| 30-5 | Matthäus-Passion, BWV 244: Teil II, XXXIV. Recitativo (Tenore) "Mein Jesus schweigt zu falschen Lügen stille" | — | ||
| 30-6 | Matthäus-Passion, BWV 244: Teil II, XXXV. Aria (Tenore) "Geduld! Wenn mich falsche Zungen stechen" | — | ||
| 30-7 | Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) | — | ||
| 30-8 | Matthäus-Passion, BWV 244: Teil II, XXXVIb. Cori "Er ist des Todes schuldig" | — | ||
| 30-9 | Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) | — | ||
| 30-10 | Matthäus-Passion, BWV 244: Teil II, XXXVId. Cori "Weissage uns, Christe" | — | ||
| 30-11 | Matthäus-Passion, BWV 244: Teil II, XXXVII. Corale "Wer hat dich so geschlagen" | — | ||
| 30-12 | Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber sass draussen im Palast" (Evangelista, Ancilla I/II, Petrus) | — | ||
| 30-13 | Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" | — | ||
| 30-14 | Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) | — | ||
| 30-15 | Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" | — | ||
| 30-16 | Matthäus-Passion, BWV 244: Teil II, XL. Corale "Bin ich gleich von dir gewichen" | — | ||
| 30-17 | Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) | — | ||
| 30-18 | Matthäus-Passion, BWV 244: Teil II, XLIb. Cori "Was gehet uns das an?" | — | ||
| 30-19 | Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) | — | ||
| 30-20 | Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" | — | ||
| 30-21 | Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) | — | ||
| 30-22 | Matthäus-Passion, BWV 244: Teil II, XLIV. Corale "Befiehl du deine Wege" | — | ||
| 30-23 | Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) | — | ||
| 30-24 | Matthäus-Passion, BWV 244: Teil II, XLVb. Cori "Lass ihn kreuzigen" | — | ||
| 30-25 | Matthäus-Passion, BWV 244: Teil II, XLVI. Corale "Wie wunderbarlich ist doch diese Strafe" | — | ||
| 30-26 | Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) | — | ||
| 30-27 | Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" | — | ||
| 30-28 | Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" | — | ||
| 31-1 | Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) | — | ||
| 31-2 | Matthäus-Passion, BWV 244: Teil II, Lb. Cori "Lass ihn kreuzigen" | — | ||
| 31-3 | Matthäus-Passion, BWV 244: Teil II, Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) | — | ||
| 31-4 | Matthäus-Passion, BWV 244: Teil II, Ld. Cori "Sein Blut komme über uns" | — | ||
| 31-5 | Matthäus-Passion, BWV 244: Teil II, Le. "Da gab er ihnen Barrabam los" (Evangelista) | — | ||
| 31-6 | Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" | — | ||
| 31-7 | Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" | — | ||
| 31-8 | Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) | — | ||
| 31-9 | Matthäus-Passion, BWV 244: Teil II, LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" | — | ||
| 31-10 | Matthäus-Passion, BWV 244: Teil II, LIIIc. "Und speieten ihn an" (Evangelista) | — | ||
| 31-11 | Matthäus-Passion, BWV 244: Teil II, LIV. Corale "O Haupt voll Blut und Wunden" | — | ||
| 31-12 | Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) | — | ||
| 31-13 | Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" | — | ||
| 31-14 | Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süsses Kreuz, so will ich sagen" | — | ||
| 31-15 | Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" (Evangelista) | — | ||
| 31-16 | Matthäus-Passion, BWV 244: Teil II, LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" | — | ||
| 31-17 | Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista) | — | ||
| 31-18 | Matthäus-Passion, BWV 244: Teil II, LVIIId. Cori "Andern hat er geholfen" | — | ||
| 31-19 | Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) | — | ||
| 31-20 | Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" | — | ||
| 31-21 | Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" | — | ||
| 31-22 | Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) | — | ||
| 31-23 | Matthäus-Passion, BWV 244: Teil II, LXIb. Coro "Der rufet dem Elias" | — | ||
| 31-24 | Matthäus-Passion, BWV 244: Teil II, LXIc. "Und bald lief einer unter ihnen" (Evangelista) | — | ||
| 31-25 | Matthäus-Passion, BWV 244: Teil II, LXId. Coro "Halt! lass sehen" | — | ||
| 31-26 | Matthäus-Passion, BWV 244: Teil II, LXIe. "Aber Jesus schriee abermal" (Evangelista) | — | ||
| 31-27 | Matthäus-Passion, BWV 244: Teil II, LXII. Corale "Wenn ich einmal soll scheiden" | — | ||
| 31-28 | Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) | — | ||
| 31-29 | Matthäus-Passion, BWV 244: Teil II, LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" | — | ||
| 31-30 | Matthäus-Passion, BWV 244: Teil II, LXIIIc. "Und es waren viel Weiber da" (Evangelista) | — | ||
| 31-31 | Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" | — | ||
| 31-32 | Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" | — | ||
| 31-33 | Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) | — | ||
| 31-34 | Matthäus-Passion, BWV 244: Teil II, LXVIb. Cori "Herr, wir haben gedacht" | — | ||
| 31-35 | Matthäus-Passion, BWV 244: Teil II, LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) | — | ||
| 31-36 | Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" | — | ||
| 31-37 | Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" | — | ||
| 32-1 | Johannes-Passion, BWV 245: I. Verrat und Gefangennahme - Chor - Herr, unser Herrscher | — | ||
| 32-2 | Johannes-Passion, BWV 245: II. Evangelist, Jesus, Chor - Jesus ging mit seinen Jüngern | — | ||
| 32-3 | Johannes-Passion, BWV 245: III. Choral - O große Lieb | — | ||
| 32-4 | Johannes-Passion, BWV 245: IV. Evangelist, Jesus - Auf dass das Wort erfüllet wurde | — | ||
| 32-5 | Johannes-Passion, BWV 245: V. Choral - Dein Wille geschehe, Herr Gott, zugleich | — | ||
| 32-6 | Johannes-Passion, BWV 245: VI. Evangelist - Die Schar aber und der Oberhauptmann | — | ||
| 32-7 | Johannes-Passion, BWV 245: VII. Arie (Alt) - Von der Stricken meiner Sünden | — | ||
| 32-8 | Johannes-Passion, BWV 245: VIII. Verhör -Evangelist - Simon Petrus aber folgete Jesus nach | — | ||
| 32-9 | Johannes-Passion, BWV 245: IX. Arie (Sopran) - Ich folge dir gleichfalls mit freudigen Schritten | — | ||
| 32-10 | Johannes-Passion, BWV 245: X. Evangelist, Magd, Petrus, Jesus, Jünger - Derselbige Jünger war dem Hohenpriester bekannt | — | ||
| 32-11 | Johannes-Passion, BWV 245: XI. Choral - Wer hat dich so geschlagen? | — | ||
| 32-12 | Johannes-Passion, BWV 245: XII. Evangelist, Chor, Petrus, Jünger - Und Hannas sandte ihn gebunden | — | ||
| 32-13 | Johannes-Passion, BWV 245: XIII. Arie (Tenor) - Ach, mein Sinn | — | ||
| 32-14 | Johannes-Passion, BWV 245: XIV. Choral - Petrus, der nicht denkt zurück | — | ||
| 32-15 | Johannes-Passion, BWV 245: XV. Verhör und Geißelung - Choral - Christus, der uns selig macht | — | ||
| 32-16 | Johannes-Passion, BWV 245: XVI. Evangelist, Pilatus, Chor, Jesus - Da führeten sie Jesum | — | ||
| 32-17 | Johannes-Passion, BWV 245: XVII. Choral - Ach großer König | — | ||
| 32-18 | Johannes-Passion, BWV 245: XVIII. Evangelist, Pilatus, Jesus, Chor - Da sprach Pilatus zu ihm | — | ||
| 32-19 | Johannes-Passion, BWV 245: XIX. Arioso (Bass) - Betrachte, meine Seele | — | ||
| 32-20 | Johannes-Passion, BWV 245: XX. Arie (Tenor) - Erwäge, wie sein blutgefärbter Rücken | — | ||
| 32-21 | Johannes-Passion, BWV 245: XXI. Evangelist, Chor, Pilatus, Jesus - Und die Kriegsknechte flochten eine Krone | — | ||
| 32-22 | Johannes-Passion, BWV 245: XXII. Chor - Durch dein Gefängnis, Gottes Sohn | — | ||
| 32-23 | Johannes-Passion, BWV 245: XXIII. Evangelist, Chor, Pilatus - Die Juden aber schrieen und sprachen | — | ||
| 32-24 | Johannes-Passion, BWV 245: XXIV. Arie (Bass) mit Chor - Eilt, ihr angefochtnen Seelen | — | ||
| 32-25 | Johannes-Passion, BWV 245: XXV. Evangelist, Chor, Pilatus - Allda kreuzigten sie ihn | — | ||
| 32-26 | Johannes-Passion, BWV 245: XXVI. Choral - In meines Herzens Grunde | — | ||
| 33-1 | Johannes-Passion, BWV 245: XXVII. Die Kriegsknechte aber: Recitativ | — | ||
| 33-2 | Johannes-Passion, BWV 245: XXVIII. Er nahm alles wohl in acht: Choral | — | ||
| 33-3 | Johannes-Passion, BWV 245: XXIX. Und von Stund an nahm sie die Jünger: Recitativ | — | ||
| 33-4 | Johannes-Passion, BWV 245: XXX. Es ist vollbracht!: Arie (Alt) | — | ||
| 33-5 | Johannes-Passion, BWV 245: XXXI. Und neiget das Haupt und verschied: Recitativ | — | ||
| 33-6 | Johannes-Passion, BWV 245: XXXII. Mein teurer Heiland, lass dich fragen: Aria (Bass) | — | ||
| 33-7 | Johannes-Passion, BWV 245: XXXIII. Und siehe da, der Vorhang im Tempel zerriss: Recitativ | — | ||
| 33-8 | Johannes-Passion, BWV 245: XXXIV. Mein Herz, in dem die ganze Welt: Arioso (Tenor) | — | ||
| 33-9 | Johannes-Passion, BWV 245: XXXV. Zerfließe mein Herze: Arie (Sopran) | — | ||
| 33-10 | Johannes-Passion, BWV 245: XXXVI. Die Juden aber, dieweil es der Rüsttag war: Recitativ | — | ||
| 33-11 | Johannes-Passion, BWV 245: XXXVII. O hilf, Christe, Gottes Sohn: Choral | — | ||
| 33-12 | Johannes-Passion, BWV 245: XXXVIII. Darnach bat Pilatum Joseph von Arimathia: Recitativ | — | ||
| 33-13 | Johannes-Passion, BWV 245: XXXIX. Ruht wohl, ihr heiligen Gebeine: Chor | — | ||
| 33-14 | Johannes-Passion, BWV 245: XL. Ach Herr, lass dein lieb Engelein: Choral | — | ||
| 34-1 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": I. Coro "Ein' feste Burg ist unser Gott" | — | ||
| 34-2 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": II. Aria (Soprano, Basso) "Mit unser Macht" | — | ||
| 34-3 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": III. Recitativo (Basso) "Erwäge doch, Kind Gottes" | — | ||
| 34-4 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": IV. Aria (Soprano) "Komm in mein Herzenshaus" | — | ||
| 34-5 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": V. Choral (Coro) "Und wenn die Welt voll Teufel wär" | — | ||
| 34-6 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": VI. Recitativo (Tenore) "So stehe denn bei Christi" | — | ||
| 34-7 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": VII. Duetto (Alto, Tenore) "Wie selig sind doch die" | — | ||
| 34-8 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": VIII. Choral (Coro) "Das Wort sie sollen lassen stahn" | — | ||
| 34-9 | Cantata, BWV 82 "Ich habe genug": I. Aria (Basso) "Ich habe genug" | — | ||
| 34-10 | Cantata, BWV 82 "Ich habe genug": II. Recitativo (Basso) "Ich habe genug!" | — | ||
| 34-11 | Cantata, BWV 82 "Ich habe genug": III. Aria (Basso) "Schlummert ein, ihr matten Augen" | — | ||
| 34-12 | Cantata, BWV 82 "Ich habe genug": IV. Recitativo (Basso) "Mein Gott! wann kommt das schöne" | — | ||
| 34-13 | Cantata, BWV 82 "Ich habe genug": V. Aria (Basso) "Ich freue mich auf meinen Tod" | — | ||
| 34-14 | Cantata, BWV 61 "Nun komm, der Heiden Heiland": I. Ouvertüre (Coro) "Nun komm, der Heiden Heiland" | — | ||
| 34-15 | Cantata, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore) "Der Heiland ist gekommen" | — | ||
| 34-16 | Cantata, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche" | — | ||
| 34-17 | Cantata, BWV 61 "Nun komm, der Heiden Heiland": IV. Recitativo (Basso) "Siehe, ich stehe vor der Tür" | — | ||
| 34-18 | Cantata, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze" | — | ||
| 34-19 | Cantata, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral (Coro) "Amen, Amen!" | — | ||
| 35-1 | Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": I. Sonatina | — | ||
| 35-2 | Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" / IIb. Arioso (Tenore) "Ach, Herr, lehre uns bedenken" / IIc. Aria (Basso) "Bestelle dein Haus" / IId. Coro "Es ist der alte Bund" | — | ||
| 35-3 | Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IIIa. Aria (Alto) "In deine Hände befehl ich meinen Geist" / IIIb. Arioso e Choral (Basso, Alto) "Heute wirst du mit mir im Paradies sein" | — | ||
| 35-4 | Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IV. Coro "Glorie, Lob, Ehr und Herrlichkeit" | — | ||
| 35-5 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": I. Recitativo (Soprano) "Mein Herze schwimmt im Blut" | — | ||
| 35-6 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": II. Aria (Soprano) "Stumme Seufzer, stille Klagen" | — | ||
| 35-7 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": III. Recitativo (Soprano) "Doch Gott muß mir genädig sein" | — | ||
| 35-8 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": IV. Aria (Soprano) "Tief gebückt und voller Reue" | — | ||
| 35-9 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": V. Recitativo (Soprano) "Auf diese Schmerzensreu" | — | ||
| 35-10 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": VI. Choral (Soprano) "Ich, dein betrübtes Kind" | — | ||
| 35-11 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": VII. Recitativo (Soprano) "Ich lege mich in diese Wunden" | — | ||
| 35-12 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria (Soprano) "Wie freudig ist mein Herz" | — | ||
| 35-13 | Cantata, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alto) "Komm, du süße Todesstunde" | — | ||
| 35-14 | Cantata, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenore) "Welt, deine Lust ist Last" | — | ||
| 35-15 | Cantata, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenore) "Mein Verlangen" | — | ||
| 35-16 | Cantata, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alto) "Der Schluß ist schon gemacht" | — | ||
| 35-17 | Cantata, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille" | — | ||
| 35-18 | Cantata, BWV 161 "Komm, du süße Todesstunde": VI. Choral (Coro) "Der Leib zwar in der Erden" | — | ||
| 36-1 | Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": I. Coro "Man singet mit Freuden vom Sieg in den Hütten der Gerechten" | — | ||
| 36-2 | Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": II. Aria (Basso) "Kraft und Stärke sei gesungen" | — | ||
| 36-3 | Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": III. Recitativo (Alto) "Ich fürchte mich vor tausend Feinden nicht" | — | ||
| 36-4 | Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": IV. Aria (Soprano) "Gottes Engel weichen nie" | — | ||
| 36-5 | Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": V. Recitativo (Tenore) "Ich danke dir, mein lieber Gott" | — | ||
| 36-6 | Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": VI. Aria (Duetto: Alto, Tenore) "Seid wachsam, ihr heiligen Wächter" | — | ||
| 36-7 | Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": VII. Choral "Ach Herr, lass dein lieb Engelein" | — | ||
| 36-8 | Cantata, BWV 69 "Lobe den Herrn, meine Seele": I. Recitativo (Soprano) "Wie groß ist Gottes Güte doch!" | — | ||
| 36-9 | Cantata, BWV 69 "Lobe den Herrn, meine Seele": II. Aria (Alto) "Meine Seele, Auf! erzähle" | — | ||
| 36-10 | Cantata, BWV 69 "Lobe den Herrn, meine Seele": III. Recitativo (Tenore) "Der Herr hat große Ding an uns getan" | — | ||
| 36-11 | Cantata, BWV 69 "Lobe den Herrn, meine Seele": IV. Choral "Es danke, Gott, und lobe dich" | — | ||
| 36-12 | Cantata, BWV 169 "Gott soll allein mein Herze haben": I. Sinfonia | — | ||
| 36-13 | Cantata, BWV 169 "Gott soll allein mein Herze haben": II. Arioso (Alto) "Gott soll allein mein Herze haben" | — | ||
| 36-14 | Cantata, BWV 169 "Gott soll allein mein Herze haben": III. Aria (Alto) "Gott soll allein mein Herze haben" | — | ||
| 36-15 | Cantata, BWV 169 "Gott soll allein mein Herze haben": IV. Recitativo (Alto) "Was ist die Liebe Gottes?" | — | ||
| 36-16 | Cantata, BWV 169 "Gott soll allein mein Herze haben": V. Aria (Alto) "Stirb in mir" | — | ||
| 36-17 | Cantata, BWV 169 "Gott soll allein mein Herze haben": VI. Recitativo (Alto) "Doch meint es auch dabei" | — | ||
| 36-18 | Cantata, BWV 169 "Gott soll allein mein Herze haben": VII. Choral "Du süße Liebe, schenk uns deine Gunst" | — | ||
| 37-1 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": I. Coro "Bleib bei uns, denn es will Abend werden" | — | ||
| 37-2 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn" | — | ||
| 37-3 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ" | — | ||
| 37-4 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": IV. Recitativo (Basso) "Es hat die Dunkelheit" | — | ||
| 37-5 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": V. Aria (Tenore) "Jesu, lass uns auf dich sehen" | — | ||
| 37-6 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": VI. Choral "Beweis dein Macht, Herr Jesu Christ" | — | ||
| 37-7 | Cantata, BWV 163 "Nur jedem das Seine!": I. Aria (Tenore) "Nur jedem das Seine!" | — | ||
| 37-8 | Cantata, BWV 163 "Nur jedem das Seine!": II. Recitativo (Basso) "Du bist, mein Gott, der Geber aller Gaben" | — | ||
| 37-9 | Cantata, BWV 163 "Nur jedem das Seine!": III. Aria (Basso) "Laß mein Herz die Münze sein" | — | ||
| 37-10 | Cantata, BWV 163 "Nur jedem das Seine!": IV. Arioso (Duetto: Soprano, Alto) "Ich wollte dir, o Gott, das Herze gerne geben" | — | ||
| 37-11 | Cantata, BWV 163 "Nur jedem das Seine!": V. Aria (Duetto: Soprano, Alto) "Nimm mich mir und gib mich dir!" | — | ||
| 37-12 | Cantata, BWV 163 "Nur jedem das Seine!": VI. Choral "Führ auch mein Herz und Sinn" | — | ||
| 37-13 | Cantata, BWV 96 "Herr Christ, der einge Gottessohn": I. Coro "Herr Christ, der einge Gottessohn" | — | ||
| 37-14 | Cantata, BWV 96 "Herr Christ, der einge Gottessohn": II. Recitativo (Alto) "O Wunderkraft der Liebe" | — | ||
| 37-15 | Cantata, BWV 96 "Herr Christ, der einge Gottessohn": III. Aria (Tenore) "Ach, ziehe die Seele mit Seilen der Liebe" | — | ||
| 37-16 | Cantata, BWV 96 "Herr Christ, der einge Gottessohn": IV. Recitativo (Soprano) "Ach, führe mich, o Gott, zum rechten Wege" | — | ||
| 37-17 | Cantata, BWV 96 "Herr Christ, der einge Gottessohn": V. Aria (Basso) "Bald zur Rechten, bald zur Linken" | — | ||
| 37-18 | Cantata, BWV 96 "Herr Christ, der einge Gottessohn": VI. Choral "Ertöt uns durch dein Güte" | — | ||
| 38-1 | Cantata, BWV 60 "O Ewigkeit, du Donnerwort II": I. Aria (Tenore) e Choral (Alto) "O Ewigkeit, du Donnerwort" | — | ||
| 38-2 | Cantata, BWV 60 "O Ewigkeit, du Donnerwort II": II. Recitativo (Alto, Tenore) "O schwerer Gang zum letzten Kampf und Streite!" | — | ||
| 38-3 | Cantata, BWV 60 "O Ewigkeit, du Donnerwort II": III. Aria (Duetto: Alto, Tenore) "Mein letztes Lager will mich schrecken" | — | ||
| 38-4 | Cantata, BWV 60 "O Ewigkeit, du Donnerwort II": IV. Recitativo (Alto) e Arioso (Basso) "Der Tod bleibt doch der menschlichen Natur verhasst" | — | ||
| 38-5 | Cantata, BWV 60 "O Ewigkeit, du Donnerwort II": V. Choral "Es ist genug" | — | ||
| 38-6 | Cantata, BWV 78 "Jesu, der du meine Seele": I. Coro "Jesu, der du meine Seele" | — | ||
| 38-7 | Cantata, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto: Soprano, Alto) "Wir eilen mit schwachen, doch emsigen Schritten" | — | ||
| 38-8 | Cantata, BWV 78 "Jesu, der du meine Seele": III. Recitativo (Tenore) "Ach! ich bin ein Kind der Sünden" | — | ||
| 38-9 | Cantata, BWV 78 "Jesu, der du meine Seele": IV. Aria (Tenore) "Das Blut, so meine Schuld durchstreicht" | — | ||
| 38-10 | Cantata, BWV 78 "Jesu, der du meine Seele": V. Recitativo (Basso) "Die Wunden, Nägel, Kron und Grab" | — | ||
| 38-11 | Cantata, BWV 78 "Jesu, der du meine Seele": VI. Aria (Basso) "Nun du wirst mein Gewissen stillen" | — | ||
| 38-12 | Cantata, BWV 78 "Jesu, der du meine Seele": VII. Choral "Herr, ich glaube, hilf mir Schwachen" | — | ||
| 38-13 | Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": I. Aria (Soprano) "Süßer Trost, mein Jesus kömmt" | — | ||
| 38-14 | Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": II. Recitativo (Basso) "Erfreue dich, mein Herz" | — | ||
| 38-15 | Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": III. Aria (Alto) "In Jesu Demut kann ich Trost" | — | ||
| 38-16 | Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": IV. Recitativo (Tenore) "Du teurer Gottessohn" | — | ||
| 38-17 | Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": V. Choral "Heut schleußt er wieder auf die Tür" | — | ||
| 39-1 | Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: I. Coro (Soprano, Alto, Tenore, Basso): Dem Gerechten muß das Licht | — | ||
| 39-2 | Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: II. Recitativo (Basso): Dem Freudenlicht gerechter Frommen | — | ||
| 39-3 | Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: II. Aria (Basso): Rühmet Gottes Güt und Treu | — | ||
| 39-4 | Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: IV. Recitativo (Soprano): Wohlan, so knüpfet denn ein Band | — | ||
| 39-5 | Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: V. Coro (Soprano, Alto, Tenore, Basso): Wir kommen, deine Heiligkeit Nach der Trauung | — | ||
| 39-6 | Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: VI. Choral (Coro): Nun danket all und bringet Ehr | — | ||
| 39-7 | Wie Schön Leuchtet Der Morgenstern, BWV 1: I. Coro: Wie schön leuchtet der Morgenstern | — | ||
| 39-8 | Wie Schön Leuchtet Der Morgenstern, BWV 1: II. Recitativo (Tenore): Du wahrer Gottes und Marien Sohn | — | ||
| 39-9 | Wie Schön Leuchtet Der Morgenstern, BWV 1: III. Aria (Soprano): Erfüllet, ihr himmlischen | — | ||
| 39-10 | Wie Schön Leuchtet Der Morgenstern, BWV 1: IV. Recitativo (Basso): Ein irdscher Glanz | — | ||
| 39-11 | Wie Schön Leuchtet Der Morgenstern, BWV 1: V. Aria (Tenore): Unser Mund und Ton der Saiten | — | ||
| 39-12 | Wie Schön Leuchtet Der Morgenstern, BWV 1: VI. Choral (Coro): Wie bin ich doch so herzlich froh | — | ||
| 39-13 | Christen, Ätzet Diesen Tag, BWV 63: I. Coro: Christen, ätzet diesen Tag | — | ||
| 39-14 | Christen, Ätzet Diesen Tag, BWV 63: II. Recitativo (Alto): O selger Tag! | — | ||
| 39-15 | Christen, Ätzet Diesen Tag, BWV 63: III. Duetto (Soprano, Basso): Gott, du hast es wohl gefüget | — | ||
| 39-16 | Christen, Ätzet Diesen Tag, BWV 63: IV. Recitativo (Tenore): So kehret sich nun heut | — | ||
| 39-17 | Christen, Ätzet Diesen Tag, BWV 63: V. Duetto (Alto, Basso): Ruft und fleht den Himmel an | — | ||
| 39-18 | Christen, Ätzet Diesen Tag, BWV 63: VI. Recitativo (Basso): Verdoppelt euch demnach | — | ||
| 39-19 | Christen, Ätzet Diesen Tag, BWV 63: VII. Coro: Höchster, schau in Gnaden an | — | ||
| 40-1 | Herz Und Mund Und Tat Und Leben, BWV 147: I. Herz und Mund und Tat und Leben | — | ||
| 40-2 | Herz Und Mund Und Tat Und Leben, BWV 147: II. Recitativo (Tenore): Gebenedeiter Mund! | — | ||
| 40-3 | Herz Und Mund Und Tat Und Leben, BWV 147: III. Aria (Alto): Schäme dich, o Seele, nicht | — | ||
| 40-4 | Herz Und Mund Und Tat Und Leben, BWV 147: IV. Recitativo (Basso): Verstockung kann Gewaltige | — | ||
| 40-5 | Herz Und Mund Und Tat Und Leben, BWV 147: V. Aria (Soprano): Bereite dir, Jesu | — | ||
| 40-6 | Herz Und Mund Und Tat Und Leben, BWV 147: VI. Choral (Coro): Wohl mir, daß ich Jesum habe | — | ||
| 40-7 | Herz Und Mund Und Tat Und Leben, BWV 147: VII. Aria (Tenore): Hilf, Jesu, hilf | — | ||
| 40-8 | Herz Und Mund Und Tat Und Leben, BWV 147: VIII. Recitativo (Alto): Der höchsten Allmacht | — | ||
| 40-9 | Herz Und Mund Und Tat Und Leben, BWV 147: IX. Aria (Basso): Ich will von Jesu Wundern singen | — | ||
| 40-10 | Herz Und Mund Und Tat Und Leben, BWV 147: X. Choral (Coro): Jesu bleibet meine Freude | — | ||
| 40-11 | Leichtgesinnte Flattergeister, BWV 181: I. Aria (Basso): Leichtgesinnte Flattergeister | — | ||
| 40-12 | Leichtgesinnte Flattergeister, BWV 181: II. Recitativo (Alto): O unglückselger Stand | — | ||
| 40-13 | Leichtgesinnte Flattergeister, BWV 181: III. Aria (Tenore): Der schädlichen Dornen | — | ||
| 40-14 | Leichtgesinnte Flattergeister, BWV 181: IV. Recitativo (Soprano): Von diesen wird die Kraft erstickt | — | ||
| 40-15 | Leichtgesinnte Flattergeister, BWV 181: V. Coro: Laß, Höchster, uns zu allen Zeiten | — | ||
| 40-16 | Erfreut Euch, Ihr Herzen, BWV 66: I. Coro: Erfreut euch, ihr Herzen | — | ||
| 40-17 | Erfreut Euch, Ihr Herzen, BWV 66: II. Recitativo (Basso): Es bricht das Grab | — | ||
| 40-18 | Erfreut Euch, Ihr Herzen, BWV 66: III. Aria (Basso): Lasset dem Höchsten ein Danklied | — | ||
| 40-19 | Erfreut Euch, Ihr Herzen, BWV 66: IV. Recitativo (Alto, Tenore): Bei Jesu Leben freudig sein | — | ||
| 40-20 | Erfreut Euch, Ihr Herzen, BWV 66: V. Duetto (Alto, Tenore): Ich furchte zwar | — | ||
| 40-21 | Erfreut Euch, Ihr Herzen, BWV 66: VI. Choral (Coro): Alleluja! Alleluja! Alleluja! | — |
Identifier Graph
5028421923918 is a Universal Product Code (UPC) assigned to The Masterworks by Bach. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 761 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Masterworks” by Bach is 5028421923918. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2008-01-01. Label: Brilliant Classics. This release contains 761 tracks, each with its own ISRC. Tracks include NLY331603801, NLY331603802, NLY331603803.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto No. 1 in F major, BWV 1046: I. Allegro | — | ||
| 2 | Concerto No. 1 in F major, BWV 1046: II. Adagio | — | ||
| 3 | Concerto No. 1 in F major, BWV 1046: III. Allegro | — | ||
| 4 | Concerto No. 1 in F major, BWV 1046: IV. Minuetto - Trio I - Polonaise - Trio II | — | ||
| 5 | Concerto No. 2 in F major, BWV 1047: I. Allegro | — | ||
| 6 | Concerto No. 2 in F major, BWV 1047: II. Andante | — | ||
| 7 | Concerto No. 2 in F major, BWV 1047: III. Allegro assai | — | ||
| 8 | Concerto No. 2 in G major, BWV 1048: I. Allegro | — | ||
| 9 | Concerto No. 2 in G major, BWV 1048: II. Adagio (from Trio Sonate in G major, BWV 1048) | — | ||
| 10 | Concerto No. 2 in G major, BWV 1048: III. Allegro | — | ||
| 2-1 | Concerto No. 4 in G major, BWV 1049: I. Allegro | — | ||
| 2-2 | Concerto No. 4 in G major, BWV 1049: II. Andante | — | ||
| 2-3 | Concerto No. 4 in G major, BWV 1049: III. Presto | — | ||
| 2-4 | Concerto No. 5 in D major, BWV 1050: I. Allegro | — | ||
| 2-5 | Concerto No. 5 in D major, BWV 1050: II. Affettuoso | — | ||
| 2-6 | Concerto No. 5 in D major, BWV 1050: III. Allegro | — | ||
| 2-7 | Concerto No. 6 in B-flat major, BWV 1051: I. Allegro | — | ||
| 2-8 | Concerto No. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | — | ||
| 2-9 | Concerto No. 6 in B-flat major, BWV 1051: III. Allegro | — | ||
| 3-1 | Orchestral Suite No. 1 in C major, BWV 1066: I. Ouverture | — | ||
| 3-2 | Orchestral Suite No. 1 in C major, BWV 1066: II. Courante | — | ||
| 3-3 | Orchestral Suite No. 1 in C major, BWV 1066: III. Gavotte 1 & 2 | — | ||
| 3-4 | Orchestral Suite No. 1 in C major, BWV 1066: IV. Forlane | — | ||
| 3-5 | Orchestral Suite No. 1 in C major, BWV 1066: V. Menuet I & II | — | ||
| 3-6 | Orchestral Suite No. 1 in C major, BWV 1066: VI. Bourrée I & II | — | ||
| 3-7 | Orchestral Suite No. 1 in C major, BWV 1066: VII. Passepied I & II | — | ||
| 3-8 | Orchestral Suite No. 2 in B minor, BWV 1067: I. Ouverture | — | ||
| 3-9 | Orchestral Suite No. 2 in B minor, BWV 1067: II. Rondeau | — | ||
| 3-10 | Orchestral Suite No. 2 in B minor, BWV 1067: III. Sarabande | — | ||
| 3-11 | Orchestral Suite No. 2 in B minor, BWV 1067: IV. Bourrée I & II | — | ||
| 3-12 | Orchestral Suite No. 2 in B minor, BWV 1067: V. Polonaise | — | ||
| 3-13 | Orchestral Suite No. 2 in B minor, BWV 1067: VI. Menuet | — | ||
| 3-14 | Orchestral Suite No. 2 in B minor, BWV 1067: VII. Badinerie | — | ||
| 4-1 | Orchestral Suite No. 3 in D major, BWV 1068: I. Ouverture | — | ||
| 4-2 | Orchestral Suite No. 3 in D major, BWV 1068: II. Air | — | ||
| 4-3 | Orchestral Suite No. 3 in D major, BWV 1068: III. Gavotte I & II | — | ||
| 4-4 | Orchestral Suite No. 3 in D major, BWV 1068: IV. Bourrée | — | ||
| 4-5 | Orchestral Suite No. 3 in D major, BWV 1068: V. Gigue | — | ||
| 4-6 | Orchestral Suite No. 4 in D major, BWV 1069: I. Ouverture | — | ||
| 4-7 | Orchestral Suite No. 4 in D major, BWV 1069: II. Bourrée I & II | — | ||
| 4-8 | Orchestral Suite No. 4 in D major, BWV 1069: III. Gavotte | — | ||
| 4-9 | Orchestral Suite No. 4 in D major, BWV 1069: IV. Menuet I & II | — | ||
| 4-10 | Orchestral Suite No. 4 in D major, BWV 1069: V. Rejouissance | — | ||
| 5-1 | Violin Concerto in A minor, BWV 1041: I. Allegro (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-2 | Violin Concerto in A minor, BWV 1041: II. Adagio (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-3 | Violin Concerto in A minor, BWV 1041: III. Allegro (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-4 | Violin Concerto in E major, BWV 1042: I. Allegro (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-5 | Violin Concerto in E major, BWV 1042: II. Adagio (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-6 | Violin Concerto in E major, BWV 1042: III. Allegro assai (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-7 | Violin Concerto in D minor, BWV 1052: I. Allegro (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-8 | Violin Concerto in D minor, BWV 1052: II. Largo (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-9 | Violin Concerto in D minor, BWV 1052: III. Presto (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-10 | Violin Concerto in G minor, BWV 1056: I. Allegro (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-11 | Violin Concerto in G minor, BWV 1056: II. Andante (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-12 | Violin Concerto in G minor, BWV 1056: III. Allegro assai (Camerata Antonio Luco feat. violin: Emmy Verhey) | — | ||
| 5-13 | Concerto for 3 violins, strings and basso continuo, BWV 1064: I. Allegro | Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists | T-914.323.771-2 | |
| 5-14 | Concerto for 3 violins, strings and basso continuo, BWV 1064: II. Adagio | Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists | T-917.755.866-6 | |
| 5-15 | Concerto for 3 violins, strings and basso continuo, BWV 1064: III. Allegro | Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists | — | |
| 6-1 | Concerto for flute, violin, harpsichord, strings and basso continuo in A minor, BWV 1044: I. Allegro | Marieke Schneemann, Elisabeth Perry, Menno van Delft, Netherlands Bach Ensemble, Krijn Koetsveld | — | |
| 6-2 | Concerto for flute, violin, harpsichord, strings and basso continuo in A minor, BWV 1044: II. Adagio | Marieke Schneemann, Elisabeth Perry, Menno van Delft, Netherlands Bach Ensemble, Krijn Koetsveld | T-917.755.866-6 | |
| 6-3 | Concerto for flute, violin, harpsichord, strings and basso continuo in A minor, BWV 1044: III. Alla breve | Marieke Schneemann, Elisabeth Perry, Menno van Delft, Netherlands Bach Ensemble, Krijn Koetsveld | — | |
| 6-4 | Concerto for Oboe, Violin & Strings in D minor, BWV 1060: I. Allegro | Netherlands Bach Ensemble, Daniëlle Kreeft, Juditha Heberlin | — | |
| 6-5 | Concerto for Oboe, Violin & Strings in D minor, BWV 1060: II. Adagio | Netherlands Bach Ensemble, Daniëlle Kreeft, Juditha Heberlin | T-917.755.866-6 | |
| 6-6 | Concerto for Oboe, Violin & Strings in D minor, BWV 1060: III. Allegro | Netherlands Bach Ensemble, Daniëlle Kreeft, Juditha Heberlin | — | |
| 6-7 | Concerto for oboe d’amore, strings and basso continuo in A major, BWV 1055: I. Allegro | — | ||
| 6-8 | Concerto for oboe d’amore, strings and basso continuo in A major, BWV 1055: II. Larghetto | — | ||
| 6-9 | Concerto for oboe d’amore, strings and basso continuo in A major, BWV 1055: III. Allegro ma non tanto | — | ||
| 6-10 | Concerto for 2 violins, strings and basso continuo in D minor, BWV 1043: I. Vivace | — | ||
| 6-11 | Concerto for 2 violins, strings and basso continuo in D minor, BWV 1043: II. Largo | — | ||
| 6-12 | Concerto for 2 violins, strings and basso continuo in D minor, BWV 1043: III. Allegro | — | ||
| 7-1 | The Well-Tempered Clavier Book I Prelude & Fuge No.1 in C major BWV 846 - I Praeludium | — | ||
| 7-2 | The Well-Tempered Clavier Book I Prelude & Fuge No.1 in C major BWV 846 - II Fuga | — | ||
| 7-3 | The Well-Tempered Clavier Book I Prelude & Fuge No.2 in C minor BWV 847 - I Praeludium | — | ||
| 7-4 | The Well-Tempered Clavier Book I Prelude & Fuge No.2 in C minor BWV 847 - II Fuga | — | ||
| 7-5 | The Well-Tempered Clavier Book I Prelude & Fuge No.3 in C sharp major BWV 848 - I Praeludium | — | ||
| 7-6 | The Well-Tempered Clavier Book I Prelude & Fuge No.3 in C sharp major BWV 848 - II Fuga | — | ||
| 7-7 | The Well-Tempered Clavier Book I Prelude & Fuge No.4 in C sharp minor BWV 849 - I Praeludium | — | ||
| 7-8 | The Well-Tempered Clavier Book I Prelude & Fuge No.4 in C sharp minor BWV 849 - II Fuga | — | ||
| 7-9 | The Well-Tempered Clavier Book I Prelude & Fuge No.5 in D major BWV 850 - I Praeludium | — | ||
| 7-10 | The Well-Tempered Clavier Book I Prelude & Fuge No.5 in D major BWV 850 - II Fuga | — | ||
| 7-11 | The Well-Tempered Clavier Book I Prelude & Fuge No.6 in D minor BWV 851 - I Praeludium | — | ||
| 7-12 | The Well-Tempered Clavier Book I Prelude & Fuge No.6 in D minor BWV 851 - II Fuga | — | ||
| 7-13 | The Well-Tempered Clavier Book I Prelude & Fuge No.7 in E flat major BWV 852 - I Praeludium | — | ||
| 7-14 | The Well-Tempered Clavier Book I Prelude & Fuge No.7 in E flat major BWV 852 - II Fuga | — | ||
| 7-15 | The Well-Tempered Clavier Book I Prelude & Fuge No.8 in E flat minor BWV 853 - I Praeludium | — | ||
| 7-16 | The Well-Tempered Clavier Book I Prelude & Fuge No.8 in E flat minor BWV 853 - II Fuga | — | ||
| 7-17 | The Well-Tempered Clavier Book I Prelude & Fuge No.9 in E major BWV 854 - I Praeludium | — | ||
| 7-18 | The Well-Tempered Clavier Book I Prelude & Fuge No.9 in E major BWV 854 - II Fuga | — | ||
| 7-19 | The Well-Tempered Clavier Book I Prelude & Fuge No.10 in E minor BWV 855 - I Praeludium | — | ||
| 7-20 | The Well-Tempered Clavier Book I Prelude & Fuge No.10 in E minor BWV 855 - II Fuga | — | ||
| 7-21 | The Well-Tempered Clavier Book I Prelude & Fuge No.11 in F major BWV 856 - I Praeludium | — | ||
| 7-22 | The Well-Tempered Clavier Book I Prelude & Fuge No.11 in F major BWV 856 - II Fuga | — | ||
| 7-23 | The Well-Tempered Clavier Book I Prelude & Fuge No.12 in F minor BWV 857 - I Praeludium | — | ||
| 7-24 | The Well-Tempered Clavier Book I Prelude & Fuge No.12 in F minor BWV 857 - II Fuga | — | ||
| 8-1 | The Well-Tempered Clavier Book I Prelude & Fuge No.13 in F sharp major BWV 858 - I Praeludium | — | ||
| 8-2 | The Well-Tempered Clavier Book I Prelude & Fuge No.13 in F sharp major BWV 858 - II Fuga | — | ||
| 8-3 | The Well-Tempered Clavier Book I Prelude & Fuge No.14 in F sharp minor BWV 859 - I Praeludium | — | ||
| 8-4 | The Well-Tempered Clavier Book I Prelude & Fuge No.14 in F sharp minor BWV 859 - II Fuga | — | ||
| 8-5 | The Well-Tempered Clavier Book I Prelude & Fuge No.15 in G major BWV 860 - I Praeludium | — | ||
| 8-6 | The Well-Tempered Clavier Book I Prelude & Fuge No.15 in G major BWV 860 - II Fuga | — | ||
| 8-7 | The Well-Tempered Clavier Book I Prelude & Fuge No.16 in G minor BWV 861 - I Praeludium | — | ||
| 8-8 | The Well-Tempered Clavier Book I Prelude & Fuge No.16 in G minor BWV 861 - II Fuga | — | ||
| 8-9 | The Well-Tempered Clavier Book I Prelude & Fuge No.17 in A flat major BWV 862 - I Praeludium | — | ||
| 8-10 | The Well-Tempered Clavier Book I Prelude & Fuge No.17 in A flat major BWV 862 - II Fuga | — | ||
| 8-11 | The Well-Tempered Clavier Book I Prelude & Fuge No.18 in G sharp minor BWV 863 - I Praeludium | — | ||
| 8-12 | The Well-Tempered Clavier Book I Prelude & Fuge No.18 in G sharp minor BWV 863 - II Fuga | — | ||
| 8-13 | The Well-Tempered Clavier Book I Prelude & Fuge No.19 in A major BWV 864 - I Praeludium | — | ||
| 8-14 | The Well-Tempered Clavier Book I Prelude & Fuge No.19 in A major BWV 864 - II Fuga | — | ||
| 8-15 | The Well-Tempered Clavier Book I Prelude & Fuge No.20 in A minor BWV 865 - I Praeludium | — | ||
| 8-16 | The Well-Tempered Clavier Book I Prelude & Fuge No.20 in A minor BWV 865 - II Fuga | — | ||
| 8-17 | The Well-Tempered Clavier Book I Prelude & Fuge No.21 in B flat major BWV 866 - I Praeludium | — | ||
| 8-18 | The Well-Tempered Clavier Book I Prelude & Fuge No.21 in B flat major BWV 866 - II Fuga | — | ||
| 8-19 | The Well-Tempered Clavier Book I Prelude & Fuge No.22 in B flat minor BWV 867 - I Praeludium | — | ||
| 8-20 | The Well-Tempered Clavier Book I Prelude & Fuge No.22 in B flat minor BWV 867 - II Fuga | — | ||
| 8-21 | The Well-Tempered Clavier Book I Prelude & Fuge No.23 in B major BWV 868 - I Praeludium | — | ||
| 8-22 | The Well-Tempered Clavier Book I Prelude & Fuge No.23 in B major BWV 868 - II Fuga | — | ||
| 8-23 | The Well-Tempered Clavier Book I Prelude & Fuge No.24 in B minor BWV 869 - I Praeludium | — | ||
| 8-24 | The Well-Tempered Clavier Book I Prelude & Fuge No.24 in B minor BWV 869 - II Fuga | — | ||
| 9-1 | The Well-Tempered Clavier Book II Prelude & Fuge No.1 in C major BWV 870 - I Praeludium | — | ||
| 9-2 | The Well-Tempered Clavier Book II Prelude & Fuge No.1 in C major BWV 870 - II Fuga | — | ||
| 9-3 | The Well-Tempered Clavier Book II Prelude & Fuge No.2 in C minor BWV 871 - I Praeludium | — | ||
| 9-4 | The Well-Tempered Clavier Book II Prelude & Fuge No.2 in C minor BWV 871 - II Fuga | — | ||
| 9-5 | The Well-Tempered Clavier Book II Prelude & Fuge No.3 in C sharp major BWV 872 - I Praeludium | — | ||
| 9-6 | The Well-Tempered Clavier Book II Prelude & Fuge No.3 in C sharp major BWV 872 - II Fuga | — | ||
| 9-7 | The Well-Tempered Clavier Book II Prelude & Fuge No.4 in C sharp minor BWV 873 - I Praeludium | — | ||
| 9-8 | The Well-Tempered Clavier Book II Prelude & Fuge No.4 in C sharp minor BWV 873 - II Fuga | — | ||
| 9-9 | The Well-Tempered Clavier Book II Prelude & Fuge No.5 in D major BWV 874 - I Praeludium | — | ||
| 9-10 | The Well-Tempered Clavier Book II Prelude & Fuge No.5 in D major BWV 874 - II Fuga | — | ||
| 9-11 | The Well-Tempered Clavier Book II Prelude & Fuge No.6 in D minor BWV 875 - I Praeludium | — | ||
| 9-12 | The Well-Tempered Clavier Book II Prelude & Fuge No.6 in D minor BWV 875 - II Fuga | — | ||
| 9-13 | The Well-Tempered Clavier Book II Prelude & Fuge No.7 in E flat major BWV 876 - I Praeludium | — | ||
| 9-14 | The Well-Tempered Clavier Book II Prelude & Fuge No.7 in E flat major BWV 876 - II Fuga | — | ||
| 9-15 | The Well-Tempered Clavier Book II Prelude & Fuge No.8 in E flat minor BWV 877 - I Praeludium | — | ||
| 9-16 | The Well-Tempered Clavier Book II Prelude & Fuge No.8 in E flat minor BWV 877 - II Fuga | — | ||
| 9-17 | The Well-Tempered Clavier Book II Prelude & Fuge No.9 in E major BWV 878 - I Praeludium | — | ||
| 9-18 | The Well-Tempered Clavier Book II Prelude & Fuge No.9 in E major BWV 878 - II Fuga | — | ||
| 9-19 | The Well-Tempered Clavier Book II Prelude & Fuge No.10 in E minor BWV 879 - I Praeludium | — | ||
| 9-20 | The Well-Tempered Clavier Book II Prelude & Fuge No.10 in E minor BWV 879 - II Fuga | — | ||
| 9-21 | The Well-Tempered Clavier Book II Prelude & Fuge No.11 in F major BWV 880 - I Praeludium | — | ||
| 9-22 | The Well-Tempered Clavier Book II Prelude & Fuge No.11 in F major BWV 880 - II Fuga | — | ||
| 9-23 | The Well-Tempered Clavier Book II Prelude & Fuge No.12 in F minor BWV 881 - I Praeludium | — | ||
| 9-24 | The Well-Tempered Clavier Book II Prelude & Fuge No.12 in F minor BWV 881 - II Fuga | — | ||
| 10-1 | The Well-Tempered Clavier Book II Prelude & Fuge No.13 in F sharp major BWV 882 - I Praeludium | — | ||
| 10-2 | The Well-Tempered Clavier Book II Prelude & Fuge No.13 in F sharp major BWV 882 - II Fuga | — | ||
| 10-3 | The Well-Tempered Clavier Book II Prelude & Fuge No.14 in F sharp minor BWV 883 - I Praeludium | — | ||
| 10-4 | The Well-Tempered Clavier Book II Prelude & Fuge No.14 in F sharp minor BWV 883 - II Fuga | — | ||
| 10-5 | The Well-Tempered Clavier Book II Prelude & Fuge No.15 in G major BWV 884 - I Praeludium | — | ||
| 10-6 | The Well-Tempered Clavier Book II Prelude & Fuge No.15 in G major BWV 884 - II Fuga | — | ||
| 10-7 | The Well-Tempered Clavier Book II Prelude & Fuge No.16 in G minor BWV 885 - I Praeludium | — | ||
| 10-8 | The Well-Tempered Clavier Book II Prelude & Fuge No.16 in G minor BWV 885 - II Fuga | — | ||
| 10-9 | The Well-Tempered Clavier Book II Prelude & Fuge No.17 in A flat major BWV 886 - I Praeludium | — | ||
| 10-10 | The Well-Tempered Clavier Book II Prelude & Fuge No.17 in A flat major BWV 886 - II Fuga | — | ||
| 10-11 | The Well-Tempered Clavier Book II Prelude & Fuge No.18 in G sharp minor BWV 887 - I Praeludium | — | ||
| 10-12 | The Well-Tempered Clavier Book II Prelude & Fuge No.18 in G sharp minor BWV 887 - II Fuga | — | ||
| 10-13 | The Well-Tempered Clavier Book II Prelude & Fuge No.19 in A major BWV 888 - I Praeludium | — | ||
| 10-14 | The Well-Tempered Clavier Book II Prelude & Fuge No.19 in A major BWV 888 - II Fuga | — | ||
| 10-15 | The Well-Tempered Clavier Book II Prelude & Fuge No.20 in A minor BWV 889 - I Praeludium | — | ||
| 10-16 | The Well-Tempered Clavier Book II Prelude & Fuge No.20 in A Minor BWV 889 - II Fuga | — | ||
| 10-17 | The Well-Tempered Clavier Book II Prelude & Fuge No.21 in B flat major BWV 890 - I Praeludium | — | ||
| 10-18 | The Well-Tempered Clavier Book II Prelude & Fuge No.21 in B flat major BWV 890 - II Fuga | — | ||
| 10-19 | The Well-Tempered Clavier Book II Prelude & Fuge No.22 in B flat minor BWV 891 - I Praeludium | — | ||
| 10-20 | The Well-Tempered Clavier Book II Prelude & Fuge No.22 in B flat minor BWV 891 - II Fuga | — | ||
| 10-21 | The Well-Tempered Clavier Book II Prelude & Fuge No.23 in B major BWV 892 - I Praeludium | — | ||
| 10-22 | The Well-Tempered Clavier Book II Prelude & Fuge No.23 in B major BWV 892 - II Fuga | — | ||
| 10-23 | The Well-Tempered Clavier Book II Prelude & Fuge No.24 in B minor BWV 893 - I Praeludium | — | ||
| 10-24 | The Well-Tempered Clavier Book II Prelude & Fuge No.24 in B minor BWV 893 - II Fuga | — | ||
| 11-1 | Partita No. 1 in B-flat major, BWV 825: I. Praeludium | — | ||
| 11-2 | Partita No. 1 in B-flat major, BWV 825: II. Allemande | — | ||
| 11-3 | Partita No. 1 in B-flat major, BWV 825: III. Corrente | — | ||
| 11-4 | Partita No. 1 in B-flat major, BWV 825: IV. Sarabande | — | ||
| 11-5 | Partita No. 1 in B-flat major, BWV 825: V. Menuet I & II | — | ||
| 11-6 | Partita No. 1 in B-flat major, BWV 825: VI. Giga | — | ||
| 11-7 | Partita No. 2 in C minor, BWV 826: I. Sinfonia | — | ||
| 11-8 | Partita No. 2 in C minor, BWV 826: II. Allemande | — | ||
| 11-9 | Partita No. 2 in C minor, BWV 826: III. Courante | — | ||
| 11-10 | Partita No. 2 in C minor, BWV 826: IV. Sarabande | — | ||
| 11-11 | Partita No. 2 in C minor, BWV 826: V. Rondeaux | — | ||
| 11-12 | Partita No. 2 in C minor, BWV 826: VI. Capriccio | — | ||
| 11-13 | Partita No. 6 in E minor, BWV 830: I. Toccata | — | ||
| 11-14 | Partita No. 6 in E minor, BWV 830: II. Allemanda | — | ||
| 11-15 | Partita No. 6 in E minor, BWV 830: III. Corrente | — | ||
| 11-16 | Partita No. 6 in E minor, BWV 830: IV. Air | — | ||
| 11-17 | Partita No. 6 in E minor, BWV 830: V. Sarabande | — | ||
| 11-18 | Partita No. 6 in E minor, BWV 830: VI. Tempo di Gavotta | — | ||
| 11-19 | Partita No. 6 in E minor, BWV 830: VII. Gigue | — | ||
| 12-1 | Partita No. 3 in A minor, BWV 827: I. Fantasia | — | ||
| 12-2 | Partita No. 3 in A minor, BWV 827: II. Allemande | — | ||
| 12-3 | Partita No. 3 in A minor, BWV 827: III. Corrente | — | ||
| 12-4 | Partita No. 3 in A minor, BWV 827: IV. Sarabande | — | ||
| 12-5 | Partita No. 3 in A minor, BWV 827: V. Burlesca | — | ||
| 12-6 | Partita No. 3 in A minor, BWV 827: VI. Scherzo | — | ||
| 12-7 | Partita No. 3 in A minor, BWV 827: VII. Gigue | — | ||
| 12-8 | Partita No. 4 in D major, BWV 828: I. Overture | — | ||
| 12-9 | Partita No. 4 in D major, BWV 828: II. Allemande | — | ||
| 12-10 | Partita No. 4 in D major, BWV 828: III. Courante | — | ||
| 12-11 | Partita No. 4 in D major, BWV 828: IV. Sarabande | — | ||
| 12-12 | Partita No. 4 in D major, BWV 828: V. Aria | — | ||
| 12-13 | Partita No. 4 in D major, BWV 828: VI. Menuet | — | ||
| 12-14 | Partita No. 4 in D major, BWV 828: VII. Gigue | — | ||
| 12-15 | Partita No. 5 in G major, BWV 829: I. Præambulum | — | ||
| 12-16 | Partita No. 5 in G major, BWV 829: II. Allemande | — | ||
| 12-17 | Partita No. 5 in G major, BWV 829: III. Corrente | — | ||
| 12-18 | Partita No. 5 in G major, BWV 829: IV. Sarabande | — | ||
| 12-19 | Partita No. 5 in G major, BWV 829: V. Tempo di Minuetto | — | ||
| 12-20 | Partita No. 5 in G major, BWV 829: VI. Passepied | — | ||
| 12-21 | Partita No. 5 in G major, BWV 829: VII. Gigue | — | ||
| 13-1 | Italian concerto in F major, BWV 971: I. Allegro | — | ||
| 13-2 | Italian concerto in F major, BWV 971: II. Largo | — | ||
| 13-3 | Italian concerto in F major, BWV 971: III. Presto | — | ||
| 13-4 | Overture in the French Style in B minor, BWV 831: I. Ouvertüre | — | ||
| 13-5 | Overture in the French Style in B minor, BWV 831: II. Courante | — | ||
| 13-6 | Overture in the French Style in B minor, BWV 831: III. Gavotte I & II, Da capo | — | ||
| 13-7 | Overture in the French Style in B minor, BWV 831: IV. Passepied I & II, Da capo | — | ||
| 13-8 | Overture in the French Style in B minor, BWV 831: V. Sarabande | — | ||
| 13-9 | Overture in the French Style in B minor, BWV 831: VI. Bourrée I & II, Da capo | — | ||
| 13-10 | Overture in the French Style in B minor, BWV 831: VII. Gigue | — | ||
| 13-11 | Overture in the French Style in B minor, BWV 831: VIII. Echo | — | ||
| 13-12 | Chromatic Fantasy and Fugue in D minor, BWV 903: I. Fantasie | — | ||
| 13-13 | Chromatic Fantasy and Fugue in D minor, BWV 903: II. Fugue | — | ||
| 14-1 | Goldberg Variations, BWV 988: Aria | — | ||
| 14-2 | Goldberg Variations, BWV 988: Variation 01 | — | ||
| 14-3 | Goldberg Variations, BWV 988: Variation 02 | — | ||
| 14-4 | Goldberg Variations, BWV 988: Variation 03. Canon on the Unison | — | ||
| 14-5 | Goldberg Variations, BWV 988: Variation 04 | — | ||
| 14-6 | Goldberg Variations, BWV 988: Variation 05 | — | ||
| 14-7 | Goldberg Variations, BWV 988: Variation 06. Canon on the Second | — | ||
| 14-8 | Goldberg Variations, BWV 988: Variation 07 | — | ||
| 14-9 | Goldberg Variations, BWV 988: Variation 08 | — | ||
| 14-10 | Goldberg Variations, BWV 988: Variation 09. Canon on the Third | — | ||
| 14-11 | Goldberg Variations, BWV 988: Variation 10. Fughetta | — | ||
| 14-12 | Goldberg Variations, BWV 988: Variation 11 | — | ||
| 14-13 | Goldberg Variations, BWV 988: Variation 12. Canon on the Fourth | — | ||
| 14-14 | Goldberg Variations, BWV 988: Variation 13 | — | ||
| 14-15 | Goldberg Variations, BWV 988: Variation 14 | — | ||
| 14-16 | Goldberg Variations, BWV 988: Variation 15. Canon on the Fifth | — | ||
| 14-17 | Goldberg Variations, BWV 988: Variation 16. Overture | — | ||
| 14-18 | Goldberg Variations, BWV 988: Variation 17 | — | ||
| 14-19 | Goldberg Variations, BWV 988: Variation 18. Canon on the Sixth | — | ||
| 14-20 | Goldberg Variations, BWV 988: Variation 19 | — | ||
| 14-21 | Goldberg Variations, BWV 988: Variation 20 | — | ||
| 14-22 | Goldberg Variations, BWV 988: Variation 21. Canon on the Seventh | — | ||
| 14-23 | Goldberg Variations, BWV 988: Variation 22. Alla breve | — | ||
| 14-24 | Goldberg Variations, BWV 988: Variation 23 | — | ||
| 14-25 | Goldberg Variations, BWV 988: Variation 24. Canon on the Octave | — | ||
| 14-26 | Goldberg Variations, BWV 988: Variation 25 | — | ||
| 14-27 | Goldberg Variations, BWV 988: Variation 26 | — | ||
| 14-28 | Goldberg Variations, BWV 988: Variation 27. Canon on the Ninth | — | ||
| 14-29 | Goldberg Variations, BWV 988: Variation 28 | — | ||
| 14-30 | Goldberg Variations, BWV 988: Variation 29 | — | ||
| 14-31 | Goldberg Variations, BWV 988: Variation 30. Quodlibet | — | ||
| 14-32 | Goldberg Variations, BWV 988: Aria de Capo | — | ||
| 15-1 | English Suite No. 1 in A major, BWV 806: I. Prelude | — | ||
| 15-2 | English Suite No. 1 in A major, BWV 806: II. Allemande | — | ||
| 15-3 | English Suite No. 1 in A major, BWV 806: III. Courante I | — | ||
| 15-4 | English Suite No. 1 in A major, BWV 806: IV. Courante II | — | ||
| 15-5 | English Suite No. 1 in A major, BWV 806: V. Double I | — | ||
| 15-6 | English Suite No. 1 in A major, BWV 806: VI. Double II | — | ||
| 15-7 | English Suite No. 1 in A major, BWV 806: VII. Sarabande | — | ||
| 15-8 | English Suite No. 1 in A major, BWV 806: VIII. Bourrée I | — | ||
| 15-9 | English Suite No. 1 in A major, BWV 806: IX. Bourrée II | — | ||
| 15-10 | English Suite No. 1 in A major, BWV 806: X. Bourrée I da capo | — | ||
| 15-11 | English Suite No. 1 in A major, BWV 806: XI. Gigue | — | ||
| 15-12 | English Suite No. 2 in A minor, BWV 807: I. Prelude | — | ||
| 15-13 | English Suite No. 2 in A minor, BWV 807: II. Allemande | — | ||
| 15-14 | English Suite No. 2 in A minor, BWV 807: III. Courante | — | ||
| 15-15 | English Suite No. 2 in A minor, BWV 807: IV. Sarabande | — | ||
| 15-16 | English Suite No. 2 in A minor, BWV 807: V. Bourrée I | — | ||
| 15-17 | English Suite No. 2 in A minor, BWV 807: VI. Bourrée II | — | ||
| 15-18 | English Suite No. 2 in A minor, BWV 807: VII. Bourrée I da capo | — | ||
| 15-19 | English Suite No. 2 in A minor, BWV 807: VIII. Gigue | — | ||
| 15-20 | English Suite No. 3 in G minor, BWV 808: I. Prelude | — | ||
| 15-21 | English Suite No. 3 in G minor, BWV 808: II. Allemande | — | ||
| 15-22 | English Suite No. 3 in G minor, BWV 808: III. Courante | — | ||
| 15-23 | English Suite No. 3 in G minor, BWV 808: IV. Sarabande | — | ||
| 15-24 | English Suite No. 3 in G minor, BWV 808: V. Gavotte I | — | ||
| 15-25 | English Suite No. 3 in G minor, BWV 808: VI. Gavotte II | — | ||
| 15-26 | English Suite No. 3 in G minor, BWV 808: VII. Gavotte I da capo | — | ||
| 15-27 | English Suite No. 3 in G minor, BWV 808: VIII. Gigue | — | ||
| 16-1 | English Suite No. 4 in F major, BWV 809: I. Prelude | — | ||
| 16-2 | English Suite No. 4 in F major, BWV 809: II. Allemande | — | ||
| 16-3 | English Suite No. 4 in F major, BWV 809: III. Courante | — | ||
| 16-4 | English Suite No. 4 in F major, BWV 809: IV. Sarabande | — | ||
| 16-5 | English Suite No. 4 in F major, BWV 809: V. Menuet I | — | ||
| 16-6 | English Suite No. 4 in F major, BWV 809: VI. Menuet II | — | ||
| 16-7 | English Suite No. 4 in F major, BWV 809: VII. Menuet I da capo | — | ||
| 16-8 | English Suite No. 4 in F major, BWV 809: VIII. Gigue | — | ||
| 16-9 | English Suite No. 5 in E minor, BWV 810: I. Prelude | — | ||
| 16-10 | English Suite No. 5 in E minor, BWV 810: II. Allemande | — | ||
| 16-11 | English Suite No. 5 in E minor, BWV 810: III. Courante | — | ||
| 16-12 | English Suite No. 5 in E minor, BWV 810: IV. Sarabande | — | ||
| 16-13 | English Suite No. 5 in E minor, BWV 810: V. Passepied I | — | ||
| 16-14 | English Suite No. 5 in E minor, BWV 810: VI. Passepied II | — | ||
| 16-15 | English Suite No. 5 in E minor, BWV 810: VII. Passepied I da capo | — | ||
| 16-16 | English Suite No. 5 in E minor, BWV 810: VIII. Gigue | — | ||
| 16-17 | English Suite No. 6 in D minor, BWV 811: I. Prelude | — | ||
| 16-18 | English Suite No. 6 in D minor, BWV 811: II. Allemande | — | ||
| 16-19 | English Suite No. 6 in D minor, BWV 811: III. Courante | — | ||
| 16-20 | English Suite No. 6 in D minor, BWV 811: IV. Sarabande | — | ||
| 16-21 | English Suite No. 6 in D minor, BWV 811: V. Double | — | ||
| 16-22 | English Suite No. 6 in D minor, BWV 811: VI. Gavotte I | — | ||
| 16-23 | English Suite No. 6 in D minor, BWV 811: VII. Gavotte II | — | ||
| 16-24 | English Suite No. 6 in D minor, BWV 811: VIII. Gavotte I da capo | — | ||
| 16-25 | English Suite No. 6 in D minor, BWV 811: IX. Gigue | — | ||
| 17-1 | Präludium & Fuge Es-Dur/E flat major BWV 552 | — | ||
| 17-2 | Partite sopra “O Gott, du frommer Gott” BWV 767 | — | ||
| 17-3 | Fantasie & Fuge g-Moll/G minor BWV 542 | — | ||
| 17-4 | Choral “Nun komm, der Heiden Heiland” BWV 659 | — | ||
| 17-5 | Choral “Wachet auf, ruft uns die Stimme” BWV 645 | — | ||
| 17-6 | Choral “Ich ruf zu dir, Herr Jesu Christ” BWV 639 | — | ||
| 17-7 | Toccata und Fuge d-Moll, BWV 565 | Ton Koopman | T-909.243.105-5 | |
| 18-1 | Dorische Toccata & Fuge BWV 538: I. Toccata | — | ||
| 18-2 | Dorische Toccata & Fuge BWV 538: II. Fuge | — | ||
| 18-3 | Partita “Sei gegrüsset, Jesu gütig” BWV 768 | — | ||
| 18-4 | Fantasie G-Dur/G major BWV 572 | — | ||
| 18-5 | Trio-Sonate G-Dur/G major BWV 530: I. Vivace | — | ||
| 18-6 | Trio-Sonate G-Dur/G major BWV 530: II. Lento | — | ||
| 18-7 | Trio-Sonate G-Dur/G major BWV 530: III. Allegro | — | ||
| 18-8 | Choral “Vater unser im Himmelreich” BWV 682 | — | ||
| 18-9 | Choral “Jesu Christus, unser Heiland” BWV 688 | — | ||
| 18-10 | Präludium & Fuge a-Moll/A minor BWV 543: I. Präludium | — | ||
| 18-11 | Präludium & Fuge a-Moll/A minor BWV 543: II. Fuge | — | ||
| 19-1 | Toccata, Adagio and Fugue in C major, BWV 564: 1. Toccata | — | ||
| 19-2 | Toccata, Adagio and Fugue in C major, BWV 564: 2. Adagio | — | ||
| 19-3 | Toccata, Adagio and Fugue in C major, BWV 564: 3. Fuge | — | ||
| 19-4 | Trio-Sonate Es-Dur/E flat major BWV 525: I. Allegro Moderato | — | ||
| 19-5 | Trio-Sonate Es-Dur/E flat major BWV 525: II. Adagio | — | ||
| 19-6 | Trio-Sonate Es-Dur/E flat major BWV 525: III. Allegro | — | ||
| 19-7 | Acht kleine Präludien & Fugen BWV 553-560: C-Dur/C major BWV 553 | — | ||
| 19-8 | Acht kleine Präludien & Fugen BWV 553-560: d-Moll/D minor BWV 554 | — | ||
| 19-9 | Acht kleine Präludien & Fugen BWV 553-560: e-Moll/E minor BWV 555 | — | ||
| 19-10 | Acht kleine Präludien & Fugen BWV 553-560: F-Dur/F major BWV 556 | — | ||
| 19-11 | Acht kleine Präludien & Fugen BWV 553-560: G-Dur/G major BWV 557 | — | ||
| 19-12 | Acht kleine Präludien & Fugen BWV 553-560: g-Moll/G minor BWV 558 | — | ||
| 19-13 | Acht kleine Präludien & Fugen BWV 553-560: a-Moll/A minor BWV 559 | — | ||
| 19-14 | Acht kleine Präludien & Fugen BWV 553-560: B-Dur/B flat major BWV 560 | — | ||
| 19-15 | Choral “Aus tiefer Not schrei’ich zu dir” BWV 686 | — | ||
| 19-16 | Präludium & Fuge D-Dur BWV 532: I. Präludium | — | ||
| 19-17 | Präludium & Fuge D-Dur BWV 532: II. Fuge | — | ||
| 20-1 | Sonata No. 1 in G minor, BWV 1001: I. Adagio | — | ||
| 20-2 | Sonata No. 1 in G minor, BWV 1001: II. Fuga (allegro) | — | ||
| 20-3 | Sonata No. 1 in G minor, BWV 1001: III. Siciliana | — | ||
| 20-4 | Sonata No. 1 in G minor, BWV 1001: IV. Presto | — | ||
| 20-5 | Partita No. 1 in B minor, BWV 1002: I. Allemanda | — | ||
| 20-6 | Partita No. 1 in B minor, BWV 1002: II. Double | — | ||
| 20-7 | Partita No. 1 in B minor, BWV 1002: III. Corrente | — | ||
| 20-8 | Partita No. 1 in B minor, BWV 1002: IV. Double - Presto | — | ||
| 20-9 | Partita No. 1 in B minor, BWV 1002: V. Sarabande | — | ||
| 20-10 | Partita No. 1 in B minor, BWV 1002: VI. Double | — | ||
| 20-11 | Partita No. 1 in B minor, BWV 1002: VII. Tempo di Borea | — | ||
| 20-12 | Partita No. 1 in B minor, BWV 1002: VIII. Double | — | ||
| 20-13 | Sonata No. 2 in A minor, BWV 1003: I. Grave | — | ||
| 20-14 | Sonata No. 2 in A minor, BWV 1003: II. Fuga | — | ||
| 20-15 | Sonata No. 2 in A minor, BWV 1003: III. Andante | — | ||
| 20-16 | Sonata No. 2 in A minor, BWV 1003: IV. Allegro | — | ||
| 21-1 | Partita No. 2 in D minor, BWV 1004: I. Allemanda | — | ||
| 21-2 | Partita No. 2 in D minor, BWV 1004: II. Corrente | — | ||
| 21-3 | Partita No. 2 in D minor, BWV 1004: III. Sarabande | — | ||
| 21-4 | Partita No. 2 in D minor, BWV 1004: IV. Giga | — | ||
| 21-5 | Partita No. 2 in D minor, BWV 1004: V. Ciacona | — | ||
| 21-6 | Sonata No. 3 in C major, BWV 1005: I. Adagio | — | ||
| 21-7 | Sonata No. 3 in C major, BWV 1005: II. Fuga | — | ||
| 21-8 | Sonata No. 3 in C major, BWV 1005: III. Largo | — | ||
| 21-9 | Sonata No. 3 in C major, BWV 1005: IV. Allegro assai | — | ||
| 21-10 | Partita No. 3 in E major, BWV 1006: I. Preludio | — | ||
| 21-11 | Partita No. 3 in E major, BWV 1006: II. Loure | — | ||
| 21-12 | Partita No. 3 in E major, BWV 1006: III. Gavotte en Rondeau | — | ||
| 21-13 | Partita No. 3 in E major, BWV 1006: IV. Menuet I - Menuet II - Menuet I | — | ||
| 21-14 | Partita No. 3 in E major, BWV 1006: V. Bourrée | — | ||
| 21-15 | Partita No. 3 in E major, BWV 1006: VI. Gigue | — | ||
| 22-1 | Suite No.1 in G major BWV 1007 - I Prelude | — | ||
| 22-2 | Suite No.1 in G major BWV 1007 - II Allemande | — | ||
| 22-3 | Suite No.1 in G major BWV 1007 - III Courante | — | ||
| 22-4 | Suite No.1 in G major BWV 1007 - IV Sarabande | — | ||
| 22-5 | Suite No.1 in G major BWV 1007 - V Minuet I & II | — | ||
| 22-6 | Suite No.1 in G major BWV 1007 - VI Gigue | — | ||
| 22-7 | Suite No.3 in C major BWV 1009 - I Prelude | — | ||
| 22-8 | Suite No.3 in C major BWV 1009 - II Allemande | — | ||
| 22-9 | Suite No.3 in C major BWV 1009 - III Courante | — | ||
| 22-10 | Suite No.3 in C major BWV 1009 - IV Sarabande | — | ||
| 22-11 | Suite No.3 in C major BWV 1009 - V Bourrée I & II | — | ||
| 22-12 | Suite No.3 in C major BWV 1009 - VI Gigue | — | ||
| 22-13 | Suite No.5 in C minor BWV 1011 - I Prelude | — | ||
| 22-14 | Suite No.5 in C minor BWV 1011 - II Allemande | — | ||
| 22-15 | Suite No.5 in C minor BWV 1011 - III Courante | — | ||
| 22-16 | Suite No.5 in C minor BWV 1011 - IV Sarabande | — | ||
| 22-17 | Suite No.5 in C minor BWV 1011 - V Gavotte I & II | — | ||
| 22-18 | Suite No.5 in C minor BWV 1011 - VI Gigue | — | ||
| 23-1 | Suite No.2 in D minor BWV 1008 - I Prelude | — | ||
| 23-2 | Suite No.2 in D minor BWV 1008 - II Allemande | — | ||
| 23-3 | Suite No.2 in D minor BWV 1008 - III Courante | — | ||
| 23-4 | Suite No.2 in D minor BWV 1008 - IV Sarabande | — | ||
| 23-5 | Suite No.2 in D minor BWV 1008 - V Minuet I & II | — | ||
| 23-6 | Suite No.2 in D minor BWV 1008 - VI Gigue | — | ||
| 23-7 | Suite No.4 in E flat major BWV 1010 - I Prelude | — | ||
| 23-8 | Suite No.4 in E flat major BWV 1010 - II Allemande | — | ||
| 23-9 | Suite No.4 in E flat major BWV 1010 - III Courante | — | ||
| 23-10 | Suite No.4 in E flat major BWV 1010 - IV Sarabande | — | ||
| 23-11 | Suite No.4 in E flat major BWV 1010 - V Bourrée I & II | — | ||
| 23-12 | Suite No.4 in E flat major BWV 1010 - VI Gigue | — | ||
| 23-13 | Suite No.6 in D major BWV 1012 - I Prelude | — | ||
| 23-14 | Suite No.6 in D major BWV 1012 - II Allemande | — | ||
| 23-15 | Suite No.6 in D major BWV 1012 - III Courante | — | ||
| 23-16 | Suite No.6 in D major BWV 1012 - IV Sarabande | — | ||
| 23-17 | Suite No.6 in D major BWV 1012 - V Gavotte I & II | — | ||
| 23-18 | Suite No.6 in D major BWV 1012 - VI Gigue | — | ||
| 24-1 | Musikalisches Opfer BWV1079: Ricercare a 3 | — | ||
| 24-2 | Musikalisches Opfer BWV1079: Ricercare a 6 | — | ||
| 24-3 | Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo: Largo | — | ||
| 24-4 | Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo: Allegro | — | ||
| 24-5 | Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo: Andante | — | ||
| 24-6 | Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo: Allegro | — | ||
| 24-7 | Thematis Regii, Elaborationes Canonicae: Canon a 2 cancrizans | — | ||
| 24-8 | Thematis Regii, Elaborationes Canonicae: Canon a 2 in unisono | — | ||
| 24-9 | Thematis Regii, Elaborationes Canonicae: Canon a 2 motum contrarium | — | ||
| 24-10 | Thematis Regii, Elaborationes Canonicae: Canon a 2 per augmentationum contrario motu | — | ||
| 24-11 | Thematis Regii, Elaborationes Canonicae: Canon a 2 per tonos | — | ||
| 24-12 | Thematis Regii, Elaborationes Canonicae: Fuga canonica in Epidiapente | — | ||
| 24-13 | Thematis Regii, Elaborationes Canonicae: Canon perpetuus super Thema Regium | — | ||
| 24-14 | Thematis Regii, Elaborationes Canonicae: Canon a 2 | — | ||
| 24-15 | Thematis Regii, Elaborationes Canonicae: Canon a 4 | — | ||
| 24-16 | Thematis Regii, Elaborationes Canonicae: Canon perpetuus | — | ||
| 24-17 | Canons BWV 1072-1078: Canon a 8, BWV 1072 | — | ||
| 24-18 | Canons BWV 1072-1078: Canon a 4, BWV 1073 | — | ||
| 24-19 | Canons BWV 1072-1078: Canon a 4, BWV 1074 (part 1) | — | ||
| 24-20 | Canons BWV 1072-1078: Canon a 4, BWV 1074 (part 2) | — | ||
| 24-21 | Canons BWV 1072-1078: Canon a 2, BWV 1075 | — | ||
| 24-22 | Canons BWV 1072-1078: Canon a 6, BWV 1076 | — | ||
| 24-23 | Canons BWV 1072-1078: Canon a 4, BWV 1077 | — | ||
| 24-24 | Canons BWV 1072-1078: Canon a 7, BWV 1078 | — | ||
| 24-25 | Canons BWV 1072-1078: Canon a 2, BWV deest | — | ||
| 24-26 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon simplex | — | ||
| 24-27 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: All' roverscio | — | ||
| 24-28 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Beide zugleich, motu recto e contrario | — | ||
| 24-29 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Motu contrario e recto | — | ||
| 24-30 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon duplex a 4 | — | ||
| 24-31 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon simplex über besagtes Fundament a 3 | — | ||
| 24-32 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Idem a 3 | — | ||
| 24-33 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon simplex a 3 | — | ||
| 24-34 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon in unisono post semi fugam a 3 | — | ||
| 24-35 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Alio modo | — | ||
| 24-36 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Evolutio | — | ||
| 24-37 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon duplex a 5 | — | ||
| 24-38 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon duplex a 5 | — | ||
| 24-39 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon triplex a 6 | — | ||
| 24-40 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon a 4 augumentationem et diminutionem | — | ||
| 25-1 | Sonata No. 1, BWV 1014: I. Adagio | — | ||
| 25-2 | Sonata No. 1, BWV 1014: II. Allegro | — | ||
| 25-3 | Sonata No. 1, BWV 1014: III. Andante | — | ||
| 25-4 | Sonata No. 1, BWV 1014: IV. Allegro | — | ||
| 25-5 | Sonata No. 2, BWV 1015: I. Without tempo indication | — | ||
| 25-6 | Sonata No. 2, BWV 1015: II. Allegro assai | — | ||
| 25-7 | Sonata No. 2, BWV 1015: III. Andante | — | ||
| 25-8 | Sonata No. 2, BWV 1015: IV. Presto | — | ||
| 25-9 | Sonata No. 3, BWV 1016: I. Adagio | — | ||
| 25-10 | Sonata No. 3, BWV 1016: II. Allegro | — | ||
| 25-11 | Sonata No. 3, BWV 1016: III. Adagio ma non tanto | — | ||
| 25-12 | Sonata No. 3, BWV 1016: IV. Allegro | — | ||
| 26-1 | Sonata No. 4 in C minor, BWV 1017: I. Siciliano, largo | — | ||
| 26-2 | Sonata No. 4 in C minor, BWV 1017: II. Allegro | — | ||
| 26-3 | Sonata No. 4 in C minor, BWV 1017: III. Adagio | — | ||
| 26-4 | Sonata No. 4 in C minor, BWV 1017: IV. Allegro | — | ||
| 26-5 | Sonata No. 5 in F minor, BWV 1018: I. Largo | — | ||
| 26-6 | Sonata No. 5 in F minor, BWV 1018: II. Allegro | — | ||
| 26-7 | Sonata No. 5 in F minor, BWV 1018: III. Adagio | — | ||
| 26-8 | Sonata No. 5 in F minor, BWV 1018: IV. Vivace | — | ||
| 26-9 | Sonata No. 6 in G major, BWV 1019: I. Allegro | — | ||
| 26-10 | Sonata No. 6 in G major, BWV 1019: II. Largo | — | ||
| 26-11 | Sonata No. 6 in G major, BWV 1019: III. Allegro | — | ||
| 26-12 | Sonata No. 6 in G major, BWV 1019: IV. Adagio | — | ||
| 26-13 | Sonata No. 6 in G major, BWV 1019: V. Allegro | — | ||
| 27-1 | Lobet den Herrn, alle Heiden, BWV 230 | — | ||
| 27-2 | Komm, Jesu, Komm, BWV 229 | — | ||
| 27-3 | Singet den Herrn ein neues Lied, BWV 225 | — | ||
| 27-4 | Jesu, meine Freude, BWV 227 | — | ||
| 27-5 | Der Geist hilft unser Schwachheit auf, BWV 226 | — | ||
| 27-6 | Fürchte dich nicht, ich bin bei dir, BWV 228 | — | ||
| 28-1 | Easter Oratorio, BWV 249: I. Sinfonia | — | ||
| 28-2 | Easter Oratorio, BWV 249: II. Adagio | — | ||
| 28-3 | Easter Oratorio, BWV 249: III. Duet & Chorus "Kommt, eilet und laufet" | — | ||
| 28-4 | Easter Oratorio, BWV 249: IV. Recitative "O kalter Männer Sinn!" | — | ||
| 28-5 | Easter Oratorio, BWV 249: V. Aria "Seele, deine Spezereien" | — | ||
| 28-6 | Easter Oratorio, BWV 249: VI. Recitative "Hier ist die Gruft" | — | ||
| 28-7 | Easter Oratorio, BWV 249: VII. Aria "Sanfte soll mein Todeskummer" | — | ||
| 28-8 | Easter Oratorio, BWV 249: VIII. Recitative "Indessen seufzen wir" | — | ||
| 28-9 | Easter Oratorio, BWV 249: IX. Aria "Saget, saget mir geschwinde" | — | ||
| 28-10 | Easter Oratorio, BWV 249: X. Recitative "Wir sind erfreut" | — | ||
| 28-11 | Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank" | — | ||
| 28-12 | Easter Oratorio, BWV 249: XII. Chorale "Es hat mit uns nun keine Not" | — | ||
| 29-1 | Matthäus-Passion, BWV 244: Teil I, I. Coro "Kommt, ihr Töchter, helft mir klagen" - Corale "O Lamm Gottes, unschuldig" | — | ||
| 29-2 | Matthäus-Passion, BWV 244: Teil I, II. "Da Jesus diese Rede vollendet hatte" (Evangelista, Jesus) | — | ||
| 29-3 | Matthäus-Passion, BWV 244: Teil I, III. Corale "Herzliebster Jesu, was hast du verbrochen" | — | ||
| 29-4 | Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) | — | ||
| 29-5 | Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest" | — | ||
| 29-6 | Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista) | — | ||
| 29-7 | Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat" | — | ||
| 29-8 | Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus) | — | ||
| 29-9 | Matthäus-Passion, BWV 244: Teil I, V. Recitativo (Alto) "Du lieber Heiland du" | — | ||
| 29-10 | Matthäus-Passion, BWV 244: Teil I, VI. Aria (Alto) "Buss und Reu" | — | ||
| 29-11 | Matthäus-Passion, BWV 244: Teil I, VII. "Da ging hin der Zwölfen einer" (Evangelista, Judas) | — | ||
| 29-12 | Matthäus-Passion, BWV 244: Teil I, VIII. Aria (Soprano) "Blute nur, du liebes Herz" | — | ||
| 29-13 | Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista) | — | ||
| 29-14 | Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" | — | ||
| 29-15 | Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus) | — | ||
| 29-16 | Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista) | — | ||
| 29-17 | Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs" | — | ||
| 29-18 | Matthäus-Passion, BWV 244: Teil I, X. Corale "Ich bin's, ich sollte büssen" | — | ||
| 29-19 | Matthäus-Passion, BWV 244: Teil I, XI. "Er antwortete und sprach" (Evangelista, Jesus, Judas) | — | ||
| 29-20 | Matthäus-Passion, BWV 244: Teil I, XII. Recitativo (Soprano) "Wiewohl mein Herz in Tränen schwimmt" | — | ||
| 29-21 | Matthäus-Passion, BWV 244: Teil I, XIII. Aria (Soprano) "Ich will dir mein Herze schenken" | — | ||
| 29-22 | Matthäus-Passion, BWV 244: Teil I, XIV. "Und da sie den Lobgesang gesprochen hatten" (Evangelista, Judas) | — | ||
| 29-23 | Matthäus-Passion, BWV 244: Teil I, XV. Corale "Erkenne mich, mein Hüter" | — | ||
| 29-24 | Matthäus-Passion, BWV 244: Teil I, XVI. "Petrus aber antwortete und sprach zu ihm" (Evangelista, Petrus, Jesus) | — | ||
| 29-25 | Matthäus-Passion, BWV 244: Teil I, XVII. Corale "Ich will hier bei dir stehen" | — | ||
| 29-26 | Matthäus-Passion, BWV 244: Teil I, XVIII. "Da kam Jesus mit ihnen zu einen Hofe" (Evangelista, Jesus) | — | ||
| 29-27 | Matthäus-Passion, BWV 244: Teil I, XIX. Corale "Was ist die Ursach' aller solcher Plagen" | — | ||
| 29-28 | Matthäus-Passion, BWV 244: Teil I, XX. Coro "So schlafen unsre Sünden ein" | — | ||
| 29-29 | Matthäus-Passion, BWV 244: Teil I, XXI. "Und ging hin ein wenig" (Evangelista, Jesus) | — | ||
| 29-30 | Matthäus-Passion, BWV 244: Teil I, XXII. Recitativo (Basso) "Der Heiland fällt vor seinem Vater nieder" | — | ||
| 29-31 | Matthäus-Passion, BWV 244: Teil I, XXIII. Aria (Basso) "Gerne will ich mich bequemen" | — | ||
| 29-32 | Matthäus-Passion, BWV 244: Teil I, XXIV. "Und er kam zu seinen Jüngern" (Evangelista, Jesus) | — | ||
| 29-33 | Matthäus-Passion, BWV 244: Teil I, XXV. Corale "Was mein Gott will, das g'scheh allzeit" | — | ||
| 29-34 | Matthäus-Passion, BWV 244: Teil I, XXVI. "Und er kam und fand sie aber schlafend" (Evangelista, Jesus, Judas) | — | ||
| 29-35 | Matthäus-Passion, BWV 244: Teil I, XXVIIa. Coro "Lasst ihn, haltet, bindet nicht" | — | ||
| 29-36 | Matthäus-Passion, BWV 244: Teil I, XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" | — | ||
| 29-37 | Matthäus-Passion, BWV 244: Teil I, XXVIII. "Und siehe, einer aus denen, die mit Jesu waren" (Evangelista, Jesus) | — | ||
| 29-38 | Matthäus-Passion, BWV 244: Teil I, XXIX. Corale "O Mensch, bewein dein Sünde gross" | — | ||
| 30-1 | Matthäus-Passion, BWV 244: Teil II, XXX. Coro "Wo ist denn dein Freund hingegangen" | — | ||
| 30-2 | Matthäus-Passion, BWV 244: Teil II, XXXI. "Die aber Jesum gegriffen hatten" (Evangelista) | — | ||
| 30-3 | Matthäus-Passion, BWV 244: Teil II, XXXII. Corale "Mir hat die Welt trüglich gericht'" | — | ||
| 30-4 | Matthäus-Passion, BWV 244: Teil II, XXXIII. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista, Testis I/II, Pontifex) | — | ||
| 30-5 | Matthäus-Passion, BWV 244: Teil II, XXXIV. Recitativo (Tenore) "Mein Jesus schweigt zu falschen Lügen stille" | — | ||
| 30-6 | Matthäus-Passion, BWV 244: Teil II, XXXV. Aria (Tenore) "Geduld! Wenn mich falsche Zungen stechen" | — | ||
| 30-7 | Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) | — | ||
| 30-8 | Matthäus-Passion, BWV 244: Teil II, XXXVIb. Cori "Er ist des Todes schuldig" | — | ||
| 30-9 | Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) | — | ||
| 30-10 | Matthäus-Passion, BWV 244: Teil II, XXXVId. Cori "Weissage uns, Christe" | — | ||
| 30-11 | Matthäus-Passion, BWV 244: Teil II, XXXVII. Corale "Wer hat dich so geschlagen" | — | ||
| 30-12 | Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber sass draussen im Palast" (Evangelista, Ancilla I/II, Petrus) | — | ||
| 30-13 | Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" | — | ||
| 30-14 | Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) | — | ||
| 30-15 | Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" | — | ||
| 30-16 | Matthäus-Passion, BWV 244: Teil II, XL. Corale "Bin ich gleich von dir gewichen" | — | ||
| 30-17 | Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) | — | ||
| 30-18 | Matthäus-Passion, BWV 244: Teil II, XLIb. Cori "Was gehet uns das an?" | — | ||
| 30-19 | Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) | — | ||
| 30-20 | Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" | — | ||
| 30-21 | Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) | — | ||
| 30-22 | Matthäus-Passion, BWV 244: Teil II, XLIV. Corale "Befiehl du deine Wege" | — | ||
| 30-23 | Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) | — | ||
| 30-24 | Matthäus-Passion, BWV 244: Teil II, XLVb. Cori "Lass ihn kreuzigen" | — | ||
| 30-25 | Matthäus-Passion, BWV 244: Teil II, XLVI. Corale "Wie wunderbarlich ist doch diese Strafe" | — | ||
| 30-26 | Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) | — | ||
| 30-27 | Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" | — | ||
| 30-28 | Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" | — | ||
| 31-1 | Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) | — | ||
| 31-2 | Matthäus-Passion, BWV 244: Teil II, Lb. Cori "Lass ihn kreuzigen" | — | ||
| 31-3 | Matthäus-Passion, BWV 244: Teil II, Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) | — | ||
| 31-4 | Matthäus-Passion, BWV 244: Teil II, Ld. Cori "Sein Blut komme über uns" | — | ||
| 31-5 | Matthäus-Passion, BWV 244: Teil II, Le. "Da gab er ihnen Barrabam los" (Evangelista) | — | ||
| 31-6 | Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" | — | ||
| 31-7 | Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" | — | ||
| 31-8 | Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) | — | ||
| 31-9 | Matthäus-Passion, BWV 244: Teil II, LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" | — | ||
| 31-10 | Matthäus-Passion, BWV 244: Teil II, LIIIc. "Und speieten ihn an" (Evangelista) | — | ||
| 31-11 | Matthäus-Passion, BWV 244: Teil II, LIV. Corale "O Haupt voll Blut und Wunden" | — | ||
| 31-12 | Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) | — | ||
| 31-13 | Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" | — | ||
| 31-14 | Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süsses Kreuz, so will ich sagen" | — | ||
| 31-15 | Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" (Evangelista) | — | ||
| 31-16 | Matthäus-Passion, BWV 244: Teil II, LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" | — | ||
| 31-17 | Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista) | — | ||
| 31-18 | Matthäus-Passion, BWV 244: Teil II, LVIIId. Cori "Andern hat er geholfen" | — | ||
| 31-19 | Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) | — | ||
| 31-20 | Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" | — | ||
| 31-21 | Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" | — | ||
| 31-22 | Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) | — | ||
| 31-23 | Matthäus-Passion, BWV 244: Teil II, LXIb. Coro "Der rufet dem Elias" | — | ||
| 31-24 | Matthäus-Passion, BWV 244: Teil II, LXIc. "Und bald lief einer unter ihnen" (Evangelista) | — | ||
| 31-25 | Matthäus-Passion, BWV 244: Teil II, LXId. Coro "Halt! lass sehen" | — | ||
| 31-26 | Matthäus-Passion, BWV 244: Teil II, LXIe. "Aber Jesus schriee abermal" (Evangelista) | — | ||
| 31-27 | Matthäus-Passion, BWV 244: Teil II, LXII. Corale "Wenn ich einmal soll scheiden" | — | ||
| 31-28 | Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) | — | ||
| 31-29 | Matthäus-Passion, BWV 244: Teil II, LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" | — | ||
| 31-30 | Matthäus-Passion, BWV 244: Teil II, LXIIIc. "Und es waren viel Weiber da" (Evangelista) | — | ||
| 31-31 | Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" | — | ||
| 31-32 | Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" | — | ||
| 31-33 | Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) | — | ||
| 31-34 | Matthäus-Passion, BWV 244: Teil II, LXVIb. Cori "Herr, wir haben gedacht" | — | ||
| 31-35 | Matthäus-Passion, BWV 244: Teil II, LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) | — | ||
| 31-36 | Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" | — | ||
| 31-37 | Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" | — | ||
| 32-1 | Johannes-Passion, BWV 245: I. Verrat und Gefangennahme - Chor - Herr, unser Herrscher | — | ||
| 32-2 | Johannes-Passion, BWV 245: II. Evangelist, Jesus, Chor - Jesus ging mit seinen Jüngern | — | ||
| 32-3 | Johannes-Passion, BWV 245: III. Choral - O große Lieb | — | ||
| 32-4 | Johannes-Passion, BWV 245: IV. Evangelist, Jesus - Auf dass das Wort erfüllet wurde | — | ||
| 32-5 | Johannes-Passion, BWV 245: V. Choral - Dein Wille geschehe, Herr Gott, zugleich | — | ||
| 32-6 | Johannes-Passion, BWV 245: VI. Evangelist - Die Schar aber und der Oberhauptmann | — | ||
| 32-7 | Johannes-Passion, BWV 245: VII. Arie (Alt) - Von der Stricken meiner Sünden | — | ||
| 32-8 | Johannes-Passion, BWV 245: VIII. Verhör -Evangelist - Simon Petrus aber folgete Jesus nach | — | ||
| 32-9 | Johannes-Passion, BWV 245: IX. Arie (Sopran) - Ich folge dir gleichfalls mit freudigen Schritten | — | ||
| 32-10 | Johannes-Passion, BWV 245: X. Evangelist, Magd, Petrus, Jesus, Jünger - Derselbige Jünger war dem Hohenpriester bekannt | — | ||
| 32-11 | Johannes-Passion, BWV 245: XI. Choral - Wer hat dich so geschlagen? | — | ||
| 32-12 | Johannes-Passion, BWV 245: XII. Evangelist, Chor, Petrus, Jünger - Und Hannas sandte ihn gebunden | — | ||
| 32-13 | Johannes-Passion, BWV 245: XIII. Arie (Tenor) - Ach, mein Sinn | — | ||
| 32-14 | Johannes-Passion, BWV 245: XIV. Choral - Petrus, der nicht denkt zurück | — | ||
| 32-15 | Johannes-Passion, BWV 245: XV. Verhör und Geißelung - Choral - Christus, der uns selig macht | — | ||
| 32-16 | Johannes-Passion, BWV 245: XVI. Evangelist, Pilatus, Chor, Jesus - Da führeten sie Jesum | — | ||
| 32-17 | Johannes-Passion, BWV 245: XVII. Choral - Ach großer König | — | ||
| 32-18 | Johannes-Passion, BWV 245: XVIII. Evangelist, Pilatus, Jesus, Chor - Da sprach Pilatus zu ihm | — | ||
| 32-19 | Johannes-Passion, BWV 245: XIX. Arioso (Bass) - Betrachte, meine Seele | — | ||
| 32-20 | Johannes-Passion, BWV 245: XX. Arie (Tenor) - Erwäge, wie sein blutgefärbter Rücken | — | ||
| 32-21 | Johannes-Passion, BWV 245: XXI. Evangelist, Chor, Pilatus, Jesus - Und die Kriegsknechte flochten eine Krone | — | ||
| 32-22 | Johannes-Passion, BWV 245: XXII. Chor - Durch dein Gefängnis, Gottes Sohn | — | ||
| 32-23 | Johannes-Passion, BWV 245: XXIII. Evangelist, Chor, Pilatus - Die Juden aber schrieen und sprachen | — | ||
| 32-24 | Johannes-Passion, BWV 245: XXIV. Arie (Bass) mit Chor - Eilt, ihr angefochtnen Seelen | — | ||
| 32-25 | Johannes-Passion, BWV 245: XXV. Evangelist, Chor, Pilatus - Allda kreuzigten sie ihn | — | ||
| 32-26 | Johannes-Passion, BWV 245: XXVI. Choral - In meines Herzens Grunde | — | ||
| 33-1 | Johannes-Passion, BWV 245: XXVII. Die Kriegsknechte aber: Recitativ | — | ||
| 33-2 | Johannes-Passion, BWV 245: XXVIII. Er nahm alles wohl in acht: Choral | — | ||
| 33-3 | Johannes-Passion, BWV 245: XXIX. Und von Stund an nahm sie die Jünger: Recitativ | — | ||
| 33-4 | Johannes-Passion, BWV 245: XXX. Es ist vollbracht!: Arie (Alt) | — | ||
| 33-5 | Johannes-Passion, BWV 245: XXXI. Und neiget das Haupt und verschied: Recitativ | — | ||
| 33-6 | Johannes-Passion, BWV 245: XXXII. Mein teurer Heiland, lass dich fragen: Aria (Bass) | — | ||
| 33-7 | Johannes-Passion, BWV 245: XXXIII. Und siehe da, der Vorhang im Tempel zerriss: Recitativ | — | ||
| 33-8 | Johannes-Passion, BWV 245: XXXIV. Mein Herz, in dem die ganze Welt: Arioso (Tenor) | — | ||
| 33-9 | Johannes-Passion, BWV 245: XXXV. Zerfließe mein Herze: Arie (Sopran) | — | ||
| 33-10 | Johannes-Passion, BWV 245: XXXVI. Die Juden aber, dieweil es der Rüsttag war: Recitativ | — | ||
| 33-11 | Johannes-Passion, BWV 245: XXXVII. O hilf, Christe, Gottes Sohn: Choral | — | ||
| 33-12 | Johannes-Passion, BWV 245: XXXVIII. Darnach bat Pilatum Joseph von Arimathia: Recitativ | — | ||
| 33-13 | Johannes-Passion, BWV 245: XXXIX. Ruht wohl, ihr heiligen Gebeine: Chor | — | ||
| 33-14 | Johannes-Passion, BWV 245: XL. Ach Herr, lass dein lieb Engelein: Choral | — | ||
| 34-1 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": I. Coro "Ein' feste Burg ist unser Gott" | — | ||
| 34-2 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": II. Aria (Soprano, Basso) "Mit unser Macht" | — | ||
| 34-3 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": III. Recitativo (Basso) "Erwäge doch, Kind Gottes" | — | ||
| 34-4 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": IV. Aria (Soprano) "Komm in mein Herzenshaus" | — | ||
| 34-5 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": V. Choral (Coro) "Und wenn die Welt voll Teufel wär" | — | ||
| 34-6 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": VI. Recitativo (Tenore) "So stehe denn bei Christi" | — | ||
| 34-7 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": VII. Duetto (Alto, Tenore) "Wie selig sind doch die" | — | ||
| 34-8 | Cantata, BWV 80 "Ein' feste Burg ist unser Gott": VIII. Choral (Coro) "Das Wort sie sollen lassen stahn" | — | ||
| 34-9 | Cantata, BWV 82 "Ich habe genug": I. Aria (Basso) "Ich habe genug" | — | ||
| 34-10 | Cantata, BWV 82 "Ich habe genug": II. Recitativo (Basso) "Ich habe genug!" | — | ||
| 34-11 | Cantata, BWV 82 "Ich habe genug": III. Aria (Basso) "Schlummert ein, ihr matten Augen" | — | ||
| 34-12 | Cantata, BWV 82 "Ich habe genug": IV. Recitativo (Basso) "Mein Gott! wann kommt das schöne" | — | ||
| 34-13 | Cantata, BWV 82 "Ich habe genug": V. Aria (Basso) "Ich freue mich auf meinen Tod" | — | ||
| 34-14 | Cantata, BWV 61 "Nun komm, der Heiden Heiland": I. Ouvertüre (Coro) "Nun komm, der Heiden Heiland" | — | ||
| 34-15 | Cantata, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore) "Der Heiland ist gekommen" | — | ||
| 34-16 | Cantata, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche" | — | ||
| 34-17 | Cantata, BWV 61 "Nun komm, der Heiden Heiland": IV. Recitativo (Basso) "Siehe, ich stehe vor der Tür" | — | ||
| 34-18 | Cantata, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze" | — | ||
| 34-19 | Cantata, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral (Coro) "Amen, Amen!" | — | ||
| 35-1 | Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": I. Sonatina | — | ||
| 35-2 | Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" / IIb. Arioso (Tenore) "Ach, Herr, lehre uns bedenken" / IIc. Aria (Basso) "Bestelle dein Haus" / IId. Coro "Es ist der alte Bund" | — | ||
| 35-3 | Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IIIa. Aria (Alto) "In deine Hände befehl ich meinen Geist" / IIIb. Arioso e Choral (Basso, Alto) "Heute wirst du mit mir im Paradies sein" | — | ||
| 35-4 | Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IV. Coro "Glorie, Lob, Ehr und Herrlichkeit" | — | ||
| 35-5 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": I. Recitativo (Soprano) "Mein Herze schwimmt im Blut" | — | ||
| 35-6 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": II. Aria (Soprano) "Stumme Seufzer, stille Klagen" | — | ||
| 35-7 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": III. Recitativo (Soprano) "Doch Gott muß mir genädig sein" | — | ||
| 35-8 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": IV. Aria (Soprano) "Tief gebückt und voller Reue" | — | ||
| 35-9 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": V. Recitativo (Soprano) "Auf diese Schmerzensreu" | — | ||
| 35-10 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": VI. Choral (Soprano) "Ich, dein betrübtes Kind" | — | ||
| 35-11 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": VII. Recitativo (Soprano) "Ich lege mich in diese Wunden" | — | ||
| 35-12 | Cantata, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria (Soprano) "Wie freudig ist mein Herz" | — | ||
| 35-13 | Cantata, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alto) "Komm, du süße Todesstunde" | — | ||
| 35-14 | Cantata, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenore) "Welt, deine Lust ist Last" | — | ||
| 35-15 | Cantata, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenore) "Mein Verlangen" | — | ||
| 35-16 | Cantata, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alto) "Der Schluß ist schon gemacht" | — | ||
| 35-17 | Cantata, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille" | — | ||
| 35-18 | Cantata, BWV 161 "Komm, du süße Todesstunde": VI. Choral (Coro) "Der Leib zwar in der Erden" | — | ||
| 36-1 | Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": I. Coro "Man singet mit Freuden vom Sieg in den Hütten der Gerechten" | — | ||
| 36-2 | Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": II. Aria (Basso) "Kraft und Stärke sei gesungen" | — | ||
| 36-3 | Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": III. Recitativo (Alto) "Ich fürchte mich vor tausend Feinden nicht" | — | ||
| 36-4 | Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": IV. Aria (Soprano) "Gottes Engel weichen nie" | — | ||
| 36-5 | Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": V. Recitativo (Tenore) "Ich danke dir, mein lieber Gott" | — | ||
| 36-6 | Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": VI. Aria (Duetto: Alto, Tenore) "Seid wachsam, ihr heiligen Wächter" | — | ||
| 36-7 | Cantata, BWV 149 "Man singet mit Freuden vom Sieg in den Hütten der Gerechten": VII. Choral "Ach Herr, lass dein lieb Engelein" | — | ||
| 36-8 | Cantata, BWV 69 "Lobe den Herrn, meine Seele": I. Recitativo (Soprano) "Wie groß ist Gottes Güte doch!" | — | ||
| 36-9 | Cantata, BWV 69 "Lobe den Herrn, meine Seele": II. Aria (Alto) "Meine Seele, Auf! erzähle" | — | ||
| 36-10 | Cantata, BWV 69 "Lobe den Herrn, meine Seele": III. Recitativo (Tenore) "Der Herr hat große Ding an uns getan" | — | ||
| 36-11 | Cantata, BWV 69 "Lobe den Herrn, meine Seele": IV. Choral "Es danke, Gott, und lobe dich" | — | ||
| 36-12 | Cantata, BWV 169 "Gott soll allein mein Herze haben": I. Sinfonia | — | ||
| 36-13 | Cantata, BWV 169 "Gott soll allein mein Herze haben": II. Arioso (Alto) "Gott soll allein mein Herze haben" | — | ||
| 36-14 | Cantata, BWV 169 "Gott soll allein mein Herze haben": III. Aria (Alto) "Gott soll allein mein Herze haben" | — | ||
| 36-15 | Cantata, BWV 169 "Gott soll allein mein Herze haben": IV. Recitativo (Alto) "Was ist die Liebe Gottes?" | — | ||
| 36-16 | Cantata, BWV 169 "Gott soll allein mein Herze haben": V. Aria (Alto) "Stirb in mir" | — | ||
| 36-17 | Cantata, BWV 169 "Gott soll allein mein Herze haben": VI. Recitativo (Alto) "Doch meint es auch dabei" | — | ||
| 36-18 | Cantata, BWV 169 "Gott soll allein mein Herze haben": VII. Choral "Du süße Liebe, schenk uns deine Gunst" | — | ||
| 37-1 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": I. Coro "Bleib bei uns, denn es will Abend werden" | — | ||
| 37-2 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn" | — | ||
| 37-3 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ" | — | ||
| 37-4 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": IV. Recitativo (Basso) "Es hat die Dunkelheit" | — | ||
| 37-5 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": V. Aria (Tenore) "Jesu, lass uns auf dich sehen" | — | ||
| 37-6 | Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": VI. Choral "Beweis dein Macht, Herr Jesu Christ" | — | ||
| 37-7 | Cantata, BWV 163 "Nur jedem das Seine!": I. Aria (Tenore) "Nur jedem das Seine!" | — | ||
| 37-8 | Cantata, BWV 163 "Nur jedem das Seine!": II. Recitativo (Basso) "Du bist, mein Gott, der Geber aller Gaben" | — | ||
| 37-9 | Cantata, BWV 163 "Nur jedem das Seine!": III. Aria (Basso) "Laß mein Herz die Münze sein" | — | ||
| 37-10 | Cantata, BWV 163 "Nur jedem das Seine!": IV. Arioso (Duetto: Soprano, Alto) "Ich wollte dir, o Gott, das Herze gerne geben" | — | ||
| 37-11 | Cantata, BWV 163 "Nur jedem das Seine!": V. Aria (Duetto: Soprano, Alto) "Nimm mich mir und gib mich dir!" | — | ||
| 37-12 | Cantata, BWV 163 "Nur jedem das Seine!": VI. Choral "Führ auch mein Herz und Sinn" | — | ||
| 37-13 | Cantata, BWV 96 "Herr Christ, der einge Gottessohn": I. Coro "Herr Christ, der einge Gottessohn" | — | ||
| 37-14 | Cantata, BWV 96 "Herr Christ, der einge Gottessohn": II. Recitativo (Alto) "O Wunderkraft der Liebe" | — | ||
| 37-15 | Cantata, BWV 96 "Herr Christ, der einge Gottessohn": III. Aria (Tenore) "Ach, ziehe die Seele mit Seilen der Liebe" | — | ||
| 37-16 | Cantata, BWV 96 "Herr Christ, der einge Gottessohn": IV. Recitativo (Soprano) "Ach, führe mich, o Gott, zum rechten Wege" | — | ||
| 37-17 | Cantata, BWV 96 "Herr Christ, der einge Gottessohn": V. Aria (Basso) "Bald zur Rechten, bald zur Linken" | — | ||
| 37-18 | Cantata, BWV 96 "Herr Christ, der einge Gottessohn": VI. Choral "Ertöt uns durch dein Güte" | — | ||
| 38-1 | Cantata, BWV 60 "O Ewigkeit, du Donnerwort II": I. Aria (Tenore) e Choral (Alto) "O Ewigkeit, du Donnerwort" | — | ||
| 38-2 | Cantata, BWV 60 "O Ewigkeit, du Donnerwort II": II. Recitativo (Alto, Tenore) "O schwerer Gang zum letzten Kampf und Streite!" | — | ||
| 38-3 | Cantata, BWV 60 "O Ewigkeit, du Donnerwort II": III. Aria (Duetto: Alto, Tenore) "Mein letztes Lager will mich schrecken" | — | ||
| 38-4 | Cantata, BWV 60 "O Ewigkeit, du Donnerwort II": IV. Recitativo (Alto) e Arioso (Basso) "Der Tod bleibt doch der menschlichen Natur verhasst" | — | ||
| 38-5 | Cantata, BWV 60 "O Ewigkeit, du Donnerwort II": V. Choral "Es ist genug" | — | ||
| 38-6 | Cantata, BWV 78 "Jesu, der du meine Seele": I. Coro "Jesu, der du meine Seele" | — | ||
| 38-7 | Cantata, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto: Soprano, Alto) "Wir eilen mit schwachen, doch emsigen Schritten" | — | ||
| 38-8 | Cantata, BWV 78 "Jesu, der du meine Seele": III. Recitativo (Tenore) "Ach! ich bin ein Kind der Sünden" | — | ||
| 38-9 | Cantata, BWV 78 "Jesu, der du meine Seele": IV. Aria (Tenore) "Das Blut, so meine Schuld durchstreicht" | — | ||
| 38-10 | Cantata, BWV 78 "Jesu, der du meine Seele": V. Recitativo (Basso) "Die Wunden, Nägel, Kron und Grab" | — | ||
| 38-11 | Cantata, BWV 78 "Jesu, der du meine Seele": VI. Aria (Basso) "Nun du wirst mein Gewissen stillen" | — | ||
| 38-12 | Cantata, BWV 78 "Jesu, der du meine Seele": VII. Choral "Herr, ich glaube, hilf mir Schwachen" | — | ||
| 38-13 | Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": I. Aria (Soprano) "Süßer Trost, mein Jesus kömmt" | — | ||
| 38-14 | Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": II. Recitativo (Basso) "Erfreue dich, mein Herz" | — | ||
| 38-15 | Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": III. Aria (Alto) "In Jesu Demut kann ich Trost" | — | ||
| 38-16 | Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": IV. Recitativo (Tenore) "Du teurer Gottessohn" | — | ||
| 38-17 | Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": V. Choral "Heut schleußt er wieder auf die Tür" | — | ||
| 39-1 | Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: I. Coro (Soprano, Alto, Tenore, Basso): Dem Gerechten muß das Licht | — | ||
| 39-2 | Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: II. Recitativo (Basso): Dem Freudenlicht gerechter Frommen | — | ||
| 39-3 | Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: II. Aria (Basso): Rühmet Gottes Güt und Treu | — | ||
| 39-4 | Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: IV. Recitativo (Soprano): Wohlan, so knüpfet denn ein Band | — | ||
| 39-5 | Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: V. Coro (Soprano, Alto, Tenore, Basso): Wir kommen, deine Heiligkeit Nach der Trauung | — | ||
| 39-6 | Dem Gerechten Muß Das Licht Immer Wieder Aufgehen, BWV 195: VI. Choral (Coro): Nun danket all und bringet Ehr | — | ||
| 39-7 | Wie Schön Leuchtet Der Morgenstern, BWV 1: I. Coro: Wie schön leuchtet der Morgenstern | — | ||
| 39-8 | Wie Schön Leuchtet Der Morgenstern, BWV 1: II. Recitativo (Tenore): Du wahrer Gottes und Marien Sohn | — | ||
| 39-9 | Wie Schön Leuchtet Der Morgenstern, BWV 1: III. Aria (Soprano): Erfüllet, ihr himmlischen | — | ||
| 39-10 | Wie Schön Leuchtet Der Morgenstern, BWV 1: IV. Recitativo (Basso): Ein irdscher Glanz | — | ||
| 39-11 | Wie Schön Leuchtet Der Morgenstern, BWV 1: V. Aria (Tenore): Unser Mund und Ton der Saiten | — | ||
| 39-12 | Wie Schön Leuchtet Der Morgenstern, BWV 1: VI. Choral (Coro): Wie bin ich doch so herzlich froh | — | ||
| 39-13 | Christen, Ätzet Diesen Tag, BWV 63: I. Coro: Christen, ätzet diesen Tag | — | ||
| 39-14 | Christen, Ätzet Diesen Tag, BWV 63: II. Recitativo (Alto): O selger Tag! | — | ||
| 39-15 | Christen, Ätzet Diesen Tag, BWV 63: III. Duetto (Soprano, Basso): Gott, du hast es wohl gefüget | — | ||
| 39-16 | Christen, Ätzet Diesen Tag, BWV 63: IV. Recitativo (Tenore): So kehret sich nun heut | — | ||
| 39-17 | Christen, Ätzet Diesen Tag, BWV 63: V. Duetto (Alto, Basso): Ruft und fleht den Himmel an | — | ||
| 39-18 | Christen, Ätzet Diesen Tag, BWV 63: VI. Recitativo (Basso): Verdoppelt euch demnach | — | ||
| 39-19 | Christen, Ätzet Diesen Tag, BWV 63: VII. Coro: Höchster, schau in Gnaden an | — | ||
| 40-1 | Herz Und Mund Und Tat Und Leben, BWV 147: I. Herz und Mund und Tat und Leben | — | ||
| 40-2 | Herz Und Mund Und Tat Und Leben, BWV 147: II. Recitativo (Tenore): Gebenedeiter Mund! | — | ||
| 40-3 | Herz Und Mund Und Tat Und Leben, BWV 147: III. Aria (Alto): Schäme dich, o Seele, nicht | — | ||
| 40-4 | Herz Und Mund Und Tat Und Leben, BWV 147: IV. Recitativo (Basso): Verstockung kann Gewaltige | — | ||
| 40-5 | Herz Und Mund Und Tat Und Leben, BWV 147: V. Aria (Soprano): Bereite dir, Jesu | — | ||
| 40-6 | Herz Und Mund Und Tat Und Leben, BWV 147: VI. Choral (Coro): Wohl mir, daß ich Jesum habe | — | ||
| 40-7 | Herz Und Mund Und Tat Und Leben, BWV 147: VII. Aria (Tenore): Hilf, Jesu, hilf | — | ||
| 40-8 | Herz Und Mund Und Tat Und Leben, BWV 147: VIII. Recitativo (Alto): Der höchsten Allmacht | — | ||
| 40-9 | Herz Und Mund Und Tat Und Leben, BWV 147: IX. Aria (Basso): Ich will von Jesu Wundern singen | — | ||
| 40-10 | Herz Und Mund Und Tat Und Leben, BWV 147: X. Choral (Coro): Jesu bleibet meine Freude | — | ||
| 40-11 | Leichtgesinnte Flattergeister, BWV 181: I. Aria (Basso): Leichtgesinnte Flattergeister | — | ||
| 40-12 | Leichtgesinnte Flattergeister, BWV 181: II. Recitativo (Alto): O unglückselger Stand | — | ||
| 40-13 | Leichtgesinnte Flattergeister, BWV 181: III. Aria (Tenore): Der schädlichen Dornen | — | ||
| 40-14 | Leichtgesinnte Flattergeister, BWV 181: IV. Recitativo (Soprano): Von diesen wird die Kraft erstickt | — | ||
| 40-15 | Leichtgesinnte Flattergeister, BWV 181: V. Coro: Laß, Höchster, uns zu allen Zeiten | — | ||
| 40-16 | Erfreut Euch, Ihr Herzen, BWV 66: I. Coro: Erfreut euch, ihr Herzen | — | ||
| 40-17 | Erfreut Euch, Ihr Herzen, BWV 66: II. Recitativo (Basso): Es bricht das Grab | — | ||
| 40-18 | Erfreut Euch, Ihr Herzen, BWV 66: III. Aria (Basso): Lasset dem Höchsten ein Danklied | — | ||
| 40-19 | Erfreut Euch, Ihr Herzen, BWV 66: IV. Recitativo (Alto, Tenore): Bei Jesu Leben freudig sein | — | ||
| 40-20 | Erfreut Euch, Ihr Herzen, BWV 66: V. Duetto (Alto, Tenore): Ich furchte zwar | — | ||
| 40-21 | Erfreut Euch, Ihr Herzen, BWV 66: VI. Choral (Coro): Alleluja! Alleluja! Alleluja! | — |
