UPC · Release
The Masterworks
Brahms
Last verified:
5028421923925 is the Universal Product Code (UPC barcode) for the release “The Masterworks” by Brahms, released 2004-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 600 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (600)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro – Meno allegro | — | ||
| 2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 4 | Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro | — | ||
| 2-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 2-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | — | ||
| 2-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso | — | ||
| 2-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 3-1 | Symphony no. 3 in F major, op. 90: I. Allegro con brio – Un poco sostenuto – Tempo I | — | ||
| 3-2 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 3-3 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | — | ||
| 3-4 | Symphony no. 3 in F major, op. 90: IV. Allegro – Un poco sostenuto | — | ||
| 3-5 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 3-6 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 3-7 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 3-8 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato – Più allegro | — | ||
| 4-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | — | ||
| 4-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 4-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | — | ||
| 4-4 | 16 Waltzes, op. 39: No. 1 in B major | — | ||
| 4-5 | 16 Waltzes, op. 39: No. 2 in E major | — | ||
| 4-6 | 16 Waltzes, op. 39: No. 3 in G‐sharp minor | — | ||
| 4-7 | 16 Waltzes, op. 39: No. 4 in E minor | — | ||
| 4-8 | 16 Waltzes, op. 39: No. 5 in E major | — | ||
| 4-9 | 16 Waltzes, op. 39: No. 6 in C‐sharp major | — | ||
| 4-10 | 16 Waltzes, op. 39: No. 7 in C‐sharp minor | — | ||
| 4-11 | 16 Waltzes, op. 39: No. 8 in B‐flat major | — | ||
| 4-12 | 16 Waltzes, op. 39: No. 9 in D minor | — | ||
| 4-13 | 16 Waltzes, op. 39: No. 10 in G major | — | ||
| 4-14 | 16 Waltzes, op. 39: No. 11 in B minor | — | ||
| 4-15 | 16 Waltzes, op. 39: No. 12 in E major | — | ||
| 4-16 | 16 Waltzes, op. 39: No. 13 in B major | — | ||
| 4-17 | 16 Waltzes, op. 39: No. 14 in G‐sharp minor | — | ||
| 4-18 | 16 Waltzes, op. 39: No. 15 in A‐flat major | — | ||
| 4-19 | 16 Waltzes, op. 39: No. 16 in C‐sharp minor | — | ||
| 5-1 | Piano Concerto no. 2 in B‐flat major, op. 83: I. Allegro non troppo | — | ||
| 5-2 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appassionato | — | ||
| 5-3 | Piano Concerto no. 2 in B‐flat major, op. 83: III. Andante | — | ||
| 5-4 | Piano Concerto no. 2 in B‐flat major, op. 83: IV. Allegretto grazioso | — | ||
| 5-5 | 4 Klavierstücke, op. 119: Intermezzo in B minor. Adagio | — | ||
| 5-6 | 4 Klavierstücke, op. 119: Intermezzo in E minor. Andantino un poco agitato | — | ||
| 5-7 | 4 Klavierstücke, op. 119: Intermezzo in C major. Grazioso e giocoso | — | ||
| 5-8 | 4 Klavierstücke, op. 119: Rhapsody in E‐flat major. Allegro risoluto | — | ||
| 6-1 | Violin Concerto in D major, op. 77: I. Allegro ma non troppo | — | ||
| 6-2 | Violin Concerto in D major, op. 77: II. Adagio | — | ||
| 6-3 | Violin Concerto in D major, op. 77: III. Allegro giocoso | — | ||
| 6-4 | Concerto for Violin, Cello & Orchestra in A minor, op. 102: I. Allegro | — | ||
| 6-5 | Concerto for Violin, Cello & Orchestra in A minor, op. 102: II. Andante | — | ||
| 6-6 | Concerto for Violin, Cello & Orchestra in A minor, op. 102: III. Vivace non troppo | — | ||
| 7-1 | Piano Quartet no. 1 in G minor, op. 25: I. Allegro | — | ||
| 7-2 | Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo. Allegro ma non troppo | — | ||
| 7-3 | Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto | — | ||
| 7-4 | Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla zingarese | — | ||
| 7-5 | Piano Quartet no. 3 in C minor, op. 60: I. Allegro non troppo | — | ||
| 7-6 | Piano Quartet no. 3 in C minor, op. 60: II. Scherzo. Allegro | — | ||
| 7-7 | Piano Quartet no. 3 in C minor, op. 60: III. Andante | — | ||
| 7-8 | Piano Quartet no. 3 in C minor, op. 60: IV. Finale. Allegro comodo | — | ||
| 8-1 | Piano Quartet no. 2 in A major, op. 26: I. Allegro non troppo | — | ||
| 8-2 | Piano Quartet no. 2 in A major, op. 26: II. Poco adagio | — | ||
| 8-3 | Piano Quartet no. 2 in A major, op. 26: III. Scherzo. Poco allegro | — | ||
| 8-4 | Piano Quartet no. 2 in A major, op. 26: IV. Finale. Allegro | — | ||
| 9-1 | String Quintet no. 1 in F major, op. 88: I. Allegro non troppo ma con brio | — | ||
| 9-2 | String Quintet no. 1 in F major, op. 88: II. Grave ed appassionato – Allegretto – Vivace – Tempo I – Presto – Tempo I | — | ||
| 9-3 | String Quintet no. 1 in F major, op. 88: III. Allegro energico | — | ||
| 9-4 | String Quintet no. 2 in G major, op. 111: I. Allegro non troppo ma con brio | — | ||
| 9-5 | String Quintet no. 2 in G major, op. 111: II. Adagio | — | ||
| 9-6 | String Quintet no. 2 in G major, op. 111: III. Un poco allegretto | — | ||
| 9-7 | String Quintet no. 2 in G major, op. 111: IV. Vivace ma non troppo presto | — | ||
| 10-1 | Clarinet Sonata no. 1 op. 120 in F minor: I. Allegro appassionato | — | ||
| 10-2 | Clarinet Sonata no. 1 op. 120 in F minor: II. Andante un poco adagio | — | ||
| 10-3 | Clarinet Sonata no. 1 op. 120 in F minor: III. Allegretto grazioso | — | ||
| 10-4 | Clarinet Sonata no. 1 op. 120 in F minor: IV. Vivace | — | ||
| 10-5 | Clarinet Sonata no. 2 op. 120 in E‐flat major: I. Allegro amabile | — | ||
| 10-6 | Clarinet Sonata no. 2 op. 120 in E‐flat major: II. Allegro appassionato | — | ||
| 10-7 | Clarinet Sonata no. 2 op. 120 in E‐flat major: III. Andante con moto-allegro | — | ||
| 11-1 | Quintet for Clarinet in B minor, op. 115: I. Allegro | — | ||
| 11-2 | Quintet for Clarinet in B minor, op. 115: II. Adagio - Più lento | — | ||
| 11-3 | Quintet for Clarinet in B minor, op. 115: III. Andantino - Presto non assai, ma con sentimento | — | ||
| 11-4 | Quintet for Clarinet in B minor, op. 115: IV. Con moto | — | ||
| 11-5 | Quartet for Strings no. 2 in A minor, op. 51 No. 2: I. Allegro non troppo | — | ||
| 11-6 | Quartet for Strings no. 2 in A minor, op. 51 No. 2: II. Andante moderato | — | ||
| 11-7 | Quartet for Strings no. 2 in A minor, op. 51 No. 2: III. Quasi minuetto | — | ||
| 11-8 | Quartet for Strings no. 2 in A minor, op. 51 No. 2: IV. Allegro non assai | — | ||
| 12-1 | String Quartet no. 1 in C minor, op. 51 no. 1: I. Allegro | — | ||
| 12-2 | String Quartet no. 1 in C minor, op. 51 no. 1: II. Romanze. Poco adagio | — | ||
| 12-3 | String Quartet no. 1 in C minor, op. 51 no. 1: III. Allegro molto moderato e comodo | — | ||
| 12-4 | String Quartet no. 1 in C minor, op. 51 no. 1: IV. Allegro | — | ||
| 12-5 | String Quartet no. 3 in B‐flat major, op. 67: I. Vivace | — | ||
| 12-6 | String Quartet no. 3 in B‐flat major, op. 67: II. Andante | — | ||
| 12-7 | String Quartet no. 3 in B‐flat major, op. 67: III. Agitato – Allegretto non troppo | — | ||
| 12-8 | String Quartet no. 3 in B‐flat major, op. 67: IV. Poco allegretto con variazioni | — | ||
| 13-1 | Horn Trio in E‐flat major, op. 40: I. Andante – Poco più animato | — | ||
| 13-2 | Horn Trio in E‐flat major, op. 40: II. Scherzo & Trio. Allegro | — | ||
| 13-3 | Horn Trio in E‐flat major, op. 40: III. Adagio mesto | — | ||
| 13-4 | Horn Trio in E‐flat major, op. 40: IV. Allegro con brio | — | ||
| 13-5 | Piano Quintet in F minor, op. 34: I. Allegro non troppo | — | ||
| 13-6 | Piano Quintet in F minor, op. 34: II. Andante, un poco adagio | — | ||
| 13-7 | Piano Quintet in F minor, op. 34: III. Scherzo & Trio. Allegro | — | ||
| 13-8 | Piano Quintet in F minor, op. 34: IV. Poco sostenuto – Allegro non troppo | — | ||
| 14-1 | Violin Sonata No.1 in G major Op.78: Vivace ma non troppo | — | ||
| 14-2 | Violin Sonata No.1 in G major Op.78: Adagio - piu andante - adagio | — | ||
| 14-3 | Violin Sonata No.1 in G major Op.78: Allegro molto moderato | — | ||
| 14-4 | Violin Sonata No.2 in A major Op.100: Allegro amabile | — | ||
| 14-5 | Violin Sonata No.2 in A major Op.100: Andante tranquillo - vivace | — | ||
| 14-6 | Violin Sonata No.2 in A major Op.100: Allegretto grazioso | — | ||
| 14-7 | Violin Sonata No.3 in D minor Op.108: Allegro | — | ||
| 14-8 | Violin Sonata No.3 in D minor Op.108: Adagio | — | ||
| 14-9 | Violin Sonata No.3 in D minor Op.108: Un poco presto e con sentimento | — | ||
| 14-10 | Violin Sonata No.3 in D minor Op.108: Presto agitato | — | ||
| 15-1 | Cello Sonata No.1 in E minor Op.38: Allegro non troppo | — | ||
| 15-2 | Cello Sonata No.1 in E minor Op.38: Allegretto quasi menuetto | — | ||
| 15-3 | Cello Sonata No.1 in E minor Op.38: Allegro | — | ||
| 15-4 | Cello Sonata No.2 in F major Op.99: Allegro vivace | — | ||
| 15-5 | Cello Sonata No.2 in F major Op.99: Adagio affetuoso | — | ||
| 15-6 | Cello Sonata No.2 in F major Op.99: Allegro passionato | — | ||
| 15-7 | Cello Sonata No.2 in F major Op.99: Allegro molto | — | ||
| 16-1 | String Sextett No.1 in B flat major Op.18: Allegro ma non troppo | — | ||
| 16-2 | String Sextett No.1 in B flat major Op.18: Andante, ma moderato | — | ||
| 16-3 | String Sextett No.1 in B flat major Op.18: Scherzo, allegro molto | — | ||
| 16-4 | String Sextett No.1 in B flat major Op.18: Rondo, poco allegretto e grazioso | — | ||
| 16-5 | String Sextett No.2 in G major Op.36: Allegro non troppo | — | ||
| 16-6 | String Sextett No.2 in G major Op.36: Scherzo, allegro non troppo, presto giocoso | — | ||
| 16-7 | String Sextett No.2 in G major Op.36: Poco adagio | — | ||
| 16-8 | String Sextett No.2 in G major Op.36: Poco allegro | — | ||
| 17-1 | Piano Trio No.1 in B major Op.8: Allegro | — | ||
| 17-2 | Piano Trio No.1 in B major Op.8: Scherzo, allegro molto | — | ||
| 17-3 | Piano Trio No.1 in B major Op.8: Adagio | — | ||
| 17-5 | Piano Trio No.3 in C minor Op.101: Allegro energico | — | ||
| 17-6 | Piano Trio No.3 in C minor Op.101: Presto non assai | — | ||
| 17-7 | Piano Trio No.3 in C minor Op.101: Andante grazioso | — | ||
| 17-8 | Piano Trio No.3 in C minor Op.101: Allegro molto | — | ||
| 18-1 | Piano Trio No.2 in C major Op.87: Allegro | — | ||
| 18-2 | Piano Trio No.2 in C major Op.87: Andante con moto | — | ||
| 18-3 | Piano Trio No.2 in C major Op.87: Scherzo, presto | — | ||
| 18-4 | Piano Trio No.2 in C major Op.87: Finale, allegro | — | ||
| 18-5 | Clarinet Trio in A minor Op.114: Allegro | — | ||
| 18-6 | Clarinet Trio in A minor Op.114: Adagio | — | ||
| 18-7 | Clarinet Trio in A minor Op.114: Andante grazioso | — | ||
| 19-1 | Liebeslieder-Walzer, op. 52: I. Rede Mädchen, allzu liebes | — | ||
| 19-2 | Liebeslieder-Walzer, op. 52: II. Am Gesteine rauscht die Flut | — | ||
| 19-3 | Liebeslieder-Walzer, op. 52: III. O die Frauen | — | ||
| 19-4 | Liebeslieder-Walzer, op. 52: IV. Wie des Abends schöne Röte | — | ||
| 19-5 | Liebeslieder-Walzer, op. 52: V. Die grüne Hopfenranke | — | ||
| 19-6 | Liebeslieder-Walzer, op. 52: VI. Ein kleiner, hübscher Vogel | — | ||
| 19-7 | Liebeslieder-Walzer, op. 52: VII. Wohl schön bewandt war es | — | ||
| 19-8 | Liebeslieder-Walzer, op. 52: VIII. Wenn so lind dein Auge mir | — | ||
| 19-9 | Liebeslieder-Walzer, op. 52: IX. Am Donaustrande | — | ||
| 19-10 | Liebeslieder-Walzer, op. 52: X. O wie sanft die Quelle | — | ||
| 19-11 | Liebeslieder-Walzer, op. 52: XI. Nein, es ist nicht auszukommen | — | ||
| 19-12 | Liebeslieder-Walzer, op. 52: XII. Schlosser auf und mache Schlösser | — | ||
| 19-13 | Liebeslieder-Walzer, op. 52: XIII. Vögelein durchrauscht die Luft | — | ||
| 19-14 | Liebeslieder-Walzer, op. 52: XIV. Sieh, wie ist die Welle klar | — | ||
| 19-15 | Liebeslieder-Walzer, op. 52: XV. Nachtigall, sie singt so schön | — | ||
| 19-16 | Liebeslieder-Walzer, op. 52: XVI. Ein dunkeler Schacht ist Liebe | — | ||
| 19-17 | Liebeslieder-Walzer, op. 52: XVII. Nicht wandle, mein Licht | — | ||
| 19-18 | Liebeslieder-Walzer, op. 52: XVIII. Es bebet das Gesträuche | — | ||
| 19-19 | Neue Liebeslieder, op. 65: I. Verzicht, o Herz, auf Rettung | — | ||
| 19-20 | Neue Liebeslieder, op. 65: II. Finstere Schatten der Nacht | — | ||
| 19-21 | Neue Liebeslieder, op. 65: III. An jeder Hand die Finger | — | ||
| 19-22 | Neue Liebeslieder, op. 65: IV. Ihr schwarzen Augen | — | ||
| 19-23 | Neue Liebeslieder, op. 65: V. Wahre, wahre deinen Sohn | — | ||
| 19-24 | Neue Liebeslieder, op. 65: VI.Rosen steckt mir an die Mutter | — | ||
| 19-25 | Neue Liebeslieder, op. 65: VII. Vom Gebirge Well auf Well | — | ||
| 19-26 | Neue Liebeslieder, op. 65: VIII. Weiche Gräser im Revier | — | ||
| 19-27 | Neue Liebeslieder, op. 65: IX. Nagen am Herzen fühl ich | — | ||
| 19-28 | Neue Liebeslieder, op. 65: X. Ich kose süß mit der und der | — | ||
| 19-29 | Neue Liebeslieder, op. 65: XI. Alles, alles in den Wind | — | ||
| 19-30 | Neue Liebeslieder, op. 65: XII. Schwarzer Wald, dein Schatten | — | ||
| 19-31 | Neue Liebeslieder, op. 65: XIII. Nein, Geliebter, setze dich | — | ||
| 19-32 | Neue Liebeslieder, op. 65: XIV. Flammenauge, dunkles Haar | — | ||
| 19-33 | Neue Liebeslieder, op. 65: XV. Zum Schluss: Nun, ihr Musen, genug | — | ||
| 20-1 | Drei Quartette, op. 31: I. Wechsellied zum Tanze | — | ||
| 20-2 | Drei Quartette, op. 31: II. Neckereien | — | ||
| 20-3 | Drei Quartette, op. 31: III. Gang zum Liebchen | — | ||
| 20-4 | Drei Quartette, op. 64: I. An die Heimat | — | ||
| 20-5 | Drei Quartette, op. 64: II. Der Abend | — | ||
| 20-6 | Drei Quartette, op. 64: III. Fragen | — | ||
| 20-7 | Vier Quartette, op. 92: I. O schöne Nacht | — | ||
| 20-8 | Vier Quartette, op. 92: II. Spätherbst | — | ||
| 20-9 | Vier Quartette, op. 92: III. Abendlied | — | ||
| 20-10 | Vier Quartette, op. 92: IV. Warum | — | ||
| 20-11 | Zwei Quartette, op. 112a: I. Sehnsucht | — | ||
| 20-12 | Zwei Quartette, op. 112a: II. Nächtens | — | ||
| 21-1 | Weltliche a-cappella-Gesänge, op. 42: I. Abendständchen | — | ||
| 21-2 | Weltliche a-cappella-Gesänge, op. 42: II. Vineta | — | ||
| 21-3 | Weltliche a-cappella-Gesänge, op. 42: III. Darthulas Grabgesang | — | ||
| 21-4 | Sieben Lieder, op. 62: I. Rosmarin | — | ||
| 21-5 | Sieben Lieder, op. 62: II. Von alten Liebesliedern | — | ||
| 21-6 | Sieben Lieder, op. 62: III. Waldesnacht | — | ||
| 21-7 | Sieben Lieder, op. 62: IV. Dein Herzlein mild | — | ||
| 21-8 | Sieben Lieder, op. 62: V. All meine Herzgedanken | — | ||
| 21-9 | Sieben Lieder, op. 62: VI. Es geht ein Wehen | — | ||
| 21-10 | Sieben Lieder, op. 62: VII. Vergangen ist mir Glück und Heil | — | ||
| 21-11 | Sechs Lieder und Romanzen, op. 93a: I. Der bucklichte Fiedler | — | ||
| 21-12 | Sechs Lieder und Romanzen, op. 93a: II. Das Mädchen | — | ||
| 21-13 | Sechs Lieder und Romanzen, op. 93a: III. O süßer Mai | — | ||
| 21-14 | Sechs Lieder und Romanzen, op. 93a: IV. Fahr wohl | — | ||
| 21-15 | Sechs Lieder und Romanzen, op. 93a: V. Der Falke | — | ||
| 21-16 | Sechs Lieder und Romanzen, op. 93a: VI. Beherzigung | — | ||
| 21-17 | Fünf Gesänge, op. 104: I. Nachtwache I | — | ||
| 21-18 | Fünf Gesänge, op. 104: II. Nachtwache II | — | ||
| 21-19 | Fünf Gesänge, op. 104: III. Letztes Glück | — | ||
| 21-20 | Fünf Gesänge, op. 104: IV. Verlorene Jugend | — | ||
| 21-21 | Fünf Gesänge, op. 104: V. Im Herbst | — | ||
| 22-1 | Vierzehn Volkslieder, WoO 34: I. Von edler Art | — | ||
| 22-2 | Vierzehn Volkslieder, WoO 34: II. Mit Lust tät ich ausreiten | — | ||
| 22-3 | Vierzehn Volkslieder, WoO 34: III. Bei nächtlicher Weil | — | ||
| 22-4 | Vierzehn Volkslieder, WoO 34: IV. Vom heiligen Märtyrer Emmerano | — | ||
| 22-5 | Vierzehn Volkslieder, WoO 34: V. Täublein weiß | — | ||
| 22-6 | Vierzehn Volkslieder, WoO 34: VI. Ach lieber Herre Jesu Christ | — | ||
| 22-7 | Vierzehn Volkslieder, WoO 34: VII. St.Raphael | — | ||
| 22-8 | Vierzehn Volkslieder, WoO 34: VIII. In stiller Nacht | — | ||
| 22-9 | Vierzehn Volkslieder, WoO 34: IX. Abschiedslied | — | ||
| 22-10 | Vierzehn Volkslieder, WoO 34: X. Der tote Knabe | — | ||
| 22-11 | Vierzehn Volkslieder, WoO 34: XI. Die Wollust im Maien | — | ||
| 22-12 | Vierzehn Volkslieder, WoO 34: XII. Morgengesang | — | ||
| 22-13 | Vierzehn Volkslieder, WoO 34: XIII. Schnitter Tod | — | ||
| 22-14 | Vierzehn Volkslieder, WoO 34: XIV. Der englische Jäger | — | ||
| 22-15 | Zwölf deutsche Volkslieder, WoO 35: I. Scheiden | — | ||
| 22-16 | Zwölf deutsche Volkslieder, WoO 35: II. Wach auf! | — | ||
| 22-17 | Zwölf deutsche Volkslieder, WoO 35: III. Erlaube mir | — | ||
| 22-18 | Zwölf deutsche Volkslieder, WoO 35: IV. Der Fiedler | — | ||
| 22-19 | Zwölf deutsche Volkslieder, WoO 35: V. Da unten im Tale | — | ||
| 22-20 | Zwölf deutsche Volkslieder, WoO 35: VI. Des Abends | — | ||
| 22-21 | Zwölf deutsche Volkslieder, WoO 35: VII. Wach auf! (2. Bearbeitung) | — | ||
| 22-22 | Zwölf deutsche Volkslieder, WoO 35: VIII. Dort in den Weiden | — | ||
| 22-23 | Zwölf deutsche Volkslieder, WoO 35: IX. Altes Volkslied | — | ||
| 22-24 | Zwölf deutsche Volkslieder, WoO 35: X. Der Ritter und die Fein | — | ||
| 22-25 | Zwölf deutsche Volkslieder, WoO 35: XI. Der Zimmergesell | — | ||
| 22-26 | Zwölf deutsche Volkslieder, WoO 35: XII. Altdeutsches Kampflied | — | ||
| 23-1 | Zigeunerlieder, op. 103: I. He, Zigeuner | — | ||
| 23-2 | Zigeunerlieder, op. 103: II. Hochgetürmte Rimaflut | — | ||
| 23-3 | Zigeunerlieder, op. 103: III. Wisst ihr, wann mein Kindchen | — | ||
| 23-4 | Zigeunerlieder, op. 103: IV. Lieber Gott, du weißt | — | ||
| 23-5 | Zigeunerlieder, op. 103: V. Brauner Bursche | — | ||
| 23-6 | Zigeunerlieder, op. 103: VI. Röslein dreie in der Reihe | — | ||
| 23-7 | Zigeunerlieder, op. 103: VII. Kommt dir manchmal in den Sinn | — | ||
| 23-8 | Zigeunerlieder, op. 103: VIII. Horch, der Wind klagt in den Zweigen | — | ||
| 23-9 | Zigeunerlieder, op. 103: IX. Weit und breit schaut niemand mich an | — | ||
| 23-10 | Zigeunerlieder, op. 103: X. Mond verhüllt sein Angesicht | — | ||
| 23-11 | Zigeunerlieder, op. 103: XI. Rote Abendwolken ziehn | — | ||
| 23-12 | Zigeunerlieder, op. 112b: III. Himmel strahlt so helle und klar | — | ||
| 23-13 | Zigeunerlieder, op. 112b: IV. Rote Rosenknospen künden | — | ||
| 23-14 | Zigeunerlieder, op. 112b: V. Brennessel steht an Weges Rand | — | ||
| 23-15 | Zigeunerlieder, op. 112b: VI. Liebe Schwalbe, kleine Schwalbe | — | ||
| 23-16 | Sieben Volkslieder für Vorsänger, Chor und Klavier, WoO 33: I. Es stunden drei Rosen | — | ||
| 23-17 | Sieben Volkslieder für Vorsänger, Chor und Klavier, WoO 33: II. Dem Himmel will ich klagen | — | ||
| 23-18 | Sieben Volkslieder für Vorsänger, Chor und Klavier, WoO 33: III. Es saß ein schneeweiß Vögelein | — | ||
| 23-19 | Sieben Volkslieder für Vorsänger, Chor und Klavier, WoO 33: IV. Es war einmal ein Zimmergesell | — | ||
| 23-20 | Sieben Volkslieder für Vorsänger, Chor und Klavier, WoO 33: V. Es ging sich unsre Fraue | — | ||
| 23-21 | Sieben Volkslieder für Vorsänger, Chor und Klavier, WoO 33: VI. Nachtigall, sag | — | ||
| 23-22 | Sieben Volkslieder für Vorsänger, Chor und Klavier, WoO 33: VII. Verstohlen geht der Mond auf | — | ||
| 23-23 | Tafellied, op. 93b | — | ||
| 23-24 | Kleine Hochzeitskantate | — | ||
| 23-25 | Dem dunkeln Schoß der Erde | — | ||
| 24-1 | Zwei Motetten, op. 29: I. Es ist das Heil uns kommen her | — | ||
| 24-2 | Zwei Motetten, op. 29: II. Schaffe in mir, Gott | — | ||
| 24-3 | Geistliches Lied, op. 30 | — | ||
| 24-4 | Zwei Motetten, op. 74: I. Warum ist das Licht gegeben | — | ||
| 24-5 | Zwei Motetten, op. 74: II. O Heiland, reiß die Himmel auf | — | ||
| 24-6 | Drei Motetten, op. 110: I. Ich bin aber elend | — | ||
| 24-7 | Drei Motetten, op. 110: II. Ach arme Welt, du trügest mich | — | ||
| 24-8 | Drei Motetten, op. 110: III. Wenn wir in höchsten Nöten sein | — | ||
| 24-9 | Missa canonica, WoO 18: I. Kyrie | — | ||
| 24-10 | Missa canonica, WoO 18: II. Sanctus | — | ||
| 24-11 | Missa canonica, WoO 18: III. Benedictus | — | ||
| 24-12 | Missa canonica, WoO 18: IV. Agnus Dei | — | ||
| 25-1 | Marienlieder, op. 22: I. Der englische Gruß | — | ||
| 25-2 | Marienlieder, op. 22: II. Marias Kirchgang | — | ||
| 25-3 | Marienlieder, op. 22: III. Marias Wallfahrt | — | ||
| 25-4 | Marienlieder, op. 22: IV. Der Jäger | — | ||
| 25-5 | Marienlieder, op. 22: V. Ruf zur Maria | — | ||
| 25-6 | Marienlieder, op. 22: VI. Magdalena | — | ||
| 25-7 | Marienlieder, op. 22: VII. Marias Lob | — | ||
| 25-8 | Fest- und Gedenksprüche, op. 109: I. Unsere Väter hofften auf dich | — | ||
| 25-9 | Fest- und Gedenksprüche, op. 109: II. Wenn ein starker Gewappneter | — | ||
| 25-10 | Fest- und Gedenksprüche, op. 109: III. Wo ist ein so herrlich Volk | — | ||
| 25-11 | Fünf Lieder für Männerchor, op. 41: I. I Ich schwing mein Horn | — | ||
| 25-12 | Fünf Lieder für Männerchor, op. 41: II. Freiwillige her! | — | ||
| 25-13 | Fünf Lieder für Männerchor, op. 41: III. Geleit | — | ||
| 25-14 | Fünf Lieder für Männerchor, op. 41: IV. Marschieren | — | ||
| 25-15 | Fünf Lieder für Männerchor, op. 41: V. Gebt Acht! | — | ||
| 25-16 | Zwölf Lieder und Romanzen, op. 44: I. Minnelied | — | ||
| 25-17 | Zwölf Lieder und Romanzen, op. 44: II. Der Bräutigam | — | ||
| 25-18 | Zwölf Lieder und Romanzen, op. 44: III. Barcarole | — | ||
| 25-19 | Zwölf Lieder und Romanzen, op. 44: IV. Fragen | — | ||
| 25-20 | Zwölf Lieder und Romanzen, op. 44: V. Die Müllerin | — | ||
| 25-21 | Zwölf Lieder und Romanzen, op. 44: VI. Die Nonne | — | ||
| 25-22 | Zwölf Lieder und Romanzen, op. 44: VII. Vier Lieder aus dem "Jungbrunnen": I. Nun stehen die Rosen in Blüte | — | ||
| 25-23 | Zwölf Lieder und Romanzen, op. 44: VIII. Vier Lieder aus dem "Jungbrunnen": II. Die Berge sind spitz | — | ||
| 25-24 | Zwölf Lieder und Romanzen, op. 44: IX. Vier Lieder aus dem "Jungbrunnen": III. Am Wildbach die Weiden | — | ||
| 25-25 | Zwölf Lieder und Romanzen, op. 44: X. Vier Lieder aus dem "Jungbrunnen": IV. Und gehst du über den Kirchhof | — | ||
| 25-26 | Zwölf Lieder und Romanzen, op. 44: XI. Die Braut | — | ||
| 25-27 | Zwölf Lieder und Romanzen, op. 44: XII. Märznacht | — | ||
| 26-1 | Ave Maria, op. 12 | — | ||
| 26-2 | Der 13. Psalm "Herr, wie lange", op. 27 | — | ||
| 26-3 | Drei geistliche Chöre, op. 37: I. O bone Jesu | — | ||
| 26-4 | Drei geistliche Chöre, op. 37: II. Adoramus te | — | ||
| 26-5 | Drei geistliche Chöre, op. 37: III. Regina coeli | — | ||
| 26-6 | Gesänge für Frauenchor, 2 Hörner und Harfe, op. 17: I. Es tönt ein voller Harfenklang | — | ||
| 26-7 | Gesänge für Frauenchor, 2 Hörner und Harfe, op. 17: II. Lied | — | ||
| 26-8 | Gesänge für Frauenchor, 2 Hörner und Harfe, op. 17: III. Der Gärtner | — | ||
| 26-9 | Gesänge für Frauenchor, 2 Hörner und Harfe, op. 17: IV. Gesang aus Ossians "Fingal" | — | ||
| 26-10 | 13 Kanons, op. 113: I | — | ||
| 26-11 | 13 Kanons, op. 113: II | — | ||
| 26-12 | 13 Kanons, op. 113: III | — | ||
| 26-13 | 13 Kanons, op. 113: IV | — | ||
| 26-14 | 13 Kanons, op. 113: V | — | ||
| 26-15 | 13 Kanons, op. 113: VI | — | ||
| 26-16 | 13 Kanons, op. 113: VII | — | ||
| 26-17 | 13 Kanons, op. 113: VIII | — | ||
| 26-18 | 13 Kanons, op. 113: IX | — | ||
| 26-19 | 13 Kanons, op. 113: X | — | ||
| 26-20 | 13 Kanons, op. 113: XI | — | ||
| 26-21 | 13 Kanons, op. 113: XII | — | ||
| 26-22 | 13 Kanons, op. 113: XIII | — | ||
| 27-1 | Sechs Gesänge, op. 3: Nr. 1. Liebestreu | — | ||
| 27-2 | Sechs Gesänge, op. 6: Nr. 1. Spanisches Lied | — | ||
| 27-3 | Sechs Gesänge, op. 6: Nr. 3. Nachwirkung | — | ||
| 27-4 | Sechs Gesänge, op. 6: Nr. 4. Juchhe! | — | ||
| 27-5 | Sechs Gesänge, op. 6: Nr. 5. Wie die Wolke nach der Sonne | — | ||
| 27-6 | Sechs Gesänge, op. 6: Nr. 6. Nachtigallen schwingen | — | ||
| 27-7 | Mondnacht, ohne Opus | — | ||
| 27-8 | Sechs Gesänge, op. 7: Nr. 5. Die Trauernde | — | ||
| 27-9 | Sechs Gesänge, op. 7: Nr. 6. Heimkehr | — | ||
| 27-10 | Lieder und Romanzen, op. 14: Vor dem Fenster | — | ||
| 27-11 | Fünf Gedichte, op. 19: Nr. 1. Der Kuß | — | ||
| 27-12 | Fünf Gedichte, op. 19: Nr. 4. Der Schmied | — | ||
| 27-13 | Fünf Gedichte, op. 19: Nr. 5. An eine Äolsharfe | — | ||
| 27-14 | Lieder und Gesänge, op. 32: Nr. 1. Wie rafft' ich mich auf in der Nacht | — | ||
| 27-15 | Lieder und Gesänge, op. 32: Nr. 2. Nicht mehr zu dir zu gehen | — | ||
| 27-16 | Lieder und Gesänge, op. 32: Nr. 9. Wie bist du, meine Königin | — | ||
| 27-17 | Vier Gesänge, op. 43: Nr. 1. Von ewiger Liebe | — | ||
| 27-18 | Vier Gesänge, op. 43: Nr. 2. Die Mainacht | — | ||
| 28-1 | Romanzen aus "Die schöne Magelone", op. 33: Nr. 3. Sind es Schmerzen, sind es Freuden | — | ||
| 28-2 | Romanzen aus "Die schöne Magelone", op. 33: Nr. 9. Ruhe, Süßliebchen, im Schatten | — | ||
| 28-3 | Romanzen aus "Die schöne Magelone", op. 33: Nr. 11. Wie schnell verschwindet so Licht als Glanz | — | ||
| 28-4 | Romanzen aus "Die schöne Magelone", op. 33: Nr. 12. Muß es eine Trennung geben | — | ||
| 28-5 | Romanzen aus "Die schöne Magelone", op. 33: Nr. 13. Sulima | — | ||
| 28-6 | Romanzen aus "Die schöne Magelone", op. 33: Nr. 15. Treue Liebe dauert lange | — | ||
| 28-7 | Vier Gesänge, op. 46: Nr. 2. Sah dem edlen Bildnis | — | ||
| 28-8 | Vier Gesänge, op. 46: Nr. 3. Die Schale der Vergessenheit | — | ||
| 28-9 | Vier Gesänge, op. 46: Nr. 4. An die Nachtigall | — | ||
| 28-10 | Fünf Lieder, op. 47: Nr. 1. Botschaft | — | ||
| 28-11 | Fünf Lieder, op. 47: Nr. 2. Liebesglut | — | ||
| 28-12 | Fünf Lieder, op. 47: Nr. 3. Sonntag | — | ||
| 28-13 | Fünf Lieder, op. 47: Nr. 4. O liebliche Wangen | — | ||
| 28-14 | Sieben Lieder, op. 48: Nr. 3. Liebesklage eines Mädchens (aus "Des Knaben Wunderhorn") | — | ||
| 28-15 | Sieben Lieder, op. 48: Nr. 7. Herbstgefühl | — | ||
| 28-16 | Fünf Lieder, op. 49: Nr. 1. Am Sonntagmorgen | — | ||
| 28-17 | Fünf Lieder, op. 49: Nr. 3. Sehnsucht | — | ||
| 28-18 | Fünf Lieder, op. 49: Nr. 4. Wiegenlied (aus "Des Knaben Wunderhorn") | — | ||
| 29-1 | Lieder und Gesänge, op. 57: Nr. 1. Von waldbekränzter Höhe | — | ||
| 29-2 | Lieder und Gesänge, op. 57: Nr. 2. Wenn du nur zuweilen lächelst | — | ||
| 29-3 | Lieder und Gesänge, op. 57: Nr. 3. Es träumte mir | — | ||
| 29-4 | Lieder und Gesänge, op. 57: Nr. 4. Ach, wende diesen Blick | — | ||
| 29-5 | Lieder und Gesänge, op. 57: Nr. 7. Die Schnur, die Perl' an Perle | — | ||
| 29-6 | Lieder und Gesänge, op. 58: Nr. 2. Während des Regens | — | ||
| 29-7 | Lieder und Gesänge, op. 58: Nr. 6. In der Gasse | — | ||
| 29-8 | Lieder und Gesänge, op. 59: Nr. 1. Dämmrung senkte sich von oben | — | ||
| 29-9 | Lieder und Gesänge, op. 59: Nr. 2. Auf dem See | — | ||
| 29-10 | Lieder und Gesänge, op. 59: Nr. 3. Regenlied | — | ||
| 29-11 | Lieder und Gesänge, op. 59: Nr. 4. Nachklang | — | ||
| 29-12 | Lieder und Gesänge, op. 59: Nr. 5. Agnes | — | ||
| 29-13 | Lieder und Gesänge, op. 59: Nr. 8. Dein blaues Auge | — | ||
| 29-14 | Lieder und Gesänge, op. 63: Nr. 1. Frühlingstrost | — | ||
| 29-15 | Lieder und Gesänge, op. 63: Nr. 4. An die Tauben | — | ||
| 29-16 | Lieder und Gesänge, op. 63: Nr. 5. Junge Liebe 1 | — | ||
| 29-17 | Lieder und Gesänge, op. 63: Nr. 7. Heimweh 1 | — | ||
| 29-18 | Lieder und Gesänge, op. 63: Nr. 8. Heimweh 2 | — | ||
| 29-19 | Lieder und Gesänge, op. 63: Nr. 9. Heimweh 3 | — | ||
| 30-1 | Neun Gesänge, op. 69: Nr. 1. Klage 1 | — | ||
| 30-2 | Neun Gesänge, op. 69: Nr. 2. Klage 2 | — | ||
| 30-3 | Neun Gesänge, op. 69: Nr. 5. Tambourliedchen | — | ||
| 30-4 | Neun Gesänge, op. 69: Nr. 6. Vom Strande | — | ||
| 30-5 | Neun Gesänge, op. 69: Nr. 8. Salome | — | ||
| 30-6 | Neun Gesänge, op. 69: Nr. 9. Mädchenfluch | — | ||
| 30-7 | Vier Gesänge, op. 70: Nr. 2. Lerchengesang | — | ||
| 30-8 | Vier Gesänge, op. 70: Nr. 4. Abendregen | — | ||
| 30-9 | Fünf Gesänge, op. 71: Nr. 3. Geheimnis | — | ||
| 30-10 | Fünf Gesänge, op. 71: Nr. 4. Willst du, daß ich geh'? | — | ||
| 30-11 | Fünf Gesänge, op. 71: Nr. 5. Minnelied | — | ||
| 30-12 | Fünf Gesänge, op. 72: Nr. 1. Alte Liebe | — | ||
| 30-13 | Fünf Gesänge, op. 72: Nr. 3. O kühler Wald | — | ||
| 30-14 | Fünf Gesänge, op. 72: Nr. 4. Verzagen | — | ||
| 30-15 | Romanzen und Lieder, op. 84: Nr. 1. Sommerabend | — | ||
| 30-16 | Romanzen und Lieder, op. 84: Nr. 4. Vergebliches Ständchen | — | ||
| 30-17 | Sechs Lieder, op. 85: Nr. 1. Sommerabend | — | ||
| 30-18 | Sechs Lieder, op. 85: Nr. 3. Mädchenlied | — | ||
| 30-19 | Sechs Lieder, op. 85: Nr. 6. In Waldeseinsamkeit | — | ||
| 31-1 | Sechs Lieder, op. 86: Nr. 2. Feldeinsamkeit | — | ||
| 31-2 | Sechs Lieder, op. 86: Nr. 3. Nachtwandler | — | ||
| 31-3 | Sechs Lieder, op. 86: Nr. 4. Über die Heide | — | ||
| 31-4 | Sechs Lieder, op. 86: Nr. 5. Versunken | — | ||
| 31-5 | Sechs Lieder, op. 86: Nr. 6. Todessehnen | — | ||
| 31-6 | Zwei Gesänge für Alt, Bratsche und Klavier, op. 91: Nr. 1. Gestillte Sehnsucht | — | ||
| 31-7 | Zwei Gesänge für Alt, Bratsche und Klavier, op. 91: Nr. 2. Geistliches Wiegenlied | — | ||
| 31-8 | Fünf Lieder, op. 94: Nr. 1. Mit vierzig Jahren | — | ||
| 31-9 | Fünf Lieder, op. 94: Nr. 4. Sapphische Ode | — | ||
| 31-10 | Fünf Lieder, op. 94: Nr. 5. Kein Haus, keine Heimat | — | ||
| 31-11 | Sieben Lieder, op. 95: Nr. 1. Des Mädchen | — | ||
| 31-12 | Vier Lieder, op. 96: Nr. 1. Der Tod, das ist die kühle Nacht | — | ||
| 31-13 | Vier Lieder, op. 96: Nr. 2. Wir wandelten | — | ||
| 31-14 | Sechs Lieder, op. 97: Nr. 1. Nachtigall | — | ||
| 31-15 | Sechs Lieder, op. 97: Nr. 2. Auf dem Schiffe | — | ||
| 31-16 | Sechs Lieder, op. 97: Nr. 4. Dort in den Weiden | — | ||
| 32-1 | Zigeunerlieder, op. 103: Nr. 1 / Nr. 2 / Nr. 3 / Nr. 4 / Nr. 5 / Nr. 6 / Nr. 7 / Nr. 11 | — | ||
| 32-2 | Fünf Lieder, op. 105: Nr. 1. Wie Melodien zieht es | — | ||
| 32-3 | Fünf Lieder, op. 105: Nr. 2. Immer leiser wird mein Schlummer | — | ||
| 32-4 | Fünf Lieder, op. 105: Nr. 3. Klage | — | ||
| 32-5 | Fünf Lieder, op. 105: Nr. 4. Auf dem Kirchhofe | — | ||
| 32-6 | Fünf Lieder, op. 105: Nr. 5. Verrat | — | ||
| 32-7 | Fünf Lieder, op. 106: Nr. 1. Ständchen | — | ||
| 32-8 | Fünf Lieder, op. 106: Nr. 4. Meine Lieder | — | ||
| 32-9 | Fünf Lieder, op. 106: Nr. 5. Ein Wanderer | — | ||
| 32-10 | Fünf Lieder, op. 107: Nr. 3. Das Mädchen spricht | — | ||
| 32-11 | Deutsche Volkslieder: Nr. 6. Da unten im Tale | — | ||
| 32-12 | Deutsche Volkslieder: Nr. 24. Mir ist ein schön' braun's Maidelein | — | ||
| 32-13 | Deutsche Volkslieder: Nr. 25. Mein Mädel hat einen Rosenmund | — | ||
| 32-14 | Deutsche Volkslieder: Nr. 30. All mein' Gedanken | — | ||
| 32-15 | Deutsche Volkslieder: Nr. 31. Dort in den Weiden steht ein Haus | — | ||
| 32-16 | Deutsche Volkslieder: Nr. 33. Och Moder, ich well en Ding han | — | ||
| 32-17 | Deutsche Volkslieder: Nr. 42. In stiller Nacht | — | ||
| 32-18 | Volks-Kinderlieder: Sandmännchen | — | ||
| 33-1 | A German Requiem, op. 45: I. Chorus “Selig sind,die da Leid tragen” | — | ||
| 33-2 | A German Requiem, op. 45: II. Chorus “Denn alles Fleisch, es ist wie Gras” | — | ||
| 33-3 | A German Requiem, op. 45: III. Baritone & Chorus “Herr, lehre doch mich” | — | ||
| 33-4 | A German Requiem, op. 45: IV. Chorus “Wie lieblich sind deine Wohnungen” | — | ||
| 33-5 | A German Requiem, op. 45: V. Soprano & chorus “Ihr habt nun Traurigkeit” | — | ||
| 33-6 | A German Requiem, op. 45: VI. Baritone & Chorus “Denn wir haben hier keine bleibende Statt” | — | ||
| 33-7 | A German Requiem, op. 45: VII. Chorus “Selig sind die Toten” | — | ||
| 34-1 | Hungarian Dance no. 1 in G minor | — | ||
| 34-2 | Hungarian Dance no. 2 in D minor | — | ||
| 34-3 | Hungarian Dance no. 3 in F major | — | ||
| 34-4 | Hungarian Dance no. 4 in F-sharp minor | — | ||
| 34-5 | Hungarian Dance no. 5 in G minor | — | ||
| 34-6 | Hungarian Dance no. 6 in D major | — | ||
| 34-7 | Hungarian Dance no. 7 in A major | — | ||
| 34-8 | Hungarian Dance no. 8 in A minor | — | ||
| 34-9 | Hungarian Dance no. 9 in E minor | — | ||
| 34-10 | Hungarian Dance no. 10 in F major | — | ||
| 34-11 | Hungarian Dance no. 11 in C major | — | ||
| 34-12 | Hungarian Dance no. 12 in D minor | — | ||
| 34-13 | Hungarian Dance no. 13 in D major | — | ||
| 34-14 | Hungarian Dance no. 14 in D minor | — | ||
| 34-15 | Hungarian Dance no. 15 in B-flat major | — | ||
| 34-16 | Hungarian Dance no. 16 in F minor | — | ||
| 34-17 | Hungarian Dance no. 17 in F-sharp minor | — | ||
| 34-18 | Hungarian Dance no. 18 in D major | — | ||
| 34-19 | Hungarian Dance no. 19 in B minor | — | ||
| 34-20 | Hungarian Dance no. 20 in E minor | — | ||
| 34-21 | Hungarian Dance no. 21 in E minor | — | ||
| 35-1 | Ballades, op. 10: I. Andante "Edward" | — | ||
| 35-2 | Ballades, op. 10: II. Andante | — | ||
| 35-3 | Ballades, op. 10: III. Intermezzo, allegro | — | ||
| 35-4 | Ballades, op. 10: IV. Andante con moto | — | ||
| 35-5 | Rhapsodies, op. 79: I. Agitato | — | ||
| 35-6 | Rhapsodies, op. 79: II. Molto passionato | — | ||
| 35-7 | Eight Piano Pieces, Capriccio in F‐sharp minor, op. 76: I. Un poco agitato | — | ||
| 35-8 | Eight Piano Pieces, Capriccio in B minor, op. 76: II. Allegretto non troppo | — | ||
| 35-9 | Eight Piano Pieces, Intermezzo in A‐flat major, op. 76: III. Grazioso | — | ||
| 35-10 | Eight Piano Pieces, Intermezzo in B‐flat major, op. 76: IV. Allegretto Grazioso | — | ||
| 35-11 | Eight Piano Pieces, Capriccio in C‐sharp minor, op. 76: V. Agitato, ma non troppo presto | — | ||
| 35-12 | Eight Piano Pieces, Intermezzo in A major, op. 76: VI. Andante con moto | — | ||
| 35-13 | Eight Piano Pieces, Intermezzo in A minor, op. 76: VII. Moderato semplice | — | ||
| 35-14 | Eight Piano Pieces, Capriccio in C major, op. 76: VIII. Grazioso ed un poco vivace | — | ||
| 36-1 | Fantasien, Capriccio in D minor, op. 116: I. Presto energico | — | ||
| 36-2 | Fantasien, Intermezzo in A minor, op. 116: II. Andante | — | ||
| 36-3 | Fantasien, Capriccio in D minor, op. 116: III. Presto energico | — | ||
| 36-4 | Fantasien, Intermezzo in E major, op. 116: IV. Adagio | — | ||
| 36-5 | Fantasien, Intermezzo in E minor, op. 116: V. Andante con grazia ed intimissimo sentimento | — | ||
| 36-6 | Fantasien, Intermezzo in E major, op. 116: VI. Andantino teneramente | — | ||
| 36-7 | Fantasien, Capriccio in D minor, op. 116: VII. Allegro agitato | — | ||
| 36-8 | Intermezzo in E‐flat major, op. 117: I. Andante moderato | — | ||
| 36-9 | Intermezzo in B‐flat minor, op. 117: II. Andante non troppo | — | ||
| 36-10 | Intermezzo in C‐sharp minor, op. 117: III. Andante con moto | — | ||
| 36-11 | Six Pieces for Piano, Intermezzo in A minor, op. 118: I. Allegro non assai | — | ||
| 36-12 | Six Pieces for Piano, Intermezzo in A major, op. 118: II. Andante teneramente | — | ||
| 36-13 | Six Pieces for Piano, Ballade in G minor, op. 118: III. Allegro energico | — | ||
| 36-14 | Six Pieces for Piano, Intermezzo in F minor, op. 118: IV. Allegretto un poco agitato | — | ||
| 36-15 | Six Pieces for Piano, Romanze in F major, op. 118: V. Andante | — | ||
| 36-16 | Six Pieces for Piano, Intermezzo in E‐flat minor, op. 118: VI. Andante, largo e mesto | — | ||
| 36-17 | Four Pieces for Piano, Intermezzo in B minor, op. 119: I. Adagio | — | ||
| 36-18 | Four Pieces for Piano, Intermezzo in E minor, op. 119: II. Andantino un poco agitato | — | ||
| 36-19 | Four Pieces for Piano, Intermezzo in C major, op. 119: III. Grazioso e giocoso | — | ||
| 36-20 | Four Pieces for Piano, Rhapsodie in E‐flat major, op. 119: IV. Allegro risoluto | — | ||
| 37-1 | Piano Sonata no. 2 in F-sharp minor, op. 2: I. Allegro non troppo, ma energico | — | ||
| 37-2 | Piano Sonata no. 2 in F-sharp minor, op. 2: II. Andante con esprezzione | — | ||
| 37-3 | Piano Sonata no. 2 in F-sharp minor, op. 2: III. Scherzo. Allegro | — | ||
| 37-4 | Piano Sonata no. 2 in F-sharp minor, op. 2: IV. Finale. Introduzione - Allegro non troppo e rubato | — | ||
| 37-5 | Piano Sonata no. 3 in F minor, op. 5: I. Allegro maestoso | — | ||
| 37-6 | Piano Sonata no. 3 in F minor, op. 5: II. Andante espressivo | — | ||
| 37-7 | Piano Sonata no. 3 in F minor, op. 5: III. Scherzo. Allegro energico | — | ||
| 37-8 | Piano Sonata no. 3 in F minor, op. 5: Intermezzo. Andante molto | — | ||
| 37-9 | Piano Sonata no. 3 in F minor, op. 5: Finale. Allegro moderato ma rubato | — | ||
| 38-1 | Piano Sonata no. 1 op. 1 in C major: I. Allegro | — | ||
| 38-2 | Piano Sonata no. 1 op. 1 in C major: II. Andante (nach einem altdeutschen Minneliede) | — | ||
| 38-3 | Piano Sonata no. 1 op. 1 in C major: III. Scherzo: Allegro moltoe con fuoco-Piu mosso-Tempo I | — | ||
| 38-4 | Piano Sonata no. 1 op. 1 in C major: IV. Finale: Allegro con fuoco-Presto non troppo ed agitato | — | ||
| 38-5 | Scherzo op. 4 in E flat minor: Rasch und Feurig-Trio I-Da capo-Trio II:Molto espressivo-Da capo-Coda:Piu mosso-Piu sostenuto | — | ||
| 39-1 | Variations on a Theme of Paganini, op. 35 no. 1: I. Thema. Non troppo presto | — | ||
| 39-2 | Variations on a Theme of Paganini, op. 35 no. 1: II. Variation I | — | ||
| 39-3 | Variations on a Theme of Paganini, op. 35 no. 1: III. Variation II | — | ||
| 39-4 | Variations on a Theme of Paganini, op. 35 no. 1: IV. Variation III | — | ||
| 39-5 | Variations on a Theme of Paganini, op. 35 no. 1: V. Variation IV | — | ||
| 39-6 | Variations on a Theme of Paganini, op. 35 no. 1: VI. Variation V: Espressivo - Molto leggiero | — | ||
| 39-7 | Variations on a Theme of Paganini, op. 35 no. 1: VII. Variation VI: Molto leggiero | — | ||
| 39-8 | Variations on a Theme of Paganini, op. 35 no. 1: VIII. Variation VII | — | ||
| 39-9 | Variations on a Theme of Paganini, op. 35 no. 1: IX. Variation VIII: Staccato | — | ||
| 39-10 | Variations on a Theme of Paganini, op. 35 no. 1: X. Variation IX: Legato | — | ||
| 39-11 | Variations on a Theme of Paganini, op. 35 no. 1: XI. Variation X: Sotto voce | — | ||
| 39-12 | Variations on a Theme of Paganini, op. 35 no. 1: XII. Variation XI: Andante - Molto legato e dolce - Espressivo | — | ||
| 39-13 | Variations on a Theme of Paganini, op. 35 no. 1: XIII. Variation XII: Molto dolce | — | ||
| 39-14 | Variations on a Theme of Paganini, op. 35 no. 1: XIV. Variation XIII: Vivace e scherzando | — | ||
| 39-15 | Variations on a Theme of Paganini, op. 35 no. 1: XV. Variation XIV: Ben marcato, con fuoco - Presto, ma non troppo | — | ||
| 39-16 | Variations on a Theme of Paganini, op. 35 no. 2: I. Thema: Non troppo presto | — | ||
| 39-17 | Variations on a Theme of Paganini, op. 35 no. 2: II. Variation I | — | ||
| 39-18 | Variations on a Theme of Paganini, op. 35 no. 2: III. Variation II: Poco animato - Poco forte espressivo - Legato | — | ||
| 39-19 | Variations on a Theme of Paganini, op. 35 no. 2: IV. Variation III: Leggiero - Espressivo | — | ||
| 39-20 | Variations on a Theme of Paganini, op. 35 no. 2: V. Variation IV: Poco allegretto, con grazia | — | ||
| 39-21 | Variations on a Theme of Paganini, op. 35 no. 2: VI. Variation V: Dolce | — | ||
| 39-22 | Variations on a Theme of Paganini, op. 35 no. 2: VII. Variation VI: Poco più vivace - Leggiero | — | ||
| 39-23 | Variations on a Theme of Paganini, op. 35 no. 2: VIII. Variation VII: Leggiero e ben marcato | — | ||
| 39-24 | Variations on a Theme of Paganini, op. 35 no. 2: IX. Variation VIII: Allegro - Leggiero - Quasi pizzicato | — | ||
| 39-25 | Variations on a Theme of Paganini, op. 35 no. 2: X. Variation IX | — | ||
| 39-26 | Variations on a Theme of Paganini, op. 35 no. 2: XI. Variation X: Feroce - Energico | — | ||
| 39-27 | Variations on a Theme of Paganini, op. 35 no. 2: XII. Variation XI: Vivace, non legato e scherzando | — | ||
| 39-28 | Variations on a Theme of Paganini, op. 35 no. 2: XIII. Variation XII: Un poco andante, dolce espressivo | — | ||
| 39-29 | Variations on a Theme of Paganini, op. 35 no. 2: XIV. Variation XIII: Un poco più andante - Poco espressivo | — | ||
| 39-30 | Variations on a Theme of Paganini, op. 35 no. 2: XV. Variation XIV: Presto, ma non troppo - Scherzando | — | ||
| 39-31 | Variations and Fugue on a Theme of Händel, op. 24: I. Aria: Rhytmisch, mit Humor | — | ||
| 39-32 | Variations and Fugue on a Theme of Händel, op. 24: II. Variation I: L'Istesso tempo | — | ||
| 39-33 | Variations and Fugue on a Theme of Händel, op. 24: III. Variation II: Con espressione | — | ||
| 39-34 | Variations and Fugue on a Theme of Händel, op. 24: IV. Variation III: Grazioso | — | ||
| 39-35 | Variations and Fugue on a Theme of Händel, op. 24: V. Variation IV: Risoluto - Con fuoco - Staccato | — | ||
| 39-36 | Variations and Fugue on a Theme of Händel, op. 24: VI. Variation V: Affettuoso - Espressivo | — | ||
| 39-37 | Variations and Fugue on a Theme of Händel, op. 24: VII. Variation VI: Sordo e legato | — | ||
| 39-38 | Variations and Fugue on a Theme of Händel, op. 24: VIII. Variation VII: Con vivacita | — | ||
| 39-39 | Variations and Fugue on a Theme of Händel, op. 24: IX. Variation VIII: Martellato/Distinto, non legato | — | ||
| 39-40 | Variations and Fugue on a Theme of Händel, op. 24: X. Variation IX: Poco sostenuto, legato | — | ||
| 39-41 | Variations and Fugue on a Theme of Händel, op. 24: XI. Variation X: Energico | — | ||
| 39-42 | Variations and Fugue on a Theme of Händel, op. 24: XII. Variation XI: Lusingando, con tenerezza - Dolce - Legato | — | ||
| 39-43 | Variations and Fugue on a Theme of Händel, op. 24: XIII. Variation XII: L'Istesso tempo - Semplice - Soave - Legato | — | ||
| 39-44 | Variations and Fugue on a Theme of Händel, op. 24: XIV. Variation XIII: Largamente, ma non più - Espressivo | — | ||
| 39-45 | Variations and Fugue on a Theme of Händel, op. 24: XV. Variation XIV: Vivace - Sciolto | — | ||
| 39-46 | Variations and Fugue on a Theme of Händel, op. 24: XVI. Variation XV: L'Istesso tempo | — | ||
| 39-47 | Variations and Fugue on a Theme of Händel, op. 24: XVII. Variation XVI: Scherzando | — | ||
| 39-48 | Variations and Fugue on a Theme of Händel, op. 24: XVIII. Variation XVII: Più mosso - Semplice | — | ||
| 39-49 | Variations and Fugue on a Theme of Händel, op. 24: XIX. Variation XVIII: Grazioso | — | ||
| 39-50 | Variations and Fugue on a Theme of Händel, op. 24: XX. Variation XIX: Leggiero e vivace, alla Siciliana | — | ||
| 39-51 | Variations and Fugue on a Theme of Händel, op. 24: XXI. Variation XX: Andante espressivo, legato | — | ||
| 39-52 | Variations and Fugue on a Theme of Händel, op. 24: XXII. Variation XXI: Allegretto vivace, dolce/leggiero | — | ||
| 39-53 | Variations and Fugue on a Theme of Händel, op. 24: XXIII. Variation XXII: Alla Musette | — | ||
| 39-54 | Variations and Fugue on a Theme of Händel, op. 24: XXIV. Variation XXIII: Vivace - Sospetto - Vivace e staccato | — | ||
| 39-55 | Variations and Fugue on a Theme of Händel, op. 24: XXV. Variation XXIV: L'Istesso tempo - Tumultuoso - Feroce | — | ||
| 39-56 | Variations and Fugue on a Theme of Händel, op. 24: XXVI. Variation XXV: Poco più lento - Festivo - Fieramente, con tutta forza | — | ||
| 39-57 | Variations and Fugue on a Theme of Händel, op. 24: XXVII. Fuga: Allegro sostenuto e fermo | — | ||
| 40-1 | Variations on an Original Theme, op. 21 no. 1: I. Thema: Poco larghetto, poco forte, molto espressivo e legato | — | ||
| 40-2 | Variations on an Original Theme, op. 21 no. 1: II. Variation I: Molto piano e legato | — | ||
| 40-3 | Variations on an Original Theme, op. 21 no. 1: III. Variation II: Più moto, espressivo | — | ||
| 40-4 | Variations on an Original Theme, op. 21 no. 1: IV. Variation III: Dolce | — | ||
| 40-5 | Variations on an Original Theme, op. 21 no. 1: V. Variation IV: [Poco più lento] Dolce | — | ||
| 40-6 | Variations on an Original Theme, op. 21 no. 1: VI. Variation V: Tempo di tema, Canone in moto contrario, molto dolce, teneramente | — | ||
| 40-7 | Variations on an Original Theme, op. 21 no. 1: VII. Variation VI: Più moto, espressivo, legato | — | ||
| 40-8 | Variations on an Original Theme, op. 21 no. 1: VIII. Variation VII: Andante con moto, dolce | — | ||
| 40-9 | Variations on an Original Theme, op. 21 no. 1: IX. Variation VIII: Allegro non troppo | — | ||
| 40-10 | Variations on an Original Theme, op. 21 no. 1: X. Variation IX: | — | ||
| 40-11 | Variations on an Original Theme, op. 21 no. 1: XI. Variation X: Espressivo agitato | — | ||
| 40-12 | Variations on an Original Theme, op. 21 no. 1: XII. Variation XI: Tempo di tema, poco più lento, dolce | — | ||
| 40-13 | Variations on a Hungarian Song, op. 21 no. 2: I. Allegro | — | ||
| 40-14 | Variations on a Hungarian Song, op. 21 no. 2: II. Variation I | — | ||
| 40-15 | Variations on a Hungarian Song, op. 21 no. 2: III. Variation II | — | ||
| 40-16 | Variations on a Hungarian Song, op. 21 no. 2: IV. Variation III | — | ||
| 40-17 | Variations on a Hungarian Song, op. 21 no. 2: V. Variation IV | — | ||
| 40-18 | Variations on a Hungarian Song, op. 21 no. 2: VI. Variation V: Con espressione | — | ||
| 40-19 | Variations on a Hungarian Song, op. 21 no. 2: VII. Variation VI | — | ||
| 40-20 | Variations on a Hungarian Song, op. 21 no. 2: VIII. Variation VII: Poco più lento, dolce espressivo/quasi pizzicato | — | ||
| 40-21 | Variations on a Hungarian Song, op. 21 no. 2: IX. Variation VIII: [Ancora un poco più lento] Espressivo, dolce | — | ||
| 40-22 | Variations on a Hungarian Song, op. 21 no. 2: X. Variation IX: Dolce | — | ||
| 40-23 | Variations on a Hungarian Song, op. 21 no. 2: XI. Variation X: Legato, dolce | — | ||
| 40-24 | Variations on a Hungarian Song, op. 21 no. 2: XII. Variation XI: Dolce | — | ||
| 40-25 | Variations on a Hungarian Song, op. 21 no. 2: XIII. Variation XII: Espressivo | — | ||
| 40-26 | Variations on a Hungarian Song, op. 21 no. 2: XIV. Variation XIII: Con forza - Allegro - Tempo I più animato | — | ||
| 40-27 | Variations on a Theme of Robert Schumann, op. 9: I. Thema: Ziemlich langsam | — | ||
| 40-28 | Variations on a Theme of Robert Schumann, op. 9: II. Variation I | — | ||
| 40-29 | Variations on a Theme of Robert Schumann, op. 9: III. Variation II: Poco più moto, espressivo/staccato e leggiero | — | ||
| 40-30 | Variations on a Theme of Robert Schumann, op. 9: IV. Variation III: Tempo di tema | — | ||
| 40-31 | Variations on a Theme of Robert Schumann, op. 9: V. Variation IV: Poco più moto, espressivo/leggiero | — | ||
| 40-32 | Variations on a Theme of Robert Schumann, op. 9: VI. Variation V: Allegro capriccioso | — | ||
| 40-33 | Variations on a Theme of Robert Schumann, op. 9: VII. Variation VI: Allegro | — | ||
| 40-34 | Variations on a Theme of Robert Schumann, op. 9: VIII. Variation VII: Andante | — | ||
| 40-35 | Variations on a Theme of Robert Schumann, op. 9: IX. Variation VIII: Andante (non troppo lento), espressivo | — | ||
| 40-36 | Variations on a Theme of Robert Schumann, op. 9: X. Variation IX: Schnell | — | ||
| 40-37 | Variations on a Theme of Robert Schumann, op. 9: XI. Variation X: Poco adagio, espressivo dolce | — | ||
| 40-38 | Variations on a Theme of Robert Schumann, op. 9: XII. Variation XI: Un poco più animato, sempre pianissimo dolcissimo | — | ||
| 40-39 | Variations on a Theme of Robert Schumann, op. 9: XIII. Variation XII: Allegretto, poco scherzando, staccato e leggiero | — | ||
| 40-40 | Variations on a Theme of Robert Schumann, op. 9: XIV. Variation XIII: Non troppo presto, molto leggiero | — | ||
| 40-41 | Variations on a Theme of Robert Schumann, op. 9: XV. Variation XIV: Andante, espressivo/staccato e leggiero | — | ||
| 40-42 | Variations on a Theme of Robert Schumann, op. 9: XVI. Variation XV: Poco adagio, espressivo | — | ||
| 40-43 | Variations on a Theme of Robert Schumann, op. 9: XVII. Variation XVI: Adagio | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
+40 more
Credits Graph
People also ask
Verified on
What is UPC 5028421923925?
5028421923925 is a Universal Product Code (UPC) assigned to The Masterworks by Brahms. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 600 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm