UPC · Release
Franz Schubert
Last verified:
The UPC for “The Masterworks” by Franz Schubert is 5028421923949. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2004-01-01. Label: Brilliant Classics. This release contains 497 tracks, each with its own ISRC. Tracks include NLY330603794, NLY330603795, NLY330603796.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No. 1 in D major, D. 82: I. Adagio - Allegro vivace | — | ||
| 2 | Symphony No. 1 in D major, D. 82: II. Andante | — | ||
| 3 | Symphony No. 1 in D major, D. 82: III. Menuetto | — | ||
| 4 | Symphony No. 1 in D major, D. 82: IV. Allegro vivace | — | ||
| 5 | Symphony No. 2 in B-flat major, D. 125: I. Largo - Allegro vivace | — | ||
| 6 | Symphony No. 2 in B-flat major, D. 125: II. Andante | — | ||
| 7 | Symphony No. 2 in B-flat major, D. 125: III. Menuetto & Trio | — | ||
| 8 | Symphony No. 2 in B-flat major, D. 125: IV. Presto vivace | — | ||
| 2-1 | Symphony No. 8 in B minor, D. 759: I. Allegro moderato | — | ||
| 2-2 | Symphony No. 8 in B minor, D. 759: II. Andante con moto | — | ||
| 2-3 | Symphony No. 5 in B-flat major, D. 485: I. Allegro | — | ||
| 2-4 | Symphony No. 5 in B-flat major, D. 485: II. Andante con moto | — | ||
| 2-5 | Symphony No. 5 in B-flat major, D. 485: III. Menuetto & Trio: Allegro molto | — | ||
| 2-6 | Symphony No. 5 in B-flat major, D. 485: IV. Allegro vivace | — | ||
| 2-7 | Symphony No. 3 in D major, D. 200: I. Adagio maestoso - Allegro con brio | — | ||
| 2-8 | Symphony No. 3 in D major, D. 200: II. Allegretto | — | ||
| 2-9 | Symphony No. 3 in D major, D. 200: III. Menuetto & Trio: Vivace | — | ||
| 2-10 | Symphony No. 3 in D major, D. 200: IV. Presto vivace | — | ||
| 3-1 | Symphony No. 4 in C minor, D. 417, "Tragic": I. Adagio molto - Allegro vivace | — | ||
| 3-2 | Symphony No. 4 in C minor, D. 417, "Tragic": II. Andante | — | ||
| 3-3 | Symphony No. 4 in C minor, D. 417, "Tragic": III. Menuetto & trio | — | ||
| 3-4 | Symphony No. 4 in C minor, D. 417, "Tragic": IV. Allegro | — | ||
| 3-5 | Symphony No. 6 in C major, D. 589: I. Adagio - Allegro | — | ||
| 3-6 | Symphony No. 6 in C major, D. 589: II. Andante | — | ||
| 3-7 | Symphony No. 6 in C major, D. 589: III. Scherzo. Allegro | — | ||
| 3-8 | Symphony No. 6 in C major, D. 589: IV. Finale. Allegro moderato | — | ||
| 4-1 | Symphony No. 9 in C major, D. 944 "The Great": I. Andante - Allegro ma non troppo - piu moto | — | ||
| 4-2 | Symphony No. 9 in C major, D. 944 "The Great": II. Andante con moto | — | ||
| 4-3 | Symphony No. 9 in C major, D. 944 "The Great": III. Scherzo: Allegro vivace | — | ||
| 4-4 | Symphony No. 9 in C major, D. 944 "The Great": IV. Allegro vivace | — | ||
| 5-1 | Mass No. 1 in F major, D. 105: I. Kyrie | — | ||
| 5-2 | Mass No. 1 in F major, D. 105: II. Gloria | — | ||
| 5-3 | Mass No. 1 in F major, D. 105: III. Credo | — | ||
| 5-4 | Mass No. 1 in F major, D. 105: IV. Sanctus | — | ||
| 5-5 | Mass No. 1 in F major, D. 105: V. Benedictus | — | ||
| 5-6 | Mass No. 1 in F major, D. 105: VI. Agnus Dei | — | ||
| 5-7 | Salve Regina in A major, D. 676 | — | ||
| 5-8 | Magnificat in C major, D. 486 | — | ||
| 6-1 | Mass No. 2 in G major, D. 167: I. Kyrie | — | ||
| 6-2 | Mass No. 2 in G major, D. 167: II. Gloria | — | ||
| 6-3 | Mass No. 2 in G major, D. 167: III. Credo | — | ||
| 6-4 | Mass No. 2 in G major, D. 167: IV. Sanctus | — | ||
| 6-5 | Mass No. 2 in G major, D. 167: V. Benedictus | — | ||
| 6-6 | Mass No. 2 in G major, D. 167: VI. Agnus Dei | — | ||
| 6-7 | Mass No. 4 in C major, D. 452: I. Kyrie | — | ||
| 6-8 | Mass No. 4 in C major, D. 452: II. Gloria | — | ||
| 6-9 | Mass No. 4 in C major, D. 452: III. Credo | — | ||
| 6-10 | Mass No. 4 in C major, D. 452: IV. Sanctus | — | ||
| 6-11 | Mass No. 4 in C major, D. 452: V. Benedictus | — | ||
| 6-12 | Mass No. 4 in C major, D. 452: VI. Agnus Dei | — | ||
| 6-13 | Mass No. 3 in B-flat major, D. 324: I. Kyrie | — | ||
| 6-14 | Mass No. 3 in B-flat major, D. 324: II. Gloria | — | ||
| 6-15 | Mass No. 3 in B-flat major, D. 324: III. Credo | — | ||
| 6-16 | Mass No. 3 in B-flat major, D. 324: IV. Sanctus | — | ||
| 6-17 | Mass No. 3 in B-flat major, D. 324: V. Benedictus | — | ||
| 6-18 | Mass No. 3 in B-flat major, D. 324: VI. Agnus Dei | — | ||
| 7-1 | Mass No. 5 in A-flat major, D. 678: I. Kyrie | — | ||
| 7-2 | Mass No. 5 in A-flat major, D. 678: II. Gloria: Gloria in excelsis Deo | — | ||
| 7-3 | Mass No. 5 in A-flat major, D. 678: III. Gloria: Gratias agimus | — | ||
| 7-4 | Mass No. 5 in A-flat major, D. 678: IV. Gloria: Domine Deus | — | ||
| 7-5 | Mass No. 5 in A-flat major, D. 678: V. Gloria: Quoniam tu solus sanctus | — | ||
| 7-6 | Mass No. 5 in A-flat major, D. 678: VI. Gloria: Cum sancto spiritu | — | ||
| 7-7 | Mass No. 5 in A-flat major, D. 678: VII. Credo: Credo | — | ||
| 7-8 | Mass No. 5 in A-flat major, D. 678: VIII. Credo: Et incarnatus est | — | ||
| 7-9 | Mass No. 5 in A-flat major, D. 678: IX. Credo: Et resurrexit | — | ||
| 7-10 | Mass No. 5 in A-flat major, D. 678: X. Sanctus: Sanctus | — | ||
| 7-11 | Mass No. 5 in A-flat major, D. 678: XI. Sanctus: Osanna | — | ||
| 7-12 | Mass No. 5 in A-flat major, D. 678: XII. Sanctus: Benedictus | — | ||
| 7-13 | Mass No. 5 in A-flat major, D. 678: XIII. Sanctus: Osanna | — | ||
| 7-14 | Mass No. 5 in A-flat major, D. 678: XIV. Agnus Dei: Agnus Dei | — | ||
| 7-15 | Mass No. 5 in A-flat major, D. 678: XV. Agnus Dei: Dona nobis pacem | — | ||
| 7-16 | Mass No. 5 in A-flat major, D. 678: XVI. Agnus Dei: Cum sancto | — | ||
| 7-17 | Mass No. 5 in A-flat major, D. 678: XVII Agnus Dei: Osanna | — | ||
| 8-1 | Mass No. 6 in E-flat major, D. 950: I. Kyrie | — | ||
| 8-2 | Mass No. 6 in E-flat major, D. 950: II. Gloria: Gloria in excelsis Deo | — | ||
| 8-3 | Mass No. 6 in E-flat major, D. 950: III. Gloria: Domine Deus | — | ||
| 8-4 | Mass No. 6 in E-flat major, D. 950: IV. Gloria: Quoniam tu solus sanctus | — | ||
| 8-5 | Mass No. 6 in E-flat major, D. 950: V. Gloria: Cum sancto spiritu | — | ||
| 8-6 | Mass No. 6 in E-flat major, D. 950: VI. Credo: Credo | — | ||
| 8-7 | Mass No. 6 in E-flat major, D. 950: VII. Credo: Et incarnatus est | — | ||
| 8-8 | Mass No. 6 in E-flat major, D. 950: VIII. Credo: Et resurrexit | — | ||
| 8-9 | Mass No. 6 in E-flat major, D. 950: IX. Credo: Et vitam | — | ||
| 8-10 | Mass No. 6 in E-flat major, D. 950: X. Sanctus: Sanctus | — | ||
| 8-11 | Mass No. 6 in E-flat major, D. 950: XI. Sanctus: Osanna | — | ||
| 8-12 | Mass No. 6 in E-flat major, D. 950: XII. Sanctus: Benedictus | — | ||
| 8-13 | Mass No. 6 in E-flat major, D. 950: XIII. Sanctus: Osanna II | — | ||
| 8-14 | Mass No. 6 in E-flat major, D. 950: XIV. Agnus Dei: Agnus Dei | — | ||
| 8-15 | Mass No. 6 in E-flat major, D. 950: XV. Agnus Dei: Dona nobis pacem | — | ||
| 8-16 | Offertorium Intende voci, D. 963 | — | ||
| 8-17 | Tantum ergo, D. 962 | — | ||
| 9-1 | Deutsche Messe, D. 872: I. Zum Eingang: Wohin soll ich | — | ||
| 9-2 | Deutsche Messe, D. 872: II. Zum Gloria: Ehre, Ehre sei Gott | — | ||
| 9-3 | Deutsche Messe, D. 872: III. Zum Evangelium und Credo: Noch lag die Schöpfung | — | ||
| 9-4 | Deutsche Messe, D. 872: IV. Zum Offertorium: Du gabst, o Herr | — | ||
| 9-5 | Deutsche Messe, D. 872: V. Zum Sanctus: Heilig, Heilig | — | ||
| 9-6 | Deutsche Messe, D. 872: VI. Nach der Wandlung: Betrachtend deine huld und güte | — | ||
| 9-7 | Deutsche Messe, D. 872: VII. Zum Agnus Dei: Mein Heiland | — | ||
| 9-8 | Deutsche Messe, D. 872: VIII. Schlussgang: Herr, du hast mein Fleh'n | — | ||
| 9-9 | Deutsche Messe, D. 872: IX. Anhang Das Gebet des Herrn: Anbetend deine Macht | — | ||
| 10-1 | String Quartet No. 13 in A minor, D. 804, "Rosamunde": I. Allegro ma non troppo | — | ||
| 10-2 | String Quartet No. 13 in A minor, D. 804, "Rosamunde": II. Andante | — | ||
| 10-3 | String Quartet No. 13 in A minor, D. 804, "Rosamunde": III. Menuetto, allegretto | — | ||
| 10-4 | String Quartet No. 13 in A minor, D. 804, "Rosamunde": IV. Allegro moderato | — | ||
| 10-5 | String Quartet No. 14 in D minor, D. 810, "Der Tod und das Mädchen": I. Allegro | — | ||
| 10-6 | String Quartet No. 14 in D minor, D. 810, "Der Tod und das Mädchen": II. Andante con moto | — | ||
| 10-7 | String Quartet No. 14 in D minor, D. 810, "Der Tod und das Mädchen": III. Scherzo, allegro molto | — | ||
| 10-8 | String Quartet No. 14 in D minor, D. 810, "Der Tod und das Mädchen": IV. Presto | — | ||
| 11-1 | Quartettsatz in C minor, D. 703: Allegro assai | — | ||
| 11-2 | String Quartet No. 15 in G major, Op. post. 161/D. 887: I. Allegro molto moderato | — | ||
| 11-3 | String Quartet No. 15 in G major, Op. post. 161/D. 887: II. Andante un poco moto | — | ||
| 11-4 | String Quartet No. 15 in G major, Op. post. 161/D. 887: III. Scherzo, allegro vivace | — | ||
| 11-5 | String Quartet No. 15 in G major, Op. post. 161/D. 887: IV. Allegro assai | — | ||
| 12-1 | String Quintet for 2 violins, viola & 2 cellos in C major, Op. post. 163/D. 956: I. Allegro ma non troppo | — | ||
| 12-2 | String Quintet for 2 violins, viola & 2 cellos in C major, Op. post. 163/D. 956: II. Adagio | — | ||
| 12-3 | String Quintet for 2 violins, viola & 2 cellos in C major, Op. post. 163/D. 956: III. Scherzo, presto | — | ||
| 12-4 | String Quintet for 2 violins, viola & 2 cellos in C major, Op. post. 163/D. 956: IV. Allegretto | — | ||
| 13-1 | Quintet for piano, violin, viola, cello & double-bass in A major, Op. post. 114/D. 667, "The Trout": Allegro vivace | — | ||
| 13-2 | Quintet for piano, violin, viola, cello & double-bass in A major, Op. post. 114/D. 667, "The Trout": II. Andante | — | ||
| 13-3 | Quintet for piano, violin, viola, cello & double-bass in A major, Op. post. 114/D. 667, "The Trout": III. Scherzo, presto | — | ||
| 13-4 | Quintet for piano, violin, viola, cello & double-bass in A major, Op. post. 114/D. 667, "The Trout": IV. Tema con variazioni (Die Forelle) | — | ||
| 13-5 | Quintet for piano, violin, viola, cello & double-bass in A major, Op. post. 114/D. 667, "The Trout": V. Allegro giusto | — | ||
| 13-6 | String Quartet No. 9 in G minor, D. 173: I. Allegro con brio | — | ||
| 13-7 | String Quartet No. 9 in G minor, D. 173: II. Andantino | — | ||
| 13-8 | String Quartet No. 9 in G minor, D. 173: III. Menuetto, allegro vivace | — | ||
| 13-9 | String Quartet No. 9 in G minor, D. 173: IV. Allegro | — | ||
| 14-1 | Piano Trio No. 1 in B-flat major, Op. 99/D. 898: I. Allegro moderato | — | ||
| 14-2 | Piano Trio No. 1 in B-flat major, Op. 99/D. 898: II. Andante un poco mosso | — | ||
| 14-3 | Piano Trio No. 1 in B-flat major, Op. 99/D. 898: III. Scherzo | — | ||
| 14-4 | Piano Trio No. 1 in B-flat major, Op. 99/D. 898: IV. Rondo, allegro vivace | — | ||
| 14-5 | Sonatensatz, D. 28 | — | ||
| 15-1 | Piano Trio No. 2 in E-flat major, Op. 100/D. 929: I. Allegro | — | ||
| 15-2 | Piano Trio No. 2 in E-flat major, Op. 100/D. 929: II. Andante con moto | — | ||
| 15-3 | Piano Trio No. 2 in E-flat major, Op. 100/D. 929: III. Scherzo, allegro moderato | — | ||
| 15-4 | Piano Trio No. 2 in E-flat major, Op. 100/D. 929: IV. Allegro moderato | — | ||
| 15-5 | Notturno, D. 897: Adagio | — | ||
| 16-1 | Octet for Strings and Wind in F major, Op. post. 166/D. 803: I. Adagio-allegro | — | ||
| 16-2 | Octet for Strings and Wind in F major, Op. post. 166/D. 803: II. Adagio | — | ||
| 16-3 | Octet for Strings and Wind in F major, Op. post. 166/D. 803: III. Allegro vivace-trio | — | ||
| 16-4 | Octet for Strings and Wind in F major, Op. post. 166/D. 803: IV. Andante con variazioni | — | ||
| 16-5 | Octet for Strings and Wind in F major, Op. post. 166/D. 803: V. Menuetto, allegretto | — | ||
| 16-6 | Octet for Strings and Wind in F major, Op. post. 166/D. 803: VI. Andante molto-allegro | — | ||
| 17-1 | Sonata for Piano in B-flat major, Op. post./D. 960: I. Allegro moderato | Klára Würtz | — | |
| 17-2 | Sonata for Piano in B-flat major, Op. post./D. 960: II. Andante sostenuto | Klára Würtz | — | |
| 17-3 | Sonata for Piano in B-flat major, Op. post./D. 960: III. Scherzo, allegro vivace con delicatezza | Klára Würtz | — | |
| 17-4 | Sonata for Piano in B-flat major, Op. post./D. 960: IV. Allegro, ma non troppo | Klára Würtz | — | |
| 17-5 | Sonata for Piano in B major, Op. post. 147/D. 575: I. Allegro, ma non troppo | Klára Würtz | — | |
| 17-6 | Sonata for Piano in B major, Op. post. 147/D. 575: II. Andante | Klára Würtz | — | |
| 17-7 | Sonata for Piano in B major, Op. post. 147/D. 575: III. Scherzo, allegretto | Klára Würtz | — | |
| 17-8 | Sonata for Piano in B major, Op. post. 147/D. 575: IV. Allegro giusto | Klára Würtz | — | |
| 17-9 | Allegro for Four Hands Piano in A minor, D. 968 "Lebensstürme": Allegro | Klára Würtz, Pieter van Winkel | — | |
| 18-1 | Sonata for Piano in A major, D. 959: I. Allegro | — | ||
| 18-2 | Sonata for Piano in A major, D. 959: II. Andantino | — | ||
| 18-3 | Sonata for Piano in A major, D. 959: III. Scherzo, allegro vivace | — | ||
| 18-4 | Sonata for Piano in A major, D. 959: IV. Rondo, allegretto | — | ||
| 18-5 | Sonata for Piano No. 6 in E minor, D. 566: I. Moderato | — | ||
| 18-6 | Sonata for Piano No. 6 in E minor, D. 566: II. Allegretto | — | ||
| 18-7 | Sonata for Piano No. 6 in E minor, D. 566: III. Scherzo, allegro vivace | — | ||
| 18-8 | Sonata for Piano No. 6 in E minor, D.566: IV. Rondo, allegretto | — | ||
| 19-1 | Sonata for Piano in C minor, D. 958: I. Allegro | — | ||
| 19-2 | Sonata for Piano in C minor, D. 958: II. Adagio | — | ||
| 19-3 | Sonata for Piano in C minor, D. 958: III. Menuetto, allegro | — | ||
| 19-4 | Sonata for Piano in C minor, D. 958: IV. Allegro | — | ||
| 19-5 | Six Moments Musicaux for Piano, D. 780: I. Moderato in C major | — | ||
| 19-6 | Six Moments Musicaux for Piano, D. 780: II. Andantino in A-flat major | — | ||
| 19-7 | Six Moments Musicaux for Piano, D. 780: III. Allegretto moderato in F minor | — | ||
| 19-8 | Six Moments Musicaux for Piano, D. 780: IV. Moderato in C-sharp minor | — | ||
| 19-9 | Six Moments Musicaux for Piano, D. 780: V. Allegro vivace in F minor | — | ||
| 19-10 | Six Moments Musicaux for Piano, D. 780: VI. Allegretto in A-flat major | — | ||
| 20-1 | Sonata for Piano No. 17 in D major, Op. 53/D. 850, "Gasteiner": I. Allegro vivace | — | ||
| 20-2 | Sonata for Piano No. 17 in D major, Op. 53/D. 850, "Gasteiner": II. Con moto | — | ||
| 20-3 | Sonata for Piano No. 17 in D major, Op. 53/D. 850, "Gasteiner": III. Scherzo, allegro vivace | — | ||
| 20-4 | Sonata for Piano No. 17 in D major, Op. 53/D. 850, "Gasteiner": IV. Rondo, allegro moderato | — | ||
| 20-5 | Sonata for Piano No. 15 in C major, D. 840, "Relique": I. Moderato | — | ||
| 20-6 | Sonata for Piano No. 15 in C major, D. 840, "Relique": II. Andante | — | ||
| 20-7 | Sonata for Piano No. 5 in A-flat major, D. 557: I. Allegro moderato | — | ||
| 20-8 | Sonata for Piano No. 5 in A-flat major, D. 557: II. Andante | — | ||
| 20-9 | Sonata for Piano No. 5 in A-flat major, D. 557: III. Allegro | — | ||
| 21-1 | Sonata for Piano No. 14 in A minor, Op. post. 143/D. 784: I. Allegro giusto | — | ||
| 21-2 | Sonata for Piano No. 14 in A minor, Op. post. 143/D. 784: II. Andante | — | ||
| 21-3 | Sonata for Piano No. 14 in A minor, Op. post. 143/D. 784: III. Allegro vivace | — | ||
| 21-4 | Sonata for Piano No. 18 in G major, Op. 78/D. 894 "Fantasia": I. Molto moderato e cantabile | — | ||
| 21-5 | Sonata for Piano No. 18 in G major, Op. 78/D. 894 "Fantasia": II. Andante | — | ||
| 21-6 | Sonata for Piano No. 18 in G major, Op. 78/D. 894 "Fantasia": III. Menuetto, allegro moderato | — | ||
| 21-7 | Sonata for Piano No. 18 in G major, Op. 78/D. 894 "Fantasia": IV. Allegretto | — | ||
| 22-1 | Sonata for Piano No. 4 in A minor, Op. post. 164/D. 537: I. Allegro | — | ||
| 22-2 | Sonata for Piano No. 4 in A minor, Op. post. 164/D. 537: II. Allegretto | — | ||
| 22-3 | Sonata for Piano No. 4 in A minor, Op. post. 164/D. 537: III. Allegro | — | ||
| 22-4 | Sonata for Piano No. 13 in A major, Op. post. 120/D. 664: I. Allegro moderato | — | ||
| 22-5 | Sonata for Piano No. 13 in A major, Op. post. 120/D. 664: II. Andante | — | ||
| 22-6 | Sonata for Piano No. 13 in A major, Op. post. 120/D. 664: III. Allegro | — | ||
| 22-7 | Drei Klavierstücke, D. 946: I. Allegro molto in E-flat minor | — | ||
| 22-8 | Drei Klavierstücke, D. 946: II Allegretto in E-flat major | — | ||
| 22-9 | Drei Klavierstücke, D. 946: III. Allegro in C major | — | ||
| 23-1 | Sonata for Piano No. 16 in A minor, Op. 42/D. 845: I. Moderato | — | ||
| 23-2 | Sonata for Piano No. 16 in A minor, Op. 42/D. 845: II. Andante, poco mosso | — | ||
| 23-3 | Sonata for Piano No. 16 in A minor, Op. 42/D. 845: III. Scherzo, allegro vivace | — | ||
| 23-4 | Sonata for Piano No. 16 in A minor, Op. 42/D. 845: IV. Rondo, allegro vivace | — | ||
| 23-5 | Sonata for Piano No. 3 in E major, D. 459 "Fünf Klavierstücke": I. Allegro moderato | — | ||
| 23-6 | Sonata for Piano No. 3 in E major, D. 459 "Fünf Klavierstücke": II. Scherzo, allegro | — | ||
| 23-7 | Sonata for Piano No. 3 in E major, D. 459 "Fünf Klavierstücke": III. Adagio | — | ||
| 23-8 | Sonata for Piano No. 3 in E major, D. 459 "Fünf Klavierstücke": IV. Scherzo con trio | — | ||
| 23-9 | Sonata for Piano No. 3 in E major, D. 459 "Fünf Klavierstücke": V. Allegro patetico | — | ||
| 24-1 | Sonata for Piano in F-sharp minor, D. 570/571: I. Allegro | — | ||
| 24-2 | Sonata for Piano in F-sharp minor, D. 570/571: II. Scherzo, allegro vivace | — | ||
| 24-3 | Sonata for Piano in F-sharp minor, D. 570/571: III. Allegro moderato | — | ||
| 24-4 | Sonata for Piano in C major, D. 613: I. Moderato | — | ||
| 24-5 | Sonata for Piano in C major, D. 613: II. (Without tempo indication) | — | ||
| 24-6 | Sonata for Piano No. 11 in F minor, D. 625: I. Allegro | — | ||
| 24-7 | Sonata for Piano No. 11 in F minor, D. 625: II. Scherzo, allegretto | — | ||
| 24-8 | Sonata for Piano No. 11 in F minor, D. 625: III. Allegro | — | ||
| 24-9 | Sonata Movement in C-sharp minor, D. 655: Allegro | — | ||
| 24-10 | Ungarische Melodie for Piano in B major, D. 817 | — | ||
| 24-11 | Zwei Scherzi No. 1, D. 593: Scherzo in B-flat major | — | ||
| 24-12 | Zwei Scherzi No. 2, D. 593: Scherzo in D-flat major | — | ||
| 25-1 | Sonata for Piano No. 1 in E major, D. 157: I. Allegro ma non troppo | — | ||
| 25-2 | Sonata for Piano No. 1 in E major, D. 157: II. Andante | — | ||
| 25-3 | Sonata for Piano No. 1 in E major, D. 157: III. Menuetto, allegro vivace | — | ||
| 25-4 | Sonata for Piano No. 2 in C major, D. 279: I. Allegro moderato | — | ||
| 25-5 | Sonata for Piano No. 2 in C major, D. 279: II. Andante | — | ||
| 25-6 | Sonata for Piano No. 2 in C major, D. 279: III. Menuetto, allegro vivace | — | ||
| 25-7 | Sonata for Piano No. 2 in C major, D. 279: IV. Allegretto | — | ||
| 25-8 | Sonata for Piano No. 8 in E-flat major, D. 568: I. Allegro moderato | — | ||
| 25-9 | Sonata for Piano No. 8 in E-flat major, D. 568: II. Andante molto | — | ||
| 25-10 | Sonata for Piano No. 8 in E-flat major, D. 568: III. Menuetto, allegretto | — | ||
| 25-11 | Sonata for Piano No. 8 in E-flat major, D. 568: IV. Allegro moderato | — | ||
| 25-12 | Fantasie for Piano in C minor, D. 2e | — | ||
| 25-13 | Allegretto for Piano in C minor, D. 915 | — | ||
| 25-14 | Scherzo for Piano in B-flat major, D. 593 | — | ||
| 26-1 | Impromptu in C minor, Op. 90/D. 899 No. 1: Allegro molto moderato | — | ||
| 26-2 | Impromptu in E-flat major, Op. 90/D. 899 No. 2: Allegro | — | ||
| 26-3 | Impromptu in G-flat major, Op. 90/D. 899 No. 3: Andante | — | ||
| 26-4 | Impromptu in A-flat major, Op. 90/D. 899 No. 4: Allegretto | — | ||
| 26-5 | Impromptu in F minor, Op. post. 142/D. 935 No. 1: Allegro moderato | — | ||
| 26-6 | Impromptu in A-flat major, Op. post. 142/D. 935 No. 2: Allegretto | — | ||
| 26-7 | Impromptu in B-flat major, Op. post. 142/D. 935 No. 3: Andante mit Variationen (Rosamunde) | — | ||
| 26-8 | Impromptu in F minor, Op. post. 142/D. 935 No. 4: Allegro vivace | — | ||
| 27-1 | Fantasie in C major, Op. 15/D. 760 "Wanderer Fantasie": I. Allegro con fuoco | — | ||
| 27-2 | Fantasie in C major, Op. 15/D. 760 "Wanderer Fantasie": II. Adagio | — | ||
| 27-3 | Fantasie in C major, Op. 15/D. 760 "Wanderer Fantasie": III. Scherzo, presto | — | ||
| 27-4 | Fantasie in C major, Op. 15/D. 760 "Wanderer Fantasie": IV. Allegro | — | ||
| 27-5 | Deutsche Tänze, Op. 18 No. 1 | — | ||
| 27-6 | Deutsche Tänze, Op. 9 No. 3 | — | ||
| 27-7 | Deutsche Tänze, Op. 18 No. 4 | — | ||
| 27-8 | Deutsche Tänze, Op. 9 No. 5 | — | ||
| 27-9 | Deutsche Tänze, Op. 9 No. 6 | — | ||
| 27-10 | Deutsche Tänze, Op. 9 No. 2 | — | ||
| 27-11 | Zwölf Wiener Deutsche Tänze, D. 128 No. 1 | — | ||
| 27-12 | Zwölf Wiener Deutsche Tänze, D. 128 No. 2 | — | ||
| 27-13 | Zwölf Wiener Deutsche Tänze, D. 128 No. 3 | — | ||
| 27-14 | Zwölf Wiener Deutsche Tänze, D. 128 No. 4 | — | ||
| 27-15 | Zwölf Wiener Deutsche Tänze, D. 128 No. 5 | — | ||
| 27-16 | Zwölf Wiener Deutsche Tänze, D. 128 No. 6 | — | ||
| 27-17 | Zwölf Wiener Deutsche Tänze, D. 128 No. 7 | — | ||
| 27-18 | Zwölf Wiener Deutsche Tänze, D. 128 No. 8 | — | ||
| 27-19 | Zwölf Wiener Deutsche Tänze, D. 128 No. 9 | — | ||
| 27-20 | Zwölf Wiener Deutsche Tänze, D. 128 No. 10 | — | ||
| 27-21 | Zwölf Wiener Deutsche Tänze, D. 128 No. 11 | — | ||
| 27-22 | Zwölf Wiener Deutsche Tänze, D. 128 No. 12 | — | ||
| 27-23 | Wiener Deutsche Tänze in C-sharp minor, D. 643 | — | ||
| 27-24 | Wiener Deutsche Tänze in G-flat major, D. 722 | — | ||
| 27-25 | Zwei Deutsche Tänze, D. 769 No. 1 | — | ||
| 27-26 | Zwei Deutsche Tänze, D. 769 No. 2 | — | ||
| 27-27 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 1 | — | ||
| 27-28 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 2 | — | ||
| 27-29 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 3 | — | ||
| 27-30 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 4 | — | ||
| 27-31 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 5 | — | ||
| 27-32 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 6 | — | ||
| 27-33 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 7 | — | ||
| 27-34 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 8 | — | ||
| 27-35 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 9 | — | ||
| 27-36 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 10 | — | ||
| 27-37 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 11 | — | ||
| 27-38 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 12 | — | ||
| 27-39 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 13 | — | ||
| 27-40 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 14 | — | ||
| 27-41 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 15 | — | ||
| 27-42 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 16 | — | ||
| 27-43 | Deutsche Tänze, D. 820 No. 1 | — | ||
| 27-44 | Deutsche Tänze, D. 820 No. 2 | — | ||
| 27-45 | Deutsche Tänze, D. 970 No. 1 | — | ||
| 27-46 | Deutsche Tänze, D. 970 No. 2 | — | ||
| 27-47 | Deutsche Tänze, D. 970 No. 3 | — | ||
| 27-48 | Deutsche Tänze, D. 970 No. 4 | — | ||
| 27-49 | Deutsche Tänze, D. 970 No. 5 | — | ||
| 27-50 | Drei Deutsche Tänze, D. 971 No. 1 | — | ||
| 27-51 | Drei Deutsche Tänze, D. 971 No. 2 | — | ||
| 27-52 | Drei Deutsche Tänze, D. 971 No. 3 | — | ||
| 27-53 | Drei Deutsche Tänze, D. 972 No. 1 | — | ||
| 27-54 | Drei Deutsche Tänze, D. 972 No. 2 | — | ||
| 27-55 | Drei Deutsche Tänze, D. 972 No. 3 | — | ||
| 27-56 | Drei Deutsche Tänze, D. 973 No. 1 | — | ||
| 27-57 | Drei Deutsche Tänze, D. 973 No. 2 | — | ||
| 27-58 | Drei Deutsche Tänze, D. 973 No. 3 | — | ||
| 27-59 | Zwei Deutsche Tänze, D. 974 No. 1 | — | ||
| 27-60 | Zwei Deutsche Tänze, D. 974 No. 2 | — | ||
| 27-61 | Drei Deutsche Tänze, D. 975 | — | ||
| 28-1 | Die schöne Müllerin, D. 795 No. 1: Das wandern | — | ||
| 28-2 | Die schöne Müllerin, D. 795 No. 2: Wohin? | — | ||
| 28-3 | Die schöne Müllerin, D. 795 No. 3: Halt! | — | ||
| 28-4 | Die schöne Müllerin, D. 795 No. 4: Danksagung an den Bach | — | ||
| 28-5 | Die schöne Müllerin, D. 795 No. 5: Am Feierabend | — | ||
| 28-6 | Die schöne Müllerin, D. 795 No. 6: Der Neugierige | — | ||
| 28-7 | Die schöne Müllerin, D. 795 No. 7: Ungeduld | — | ||
| 28-8 | Die schöne Müllerin, D. 795 No. 8: Morgengruß | — | ||
| 28-9 | Die schöne Müllerin, D. 795 No. 9: Des Müllers Blumen | — | ||
| 28-10 | Die schöne Müllerin, D. 795 No. 10: Tränenregen | — | ||
| 28-11 | Die schöne Müllerin, D. 795 No. 11: Mein! | — | ||
| 28-12 | Die schöne Müllerin, D. 795 No. 12: Pause | — | ||
| 28-13 | Die schöne Müllerin, D. 795 No. 13: Mit dem grünen Lautenbande | — | ||
| 28-14 | Die schöne Müllerin, D. 795 No. 14: Der Jäger | — | ||
| 28-15 | Die schöne Müllerin, D. 795 No. 15: Eifersucht und Stolz | — | ||
| 28-16 | Die schöne Müllerin, D. 795 No. 16: Die liebe Farbe | — | ||
| 28-17 | Die schöne Müllerin, D. 795 No. 17: Die böse Farbe | — | ||
| 28-18 | Die schöne Müllerin, D. 795 No. 18: Trockne Blumen | — | ||
| 28-19 | Die schöne Müllerin, D. 795 No. 19: Der Müller und der Bach | — | ||
| 28-20 | Die schöne Müllerin, D. 795 No. 20: Des Baches Wiegenlied | — | ||
| 29-1 | Winterreise, D. 911 No. 1: Gute Nacht | — | ||
| 29-2 | Winterreise, D. 911 No. 2: Die Wetterfahne | — | ||
| 29-3 | Winterreise, D. 911 No. 3: Gefrorne Tränen | — | ||
| 29-4 | Winterreise, D. 911 No. 4: Erstarrung | — | ||
| 29-5 | Winterreise, D. 911 No. 5: Der Lindenbaum | — | ||
| 29-6 | Winterreise, D. 911 No. 6: Wasserflut | — | ||
| 29-7 | Winterreise, D. 911 No. 7: Auf dem Flusse | — | ||
| 29-8 | Winterreise, D. 911 No. 8: Rückblick | — | ||
| 29-9 | Winterreise, D. 911 No. 9: Irrlicht | — | ||
| 29-10 | Winterreise, D. 911 No. 10: Rast | — | ||
| 29-11 | Winterreise, D. 911 No. 11: Frühlingstraum | — | ||
| 29-12 | Winterreise, D. 911 No. 12: Einsamkeit | — | ||
| 29-13 | Winterreise, D. 911 No. 13: Die Post | — | ||
| 29-14 | Winterreise, D. 911 No. 14: Der greise Kopf | — | ||
| 29-15 | Winterreise, D. 911 No. 15: Die Krähe | — | ||
| 29-16 | Winterreise, D. 911 No. 16: Letzte Hoffnung | — | ||
| 29-17 | Winterreise, D. 911 No. 17: Im Dorfe | — | ||
| 29-18 | Winterreise, D. 911 No. 18: Der stürmische Morgen | — | ||
| 29-19 | Winterreise, D. 911 No. 19: Täuschung | — | ||
| 29-20 | Winterreise, D. 911 No. 20: Der Wegweiser | — | ||
| 29-21 | Winterreise, D. 911 No. 21: Das Wirtshaus | — | ||
| 29-22 | Winterreise, D. 911 No. 22: Mut | — | ||
| 29-23 | Winterreise, D. 911 No. 23: Die Nebensonnen | — | ||
| 29-24 | Winterreise, D. 911 No. 24: Der Leiermann | — | ||
| 30-1 | Schwanengesang D. 957 No. 1: Liebesbotschaft | — | ||
| 30-2 | Schwanengesang D. 957 No. 2: Kriegers Ahnung | — | ||
| 30-3 | Schwanengesang D. 957 No. 3: Fruhlingssehnsucht | — | ||
| 30-4 | Schwanengesang D. 957 No. 4: Ständchen | — | ||
| 30-5 | Schwanengesang D. 957 No. 5: Aufenthalt | — | ||
| 30-6 | Schwanengesang D. 957 No. 6: In der Ferne | — | ||
| 30-7 | Schwanengesang D. 957 No. 7: Abschied | — | ||
| 30-8 | Schwanengesang D. 957 No. 8: Der Atlas | — | ||
| 30-9 | Schwanengesang D. 957 No. 9: Ihr Bild | — | ||
| 30-10 | Schwanengesang D. 957 No. 10: Das Fischermädchen | — | ||
| 30-11 | Schwanengesang D. 957 No. 11: Die Stadt | — | ||
| 30-12 | Schwanengesang D. 957 No. 12: Am Meer | — | ||
| 30-13 | Schwanengesang D. 957 No. 13: Der Doppelgänger | — | ||
| 30-14 | Schwanengesang D. 957 No. 14: Die Taubenpost | — | ||
| 31-1 | Der Winterabend, D. 938 | — | ||
| 31-2 | Auf dem See, D. 543 | — | ||
| 31-3 | Das Lied im Grünen, D. 917 | — | ||
| 31-4 | An die untergehende Sonne, D. 457 | — | ||
| 31-5 | Der liebliche Stern, D. 861 | — | ||
| 31-6 | An den Mond, D. 296 | — | ||
| 31-7 | Nachtstück, D. 672 | — | ||
| 31-8 | Augenlied, D. 297 | — | ||
| 31-9 | Der blinde Knabe, D. 833 | — | ||
| 31-10 | Am Grabe Anselmos, D. 504 | — | ||
| 31-11 | Bei Dir allein, D. 866 | — | ||
| 31-12 | Die abgeblühte Linde, D. 514 | — | ||
| 31-13 | Fischerweise, D. 881 | — | ||
| 31-14 | Geheimnis (An Franz Schubert), D. 491 | — | ||
| 31-15 | An die Musik, D. 547 | — | ||
| 32-1 | Gretchen am Spinnrade, D. 118 | — | ||
| 32-2 | Gretchens Bitte, D. 564 | — | ||
| 32-3 | Klärchens Lied, D. 210 | — | ||
| 32-4 | Sehnsucht (Lied der Mignon), D. 481 | — | ||
| 32-5 | Mignon I, D. 726 | — | ||
| 32-6 | Mignon II, D. 727 | — | ||
| 32-7 | Mignon, D. 321 | — | ||
| 32-8 | Heidenröslein, D. 257 | — | ||
| 32-9 | Lied der Mignon, D. 877 No. 2 | — | ||
| 32-10 | Lied der Mignon, D. 877 No. 3 | — | ||
| 32-11 | Lied der Mignon, D. 877 No. 4 | — | ||
| 32-12 | Die Liebende schreibt, D. 673 | — | ||
| 32-13 | Suleika I, D. 720 | — | ||
| 32-14 | Suleika II, D. 717 | — | ||
| 33-1 | Der Musensohn, D. 764 | — | ||
| 33-2 | Ganymed, D. 544 | — | ||
| 33-3 | Schäfers Klagelied, D. 121 | — | ||
| 33-4 | Rastlose Liebe, D. 138 | — | ||
| 33-5 | Suleika I, D. 720 | — | ||
| 33-6 | Suleika II, D. 717 | — | ||
| 33-7 | An den Mond, D. 296 | — | ||
| 33-8 | Der Fischer, D. 225 | — | ||
| 33-9 | Erlkönig, D. 328 | — | ||
| 33-10 | Wandrers Nachtlied, D. 768 | — | ||
| 33-11 | Die Sterne, D. 939 | — | ||
| 33-12 | An den Mond, D. 193 | — | ||
| 33-13 | Der Einsame, D. 800 | — | ||
| 33-14 | Nachtstück, D. 672 | — | ||
| 33-15 | Der Zwerg, D. 771 | — | ||
| 33-16 | Im Abendrot, D. 799 | — | ||
| 33-17 | Nachtviolen, D. 752 | — | ||
| 33-18 | Die junge Nonne, D. 828 | — | ||
| 33-19 | Nacht und Träume, D. 827 | — | ||
| 34-1 | Heliopolis, D. 754 | — | ||
| 34-2 | Abendstern, D. 806 | — | ||
| 34-3 | Nacht und Träume D. 827 | — | ||
| 34-4 | Des Sängers Habe, D. 832 | — | ||
| 34-5 | Auf der Bruck D. 853 | — | ||
| 34-6 | Wanderer an den Mond, D. 870 | — | ||
| 34-7 | Das Zügenglöcklein, D. 871 | — | ||
| 34-8 | Am Fenster, D. 878 | — | ||
| 34-9 | Im Frühling, D. 882 | — | ||
| 34-10 | An Silvia, D. 891 | — | ||
| 34-11 | Alinde, D. 904 | — | ||
| 34-12 | An die Laute, D. 905 | — | ||
| 34-13 | Der Kreuzzug, D. 932 | — | ||
| 34-14 | Des Fischers Liebesglück, D. 953 | — | ||
| 34-15 | Der Winterabend, D. 938 | — | ||
| 34-16 | Die Sterne, D. 939 | — | ||
| 35-1 | Sonatina for Piano and Violin in D major, Op. post. 137 No. 1/D. 384: I. Allegro molto | — | ||
| 35-2 | Sonatina for Piano and Violin in D major, Op. post. 137 No. 1/D. 384: II. Andante | — | ||
| 35-3 | Sonatina for Piano and Violin in D major, Op. post. 137 No. 1/D. 384: III. Allegro vivace | — | ||
| 35-4 | Sonatina for Piano and Violin in A minor, Op. post. 137 No. 2/D. 385: I. Allegro moderato | — | ||
| 35-5 | Sonatina for Piano and Violin in A minor, Op. post. 137 No. 2/D. 385: II. Andante | — | ||
| 35-6 | Sonatina for Piano and Violin in A minor, Op. post. 137 No. 2/D. 385: III. Allegro | — | ||
| 35-7 | Sonatina for Piano and Violin in A minor, Op. post. 137 No. 2/D. 385: IV. Allegro | — | ||
| 35-8 | Sonatina for Piano and Violin in G minor, Op. post. 137 No. 3/D. 408: I. Allegro giusto | — | ||
| 35-9 | Sonatina for Piano and Violin in G minor, Op. post. 137 No. 3/D. 408: II. Andante | — | ||
| 35-10 | Sonatina for Piano and Violin in G minor, Op. post. 137 No. 3/D. 408: III. Menuetto: Allegro vivace | — | ||
| 35-11 | Sonatina for Piano and Violin in G minor, Op. post. 137 No. 3/D. 408: IV. Allegro moderato | — | ||
| 36-1 | Sonata for Violin and Piano in A major, Op. post. 162/D. 574: I. Allegro moderato | — | ||
| 36-2 | Sonata for Violin and Piano in A major, Op. post. 162/D. 574: II. Scherzo. Presto | — | ||
| 36-3 | Sonata for Violin and Piano in A major, Op. post. 162/D. 574: III. Andantino | — | ||
| 36-4 | Sonata for Violin and Piano in A major, Op. post. 162/D. 574: IV. Allegro vivace | — | ||
| 36-5 | Rondo in B minor, Op. 70/D. 895 "Rondo brillant" | — | ||
| 36-6 | Fantasy in C major, Op. post. 159/D. 934 | — | ||
| 37-1 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, I. "Hier lasst mich ruhn" (Lazarus) | — | ||
| 37-2 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act. I, II. "Noch einen Augenblick" (Martha) | — | ||
| 37-3 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, III. "Trübe nicht mit Klagen seine Seele" (Maria) | — | ||
| 37-4 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, IV. Aria "Steh im letzten Kampf dem Müden" (Maria) | — | ||
| 37-5 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, V: "Voll Friede" (Lazarus) | — | ||
| 37-6 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, VI. "So segne mich" (Nathanael) | — | ||
| 37-7 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, VII. "Willkommen, mein Nathanael" (Lazarus) | — | ||
| 37-8 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, VIII. Aria "Wenn ich ihm nachgerungen habe" (Nathanael) | — | ||
| 37-9 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, IX. "Nathanael, bewundern kann ich dich" (Martha) | — | ||
| 37-10 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, X. "O Martha, bliebst du stiller" (Maria) | — | ||
| 37-11 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, XI. "Der Trost begleite dich hinüber" (Maria) | — | ||
| 37-12 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, XII. "Wenn nun mit tausendfachen Qualen" (Maria) | — | ||
| 37-13 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I. XIII. Aria "Gottes Liebe, du bist seine Zuversicht" (Maria) | — | ||
| 37-14 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, XIV. "Ach, so find ich ihn noch" (Jemina) | — | ||
| 37-15 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, XV. "Jemina, Tochter der Auferstehung" (Lazarus) | — | ||
| 37-16 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, XVI Aria "So schlummert auf Rosen die Unschuld ein" (Jemina) | — | ||
| 37-17 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, XVII. "Nun entflog auf schnellen Schwingen" (Jemina) | — | ||
| 37-18 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, XVIII. "Ach seht, er wird so bleich" (Jemina) | — | ||
| 37-19 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, XIX. "Ich sterbe, ach nun kommt" (Lazarus) | — | ||
| 37-20 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, XX. "Allgnädiger, heile du unsrer Seele Wunde" (Choir) | — | ||
| 37-21 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act II, I. "Einleitung" | — | ||
| 37-22 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act II, II. "Wo bin ich" (Simon) | — | ||
| 37-23 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act II, III. Aria "O könnt ich, Allgewaltiger" (Simon) | — | ||
| 37-24 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act II, IV. "Wes ist der Klage Stimme" (Nathanael) | — | ||
| 37-25 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act II, V. "Sanft und still schläft unser Freund" (Choir) | — | ||
| 38-1 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act II, VI. "So legt ihn in die Blumen" (Nathanael) | — | ||
| 38-2 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act II, VII. Aria "Hebt mich, der Stürme Flügel" (Martha) | — | ||
| 38-3 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act II, VIII. "Einst, wenn vom Abend und vom Morgen her" (Nathanael) | — | ||
| 38-4 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act II, IX. "Mein stiller Abend ist gekommen" (Ein Jüngling) | — | ||
| 38-5 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act II, X. "Wiedersehn! Sei uns gesegnet" (Choir) | — | ||
| 38-6 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, I. "Ich hab' ihn gesehen" (Martha) | — | ||
| 38-7 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, II. Aria "Auferwecker!" (Maria) | — | ||
| 38-8 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, III. "Maria! Ach wenn er den Schlummernden" (Martha) | — | ||
| 38-9 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, IV. "Ich folge, meine Schwester!" (Maria) | — | ||
| 38-10 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, V. "Wie ich wanke! Wie ich irre!" (Simon) | — | ||
| 38-11 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, VI. "Preis dem Erwecker!" (Choir) | — | ||
| 38-12 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, VII. "Er kam, mit Trost des Himmels" (Choir) | — | ||
| 38-13 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, VIII. "Preis dem Erwecker!" (Choir) | — | ||
| 38-14 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, IX. "Simon! Simon, noch so trübe dein Auge" (Nathanael) | — | ||
| 38-15 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, X. "Willkommen, meine Brüder" (Lazarus) | — | ||
| 38-16 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, XI. Aria "O dass mit Himmelharmonien" (Lazarus) | — | ||
| 38-17 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, XII. "Mehr! Viel mehr! Kein Harfenklang" (Choir) | — | ||
| 38-18 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, XIII. "O Tag des Jubels" (Simon) | — | ||
| 38-19 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, IX. Aria "In Wetterwolken eingehüllt" (Simon) | — | ||
| 38-20 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, X. "Was wird jener Tag sein" (Nathanael) | — | ||
| 38-21 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, XI. "Ich will dich singen" (Lazarus) | — | ||
| 38-22 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, XII. Heilige Stätte" (Choir) | — | ||
| 38-23 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, XIII "Komm, Wonnetag" (Choir) | — | ||
| 39-1 | Fantaisie for Piano Duet in F minor, Op. post. 103/D. 940 | — | ||
| 39-2 | Rondo for Piano Duet in D major, D. 608 | — | ||
| 39-3 | Sonata for Piano Duet in B-flat major Op. 30/D. 617: I. Allegro moderato | — | ||
| 39-4 | Sonata for Piano Duet in B-flat major Op. 30/D. 617: II. Andante con moto | — | ||
| 39-5 | Sonata for Piano Duet in B-flat major Op. 30/D. 617: III. Allegretto | — | ||
| 39-6 | Grand Rondo for Piano Duet in A major D. 951 | — | ||
| 39-7 | Valses Sentimentales, D. 779 | — | ||
| 40-1 | Divertissement à l'Hongroise for Piano Duet in G major, Op. 30/D. 818: I. Andante | — | ||
| 40-2 | Divertissement à l'Hongroise for Piano Duet in G major, Op. 30/D. 818: II. Marcia | — | ||
| 40-3 | Divertissement à l'Hongroise for Piano Duet in G major, Op. 30/D. 818: III. Allegretto | — | ||
| 40-4 | Divertissement à la Française for Piano Duet in E major, D. 823: I. Tempo di Marcia | — | ||
| 40-5 | Divertissement à la Française for Piano Duet in E major, D. 823: II. Andantino | — | ||
| 40-6 | Divertissement à la Française for Piano Duet in E major, D. 823: III. Rondo, allegretto | — |
Songwriters/Publishers (IPI)
Identifier Graph
5028421923949 is a Universal Product Code (UPC) assigned to The Masterworks by Franz Schubert. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 497 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Masterworks” by Franz Schubert is 5028421923949. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2004-01-01. Label: Brilliant Classics. This release contains 497 tracks, each with its own ISRC. Tracks include NLY330603794, NLY330603795, NLY330603796.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No. 1 in D major, D. 82: I. Adagio - Allegro vivace | — | ||
| 2 | Symphony No. 1 in D major, D. 82: II. Andante | — | ||
| 3 | Symphony No. 1 in D major, D. 82: III. Menuetto | — | ||
| 4 | Symphony No. 1 in D major, D. 82: IV. Allegro vivace | — | ||
| 5 | Symphony No. 2 in B-flat major, D. 125: I. Largo - Allegro vivace | — | ||
| 6 | Symphony No. 2 in B-flat major, D. 125: II. Andante | — | ||
| 7 | Symphony No. 2 in B-flat major, D. 125: III. Menuetto & Trio | — | ||
| 8 | Symphony No. 2 in B-flat major, D. 125: IV. Presto vivace | — | ||
| 2-1 | Symphony No. 8 in B minor, D. 759: I. Allegro moderato | — | ||
| 2-2 | Symphony No. 8 in B minor, D. 759: II. Andante con moto | — | ||
| 2-3 | Symphony No. 5 in B-flat major, D. 485: I. Allegro | — | ||
| 2-4 | Symphony No. 5 in B-flat major, D. 485: II. Andante con moto | — | ||
| 2-5 | Symphony No. 5 in B-flat major, D. 485: III. Menuetto & Trio: Allegro molto | — | ||
| 2-6 | Symphony No. 5 in B-flat major, D. 485: IV. Allegro vivace | — | ||
| 2-7 | Symphony No. 3 in D major, D. 200: I. Adagio maestoso - Allegro con brio | — | ||
| 2-8 | Symphony No. 3 in D major, D. 200: II. Allegretto | — | ||
| 2-9 | Symphony No. 3 in D major, D. 200: III. Menuetto & Trio: Vivace | — | ||
| 2-10 | Symphony No. 3 in D major, D. 200: IV. Presto vivace | — | ||
| 3-1 | Symphony No. 4 in C minor, D. 417, "Tragic": I. Adagio molto - Allegro vivace | — | ||
| 3-2 | Symphony No. 4 in C minor, D. 417, "Tragic": II. Andante | — | ||
| 3-3 | Symphony No. 4 in C minor, D. 417, "Tragic": III. Menuetto & trio | — | ||
| 3-4 | Symphony No. 4 in C minor, D. 417, "Tragic": IV. Allegro | — | ||
| 3-5 | Symphony No. 6 in C major, D. 589: I. Adagio - Allegro | — | ||
| 3-6 | Symphony No. 6 in C major, D. 589: II. Andante | — | ||
| 3-7 | Symphony No. 6 in C major, D. 589: III. Scherzo. Allegro | — | ||
| 3-8 | Symphony No. 6 in C major, D. 589: IV. Finale. Allegro moderato | — | ||
| 4-1 | Symphony No. 9 in C major, D. 944 "The Great": I. Andante - Allegro ma non troppo - piu moto | — | ||
| 4-2 | Symphony No. 9 in C major, D. 944 "The Great": II. Andante con moto | — | ||
| 4-3 | Symphony No. 9 in C major, D. 944 "The Great": III. Scherzo: Allegro vivace | — | ||
| 4-4 | Symphony No. 9 in C major, D. 944 "The Great": IV. Allegro vivace | — | ||
| 5-1 | Mass No. 1 in F major, D. 105: I. Kyrie | — | ||
| 5-2 | Mass No. 1 in F major, D. 105: II. Gloria | — | ||
| 5-3 | Mass No. 1 in F major, D. 105: III. Credo | — | ||
| 5-4 | Mass No. 1 in F major, D. 105: IV. Sanctus | — | ||
| 5-5 | Mass No. 1 in F major, D. 105: V. Benedictus | — | ||
| 5-6 | Mass No. 1 in F major, D. 105: VI. Agnus Dei | — | ||
| 5-7 | Salve Regina in A major, D. 676 | — | ||
| 5-8 | Magnificat in C major, D. 486 | — | ||
| 6-1 | Mass No. 2 in G major, D. 167: I. Kyrie | — | ||
| 6-2 | Mass No. 2 in G major, D. 167: II. Gloria | — | ||
| 6-3 | Mass No. 2 in G major, D. 167: III. Credo | — | ||
| 6-4 | Mass No. 2 in G major, D. 167: IV. Sanctus | — | ||
| 6-5 | Mass No. 2 in G major, D. 167: V. Benedictus | — | ||
| 6-6 | Mass No. 2 in G major, D. 167: VI. Agnus Dei | — | ||
| 6-7 | Mass No. 4 in C major, D. 452: I. Kyrie | — | ||
| 6-8 | Mass No. 4 in C major, D. 452: II. Gloria | — | ||
| 6-9 | Mass No. 4 in C major, D. 452: III. Credo | — | ||
| 6-10 | Mass No. 4 in C major, D. 452: IV. Sanctus | — | ||
| 6-11 | Mass No. 4 in C major, D. 452: V. Benedictus | — | ||
| 6-12 | Mass No. 4 in C major, D. 452: VI. Agnus Dei | — | ||
| 6-13 | Mass No. 3 in B-flat major, D. 324: I. Kyrie | — | ||
| 6-14 | Mass No. 3 in B-flat major, D. 324: II. Gloria | — | ||
| 6-15 | Mass No. 3 in B-flat major, D. 324: III. Credo | — | ||
| 6-16 | Mass No. 3 in B-flat major, D. 324: IV. Sanctus | — | ||
| 6-17 | Mass No. 3 in B-flat major, D. 324: V. Benedictus | — | ||
| 6-18 | Mass No. 3 in B-flat major, D. 324: VI. Agnus Dei | — | ||
| 7-1 | Mass No. 5 in A-flat major, D. 678: I. Kyrie | — | ||
| 7-2 | Mass No. 5 in A-flat major, D. 678: II. Gloria: Gloria in excelsis Deo | — | ||
| 7-3 | Mass No. 5 in A-flat major, D. 678: III. Gloria: Gratias agimus | — | ||
| 7-4 | Mass No. 5 in A-flat major, D. 678: IV. Gloria: Domine Deus | — | ||
| 7-5 | Mass No. 5 in A-flat major, D. 678: V. Gloria: Quoniam tu solus sanctus | — | ||
| 7-6 | Mass No. 5 in A-flat major, D. 678: VI. Gloria: Cum sancto spiritu | — | ||
| 7-7 | Mass No. 5 in A-flat major, D. 678: VII. Credo: Credo | — | ||
| 7-8 | Mass No. 5 in A-flat major, D. 678: VIII. Credo: Et incarnatus est | — | ||
| 7-9 | Mass No. 5 in A-flat major, D. 678: IX. Credo: Et resurrexit | — | ||
| 7-10 | Mass No. 5 in A-flat major, D. 678: X. Sanctus: Sanctus | — | ||
| 7-11 | Mass No. 5 in A-flat major, D. 678: XI. Sanctus: Osanna | — | ||
| 7-12 | Mass No. 5 in A-flat major, D. 678: XII. Sanctus: Benedictus | — | ||
| 7-13 | Mass No. 5 in A-flat major, D. 678: XIII. Sanctus: Osanna | — | ||
| 7-14 | Mass No. 5 in A-flat major, D. 678: XIV. Agnus Dei: Agnus Dei | — | ||
| 7-15 | Mass No. 5 in A-flat major, D. 678: XV. Agnus Dei: Dona nobis pacem | — | ||
| 7-16 | Mass No. 5 in A-flat major, D. 678: XVI. Agnus Dei: Cum sancto | — | ||
| 7-17 | Mass No. 5 in A-flat major, D. 678: XVII Agnus Dei: Osanna | — | ||
| 8-1 | Mass No. 6 in E-flat major, D. 950: I. Kyrie | — | ||
| 8-2 | Mass No. 6 in E-flat major, D. 950: II. Gloria: Gloria in excelsis Deo | — | ||
| 8-3 | Mass No. 6 in E-flat major, D. 950: III. Gloria: Domine Deus | — | ||
| 8-4 | Mass No. 6 in E-flat major, D. 950: IV. Gloria: Quoniam tu solus sanctus | — | ||
| 8-5 | Mass No. 6 in E-flat major, D. 950: V. Gloria: Cum sancto spiritu | — | ||
| 8-6 | Mass No. 6 in E-flat major, D. 950: VI. Credo: Credo | — | ||
| 8-7 | Mass No. 6 in E-flat major, D. 950: VII. Credo: Et incarnatus est | — | ||
| 8-8 | Mass No. 6 in E-flat major, D. 950: VIII. Credo: Et resurrexit | — | ||
| 8-9 | Mass No. 6 in E-flat major, D. 950: IX. Credo: Et vitam | — | ||
| 8-10 | Mass No. 6 in E-flat major, D. 950: X. Sanctus: Sanctus | — | ||
| 8-11 | Mass No. 6 in E-flat major, D. 950: XI. Sanctus: Osanna | — | ||
| 8-12 | Mass No. 6 in E-flat major, D. 950: XII. Sanctus: Benedictus | — | ||
| 8-13 | Mass No. 6 in E-flat major, D. 950: XIII. Sanctus: Osanna II | — | ||
| 8-14 | Mass No. 6 in E-flat major, D. 950: XIV. Agnus Dei: Agnus Dei | — | ||
| 8-15 | Mass No. 6 in E-flat major, D. 950: XV. Agnus Dei: Dona nobis pacem | — | ||
| 8-16 | Offertorium Intende voci, D. 963 | — | ||
| 8-17 | Tantum ergo, D. 962 | — | ||
| 9-1 | Deutsche Messe, D. 872: I. Zum Eingang: Wohin soll ich | — | ||
| 9-2 | Deutsche Messe, D. 872: II. Zum Gloria: Ehre, Ehre sei Gott | — | ||
| 9-3 | Deutsche Messe, D. 872: III. Zum Evangelium und Credo: Noch lag die Schöpfung | — | ||
| 9-4 | Deutsche Messe, D. 872: IV. Zum Offertorium: Du gabst, o Herr | — | ||
| 9-5 | Deutsche Messe, D. 872: V. Zum Sanctus: Heilig, Heilig | — | ||
| 9-6 | Deutsche Messe, D. 872: VI. Nach der Wandlung: Betrachtend deine huld und güte | — | ||
| 9-7 | Deutsche Messe, D. 872: VII. Zum Agnus Dei: Mein Heiland | — | ||
| 9-8 | Deutsche Messe, D. 872: VIII. Schlussgang: Herr, du hast mein Fleh'n | — | ||
| 9-9 | Deutsche Messe, D. 872: IX. Anhang Das Gebet des Herrn: Anbetend deine Macht | — | ||
| 10-1 | String Quartet No. 13 in A minor, D. 804, "Rosamunde": I. Allegro ma non troppo | — | ||
| 10-2 | String Quartet No. 13 in A minor, D. 804, "Rosamunde": II. Andante | — | ||
| 10-3 | String Quartet No. 13 in A minor, D. 804, "Rosamunde": III. Menuetto, allegretto | — | ||
| 10-4 | String Quartet No. 13 in A minor, D. 804, "Rosamunde": IV. Allegro moderato | — | ||
| 10-5 | String Quartet No. 14 in D minor, D. 810, "Der Tod und das Mädchen": I. Allegro | — | ||
| 10-6 | String Quartet No. 14 in D minor, D. 810, "Der Tod und das Mädchen": II. Andante con moto | — | ||
| 10-7 | String Quartet No. 14 in D minor, D. 810, "Der Tod und das Mädchen": III. Scherzo, allegro molto | — | ||
| 10-8 | String Quartet No. 14 in D minor, D. 810, "Der Tod und das Mädchen": IV. Presto | — | ||
| 11-1 | Quartettsatz in C minor, D. 703: Allegro assai | — | ||
| 11-2 | String Quartet No. 15 in G major, Op. post. 161/D. 887: I. Allegro molto moderato | — | ||
| 11-3 | String Quartet No. 15 in G major, Op. post. 161/D. 887: II. Andante un poco moto | — | ||
| 11-4 | String Quartet No. 15 in G major, Op. post. 161/D. 887: III. Scherzo, allegro vivace | — | ||
| 11-5 | String Quartet No. 15 in G major, Op. post. 161/D. 887: IV. Allegro assai | — | ||
| 12-1 | String Quintet for 2 violins, viola & 2 cellos in C major, Op. post. 163/D. 956: I. Allegro ma non troppo | — | ||
| 12-2 | String Quintet for 2 violins, viola & 2 cellos in C major, Op. post. 163/D. 956: II. Adagio | — | ||
| 12-3 | String Quintet for 2 violins, viola & 2 cellos in C major, Op. post. 163/D. 956: III. Scherzo, presto | — | ||
| 12-4 | String Quintet for 2 violins, viola & 2 cellos in C major, Op. post. 163/D. 956: IV. Allegretto | — | ||
| 13-1 | Quintet for piano, violin, viola, cello & double-bass in A major, Op. post. 114/D. 667, "The Trout": Allegro vivace | — | ||
| 13-2 | Quintet for piano, violin, viola, cello & double-bass in A major, Op. post. 114/D. 667, "The Trout": II. Andante | — | ||
| 13-3 | Quintet for piano, violin, viola, cello & double-bass in A major, Op. post. 114/D. 667, "The Trout": III. Scherzo, presto | — | ||
| 13-4 | Quintet for piano, violin, viola, cello & double-bass in A major, Op. post. 114/D. 667, "The Trout": IV. Tema con variazioni (Die Forelle) | — | ||
| 13-5 | Quintet for piano, violin, viola, cello & double-bass in A major, Op. post. 114/D. 667, "The Trout": V. Allegro giusto | — | ||
| 13-6 | String Quartet No. 9 in G minor, D. 173: I. Allegro con brio | — | ||
| 13-7 | String Quartet No. 9 in G minor, D. 173: II. Andantino | — | ||
| 13-8 | String Quartet No. 9 in G minor, D. 173: III. Menuetto, allegro vivace | — | ||
| 13-9 | String Quartet No. 9 in G minor, D. 173: IV. Allegro | — | ||
| 14-1 | Piano Trio No. 1 in B-flat major, Op. 99/D. 898: I. Allegro moderato | — | ||
| 14-2 | Piano Trio No. 1 in B-flat major, Op. 99/D. 898: II. Andante un poco mosso | — | ||
| 14-3 | Piano Trio No. 1 in B-flat major, Op. 99/D. 898: III. Scherzo | — | ||
| 14-4 | Piano Trio No. 1 in B-flat major, Op. 99/D. 898: IV. Rondo, allegro vivace | — | ||
| 14-5 | Sonatensatz, D. 28 | — | ||
| 15-1 | Piano Trio No. 2 in E-flat major, Op. 100/D. 929: I. Allegro | — | ||
| 15-2 | Piano Trio No. 2 in E-flat major, Op. 100/D. 929: II. Andante con moto | — | ||
| 15-3 | Piano Trio No. 2 in E-flat major, Op. 100/D. 929: III. Scherzo, allegro moderato | — | ||
| 15-4 | Piano Trio No. 2 in E-flat major, Op. 100/D. 929: IV. Allegro moderato | — | ||
| 15-5 | Notturno, D. 897: Adagio | — | ||
| 16-1 | Octet for Strings and Wind in F major, Op. post. 166/D. 803: I. Adagio-allegro | — | ||
| 16-2 | Octet for Strings and Wind in F major, Op. post. 166/D. 803: II. Adagio | — | ||
| 16-3 | Octet for Strings and Wind in F major, Op. post. 166/D. 803: III. Allegro vivace-trio | — | ||
| 16-4 | Octet for Strings and Wind in F major, Op. post. 166/D. 803: IV. Andante con variazioni | — | ||
| 16-5 | Octet for Strings and Wind in F major, Op. post. 166/D. 803: V. Menuetto, allegretto | — | ||
| 16-6 | Octet for Strings and Wind in F major, Op. post. 166/D. 803: VI. Andante molto-allegro | — | ||
| 17-1 | Sonata for Piano in B-flat major, Op. post./D. 960: I. Allegro moderato | Klára Würtz | — | |
| 17-2 | Sonata for Piano in B-flat major, Op. post./D. 960: II. Andante sostenuto | Klára Würtz | — | |
| 17-3 | Sonata for Piano in B-flat major, Op. post./D. 960: III. Scherzo, allegro vivace con delicatezza | Klára Würtz | — | |
| 17-4 | Sonata for Piano in B-flat major, Op. post./D. 960: IV. Allegro, ma non troppo | Klára Würtz | — | |
| 17-5 | Sonata for Piano in B major, Op. post. 147/D. 575: I. Allegro, ma non troppo | Klára Würtz | — | |
| 17-6 | Sonata for Piano in B major, Op. post. 147/D. 575: II. Andante | Klára Würtz | — | |
| 17-7 | Sonata for Piano in B major, Op. post. 147/D. 575: III. Scherzo, allegretto | Klára Würtz | — | |
| 17-8 | Sonata for Piano in B major, Op. post. 147/D. 575: IV. Allegro giusto | Klára Würtz | — | |
| 17-9 | Allegro for Four Hands Piano in A minor, D. 968 "Lebensstürme": Allegro | Klára Würtz, Pieter van Winkel | — | |
| 18-1 | Sonata for Piano in A major, D. 959: I. Allegro | — | ||
| 18-2 | Sonata for Piano in A major, D. 959: II. Andantino | — | ||
| 18-3 | Sonata for Piano in A major, D. 959: III. Scherzo, allegro vivace | — | ||
| 18-4 | Sonata for Piano in A major, D. 959: IV. Rondo, allegretto | — | ||
| 18-5 | Sonata for Piano No. 6 in E minor, D. 566: I. Moderato | — | ||
| 18-6 | Sonata for Piano No. 6 in E minor, D. 566: II. Allegretto | — | ||
| 18-7 | Sonata for Piano No. 6 in E minor, D. 566: III. Scherzo, allegro vivace | — | ||
| 18-8 | Sonata for Piano No. 6 in E minor, D.566: IV. Rondo, allegretto | — | ||
| 19-1 | Sonata for Piano in C minor, D. 958: I. Allegro | — | ||
| 19-2 | Sonata for Piano in C minor, D. 958: II. Adagio | — | ||
| 19-3 | Sonata for Piano in C minor, D. 958: III. Menuetto, allegro | — | ||
| 19-4 | Sonata for Piano in C minor, D. 958: IV. Allegro | — | ||
| 19-5 | Six Moments Musicaux for Piano, D. 780: I. Moderato in C major | — | ||
| 19-6 | Six Moments Musicaux for Piano, D. 780: II. Andantino in A-flat major | — | ||
| 19-7 | Six Moments Musicaux for Piano, D. 780: III. Allegretto moderato in F minor | — | ||
| 19-8 | Six Moments Musicaux for Piano, D. 780: IV. Moderato in C-sharp minor | — | ||
| 19-9 | Six Moments Musicaux for Piano, D. 780: V. Allegro vivace in F minor | — | ||
| 19-10 | Six Moments Musicaux for Piano, D. 780: VI. Allegretto in A-flat major | — | ||
| 20-1 | Sonata for Piano No. 17 in D major, Op. 53/D. 850, "Gasteiner": I. Allegro vivace | — | ||
| 20-2 | Sonata for Piano No. 17 in D major, Op. 53/D. 850, "Gasteiner": II. Con moto | — | ||
| 20-3 | Sonata for Piano No. 17 in D major, Op. 53/D. 850, "Gasteiner": III. Scherzo, allegro vivace | — | ||
| 20-4 | Sonata for Piano No. 17 in D major, Op. 53/D. 850, "Gasteiner": IV. Rondo, allegro moderato | — | ||
| 20-5 | Sonata for Piano No. 15 in C major, D. 840, "Relique": I. Moderato | — | ||
| 20-6 | Sonata for Piano No. 15 in C major, D. 840, "Relique": II. Andante | — | ||
| 20-7 | Sonata for Piano No. 5 in A-flat major, D. 557: I. Allegro moderato | — | ||
| 20-8 | Sonata for Piano No. 5 in A-flat major, D. 557: II. Andante | — | ||
| 20-9 | Sonata for Piano No. 5 in A-flat major, D. 557: III. Allegro | — | ||
| 21-1 | Sonata for Piano No. 14 in A minor, Op. post. 143/D. 784: I. Allegro giusto | — | ||
| 21-2 | Sonata for Piano No. 14 in A minor, Op. post. 143/D. 784: II. Andante | — | ||
| 21-3 | Sonata for Piano No. 14 in A minor, Op. post. 143/D. 784: III. Allegro vivace | — | ||
| 21-4 | Sonata for Piano No. 18 in G major, Op. 78/D. 894 "Fantasia": I. Molto moderato e cantabile | — | ||
| 21-5 | Sonata for Piano No. 18 in G major, Op. 78/D. 894 "Fantasia": II. Andante | — | ||
| 21-6 | Sonata for Piano No. 18 in G major, Op. 78/D. 894 "Fantasia": III. Menuetto, allegro moderato | — | ||
| 21-7 | Sonata for Piano No. 18 in G major, Op. 78/D. 894 "Fantasia": IV. Allegretto | — | ||
| 22-1 | Sonata for Piano No. 4 in A minor, Op. post. 164/D. 537: I. Allegro | — | ||
| 22-2 | Sonata for Piano No. 4 in A minor, Op. post. 164/D. 537: II. Allegretto | — | ||
| 22-3 | Sonata for Piano No. 4 in A minor, Op. post. 164/D. 537: III. Allegro | — | ||
| 22-4 | Sonata for Piano No. 13 in A major, Op. post. 120/D. 664: I. Allegro moderato | — | ||
| 22-5 | Sonata for Piano No. 13 in A major, Op. post. 120/D. 664: II. Andante | — | ||
| 22-6 | Sonata for Piano No. 13 in A major, Op. post. 120/D. 664: III. Allegro | — | ||
| 22-7 | Drei Klavierstücke, D. 946: I. Allegro molto in E-flat minor | — | ||
| 22-8 | Drei Klavierstücke, D. 946: II Allegretto in E-flat major | — | ||
| 22-9 | Drei Klavierstücke, D. 946: III. Allegro in C major | — | ||
| 23-1 | Sonata for Piano No. 16 in A minor, Op. 42/D. 845: I. Moderato | — | ||
| 23-2 | Sonata for Piano No. 16 in A minor, Op. 42/D. 845: II. Andante, poco mosso | — | ||
| 23-3 | Sonata for Piano No. 16 in A minor, Op. 42/D. 845: III. Scherzo, allegro vivace | — | ||
| 23-4 | Sonata for Piano No. 16 in A minor, Op. 42/D. 845: IV. Rondo, allegro vivace | — | ||
| 23-5 | Sonata for Piano No. 3 in E major, D. 459 "Fünf Klavierstücke": I. Allegro moderato | — | ||
| 23-6 | Sonata for Piano No. 3 in E major, D. 459 "Fünf Klavierstücke": II. Scherzo, allegro | — | ||
| 23-7 | Sonata for Piano No. 3 in E major, D. 459 "Fünf Klavierstücke": III. Adagio | — | ||
| 23-8 | Sonata for Piano No. 3 in E major, D. 459 "Fünf Klavierstücke": IV. Scherzo con trio | — | ||
| 23-9 | Sonata for Piano No. 3 in E major, D. 459 "Fünf Klavierstücke": V. Allegro patetico | — | ||
| 24-1 | Sonata for Piano in F-sharp minor, D. 570/571: I. Allegro | — | ||
| 24-2 | Sonata for Piano in F-sharp minor, D. 570/571: II. Scherzo, allegro vivace | — | ||
| 24-3 | Sonata for Piano in F-sharp minor, D. 570/571: III. Allegro moderato | — | ||
| 24-4 | Sonata for Piano in C major, D. 613: I. Moderato | — | ||
| 24-5 | Sonata for Piano in C major, D. 613: II. (Without tempo indication) | — | ||
| 24-6 | Sonata for Piano No. 11 in F minor, D. 625: I. Allegro | — | ||
| 24-7 | Sonata for Piano No. 11 in F minor, D. 625: II. Scherzo, allegretto | — | ||
| 24-8 | Sonata for Piano No. 11 in F minor, D. 625: III. Allegro | — | ||
| 24-9 | Sonata Movement in C-sharp minor, D. 655: Allegro | — | ||
| 24-10 | Ungarische Melodie for Piano in B major, D. 817 | — | ||
| 24-11 | Zwei Scherzi No. 1, D. 593: Scherzo in B-flat major | — | ||
| 24-12 | Zwei Scherzi No. 2, D. 593: Scherzo in D-flat major | — | ||
| 25-1 | Sonata for Piano No. 1 in E major, D. 157: I. Allegro ma non troppo | — | ||
| 25-2 | Sonata for Piano No. 1 in E major, D. 157: II. Andante | — | ||
| 25-3 | Sonata for Piano No. 1 in E major, D. 157: III. Menuetto, allegro vivace | — | ||
| 25-4 | Sonata for Piano No. 2 in C major, D. 279: I. Allegro moderato | — | ||
| 25-5 | Sonata for Piano No. 2 in C major, D. 279: II. Andante | — | ||
| 25-6 | Sonata for Piano No. 2 in C major, D. 279: III. Menuetto, allegro vivace | — | ||
| 25-7 | Sonata for Piano No. 2 in C major, D. 279: IV. Allegretto | — | ||
| 25-8 | Sonata for Piano No. 8 in E-flat major, D. 568: I. Allegro moderato | — | ||
| 25-9 | Sonata for Piano No. 8 in E-flat major, D. 568: II. Andante molto | — | ||
| 25-10 | Sonata for Piano No. 8 in E-flat major, D. 568: III. Menuetto, allegretto | — | ||
| 25-11 | Sonata for Piano No. 8 in E-flat major, D. 568: IV. Allegro moderato | — | ||
| 25-12 | Fantasie for Piano in C minor, D. 2e | — | ||
| 25-13 | Allegretto for Piano in C minor, D. 915 | — | ||
| 25-14 | Scherzo for Piano in B-flat major, D. 593 | — | ||
| 26-1 | Impromptu in C minor, Op. 90/D. 899 No. 1: Allegro molto moderato | — | ||
| 26-2 | Impromptu in E-flat major, Op. 90/D. 899 No. 2: Allegro | — | ||
| 26-3 | Impromptu in G-flat major, Op. 90/D. 899 No. 3: Andante | — | ||
| 26-4 | Impromptu in A-flat major, Op. 90/D. 899 No. 4: Allegretto | — | ||
| 26-5 | Impromptu in F minor, Op. post. 142/D. 935 No. 1: Allegro moderato | — | ||
| 26-6 | Impromptu in A-flat major, Op. post. 142/D. 935 No. 2: Allegretto | — | ||
| 26-7 | Impromptu in B-flat major, Op. post. 142/D. 935 No. 3: Andante mit Variationen (Rosamunde) | — | ||
| 26-8 | Impromptu in F minor, Op. post. 142/D. 935 No. 4: Allegro vivace | — | ||
| 27-1 | Fantasie in C major, Op. 15/D. 760 "Wanderer Fantasie": I. Allegro con fuoco | — | ||
| 27-2 | Fantasie in C major, Op. 15/D. 760 "Wanderer Fantasie": II. Adagio | — | ||
| 27-3 | Fantasie in C major, Op. 15/D. 760 "Wanderer Fantasie": III. Scherzo, presto | — | ||
| 27-4 | Fantasie in C major, Op. 15/D. 760 "Wanderer Fantasie": IV. Allegro | — | ||
| 27-5 | Deutsche Tänze, Op. 18 No. 1 | — | ||
| 27-6 | Deutsche Tänze, Op. 9 No. 3 | — | ||
| 27-7 | Deutsche Tänze, Op. 18 No. 4 | — | ||
| 27-8 | Deutsche Tänze, Op. 9 No. 5 | — | ||
| 27-9 | Deutsche Tänze, Op. 9 No. 6 | — | ||
| 27-10 | Deutsche Tänze, Op. 9 No. 2 | — | ||
| 27-11 | Zwölf Wiener Deutsche Tänze, D. 128 No. 1 | — | ||
| 27-12 | Zwölf Wiener Deutsche Tänze, D. 128 No. 2 | — | ||
| 27-13 | Zwölf Wiener Deutsche Tänze, D. 128 No. 3 | — | ||
| 27-14 | Zwölf Wiener Deutsche Tänze, D. 128 No. 4 | — | ||
| 27-15 | Zwölf Wiener Deutsche Tänze, D. 128 No. 5 | — | ||
| 27-16 | Zwölf Wiener Deutsche Tänze, D. 128 No. 6 | — | ||
| 27-17 | Zwölf Wiener Deutsche Tänze, D. 128 No. 7 | — | ||
| 27-18 | Zwölf Wiener Deutsche Tänze, D. 128 No. 8 | — | ||
| 27-19 | Zwölf Wiener Deutsche Tänze, D. 128 No. 9 | — | ||
| 27-20 | Zwölf Wiener Deutsche Tänze, D. 128 No. 10 | — | ||
| 27-21 | Zwölf Wiener Deutsche Tänze, D. 128 No. 11 | — | ||
| 27-22 | Zwölf Wiener Deutsche Tänze, D. 128 No. 12 | — | ||
| 27-23 | Wiener Deutsche Tänze in C-sharp minor, D. 643 | — | ||
| 27-24 | Wiener Deutsche Tänze in G-flat major, D. 722 | — | ||
| 27-25 | Zwei Deutsche Tänze, D. 769 No. 1 | — | ||
| 27-26 | Zwei Deutsche Tänze, D. 769 No. 2 | — | ||
| 27-27 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 1 | — | ||
| 27-28 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 2 | — | ||
| 27-29 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 3 | — | ||
| 27-30 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 4 | — | ||
| 27-31 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 5 | — | ||
| 27-32 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 6 | — | ||
| 27-33 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 7 | — | ||
| 27-34 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 8 | — | ||
| 27-35 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 9 | — | ||
| 27-36 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 10 | — | ||
| 27-37 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 11 | — | ||
| 27-38 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 12 | — | ||
| 27-39 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 13 | — | ||
| 27-40 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 14 | — | ||
| 27-41 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 15 | — | ||
| 27-42 | Sechzehn Deutsche Tänze, Op. 33/D. 783 No. 16 | — | ||
| 27-43 | Deutsche Tänze, D. 820 No. 1 | — | ||
| 27-44 | Deutsche Tänze, D. 820 No. 2 | — | ||
| 27-45 | Deutsche Tänze, D. 970 No. 1 | — | ||
| 27-46 | Deutsche Tänze, D. 970 No. 2 | — | ||
| 27-47 | Deutsche Tänze, D. 970 No. 3 | — | ||
| 27-48 | Deutsche Tänze, D. 970 No. 4 | — | ||
| 27-49 | Deutsche Tänze, D. 970 No. 5 | — | ||
| 27-50 | Drei Deutsche Tänze, D. 971 No. 1 | — | ||
| 27-51 | Drei Deutsche Tänze, D. 971 No. 2 | — | ||
| 27-52 | Drei Deutsche Tänze, D. 971 No. 3 | — | ||
| 27-53 | Drei Deutsche Tänze, D. 972 No. 1 | — | ||
| 27-54 | Drei Deutsche Tänze, D. 972 No. 2 | — | ||
| 27-55 | Drei Deutsche Tänze, D. 972 No. 3 | — | ||
| 27-56 | Drei Deutsche Tänze, D. 973 No. 1 | — | ||
| 27-57 | Drei Deutsche Tänze, D. 973 No. 2 | — | ||
| 27-58 | Drei Deutsche Tänze, D. 973 No. 3 | — | ||
| 27-59 | Zwei Deutsche Tänze, D. 974 No. 1 | — | ||
| 27-60 | Zwei Deutsche Tänze, D. 974 No. 2 | — | ||
| 27-61 | Drei Deutsche Tänze, D. 975 | — | ||
| 28-1 | Die schöne Müllerin, D. 795 No. 1: Das wandern | — | ||
| 28-2 | Die schöne Müllerin, D. 795 No. 2: Wohin? | — | ||
| 28-3 | Die schöne Müllerin, D. 795 No. 3: Halt! | — | ||
| 28-4 | Die schöne Müllerin, D. 795 No. 4: Danksagung an den Bach | — | ||
| 28-5 | Die schöne Müllerin, D. 795 No. 5: Am Feierabend | — | ||
| 28-6 | Die schöne Müllerin, D. 795 No. 6: Der Neugierige | — | ||
| 28-7 | Die schöne Müllerin, D. 795 No. 7: Ungeduld | — | ||
| 28-8 | Die schöne Müllerin, D. 795 No. 8: Morgengruß | — | ||
| 28-9 | Die schöne Müllerin, D. 795 No. 9: Des Müllers Blumen | — | ||
| 28-10 | Die schöne Müllerin, D. 795 No. 10: Tränenregen | — | ||
| 28-11 | Die schöne Müllerin, D. 795 No. 11: Mein! | — | ||
| 28-12 | Die schöne Müllerin, D. 795 No. 12: Pause | — | ||
| 28-13 | Die schöne Müllerin, D. 795 No. 13: Mit dem grünen Lautenbande | — | ||
| 28-14 | Die schöne Müllerin, D. 795 No. 14: Der Jäger | — | ||
| 28-15 | Die schöne Müllerin, D. 795 No. 15: Eifersucht und Stolz | — | ||
| 28-16 | Die schöne Müllerin, D. 795 No. 16: Die liebe Farbe | — | ||
| 28-17 | Die schöne Müllerin, D. 795 No. 17: Die böse Farbe | — | ||
| 28-18 | Die schöne Müllerin, D. 795 No. 18: Trockne Blumen | — | ||
| 28-19 | Die schöne Müllerin, D. 795 No. 19: Der Müller und der Bach | — | ||
| 28-20 | Die schöne Müllerin, D. 795 No. 20: Des Baches Wiegenlied | — | ||
| 29-1 | Winterreise, D. 911 No. 1: Gute Nacht | — | ||
| 29-2 | Winterreise, D. 911 No. 2: Die Wetterfahne | — | ||
| 29-3 | Winterreise, D. 911 No. 3: Gefrorne Tränen | — | ||
| 29-4 | Winterreise, D. 911 No. 4: Erstarrung | — | ||
| 29-5 | Winterreise, D. 911 No. 5: Der Lindenbaum | — | ||
| 29-6 | Winterreise, D. 911 No. 6: Wasserflut | — | ||
| 29-7 | Winterreise, D. 911 No. 7: Auf dem Flusse | — | ||
| 29-8 | Winterreise, D. 911 No. 8: Rückblick | — | ||
| 29-9 | Winterreise, D. 911 No. 9: Irrlicht | — | ||
| 29-10 | Winterreise, D. 911 No. 10: Rast | — | ||
| 29-11 | Winterreise, D. 911 No. 11: Frühlingstraum | — | ||
| 29-12 | Winterreise, D. 911 No. 12: Einsamkeit | — | ||
| 29-13 | Winterreise, D. 911 No. 13: Die Post | — | ||
| 29-14 | Winterreise, D. 911 No. 14: Der greise Kopf | — | ||
| 29-15 | Winterreise, D. 911 No. 15: Die Krähe | — | ||
| 29-16 | Winterreise, D. 911 No. 16: Letzte Hoffnung | — | ||
| 29-17 | Winterreise, D. 911 No. 17: Im Dorfe | — | ||
| 29-18 | Winterreise, D. 911 No. 18: Der stürmische Morgen | — | ||
| 29-19 | Winterreise, D. 911 No. 19: Täuschung | — | ||
| 29-20 | Winterreise, D. 911 No. 20: Der Wegweiser | — | ||
| 29-21 | Winterreise, D. 911 No. 21: Das Wirtshaus | — | ||
| 29-22 | Winterreise, D. 911 No. 22: Mut | — | ||
| 29-23 | Winterreise, D. 911 No. 23: Die Nebensonnen | — | ||
| 29-24 | Winterreise, D. 911 No. 24: Der Leiermann | — | ||
| 30-1 | Schwanengesang D. 957 No. 1: Liebesbotschaft | — | ||
| 30-2 | Schwanengesang D. 957 No. 2: Kriegers Ahnung | — | ||
| 30-3 | Schwanengesang D. 957 No. 3: Fruhlingssehnsucht | — | ||
| 30-4 | Schwanengesang D. 957 No. 4: Ständchen | — | ||
| 30-5 | Schwanengesang D. 957 No. 5: Aufenthalt | — | ||
| 30-6 | Schwanengesang D. 957 No. 6: In der Ferne | — | ||
| 30-7 | Schwanengesang D. 957 No. 7: Abschied | — | ||
| 30-8 | Schwanengesang D. 957 No. 8: Der Atlas | — | ||
| 30-9 | Schwanengesang D. 957 No. 9: Ihr Bild | — | ||
| 30-10 | Schwanengesang D. 957 No. 10: Das Fischermädchen | — | ||
| 30-11 | Schwanengesang D. 957 No. 11: Die Stadt | — | ||
| 30-12 | Schwanengesang D. 957 No. 12: Am Meer | — | ||
| 30-13 | Schwanengesang D. 957 No. 13: Der Doppelgänger | — | ||
| 30-14 | Schwanengesang D. 957 No. 14: Die Taubenpost | — | ||
| 31-1 | Der Winterabend, D. 938 | — | ||
| 31-2 | Auf dem See, D. 543 | — | ||
| 31-3 | Das Lied im Grünen, D. 917 | — | ||
| 31-4 | An die untergehende Sonne, D. 457 | — | ||
| 31-5 | Der liebliche Stern, D. 861 | — | ||
| 31-6 | An den Mond, D. 296 | — | ||
| 31-7 | Nachtstück, D. 672 | — | ||
| 31-8 | Augenlied, D. 297 | — | ||
| 31-9 | Der blinde Knabe, D. 833 | — | ||
| 31-10 | Am Grabe Anselmos, D. 504 | — | ||
| 31-11 | Bei Dir allein, D. 866 | — | ||
| 31-12 | Die abgeblühte Linde, D. 514 | — | ||
| 31-13 | Fischerweise, D. 881 | — | ||
| 31-14 | Geheimnis (An Franz Schubert), D. 491 | — | ||
| 31-15 | An die Musik, D. 547 | — | ||
| 32-1 | Gretchen am Spinnrade, D. 118 | — | ||
| 32-2 | Gretchens Bitte, D. 564 | — | ||
| 32-3 | Klärchens Lied, D. 210 | — | ||
| 32-4 | Sehnsucht (Lied der Mignon), D. 481 | — | ||
| 32-5 | Mignon I, D. 726 | — | ||
| 32-6 | Mignon II, D. 727 | — | ||
| 32-7 | Mignon, D. 321 | — | ||
| 32-8 | Heidenröslein, D. 257 | — | ||
| 32-9 | Lied der Mignon, D. 877 No. 2 | — | ||
| 32-10 | Lied der Mignon, D. 877 No. 3 | — | ||
| 32-11 | Lied der Mignon, D. 877 No. 4 | — | ||
| 32-12 | Die Liebende schreibt, D. 673 | — | ||
| 32-13 | Suleika I, D. 720 | — | ||
| 32-14 | Suleika II, D. 717 | — | ||
| 33-1 | Der Musensohn, D. 764 | — | ||
| 33-2 | Ganymed, D. 544 | — | ||
| 33-3 | Schäfers Klagelied, D. 121 | — | ||
| 33-4 | Rastlose Liebe, D. 138 | — | ||
| 33-5 | Suleika I, D. 720 | — | ||
| 33-6 | Suleika II, D. 717 | — | ||
| 33-7 | An den Mond, D. 296 | — | ||
| 33-8 | Der Fischer, D. 225 | — | ||
| 33-9 | Erlkönig, D. 328 | — | ||
| 33-10 | Wandrers Nachtlied, D. 768 | — | ||
| 33-11 | Die Sterne, D. 939 | — | ||
| 33-12 | An den Mond, D. 193 | — | ||
| 33-13 | Der Einsame, D. 800 | — | ||
| 33-14 | Nachtstück, D. 672 | — | ||
| 33-15 | Der Zwerg, D. 771 | — | ||
| 33-16 | Im Abendrot, D. 799 | — | ||
| 33-17 | Nachtviolen, D. 752 | — | ||
| 33-18 | Die junge Nonne, D. 828 | — | ||
| 33-19 | Nacht und Träume, D. 827 | — | ||
| 34-1 | Heliopolis, D. 754 | — | ||
| 34-2 | Abendstern, D. 806 | — | ||
| 34-3 | Nacht und Träume D. 827 | — | ||
| 34-4 | Des Sängers Habe, D. 832 | — | ||
| 34-5 | Auf der Bruck D. 853 | — | ||
| 34-6 | Wanderer an den Mond, D. 870 | — | ||
| 34-7 | Das Zügenglöcklein, D. 871 | — | ||
| 34-8 | Am Fenster, D. 878 | — | ||
| 34-9 | Im Frühling, D. 882 | — | ||
| 34-10 | An Silvia, D. 891 | — | ||
| 34-11 | Alinde, D. 904 | — | ||
| 34-12 | An die Laute, D. 905 | — | ||
| 34-13 | Der Kreuzzug, D. 932 | — | ||
| 34-14 | Des Fischers Liebesglück, D. 953 | — | ||
| 34-15 | Der Winterabend, D. 938 | — | ||
| 34-16 | Die Sterne, D. 939 | — | ||
| 35-1 | Sonatina for Piano and Violin in D major, Op. post. 137 No. 1/D. 384: I. Allegro molto | — | ||
| 35-2 | Sonatina for Piano and Violin in D major, Op. post. 137 No. 1/D. 384: II. Andante | — | ||
| 35-3 | Sonatina for Piano and Violin in D major, Op. post. 137 No. 1/D. 384: III. Allegro vivace | — | ||
| 35-4 | Sonatina for Piano and Violin in A minor, Op. post. 137 No. 2/D. 385: I. Allegro moderato | — | ||
| 35-5 | Sonatina for Piano and Violin in A minor, Op. post. 137 No. 2/D. 385: II. Andante | — | ||
| 35-6 | Sonatina for Piano and Violin in A minor, Op. post. 137 No. 2/D. 385: III. Allegro | — | ||
| 35-7 | Sonatina for Piano and Violin in A minor, Op. post. 137 No. 2/D. 385: IV. Allegro | — | ||
| 35-8 | Sonatina for Piano and Violin in G minor, Op. post. 137 No. 3/D. 408: I. Allegro giusto | — | ||
| 35-9 | Sonatina for Piano and Violin in G minor, Op. post. 137 No. 3/D. 408: II. Andante | — | ||
| 35-10 | Sonatina for Piano and Violin in G minor, Op. post. 137 No. 3/D. 408: III. Menuetto: Allegro vivace | — | ||
| 35-11 | Sonatina for Piano and Violin in G minor, Op. post. 137 No. 3/D. 408: IV. Allegro moderato | — | ||
| 36-1 | Sonata for Violin and Piano in A major, Op. post. 162/D. 574: I. Allegro moderato | — | ||
| 36-2 | Sonata for Violin and Piano in A major, Op. post. 162/D. 574: II. Scherzo. Presto | — | ||
| 36-3 | Sonata for Violin and Piano in A major, Op. post. 162/D. 574: III. Andantino | — | ||
| 36-4 | Sonata for Violin and Piano in A major, Op. post. 162/D. 574: IV. Allegro vivace | — | ||
| 36-5 | Rondo in B minor, Op. 70/D. 895 "Rondo brillant" | — | ||
| 36-6 | Fantasy in C major, Op. post. 159/D. 934 | — | ||
| 37-1 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, I. "Hier lasst mich ruhn" (Lazarus) | — | ||
| 37-2 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act. I, II. "Noch einen Augenblick" (Martha) | — | ||
| 37-3 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, III. "Trübe nicht mit Klagen seine Seele" (Maria) | — | ||
| 37-4 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, IV. Aria "Steh im letzten Kampf dem Müden" (Maria) | — | ||
| 37-5 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, V: "Voll Friede" (Lazarus) | — | ||
| 37-6 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, VI. "So segne mich" (Nathanael) | — | ||
| 37-7 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, VII. "Willkommen, mein Nathanael" (Lazarus) | — | ||
| 37-8 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, VIII. Aria "Wenn ich ihm nachgerungen habe" (Nathanael) | — | ||
| 37-9 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, IX. "Nathanael, bewundern kann ich dich" (Martha) | — | ||
| 37-10 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, X. "O Martha, bliebst du stiller" (Maria) | — | ||
| 37-11 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, XI. "Der Trost begleite dich hinüber" (Maria) | — | ||
| 37-12 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, XII. "Wenn nun mit tausendfachen Qualen" (Maria) | — | ||
| 37-13 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I. XIII. Aria "Gottes Liebe, du bist seine Zuversicht" (Maria) | — | ||
| 37-14 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, XIV. "Ach, so find ich ihn noch" (Jemina) | — | ||
| 37-15 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, XV. "Jemina, Tochter der Auferstehung" (Lazarus) | — | ||
| 37-16 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, XVI Aria "So schlummert auf Rosen die Unschuld ein" (Jemina) | — | ||
| 37-17 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, XVII. "Nun entflog auf schnellen Schwingen" (Jemina) | — | ||
| 37-18 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, XVIII. "Ach seht, er wird so bleich" (Jemina) | — | ||
| 37-19 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, XIX. "Ich sterbe, ach nun kommt" (Lazarus) | — | ||
| 37-20 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act I, XX. "Allgnädiger, heile du unsrer Seele Wunde" (Choir) | — | ||
| 37-21 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act II, I. "Einleitung" | — | ||
| 37-22 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act II, II. "Wo bin ich" (Simon) | — | ||
| 37-23 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act II, III. Aria "O könnt ich, Allgewaltiger" (Simon) | — | ||
| 37-24 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act II, IV. "Wes ist der Klage Stimme" (Nathanael) | — | ||
| 37-25 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act II, V. "Sanft und still schläft unser Freund" (Choir) | — | ||
| 38-1 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act II, VI. "So legt ihn in die Blumen" (Nathanael) | — | ||
| 38-2 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act II, VII. Aria "Hebt mich, der Stürme Flügel" (Martha) | — | ||
| 38-3 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act II, VIII. "Einst, wenn vom Abend und vom Morgen her" (Nathanael) | — | ||
| 38-4 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act II, IX. "Mein stiller Abend ist gekommen" (Ein Jüngling) | — | ||
| 38-5 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act II, X. "Wiedersehn! Sei uns gesegnet" (Choir) | — | ||
| 38-6 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, I. "Ich hab' ihn gesehen" (Martha) | — | ||
| 38-7 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, II. Aria "Auferwecker!" (Maria) | — | ||
| 38-8 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, III. "Maria! Ach wenn er den Schlummernden" (Martha) | — | ||
| 38-9 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, IV. "Ich folge, meine Schwester!" (Maria) | — | ||
| 38-10 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, V. "Wie ich wanke! Wie ich irre!" (Simon) | — | ||
| 38-11 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, VI. "Preis dem Erwecker!" (Choir) | — | ||
| 38-12 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, VII. "Er kam, mit Trost des Himmels" (Choir) | — | ||
| 38-13 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, VIII. "Preis dem Erwecker!" (Choir) | — | ||
| 38-14 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, IX. "Simon! Simon, noch so trübe dein Auge" (Nathanael) | — | ||
| 38-15 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, X. "Willkommen, meine Brüder" (Lazarus) | — | ||
| 38-16 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, XI. Aria "O dass mit Himmelharmonien" (Lazarus) | — | ||
| 38-17 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, XII. "Mehr! Viel mehr! Kein Harfenklang" (Choir) | — | ||
| 38-18 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, XIII. "O Tag des Jubels" (Simon) | — | ||
| 38-19 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, IX. Aria "In Wetterwolken eingehüllt" (Simon) | — | ||
| 38-20 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, X. "Was wird jener Tag sein" (Nathanael) | — | ||
| 38-21 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, XI. "Ich will dich singen" (Lazarus) | — | ||
| 38-22 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, XII. Heilige Stätte" (Choir) | — | ||
| 38-23 | Lazarus, oder Die Feier der Auferstehung, D. 689 (Edison Denisov completion): Act III, XIII "Komm, Wonnetag" (Choir) | — | ||
| 39-1 | Fantaisie for Piano Duet in F minor, Op. post. 103/D. 940 | — | ||
| 39-2 | Rondo for Piano Duet in D major, D. 608 | — | ||
| 39-3 | Sonata for Piano Duet in B-flat major Op. 30/D. 617: I. Allegro moderato | — | ||
| 39-4 | Sonata for Piano Duet in B-flat major Op. 30/D. 617: II. Andante con moto | — | ||
| 39-5 | Sonata for Piano Duet in B-flat major Op. 30/D. 617: III. Allegretto | — | ||
| 39-6 | Grand Rondo for Piano Duet in A major D. 951 | — | ||
| 39-7 | Valses Sentimentales, D. 779 | — | ||
| 40-1 | Divertissement à l'Hongroise for Piano Duet in G major, Op. 30/D. 818: I. Andante | — | ||
| 40-2 | Divertissement à l'Hongroise for Piano Duet in G major, Op. 30/D. 818: II. Marcia | — | ||
| 40-3 | Divertissement à l'Hongroise for Piano Duet in G major, Op. 30/D. 818: III. Allegretto | — | ||
| 40-4 | Divertissement à la Française for Piano Duet in E major, D. 823: I. Tempo di Marcia | — | ||
| 40-5 | Divertissement à la Française for Piano Duet in E major, D. 823: II. Andantino | — | ||
| 40-6 | Divertissement à la Française for Piano Duet in E major, D. 823: III. Rondo, allegretto | — |
