UPC · Release
Purcell: Dido and Aeneas / Galliard: Pan and Syrinx
Purcell, Galliard, Musica ad Rhenum, Jed Wentz
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5028421924649 is the Universal Product Code (UPC barcode) for the release “Purcell: Dido and Aeneas / Galliard: Pan and Syrinx” by Purcell, Galliard, Musica ad Rhenum, Jed Wentz, released 2005-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 79 tracks, each with its own ISRC. Tracks include NLY330802540, NLY330802541, NLY330802542.
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- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (79)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Dido and Aeneas: Overture | — | ||
| 2 | Dido and Aeneas: Act 1. Shake the cloud from off your brow, | — | ||
| 3 | Dido and Aeneas: Act 1. Ah! Belinfa, I am press'd | — | ||
| 4 | Dido and Aeneas: Act 1. Grief increasing by concealing | — | ||
| 5 | Dido and Aeneas: Act 1. Whence could so much virtue spring? | — | ||
| 6 | Dido and Aeneas: Act 1. Fear no danger to ensue, | — | ||
| 7 | Dido and Aeneas: Act 1. The Baske Dance | — | ||
| 8 | Dido and Aeneas: Act 1. See, your royal guest appears. | — | ||
| 9 | Dido and Aeneas: Act 1. If not for mine, for Empire's sake, | — | ||
| 10 | Dido and Aeneas: Act 1. The Triumphing Dance | — | ||
| 11 | Dido and Aeneas: Act 2. Wayward sister, you that fright | — | ||
| 12 | Dido and Aeneas: Act 2. The Queen of Carthage, whom we hate, | — | ||
| 13 | Dido and Aeneas: Act 2. But ere we this perform, | — | ||
| 14 | Dido and Aeneas: Act 2. Echo Dance | — | ||
| 15 | Dido and Aeneas: Act 2. Ritournelle | — | ||
| 16 | Dido and Aeneas: Act 2. Thanks to these lonesome vales, | — | ||
| 17 | Dido and Aeneas: Act 2. Oft she visits this lone mountain, | — | ||
| 18 | Dido and Aeneas: Act 2. Behold! upon my bending spear | — | ||
| 19 | Dido and Aeneas: Act 2. Stay, Prince, and hear great Jove's command! | — | ||
| 20 | Dido and Aeneas: Act 2. Then since our charms have sped, | — | ||
| 21 | Dido and Aeneas: Act 2. The Groves' Dance | — | ||
| 22 | Dido and Aeneas: Act 3. Come away fellow sailors, your anchors | — | ||
| 23 | Dido and Aeneas: Act 3. The Sailors' Dance | — | ||
| 24 | Dido and Aeneas: Act 3. See the flags and streamers curling, | — | ||
| 25 | Dido and Aeneas: Act 3. Our next motion | — | ||
| 26 | Dido and Aeneas: Act 3. A Dance | — | ||
| 27 | Dido and Aeneas: Act 3. Your counsel all is urg'd in vain, | — | ||
| 28 | Dido and Aeneas: Act 3. Thy hand, Belinda, darkness shades me, | — | ||
| 29 | Dido and Aeneas: Act 3. With drooping wings ye Cupids come | — | ||
| 30 | Dido and Aeneas: Act 3. Cupids' Dance | — | ||
| 2-1 | Pan and Syrinx: Ouverture (Part 1) | Musica ad Rhenum, Jed Wentz | — | |
| 2-2 | Pan and Syrinx: Ouverture (Part 2 ) | Musica ad Rhenum, Jed Wentz | — | |
| 2-3 | Pan and Syrinx: Ouverture (Part 3 ) | Musica ad Rhenum, Jed Wentz | — | |
| 2-4 | Pan and Syrinx: Ouverture (Part 4) | Musica ad Rhenum, Jed Wentz | — | |
| 2-5 | Pan and Syrinx: On sunny Hills, in gloomy Shades, | Musica ad Rhenum, Jed Wentz | — | |
| 2-6 | Pan and Syrinx: Free from Sorrow, free from Anguish | Musica ad Rhenum, Jed Wentz | — | |
| 2-7 | Pan and Syrinx: What do I see? | Musica ad Rhenum, Jed Wentz | — | |
| 2-8 | Pan and Syrinx: Go leave me 'tis in vain. | Musica ad Rhenum, Jed Wentz | — | |
| 2-9 | Pan and Syrinx: How Insolently Coy! am I to be despis'd? | Musica ad Rhenum, Jed Wentz | — | |
| 2-10 | Pan and Syrinx: Gentle Cupid aid my pleasure | Musica ad Rhenum, Jed Wentz | — | |
| 2-11 | Pan and Syrinx: Symphony | Musica ad Rhenum, Jed Wentz | — | |
| 2-12 | Pan and Syrinx: The rising Morn her purple Beams now sheds | Musica ad Rhenum, Jed Wentz | — | |
| 2-13 | Pan and Syrinx: Bid the Tunefull cornet Sound | Musica ad Rhenum, Jed Wentz | — | |
| 2-14 | Pan and Syrinx: Yet hold; Some Ill our much-lov'd Syrinx waits, | Musica ad Rhenum, Jed Wentz | — | |
| 2-15 | Pan and Syrinx: Air for Nymphs | Musica ad Rhenum, Jed Wentz | — | |
| 2-16 | Pan and Syrinx: Air 1 for the Nymphs and Sylvans | Musica ad Rhenum, Jed Wentz | — | |
| 2-17 | Pan and Syrinx: Air 2 for the Nymphs and Sylvans | Musica ad Rhenum, Jed Wentz | — | |
| 2-18 | Pan and Syrinx: Those glances Stol'n a Flame confess; | Musica ad Rhenum, Jed Wentz | — | |
| 2-19 | Pan and Syrinx: Fairest if thou canst be kind, Ah! | Musica ad Rhenum, Jed Wentz | — | |
| 2-20 | Pan and Syrinx: Think'st thou that aukward mien has Charms | Musica ad Rhenum, Jed Wentz | — | |
| 2-21 | Pan and Syrinx: Let Nature henceforward neglect | Musica ad Rhenum, Jed Wentz | — | |
| 2-22 | Pan and Syrinx: A Sylvan & a Nymph Dance | Musica ad Rhenum, Jed Wentz | — | |
| 2-23 | Pan and Syrinx: Well do these Sports become Diana's Train, | Musica ad Rhenum, Jed Wentz | — | |
| 2-24 | Pan and Syrinx: Whilst your Harmony fills | Musica ad Rhenum, Jed Wentz | — | |
| 2-25 | Pan and Syrinx: How Sweet the warbling Linnet sings | Musica ad Rhenum, Jed Wentz | — | |
| 2-26 | Pan and Syrinx: Toil'd & Impatient have I sought you long, | Musica ad Rhenum, Jed Wentz | — | |
| 2-27 | Pan and Syrinx: Why should Love, that triffling Passion | Musica ad Rhenum, Jed Wentz | — | |
| 2-28 | Pan and Syrinx: Love! How impatient hast thou made me? | Musica ad Rhenum, Jed Wentz | — | |
| 2-29 | Pan and Syrinx: Fly, fly, fly, fly, fly, fly, fly, fly, fly. | Musica ad Rhenum, Jed Wentz | — | |
| 2-30 | Pan and Syrinx: Cruel Sylvan O forbear | Musica ad Rhenum, Jed Wentz | — | |
| 2-31 | Pan and Syrinx: Surprizing Change! | Musica ad Rhenum, Jed Wentz | — | |
| 2-32 | Pan and Syrinx: But see! the Goddess comes; | Musica ad Rhenum, Jed Wentz | — | |
| 2-33 | Pan and Syrinx: Presumtuous God! Am I so little fear'd | Musica ad Rhenum, Jed Wentz | — | |
| 2-34 | Pan and Syrinx: Lawless Rage & wild desire | Musica ad Rhenum, Jed Wentz | — | |
| 2-35 | Pan and Syrinx: O mighty Goddess! To thy will I bend | Musica ad Rhenum, Jed Wentz | — | |
| 2-36 | Pan and Syrinx: Dance of Nymphs and Sylvans | Musica ad Rhenum, Jed Wentz | — | |
| 2-37 | Pan and Syrinx: Bouree 1 & 2 | Musica ad Rhenum, Jed Wentz | — | |
| 2-38 | Pan and Syrinx: Great Diana will we Sing | Musica ad Rhenum, Jed Wentz | — | |
| 2-39 | The Masque of Cupid and Bacchus: A Symphony of pipes imitating the chirping of birds | Musica ad Rhenum, Jed Wentz | — | |
| 2-40 | The Masque of Cupid and Bacchus: Hark how the Songsters of the Grove | Musica ad Rhenum, Jed Wentz | — | |
| 2-41 | The Masque of Cupid and Bacchus: Love in their little veins inspires | Musica ad Rhenum, Jed Wentz | — | |
| 2-42 | The Masque of Cupid and Bacchus: But ah! how much are our delights more dear, | Musica ad Rhenum, Jed Wentz | — | |
| 2-43 | The Masque of Cupid and Bacchus: Hence with your trifling Deity. | Musica ad Rhenum, Jed Wentz | — | |
| 2-44 | The Masque of Cupid and Bacchus: Come all, come all to me, make haste | Musica ad Rhenum, Jed Wentz | — | |
| 2-45 | The Masque of Cupid and Bacchus: Who can resist such mighty Charmes, | Musica ad Rhenum, Jed Wentz | — | |
| 2-46 | The Masque of Cupid and Bacchus: Return revolting Rebells where d'ye goe? | Musica ad Rhenum, Jed Wentz | — | |
| 2-47 | The Masque of Cupid and Bacchus: The Cares of Lovers, their Allarms, | Musica ad Rhenum, Jed Wentz | — | |
| 2-48 | The Masque of Cupid and Bacchus: Love quickly is pall'd tho' with Labour 'tis | Musica ad Rhenum, Jed Wentz | — | |
| 2-49 | The Masque of Cupid and Bacchus: Come let us agree, | Musica ad Rhenum, Jed Wentz | — |
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People also ask
What is UPC 5028421924649?
5028421924649 is a Universal Product Code (UPC) assigned to Purcell: Dido and Aeneas / Galliard: Pan and Syrinx by Purcell, Galliard, Musica ad Rhenum, Jed Wentz. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 79 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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