UPC · Release
Wolfgang Amadeus Mozart
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5028421925400 is the Universal Product Code (UPC barcode) for the release “Complete Works” by Wolfgang Amadeus Mozart, released 2005-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 130 tracks, each with its own ISRC. Tracks include SEAEE9033010, SEAEE9033020, SEAEE9033030.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Quintet for 2 Violins, 2 Violas & Cello No. 1 in B-flat major, K. 174: I. Allegro | Orlando String Quartet, Nobuko Imai | — | |
| 2 | Quintet for 2 Violins, 2 Violas & Cello No. 1 in B-flat major, K. 174: II. Adagio | Orlando String Quartet, Nobuko Imai | — | |
| 3 | Quintet for 2 Violins, 2 Violas & Cello No. 1 in B-flat major, K. 174: III. Menuetto ma allegretto | Orlando String Quartet, Nobuko Imai | — | |
| 4 | Quintet for 2 Violins, 2 Violas & Cello No. 1 in B-flat major, K. 174: IV. Allegro | Orlando String Quartet, Nobuko Imai | — | |
| 5 | Quintet for 2 Violins, 2 Violas & Cello No. 2 in C minor, K. 516b/406: I. Allegro | Orlando String Quartet, Nobuko Imai | — | |
| 6 | Quintet for 2 Violins, 2 Violas & Cello No. 2 in C minor, K. 516b/406: II. Andante | Orlando String Quartet, Nobuko Imai | — | |
| 7 | Quintet for 2 Violins, 2 Violas & Cello No. 2 in C minor, K. 516b/406: III. Minuetto in canone & Trio in canone al rovescio | Orlando String Quartet, Nobuko Imai | — | |
| 8 | Quintet for 2 Violins, 2 Violas & Cello No. 2 in C minor, K. 516b/406: IV. Allegro | Orlando String Quartet, Nobuko Imai | — | |
| 2-1 | Quintet for 2 Violins, 2 Violas & Cello No. 3 in C major, K. 515: I. Allegro | Orlando String Quartet, Nobuko Imai | — | |
| 2-2 | Quintet for 2 Violins, 2 Violas & Cello No. 3 in C major, K. 515: II. Andante | Orlando String Quartet, Nobuko Imai | — | |
| 2-3 | Quintet for 2 Violins, 2 Violas & Cello No. 3 in C major, K. 515: III. Minuetto. Allegretto | Orlando String Quartet, Nobuko Imai | — | |
| 2-4 | Quintet for 2 Violins, 2 Violas & Cello No. 3 in C major, K. 515: IV. Allegro | Orlando String Quartet, Nobuko Imai | — | |
| 2-5 | Quintet for 2 Violins, 2 Violas & Cello No. 4 in D major, K. 593: I. Larghetto - allegro | Orlando String Quartet, Nobuko Imai | — | |
| 2-6 | Quintet for 2 Violins, 2 Violas & Cello No. 4 in D major, K. 593: II. Adagio | Orlando String Quartet, Nobuko Imai | — | |
| 2-7 | Quintet for 2 Violins, 2 Violas & Cello No. 4 in D major, K. 593: III. Minuetto | Orlando String Quartet, Nobuko Imai | T-902.774.400-9 | |
| 2-8 | Quintet for 2 Violins, 2 Violas & Cello No. 4 in D major, K. 593: IV. Finale. Allegro | Orlando String Quartet, Nobuko Imai | T-318.676.528-2 | |
| 3-1 | Quintettes à cordes, KV 516 : Allegro (fragm.) | Orlando String Quartet, Nobuko Imai | — | |
| 3-2 | Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: II. Minuetto. Allegretto & Trio | Orlando String Quartet, Nobuko Imai | T-902.774.400-9 | |
| 3-3 | Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: III. Adagio | Orlando String Quartet, Nobuko Imai | — | |
| 3-4 | Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: IV. Adagio ma non troppo | Orlando String Quartet, Nobuko Imai | T-902.574.467-6 | |
| 3-5 | Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: V. Allegro | Orlando String Quartet, Nobuko Imai | — | |
| 3-6 | Quintet for 2 Violins, 2 Violas & Cello No. 6 in E-flat major, K. 614: I. Allegro | Orlando String Quartet, Nobuko Imai | — | |
| 3-7 | Quintet for 2 Violins, 2 Violas & Cello No. 6 in E-flat major, K. 614: II. Andante | Orlando String Quartet, Nobuko Imai | — | |
| 3-8 | Quintet for 2 Violins, 2 Violas & Cello No. 6 in E-flat major, K. 614: III. Minuetto | Orlando String Quartet, Nobuko Imai | — | |
| 3-9 | Quintet for 2 Violins, 2 Violas & Cello No. 6 in E-flat major, K. 614: IV. Allegro | Orlando String Quartet, Nobuko Imai | T-003.055.867-8 | |
| 4-1 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: I. Allegro | — | ||
| 4-2 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: II. Adagio | — | ||
| 4-3 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: III. Minuetto | — | ||
| 4-4 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: IV. Andante | — | ||
| 4-5 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: V. Minuetto | — | ||
| 4-6 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: VI. Allegro | — | ||
| 5-1 | Duo for Violin & Viola No. 1 in G major, K. 423: I. Allegro | — | ||
| 5-2 | Duo for Violin & Viola No. 1 in G major, K. 423: II. Adagio | — | ||
| 5-3 | Duo for Violin & Viola No. 1 in G major, K. 423: III. Rondeau. Allegro | — | ||
| 5-4 | Duo for Violin & Viola No. 2 in B-flat major, K. 424: I. Adagio - allegro | — | ||
| 5-5 | Duo for Violin & Viola No. 2 in B-flat major, K. 424: II. Andante cantabile | — | ||
| 5-6 | Duo for Violin & Viola No. 2 in B-flat major, K. 424: III. Tema con variazioni. Andante grazioso | — | ||
| 5-7 | Trio for 2 Violins & Cello in B-flat major, K. 271f/266: II. Adagio / III. Minuetto | — | ||
| 6-1 | Prelude & Fugue for Violin, Viola, & Bass No. 1 in D minor, K. 404a/deest: I. Adagio / II. Fuga (After J. S. Bach: Prelude & Fugue No. 8 in D-sharp major, BWV 853 "The Well-Tempered Clavier, Book I") | — | ||
| 6-2 | Prelude & Fugue for Violin, Viola, & Bass No. 1 in G minor, K. 404a/deest: I. Adagio / II. Fuga (After J. S. Bach: Prelude & Fugue No. 14 in F-sharp major, BWV 883 "The Well-Tempered Clavier, Book II") | — | ||
| 6-3 | Prelude & Fugue for Violin, Viola, & Bass No. 3 in F major, K. 404a/deest: I. Adagio / II. Fuga (After J. S. Bach: Prelude & Fugue No. 13 in F-sharp major, BWV 882 "The Well-Tempered Clavier, Book II") | — | ||
| 6-4 | Prelude & Fugue for Violin, Viola, & Bass No. 4 in F major, K. 404a/deest: I. Adagio / II. Fuga (After J. S. Bach: Sonata in D minor, BWV 527: II. Adagio e dolce) | — | ||
| 6-5 | Prelude & Fugue for Violin, Viola, & Bass No. 5 in E-flat major, K. 404a/deest: I. Largo / II. Fuga (After J. S. Bach: Sonata for Organ No. 2 in C minor, BWV 526: II. Largo) | — | ||
| 6-6 | Prelude & Fugue for Violin, Viola, & Bass No. 6 in F minor, K. 404a/deest: I. Adagio / II. Fuga (After W. F. Bach: Fugue No. 8, FK 31) | — | ||
| 7-1 | Quartet for Strings No. 2 in D major, K. 134a/155 "Quartetti Milanesi": I. Allegro | — | ||
| 7-2 | Quartet for Strings No. 2 in D major, K. 134a/155 "Quartetti Milanesi": II. Andante | — | ||
| 7-3 | Quartet for Strings No. 2 in D major, K. 134a/155 "Quartetti Milanesi": III. Allegro molto | — | ||
| 7-4 | Quartet for Strings No. 3 in G major, K. 134b/156 "Quartetti Milanesi": I. Presto | — | ||
| 7-5 | Quartet for Strings No. 3 in G major, K. 134b/156 "Quartetti Milanesi": II. Adagio | — | ||
| 7-6 | Quartet for Strings No. 3 in G major, K. 134b/156 "Quartetti Milanesi": III. Tempo di minuetto | — | ||
| 7-7 | Quartet for Strings No. 4 in C major, K. 157 "Quartetti Milanesi": I. (No tempo indication) | — | ||
| 7-8 | Quartet for Strings No. 4 in C major, K. 157 "Quartetti Milanesi": II. Andante | — | ||
| 7-9 | Quartet for Strings No. 4 in C major, K. 157 "Quartetti Milanesi": III. Presto | — | ||
| 7-10 | Quartet for Strings No. 5 in F major, K. 158 "Quartetti Milanesi": I. Allegro | — | ||
| 7-11 | Quartet for Strings No. 5 in F major, K. 158 "Quartetti Milanesi": II. Andante un poco allegretto | — | ||
| 7-12 | Quartet for Strings No. 5 in F major, K. 158 "Quartetti Milanesi": III. Tempo di minuetto | — | ||
| 7-13 | Quartet for Strings No. 6 in B-flat major, K. 159 "Quartetti Milanesi": I. Andante | — | ||
| 7-14 | Quartet for Strings No. 6 in B-flat major, K. 159 "Quartetti Milanesi": II. Allegro | — | ||
| 7-15 | Quartet for Strings No. 6 in B-flat major, K. 159 "Quartetti Milanesi": III. Rondo. Allegro grazioso | — | ||
| 7-16 | Quartet for Strings No. 7 in E-flat major, K. 159a/160 "Quartetti Milanesi": I. Allegro | — | ||
| 7-17 | Quartet for Strings No. 7 in E-flat major, K. 159a/160 "Quartetti Milanesi": II. Un poco adagio | — | ||
| 7-18 | Quartet for Strings No. 7 in E-flat major, K. 159a/160 "Quartetti Milanesi": III. Presto | — | ||
| 8-1 | Quartet for Strings No. 8 in F major, K. 168 "Quartetti Vienna": I. Allegro | — | ||
| 8-2 | Quartet for Strings No. 8 in F major, K. 168 "Quartetti Vienna": II. Andante | — | ||
| 8-3 | Quartet for Strings No. 8 in F major, K. 168 "Quartetti Vienna": III. Minuetto | — | ||
| 8-4 | Quartet for Strings No. 8 in F major, K. 168 "Quartetti Vienna": IV. Allegro | — | ||
| 8-5 | Quartet for Strings No. 9 in A major, K. 169 "Quartetti Vienna": I. Allegro molto | — | ||
| 8-6 | Quartet for Strings No. 9 in A major, K. 169 "Quartetti Vienna": II. Andante | — | ||
| 8-7 | Quartet for Strings No. 9 in A major, K. 169 "Quartetti Vienna": III. Minuetto | — | ||
| 8-8 | Quartet for Strings No. 9 in A major, K. 169 "Quartetti Vienna": IV. Rondeaux. Allegro | — | ||
| 8-9 | Quartet for Strings No. 10 in C major, K. 170 "Quartetti Vienna": I. Tema con variazioni | — | ||
| 8-10 | Quartet for Strings No. 10 in C major, K. 170 "Quartetti Vienna": II. Minuetto | — | ||
| 8-11 | Quartet for Strings No. 10 in C major, K. 170 "Quartetti Vienna": III. Un poco adagio | — | ||
| 8-12 | Quartet for Strings No. 10 in C major, K. 170 "Quartetti Vienna": IV. Rondeaux. Allegro | — | ||
| 8-13 | Quartet for Strings No. 11 in E-flat major, K. 171 "Quartetti Vienna": I. Adagio - allegro assai | — | ||
| 8-14 | Quartet for Strings No. 11 in E-flat major, K. 171 "Quartetti Vienna": II. Minuetto | — | ||
| 8-15 | Quartet for Strings No. 11 in E-flat major, K. 171 "Quartetti Vienna": III. Andante | — | ||
| 8-16 | Quartet for Strings No. 11 in E-flat major, K. 171 "Quartetti Vienna": IV. Allegro assai | — | ||
| 8-17 | Quartet for Strings No. 12 in B-flat major, K. 172 "Quartetti Vienna": I. Allegro spiritoso | — | ||
| 8-18 | Quartet for Strings No. 12 in B-flat major, K. 172 "Quartetti Vienna": II. Adagio | — | ||
| 8-19 | Quartet for Strings No. 12 in B-flat major, K. 172 "Quartetti Vienna": III. Minuetto | — | ||
| 8-20 | Quartet for Strings No. 12 in B-flat major, K. 172 "Quartetti Vienna": IV. Allegro assai | — | ||
| 8-21 | Quartet for Strings No. 13 in D minor, K. 173 "Quartetti Vienna": I. Allegro ma molto moderato | — | ||
| 8-22 | Quartet for Strings No. 13 in D minor, K. 173 "Quartetti Vienna": II. Andantino grazioso | — | ||
| 8-23 | Quartet for Strings No. 13 in D minor, K. 173 "Quartetti Vienna": III. Minuetto | — | ||
| 8-24 | Quartet for Strings No. 13 in D minor, K. 173 "Quartetti Vienna": IV. Allegro | — | ||
| 9-1 | Quartet for Strings No. 14 in G major, K. 387 "Haydn Quartetti", "Spring": I. Allegro vivace assai | — | ||
| 9-2 | Quartet for Strings No. 14 in G major, K. 387 "Haydn Quartetti", "Spring": II. Minuetto & trio | — | ||
| 9-3 | Quartet for Strings No. 14 in G major, K. 387 "Haydn Quartetti", "Spring": III. Andante cantabile | — | ||
| 9-4 | Quartet for Strings No. 14 in G major, K. 387 "Haydn Quartetti", "Spring": IV. Allegro molto | — | ||
| 9-5 | Quartet for Strings No. 15 in D minor, K. 417b/421 "Haydn Quartetti": I. Allegro moderato | — | ||
| 9-6 | Quartet for Strings No. 15 in D minor, K. 417b/421 "Haydn Quartetti": II. Andante | — | ||
| 9-7 | Quartet for Strings No. 15 in D minor, K. 417b/421 "Haydn Quartetti": III. Minuetto. Allegretto & Trio | — | ||
| 9-8 | Quartet for Strings No. 15 in D minor, K. 417b/421 "Haydn Quartetti": IV. Allegretto ma non troppo | — | ||
| 10-1 | Quartet for Strings No. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": I. Allegro non troppo | — | ||
| 10-2 | Quartet for Strings No. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": II. Andante con moto | — | ||
| 10-3 | Quartet for Strings No. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": III. Minuetto & trio. Allegro | — | ||
| 10-4 | Quartet for Strings No. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": IV. Allegro vivace | — | ||
| 10-5 | Quartet for Strings No. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": I. Allegro vivace assai | — | ||
| 10-6 | Quartet for Strings No. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": II. Minuetto. Moderato & Trio | — | ||
| 10-7 | Quartet for Strings No. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": III. Adagio | — | ||
| 10-8 | Quartet for Strings No. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": IV. Allegro assai | — | ||
| 11-1 | Quartet for Strings No. 18 in A major, K. 464 "Haydn Quartetti": I. Allegro | — | ||
| 11-2 | Quartet for Strings No. 18 in A major, K. 464 "Haydn Quartetti": II. Minuetto & trio | — | ||
| 11-3 | Quartet for Strings No. 18 in A major, K. 464 "Haydn Quartetti": III. Andante | — | ||
| 11-4 | Quartet for Strings No. 18 in A major, K. 464 "Haydn Quartetti": IV. Allegro ma non troppo | — | ||
| 11-5 | Quartet for Strings No. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance": I. Adagio - allegro | — | ||
| 11-6 | Quartet for Strings No. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance": II. Andante cantibile | — | ||
| 11-7 | Quartet for Strings No. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance": III. Minuetto. Allegretto | — | ||
| 11-8 | Quartet for Strings No. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance": IV. Allegro molto | — | ||
| 12-1 | Quartet for Strings No. 20 in D major, K. 499 "Hoffmeister": I. Allegretto | — | ||
| 12-2 | Quartet for Strings No. 20 in D major, K. 499 "Hoffmeister": II. Minuetto | — | ||
| 12-3 | Quartet for Strings No. 20 in D major, K. 499 "Hoffmeister": III. Adagio | — | ||
| 12-4 | Quartet for Strings No. 20 in D major, K. 499 "Hoffmeister": IV. Allegro | — | ||
| 12-5 | Quartet for Strings No. 21 in D major, K. 575 "Quartetti Prussian": I. Allegretto | — | ||
| 12-6 | Quartet for Strings No. 21 in D major, K. 575 "Quartetti Prussian": II. Andante | — | ||
| 12-7 | Quartet for Strings No. 21 in D major, K. 575 "Quartetti Prussian": III. Minuetto. Allegretto & Trio | — | ||
| 12-8 | Quartet for Strings No. 21 in D major, K. 575 "Quartetti Prussian": IV. Allegretto | — | ||
| 13-1 | Quartet for Strings No. 22 in B-flat major, K. 589 "Quartetti Prussian": I. Allegro | — | ||
| 13-2 | Quartet for Strings No. 22 in B-flat major, K. 589 "Quartetti Prussian": II. Larghetto | — | ||
| 13-3 | Quartet for Strings No. 22 in B-flat major, K. 589 "Quartetti Prussian": III. Minuetto & trio. Moderato | — | ||
| 13-4 | Quartet for Strings No. 22 in B-flat major, K. 589 "Quartetti Prussian": IV. Allegro assai | — | ||
| 13-5 | Quartet for Strings No. 23 in F major, K. 590 "Quartetti Prussian": I. Allegro moderato | — | ||
| 13-6 | Quartet for Strings No. 23 in F major, K. 590 "Quartetti Prussian": II. Andante | — | ||
| 13-7 | Quartet for Strings No. 23 in F major, K. 590 "Quartetti Prussian": III. Minuetto & trio. Allegretto | — | ||
| 13-8 | Quartet for Strings No. 23 in F major, K. 590 "Quartetti Prussian": IV. Allegro | — | ||
| 13-9 | Quartet for Strings No. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": I. Adagio | — | ||
| 13-10 | Quartet for Strings No. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": II. Allegro | — | ||
| 13-11 | Quartet for Strings No. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": III. Minuetto | — | ||
| 13-12 | Quartet for Strings No. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": IV. Rondo | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Andante for Piano in B-flat major, K. 15ii/deest "London Sketchbook No. 34" | Bernard Foccroulle | — |
| Piece for Piano in F major, K. 33B/deest | Bernard Foccroulle | — |
| Allegro for Piano in G major, K. 72a/deest (fragment) | Bernard Foccroulle | — |
| Andante for Piano in C major, K. 1a/deest "Notenbuch für Nannerl Mozart No. 53" | Guy Penson | — |
| Allegro for Piano in C major, K. 1b/deest "Notenbuch für Nannerl Mozart No. 54" | Guy Penson | — |
| Allegro for Piano in F major, K. 1c/deest "Notenbuch für Nannerl Mozart No. 55" | Guy Penson | — |
| Minuet for Piano in F major, K. 1d/deest "Notenbuch für Nannerl Mozart No. 56" | Guy Penson | — |
| Minuet for Piano in G major, K. 1e/1 "Notenbuch für Nannerl Mozart No. 62" | Guy Penson | — |
| Minuet for Piano in C major, K. 1f/deest "Notenbuch für Nannerl Mozart No. 63": Minuet & Trio | Guy Penson | — |
| Minuet for Piano in F major, K. 2 "Notenbuch für Nannerl Mozart No. 58" | Guy Penson | — |
| Allegro for Piano in B-flat major, K. 3 "Notenbuch für Nannerl Mozart No. 59" | Guy Penson | — |
| Minuet for Piano in F major, K. 4 "Notenbuch für Nannerl Mozart No. 49" | Guy Penson | — |
| Minuet for Piano in F major, K. 5 | Guy Penson | — |
| Allegro for Piano in C major, K. 5a/(K2) 9a/KV deest "Notenbuch für Nannerl Mozart No. 20" | Guy Penson | — |
| Allegro for Piano in F major, K. 15a/(K2) A109b/1/KV deest "London Sketchbook No. 1" | Guy Penson | — |
| Allegro for Piano in F major, K. 15m/(K2) A109b/4/KV deest "London Sketchbook No. 12" | Guy Penson | — |
| Minuet for Piano (on 2 Flutes & Strings) in C major, K. 61g/2/KV deest | Guy Penson | — |
| Minuet for Piano in D major, K. 73h/94 | Guy Penson | — |
| Minuette for Piano in C major with Trio for Piano in F major, K. 315g/1/(K2) 315a/1/KV deest "8 Minuets for Piano No. 1" / Minuette with Trio for Piano in G major, K. 315g/2/(K2) 315a/2/KV deest "8 Minuets for Piano No. 2" / Minuette for Piano in D major | Guy Penson | — |
| Allegro for Piano in G minor, K. 590d/312 | Guy Penson | — |
| Capriccio for Piano in C major, K. 300g/395 | Guy Penson | — |
| Fugue for Piano in G minor, K. 375e/401 (fragment) | Bernard Foccroulle | — |
| Prelude and Fugue for Piano in C major, K. 383a/394 | Luc Devos | — |
| March for Orchestra in C major, K. 383e/KV 408/1 | Luc Devos | — |
| Fantasia Movement for Violin & Piano in C minor, K. 385f/396 (fragment) | Luc Devos | — |
| Fantasia for Piano in D minor, K. 385g/397 (fragment) | Luc Devos | — |
| Suite for Piano in C major, K. 385i/399 (fragment): I. Overture | Guy Penson | — |
| Suite for Piano in C major, K. 385i/399 (fragment): II. Allemande | Guy Penson | — |
| Suite for Piano in C major, K. 385i/399 (fragment): III. Courante | Guy Penson | — |
| Allegro for Piano in B-flat major, K. 372a/400 (fragment) | Luc Devos | — |
| March for Piano in C minor, K. 453a/deest "Marche funèbre del Sigr Maestro Contrapunto" | Luc Devos | — |
| Fantasia for Piano in C major, K. 475 | Luc Devos | — |
| Rondo for Piano in D major, K. 485 | Luc Devos | T-905.312.114-5 |
| Six German Dances, K. 509 | Luc Devos | — |
| Rondo for Piano No. 3 in A minor, K. 511: Andante | Luc Devos | — |
| Adagio for Piano in B minor, K. 540 | Luc Devos | — |
| Sonata for Piano in F major, K. 547a/Anh 135: I. Allegro | Luc Devos | — |
| Sonata for Piano in F major, K. 547a/Anh 135: II. Allegretto | Luc Devos | — |
| Minuet for Piano in D major, K. 576b/355 | Luc Devos | — |
| Andantino for Piano in E-flat major, K. 588b/236 | Luc Devos | — |
| Adagio for Glass Armonica in C major, K. 617a/356 | Dennis James | T-915.717.075-7 |
| Concerto for Violin No. 1 in B-flat major, K. 207: I. Allegro moderato | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto for Violin No. 1 in B-flat major, K. 207: II. Adagio | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto for Violin No. 1 in B-flat major, K. 207: III. Presto | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto for Violin No. 2 in D major, K. 211: I. Allegro moderato | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto for Violin No. 2 in D major, K. 211: II. Andante | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto for Violin No. 2 in D major, K. 211: III. Rondeau. Allegro | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto no. 3 in G major for Violin and Orchestra, K. 216: I. Allegro | Emmy Verhey, Royal Concertgebouw Orchestra, Eduardo Marturet | — |
| Concerto no. 3 in G major for Violin and Orchestra, K. 216: II. Adagio | Emmy Verhey, Royal Concertgebouw Orchestra, Eduardo Marturet | — |
| Concerto no. 3 in G major for Violin and Orchestra, K. 216: III. Rondeau: Allegro | Emmy Verhey, Royal Concertgebouw Orchestra, Eduardo Marturet | — |
| Concerto for Violin No. 4 in D major K. 218: I. Allegro | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto for Violin No. 4 in D major K. 218: II. Andante cantabile | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto for Violin No. 4 in D major K. 218: III. Rondeau. Allegro grazioso - allegro ma non troppo - andante grazioso | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto for Violin No. 5 in A major K. 219 "Turkish": I. Allegro aperto | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto for Violin No. 5 in A major K. 219 "Turkish": II. Adagio | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | T-902.574.467-6 |
| Concerto for Violin No. 5 in A major K. 219 "Turkish": III. Rondeau. Tempo di menuetto - Allegro | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Adagio in E major for Violin and Orchestra, K. 261 | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto for Violin & Orchestra in B-flat major, K. 261a/269: Rondo | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Rondo for Violin & Orchestra in C major, K. 373 | Emmy Verhey, Concertgebouw Orchestra, Eduardo Marturet | — |
| Requiem in D minor, KV 626: Introitus: Requiem aeternam | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Kyrie eleison | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Dies irae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-922.061.546-3 |
| Requiem in D minor, KV 626: Tuba mirum | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Rex tremendae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Recordare | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Confutatis | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Lacrimosa | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Domine Jesu | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Hostias | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: I. Kyrie eleison | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: II. Panis vivus | Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: III. Verbum caro factum | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: IV. Hostia sancta | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: VI. Tremendum | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: VII. Dulcissimum convivium | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: VII. Viaticum | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: VIII. Pignus futurae gloriae | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: IX. Agnus dei | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae Lauretanae in B-flat major, KV 109: I. Kyrie eleison | Chamber Choir of Europe, Nicol Matt | — |
| Litaniae Lauretanae in B-flat major, KV 109: II. Sancta Maria | Chamber Choir of Europe, Nicol Matt | — |
| Litaniae Lauretanae in B-flat major, KV 109: III. Salus infirmorum | Chamber Choir of Europe, Nicol Matt | — |
| Litaniae Lauretanae in B-flat major, KV 109: IV. Regina Angelorum | Chamber Choir of Europe, Nicol Matt | — |
| Litaniae Lauretanae in B-flat major, KV 109: V. Agnus Dei | Chamber Choir of Europe, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: I. "Kyrie eleison" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: II. "Panis vivus" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: III. "Verbum caro factum" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: IV. "Hostia sancta" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: V. "Tremendum" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VI. "Panis omnipotentia" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VII. "Viaticum" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VIII. "Pignus futurae gloriae" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: IX. "Agnus Dei" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: I. "Kyrie eleison" | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester, Nicol Matt | — |
| Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: II. "Sancta Maria" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester, Nicol Matt | — |
| Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: III. "Salus infirmorum" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester, Nicol Matt | — |
| Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: IV. "Regina angelorum" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester, Nicol Matt | — |
| Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: V. "Agnus Dei" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester, Nicol Matt | — |
| Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: I. "Dixit dominus" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester, Nicol Matt | — |
| Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: II. "Confitebor" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester, Nicol Matt | — |
| Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: III. "Beatus vir" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: IV. "Laudate pueri" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: V. "Dixit dominus" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: VI. "Magnificat" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: I. "Dixit dominus" | Chamber Choir of Europe, Pamela Heuvelmans, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: II. "Confitebor" | Chamber Choir of Europe, Pamela Heuvelmans, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: III. "Beatus vir" | Chamber Choir of Europe, Pamela Heuvelmans, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: IV. "Laudate pueri" | Chamber Choir of Europe, Pamela Heuvelmans, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: V. "Laudate dominum" | Chamber Choir of Europe, Pamela Heuvelmans, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: VI. "Magnificat" | Chamber Choir of Europe, Pamela Heuvelmans, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Sanctus | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Benedictus | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Agnus Dei | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Lux aeterna | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | T-924.224.927-0 |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVb. Sanctus: "Hosanna" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Kyrie in D minor, KV 341 | Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Missa solemnis in C major, KV 337: I. Kyrie | Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Missa solemnis in C major, KV 337: II. Gloria | Marietta Fischesser, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Missa solemnis in C major, KV 337: III. Credo | Marietta Fischesser, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Missa solemnis in C major, KV 337: IV. Sanctus | Marietta Fischesser, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Missa solemnis in C major, KV 337: V. Benedictus | Marietta Fischesser, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Missa solemnis in C major, KV 337: VI. Agnus Dei | Marietta Fischesser, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | T-922.061.546-3 |
| Coronation Mass in C major, KV 317: I. Kyrie | Pamela Heuvelmans, Benoît Haller, Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Coronation Mass in C major, KV 317: II. Gloria | Pamela Heuvelmans, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Coronation Mass in C major, KV 317: III. Credo | Pamela Heuvelmans, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-915.866.112-2 |
| Coronation Mass in C major, KV 317: IV. Sanctus | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Coronation Mass in C major, KV 317: V. Benedictus | Pamela Heuvelmans, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Coronation Mass in C major, KV 317: VI. Agnus Dei | Pamela Heuvelmans, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-922.061.546-3 |
| Aria for Soprano & Orchestra in A major, K. 382h/119: "Der Liebe himmlisches Gefühl" | Francine Van der Heijden, European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in A major, K. 418: "Vorrei spiegarvi, oh Dio" | Francine Van der Heijden, European Sinfonietta, Ed Spanjaard | T-924.224.904-3 |
| Aria for Soprano, 2 Horns, Violin, Viola & Bass, K. deest: "Cara, se le mie pene" (anonymous, attrbuted to W.A. Mozart) | Francine Van der Heijden, European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in E-flat major, K. 73p/83: "Se tutti i mali miei" | Francine Van der Heijden, European Sinfonietta, Ed Spanjaard | — |
| Recitative and Aria for Soprano & Orchestra in E-flat major, K. 294: "Alcandro, Io confesso… Non só d'onde viene" | Francine Van der Heijden, European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in F major, K. 73o/82: "Se ardire, e speranza" | Francine Van der Heijden, European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in A major, K. 417e/178: "Ah, spiegarti, o Dio" | Francine Van der Heijden, European Sinfonietta, Ed Spanjaard | — |
| Recitative and Aria for Soprano, Piano & Orchestra in E-flat major, K. 505: "Ch'io mi scordi di te… Non temer, amato bene" | Miranda van Kralingen, European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in B-flat major, K. 578: "Alma grande e nobil core" | European Sinfonietta, Ed Spanjaard | — |
| Recitative and Aria for Soprano & Orchestra in E-flat major, K. 374: "A questo seno deh vieni… Or che il cielo" | European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in E-flat major, K. 295a/K(2) 486a: "Basta, vincesti… Ah, non lasciarmi" | European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in F major, K. 577: "Al desio di chi t'adora" | European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in A major, K. 23: "Conservati fedele" | European Sinfonietta, Ed Spanjaard | — |
| Recitative and Aria for Soprano & Orchestra in G major, K. 217: "Voi avete un cor fedele" | European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in B-flat major, K. 73e/77: "Misero me!… Misero pargoletto" | European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in G major, K. 383: "Nehmt meinen Dank, ihr holden Gönner" | European Sinfonietta, Ed Spanjaard | — |
| Aria for Tenor & Orchestra in C major, K. 19c/21: "Va, dal furor portata" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Recitative and Aria for Tenor & Orchestra in C major, K. 33i/36: "Or che il dover… Tali e cotanti sono" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Tenor & Orchestra in D major, K. 209: "Si mostra la sorte" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Tenor & Orchestra in C major, K. 210: "Con ossequio, con rispetto" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Tenor & Orchestra in D major, K. 256: "Clarice cara mia sposa" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Tenor & Orchestra in B-flat major, K. 295: "Se al labbro… Il cor dolente" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Tenor & Orchestra in E-flat major, K. 420: "Per pietà, non ricercate" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Recitative and Aria for Tenor & Orchestra in E-flat major, K. 425b/431: "Misero! oh sogno… Aura che intorno spiri" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Bass & Orchestra in E-flat major, K. 621a/Anh 245: "Io ti lascio, oh cara, addio" | Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Recitative and Aria for Bass & Orchestra in F minor, K. 421a/432 (fragment): "Così dunque tradisci… Aspri rimorsi atroci" | Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Quartet for Mezzo-Soprano, Tenor, 2 Basses & Orchestra in E-flat major, K. 479: "Dite almeno, in che mancai" | Marcel Reijans, Christian Tchelebiev, Ezio Maria Tisi, Caroline Vitale, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Trio for Mezzo-Soprano, Tenor, Bass & Orchestra in A major, K. 480: "Mandina amabile" | Marcel Reijans, Ezio Maria Tisi, Caroline Vitale, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Recitative and Aria for Bass & Orchestra in F major, K. 512: "Alcandro, Io confesso… Non so d'onde viene" | Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Bass & Orchestra in E-flat major, K. 513: "Mentre ti lascio, oh figlia" | Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Bass & Orchestra in A major, K. 539: "Ich möchte wohl der Kaiser sein" | Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Bass & Orchestra in F major, K. 541: "Un bacio di mano" | Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Bass, Double Bass & Orchestra in D major, K. 612: "Per questa bella mano" | Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Recitative for Soprano & Orchestra in C major, K. 300b/316: I. "Popoli di Tessaglia" | Annemarie Kremer, Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Soprano & Orchestra in C major, K. 300b/316: II. "Io non chiedo" | Christiane Oelze, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — |
| Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso | Klára Würtz | — |
| Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto | Klára Würtz | T-313.706.466-1 |
| Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Klára Würtz | — |
| Sonata for Piano no. 12 in F major, K. 300k/332: I. Allegro | Klára Würtz | — |
| Sonata for Piano no. 12 in F major, K. 300k/332: II. Adagio | Klára Würtz | T-316.577.882-1 |
| Sonata for Piano no. 12 in F major, K. 300k/332: III. Allegro assai | Klára Würtz | — |
| Sonata for Piano no. 13 in B-flat major, K. 315c/333: I. Allegro | Klára Würtz | — |
| Sonata for Piano no. 13 in B-flat major, K. 315c/333: II. Andante cantabile | Klára Würtz | — |
| Sonata for Piano no. 13 in B-flat major, K. 315c/333: III. Allegretto | Klára Würtz | — |
| Sonata for Piano no. 14 in C minor, K. 457: I. Allegro molto | Klára Würtz | — |
| Sonata for Piano no. 14 in C minor, K. 457: II. Adagio | Klára Würtz | T-927.972.088-6 |
| Sonata for Piano no. 14 in C minor, K. 457: III. Allegro assai | Klára Würtz | — |
| Requiem in D minor, KV 626: Introitus: Requiem aeternam | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Kyrie eleison | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-070.093.418-4 |
| Requiem in D minor, KV 626: Tuba mirum | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Rex tremendae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Recordare | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-916.756.672-5 |
| Requiem in D minor, KV 626: Confutatis | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Lacrimosa | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Domine Jesu | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-919.097.742-5 |
| Requiem in D minor, KV 626: Hostias | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Sanctus | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Benedictus | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-106.642.813-3 |
| Requiem in D minor, KV 626: Agnus Dei | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Lux aeterna | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-910.952.061-8 |
| 9 Variations on Nicolas Dezède: Comedie melée d'Ariettes Julie: "Lison dormait" for Piano in C major, K. 315d/264 | Bart van Oort | — |
| 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353 | Bart van Oort | — |
| 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: "Je suis Lindor" for Piano in E-flat major, K. 299a/354 | Bart van Oort | — |
| 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352 | Bart van Oort | — |
| 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398 | Bart van Oort | — |
| Minuet for Piano in B-flat major, K. Anh 25.05/(K3) 498a/Anh 137 (spurious) [6 Variations on a Theme from an Unidentified Clarinet Quintet] | Bart van Oort | — |
| 10 Variations on Christoph Will: "Unser dummer Pöbel meint' from "La Rencontre imprévue" for Piano in G major, K. 455 | Bart van Oort | — |
| 12 Variations on an Unknown Allegro for Piano in B-flat major, K. 500 | Bart van Oort | — |
| 9 Variations on Jean-Pierre Duport: Minuet for Piano in D major, K. 573 "Duport Variationen" | Bart van Oort | — |
| 8 Variations on Der dumme Gärtn: "Ein Weib ist das herrlichste Ding" for Piano in F major, K. 613 | Bart van Oort | — |
| ADAGIO IN F MAJOR, K. 410 | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 Parts in B-flat major, K. 382d/233: "Leck mir den Arsch fein recht schön sauber" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts in G major, K. 509a/232: "Lieber Freistädtler, lieber Gaulimauli" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 Parts in F major, K. 508a/1/KV deest | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts in F major, K. 560: "O du eselhafter Martin" | Chamber Choir of Europe, Nicol Matt | — |
| BONA NOX, BIST A RECHTA OX, K. 561 | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 Parts in F major, K. 508a/2/KV deest | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 6 Parts in B-flat major, K. 382c/231: "Leck mich im Arsch" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 2 Parts in F major, K. 508a/3/KV deest | Chamber Choir of Europe, Nicol Matt | — |
| KYRIE | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts in C major, K. 553: "Alleluia" | Chamber Choir of Europe, Nicol Matt | — |
| AVE MARIA | Chamber Choir of Europe, Nicol Matt | — |
| Canonical Study in B-flat major, K. deest: "Dona nobis pacem" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 2 parts in F major, K. 508a/4/KV deest | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 parts in F major, K. 507: "Heiterkeit und leichtes" | Chamber Choir of Europe, Nicol Matt | — |
| Canon for 4 Clarinets (retexted on 5 Voices) in A major, K. 73i/(K2) 89aI (spurious retexted version): "G'rectel's enk" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 2 Parts in F major, K. 508a/5/KV deest | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 Parts in G major, K. 382e/234: ""Bei der Hitz im Sommer ess ich"" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 Parts in F major, K. 508: "Auf das Wohl aller Freunde" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 2 Parts in F major, K. 508a/6/KV deest | Chamber Choir of Europe, Nicol Matt | — |
| Puzzle Canon for Chorus No. 1, K. 73r/1/(K2) 89aII/1: "Incipe menalios mecum" | Chamber Choir of Europe, Nicol Matt | — |
| Puzzle Canon for Chorus No. 2, K. 73r/2/(K2) 89aII/2: "Cantata Domino omnis" | Chamber Choir of Europe, Nicol Matt | — |
| Puzzle Canon for Chorus No. 3, K. 73r/3/(K2) 89aII/3: "Confitebor tibi Domine" | Chamber Choir of Europe, Nicol Matt | — |
| Puzzle Canon for Chorus No. 4, K. 73r/4/(K2) 89aII/4: "Tebana bella cantus" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 2 Parts in F major, K. 508a/7/KV deest | Nicol Matt | — |
| Canon in 4 Parts in G major, K. 556: "G'rechtelt's enk" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts in B-flat major, K. 558: ""Gehn wir im Prater, gehn wir in d'Hetz"" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 2 Parts in F major, K. 508a/8/KV deest | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 12 Parts in G major, K. 382g/348 (Maximilian Stadler completion): "V'amo di core teneramente" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts in A minor, K. 555: "Lacrimoso son'io" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 Parts in A major, K. 562: "Caro bell' idol mio" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts in F minor, K. 557: "Nascoso è il mio sol" | Chamber Choir of Europe, Nicol Matt | — |
| DIFFICILE LECTU MIHI MARS | Chamber Choir of Europe, Nicol Matt | T-918.701.701-2 |
| CANON, K. 508B | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 Parts in C minor, K. 382a/229: "Sie ist dahin" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 2 Parts in C major, K. 382b/230: "Selig, selig alle" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 6 Parts in D major, K. 382f/347: "Laß uns ziehn" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts for 2 Violins, Viola & Bass in C major, K. 562c/Anh 191 | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts in B-flat major, K. 562a/deest | Chamber Choir of Europe, Nicol Matt | — |
| 2 Canons in 4 Parts in F major, K. 515b/2/KV 228: "Lebet wohl" | Chamber Choir of Europe, Nicol Matt | — |
| Canonical Study, K. deest: "Sinkt die Nacht" | Chamber Choir of Europe, Nicol Matt | — |
| Concerto in E-flat major for 2 Pianos and Orchestra, K. 365: III. Rondo. Allegro | Zoltán Kocsis, Ránki Dezső, Nemzeti Filharmonikus zenekar, János Ferencsik | — |
| Die Zauberflöte, K. 620: Ouverture | Scottish Chamber Orchestra, Charles Mackerras | T-903.529.769-9 |
| Die Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino) | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene I. Monologue "Wo bin ich?" (Tamino) | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene II. no. 1 Aria “Was hör’ ich? Der Vogelfänger bin ich ja” (Papageno) | Sir Thomas Allen, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene III. No. 2 Dialogue "He da!... Was da?" (Tamino, Papageno) | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino) | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | T-306.483.079-7 |
| Die Zauberflöte, K. 620: Act I, Scene V. Dialogue "Rüste dich mit Mut und Standhaftigkeit" (Tamino) | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene VI. No. 4 Recitative and Aria "O zitt're nicht, mein lieber Sohn!" (Die Königin der Nacht) | June Anderson, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene VII. Monologue "Ist's denn auch Wirklichkeit, was ich sah?" (Tamino) | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino) | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio "Du feines Täubchen, nur herein" (Pamina, Tamino) | Jerry Hadley, Barbara Hendricks, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene XIII - XIV. Monologue "Mutter! Mutter! / Wie? / Noch schlagt dies Herz?" (Pamina) | Barbara Hendricks, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene XIV. No. 7 Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno) | Sir Thomas Allen, Barbara Hendricks, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino) | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene XV. Recitativo "Die Weisheitslehre dieser Knaben" (Tamino) | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene XV. Andante "Wie stark ist nicht dein Zauberton" (Tamino) | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene XVI. "Schnelle Füße, rascher Mut" (Pamina, Papageno) | Sir Thomas Allen, Barbara Hendricks, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno) | Sir Thomas Allen, Barbara Hendricks, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene I. No. 9 Marsch Der Priester | Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene I. Dialogue "Ihr, in dem Weisheitstempel eingeweihten Diener" (Sarastro) | Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene I. Dialogue "Sarastro dankt euch" (Sarastro) | Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene I. No. 10 Aria and Chorus "Eingeweihte Diener der großen Gotter Osiris und Isis!" (Sarastro) | Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene II. Dialogue "Eine schreckliche Nacht!" (Tamino, Papageno) | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene IV. No. 11 Duet "Bewahret euch vor Weibertücken" (Papageno, Tamino) | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene IV. Dialogue "He, Lichter Her!" (Papageno, Tamino) | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino) | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene VI. Dialogue "Heil dir, Jüngling" (Papageno, Tamino) | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos) | Helmut Wildhaber, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene VIII. Dialogue "Zurück! O weh!" (Die Königin der Nacht) | June Anderson, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | June Anderson, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene IX - XII. Monologue "Morden soll ich?" (Pamina, Sarastro) | Barbara Hendricks, Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro) | Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XIII - XV. Dialogue "Hier seid ihr euch beide allein überlassen" (Papageno, Tamino) | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Knaben) | Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XVII - XVIII. Dialogue "Tamino, wollen wir nicht speisen?" (Papageno, Pamina) | Sir Thomas Allen, Jerry Hadley, Barbara Hendricks, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina) | Barbara Hendricks, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XIX. Monologue "Nicht wahr, Tamino" (Papagena) | Ulrike Steinsky, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester) | Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) | Barbara Hendricks, Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino) | Jerry Hadley, Barbara Hendricks, Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXII - XXIII. Dialogue "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno) | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno) | Sir Thomas Allen, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXIV. Dialogue "Da bin ich schon, mein Engel!" (Papageno) | Sir Thomas Allen, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina) | Barbara Hendricks, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina) | Jerry Hadley, Barbara Hendricks, Alastair Miles, Peter Svensson, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Wir wandeln durch des Tones Macht" (Pamina, Tamino) | Jerry Hadley, Barbara Hendricks, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXIX. "Papagena! Papagena!" (Papageno) | Sir Thomas Allen, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXX. "Nur stille! Stille! Die Strahlen der Sonne" (Chor, Monostatos, Königin, Damen) | June Anderson, Julia Bernheimer, Petra Maria Schnitzer, Gabriele Sima, Helmut Wildhaber, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro) | Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620 (Anh, spurious): Act II, Scene XI. "Pamina, wo bist du?" (Tamino, Papageno) | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Requiem in D minor, KV 626: Dies irae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-922.061.546-3 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5028421925400 is a Universal Product Code (UPC) assigned to Complete Works by Wolfgang Amadeus Mozart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 130 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5028421925400 is the Universal Product Code (UPC barcode) for the release “Complete Works” by Wolfgang Amadeus Mozart, released 2005-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 130 tracks, each with its own ISRC. Tracks include SEAEE9033010, SEAEE9033020, SEAEE9033030.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Quintet for 2 Violins, 2 Violas & Cello No. 1 in B-flat major, K. 174: I. Allegro | Orlando String Quartet, Nobuko Imai | — | |
| 2 | Quintet for 2 Violins, 2 Violas & Cello No. 1 in B-flat major, K. 174: II. Adagio | Orlando String Quartet, Nobuko Imai | — | |
| 3 | Quintet for 2 Violins, 2 Violas & Cello No. 1 in B-flat major, K. 174: III. Menuetto ma allegretto | Orlando String Quartet, Nobuko Imai | — | |
| 4 | Quintet for 2 Violins, 2 Violas & Cello No. 1 in B-flat major, K. 174: IV. Allegro | Orlando String Quartet, Nobuko Imai | — | |
| 5 | Quintet for 2 Violins, 2 Violas & Cello No. 2 in C minor, K. 516b/406: I. Allegro | Orlando String Quartet, Nobuko Imai | — | |
| 6 | Quintet for 2 Violins, 2 Violas & Cello No. 2 in C minor, K. 516b/406: II. Andante | Orlando String Quartet, Nobuko Imai | — | |
| 7 | Quintet for 2 Violins, 2 Violas & Cello No. 2 in C minor, K. 516b/406: III. Minuetto in canone & Trio in canone al rovescio | Orlando String Quartet, Nobuko Imai | — | |
| 8 | Quintet for 2 Violins, 2 Violas & Cello No. 2 in C minor, K. 516b/406: IV. Allegro | Orlando String Quartet, Nobuko Imai | — | |
| 2-1 | Quintet for 2 Violins, 2 Violas & Cello No. 3 in C major, K. 515: I. Allegro | Orlando String Quartet, Nobuko Imai | — | |
| 2-2 | Quintet for 2 Violins, 2 Violas & Cello No. 3 in C major, K. 515: II. Andante | Orlando String Quartet, Nobuko Imai | — | |
| 2-3 | Quintet for 2 Violins, 2 Violas & Cello No. 3 in C major, K. 515: III. Minuetto. Allegretto | Orlando String Quartet, Nobuko Imai | — | |
| 2-4 | Quintet for 2 Violins, 2 Violas & Cello No. 3 in C major, K. 515: IV. Allegro | Orlando String Quartet, Nobuko Imai | — | |
| 2-5 | Quintet for 2 Violins, 2 Violas & Cello No. 4 in D major, K. 593: I. Larghetto - allegro | Orlando String Quartet, Nobuko Imai | — | |
| 2-6 | Quintet for 2 Violins, 2 Violas & Cello No. 4 in D major, K. 593: II. Adagio | Orlando String Quartet, Nobuko Imai | — | |
| 2-7 | Quintet for 2 Violins, 2 Violas & Cello No. 4 in D major, K. 593: III. Minuetto | Orlando String Quartet, Nobuko Imai | T-902.774.400-9 | |
| 2-8 | Quintet for 2 Violins, 2 Violas & Cello No. 4 in D major, K. 593: IV. Finale. Allegro | Orlando String Quartet, Nobuko Imai | T-318.676.528-2 | |
| 3-1 | Quintettes à cordes, KV 516 : Allegro (fragm.) | Orlando String Quartet, Nobuko Imai | — | |
| 3-2 | Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: II. Minuetto. Allegretto & Trio | Orlando String Quartet, Nobuko Imai | T-902.774.400-9 | |
| 3-3 | Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: III. Adagio | Orlando String Quartet, Nobuko Imai | — | |
| 3-4 | Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: IV. Adagio ma non troppo | Orlando String Quartet, Nobuko Imai | T-902.574.467-6 | |
| 3-5 | Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: V. Allegro | Orlando String Quartet, Nobuko Imai | — | |
| 3-6 | Quintet for 2 Violins, 2 Violas & Cello No. 6 in E-flat major, K. 614: I. Allegro | Orlando String Quartet, Nobuko Imai | — | |
| 3-7 | Quintet for 2 Violins, 2 Violas & Cello No. 6 in E-flat major, K. 614: II. Andante | Orlando String Quartet, Nobuko Imai | — | |
| 3-8 | Quintet for 2 Violins, 2 Violas & Cello No. 6 in E-flat major, K. 614: III. Minuetto | Orlando String Quartet, Nobuko Imai | — | |
| 3-9 | Quintet for 2 Violins, 2 Violas & Cello No. 6 in E-flat major, K. 614: IV. Allegro | Orlando String Quartet, Nobuko Imai | T-003.055.867-8 | |
| 4-1 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: I. Allegro | — | ||
| 4-2 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: II. Adagio | — | ||
| 4-3 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: III. Minuetto | — | ||
| 4-4 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: IV. Andante | — | ||
| 4-5 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: V. Minuetto | — | ||
| 4-6 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: VI. Allegro | — | ||
| 5-1 | Duo for Violin & Viola No. 1 in G major, K. 423: I. Allegro | — | ||
| 5-2 | Duo for Violin & Viola No. 1 in G major, K. 423: II. Adagio | — | ||
| 5-3 | Duo for Violin & Viola No. 1 in G major, K. 423: III. Rondeau. Allegro | — | ||
| 5-4 | Duo for Violin & Viola No. 2 in B-flat major, K. 424: I. Adagio - allegro | — | ||
| 5-5 | Duo for Violin & Viola No. 2 in B-flat major, K. 424: II. Andante cantabile | — | ||
| 5-6 | Duo for Violin & Viola No. 2 in B-flat major, K. 424: III. Tema con variazioni. Andante grazioso | — | ||
| 5-7 | Trio for 2 Violins & Cello in B-flat major, K. 271f/266: II. Adagio / III. Minuetto | — | ||
| 6-1 | Prelude & Fugue for Violin, Viola, & Bass No. 1 in D minor, K. 404a/deest: I. Adagio / II. Fuga (After J. S. Bach: Prelude & Fugue No. 8 in D-sharp major, BWV 853 "The Well-Tempered Clavier, Book I") | — | ||
| 6-2 | Prelude & Fugue for Violin, Viola, & Bass No. 1 in G minor, K. 404a/deest: I. Adagio / II. Fuga (After J. S. Bach: Prelude & Fugue No. 14 in F-sharp major, BWV 883 "The Well-Tempered Clavier, Book II") | — | ||
| 6-3 | Prelude & Fugue for Violin, Viola, & Bass No. 3 in F major, K. 404a/deest: I. Adagio / II. Fuga (After J. S. Bach: Prelude & Fugue No. 13 in F-sharp major, BWV 882 "The Well-Tempered Clavier, Book II") | — | ||
| 6-4 | Prelude & Fugue for Violin, Viola, & Bass No. 4 in F major, K. 404a/deest: I. Adagio / II. Fuga (After J. S. Bach: Sonata in D minor, BWV 527: II. Adagio e dolce) | — | ||
| 6-5 | Prelude & Fugue for Violin, Viola, & Bass No. 5 in E-flat major, K. 404a/deest: I. Largo / II. Fuga (After J. S. Bach: Sonata for Organ No. 2 in C minor, BWV 526: II. Largo) | — | ||
| 6-6 | Prelude & Fugue for Violin, Viola, & Bass No. 6 in F minor, K. 404a/deest: I. Adagio / II. Fuga (After W. F. Bach: Fugue No. 8, FK 31) | — | ||
| 7-1 | Quartet for Strings No. 2 in D major, K. 134a/155 "Quartetti Milanesi": I. Allegro | — | ||
| 7-2 | Quartet for Strings No. 2 in D major, K. 134a/155 "Quartetti Milanesi": II. Andante | — | ||
| 7-3 | Quartet for Strings No. 2 in D major, K. 134a/155 "Quartetti Milanesi": III. Allegro molto | — | ||
| 7-4 | Quartet for Strings No. 3 in G major, K. 134b/156 "Quartetti Milanesi": I. Presto | — | ||
| 7-5 | Quartet for Strings No. 3 in G major, K. 134b/156 "Quartetti Milanesi": II. Adagio | — | ||
| 7-6 | Quartet for Strings No. 3 in G major, K. 134b/156 "Quartetti Milanesi": III. Tempo di minuetto | — | ||
| 7-7 | Quartet for Strings No. 4 in C major, K. 157 "Quartetti Milanesi": I. (No tempo indication) | — | ||
| 7-8 | Quartet for Strings No. 4 in C major, K. 157 "Quartetti Milanesi": II. Andante | — | ||
| 7-9 | Quartet for Strings No. 4 in C major, K. 157 "Quartetti Milanesi": III. Presto | — | ||
| 7-10 | Quartet for Strings No. 5 in F major, K. 158 "Quartetti Milanesi": I. Allegro | — | ||
| 7-11 | Quartet for Strings No. 5 in F major, K. 158 "Quartetti Milanesi": II. Andante un poco allegretto | — | ||
| 7-12 | Quartet for Strings No. 5 in F major, K. 158 "Quartetti Milanesi": III. Tempo di minuetto | — | ||
| 7-13 | Quartet for Strings No. 6 in B-flat major, K. 159 "Quartetti Milanesi": I. Andante | — | ||
| 7-14 | Quartet for Strings No. 6 in B-flat major, K. 159 "Quartetti Milanesi": II. Allegro | — | ||
| 7-15 | Quartet for Strings No. 6 in B-flat major, K. 159 "Quartetti Milanesi": III. Rondo. Allegro grazioso | — | ||
| 7-16 | Quartet for Strings No. 7 in E-flat major, K. 159a/160 "Quartetti Milanesi": I. Allegro | — | ||
| 7-17 | Quartet for Strings No. 7 in E-flat major, K. 159a/160 "Quartetti Milanesi": II. Un poco adagio | — | ||
| 7-18 | Quartet for Strings No. 7 in E-flat major, K. 159a/160 "Quartetti Milanesi": III. Presto | — | ||
| 8-1 | Quartet for Strings No. 8 in F major, K. 168 "Quartetti Vienna": I. Allegro | — | ||
| 8-2 | Quartet for Strings No. 8 in F major, K. 168 "Quartetti Vienna": II. Andante | — | ||
| 8-3 | Quartet for Strings No. 8 in F major, K. 168 "Quartetti Vienna": III. Minuetto | — | ||
| 8-4 | Quartet for Strings No. 8 in F major, K. 168 "Quartetti Vienna": IV. Allegro | — | ||
| 8-5 | Quartet for Strings No. 9 in A major, K. 169 "Quartetti Vienna": I. Allegro molto | — | ||
| 8-6 | Quartet for Strings No. 9 in A major, K. 169 "Quartetti Vienna": II. Andante | — | ||
| 8-7 | Quartet for Strings No. 9 in A major, K. 169 "Quartetti Vienna": III. Minuetto | — | ||
| 8-8 | Quartet for Strings No. 9 in A major, K. 169 "Quartetti Vienna": IV. Rondeaux. Allegro | — | ||
| 8-9 | Quartet for Strings No. 10 in C major, K. 170 "Quartetti Vienna": I. Tema con variazioni | — | ||
| 8-10 | Quartet for Strings No. 10 in C major, K. 170 "Quartetti Vienna": II. Minuetto | — | ||
| 8-11 | Quartet for Strings No. 10 in C major, K. 170 "Quartetti Vienna": III. Un poco adagio | — | ||
| 8-12 | Quartet for Strings No. 10 in C major, K. 170 "Quartetti Vienna": IV. Rondeaux. Allegro | — | ||
| 8-13 | Quartet for Strings No. 11 in E-flat major, K. 171 "Quartetti Vienna": I. Adagio - allegro assai | — | ||
| 8-14 | Quartet for Strings No. 11 in E-flat major, K. 171 "Quartetti Vienna": II. Minuetto | — | ||
| 8-15 | Quartet for Strings No. 11 in E-flat major, K. 171 "Quartetti Vienna": III. Andante | — | ||
| 8-16 | Quartet for Strings No. 11 in E-flat major, K. 171 "Quartetti Vienna": IV. Allegro assai | — | ||
| 8-17 | Quartet for Strings No. 12 in B-flat major, K. 172 "Quartetti Vienna": I. Allegro spiritoso | — | ||
| 8-18 | Quartet for Strings No. 12 in B-flat major, K. 172 "Quartetti Vienna": II. Adagio | — | ||
| 8-19 | Quartet for Strings No. 12 in B-flat major, K. 172 "Quartetti Vienna": III. Minuetto | — | ||
| 8-20 | Quartet for Strings No. 12 in B-flat major, K. 172 "Quartetti Vienna": IV. Allegro assai | — | ||
| 8-21 | Quartet for Strings No. 13 in D minor, K. 173 "Quartetti Vienna": I. Allegro ma molto moderato | — | ||
| 8-22 | Quartet for Strings No. 13 in D minor, K. 173 "Quartetti Vienna": II. Andantino grazioso | — | ||
| 8-23 | Quartet for Strings No. 13 in D minor, K. 173 "Quartetti Vienna": III. Minuetto | — | ||
| 8-24 | Quartet for Strings No. 13 in D minor, K. 173 "Quartetti Vienna": IV. Allegro | — | ||
| 9-1 | Quartet for Strings No. 14 in G major, K. 387 "Haydn Quartetti", "Spring": I. Allegro vivace assai | — | ||
| 9-2 | Quartet for Strings No. 14 in G major, K. 387 "Haydn Quartetti", "Spring": II. Minuetto & trio | — | ||
| 9-3 | Quartet for Strings No. 14 in G major, K. 387 "Haydn Quartetti", "Spring": III. Andante cantabile | — | ||
| 9-4 | Quartet for Strings No. 14 in G major, K. 387 "Haydn Quartetti", "Spring": IV. Allegro molto | — | ||
| 9-5 | Quartet for Strings No. 15 in D minor, K. 417b/421 "Haydn Quartetti": I. Allegro moderato | — | ||
| 9-6 | Quartet for Strings No. 15 in D minor, K. 417b/421 "Haydn Quartetti": II. Andante | — | ||
| 9-7 | Quartet for Strings No. 15 in D minor, K. 417b/421 "Haydn Quartetti": III. Minuetto. Allegretto & Trio | — | ||
| 9-8 | Quartet for Strings No. 15 in D minor, K. 417b/421 "Haydn Quartetti": IV. Allegretto ma non troppo | — | ||
| 10-1 | Quartet for Strings No. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": I. Allegro non troppo | — | ||
| 10-2 | Quartet for Strings No. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": II. Andante con moto | — | ||
| 10-3 | Quartet for Strings No. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": III. Minuetto & trio. Allegro | — | ||
| 10-4 | Quartet for Strings No. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": IV. Allegro vivace | — | ||
| 10-5 | Quartet for Strings No. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": I. Allegro vivace assai | — | ||
| 10-6 | Quartet for Strings No. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": II. Minuetto. Moderato & Trio | — | ||
| 10-7 | Quartet for Strings No. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": III. Adagio | — | ||
| 10-8 | Quartet for Strings No. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": IV. Allegro assai | — | ||
| 11-1 | Quartet for Strings No. 18 in A major, K. 464 "Haydn Quartetti": I. Allegro | — | ||
| 11-2 | Quartet for Strings No. 18 in A major, K. 464 "Haydn Quartetti": II. Minuetto & trio | — | ||
| 11-3 | Quartet for Strings No. 18 in A major, K. 464 "Haydn Quartetti": III. Andante | — | ||
| 11-4 | Quartet for Strings No. 18 in A major, K. 464 "Haydn Quartetti": IV. Allegro ma non troppo | — | ||
| 11-5 | Quartet for Strings No. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance": I. Adagio - allegro | — | ||
| 11-6 | Quartet for Strings No. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance": II. Andante cantibile | — | ||
| 11-7 | Quartet for Strings No. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance": III. Minuetto. Allegretto | — | ||
| 11-8 | Quartet for Strings No. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance": IV. Allegro molto | — | ||
| 12-1 | Quartet for Strings No. 20 in D major, K. 499 "Hoffmeister": I. Allegretto | — | ||
| 12-2 | Quartet for Strings No. 20 in D major, K. 499 "Hoffmeister": II. Minuetto | — | ||
| 12-3 | Quartet for Strings No. 20 in D major, K. 499 "Hoffmeister": III. Adagio | — | ||
| 12-4 | Quartet for Strings No. 20 in D major, K. 499 "Hoffmeister": IV. Allegro | — | ||
| 12-5 | Quartet for Strings No. 21 in D major, K. 575 "Quartetti Prussian": I. Allegretto | — | ||
| 12-6 | Quartet for Strings No. 21 in D major, K. 575 "Quartetti Prussian": II. Andante | — | ||
| 12-7 | Quartet for Strings No. 21 in D major, K. 575 "Quartetti Prussian": III. Minuetto. Allegretto & Trio | — | ||
| 12-8 | Quartet for Strings No. 21 in D major, K. 575 "Quartetti Prussian": IV. Allegretto | — | ||
| 13-1 | Quartet for Strings No. 22 in B-flat major, K. 589 "Quartetti Prussian": I. Allegro | — | ||
| 13-2 | Quartet for Strings No. 22 in B-flat major, K. 589 "Quartetti Prussian": II. Larghetto | — | ||
| 13-3 | Quartet for Strings No. 22 in B-flat major, K. 589 "Quartetti Prussian": III. Minuetto & trio. Moderato | — | ||
| 13-4 | Quartet for Strings No. 22 in B-flat major, K. 589 "Quartetti Prussian": IV. Allegro assai | — | ||
| 13-5 | Quartet for Strings No. 23 in F major, K. 590 "Quartetti Prussian": I. Allegro moderato | — | ||
| 13-6 | Quartet for Strings No. 23 in F major, K. 590 "Quartetti Prussian": II. Andante | — | ||
| 13-7 | Quartet for Strings No. 23 in F major, K. 590 "Quartetti Prussian": III. Minuetto & trio. Allegretto | — | ||
| 13-8 | Quartet for Strings No. 23 in F major, K. 590 "Quartetti Prussian": IV. Allegro | — | ||
| 13-9 | Quartet for Strings No. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": I. Adagio | — | ||
| 13-10 | Quartet for Strings No. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": II. Allegro | — | ||
| 13-11 | Quartet for Strings No. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": III. Minuetto | — | ||
| 13-12 | Quartet for Strings No. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": IV. Rondo | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Andante for Piano in B-flat major, K. 15ii/deest "London Sketchbook No. 34" | Bernard Foccroulle | — |
| Piece for Piano in F major, K. 33B/deest | Bernard Foccroulle | — |
| Allegro for Piano in G major, K. 72a/deest (fragment) | Bernard Foccroulle | — |
| Andante for Piano in C major, K. 1a/deest "Notenbuch für Nannerl Mozart No. 53" | Guy Penson | — |
| Allegro for Piano in C major, K. 1b/deest "Notenbuch für Nannerl Mozart No. 54" | Guy Penson | — |
| Allegro for Piano in F major, K. 1c/deest "Notenbuch für Nannerl Mozart No. 55" | Guy Penson | — |
| Minuet for Piano in F major, K. 1d/deest "Notenbuch für Nannerl Mozart No. 56" | Guy Penson | — |
| Minuet for Piano in G major, K. 1e/1 "Notenbuch für Nannerl Mozart No. 62" | Guy Penson | — |
| Minuet for Piano in C major, K. 1f/deest "Notenbuch für Nannerl Mozart No. 63": Minuet & Trio | Guy Penson | — |
| Minuet for Piano in F major, K. 2 "Notenbuch für Nannerl Mozart No. 58" | Guy Penson | — |
| Allegro for Piano in B-flat major, K. 3 "Notenbuch für Nannerl Mozart No. 59" | Guy Penson | — |
| Minuet for Piano in F major, K. 4 "Notenbuch für Nannerl Mozart No. 49" | Guy Penson | — |
| Minuet for Piano in F major, K. 5 | Guy Penson | — |
| Allegro for Piano in C major, K. 5a/(K2) 9a/KV deest "Notenbuch für Nannerl Mozart No. 20" | Guy Penson | — |
| Allegro for Piano in F major, K. 15a/(K2) A109b/1/KV deest "London Sketchbook No. 1" | Guy Penson | — |
| Allegro for Piano in F major, K. 15m/(K2) A109b/4/KV deest "London Sketchbook No. 12" | Guy Penson | — |
| Minuet for Piano (on 2 Flutes & Strings) in C major, K. 61g/2/KV deest | Guy Penson | — |
| Minuet for Piano in D major, K. 73h/94 | Guy Penson | — |
| Minuette for Piano in C major with Trio for Piano in F major, K. 315g/1/(K2) 315a/1/KV deest "8 Minuets for Piano No. 1" / Minuette with Trio for Piano in G major, K. 315g/2/(K2) 315a/2/KV deest "8 Minuets for Piano No. 2" / Minuette for Piano in D major | Guy Penson | — |
| Allegro for Piano in G minor, K. 590d/312 | Guy Penson | — |
| Capriccio for Piano in C major, K. 300g/395 | Guy Penson | — |
| Fugue for Piano in G minor, K. 375e/401 (fragment) | Bernard Foccroulle | — |
| Prelude and Fugue for Piano in C major, K. 383a/394 | Luc Devos | — |
| March for Orchestra in C major, K. 383e/KV 408/1 | Luc Devos | — |
| Fantasia Movement for Violin & Piano in C minor, K. 385f/396 (fragment) | Luc Devos | — |
| Fantasia for Piano in D minor, K. 385g/397 (fragment) | Luc Devos | — |
| Suite for Piano in C major, K. 385i/399 (fragment): I. Overture | Guy Penson | — |
| Suite for Piano in C major, K. 385i/399 (fragment): II. Allemande | Guy Penson | — |
| Suite for Piano in C major, K. 385i/399 (fragment): III. Courante | Guy Penson | — |
| Allegro for Piano in B-flat major, K. 372a/400 (fragment) | Luc Devos | — |
| March for Piano in C minor, K. 453a/deest "Marche funèbre del Sigr Maestro Contrapunto" | Luc Devos | — |
| Fantasia for Piano in C major, K. 475 | Luc Devos | — |
| Rondo for Piano in D major, K. 485 | Luc Devos | T-905.312.114-5 |
| Six German Dances, K. 509 | Luc Devos | — |
| Rondo for Piano No. 3 in A minor, K. 511: Andante | Luc Devos | — |
| Adagio for Piano in B minor, K. 540 | Luc Devos | — |
| Sonata for Piano in F major, K. 547a/Anh 135: I. Allegro | Luc Devos | — |
| Sonata for Piano in F major, K. 547a/Anh 135: II. Allegretto | Luc Devos | — |
| Minuet for Piano in D major, K. 576b/355 | Luc Devos | — |
| Andantino for Piano in E-flat major, K. 588b/236 | Luc Devos | — |
| Adagio for Glass Armonica in C major, K. 617a/356 | Dennis James | T-915.717.075-7 |
| Concerto for Violin No. 1 in B-flat major, K. 207: I. Allegro moderato | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto for Violin No. 1 in B-flat major, K. 207: II. Adagio | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto for Violin No. 1 in B-flat major, K. 207: III. Presto | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto for Violin No. 2 in D major, K. 211: I. Allegro moderato | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto for Violin No. 2 in D major, K. 211: II. Andante | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto for Violin No. 2 in D major, K. 211: III. Rondeau. Allegro | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto no. 3 in G major for Violin and Orchestra, K. 216: I. Allegro | Emmy Verhey, Royal Concertgebouw Orchestra, Eduardo Marturet | — |
| Concerto no. 3 in G major for Violin and Orchestra, K. 216: II. Adagio | Emmy Verhey, Royal Concertgebouw Orchestra, Eduardo Marturet | — |
| Concerto no. 3 in G major for Violin and Orchestra, K. 216: III. Rondeau: Allegro | Emmy Verhey, Royal Concertgebouw Orchestra, Eduardo Marturet | — |
| Concerto for Violin No. 4 in D major K. 218: I. Allegro | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto for Violin No. 4 in D major K. 218: II. Andante cantabile | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto for Violin No. 4 in D major K. 218: III. Rondeau. Allegro grazioso - allegro ma non troppo - andante grazioso | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto for Violin No. 5 in A major K. 219 "Turkish": I. Allegro aperto | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto for Violin No. 5 in A major K. 219 "Turkish": II. Adagio | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | T-902.574.467-6 |
| Concerto for Violin No. 5 in A major K. 219 "Turkish": III. Rondeau. Tempo di menuetto - Allegro | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Adagio in E major for Violin and Orchestra, K. 261 | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Concerto for Violin & Orchestra in B-flat major, K. 261a/269: Rondo | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — |
| Rondo for Violin & Orchestra in C major, K. 373 | Emmy Verhey, Concertgebouw Orchestra, Eduardo Marturet | — |
| Requiem in D minor, KV 626: Introitus: Requiem aeternam | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Kyrie eleison | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Dies irae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-922.061.546-3 |
| Requiem in D minor, KV 626: Tuba mirum | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Rex tremendae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Recordare | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Confutatis | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Lacrimosa | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Domine Jesu | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Hostias | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: I. Kyrie eleison | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: II. Panis vivus | Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: III. Verbum caro factum | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: IV. Hostia sancta | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: VI. Tremendum | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: VII. Dulcissimum convivium | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: VII. Viaticum | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: VIII. Pignus futurae gloriae | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: IX. Agnus dei | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae Lauretanae in B-flat major, KV 109: I. Kyrie eleison | Chamber Choir of Europe, Nicol Matt | — |
| Litaniae Lauretanae in B-flat major, KV 109: II. Sancta Maria | Chamber Choir of Europe, Nicol Matt | — |
| Litaniae Lauretanae in B-flat major, KV 109: III. Salus infirmorum | Chamber Choir of Europe, Nicol Matt | — |
| Litaniae Lauretanae in B-flat major, KV 109: IV. Regina Angelorum | Chamber Choir of Europe, Nicol Matt | — |
| Litaniae Lauretanae in B-flat major, KV 109: V. Agnus Dei | Chamber Choir of Europe, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: I. "Kyrie eleison" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: II. "Panis vivus" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: III. "Verbum caro factum" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: IV. "Hostia sancta" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: V. "Tremendum" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VI. "Panis omnipotentia" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VII. "Viaticum" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VIII. "Pignus futurae gloriae" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: IX. "Agnus Dei" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: I. "Kyrie eleison" | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester, Nicol Matt | — |
| Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: II. "Sancta Maria" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester, Nicol Matt | — |
| Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: III. "Salus infirmorum" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester, Nicol Matt | — |
| Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: IV. "Regina angelorum" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester, Nicol Matt | — |
| Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: V. "Agnus Dei" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester, Nicol Matt | — |
| Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: I. "Dixit dominus" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester, Nicol Matt | — |
| Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: II. "Confitebor" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester, Nicol Matt | — |
| Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: III. "Beatus vir" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: IV. "Laudate pueri" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: V. "Dixit dominus" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: VI. "Magnificat" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: I. "Dixit dominus" | Chamber Choir of Europe, Pamela Heuvelmans, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: II. "Confitebor" | Chamber Choir of Europe, Pamela Heuvelmans, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: III. "Beatus vir" | Chamber Choir of Europe, Pamela Heuvelmans, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: IV. "Laudate pueri" | Chamber Choir of Europe, Pamela Heuvelmans, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: V. "Laudate dominum" | Chamber Choir of Europe, Pamela Heuvelmans, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: VI. "Magnificat" | Chamber Choir of Europe, Pamela Heuvelmans, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Sanctus | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Benedictus | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Agnus Dei | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Lux aeterna | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | T-924.224.927-0 |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVb. Sanctus: "Hosanna" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Kyrie in D minor, KV 341 | Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Missa solemnis in C major, KV 337: I. Kyrie | Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Missa solemnis in C major, KV 337: II. Gloria | Marietta Fischesser, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Missa solemnis in C major, KV 337: III. Credo | Marietta Fischesser, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Missa solemnis in C major, KV 337: IV. Sanctus | Marietta Fischesser, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Missa solemnis in C major, KV 337: V. Benedictus | Marietta Fischesser, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Missa solemnis in C major, KV 337: VI. Agnus Dei | Marietta Fischesser, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | T-922.061.546-3 |
| Coronation Mass in C major, KV 317: I. Kyrie | Pamela Heuvelmans, Benoît Haller, Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Coronation Mass in C major, KV 317: II. Gloria | Pamela Heuvelmans, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Coronation Mass in C major, KV 317: III. Credo | Pamela Heuvelmans, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-915.866.112-2 |
| Coronation Mass in C major, KV 317: IV. Sanctus | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Coronation Mass in C major, KV 317: V. Benedictus | Pamela Heuvelmans, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Coronation Mass in C major, KV 317: VI. Agnus Dei | Pamela Heuvelmans, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-922.061.546-3 |
| Aria for Soprano & Orchestra in A major, K. 382h/119: "Der Liebe himmlisches Gefühl" | Francine Van der Heijden, European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in A major, K. 418: "Vorrei spiegarvi, oh Dio" | Francine Van der Heijden, European Sinfonietta, Ed Spanjaard | T-924.224.904-3 |
| Aria for Soprano, 2 Horns, Violin, Viola & Bass, K. deest: "Cara, se le mie pene" (anonymous, attrbuted to W.A. Mozart) | Francine Van der Heijden, European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in E-flat major, K. 73p/83: "Se tutti i mali miei" | Francine Van der Heijden, European Sinfonietta, Ed Spanjaard | — |
| Recitative and Aria for Soprano & Orchestra in E-flat major, K. 294: "Alcandro, Io confesso… Non só d'onde viene" | Francine Van der Heijden, European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in F major, K. 73o/82: "Se ardire, e speranza" | Francine Van der Heijden, European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in A major, K. 417e/178: "Ah, spiegarti, o Dio" | Francine Van der Heijden, European Sinfonietta, Ed Spanjaard | — |
| Recitative and Aria for Soprano, Piano & Orchestra in E-flat major, K. 505: "Ch'io mi scordi di te… Non temer, amato bene" | Miranda van Kralingen, European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in B-flat major, K. 578: "Alma grande e nobil core" | European Sinfonietta, Ed Spanjaard | — |
| Recitative and Aria for Soprano & Orchestra in E-flat major, K. 374: "A questo seno deh vieni… Or che il cielo" | European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in E-flat major, K. 295a/K(2) 486a: "Basta, vincesti… Ah, non lasciarmi" | European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in F major, K. 577: "Al desio di chi t'adora" | European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in A major, K. 23: "Conservati fedele" | European Sinfonietta, Ed Spanjaard | — |
| Recitative and Aria for Soprano & Orchestra in G major, K. 217: "Voi avete un cor fedele" | European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in B-flat major, K. 73e/77: "Misero me!… Misero pargoletto" | European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in G major, K. 383: "Nehmt meinen Dank, ihr holden Gönner" | European Sinfonietta, Ed Spanjaard | — |
| Aria for Tenor & Orchestra in C major, K. 19c/21: "Va, dal furor portata" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Recitative and Aria for Tenor & Orchestra in C major, K. 33i/36: "Or che il dover… Tali e cotanti sono" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Tenor & Orchestra in D major, K. 209: "Si mostra la sorte" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Tenor & Orchestra in C major, K. 210: "Con ossequio, con rispetto" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Tenor & Orchestra in D major, K. 256: "Clarice cara mia sposa" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Tenor & Orchestra in B-flat major, K. 295: "Se al labbro… Il cor dolente" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Tenor & Orchestra in E-flat major, K. 420: "Per pietà, non ricercate" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Recitative and Aria for Tenor & Orchestra in E-flat major, K. 425b/431: "Misero! oh sogno… Aura che intorno spiri" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Bass & Orchestra in E-flat major, K. 621a/Anh 245: "Io ti lascio, oh cara, addio" | Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Recitative and Aria for Bass & Orchestra in F minor, K. 421a/432 (fragment): "Così dunque tradisci… Aspri rimorsi atroci" | Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Quartet for Mezzo-Soprano, Tenor, 2 Basses & Orchestra in E-flat major, K. 479: "Dite almeno, in che mancai" | Marcel Reijans, Christian Tchelebiev, Ezio Maria Tisi, Caroline Vitale, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Trio for Mezzo-Soprano, Tenor, Bass & Orchestra in A major, K. 480: "Mandina amabile" | Marcel Reijans, Ezio Maria Tisi, Caroline Vitale, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Recitative and Aria for Bass & Orchestra in F major, K. 512: "Alcandro, Io confesso… Non so d'onde viene" | Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Bass & Orchestra in E-flat major, K. 513: "Mentre ti lascio, oh figlia" | Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Bass & Orchestra in A major, K. 539: "Ich möchte wohl der Kaiser sein" | Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Bass & Orchestra in F major, K. 541: "Un bacio di mano" | Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Bass, Double Bass & Orchestra in D major, K. 612: "Per questa bella mano" | Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Recitative for Soprano & Orchestra in C major, K. 300b/316: I. "Popoli di Tessaglia" | Annemarie Kremer, Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Soprano & Orchestra in C major, K. 300b/316: II. "Io non chiedo" | Christiane Oelze, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — |
| Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso | Klára Würtz | — |
| Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto | Klára Würtz | T-313.706.466-1 |
| Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Klára Würtz | — |
| Sonata for Piano no. 12 in F major, K. 300k/332: I. Allegro | Klára Würtz | — |
| Sonata for Piano no. 12 in F major, K. 300k/332: II. Adagio | Klára Würtz | T-316.577.882-1 |
| Sonata for Piano no. 12 in F major, K. 300k/332: III. Allegro assai | Klára Würtz | — |
| Sonata for Piano no. 13 in B-flat major, K. 315c/333: I. Allegro | Klára Würtz | — |
| Sonata for Piano no. 13 in B-flat major, K. 315c/333: II. Andante cantabile | Klára Würtz | — |
| Sonata for Piano no. 13 in B-flat major, K. 315c/333: III. Allegretto | Klára Würtz | — |
| Sonata for Piano no. 14 in C minor, K. 457: I. Allegro molto | Klára Würtz | — |
| Sonata for Piano no. 14 in C minor, K. 457: II. Adagio | Klára Würtz | T-927.972.088-6 |
| Sonata for Piano no. 14 in C minor, K. 457: III. Allegro assai | Klára Würtz | — |
| Requiem in D minor, KV 626: Introitus: Requiem aeternam | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Kyrie eleison | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-070.093.418-4 |
| Requiem in D minor, KV 626: Tuba mirum | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Rex tremendae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Recordare | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-916.756.672-5 |
| Requiem in D minor, KV 626: Confutatis | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Lacrimosa | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Domine Jesu | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-919.097.742-5 |
| Requiem in D minor, KV 626: Hostias | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Sanctus | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Benedictus | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-106.642.813-3 |
| Requiem in D minor, KV 626: Agnus Dei | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Lux aeterna | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-910.952.061-8 |
| 9 Variations on Nicolas Dezède: Comedie melée d'Ariettes Julie: "Lison dormait" for Piano in C major, K. 315d/264 | Bart van Oort | — |
| 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353 | Bart van Oort | — |
| 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: "Je suis Lindor" for Piano in E-flat major, K. 299a/354 | Bart van Oort | — |
| 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352 | Bart van Oort | — |
| 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398 | Bart van Oort | — |
| Minuet for Piano in B-flat major, K. Anh 25.05/(K3) 498a/Anh 137 (spurious) [6 Variations on a Theme from an Unidentified Clarinet Quintet] | Bart van Oort | — |
| 10 Variations on Christoph Will: "Unser dummer Pöbel meint' from "La Rencontre imprévue" for Piano in G major, K. 455 | Bart van Oort | — |
| 12 Variations on an Unknown Allegro for Piano in B-flat major, K. 500 | Bart van Oort | — |
| 9 Variations on Jean-Pierre Duport: Minuet for Piano in D major, K. 573 "Duport Variationen" | Bart van Oort | — |
| 8 Variations on Der dumme Gärtn: "Ein Weib ist das herrlichste Ding" for Piano in F major, K. 613 | Bart van Oort | — |
| ADAGIO IN F MAJOR, K. 410 | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 Parts in B-flat major, K. 382d/233: "Leck mir den Arsch fein recht schön sauber" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts in G major, K. 509a/232: "Lieber Freistädtler, lieber Gaulimauli" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 Parts in F major, K. 508a/1/KV deest | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts in F major, K. 560: "O du eselhafter Martin" | Chamber Choir of Europe, Nicol Matt | — |
| BONA NOX, BIST A RECHTA OX, K. 561 | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 Parts in F major, K. 508a/2/KV deest | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 6 Parts in B-flat major, K. 382c/231: "Leck mich im Arsch" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 2 Parts in F major, K. 508a/3/KV deest | Chamber Choir of Europe, Nicol Matt | — |
| KYRIE | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts in C major, K. 553: "Alleluia" | Chamber Choir of Europe, Nicol Matt | — |
| AVE MARIA | Chamber Choir of Europe, Nicol Matt | — |
| Canonical Study in B-flat major, K. deest: "Dona nobis pacem" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 2 parts in F major, K. 508a/4/KV deest | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 parts in F major, K. 507: "Heiterkeit und leichtes" | Chamber Choir of Europe, Nicol Matt | — |
| Canon for 4 Clarinets (retexted on 5 Voices) in A major, K. 73i/(K2) 89aI (spurious retexted version): "G'rectel's enk" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 2 Parts in F major, K. 508a/5/KV deest | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 Parts in G major, K. 382e/234: ""Bei der Hitz im Sommer ess ich"" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 Parts in F major, K. 508: "Auf das Wohl aller Freunde" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 2 Parts in F major, K. 508a/6/KV deest | Chamber Choir of Europe, Nicol Matt | — |
| Puzzle Canon for Chorus No. 1, K. 73r/1/(K2) 89aII/1: "Incipe menalios mecum" | Chamber Choir of Europe, Nicol Matt | — |
| Puzzle Canon for Chorus No. 2, K. 73r/2/(K2) 89aII/2: "Cantata Domino omnis" | Chamber Choir of Europe, Nicol Matt | — |
| Puzzle Canon for Chorus No. 3, K. 73r/3/(K2) 89aII/3: "Confitebor tibi Domine" | Chamber Choir of Europe, Nicol Matt | — |
| Puzzle Canon for Chorus No. 4, K. 73r/4/(K2) 89aII/4: "Tebana bella cantus" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 2 Parts in F major, K. 508a/7/KV deest | Nicol Matt | — |
| Canon in 4 Parts in G major, K. 556: "G'rechtelt's enk" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts in B-flat major, K. 558: ""Gehn wir im Prater, gehn wir in d'Hetz"" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 2 Parts in F major, K. 508a/8/KV deest | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 12 Parts in G major, K. 382g/348 (Maximilian Stadler completion): "V'amo di core teneramente" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts in A minor, K. 555: "Lacrimoso son'io" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 Parts in A major, K. 562: "Caro bell' idol mio" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts in F minor, K. 557: "Nascoso è il mio sol" | Chamber Choir of Europe, Nicol Matt | — |
| DIFFICILE LECTU MIHI MARS | Chamber Choir of Europe, Nicol Matt | T-918.701.701-2 |
| CANON, K. 508B | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 Parts in C minor, K. 382a/229: "Sie ist dahin" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 2 Parts in C major, K. 382b/230: "Selig, selig alle" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 6 Parts in D major, K. 382f/347: "Laß uns ziehn" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts for 2 Violins, Viola & Bass in C major, K. 562c/Anh 191 | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts in B-flat major, K. 562a/deest | Chamber Choir of Europe, Nicol Matt | — |
| 2 Canons in 4 Parts in F major, K. 515b/2/KV 228: "Lebet wohl" | Chamber Choir of Europe, Nicol Matt | — |
| Canonical Study, K. deest: "Sinkt die Nacht" | Chamber Choir of Europe, Nicol Matt | — |
| Concerto in E-flat major for 2 Pianos and Orchestra, K. 365: III. Rondo. Allegro | Zoltán Kocsis, Ránki Dezső, Nemzeti Filharmonikus zenekar, János Ferencsik | — |
| Die Zauberflöte, K. 620: Ouverture | Scottish Chamber Orchestra, Charles Mackerras | T-903.529.769-9 |
| Die Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino) | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene I. Monologue "Wo bin ich?" (Tamino) | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene II. no. 1 Aria “Was hör’ ich? Der Vogelfänger bin ich ja” (Papageno) | Sir Thomas Allen, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene III. No. 2 Dialogue "He da!... Was da?" (Tamino, Papageno) | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino) | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | T-306.483.079-7 |
| Die Zauberflöte, K. 620: Act I, Scene V. Dialogue "Rüste dich mit Mut und Standhaftigkeit" (Tamino) | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene VI. No. 4 Recitative and Aria "O zitt're nicht, mein lieber Sohn!" (Die Königin der Nacht) | June Anderson, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene VII. Monologue "Ist's denn auch Wirklichkeit, was ich sah?" (Tamino) | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino) | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio "Du feines Täubchen, nur herein" (Pamina, Tamino) | Jerry Hadley, Barbara Hendricks, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene XIII - XIV. Monologue "Mutter! Mutter! / Wie? / Noch schlagt dies Herz?" (Pamina) | Barbara Hendricks, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene XIV. No. 7 Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno) | Sir Thomas Allen, Barbara Hendricks, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino) | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene XV. Recitativo "Die Weisheitslehre dieser Knaben" (Tamino) | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene XV. Andante "Wie stark ist nicht dein Zauberton" (Tamino) | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene XVI. "Schnelle Füße, rascher Mut" (Pamina, Papageno) | Sir Thomas Allen, Barbara Hendricks, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act I, Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno) | Sir Thomas Allen, Barbara Hendricks, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene I. No. 9 Marsch Der Priester | Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene I. Dialogue "Ihr, in dem Weisheitstempel eingeweihten Diener" (Sarastro) | Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene I. Dialogue "Sarastro dankt euch" (Sarastro) | Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene I. No. 10 Aria and Chorus "Eingeweihte Diener der großen Gotter Osiris und Isis!" (Sarastro) | Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene II. Dialogue "Eine schreckliche Nacht!" (Tamino, Papageno) | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene IV. No. 11 Duet "Bewahret euch vor Weibertücken" (Papageno, Tamino) | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene IV. Dialogue "He, Lichter Her!" (Papageno, Tamino) | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino) | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene VI. Dialogue "Heil dir, Jüngling" (Papageno, Tamino) | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos) | Helmut Wildhaber, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene VIII. Dialogue "Zurück! O weh!" (Die Königin der Nacht) | June Anderson, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | June Anderson, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene IX - XII. Monologue "Morden soll ich?" (Pamina, Sarastro) | Barbara Hendricks, Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro) | Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XIII - XV. Dialogue "Hier seid ihr euch beide allein überlassen" (Papageno, Tamino) | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Knaben) | Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XVII - XVIII. Dialogue "Tamino, wollen wir nicht speisen?" (Papageno, Pamina) | Sir Thomas Allen, Jerry Hadley, Barbara Hendricks, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina) | Barbara Hendricks, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XIX. Monologue "Nicht wahr, Tamino" (Papagena) | Ulrike Steinsky, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester) | Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) | Barbara Hendricks, Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino) | Jerry Hadley, Barbara Hendricks, Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXII - XXIII. Dialogue "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno) | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno) | Sir Thomas Allen, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXIV. Dialogue "Da bin ich schon, mein Engel!" (Papageno) | Sir Thomas Allen, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina) | Barbara Hendricks, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina) | Jerry Hadley, Barbara Hendricks, Alastair Miles, Peter Svensson, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Wir wandeln durch des Tones Macht" (Pamina, Tamino) | Jerry Hadley, Barbara Hendricks, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXIX. "Papagena! Papagena!" (Papageno) | Sir Thomas Allen, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXX. "Nur stille! Stille! Die Strahlen der Sonne" (Chor, Monostatos, Königin, Damen) | June Anderson, Julia Bernheimer, Petra Maria Schnitzer, Gabriele Sima, Helmut Wildhaber, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620: Act II, Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro) | Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras | — |
| Die Zauberflöte, K. 620 (Anh, spurious): Act II, Scene XI. "Pamina, wo bist du?" (Tamino, Papageno) | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | — |
| Requiem in D minor, KV 626: Dies irae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-922.061.546-3 |
