UPC · Release
Scottish Songs for George Thomson II
Joseph Haydn, Lorna Anderson, Jamie MacDougall and 1 more
5028421925424
91 tracksReleased 2005-01-01Brilliant Classics
Last verified:
5028421925424 is the Universal Product Code (UPC barcode) for the release “Scottish Songs for George Thomson II” by Joseph Haydn, Lorna Anderson, Jamie MacDougall, Haydn Trio Eisenstadt, released 2005-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 91 tracks, each with its own ISRC.
Format
502GS1 prefix
8421Company prefix
92542Product
4Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (91)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Peggy, I must love thee, Hob. XXXIa:167 | — | ||
| 2 | The bonny grey-ey'd morn, Hob. XXXIa:101/bis | — | ||
| 3 | The minstrel, Hob. XXXIa:115/bis | — | ||
| 4 | Deil tak' the wars, Hob. XXXIa:229 | — | ||
| 5 | Gramachree, Hob. XXXIa:13/bis | — | ||
| 6 | Up and war them a' Willy, Hob. XXXIa:233 | — | ||
| 7 | I canna come ilka day to woo, Hob. XXXIa:140/bis | — | ||
| 8 | Langolee, Hob. XXXIa:235 | — | ||
| 9 | Hey tutti taiti, Hob. XXXIa:174 | — | ||
| 10 | Kellyburn braes, Hob. XXXIa:148/bis | — | ||
| 11 | The Poet's ain Jean, Hob. XXXIa:230 | — | ||
| 12 | Gil Morris, Hob. XXXIa:196 | — | ||
| 13 | The last time I came o'er the muir, Hob. XXXIa:199 | — | ||
| 14 | The mucking o' Geordie's byre, Hob. XXXIa:51/bis | — | ||
| 15 | The happy trio, Hob. XXXIa:243 | — | ||
| 16 | The wish, Hob. XXXIa:245 | — | ||
| 17 | Killiecrankie, Hob. XXXIa:169 | — | ||
| 18 | My apron deary, Hob. XXXIa:189 | — | ||
| 19 | The brisk young lad, Hob. XXXIa:46/bis | — | ||
| 20 | Whistle o'er the lave o't, Hob. XXXIa:76/bis | — | ||
| 21 | Fy gar rub her o'er wi' strae, Hob. XXXIa:7/bis | — | ||
| 22 | My Love she's but a lassie yet, Hob. XXXIa:194 | — | ||
| 23 | My Nanie, O, Hob. XXXIa-37/quater | — | ||
| 2-1 | Cauld kail in Aberdeen, Hob. XXXIa:55/bis | — | ||
| 2-2 | An thou wert mine ain thing, Hob. XXXIa:164 | — | ||
| 2-3 | The boatman, Hob. XXXIa:246 | — | ||
| 2-4 | Jingling Johnie, Hob. XXXIa:263 | — | ||
| 2-5 | Muirland Willy, Hob. XXXIa:242 | — | ||
| 2-6 | Variations on Bannocks o' barleymeal | — | ||
| 2-7 | The tears of Caledonia, Hob. XXXIa:201 | — | ||
| 2-8 | Variations on Maggie Lauder | — | ||
| 2-9 | Queen Mary's lamentation, Hob. XXXIa:161) | — | ||
| 2-10 | The soldier laddie, Hob. XXXIa:60/bis | — | ||
| 2-11 | Highland Air. The lone vale, Hob. XXXIa:175 | — | ||
| 2-12 | Roslin Castle, Hob. XXXIa:191 | — | ||
| 2-13 | Green sleeves, Hob. XXXIa:112/bis | — | ||
| 2-14 | Variations on Saw ye my father | — | ||
| 2-15 | A Jacobite Air. Phely and Willy, Hob. XXXIa:231 | — | ||
| 2-16 | Hooly and fairly, Hob. XXXIa:237 | — | ||
| 2-17 | Young Jockey was the blythest lad, Hob. XXXIa:64/bis | — | ||
| 2-18 | The shepherd's wife, Hob. XXXIa:128/bis | — | ||
| 2-19 | Mary's dream, Hob. XXXIa:1/bis | — | ||
| 2-20 | Oonagh, Hob. XXXIa:249 | — | ||
| 2-21 | The auld gudeman, Hob. XXXIa:184 | — | ||
| 2-22 | Strathallan's lament, Hob. XXXIa:145/bis | — | ||
| 2-23 | Polwarth on the green, Hob. XXXIa:265 | — | ||
| 3-1 | Bonny wee thing, Hob. XXXIa:102/ter | — | ||
| 3-2 | The auld wife ayont the fire, Hob. XXXIa:195 | — | ||
| 3-3 | The birks of Invermay, Hob. XXXIa:187 | — | ||
| 3-4 | Auld Rob Morris, Hob. XXXIa:192 | — | ||
| 3-5 | My deary an thou die, Hob. XXXIa:166 | — | ||
| 3-6 | Jenny's bawbee, Hob. XXXIa:252 | — | ||
| 3-7 | Highland Mary, Hob. XXXIa:159 | — | ||
| 3-8 | Variations on Killiecrankie | — | ||
| 3-9 | If a body meet a body, Hob. XXXIa:80/bis | — | ||
| 3-10 | Auld Robin Gray, Hob. XXXIa:168 | — | ||
| 3-11 | Bessy Bell and Mary Gray, Hob. XXXIa:178 | — | ||
| 3-12 | The weary pund o' tow, Hob. XXXIa:129/bis | — | ||
| 3-13 | Maggie Lauder, Hob. XXXIa:35/bis | — | ||
| 3-14 | Sensibility, Hob. XXXIa:173 | — | ||
| 3-15 | Edinburgh Kate, Hob. XXXIa:69/bis | — | ||
| 3-16 | Woo'd and married and a', Hob. XXXIa:38/bis | — | ||
| 3-17 | Tak your auld cloak about ye, Hob. XXXIa:180 | — | ||
| 3-18 | Waes my heart that we should sunder, Hob. XXXIa:155 | — | ||
| 3-19 | Johnie's grey breeks, Hob. XXXIa:154 | — | ||
| 3-20 | Fy let's a' to the bridal, Hob. XXXIa:20/bis | — | ||
| 3-21 | Let me in this ae night, Hob. XXXIa:61/bis | — | ||
| 3-22 | Galashiels, Hob. XXXIa:179 | — | ||
| 3-23 | Ay waking, O!, Hob. XXXIa:157 | — | ||
| 4-1 | Tears that must ever fall, Hob. XXXIa:186 | — | ||
| 4-2 | The birks of Abergeldie, Hob. XXXIa:58/bis | — | ||
| 4-3 | The looking glass, Hob. XXXIa:158 | — | ||
| 4-4 | Ettrick banks, Hob. XXXIa:151 | — | ||
| 4-5 | O'er bogie, Hob. XXXIa:16/bis | — | ||
| 4-6 | Barbara Allan, Hob. XXXIa:11/bis | — | ||
| 4-7 | The blue bell of Scotland, Hob. XXXIa:176 | — | ||
| 4-8 | Saw ye my father, Hob. XXXIa:5/bis | — | ||
| 4-9 | The braes of Ballenden, Hob. XXXIa:200 | — | ||
| 4-10 | John o' Badenyon, Hob. XXXIa:24/bis | — | ||
| 4-11 | Fee him, father, Hob. XXXIa:156 | — | ||
| 4-12 | The ewie wi' the crooked horn, Hob. XXXIa:116/bis | — | ||
| 4-13 | Pinkie House, Hob. XXXIa:183 | — | ||
| 4-14 | Bonny Jean, Hob. XXXIa:172 | — | ||
| 4-15 | Bannocks o' barleymeal, Hob. XXXIa:171 | — | ||
| 4-16 | Green grow the rashes, Hob. XXXIa:8/bis | — | ||
| 4-17 | The blathrie o't, Hob. XXXIa:162 | — | ||
| 4-18 | My mither's ay glowrin o'er me, Hob. XXXIa:70/bis | — | ||
| 4-19 | Scornfu' Nansy, Hob. XXXIa:185 | — | ||
| 4-20 | I wish my Love were in a myre, Hob. XXXIa:177 | — | ||
| 4-21 | The death of the linnet, Hob. XXXIa:138/bis | — | ||
| 4-22 | Rothiemurcus rant, Hob. XXXIa:165 | — |
Peggy, I must love thee, Hob. XXXIa:167
—
The bonny grey-ey'd morn, Hob. XXXIa:101/bis
—
The minstrel, Hob. XXXIa:115/bis
—
Deil tak' the wars, Hob. XXXIa:229
—
Gramachree, Hob. XXXIa:13/bis
—
Up and war them a' Willy, Hob. XXXIa:233
—
I canna come ilka day to woo, Hob. XXXIa:140/bis
—
Langolee, Hob. XXXIa:235
—
Hey tutti taiti, Hob. XXXIa:174
—
Kellyburn braes, Hob. XXXIa:148/bis
—
The Poet's ain Jean, Hob. XXXIa:230
—
Gil Morris, Hob. XXXIa:196
—
The last time I came o'er the muir, Hob. XXXIa:199
—
The mucking o' Geordie's byre, Hob. XXXIa:51/bis
—
The happy trio, Hob. XXXIa:243
—
The wish, Hob. XXXIa:245
—
Killiecrankie, Hob. XXXIa:169
—
My apron deary, Hob. XXXIa:189
—
The brisk young lad, Hob. XXXIa:46/bis
—
Whistle o'er the lave o't, Hob. XXXIa:76/bis
—
Fy gar rub her o'er wi' strae, Hob. XXXIa:7/bis
—
My Love she's but a lassie yet, Hob. XXXIa:194
—
My Nanie, O, Hob. XXXIa-37/quater
—
Cauld kail in Aberdeen, Hob. XXXIa:55/bis
—
An thou wert mine ain thing, Hob. XXXIa:164
—
The boatman, Hob. XXXIa:246
—
Jingling Johnie, Hob. XXXIa:263
—
Muirland Willy, Hob. XXXIa:242
—
Variations on Bannocks o' barleymeal
—
The tears of Caledonia, Hob. XXXIa:201
—
Variations on Maggie Lauder
—
Queen Mary's lamentation, Hob. XXXIa:161)
—
The soldier laddie, Hob. XXXIa:60/bis
—
Highland Air. The lone vale, Hob. XXXIa:175
—
Roslin Castle, Hob. XXXIa:191
—
Green sleeves, Hob. XXXIa:112/bis
—
Variations on Saw ye my father
—
A Jacobite Air. Phely and Willy, Hob. XXXIa:231
—
Hooly and fairly, Hob. XXXIa:237
—
Young Jockey was the blythest lad, Hob. XXXIa:64/bis
—
The shepherd's wife, Hob. XXXIa:128/bis
—
Mary's dream, Hob. XXXIa:1/bis
—
Oonagh, Hob. XXXIa:249
—
The auld gudeman, Hob. XXXIa:184
—
Strathallan's lament, Hob. XXXIa:145/bis
—
Polwarth on the green, Hob. XXXIa:265
—
Bonny wee thing, Hob. XXXIa:102/ter
—
The auld wife ayont the fire, Hob. XXXIa:195
—
The birks of Invermay, Hob. XXXIa:187
—
Auld Rob Morris, Hob. XXXIa:192
—
My deary an thou die, Hob. XXXIa:166
—
Jenny's bawbee, Hob. XXXIa:252
—
Highland Mary, Hob. XXXIa:159
—
Variations on Killiecrankie
—
If a body meet a body, Hob. XXXIa:80/bis
—
Auld Robin Gray, Hob. XXXIa:168
—
Bessy Bell and Mary Gray, Hob. XXXIa:178
—
The weary pund o' tow, Hob. XXXIa:129/bis
—
Maggie Lauder, Hob. XXXIa:35/bis
—
Sensibility, Hob. XXXIa:173
—
Edinburgh Kate, Hob. XXXIa:69/bis
—
Woo'd and married and a', Hob. XXXIa:38/bis
—
Tak your auld cloak about ye, Hob. XXXIa:180
—
Waes my heart that we should sunder, Hob. XXXIa:155
—
Johnie's grey breeks, Hob. XXXIa:154
—
Fy let's a' to the bridal, Hob. XXXIa:20/bis
—
Let me in this ae night, Hob. XXXIa:61/bis
—
Galashiels, Hob. XXXIa:179
—
Ay waking, O!, Hob. XXXIa:157
—
Tears that must ever fall, Hob. XXXIa:186
—
The birks of Abergeldie, Hob. XXXIa:58/bis
—
The looking glass, Hob. XXXIa:158
—
Ettrick banks, Hob. XXXIa:151
—
O'er bogie, Hob. XXXIa:16/bis
—
Barbara Allan, Hob. XXXIa:11/bis
—
The blue bell of Scotland, Hob. XXXIa:176
—
Saw ye my father, Hob. XXXIa:5/bis
—
The braes of Ballenden, Hob. XXXIa:200
—
John o' Badenyon, Hob. XXXIa:24/bis
—
Fee him, father, Hob. XXXIa:156
—
The ewie wi' the crooked horn, Hob. XXXIa:116/bis
—
Pinkie House, Hob. XXXIa:183
—
Bonny Jean, Hob. XXXIa:172
—
Bannocks o' barleymeal, Hob. XXXIa:171
—
Green grow the rashes, Hob. XXXIa:8/bis
—
The blathrie o't, Hob. XXXIa:162
—
My mither's ay glowrin o'er me, Hob. XXXIa:70/bis
—
Scornfu' Nansy, Hob. XXXIa:185
—
I wish my Love were in a myre, Hob. XXXIa:177
—
The death of the linnet, Hob. XXXIa:138/bis
—
Rothiemurcus rant, Hob. XXXIa:165
—
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What is UPC 5028421925424?
5028421925424 is a Universal Product Code (UPC) assigned to Scottish Songs for George Thomson II by Joseph Haydn, Lorna Anderson, Jamie MacDougall, Haydn Trio Eisenstadt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 91 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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