UPC · Release
Various Artists
Last verified:
5028421931012 is the Universal Product Code (UPC barcode) for the release “Classical Masterworks” by Various Artists, released 2006-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 442 tracks, each with its own ISRC. Tracks include NLY331603722, NLY331603723, NLY331603724.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro | Rémy Baudet, Frank de Bruine, Erwin Wieringa, Teunis van der Zwart, Musica Amphion, Pieter-Jan Belder | T-801.411.105-9 | |
| 2 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio | Rémy Baudet, Frank de Bruine, Erwin Wieringa, Teunis van der Zwart, Musica Amphion, Pieter-Jan Belder | T-917.755.866-6 | |
| 3 | Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro | Rémy Baudet, Frank de Bruine, Erwin Wieringa, Teunis van der Zwart, Musica Amphion, Pieter-Jan Belder | — | |
| 4 | Brandenburg Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio I - Polonaise - Trio II | — | ||
| 5 | Brandenburg Concerto No. 5 in D major, BWV 1050: I. Allegro | — | ||
| 6 | Brandenburg Concerto No. 5 in D major, BWV 1050: II. Affettuoso | — | ||
| 7 | Brandenburg Concerto No. 5 in D major, BWV 1050: III. Allegro | — | ||
| 8 | Brandenburg Concerto No. 6 in B-flat major, BWV 1051: I. Allegro | — | ||
| 9 | Brandenburg Concerto No. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | — | ||
| 10 | Brandenburg Concerto No. 6 in B-flat major, BWV 1051: III. Allegro | — | ||
| 2-1 | Violin Concerto in A minor, BWV 1041: I. Allegro | — | ||
| 2-2 | Violin Concerto in A minor, BWV 1041: II. Adagio | — | ||
| 2-3 | Violin Concerto in A minor, BWV 1041: III. Allegro | — | ||
| 2-4 | Violin Concerto in E major, BWV 1042: I. Allegro | — | ||
| 2-5 | Violin Concerto in E major, BWV 1042: II. Adagio | — | ||
| 2-6 | Violin Concerto in E major, BWV 1042: III. Allegro assai | — | ||
| 2-7 | Violin Concerto in D minor, BWV 1052: I. Allegro | — | ||
| 2-8 | Violin Concerto in D minor, BWV 1052: II. Largo | — | ||
| 2-9 | Violin Concerto in D minor, BWV 1052: III. Presto | — | ||
| 2-10 | Violin Concerto in G minor, BWV 1056: I. Allegro | — | ||
| 2-11 | Violin Concerto in G minor, BWV 1056: II. Andante | — | ||
| 2-12 | Violin Concerto in G minor, BWV 1056: III. Allegro assai | — | ||
| 2-13 | Concerto for 3 violins, strings and basso continuo, BWV 1064: I. Allegro | Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists | T-914.323.771-2 | |
| 2-14 | Concerto for 3 violins, strings and basso continuo, BWV 1064: II. Adagio | Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists | T-917.755.866-6 | |
| 2-15 | Concerto for 3 violins, strings and basso continuo, BWV 1064: III. Allegro | Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists | — | |
| 3-1 | Violin Concerto in D major, Op. 61: I. Allegro ma non troppo | — | ||
| 3-2 | Violin Concerto in D major, Op. 61: II. Larghetto | — | ||
| 3-3 | Violin Concerto in D major, Op. 61: III. Rondo | — | ||
| 3-4 | Romance for Violin and Orchestra No. 2 in F major, Op. 50 | — | ||
| 3-5 | Romance for Violin and Orchestra No. 1 in G major, Op. 40 | — | ||
| 4-1 | Piano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio | — | ||
| 4-2 | Piano Concerto No. 3 in C minor, Op. 37: II. Largo | — | ||
| 4-3 | Piano Concerto No. 3 in C minor, Op. 37: III. Rondo, allegro | — | ||
| 4-4 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro | — | ||
| 4-5 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 4-6 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo, allegro ma non troppo | — | ||
| 5-1 | Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": I. Allegro di molto e con brio | — | ||
| 5-2 | Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile | — | ||
| 5-3 | Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro | — | ||
| 5-4 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | — | ||
| 5-5 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto | — | ||
| 5-6 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato | — | ||
| 5-7 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai | — | ||
| 5-8 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto | — | ||
| 5-9 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 6-1 | Concerto à cinque for Solo Oboe and Strings in D minor, op. 9/2: I. Allegro non presto | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-2 | Concerto à cinque for Solo Oboe and Strings in D minor, op. 9/2: II. Adagio | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-3 | Concerto à cinque for Solo Oboe and Strings in D minor, op. 9/2: III. Allegro | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-4 | Concerto for 2 Oboes and Strings in C major, op. 7/2: I. Allegro | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-5 | Concerto for 2 Oboes and Strings in C major, op. 7/2: II. Adagio | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-6 | Concerto for 2 Oboes and Strings in C major, op. 7/2: III. Allegro | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-7 | Concerto for Oboe Solo and Strings in D major, op. 7/6: I. Allegro | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-8 | Concerto for Oboe Solo and Strings in D major, op. 7/6: II. Adagio | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-9 | Concerto for Oboe Solo and Strings in D major, op. 7/6: III. Allegro | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-10 | Concerto à cinque for 2 Oboes and Strings in C major, op. 9/9: I. Allegro | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-11 | Concerto à cinque for 2 Oboes and Strings in C major, op. 9/9: II. Adagio | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-12 | Concerto à cinque for 2 Oboes and Strings in C major, op. 9/9: III. Allegro | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-13 | Concerto for 2 Oboes and Strings in D major, op. 7/8: I. (no tempo indication) | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-14 | Concerto for 2 Oboes and Strings in D major, op. 7/8: II. Largo | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-15 | Concerto for 2 Oboes and Strings in D major, op. 7/8: III. Allegro | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-16 | Concerto à cinque for Oboe and Strings in C major, op. 9/5: I. Allegro | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-17 | Concerto à cinque for Oboe and Strings in C major, op. 9/5: II. Adagio | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-18 | Concerto à cinque for Oboe and Strings in C major, op. 9/5: III. Allegro | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-19 | Concerto for Oboe Solo and Strings in B-flat major, op. 7/3: I. Allegro | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-20 | Concerto for Oboe Solo and Strings in B-flat major, op. 7/3: II. Adagio | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-21 | Concerto for Oboe Solo and Strings in B-flat major, op. 7/3: III. Allegro | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-22 | Concerto for 2 Oboes and Strings in F major, op. 9/3: I. Allegro | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-23 | Concerto for 2 Oboes and Strings in F major, op. 9/3: II. Adagio | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-24 | Concerto for 2 Oboes and Strings in F major, op. 9/3: III. Allegro | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 7-1 | Symphonie fantastique, Op. 14: I. Rêveries-Passions | — | ||
| 7-2 | Symphonie fantastique, Op. 14: II. Un bal | — | ||
| 7-3 | Symphonie fantastique, Op. 14: III. Scène aux Champs | — | ||
| 7-4 | Symphonie fantastique, Op. 14: IV. Marche au Supplice | — | ||
| 7-5 | Symphonie fantastique, Op. 14: V. Songe d'une Nuit du Sabbat | — | ||
| 8-1 | Guitar Quintetto No. 4 in D major, G. 448 "Fandango": I. Pastorale | — | ||
| 8-2 | Guitar Quintetto No. 4 in D major, G. 448 "Fandango": II. Allegro maestoso | — | ||
| 8-3 | Guitar Quintetto No. 4 in D major, G. 448 "Fandango": III. Grave assai | — | ||
| 8-4 | Guitar Quintetto No. 4 in D major, G. 448 "Fandango": IV. Fandango | — | ||
| 8-5 | Guitar Quintetto No. 2 in E major, G. 446: I. Maestoso assai | — | ||
| 8-6 | Guitar Quintetto No. 2 in E major, G. 446: II. Adagio | — | ||
| 8-7 | Guitar Quintetto No. 2 in E major, G. 446: III. Allegretto | — | ||
| 8-8 | Guitar Quintetto No. 2 in E major, G. 446: IV. Polacca. Tempo di minuetto | — | ||
| 8-9 | Guitar Quintetto No. 9 in C major, G. 453 "La Ritirata di Madrid": I. Allegro maestoso assai | — | ||
| 8-10 | Guitar Quintetto No. 9 in C major, G. 453 "La Ritirata di Madrid": II. Andantino | — | ||
| 8-11 | Guitar Quintetto No. 9 in C major, G. 453 "La Ritirata di Madrid": III. Allegretto | — | ||
| 8-12 | Guitar Quintetto No. 9 in C major, G. 453 "La Ritirata di Madrid": IV. Maestoso e lento | — | ||
| 9-1 | Symphony No. 3 in F major, Op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I | — | ||
| 9-2 | Symphony No. 3 in F major, Op. 90: II. Andante | — | ||
| 9-3 | Symphony No. 3 in F major, Op. 90: III. Poco allegretto | — | ||
| 9-4 | Symphony No. 3 in F major, Op. 90: IV. Allegro - Un poco sostenuto | — | ||
| 9-5 | Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo | — | ||
| 9-6 | Symphony No. 4 in E minor, Op. 98: II. Andante moderato | — | ||
| 9-7 | Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso | — | ||
| 9-8 | Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - Pìu allegro | — | ||
| 10-1 | Piano Concerto No. 2 in B-flat major, Op. 83: I. Allegro non troppo | — | ||
| 10-2 | Piano Concerto No. 2 in B-flat major, Op. 83: II. Allegro appassionato | — | ||
| 10-3 | Piano Concerto No. 2 in B-flat major, Op. 83: III. Andante | — | ||
| 10-4 | Piano Concerto No. 2 in B-flat major, Op. 83: IV. Allegretto grazioso | — | ||
| 10-5 | Four Pieces for Piano, Op. 119 No. 1 in B minor: Intermezzo. Adagio | — | ||
| 10-6 | Four Pieces for Piano, Op. 119 No. 2 in E minor: Intermezzo. Andantino un poco agitato | — | ||
| 10-7 | Four Pieces for Piano, Op. 119 No. 3 in C major: Intermezzo. Grazioso e giocoso | — | ||
| 10-8 | Four Pieces for Piano, Op. 119 No. 4 in E-flat major: Rhapsody. Allegro risoluto | — | ||
| 11-1 | Piano Concerto No. 1 in E minor, Op. 11: I. Allegro maestoso | — | ||
| 11-2 | Piano Concerto No. 1 in E minor, Op. 11: II. Larghetto | — | ||
| 11-3 | Piano Concerto No. 1 in E minor, Op. 11: III. Rondo: Vivace | — | ||
| 11-4 | Piano Concerto No. 2 in F minor, Op. 21: I. Maestoso | — | ||
| 11-5 | Piano Concerto No. 2 in F minor, Op. 21: II. Larghetto | — | ||
| 11-6 | Piano Concerto No. 2 in F minor, Op. 21: III. Allegro vivace | — | ||
| 12-1 | Berceuse in D-flat major, Op. 57 | — | ||
| 12-2 | Polonaise in A-flat major, Op. 53 "Heroic" | — | ||
| 12-3 | Nocturne in E-flat major, Op. 9 No. 2 | — | ||
| 12-4 | Waltz in D-flat major, Op. 64 No. 1 "Minute Waltz" | — | ||
| 12-5 | Waltz in C-sharp minor, Op. 64 No. 2 | — | ||
| 12-6 | Ballade No. 3 in A-flat major, Op. 47 | — | ||
| 12-7 | Souvenir de Paganini | — | ||
| 12-8 | Fantasie-Impromptu in C-sharp minor, Op. 66 | — | ||
| 12-9 | Étude in E major, Op. 10 No. 3 | — | ||
| 12-10 | Scherzo No. 2 in B-flat minor, Op. 31 | — | ||
| 12-11 | Prelude in D-flat major, Op. 28 No. 15 ''Raindrop'' | — | ||
| 12-12 | Étude in C minor, Op. 10 No. 12 ''Revolutionary" | — | ||
| 12-13 | Nocturne in B-flat minor, Op. 9 No. 1 | — | ||
| 12-14 | Barcarolle in F-sharp major, Op. 60 | — | ||
| 13-1 | Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto | Royal Philharmonic Orchestra, Paavo Järvi | — | |
| 13-2 | Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo | Royal Philharmonic Orchestra, Paavo Järvi | — | |
| 13-3 | Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo: Molto vivace | Royal Philharmonic Orchestra, Paavo Järvi | — | |
| 13-4 | Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco | Royal Philharmonic Orchestra, Paavo Järvi | — | |
| 13-5 | Carnival Overture, op. 92 | Royal Philharmonic Orchestra, Paavo Järvi | — | |
| 13-6 | Scherzo Capriccioso in D flat, op. 66 | Royal Philharmonic Orchestra, Paavo Järvi | — | |
| 14-1 | Slavonic Dances, Op. 46 No. 1 in C major | — | ||
| 14-2 | Slavonic Dances, Op. 46 No. 2 in E minor | — | ||
| 14-3 | Slavonic Dances, Op. 46 No. 3 in A-flat major | — | ||
| 14-4 | Slavonic Dances, Op. 46 No. 4 in F major | — | ||
| 14-5 | Slavonic Dances, Op. 46 No. 5 in A major | — | ||
| 14-6 | Slavonic Dances, Op. 46 No. 6 in D major | — | ||
| 14-7 | Slavonic Dances, Op. 46 No. 7 in C minor | — | ||
| 14-8 | Slavonic Dances, Op. 46 No. 8 in G minor | — | ||
| 14-9 | Slavonic Dances, Op. 72 No. 1 in B major | — | ||
| 14-10 | Slavonic Dances, Op. 72 No. 2 in E minor | — | ||
| 14-11 | Slavonic Dances, Op. 72 No. 3 in F major | — | ||
| 14-12 | Slavonic Dances, Op. 72 No. 4 in D-flat major | — | ||
| 14-13 | Slavonic Dances, Op. 72 No. 5 in B-flat minor | — | ||
| 14-14 | Slavonic Dances, Op. 72 No. 6 in B-flat major | — | ||
| 14-15 | Slavonic Dances, Op. 72 No. 7 in C major | — | ||
| 14-16 | Slavonic Dances, Op. 72 No. 8 in A-flat major | — | ||
| 15-1 | Peer Gynt Suite no. 1, op. 46: I. Morgenstemning | Royal Philharmonic Orchestra, Mark Ermler | — | |
| 15-2 | Peer Gynt Suite no. 1, op. 46: II. Death of Aase | Royal Philharmonic Orchestra, Mark Ermler | — | |
| 15-3 | Peer Gynt Suite no. 1, op. 46: III. Dance of Anitra | Royal Philharmonic Orchestra, Mark Ermler | — | |
| 15-4 | Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King | Royal Philharmonic Orchestra, Mark Ermler | — | |
| 15-5 | Peer Gynt Suite no. 2, op. 55: I. Ingrid’s Lament | Royal Philharmonic Orchestra, Mark Ermler | — | |
| 15-6 | Peer Gynt Suite no. 2, op. 55: II. Arabian Dance | Royal Philharmonic Orchestra, Mark Ermler | — | |
| 15-7 | Peer Gynt Suite no. 2, op. 55: III. Peer Gynt’s Homecoming | Royal Philharmonic Orchestra, Mark Ermler | — | |
| 15-8 | Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song | Royal Philharmonic Orchestra, Mark Ermler | — | |
| 15-9 | Piano Concerto in A minor, Op. 16: I. Allegro moderato | — | ||
| 15-10 | Piano Concerto in A minor, Op. 16: II. Adagio | — | ||
| 15-11 | Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato | — | ||
| 16-1 | Music for the Royal Fireworks: I. Ouverture. Allegro - Lentement - Allegro | — | ||
| 16-2 | Music for the Royal Fireworks: II. Bourrée | — | ||
| 16-3 | Music for the Royal Fireworks: III. La Paix. Largo alla Siciliana | — | ||
| 16-4 | Music for the Royal Fireworks: IV. La Réjouissance | — | ||
| 16-5 | Music for the Royal Fireworks: V. Menuet | — | ||
| 16-6 | Water Music Suite No. 1 in F major: I. Ouverture. Largo - Allegro | — | ||
| 16-7 | Water Music Suite No. 1 in F major: II. Adagio e staccato | — | ||
| 16-8 | Water Music Suite No. 1 in F major: III. Allegro | — | ||
| 16-9 | Water Music Suite No. 1 in F major: IV. Andante | — | ||
| 16-10 | Water Music Suite No. 1 in F major: V. Allegro | — | ||
| 16-11 | Water Music Suite No. 1 in F major: VI. Passepied | — | ||
| 16-12 | Water Music Suite No. 1 in F major: VII. Air | — | ||
| 16-13 | Water Music Suite No. 1 in F major: VIII. Menuet | — | ||
| 16-14 | Water Music Suite No. 1 in F major: IX. Bourrée | — | ||
| 16-15 | Water Music Suite No. 1 in F major: X. Hornpipe | — | ||
| 16-16 | Water Music Suite No. 1 in F major: XI. Allegro | — | ||
| 16-17 | Water Music Suite No. 2 in D major: I. Allegro | — | ||
| 16-18 | Water Music Suite No. 2 in D major: II. Alla hornpipe | — | ||
| 16-19 | Water Music Suite No. 2 in D major: III. Menuet | — | ||
| 16-20 | Water Music Suite No. 2 in D major: IV. Lentement | — | ||
| 16-21 | Water Music Suite No. 2 in D major: V. Bourrée | — | ||
| 16-22 | Water Music Suite No. 3 in G major: I. (Without Tempo Indication) | — | ||
| 16-23 | Water Music Suite No. 3 in G major: II. Rigaudon | — | ||
| 16-24 | Water Music Suite No. 3 in G major: III. Menuet | — | ||
| 16-25 | Water Music Suite No. 3 in G major: IV. Bourrée | — | ||
| 17-1 | Concerto in G minor, HWV 289: Larghetto e staccato | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-2 | Concerto in G minor, HWV 289: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-3 | Concerto in G minor, HWV 289: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-4 | Concerto in G minor, HWV 289: Andante | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-5 | Concerto in B flat major, HWV 290: A tempo ordinario e staccato | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-6 | Concerto in B flat major, HWV 290: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-7 | Concerto in B flat major, HWV 290: Adagio e staccato | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-8 | Concerto in B flat major, HWV 290: Allegro ma non presto | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-9 | Concerto in G minor, HWV 291: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-10 | Concerto in G minor, HWV 291: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-11 | Concerto in G minor, HWV 291: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-12 | Concerto in G minor, HWV 291: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-13 | Concerto in F major, HWV 292: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-14 | Concerto in F major, HWV 292: Andante | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-15 | Concerto in F major, HWV 292: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-16 | Concerto in F major, HWV 292: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 18-1 | Symphony No. 101 in D major "Clock": I. Adagio - Presto | — | ||
| 18-2 | Symphony No. 101 in D major "Clock": II. Andante | — | ||
| 18-3 | Symphony No. 101 in D major "Clock": III. Menuet & Trio. Allegretto | — | ||
| 18-4 | Symphony No. 101 in D major "Clock": IV. Finale. Presto | — | ||
| 18-5 | Symphony No. 102 in B-flat major "Miracle": I. Largo - Allegro vivace | — | ||
| 18-6 | Symphony No. 102 in B-flat major "Miracle": II. Adagio | — | ||
| 18-7 | Symphony No. 102 in B-flat major "Miracle": III. Menuetto & Trio. Allegro | — | ||
| 18-8 | Symphony No. 102 in B-flat major "Miracle": IV. Finale. Presto | — | ||
| 19-1 | Symphony No. 103 in E-flat major "Drumroll": I. Adagio - Allegro con spirito | — | ||
| 19-2 | Symphony No. 103 in E-flat major "Drumroll": II. Andante più tosto allegretto | — | ||
| 19-3 | Symphony No. 103 in E-flat major "Drumroll": III. Menuet & Trio | — | ||
| 19-4 | Symphony No. 103 in E-flat major "Drumroll": IV. Finale. Allegro con spirito | — | ||
| 19-5 | Symphony No. 104 in D major "London": I. Adagio - Allegro | — | ||
| 19-6 | Symphony No. 104 in D major "London": II. Andante | — | ||
| 19-7 | Symphony No. 104 in D major "London": III. Meuetto & Trio. Allegro | — | ||
| 19-8 | Symphony No. 104 in D major "London": IV. Finale. Spiritoso | — | ||
| 20-1 | Hungarian Rhapsody No. 2 in C-sharp minor | — | ||
| 20-2 | Hungarian Rhapsody No. 6 in D-flat major | — | ||
| 20-3 | Hungarian Rhapsody No. 9 in E-flat major "Pesther Carneval" | — | ||
| 20-4 | Hungarian Rhapsody No. 10 in E major | — | ||
| 20-5 | Hungarian Rhapsody No. 11 in A major | — | ||
| 20-6 | Hungarian Rhapsody No. 12 in C-sharp minor | — | ||
| 20-7 | Hungarian Rhapsody No. 13 in A minor | — | ||
| 20-8 | Hungarian Rhapsody No. 15 in A minor "Rákóczy March" | — | ||
| 21-1 | Symphony No. 4 in G major: I. Bedächtig, nicht eilen | — | ||
| 21-2 | Symphony No. 4 in G major: II. In gemächlicher Bewegung, ohne Hast | — | ||
| 21-3 | Symphony No. 4 in G major: III. Ruhevoll | — | ||
| 21-4 | Symphony No. 4 in G major: IV. Sehr behaglich | — | ||
| 21-5 | Symphonic Movement "Blumine" | — | ||
| 22-1 | Symphony No. 5 in C-sharp minor: I. Funeral March: In gemessenem Schritt. Streng. Wie ein Kondukt | — | ||
| 22-2 | Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz | — | ||
| 22-3 | Symphony No. 5 in C-sharp minor: III. Scherzo: Kräftig, nicht zu schnell | — | ||
| 22-4 | Symphony No. 5 in C-sharp minor: IV. Adagietto: Sehr langsam | — | ||
| 22-5 | Symphony No. 5 in C-sharp minor: V. Rondo. Finale: Allegro. Allegro giocoso. Frisch | — | ||
| 23-1 | Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace | — | ||
| 23-2 | Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto | — | ||
| 23-3 | Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato | — | ||
| 23-4 | Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello, presto | — | ||
| 23-5 | Violin Concerto in E minor, Op. 64: I. Allegro molto appassionato | — | ||
| 23-6 | Violin Concerto in E minor, Op. 64: II. Andante | — | ||
| 23-7 | Violin Concerto in E minor, Op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 23-8 | Piano Concerto No. 1 in G minor, Op. 25: I. Molto allegro con fuoco | — | ||
| 23-9 | Piano Concerto No. 1 in G minor, Op. 25: II. Andante | — | ||
| 23-10 | Piano Concerto No. 1 in G minor, Op. 25: III. Presto | — | ||
| 24-1 | A Midsummer Night's Dream: I. Overture | — | ||
| 24-2 | A Midsummer Night's Dream: II. Scherzo | — | ||
| 24-3 | A Midsummer Night's Dream: III. Intermezzo | — | ||
| 24-4 | A Midsummer Night's Dream: IV. Nocturne | — | ||
| 24-5 | A Midsummer Night's Dream: V. Wedding March | — | ||
| 24-6 | A Midsummer Night's Dream: VI. Bergamask Dance | — | ||
| 24-7 | Hebrides, Op. 26: Overture "Fingal's Cave" | — | ||
| 24-8 | Calm Sea and Prosperous Voyage, Op. 27: Overture | — | ||
| 25-1 | Symphony No. 40 in G minor, KV 550: I. Molto allegro | — | ||
| 25-2 | Symphony No. 40 in G minor, KV 550: II. Andante | — | ||
| 25-3 | Symphony No. 40 in G minor, KV 550: III. Menuetto | — | ||
| 25-4 | Symphony No. 40 in G minor, KV 550: IV. Allegro assai | — | ||
| 25-5 | Symphony No. 41 in C major, KV 551 "Jupiter": I. Allegro vivace | — | ||
| 25-6 | Symphony No. 41 in C major, KV 551 "Jupiter": II. Andante cantabile | — | ||
| 25-7 | Symphony No. 41 in C major, KV 551 "Jupiter": III. Menuetto | — | ||
| 25-8 | Symphony No. 41 in C major, KV 551 "Jupiter": IV. Molto allegro | — | ||
| 26-1 | Concerto for Piano No. 21 in C major, K. 467: I. Allegro | — | ||
| 26-2 | Concerto for Piano No. 21 in C major, K. 467: II. Andante | — | ||
| 26-3 | Concerto for Piano No. 21 in C major, K. 467: III. Allegro vivace assai | — | ||
| 26-4 | Concerto for Piano No. 23 in A major, K. 488: I. Allegro | — | ||
| 26-5 | Concerto for Piano No. 23 in A major, K. 488: II. Andante | — | ||
| 26-6 | Concerto for Piano No. 23 in A major, K. 488: III. Allegro | — | ||
| 27-1 | Concerto for Violin and Orchestra No. 1 in B-flat major, K. 207: I. Allegro moderato | — | ||
| 27-2 | Concerto for Violin and Orchestra No. 1 in B-flat major, K. 207: II. Adagio | — | ||
| 27-3 | Concerto for Violin and Orchestra No. 1 in B-flat major, K. 207: III. Presto | — | ||
| 27-4 | Rondo for Violin & Orchestra in B-flat major, K. 261a / 269: Rondo. Allegro | — | ||
| 27-5 | Concerto for Violin and Orchestra No. 2 in D major, K. 211: I. Allegro moderato | — | ||
| 27-6 | Concerto for Violin and Orchestra No. 2 in D major, K. 211: II. Andante | — | ||
| 27-7 | Concerto for Violin and Orchestra No. 2 in D major, K. 211: III. Rondeau. Allegro | — | ||
| 27-8 | Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Straßburg": I. Allegro aperto | — | ||
| 27-9 | Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Straßburg": II. Adagio | — | ||
| 27-10 | Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Straßburg": III. Rondeau. Allegro - andante - allegretto | — | ||
| 28-1 | Requiem in D minor, KV 626: Introitus: Requiem aeternam | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-2 | Requiem in D minor, KV 626: Kyrie eleison | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-3 | Requiem in D minor, KV 626: Dies irae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-922.061.546-3 | |
| 28-4 | Requiem in D minor, KV 626: Tuba mirum | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-5 | Requiem in D minor, KV 626: Rex tremendae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-6 | Requiem in D minor, KV 626: Recordare | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-7 | Requiem in D minor, KV 626: Confutatis | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-8 | Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" | — | ||
| 28-9 | Requiem in D minor, KV 626: Domine Jesu | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-10 | Requiem in D minor, KV 626: Hostias | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-11 | Requiem in D minor, KV 626: Sanctus | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-12 | Requiem in D minor, KV 626: Benedictus | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-13 | Requiem in D minor, KV 626: Agnus Dei | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-14 | Requiem in D minor, KV 626: Lux aeterna | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 29-1 | Violin Concerto No. 5 in A minor: I. Allegro maestoso | — | ||
| 29-2 | Violin Concerto No. 5 in A minor: II. Andante un poco sostenuto | — | ||
| 29-3 | Violin Concerto No. 5 in A minor: III. Rondo | — | ||
| 29-4 | Violin Concerto No. 2 in B minor, Op. 7 "La Campanella": I. Allegro maestoso | — | ||
| 29-5 | Violin Concerto No. 2 in B minor, Op. 7 "La Campanella": II. Adagio | — | ||
| 29-6 | Violin Concerto No. 2 in B minor, Op. 7 "La Campanella": III. Ronde à la clochette | — | ||
| 30-1 | Pictures at an Exhibition: Promenade - Gnomus | — | ||
| 30-2 | Pictures at an Exhibition: Promenade - Il vechio Castello (The Old Castle) | — | ||
| 30-3 | Pictures at an Exhibition: Promenade - Tuileries | — | ||
| 30-4 | Pictures at an Exhibition: Bydlo | — | ||
| 30-5 | Pictures at an Exhibition: Promenade - Ballet of the Unhatched Chicken | — | ||
| 30-6 | Pictures at an Exhibition: Samuel Goldenberg and Schmuÿle | — | ||
| 30-7 | Pictures at an Exhibition: Promenade - Marketplace at Limoges | — | ||
| 30-8 | Pictures at an Exhibition: Catacombæ: Sepulcrum romanum - Con mortuis in lingua mortua | — | ||
| 30-9 | Pictures at an Exhibition: Baba Yaga (The Hut on Fowl's Legs) | — | ||
| 30-10 | Pictures at an Exhibition: The Great Gate of Kiev | — | ||
| 30-11 | The Seasons, Op. 37b: I. January "By the Fireside" | — | ||
| 30-12 | The Seasons, Op. 37b: II. February "Shrovetide Festival" | — | ||
| 30-13 | The Seasons, Op. 37b: III. March "Song of the Lark" | — | ||
| 30-14 | The Seasons, Op. 37b: IV. April "Snowdrop" | — | ||
| 30-15 | The Seasons, Op. 37b: V. May "White Nights" | — | ||
| 30-16 | The Seasons, Op. 37b: VI. June "Barcarolle" | — | ||
| 30-17 | The Seasons, Op. 37b: VII. July "Song of the Reaper" | — | ||
| 30-18 | The Seasons, Op. 37b: VIII. August "Harvest" | — | ||
| 30-19 | The Seasons, Op. 37b: IX. September "The Hunt" | — | ||
| 30-20 | The Seasons, Op. 37b: X. October "Autumn Song" | — | ||
| 30-21 | The Seasons, Op. 37b: XI. November "Troika" | — | ||
| 30-22 | The Seasons, Op. 37b: XII. December "Yule-tide" | — | ||
| 31-1 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Klára Würtz, National Symphony Orchestra of Ukraine, Vladimir Sirenko | — | |
| 31-2 | Piano Concerto no. 2 in C Minor, op. 18: II. Adagio sostenuto | Klára Würtz, National Symphony Orchestra of Ukraine, Vladimir Sirenko | — | |
| 31-3 | Piano Concerto No. 2 in C minor, Op. 18: III. Allegro scherzando | Klára Würtz, National Symphony Orchestra of Ukraine, Vladimir Sirenko | T-071.926.821-9 | |
| 31-4 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Klára Würtz, Nordwestdeutsche Philharmonie, Arie van Beek | T-909.264.262-1 | |
| 31-5 | Piano Concerto in A minor, op. 54: II. Intermezzo | Klára Würtz, Nordwestdeutsche Philharmonie, Arie van Beek | — | |
| 31-6 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Klára Würtz, Nordwestdeutsche Philharmonie, Arie van Beek | — | |
| 32-1 | Sarabandes No. 1 | — | ||
| 32-2 | Sarabandes No. 2 | — | ||
| 32-3 | Sarabandes No. 3 | — | ||
| 32-4 | Gymnopédies No. 1: Lent et douloureux | — | ||
| 32-5 | Gymnopédies No. 2: Lent et triste | — | ||
| 32-6 | Gymnopédies No. 3: Lent et grave | — | ||
| 32-7 | Trois Gnossiennes No. 1: Lent | — | ||
| 32-8 | Trois Gnossiennes No. 2: Avec étonnement | — | ||
| 32-9 | Trois Gnossiennes No. 3: Lent | — | ||
| 32-10 | Gnossiennes No. 4: Lent | — | ||
| 32-11 | Gnossiennes No. 5: Modéré | — | ||
| 32-12 | Gnossiennes No. 6: Avec conviction et avec une tristesse rigoureuse | — | ||
| 32-13 | 2 Préludes du Nazaréen No. 1: Assez lent | — | ||
| 32-14 | 2 Préludes du Nazaréen No. 2: Assez lent | — | ||
| 32-15 | Préludes de La porte héroique du ciel | — | ||
| 32-16 | 2 Pièces froides No. 1 "Airs à faire fuir": D'une maniere très particulaire | — | ||
| 32-17 | 2 Pièces froides No. 1 "Airs à faire fuir": Modestemente | — | ||
| 32-18 | 2 Pièces froides No. 1 "Airs à faire fuir": S'inviter | — | ||
| 32-19 | 2 Pièces froides No. 2 "Danses de travers": En y regardant à deux fois | — | ||
| 32-20 | 2 Pièces froides No. 2 "Danses de travers": Passer | — | ||
| 32-21 | 2 Pièces froides No. 2 "Danses de travers": Encore | — | ||
| 32-22 | Petite Ouverture à Danser | — | ||
| 33-1 | Symphony No. 8 in B minor, D. 759: I. Allegro moderato | — | ||
| 33-2 | Symphony No. 8 in B minor, D. 759: II. Andante con moto | — | ||
| 33-3 | Symphony No. 5 in B-flat major, D. 485: I. Allegro | — | ||
| 33-4 | Symphony No. 5 in B-flat major, D. 485: II. Andante con moto | — | ||
| 33-5 | Symphony No. 5 in B-flat major, D. 485: III. Menuetto & Trio: Allegro molto | — | ||
| 33-6 | Symphony No. 5 in B-flat major, D. 485: IV. Allegro Vivace | — | ||
| 33-7 | Symphony No. 3 in D major, D. 200: I. Adagio maestoso - Allegro con brio | — | ||
| 33-8 | Symphony No. 3 in D major, D. 200: II. Allegretto | — | ||
| 33-9 | Symphony No. 3 in D major, D. 200: III. Menuetto & Trio: Vivace | — | ||
| 33-10 | Symphony No. 3 in D major, D. 200: IV. Presto vivace | — | ||
| 34-1 | Impromptu in C minor, Op. 90/D. 899 No. 1: Allegro molto moderato | — | ||
| 34-2 | Impromptu in E-flat major, Op. 90/D. 899 No. 2: Allegro | — | ||
| 34-3 | Impromptu in G-flat major, Op. 90/D. 899 No. 3: Andante | — | ||
| 34-4 | Impromptu in A-flat major, Op. 90/D. 899 No. 4: Allegretto | — | ||
| 34-5 | Impromptu in F minor, Op. post. 142/D. 935 No. 1: Allegro moderato | — | ||
| 34-6 | Impromptu in A-flat major, Op. post. 142/D. 935 No. 2: Allegretto | — | ||
| 34-7 | Impromptu in B-flat major, Op. post. 142/D. 935 No. 3: Andante mit Variationen "Rosamunde" | — | ||
| 34-8 | Impromptu in F minor, Op. post. 142/D. 935 No. 4: Allegro vivace | — | ||
| 35-1 | Kreisleriana, op. 16: I. Äußerst bewegt | Klára Würtz | — | |
| 35-2 | Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch | Klára Würtz | — | |
| 35-3 | Kreisleriana, op. 16: III. Sehr aufgeregt | Klára Würtz | — | |
| 35-4 | Kreisleriana, op. 16: IV. Sehr langsam | Klára Würtz | — | |
| 35-5 | Kreisleriana, op. 16: V. Sehr lebhaft | Klára Würtz | — | |
| 35-6 | Kreisleriana, op. 16: VI. Sehr langsam, durchaus leise zu halten | Klára Würtz | — | |
| 35-7 | Kreisleriana, op. 16: VII. Sehr rasch | Klára Würtz | — | |
| 35-8 | Kreisleriana, op. 16: VIII. Schnell und spielend | Klára Würtz | — | |
| 35-9 | Phantasie in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen | Klára Würtz | — | |
| 35-10 | Phantasie in C major, op. 17: II. Mäßig, durchaus energisch | Klára Würtz | — | |
| 35-11 | Phantasie in C major, op. 17: III. Langsam getragen, durchweg leise zu halten | Klára Würtz | — | |
| 36-1 | An der schönen blauen Donau | — | ||
| 36-2 | Wein, Weib und Gesang | — | ||
| 36-3 | Wiener Blut | — | ||
| 36-4 | Radetzky Marsch | — | ||
| 36-5 | Künstlerleben (Walzer) | — | ||
| 36-6 | Tritsch Tratsch Polka | — | ||
| 36-7 | Kaiserwalzer | — | ||
| 36-8 | Liebeslieder Walzer | — | ||
| 36-9 | Rosen aus dem Süden | — | ||
| 37-1 | Swan Lake, Op. 20: I. Scene | — | ||
| 37-2 | Swan Lake, Op. 20: II. Valse | — | ||
| 37-3 | Swan Lake, Op. 20: III. Danse des cygnes | — | ||
| 37-4 | Swan Lake, Op. 20: IV. Scene | — | ||
| 37-5 | Swan Lake, Op. 20: V. Danse hongroise (Csardas) | — | ||
| 37-6 | Swan Lake, Op. 20: VI. Scene | — | ||
| 37-7 | The Sleeping Beauty, Op. 66a: I. Introduction / La fée des lilas | — | ||
| 37-8 | The Sleeping Beauty, Op. 66a: II. Valse | — | ||
| 37-9 | The Nutcracker Suite, Op. 71a: I. Overture miniature | — | ||
| 37-10 | The Nutcracker Suite, Op. 71a: IIa. Marche | — | ||
| 37-11 | The Nutcracker Suite, Op. 71a: IIb. Danse de la fée-dragée | — | ||
| 37-12 | The Nutcracker Suite, Op. 71a: IIc. Danse russe | — | ||
| 37-13 | The Nutcracker Suite, Op. 71a: IId. Danse arabe | — | ||
| 37-14 | The Nutcracker Suite, Op. 71a: IIe. Danse chinoise | — | ||
| 37-15 | The Nutcracker Suite, Op. 71a: IIf. Danse des mirlitons | — | ||
| 37-16 | The Nutcracker Suite, Op. 71a: III. Valse des fleurs | — | ||
| 38-1 | Tafelmusik, Part II No. 1: Overture for trumpet, oboe, strings & continuo in D major, TWV 55:D1: I. Overture: Lentement - Vite - Lentement - Vite - Lentement | Rémy Baudet, Frank de Bruine, Franc Polman, Will Wroth, Musica Amphion, Pieter-Jan Belder | — | |
| 38-2 | Tafelmusik, Part II No. 1: Overture for trumpet, oboe, strings & continuo in D major, TWV 55:D1: II. Air: Tempo giusto | Rémy Baudet, Frank de Bruine, Franc Polman, Will Wroth, Musica Amphion, Pieter-Jan Belder | — | |
| 38-3 | Tafelmusik, Part II No. 1: Overture for trumpet, oboe, strings & continuo in D major, TWV 55:D1: III. Air: Vivace | Rémy Baudet, Frank de Bruine, Franc Polman, Will Wroth, Musica Amphion, Pieter-Jan Belder | — | |
| 38-4 | Tafelmusik, Part II No. 1: Overture for trumpet, oboe, strings & continuo in D major, TWV 55:D1: IV. Air: Presto | Rémy Baudet, Frank de Bruine, Franc Polman, Will Wroth, Musica Amphion, Pieter-Jan Belder | — | |
| 38-5 | Tafelmusik, Part II No. 1: Overture for trumpet, oboe, strings & continuo in D major, TWV 55:D1: V. Air: Allegro | Rémy Baudet, Frank de Bruine, Franc Polman, Will Wroth, Musica Amphion, Pieter-Jan Belder | — | |
| 38-6 | Tafelmusik, Part II No. 2: Quartet for 2 flutes, recorder, bassoon & continuo in D minor, TWV 43:d1: I. Andante | Pieter-Jan Belder, Kate Clark, Menno van Delft, Wilbert Hazelzet, Musica Amphion | — | |
| 38-7 | Tafelmusik, Part II No. 2: Quartet for 2 flutes, recorder, bassoon & continuo in D minor, TWV 43:d1: II. Vivace | Pieter-Jan Belder, Kate Clark, Menno van Delft, Wilbert Hazelzet, Musica Amphion | — | |
| 38-8 | Tafelmusik, Part II No. 2: Quartet for 2 flutes, recorder, bassoon & continuo in D minor, TWV 43:d1: III. Largo | Pieter-Jan Belder, Kate Clark, Menno van Delft, Wilbert Hazelzet, Musica Amphion | — | |
| 38-9 | Tafelmusik, Part II No. 2: Quartet for 2 flutes, recorder, bassoon & continuo in D minor, TWV 43:d1: IV. Allegro | Pieter-Jan Belder, Kate Clark, Menno van Delft, Wilbert Hazelzet, Musica Amphion | — | |
| 38-10 | Tafelmusik, Part II No. 3: Concerto for 3 violins, strings & continuo in F major, TWV 53:F1: I. Allegro | Rémy Baudet, Franc Polman, Sayuri Yamagata, Musica Amphion, Pieter-Jan Belder | — | |
| 38-11 | Tafelmusik, Part II No. 3: Concerto for 3 violins, strings & continuo in F major, TWV 53:F1: II. Largo | Rémy Baudet, Franc Polman, Sayuri Yamagata, Musica Amphion, Pieter-Jan Belder | — | |
| 38-12 | Tafelmusik, Part II No. 3: Concerto for 3 violins, strings & continuo in F major, TWV 53:F1: III. Vivace | Rémy Baudet, Franc Polman, Sayuri Yamagata, Musica Amphion, Pieter-Jan Belder | — | |
| 38-13 | Tafelmusik, Part I No. 6: Conclusion: Sinfonia for 2 flutes, 2 oboes, bassoon, strings & continuo in E minor, TWV 50:5 | Pieter-Jan Belder, Kate Clark, Wilbert Hazelzet, Musica Amphion | — | |
| 39-1 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal | — | |
| 39-2 | Violin Concerto in E major, Op. 8 No. 1, RV 269 "Spring": II. Largo | — | ||
| 39-3 | Violin Concerto in E major, Op. 8 No. 1, RV 269 "Spring": III. Allegro | — | ||
| 39-4 | Violin Concerto in G minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro con molto | — | ||
| 39-5 | Violin Concerto in G minor, Op. 8 No. 2, RV 315 "Summer": II. Adagio - Presto | — | ||
| 39-6 | Violin Concerto in G minor, Op. 8 No. 2, RV 315 "Summer": III. Presto (Tempo impestuoso d'estate) | — | ||
| 39-7 | Violin Concerto in F major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro | — | ||
| 39-8 | Violin Concerto in F major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto | — | ||
| 39-9 | Violin Concerto in F major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro (La Caccia) | — | ||
| 39-10 | Violin Concerto in F minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro con molto | — | ||
| 39-11 | Violin Concerto in F minor, Op. 8 No. 4, RV 297 "Winter": II. Largo | — | ||
| 39-12 | Violin Concerto in F minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro | — | ||
| 39-13 | Concerto in F: I. Allegro | — | ||
| 39-14 | Concerto in F: II. Largo | — | ||
| 39-15 | Concerto in F: III. Allegro | — | ||
| 39-16 | Concerto in F: IV. Allegro | — | ||
| 39-17 | Concerto in F: V. Andante | — | ||
| 39-18 | Concerto in F: VI. Allegro | — | ||
| 40-1 | Concerto Grosso a 10 Stromenti in D major, RV 562a: I. Allegro | — | ||
| 40-2 | Concerto Grosso a 10 Stromenti in D major, RV 562a: II. Grave | — | ||
| 40-3 | Concerto Grosso a 10 Stromenti in D major, RV 562a: III. Allegro | — | ||
| 40-4 | Concerto per Sua Altezza Reale di Sassonia in G minor, RV 576: I. Allegro | — | ||
| 40-5 | Concerto per Sua Altezza Reale di Sassonia in G minor, RV 576: II. Larghetto | — | ||
| 40-6 | Concerto per Sua Altezza Reale di Sassonia in G minor, RV 576: III. Allegro | — | ||
| 40-7 | Concerto for 2 Solo Violins, 2 Traversi, 2 Oboes, Bassoon, Strings and Basso Continuo in D minor, RV 566: I. Allegro assai | — | ||
| 40-8 | Concerto for 2 Solo Violins, 2 Traversi, 2 Oboes, Bassoon, Strings and Basso Continuo in D minor, RV 566: II. Largo | — | ||
| 40-9 | Concerto for 2 Solo Violins, 2 Traversi, 2 Oboes, Bassoon, Strings and Basso Continuo in D minor, RV 566: III. Allegro | — | ||
| 40-10 | Concerto for 2 Horns, Strings and Basso Continuo in F major, RV 538: I. Allegro | — | ||
| 40-11 | Concerto for 2 Horns, Strings and Basso Continuo in F major, RV 538: II. Largo | — | ||
| 40-12 | Concerto for 2 Horns, Strings and Basso Continuo in F major, RV 538: III. Allegro | — | ||
| 40-13 | Concerto for Violin, 2 Horns, 2 Oboes, Bassoon, Strings and Basso Continuo in F major, RV 569: I. Allegro | — | ||
| 40-14 | Concerto for Violin, 2 Horns, 2 Oboes, Bassoon, Strings and Basso Continuo in F major, RV 569: II. Grave | — | ||
| 40-15 | Concerto for Violin, 2 Horns, 2 Oboes, Bassoon, Strings and Basso Continuo in F major, RV 569: III. Allegro | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Klára Würtz, National Symphony Orchestra of Ukraine, Vladimir Sirenko | — |
| Piano Concerto no. 2 in C Minor, op. 18: II. Adagio sostenuto | Klára Würtz, National Symphony Orchestra of Ukraine, Vladimir Sirenko | — |
| Requiem in D minor, KV 626: Introitus: Requiem aeternam | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Kyrie eleison | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-070.093.418-4 |
| Requiem in D minor, KV 626: Tuba mirum | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Rex tremendae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Recordare | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-916.756.672-5 |
| Requiem in D minor, KV 626: Confutatis | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Domine Jesu | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-919.097.742-5 |
| Requiem in D minor, KV 626: Hostias | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Sanctus | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Benedictus | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-106.642.813-3 |
| Requiem in D minor, KV 626: Agnus Dei | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Lux aeterna | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-910.952.061-8 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5028421931012 is a Universal Product Code (UPC) assigned to Classical Masterworks by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 442 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5028421931012 is the Universal Product Code (UPC barcode) for the release “Classical Masterworks” by Various Artists, released 2006-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 442 tracks, each with its own ISRC. Tracks include NLY331603722, NLY331603723, NLY331603724.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro | Rémy Baudet, Frank de Bruine, Erwin Wieringa, Teunis van der Zwart, Musica Amphion, Pieter-Jan Belder | T-801.411.105-9 | |
| 2 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio | Rémy Baudet, Frank de Bruine, Erwin Wieringa, Teunis van der Zwart, Musica Amphion, Pieter-Jan Belder | T-917.755.866-6 | |
| 3 | Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro | Rémy Baudet, Frank de Bruine, Erwin Wieringa, Teunis van der Zwart, Musica Amphion, Pieter-Jan Belder | — | |
| 4 | Brandenburg Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio I - Polonaise - Trio II | — | ||
| 5 | Brandenburg Concerto No. 5 in D major, BWV 1050: I. Allegro | — | ||
| 6 | Brandenburg Concerto No. 5 in D major, BWV 1050: II. Affettuoso | — | ||
| 7 | Brandenburg Concerto No. 5 in D major, BWV 1050: III. Allegro | — | ||
| 8 | Brandenburg Concerto No. 6 in B-flat major, BWV 1051: I. Allegro | — | ||
| 9 | Brandenburg Concerto No. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | — | ||
| 10 | Brandenburg Concerto No. 6 in B-flat major, BWV 1051: III. Allegro | — | ||
| 2-1 | Violin Concerto in A minor, BWV 1041: I. Allegro | — | ||
| 2-2 | Violin Concerto in A minor, BWV 1041: II. Adagio | — | ||
| 2-3 | Violin Concerto in A minor, BWV 1041: III. Allegro | — | ||
| 2-4 | Violin Concerto in E major, BWV 1042: I. Allegro | — | ||
| 2-5 | Violin Concerto in E major, BWV 1042: II. Adagio | — | ||
| 2-6 | Violin Concerto in E major, BWV 1042: III. Allegro assai | — | ||
| 2-7 | Violin Concerto in D minor, BWV 1052: I. Allegro | — | ||
| 2-8 | Violin Concerto in D minor, BWV 1052: II. Largo | — | ||
| 2-9 | Violin Concerto in D minor, BWV 1052: III. Presto | — | ||
| 2-10 | Violin Concerto in G minor, BWV 1056: I. Allegro | — | ||
| 2-11 | Violin Concerto in G minor, BWV 1056: II. Andante | — | ||
| 2-12 | Violin Concerto in G minor, BWV 1056: III. Allegro assai | — | ||
| 2-13 | Concerto for 3 violins, strings and basso continuo, BWV 1064: I. Allegro | Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists | T-914.323.771-2 | |
| 2-14 | Concerto for 3 violins, strings and basso continuo, BWV 1064: II. Adagio | Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists | T-917.755.866-6 | |
| 2-15 | Concerto for 3 violins, strings and basso continuo, BWV 1064: III. Allegro | Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists | — | |
| 3-1 | Violin Concerto in D major, Op. 61: I. Allegro ma non troppo | — | ||
| 3-2 | Violin Concerto in D major, Op. 61: II. Larghetto | — | ||
| 3-3 | Violin Concerto in D major, Op. 61: III. Rondo | — | ||
| 3-4 | Romance for Violin and Orchestra No. 2 in F major, Op. 50 | — | ||
| 3-5 | Romance for Violin and Orchestra No. 1 in G major, Op. 40 | — | ||
| 4-1 | Piano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio | — | ||
| 4-2 | Piano Concerto No. 3 in C minor, Op. 37: II. Largo | — | ||
| 4-3 | Piano Concerto No. 3 in C minor, Op. 37: III. Rondo, allegro | — | ||
| 4-4 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro | — | ||
| 4-5 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 4-6 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo, allegro ma non troppo | — | ||
| 5-1 | Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": I. Allegro di molto e con brio | — | ||
| 5-2 | Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile | — | ||
| 5-3 | Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro | — | ||
| 5-4 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | — | ||
| 5-5 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto | — | ||
| 5-6 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato | — | ||
| 5-7 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai | — | ||
| 5-8 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto | — | ||
| 5-9 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 6-1 | Concerto à cinque for Solo Oboe and Strings in D minor, op. 9/2: I. Allegro non presto | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-2 | Concerto à cinque for Solo Oboe and Strings in D minor, op. 9/2: II. Adagio | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-3 | Concerto à cinque for Solo Oboe and Strings in D minor, op. 9/2: III. Allegro | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-4 | Concerto for 2 Oboes and Strings in C major, op. 7/2: I. Allegro | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-5 | Concerto for 2 Oboes and Strings in C major, op. 7/2: II. Adagio | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-6 | Concerto for 2 Oboes and Strings in C major, op. 7/2: III. Allegro | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-7 | Concerto for Oboe Solo and Strings in D major, op. 7/6: I. Allegro | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-8 | Concerto for Oboe Solo and Strings in D major, op. 7/6: II. Adagio | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-9 | Concerto for Oboe Solo and Strings in D major, op. 7/6: III. Allegro | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-10 | Concerto à cinque for 2 Oboes and Strings in C major, op. 9/9: I. Allegro | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-11 | Concerto à cinque for 2 Oboes and Strings in C major, op. 9/9: II. Adagio | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-12 | Concerto à cinque for 2 Oboes and Strings in C major, op. 9/9: III. Allegro | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-13 | Concerto for 2 Oboes and Strings in D major, op. 7/8: I. (no tempo indication) | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-14 | Concerto for 2 Oboes and Strings in D major, op. 7/8: II. Largo | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-15 | Concerto for 2 Oboes and Strings in D major, op. 7/8: III. Allegro | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-16 | Concerto à cinque for Oboe and Strings in C major, op. 9/5: I. Allegro | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-17 | Concerto à cinque for Oboe and Strings in C major, op. 9/5: II. Adagio | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-18 | Concerto à cinque for Oboe and Strings in C major, op. 9/5: III. Allegro | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-19 | Concerto for Oboe Solo and Strings in B-flat major, op. 7/3: I. Allegro | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-20 | Concerto for Oboe Solo and Strings in B-flat major, op. 7/3: II. Adagio | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-21 | Concerto for Oboe Solo and Strings in B-flat major, op. 7/3: III. Allegro | Stefan Schilli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-22 | Concerto for 2 Oboes and Strings in F major, op. 9/3: I. Allegro | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-23 | Concerto for 2 Oboes and Strings in F major, op. 9/3: II. Adagio | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 6-24 | Concerto for 2 Oboes and Strings in F major, op. 9/3: III. Allegro | Stefan Schilli, Giovanni de Angeli, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 7-1 | Symphonie fantastique, Op. 14: I. Rêveries-Passions | — | ||
| 7-2 | Symphonie fantastique, Op. 14: II. Un bal | — | ||
| 7-3 | Symphonie fantastique, Op. 14: III. Scène aux Champs | — | ||
| 7-4 | Symphonie fantastique, Op. 14: IV. Marche au Supplice | — | ||
| 7-5 | Symphonie fantastique, Op. 14: V. Songe d'une Nuit du Sabbat | — | ||
| 8-1 | Guitar Quintetto No. 4 in D major, G. 448 "Fandango": I. Pastorale | — | ||
| 8-2 | Guitar Quintetto No. 4 in D major, G. 448 "Fandango": II. Allegro maestoso | — | ||
| 8-3 | Guitar Quintetto No. 4 in D major, G. 448 "Fandango": III. Grave assai | — | ||
| 8-4 | Guitar Quintetto No. 4 in D major, G. 448 "Fandango": IV. Fandango | — | ||
| 8-5 | Guitar Quintetto No. 2 in E major, G. 446: I. Maestoso assai | — | ||
| 8-6 | Guitar Quintetto No. 2 in E major, G. 446: II. Adagio | — | ||
| 8-7 | Guitar Quintetto No. 2 in E major, G. 446: III. Allegretto | — | ||
| 8-8 | Guitar Quintetto No. 2 in E major, G. 446: IV. Polacca. Tempo di minuetto | — | ||
| 8-9 | Guitar Quintetto No. 9 in C major, G. 453 "La Ritirata di Madrid": I. Allegro maestoso assai | — | ||
| 8-10 | Guitar Quintetto No. 9 in C major, G. 453 "La Ritirata di Madrid": II. Andantino | — | ||
| 8-11 | Guitar Quintetto No. 9 in C major, G. 453 "La Ritirata di Madrid": III. Allegretto | — | ||
| 8-12 | Guitar Quintetto No. 9 in C major, G. 453 "La Ritirata di Madrid": IV. Maestoso e lento | — | ||
| 9-1 | Symphony No. 3 in F major, Op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I | — | ||
| 9-2 | Symphony No. 3 in F major, Op. 90: II. Andante | — | ||
| 9-3 | Symphony No. 3 in F major, Op. 90: III. Poco allegretto | — | ||
| 9-4 | Symphony No. 3 in F major, Op. 90: IV. Allegro - Un poco sostenuto | — | ||
| 9-5 | Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo | — | ||
| 9-6 | Symphony No. 4 in E minor, Op. 98: II. Andante moderato | — | ||
| 9-7 | Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso | — | ||
| 9-8 | Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - Pìu allegro | — | ||
| 10-1 | Piano Concerto No. 2 in B-flat major, Op. 83: I. Allegro non troppo | — | ||
| 10-2 | Piano Concerto No. 2 in B-flat major, Op. 83: II. Allegro appassionato | — | ||
| 10-3 | Piano Concerto No. 2 in B-flat major, Op. 83: III. Andante | — | ||
| 10-4 | Piano Concerto No. 2 in B-flat major, Op. 83: IV. Allegretto grazioso | — | ||
| 10-5 | Four Pieces for Piano, Op. 119 No. 1 in B minor: Intermezzo. Adagio | — | ||
| 10-6 | Four Pieces for Piano, Op. 119 No. 2 in E minor: Intermezzo. Andantino un poco agitato | — | ||
| 10-7 | Four Pieces for Piano, Op. 119 No. 3 in C major: Intermezzo. Grazioso e giocoso | — | ||
| 10-8 | Four Pieces for Piano, Op. 119 No. 4 in E-flat major: Rhapsody. Allegro risoluto | — | ||
| 11-1 | Piano Concerto No. 1 in E minor, Op. 11: I. Allegro maestoso | — | ||
| 11-2 | Piano Concerto No. 1 in E minor, Op. 11: II. Larghetto | — | ||
| 11-3 | Piano Concerto No. 1 in E minor, Op. 11: III. Rondo: Vivace | — | ||
| 11-4 | Piano Concerto No. 2 in F minor, Op. 21: I. Maestoso | — | ||
| 11-5 | Piano Concerto No. 2 in F minor, Op. 21: II. Larghetto | — | ||
| 11-6 | Piano Concerto No. 2 in F minor, Op. 21: III. Allegro vivace | — | ||
| 12-1 | Berceuse in D-flat major, Op. 57 | — | ||
| 12-2 | Polonaise in A-flat major, Op. 53 "Heroic" | — | ||
| 12-3 | Nocturne in E-flat major, Op. 9 No. 2 | — | ||
| 12-4 | Waltz in D-flat major, Op. 64 No. 1 "Minute Waltz" | — | ||
| 12-5 | Waltz in C-sharp minor, Op. 64 No. 2 | — | ||
| 12-6 | Ballade No. 3 in A-flat major, Op. 47 | — | ||
| 12-7 | Souvenir de Paganini | — | ||
| 12-8 | Fantasie-Impromptu in C-sharp minor, Op. 66 | — | ||
| 12-9 | Étude in E major, Op. 10 No. 3 | — | ||
| 12-10 | Scherzo No. 2 in B-flat minor, Op. 31 | — | ||
| 12-11 | Prelude in D-flat major, Op. 28 No. 15 ''Raindrop'' | — | ||
| 12-12 | Étude in C minor, Op. 10 No. 12 ''Revolutionary" | — | ||
| 12-13 | Nocturne in B-flat minor, Op. 9 No. 1 | — | ||
| 12-14 | Barcarolle in F-sharp major, Op. 60 | — | ||
| 13-1 | Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto | Royal Philharmonic Orchestra, Paavo Järvi | — | |
| 13-2 | Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo | Royal Philharmonic Orchestra, Paavo Järvi | — | |
| 13-3 | Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo: Molto vivace | Royal Philharmonic Orchestra, Paavo Järvi | — | |
| 13-4 | Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco | Royal Philharmonic Orchestra, Paavo Järvi | — | |
| 13-5 | Carnival Overture, op. 92 | Royal Philharmonic Orchestra, Paavo Järvi | — | |
| 13-6 | Scherzo Capriccioso in D flat, op. 66 | Royal Philharmonic Orchestra, Paavo Järvi | — | |
| 14-1 | Slavonic Dances, Op. 46 No. 1 in C major | — | ||
| 14-2 | Slavonic Dances, Op. 46 No. 2 in E minor | — | ||
| 14-3 | Slavonic Dances, Op. 46 No. 3 in A-flat major | — | ||
| 14-4 | Slavonic Dances, Op. 46 No. 4 in F major | — | ||
| 14-5 | Slavonic Dances, Op. 46 No. 5 in A major | — | ||
| 14-6 | Slavonic Dances, Op. 46 No. 6 in D major | — | ||
| 14-7 | Slavonic Dances, Op. 46 No. 7 in C minor | — | ||
| 14-8 | Slavonic Dances, Op. 46 No. 8 in G minor | — | ||
| 14-9 | Slavonic Dances, Op. 72 No. 1 in B major | — | ||
| 14-10 | Slavonic Dances, Op. 72 No. 2 in E minor | — | ||
| 14-11 | Slavonic Dances, Op. 72 No. 3 in F major | — | ||
| 14-12 | Slavonic Dances, Op. 72 No. 4 in D-flat major | — | ||
| 14-13 | Slavonic Dances, Op. 72 No. 5 in B-flat minor | — | ||
| 14-14 | Slavonic Dances, Op. 72 No. 6 in B-flat major | — | ||
| 14-15 | Slavonic Dances, Op. 72 No. 7 in C major | — | ||
| 14-16 | Slavonic Dances, Op. 72 No. 8 in A-flat major | — | ||
| 15-1 | Peer Gynt Suite no. 1, op. 46: I. Morgenstemning | Royal Philharmonic Orchestra, Mark Ermler | — | |
| 15-2 | Peer Gynt Suite no. 1, op. 46: II. Death of Aase | Royal Philharmonic Orchestra, Mark Ermler | — | |
| 15-3 | Peer Gynt Suite no. 1, op. 46: III. Dance of Anitra | Royal Philharmonic Orchestra, Mark Ermler | — | |
| 15-4 | Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King | Royal Philharmonic Orchestra, Mark Ermler | — | |
| 15-5 | Peer Gynt Suite no. 2, op. 55: I. Ingrid’s Lament | Royal Philharmonic Orchestra, Mark Ermler | — | |
| 15-6 | Peer Gynt Suite no. 2, op. 55: II. Arabian Dance | Royal Philharmonic Orchestra, Mark Ermler | — | |
| 15-7 | Peer Gynt Suite no. 2, op. 55: III. Peer Gynt’s Homecoming | Royal Philharmonic Orchestra, Mark Ermler | — | |
| 15-8 | Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song | Royal Philharmonic Orchestra, Mark Ermler | — | |
| 15-9 | Piano Concerto in A minor, Op. 16: I. Allegro moderato | — | ||
| 15-10 | Piano Concerto in A minor, Op. 16: II. Adagio | — | ||
| 15-11 | Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato | — | ||
| 16-1 | Music for the Royal Fireworks: I. Ouverture. Allegro - Lentement - Allegro | — | ||
| 16-2 | Music for the Royal Fireworks: II. Bourrée | — | ||
| 16-3 | Music for the Royal Fireworks: III. La Paix. Largo alla Siciliana | — | ||
| 16-4 | Music for the Royal Fireworks: IV. La Réjouissance | — | ||
| 16-5 | Music for the Royal Fireworks: V. Menuet | — | ||
| 16-6 | Water Music Suite No. 1 in F major: I. Ouverture. Largo - Allegro | — | ||
| 16-7 | Water Music Suite No. 1 in F major: II. Adagio e staccato | — | ||
| 16-8 | Water Music Suite No. 1 in F major: III. Allegro | — | ||
| 16-9 | Water Music Suite No. 1 in F major: IV. Andante | — | ||
| 16-10 | Water Music Suite No. 1 in F major: V. Allegro | — | ||
| 16-11 | Water Music Suite No. 1 in F major: VI. Passepied | — | ||
| 16-12 | Water Music Suite No. 1 in F major: VII. Air | — | ||
| 16-13 | Water Music Suite No. 1 in F major: VIII. Menuet | — | ||
| 16-14 | Water Music Suite No. 1 in F major: IX. Bourrée | — | ||
| 16-15 | Water Music Suite No. 1 in F major: X. Hornpipe | — | ||
| 16-16 | Water Music Suite No. 1 in F major: XI. Allegro | — | ||
| 16-17 | Water Music Suite No. 2 in D major: I. Allegro | — | ||
| 16-18 | Water Music Suite No. 2 in D major: II. Alla hornpipe | — | ||
| 16-19 | Water Music Suite No. 2 in D major: III. Menuet | — | ||
| 16-20 | Water Music Suite No. 2 in D major: IV. Lentement | — | ||
| 16-21 | Water Music Suite No. 2 in D major: V. Bourrée | — | ||
| 16-22 | Water Music Suite No. 3 in G major: I. (Without Tempo Indication) | — | ||
| 16-23 | Water Music Suite No. 3 in G major: II. Rigaudon | — | ||
| 16-24 | Water Music Suite No. 3 in G major: III. Menuet | — | ||
| 16-25 | Water Music Suite No. 3 in G major: IV. Bourrée | — | ||
| 17-1 | Concerto in G minor, HWV 289: Larghetto e staccato | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-2 | Concerto in G minor, HWV 289: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-3 | Concerto in G minor, HWV 289: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-4 | Concerto in G minor, HWV 289: Andante | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-5 | Concerto in B flat major, HWV 290: A tempo ordinario e staccato | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-6 | Concerto in B flat major, HWV 290: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-7 | Concerto in B flat major, HWV 290: Adagio e staccato | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-8 | Concerto in B flat major, HWV 290: Allegro ma non presto | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-9 | Concerto in G minor, HWV 291: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-10 | Concerto in G minor, HWV 291: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-11 | Concerto in G minor, HWV 291: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-12 | Concerto in G minor, HWV 291: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-13 | Concerto in F major, HWV 292: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-14 | Concerto in F major, HWV 292: Andante | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-15 | Concerto in F major, HWV 292: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 17-16 | Concerto in F major, HWV 292: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 18-1 | Symphony No. 101 in D major "Clock": I. Adagio - Presto | — | ||
| 18-2 | Symphony No. 101 in D major "Clock": II. Andante | — | ||
| 18-3 | Symphony No. 101 in D major "Clock": III. Menuet & Trio. Allegretto | — | ||
| 18-4 | Symphony No. 101 in D major "Clock": IV. Finale. Presto | — | ||
| 18-5 | Symphony No. 102 in B-flat major "Miracle": I. Largo - Allegro vivace | — | ||
| 18-6 | Symphony No. 102 in B-flat major "Miracle": II. Adagio | — | ||
| 18-7 | Symphony No. 102 in B-flat major "Miracle": III. Menuetto & Trio. Allegro | — | ||
| 18-8 | Symphony No. 102 in B-flat major "Miracle": IV. Finale. Presto | — | ||
| 19-1 | Symphony No. 103 in E-flat major "Drumroll": I. Adagio - Allegro con spirito | — | ||
| 19-2 | Symphony No. 103 in E-flat major "Drumroll": II. Andante più tosto allegretto | — | ||
| 19-3 | Symphony No. 103 in E-flat major "Drumroll": III. Menuet & Trio | — | ||
| 19-4 | Symphony No. 103 in E-flat major "Drumroll": IV. Finale. Allegro con spirito | — | ||
| 19-5 | Symphony No. 104 in D major "London": I. Adagio - Allegro | — | ||
| 19-6 | Symphony No. 104 in D major "London": II. Andante | — | ||
| 19-7 | Symphony No. 104 in D major "London": III. Meuetto & Trio. Allegro | — | ||
| 19-8 | Symphony No. 104 in D major "London": IV. Finale. Spiritoso | — | ||
| 20-1 | Hungarian Rhapsody No. 2 in C-sharp minor | — | ||
| 20-2 | Hungarian Rhapsody No. 6 in D-flat major | — | ||
| 20-3 | Hungarian Rhapsody No. 9 in E-flat major "Pesther Carneval" | — | ||
| 20-4 | Hungarian Rhapsody No. 10 in E major | — | ||
| 20-5 | Hungarian Rhapsody No. 11 in A major | — | ||
| 20-6 | Hungarian Rhapsody No. 12 in C-sharp minor | — | ||
| 20-7 | Hungarian Rhapsody No. 13 in A minor | — | ||
| 20-8 | Hungarian Rhapsody No. 15 in A minor "Rákóczy March" | — | ||
| 21-1 | Symphony No. 4 in G major: I. Bedächtig, nicht eilen | — | ||
| 21-2 | Symphony No. 4 in G major: II. In gemächlicher Bewegung, ohne Hast | — | ||
| 21-3 | Symphony No. 4 in G major: III. Ruhevoll | — | ||
| 21-4 | Symphony No. 4 in G major: IV. Sehr behaglich | — | ||
| 21-5 | Symphonic Movement "Blumine" | — | ||
| 22-1 | Symphony No. 5 in C-sharp minor: I. Funeral March: In gemessenem Schritt. Streng. Wie ein Kondukt | — | ||
| 22-2 | Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz | — | ||
| 22-3 | Symphony No. 5 in C-sharp minor: III. Scherzo: Kräftig, nicht zu schnell | — | ||
| 22-4 | Symphony No. 5 in C-sharp minor: IV. Adagietto: Sehr langsam | — | ||
| 22-5 | Symphony No. 5 in C-sharp minor: V. Rondo. Finale: Allegro. Allegro giocoso. Frisch | — | ||
| 23-1 | Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace | — | ||
| 23-2 | Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto | — | ||
| 23-3 | Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato | — | ||
| 23-4 | Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello, presto | — | ||
| 23-5 | Violin Concerto in E minor, Op. 64: I. Allegro molto appassionato | — | ||
| 23-6 | Violin Concerto in E minor, Op. 64: II. Andante | — | ||
| 23-7 | Violin Concerto in E minor, Op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 23-8 | Piano Concerto No. 1 in G minor, Op. 25: I. Molto allegro con fuoco | — | ||
| 23-9 | Piano Concerto No. 1 in G minor, Op. 25: II. Andante | — | ||
| 23-10 | Piano Concerto No. 1 in G minor, Op. 25: III. Presto | — | ||
| 24-1 | A Midsummer Night's Dream: I. Overture | — | ||
| 24-2 | A Midsummer Night's Dream: II. Scherzo | — | ||
| 24-3 | A Midsummer Night's Dream: III. Intermezzo | — | ||
| 24-4 | A Midsummer Night's Dream: IV. Nocturne | — | ||
| 24-5 | A Midsummer Night's Dream: V. Wedding March | — | ||
| 24-6 | A Midsummer Night's Dream: VI. Bergamask Dance | — | ||
| 24-7 | Hebrides, Op. 26: Overture "Fingal's Cave" | — | ||
| 24-8 | Calm Sea and Prosperous Voyage, Op. 27: Overture | — | ||
| 25-1 | Symphony No. 40 in G minor, KV 550: I. Molto allegro | — | ||
| 25-2 | Symphony No. 40 in G minor, KV 550: II. Andante | — | ||
| 25-3 | Symphony No. 40 in G minor, KV 550: III. Menuetto | — | ||
| 25-4 | Symphony No. 40 in G minor, KV 550: IV. Allegro assai | — | ||
| 25-5 | Symphony No. 41 in C major, KV 551 "Jupiter": I. Allegro vivace | — | ||
| 25-6 | Symphony No. 41 in C major, KV 551 "Jupiter": II. Andante cantabile | — | ||
| 25-7 | Symphony No. 41 in C major, KV 551 "Jupiter": III. Menuetto | — | ||
| 25-8 | Symphony No. 41 in C major, KV 551 "Jupiter": IV. Molto allegro | — | ||
| 26-1 | Concerto for Piano No. 21 in C major, K. 467: I. Allegro | — | ||
| 26-2 | Concerto for Piano No. 21 in C major, K. 467: II. Andante | — | ||
| 26-3 | Concerto for Piano No. 21 in C major, K. 467: III. Allegro vivace assai | — | ||
| 26-4 | Concerto for Piano No. 23 in A major, K. 488: I. Allegro | — | ||
| 26-5 | Concerto for Piano No. 23 in A major, K. 488: II. Andante | — | ||
| 26-6 | Concerto for Piano No. 23 in A major, K. 488: III. Allegro | — | ||
| 27-1 | Concerto for Violin and Orchestra No. 1 in B-flat major, K. 207: I. Allegro moderato | — | ||
| 27-2 | Concerto for Violin and Orchestra No. 1 in B-flat major, K. 207: II. Adagio | — | ||
| 27-3 | Concerto for Violin and Orchestra No. 1 in B-flat major, K. 207: III. Presto | — | ||
| 27-4 | Rondo for Violin & Orchestra in B-flat major, K. 261a / 269: Rondo. Allegro | — | ||
| 27-5 | Concerto for Violin and Orchestra No. 2 in D major, K. 211: I. Allegro moderato | — | ||
| 27-6 | Concerto for Violin and Orchestra No. 2 in D major, K. 211: II. Andante | — | ||
| 27-7 | Concerto for Violin and Orchestra No. 2 in D major, K. 211: III. Rondeau. Allegro | — | ||
| 27-8 | Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Straßburg": I. Allegro aperto | — | ||
| 27-9 | Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Straßburg": II. Adagio | — | ||
| 27-10 | Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Straßburg": III. Rondeau. Allegro - andante - allegretto | — | ||
| 28-1 | Requiem in D minor, KV 626: Introitus: Requiem aeternam | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-2 | Requiem in D minor, KV 626: Kyrie eleison | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-3 | Requiem in D minor, KV 626: Dies irae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-922.061.546-3 | |
| 28-4 | Requiem in D minor, KV 626: Tuba mirum | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-5 | Requiem in D minor, KV 626: Rex tremendae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-6 | Requiem in D minor, KV 626: Recordare | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-7 | Requiem in D minor, KV 626: Confutatis | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-8 | Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" | — | ||
| 28-9 | Requiem in D minor, KV 626: Domine Jesu | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-10 | Requiem in D minor, KV 626: Hostias | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-11 | Requiem in D minor, KV 626: Sanctus | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-12 | Requiem in D minor, KV 626: Benedictus | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-13 | Requiem in D minor, KV 626: Agnus Dei | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 28-14 | Requiem in D minor, KV 626: Lux aeterna | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 29-1 | Violin Concerto No. 5 in A minor: I. Allegro maestoso | — | ||
| 29-2 | Violin Concerto No. 5 in A minor: II. Andante un poco sostenuto | — | ||
| 29-3 | Violin Concerto No. 5 in A minor: III. Rondo | — | ||
| 29-4 | Violin Concerto No. 2 in B minor, Op. 7 "La Campanella": I. Allegro maestoso | — | ||
| 29-5 | Violin Concerto No. 2 in B minor, Op. 7 "La Campanella": II. Adagio | — | ||
| 29-6 | Violin Concerto No. 2 in B minor, Op. 7 "La Campanella": III. Ronde à la clochette | — | ||
| 30-1 | Pictures at an Exhibition: Promenade - Gnomus | — | ||
| 30-2 | Pictures at an Exhibition: Promenade - Il vechio Castello (The Old Castle) | — | ||
| 30-3 | Pictures at an Exhibition: Promenade - Tuileries | — | ||
| 30-4 | Pictures at an Exhibition: Bydlo | — | ||
| 30-5 | Pictures at an Exhibition: Promenade - Ballet of the Unhatched Chicken | — | ||
| 30-6 | Pictures at an Exhibition: Samuel Goldenberg and Schmuÿle | — | ||
| 30-7 | Pictures at an Exhibition: Promenade - Marketplace at Limoges | — | ||
| 30-8 | Pictures at an Exhibition: Catacombæ: Sepulcrum romanum - Con mortuis in lingua mortua | — | ||
| 30-9 | Pictures at an Exhibition: Baba Yaga (The Hut on Fowl's Legs) | — | ||
| 30-10 | Pictures at an Exhibition: The Great Gate of Kiev | — | ||
| 30-11 | The Seasons, Op. 37b: I. January "By the Fireside" | — | ||
| 30-12 | The Seasons, Op. 37b: II. February "Shrovetide Festival" | — | ||
| 30-13 | The Seasons, Op. 37b: III. March "Song of the Lark" | — | ||
| 30-14 | The Seasons, Op. 37b: IV. April "Snowdrop" | — | ||
| 30-15 | The Seasons, Op. 37b: V. May "White Nights" | — | ||
| 30-16 | The Seasons, Op. 37b: VI. June "Barcarolle" | — | ||
| 30-17 | The Seasons, Op. 37b: VII. July "Song of the Reaper" | — | ||
| 30-18 | The Seasons, Op. 37b: VIII. August "Harvest" | — | ||
| 30-19 | The Seasons, Op. 37b: IX. September "The Hunt" | — | ||
| 30-20 | The Seasons, Op. 37b: X. October "Autumn Song" | — | ||
| 30-21 | The Seasons, Op. 37b: XI. November "Troika" | — | ||
| 30-22 | The Seasons, Op. 37b: XII. December "Yule-tide" | — | ||
| 31-1 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Klára Würtz, National Symphony Orchestra of Ukraine, Vladimir Sirenko | — | |
| 31-2 | Piano Concerto no. 2 in C Minor, op. 18: II. Adagio sostenuto | Klára Würtz, National Symphony Orchestra of Ukraine, Vladimir Sirenko | — | |
| 31-3 | Piano Concerto No. 2 in C minor, Op. 18: III. Allegro scherzando | Klára Würtz, National Symphony Orchestra of Ukraine, Vladimir Sirenko | T-071.926.821-9 | |
| 31-4 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Klára Würtz, Nordwestdeutsche Philharmonie, Arie van Beek | T-909.264.262-1 | |
| 31-5 | Piano Concerto in A minor, op. 54: II. Intermezzo | Klára Würtz, Nordwestdeutsche Philharmonie, Arie van Beek | — | |
| 31-6 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Klára Würtz, Nordwestdeutsche Philharmonie, Arie van Beek | — | |
| 32-1 | Sarabandes No. 1 | — | ||
| 32-2 | Sarabandes No. 2 | — | ||
| 32-3 | Sarabandes No. 3 | — | ||
| 32-4 | Gymnopédies No. 1: Lent et douloureux | — | ||
| 32-5 | Gymnopédies No. 2: Lent et triste | — | ||
| 32-6 | Gymnopédies No. 3: Lent et grave | — | ||
| 32-7 | Trois Gnossiennes No. 1: Lent | — | ||
| 32-8 | Trois Gnossiennes No. 2: Avec étonnement | — | ||
| 32-9 | Trois Gnossiennes No. 3: Lent | — | ||
| 32-10 | Gnossiennes No. 4: Lent | — | ||
| 32-11 | Gnossiennes No. 5: Modéré | — | ||
| 32-12 | Gnossiennes No. 6: Avec conviction et avec une tristesse rigoureuse | — | ||
| 32-13 | 2 Préludes du Nazaréen No. 1: Assez lent | — | ||
| 32-14 | 2 Préludes du Nazaréen No. 2: Assez lent | — | ||
| 32-15 | Préludes de La porte héroique du ciel | — | ||
| 32-16 | 2 Pièces froides No. 1 "Airs à faire fuir": D'une maniere très particulaire | — | ||
| 32-17 | 2 Pièces froides No. 1 "Airs à faire fuir": Modestemente | — | ||
| 32-18 | 2 Pièces froides No. 1 "Airs à faire fuir": S'inviter | — | ||
| 32-19 | 2 Pièces froides No. 2 "Danses de travers": En y regardant à deux fois | — | ||
| 32-20 | 2 Pièces froides No. 2 "Danses de travers": Passer | — | ||
| 32-21 | 2 Pièces froides No. 2 "Danses de travers": Encore | — | ||
| 32-22 | Petite Ouverture à Danser | — | ||
| 33-1 | Symphony No. 8 in B minor, D. 759: I. Allegro moderato | — | ||
| 33-2 | Symphony No. 8 in B minor, D. 759: II. Andante con moto | — | ||
| 33-3 | Symphony No. 5 in B-flat major, D. 485: I. Allegro | — | ||
| 33-4 | Symphony No. 5 in B-flat major, D. 485: II. Andante con moto | — | ||
| 33-5 | Symphony No. 5 in B-flat major, D. 485: III. Menuetto & Trio: Allegro molto | — | ||
| 33-6 | Symphony No. 5 in B-flat major, D. 485: IV. Allegro Vivace | — | ||
| 33-7 | Symphony No. 3 in D major, D. 200: I. Adagio maestoso - Allegro con brio | — | ||
| 33-8 | Symphony No. 3 in D major, D. 200: II. Allegretto | — | ||
| 33-9 | Symphony No. 3 in D major, D. 200: III. Menuetto & Trio: Vivace | — | ||
| 33-10 | Symphony No. 3 in D major, D. 200: IV. Presto vivace | — | ||
| 34-1 | Impromptu in C minor, Op. 90/D. 899 No. 1: Allegro molto moderato | — | ||
| 34-2 | Impromptu in E-flat major, Op. 90/D. 899 No. 2: Allegro | — | ||
| 34-3 | Impromptu in G-flat major, Op. 90/D. 899 No. 3: Andante | — | ||
| 34-4 | Impromptu in A-flat major, Op. 90/D. 899 No. 4: Allegretto | — | ||
| 34-5 | Impromptu in F minor, Op. post. 142/D. 935 No. 1: Allegro moderato | — | ||
| 34-6 | Impromptu in A-flat major, Op. post. 142/D. 935 No. 2: Allegretto | — | ||
| 34-7 | Impromptu in B-flat major, Op. post. 142/D. 935 No. 3: Andante mit Variationen "Rosamunde" | — | ||
| 34-8 | Impromptu in F minor, Op. post. 142/D. 935 No. 4: Allegro vivace | — | ||
| 35-1 | Kreisleriana, op. 16: I. Äußerst bewegt | Klára Würtz | — | |
| 35-2 | Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch | Klára Würtz | — | |
| 35-3 | Kreisleriana, op. 16: III. Sehr aufgeregt | Klára Würtz | — | |
| 35-4 | Kreisleriana, op. 16: IV. Sehr langsam | Klára Würtz | — | |
| 35-5 | Kreisleriana, op. 16: V. Sehr lebhaft | Klára Würtz | — | |
| 35-6 | Kreisleriana, op. 16: VI. Sehr langsam, durchaus leise zu halten | Klára Würtz | — | |
| 35-7 | Kreisleriana, op. 16: VII. Sehr rasch | Klára Würtz | — | |
| 35-8 | Kreisleriana, op. 16: VIII. Schnell und spielend | Klára Würtz | — | |
| 35-9 | Phantasie in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen | Klára Würtz | — | |
| 35-10 | Phantasie in C major, op. 17: II. Mäßig, durchaus energisch | Klára Würtz | — | |
| 35-11 | Phantasie in C major, op. 17: III. Langsam getragen, durchweg leise zu halten | Klára Würtz | — | |
| 36-1 | An der schönen blauen Donau | — | ||
| 36-2 | Wein, Weib und Gesang | — | ||
| 36-3 | Wiener Blut | — | ||
| 36-4 | Radetzky Marsch | — | ||
| 36-5 | Künstlerleben (Walzer) | — | ||
| 36-6 | Tritsch Tratsch Polka | — | ||
| 36-7 | Kaiserwalzer | — | ||
| 36-8 | Liebeslieder Walzer | — | ||
| 36-9 | Rosen aus dem Süden | — | ||
| 37-1 | Swan Lake, Op. 20: I. Scene | — | ||
| 37-2 | Swan Lake, Op. 20: II. Valse | — | ||
| 37-3 | Swan Lake, Op. 20: III. Danse des cygnes | — | ||
| 37-4 | Swan Lake, Op. 20: IV. Scene | — | ||
| 37-5 | Swan Lake, Op. 20: V. Danse hongroise (Csardas) | — | ||
| 37-6 | Swan Lake, Op. 20: VI. Scene | — | ||
| 37-7 | The Sleeping Beauty, Op. 66a: I. Introduction / La fée des lilas | — | ||
| 37-8 | The Sleeping Beauty, Op. 66a: II. Valse | — | ||
| 37-9 | The Nutcracker Suite, Op. 71a: I. Overture miniature | — | ||
| 37-10 | The Nutcracker Suite, Op. 71a: IIa. Marche | — | ||
| 37-11 | The Nutcracker Suite, Op. 71a: IIb. Danse de la fée-dragée | — | ||
| 37-12 | The Nutcracker Suite, Op. 71a: IIc. Danse russe | — | ||
| 37-13 | The Nutcracker Suite, Op. 71a: IId. Danse arabe | — | ||
| 37-14 | The Nutcracker Suite, Op. 71a: IIe. Danse chinoise | — | ||
| 37-15 | The Nutcracker Suite, Op. 71a: IIf. Danse des mirlitons | — | ||
| 37-16 | The Nutcracker Suite, Op. 71a: III. Valse des fleurs | — | ||
| 38-1 | Tafelmusik, Part II No. 1: Overture for trumpet, oboe, strings & continuo in D major, TWV 55:D1: I. Overture: Lentement - Vite - Lentement - Vite - Lentement | Rémy Baudet, Frank de Bruine, Franc Polman, Will Wroth, Musica Amphion, Pieter-Jan Belder | — | |
| 38-2 | Tafelmusik, Part II No. 1: Overture for trumpet, oboe, strings & continuo in D major, TWV 55:D1: II. Air: Tempo giusto | Rémy Baudet, Frank de Bruine, Franc Polman, Will Wroth, Musica Amphion, Pieter-Jan Belder | — | |
| 38-3 | Tafelmusik, Part II No. 1: Overture for trumpet, oboe, strings & continuo in D major, TWV 55:D1: III. Air: Vivace | Rémy Baudet, Frank de Bruine, Franc Polman, Will Wroth, Musica Amphion, Pieter-Jan Belder | — | |
| 38-4 | Tafelmusik, Part II No. 1: Overture for trumpet, oboe, strings & continuo in D major, TWV 55:D1: IV. Air: Presto | Rémy Baudet, Frank de Bruine, Franc Polman, Will Wroth, Musica Amphion, Pieter-Jan Belder | — | |
| 38-5 | Tafelmusik, Part II No. 1: Overture for trumpet, oboe, strings & continuo in D major, TWV 55:D1: V. Air: Allegro | Rémy Baudet, Frank de Bruine, Franc Polman, Will Wroth, Musica Amphion, Pieter-Jan Belder | — | |
| 38-6 | Tafelmusik, Part II No. 2: Quartet for 2 flutes, recorder, bassoon & continuo in D minor, TWV 43:d1: I. Andante | Pieter-Jan Belder, Kate Clark, Menno van Delft, Wilbert Hazelzet, Musica Amphion | — | |
| 38-7 | Tafelmusik, Part II No. 2: Quartet for 2 flutes, recorder, bassoon & continuo in D minor, TWV 43:d1: II. Vivace | Pieter-Jan Belder, Kate Clark, Menno van Delft, Wilbert Hazelzet, Musica Amphion | — | |
| 38-8 | Tafelmusik, Part II No. 2: Quartet for 2 flutes, recorder, bassoon & continuo in D minor, TWV 43:d1: III. Largo | Pieter-Jan Belder, Kate Clark, Menno van Delft, Wilbert Hazelzet, Musica Amphion | — | |
| 38-9 | Tafelmusik, Part II No. 2: Quartet for 2 flutes, recorder, bassoon & continuo in D minor, TWV 43:d1: IV. Allegro | Pieter-Jan Belder, Kate Clark, Menno van Delft, Wilbert Hazelzet, Musica Amphion | — | |
| 38-10 | Tafelmusik, Part II No. 3: Concerto for 3 violins, strings & continuo in F major, TWV 53:F1: I. Allegro | Rémy Baudet, Franc Polman, Sayuri Yamagata, Musica Amphion, Pieter-Jan Belder | — | |
| 38-11 | Tafelmusik, Part II No. 3: Concerto for 3 violins, strings & continuo in F major, TWV 53:F1: II. Largo | Rémy Baudet, Franc Polman, Sayuri Yamagata, Musica Amphion, Pieter-Jan Belder | — | |
| 38-12 | Tafelmusik, Part II No. 3: Concerto for 3 violins, strings & continuo in F major, TWV 53:F1: III. Vivace | Rémy Baudet, Franc Polman, Sayuri Yamagata, Musica Amphion, Pieter-Jan Belder | — | |
| 38-13 | Tafelmusik, Part I No. 6: Conclusion: Sinfonia for 2 flutes, 2 oboes, bassoon, strings & continuo in E minor, TWV 50:5 | Pieter-Jan Belder, Kate Clark, Wilbert Hazelzet, Musica Amphion | — | |
| 39-1 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal | — | |
| 39-2 | Violin Concerto in E major, Op. 8 No. 1, RV 269 "Spring": II. Largo | — | ||
| 39-3 | Violin Concerto in E major, Op. 8 No. 1, RV 269 "Spring": III. Allegro | — | ||
| 39-4 | Violin Concerto in G minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro con molto | — | ||
| 39-5 | Violin Concerto in G minor, Op. 8 No. 2, RV 315 "Summer": II. Adagio - Presto | — | ||
| 39-6 | Violin Concerto in G minor, Op. 8 No. 2, RV 315 "Summer": III. Presto (Tempo impestuoso d'estate) | — | ||
| 39-7 | Violin Concerto in F major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro | — | ||
| 39-8 | Violin Concerto in F major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto | — | ||
| 39-9 | Violin Concerto in F major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro (La Caccia) | — | ||
| 39-10 | Violin Concerto in F minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro con molto | — | ||
| 39-11 | Violin Concerto in F minor, Op. 8 No. 4, RV 297 "Winter": II. Largo | — | ||
| 39-12 | Violin Concerto in F minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro | — | ||
| 39-13 | Concerto in F: I. Allegro | — | ||
| 39-14 | Concerto in F: II. Largo | — | ||
| 39-15 | Concerto in F: III. Allegro | — | ||
| 39-16 | Concerto in F: IV. Allegro | — | ||
| 39-17 | Concerto in F: V. Andante | — | ||
| 39-18 | Concerto in F: VI. Allegro | — | ||
| 40-1 | Concerto Grosso a 10 Stromenti in D major, RV 562a: I. Allegro | — | ||
| 40-2 | Concerto Grosso a 10 Stromenti in D major, RV 562a: II. Grave | — | ||
| 40-3 | Concerto Grosso a 10 Stromenti in D major, RV 562a: III. Allegro | — | ||
| 40-4 | Concerto per Sua Altezza Reale di Sassonia in G minor, RV 576: I. Allegro | — | ||
| 40-5 | Concerto per Sua Altezza Reale di Sassonia in G minor, RV 576: II. Larghetto | — | ||
| 40-6 | Concerto per Sua Altezza Reale di Sassonia in G minor, RV 576: III. Allegro | — | ||
| 40-7 | Concerto for 2 Solo Violins, 2 Traversi, 2 Oboes, Bassoon, Strings and Basso Continuo in D minor, RV 566: I. Allegro assai | — | ||
| 40-8 | Concerto for 2 Solo Violins, 2 Traversi, 2 Oboes, Bassoon, Strings and Basso Continuo in D minor, RV 566: II. Largo | — | ||
| 40-9 | Concerto for 2 Solo Violins, 2 Traversi, 2 Oboes, Bassoon, Strings and Basso Continuo in D minor, RV 566: III. Allegro | — | ||
| 40-10 | Concerto for 2 Horns, Strings and Basso Continuo in F major, RV 538: I. Allegro | — | ||
| 40-11 | Concerto for 2 Horns, Strings and Basso Continuo in F major, RV 538: II. Largo | — | ||
| 40-12 | Concerto for 2 Horns, Strings and Basso Continuo in F major, RV 538: III. Allegro | — | ||
| 40-13 | Concerto for Violin, 2 Horns, 2 Oboes, Bassoon, Strings and Basso Continuo in F major, RV 569: I. Allegro | — | ||
| 40-14 | Concerto for Violin, 2 Horns, 2 Oboes, Bassoon, Strings and Basso Continuo in F major, RV 569: II. Grave | — | ||
| 40-15 | Concerto for Violin, 2 Horns, 2 Oboes, Bassoon, Strings and Basso Continuo in F major, RV 569: III. Allegro | — |
