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Chopin
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5028421932026 is the Universal Product Code (UPC barcode) for the release “Complete Works” by Chopin, released 2006-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 255 tracks, each with its own ISRC. Tracks include NLA508011101, NLA507928605, NLA508101905.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ballade No. 1 in G minor, Op. 23 | — | ||
| 2 | Ballade No. 2 in F major, Op. 38 | — | ||
| 3 | Ballade No. 3 in A flat major, Op. 47 | — | ||
| 4 | Ballade No. 4 in F minor, Op. 52 | — | ||
| 5 | Impromptu for Piano no. 1 in A-flat major, op. 29 | Bella Davidovich | — | |
| 6 | Impromptu No. 2 in F-sharp major, Op. 36 | — | ||
| 7 | Impromptu No. 3 in G-flat major, Op. 51 | — | ||
| 8 | Impromptu no. 4 in C-sharp minor, op. 66 "Fantasie-Impromptu" | Bella Davidovich | — | |
| 2-1 | 12 Études (a son ami Franz Liszt) in C major, Op. 10 No. 1: Allegro | — | ||
| 2-2 | 12 Études (a son ami Franz Liszt) in A minor, Op. 10 No. 2: Allegro | — | ||
| 2-3 | 12 Études (a son ami Franz Liszt) in E major "Tristesse", Op. 10 No. 3: Lento ma non troppo | — | ||
| 2-4 | 12 Études (a son ami Franz Liszt) in C sharp minor, Op. 10 No. 4: Presto | — | ||
| 2-5 | 12 Études (a son ami Franz Liszt) in G flat major "Black Keys", Op. 10 No. 5: Vivace | — | ||
| 2-6 | 12 Études (a son ami Franz Liszt) in E flat minor, Op. 10 No. 6: Andante con molto espressione | — | ||
| 2-7 | 12 Études (a son ami Franz Liszt) in C major, Op. 10 No. 7: Vivace | — | ||
| 2-8 | 12 Études (a son ami Franz Liszt) in F major, Op. 10 No. 8: Allegro | — | ||
| 2-9 | 12 Études (a son ami Franz Liszt) in F minor, Op. 10 No. 9: Allegro molto agitato | — | ||
| 2-10 | 12 Études (a son ami Franz Liszt) in A flat major, Op. 10 No. 10: Vivace assai | — | ||
| 2-11 | 12 Études (a son ami Franz Liszt) in E flat major, Op. 10 No. 11: Allegretto | — | ||
| 2-12 | 12 Études (a son ami Franz Liszt) in C minor "Revolutionary", Op. 10 No. 12: Allegro con fuoco | — | ||
| 2-13 | 12 Études (a Madame la Comtesse D`Agoult) in A flat major "Aeolian Harp", Op. 25 No. 1: Allegro sostenuto | — | ||
| 2-14 | 12 Études (a Madame la Comtesse D`Agoult) in F minor "Balm", Op. 25 No. 2: Presto | — | ||
| 2-15 | 12 Études (a Madame la Comtesse D`Agoult) in F major "Cartwheel", Op. 25 No. 3: Allegro | — | ||
| 2-16 | 12 Études (a Madame la Comtesse D`Agoult) in A minor, Op. 25 No. 4: Agitato | — | ||
| 2-17 | 12 Études (a Madame la Comtesse D`Agoult) in E minor, Op. 25 No. 5: Vivace | — | ||
| 2-18 | 12 Études (a Madame la Comtesse D`Agoult) in G sharp minor, Op. 25 No. 6: Allegro | — | ||
| 2-19 | 12 Études (a Madame la Comtesse D`Agoult) in C sharp minor, Op. 25 No. 7: Lento | — | ||
| 2-20 | 12 Études (a Madame la Comtesse D`Agoult) in D flat major, Op. 25 No. 8: Vivace assai | — | ||
| 2-21 | 12 Études (a Madame la Comtesse D`Agoult) in G flat major "Butterfly", Op. 25 No. 9: Allegro assai | — | ||
| 2-22 | 12 Études (a Madame la Comtesse D`Agoult) in B minor, Op. 25 No. 10: Allegro con fuoco | — | ||
| 2-23 | 12 Études (a Madame la Comtesse D`Agoult) in A minor "Winter Wind", Op. 25 No. 11: Allegro con brio | — | ||
| 2-24 | 12 Études (a Madame la Comtesse D`Agoult) in C minor "Ocean", Op. 25 No. 12: Allegro molto con fuoco | — | ||
| 2-25 | Trois nouvelle étude, composées pour la Méthode de Moscheles et Fétis) in F minor, No. 1: Andantino | — | ||
| 2-26 | Trois nouvelle étude, composées pour la Méthode de Moscheles et Fétis) in D flat major, No. 2: Allegretto | — | ||
| 2-27 | Trois nouvelle étude, composées pour la Méthode de Moscheles et Fétis) in A flat major, No. 3: Allegretto | — | ||
| 3-1 | Nocturne in B-flat minor, Op. 9 No. 1: Larghetto | — | ||
| 3-2 | Nocturne in E-flat major, Op. 9 No. 2: Andante | — | ||
| 3-3 | Nocturne in B major, Op. 9 No. 3: Allegretto | — | ||
| 3-4 | Nocturne in F major, Op. 15 No. 1: Andante Cantabile | — | ||
| 3-5 | Nocturne in F-sharp major, Op. 15 No. 2: Larghetto | — | ||
| 3-6 | Nocturne in G minor, Op. 15 No. 3: Lento | — | ||
| 3-7 | Nocturne in C-sharp minor, Op. 27 No. 1: Larghetto | — | ||
| 3-8 | Nocturne in D-flat major, Op. 27 No. 2: Lento sostenuto | — | ||
| 3-9 | Nocturne in B major, Op. 32 No. 1: Andantino sostenuto | — | ||
| 4-1 | Nocturne in A-flat major, Op. 32 No. 2: Lento | — | ||
| 4-2 | Nocturne in G minor, Op. 37 No. 1: Andante sostenuto | — | ||
| 4-3 | Nocturne in G major, Op. 37 No. 2: Andantino | — | ||
| 4-4 | Nocturne in C minor, Op. 48 No. 1: Lento | — | ||
| 4-5 | Nocturne in F-sharp minor, Op. 48 No. 2: Andantino | — | ||
| 4-6 | Nocturne in F minor, Op. 55 No. 1: Andante | — | ||
| 4-7 | Nocturne in E-flat major, Op. 55 No. 2: Lento | — | ||
| 4-8 | Nocturne in B major, Op. 62 No. 1: Andante | — | ||
| 4-9 | Nocturne in E major, Op. 62 No. 2: Lento | — | ||
| 4-10 | Nocturne in E minor, Op. post. 72 No. 1: Andante | — | ||
| 4-11 | Nocturne in C-sharp minor, Op. post: Lento con gran espressione | — | ||
| 4-12 | Nocturne in C minor, Op. post. | — | ||
| 4-13 | Prelude in C-sharp minor, Op. 45 | — | ||
| 5-1 | Scherzo No. 1 in B minor "La banquet infernal", Op. 20 | — | ||
| 5-2 | Scherzo No. 2 in B flat minor, Op. 31 | — | ||
| 5-3 | Scherzo No. 3 in C sharp minor, Op. 39 | — | ||
| 5-4 | Scherzo No. 4 in E major, Op. 54 | — | ||
| 5-5 | Fantaisie in F minor, Op. 49 | — | ||
| 5-6 | Berceuse in D flat major, Op. 57 | — | ||
| 5-7 | Barcarolle in F sharp major, Op. 60 | — | ||
| 6-1 | Waltz in E-flat major, Op. 18 "Grande Valse brillante" | — | ||
| 6-2 | Waltz in A-flat major, Op. 34 No. 1 | — | ||
| 6-3 | Waltz in A minor, Op. 34 No. 2 | — | ||
| 6-4 | Waltz in F major, Op. 34 No. 3 | — | ||
| 6-5 | Waltz no. 5 in A-flat major, op. 42 "Grande valse" | Zoltán Kocsis | — | |
| 6-6 | Waltz No. 6 in D-flat major, Op. 64 No. 1, B. 164 "Minute" | Zoltán Kocsis | — | |
| 6-7 | Waltz no. 7 in C-sharp minor, op. 64 no. 2, B. 164 | Zoltán Kocsis | T-922.054.556-2 | |
| 6-8 | Waltz in A-flat major, Op. 64 No. 3 | — | ||
| 6-9 | Waltz in A-flat major, Op. 69 No. 1 "L'adieu" | — | ||
| 6-10 | Waltz in B minor, Op. 69 No. 2 | — | ||
| 6-11 | Waltz in G-flat major, Op. 70 No. 1 | — | ||
| 6-12 | Waltz in F minor, Op. 70 No. 2 | — | ||
| 6-13 | Waltz in D-flat major, Op. 70 No. 3 | — | ||
| 6-14 | Waltz in A-flat major, B. 21 | — | ||
| 6-15 | Waltz in E major, B. 44 | — | ||
| 6-16 | Waltz in E minor, B. 56 | — | ||
| 6-17 | Waltz in A minor, B. 150 | — | ||
| 6-18 | Waltz No. 18 in E flat, Op. posth. | Frédéric Chopin | — | |
| 6-19 | Waltz in E-flat major, B. 46 | — | ||
| 7-1 | Mazurka in F-sharp minor, Op. 6 No. 1 | — | ||
| 7-2 | Mazurka in C-sharp minor, Op. 6 No. 2 | — | ||
| 7-3 | Mazurka in E major, Op. 6 No. 3 | — | ||
| 7-4 | Mazurka in E-flat minor, Op. 6 No. 4 | — | ||
| 7-5 | Mazurka in B-flat major, Op. 7 No. 1 | — | ||
| 7-6 | Mazurka in A minor, Op. 7 No. 2 | — | ||
| 7-7 | Mazurka in F minor, Op. 7 No. 3 | — | ||
| 7-8 | Mazurka in A-flat major, Op. 7 No. 4 | — | ||
| 7-9 | Mazurka in C major, Op. 7 No. 5 | — | ||
| 7-10 | Mazurka in B-flat major, Op. 17 No. 1 | — | ||
| 7-11 | Mazurka in E minor, Op. 17 No. 2 | — | ||
| 7-12 | Mazurka in A-flat major, Op. 17 No. 3 | — | ||
| 7-13 | Mazurka in A minor, Op. 17 No. 4 | — | ||
| 7-14 | Mazurka in G minor Op. 24 No. 1 | — | ||
| 7-15 | Mazurka in C major Op. 24 No. 2 | — | ||
| 7-16 | Mazurka in A-flat major, Op. 24 No. 3 | — | ||
| 7-17 | Mazurka in B-flat minor, Op. 24 No. 4 | — | ||
| 7-18 | Mazurka in C minor Op. 30 No. 1 | — | ||
| 7-19 | Mazurka in B minor Op. 30 No. 2 | — | ||
| 7-20 | Mazurka in D-flat major Op. 30 No. 3 | — | ||
| 7-21 | Mazurka in C-sharp minor Op. 30 No. 4 | — | ||
| 7-22 | Mazurka in G-sharp minor, Op. 33 No. 1 | — | ||
| 7-23 | Mazurka in D major, Op. 33 No. 2 | — | ||
| 8-1 | Mazurka in C major, Op. 33 No. 3 | — | ||
| 8-2 | Mazurka in B minor, Op. 33 No. 4 | — | ||
| 8-3 | Mazurka in C-sharp minor, Op. 41 No. 1 | — | ||
| 8-4 | Mazurka in E minor, Op. 41 No. 2 | — | ||
| 8-5 | Mazurka in B major, Op. 41 No. 3 | — | ||
| 8-6 | Mazurka in A-flat major, Op. 41 No. 4 | — | ||
| 8-7 | Mazurka in G major, Op. 50 No. 1 | — | ||
| 8-8 | Mazurka in A-flat major, Op. 50 No. 2 | — | ||
| 8-9 | Mazurka in C-sharp minor, Op. 50 No. 3 | — | ||
| 8-10 | Mazurka in B major, Op. 56 No. 1 | — | ||
| 8-11 | Mazurka in C major, Op. 56 No. 2 | — | ||
| 8-12 | Mazurka in C minor, Op. 56 No. 3 | — | ||
| 8-13 | Mazurka in A minor, Op. 59 No. 1 | — | ||
| 8-14 | Mazurka in A-flat major, Op. 59 No. 2 | — | ||
| 8-15 | Mazurka in F-sharp minor, Op. 59 No. 3 | — | ||
| 8-16 | Mazurka No. 39 in B major, Op. 63 No. 1 | — | ||
| 8-17 | Mazurka in F minor, Op. 63 No. 2 | — | ||
| 8-18 | Mazurka in C-sharp minor, Op. 63 No. 3 | — | ||
| 8-19 | Variations for Piano & Orchestra on W.A. Mozart: Don Giovanni, K. 527: "La ci darem la mano" in B-flat major, Op. 2 | — | ||
| 9-1 | Andante spianato in G major and Grande Polonaise brillante in E-flat major, Op. 22 | — | ||
| 9-2 | Polonaise in C-sharp minor, Op. 26 No. 1: Allegro appassionato | — | ||
| 9-3 | Polonaise in E-flat minor, Op. 26 No. 2: Maestoso | — | ||
| 9-4 | Polonaise in A major, "Military", Op. 40 No. 1: Allegro con brio | — | ||
| 9-5 | Polonaise in C minor, Op. 40 No. 2: Allegro maestoso | — | ||
| 9-6 | Polonaise in F-sharp minor, Op. 44: Tempo di polacca - doppio movimento, tempo di Mazurka - Tempo I | — | ||
| 9-7 | Polonaise in A-flat major, "Héroique", Op. 53: Maestoso | — | ||
| 9-8 | Polonaise-Fantasy in A-flat major, Op. 61: Allegro maestoso | — | ||
| 10-1 | Polonaise in D minor, Op. 71 No. 1 | — | ||
| 10-2 | Polonaise in B flat major, Op. 71 No. 2 | — | ||
| 10-3 | Polonaise in F minor, Op. 71 No. 3 | — | ||
| 10-4 | Polonaise in G minor, B. 1 (KK IIa No. 1) | — | ||
| 10-5 | Polonaise in B flat major, B. 3 (KK IVa No. 1) | — | ||
| 10-6 | Polonaise in A flat major, B. 5 (KK IVa No. 2) | — | ||
| 10-7 | Polonaise in G sharp minor, B. 6 (KK IVa No. 3) | — | ||
| 10-8 | Polonaise in B flat minor, B. 13 (KK IVa No. 5) | — | ||
| 10-9 | Polonaise in G flat major, B. 36 (KK IVa No. 8) | — | ||
| 10-10 | Bourrée in G major, B. 160 No. 1 | — | ||
| 10-11 | Bourrée in A major, B. 160 No. 2 | — | ||
| 10-12 | Moderato in E major "Albumleaf", B. 151 (KK IVb No. 12) | — | ||
| 10-13 | Largo in E flat major, B. 109 (KK IVb No. 5) | — | ||
| 10-14 | Sostenuto in E-flat major, B. 133 (KK IVb No. 10) | — | ||
| 10-15 | Variation No. 6 in E major from Cycle "Hexaméron" on a Theme from the Opera "I puritani" by V. Bellini (KK IIb No. 2) | — | ||
| 10-16 | Fugue in A minor, B. 144 (KK IVc No. 2) | — | ||
| 10-17 | Canon in F minor (Fragment) (KK IVb No. 1) | — | ||
| 11-1 | Piano Sonata No. 2 in B-flat minor, Op. 35: I. Grave - Doppio movimento | — | ||
| 11-2 | Piano Sonata No. 2 in B-flat minor, Op. 35: II. Scherzo | — | ||
| 11-3 | Piano Sonata No. 2 in B-flat minor, Op. 35: III. Marche funèbre - Lento - attacca | — | ||
| 11-4 | Piano Sonata No. 2 in B-flat minor, Op. 35: IV. Finale. Presto | — | ||
| 11-5 | Piano Sonata No. 3 in B minor, Op. 58: I. Allegro maestoso | — | ||
| 11-6 | Piano Sonata No. 3 in B minor, Op. 58: II. Scherzo: Molto vivace | — | ||
| 11-7 | Piano Sonata No. 3 in B minor, Op. 58: III. Largo | — | ||
| 11-8 | Piano Sonata No. 3 in B minor, Op. 58: IV. Finale: Presto, ma non tanto | — | ||
| 11-9 | Piano Sonata No. 1 in C minor, Op. 4: I. Allegro maestoso | — | ||
| 11-10 | Piano Sonata No. 1 in C minor, Op. 4: II. Menuetto: Allegretto | — | ||
| 11-11 | Piano Sonata No. 1 in C minor, Op. 4: III. Larghetto | — | ||
| 11-12 | Piano Sonata No. 1 in C minor, Op. 4: IV. Finale: Presto | — | ||
| 11-13 | Écossaise No. 1 in D major, Op. 72 No. 3a | — | ||
| 11-14 | Écossaise No. 2 in G major, Op. 72 No. 3b | — | ||
| 11-15 | Écossaise No. 3 in D flat major, Op. 72 No. 3c | — | ||
| 12-1 | Variations brillantes on "Je vends des scapulaires" from the Opera "Ludovic" by F. Hérold and F. Halévy in B-flat major, Op. 12 | — | ||
| 12-2 | Rondo in C minor, Op. 1 | — | ||
| 12-3 | Introduction and Variations in E major on a German National Air, Op. posth. "Der Schweizerbub" | — | ||
| 12-4 | Rondo à la Mazur in F major, Op. 5 | — | ||
| 12-5 | Allegro de concert in A major, Op. 46 | — | ||
| 12-6 | Bolero in C major, Op. 19 | — | ||
| 12-7 | Introduction in C minor and Rondo in E flat major, Op. 16 | — | ||
| 12-8 | Tarantella in A-flat major, Op. 43 | — | ||
| 12-9 | "Souvenir de Paganini" Variations in A major, Op. posth. | — | ||
| 13-1 | Mazurka In A minor Op. posth. "Notre Temps": Allegro | — | ||
| 13-2 | Mazurka No. 42 in G major, Op. 67 No. 1: Vivace | — | ||
| 13-3 | Mazurka No. 43 in G minor, Op. 67 No. 2: Cantabile | — | ||
| 13-4 | Mazurka No. 44 in C major, Op. 67 No. 3: Allegretto | — | ||
| 13-5 | Mazurka No. 45 in A minor, Op. 67 No. 4: Moderato animato | — | ||
| 13-6 | Mazurka No. 46 in C major, Op. 68 No. 1: Vivace | — | ||
| 13-7 | Mazurka No. 47 in A minor, Op. 68 No. 2: Lento | — | ||
| 13-8 | Mazurka No. 48 in F major, Op. 68 No. 3: Allegro ma non troppo | — | ||
| 13-9 | Mazurka No. 49 in F minor, Op. 68 No. 4: Andantino | — | ||
| 13-10 | Mazurka No. 52: Con anima | — | ||
| 13-11 | Mazurka No. 53: Allegro non troppo | — | ||
| 13-12 | Mazurka No. 54: Allegro non troppo | — | ||
| 13-13 | Mazurka No. 55: Allegro non troppo | — | ||
| 13-14 | Mazurka No. 56: Allegretto | — | ||
| 13-15 | Mazurka No. 57: Vivace | — | ||
| 13-16 | Mazurka No. 58: (Poco mosso) | — | ||
| 13-17 | Valse à Mlle Elise Gavard, Op. posth. 70 No. 2 (BI 87)(Original version) | — | ||
| 13-20 | Marche funèbre in C minor, Op. posth. 72 No. 2 (after Oxford edition) | — | ||
| 13-21 | Cantabile in B flat major, B. 84 | — | ||
| 13-22 | Prélude "A mon ami P. Wolff" (Paris 10 Juillet 1834): Presto con leggierezza | — | ||
| 14-1 | Życzenie, Op. 74 No. 1 (maidens wish) | — | ||
| 14-2 | Wiosna, Op. 74 No. 2 (spring) | — | ||
| 14-3 | Smutna rzeka, Op. 74 No. 3 (the sad stream) | — | ||
| 14-4 | Hulanka, Op. 74 No. 4 (drinking song) | — | ||
| 14-5 | Gdzie lubi, Op. 74 No. 5 (there where she loves) | — | ||
| 14-6 | Precz z moich oczu, Op. 74 No. 6 (out of my sight) | — | ||
| 14-7 | Poseł, Op. 74 No. 7 (the messenger) | — | ||
| 14-8 | Śliczny chłopiec, Op. 74 No. 8 (handsome lad) | — | ||
| 14-9 | Melodia, Op. 74 No. 9 (elegy) | — | ||
| 14-10 | Wojak, Op. 74 No. 10 (the warrior) | — | ||
| 14-11 | Dwojaki koniec, Op. 74 No. 11 (the two corpses) | — | ||
| 14-12 | Moja pieszczotka, Op. 74 No. 12 (my darling) | — | ||
| 14-13 | Nie ma czego trzeba, Op. 74 No. 13 (faded and vanished) | — | ||
| 14-14 | Pierścień, Op. 74 No. 14 (the ring) | — | ||
| 14-15 | Narzeczony, Op. 74 No. 15 (the bridegroom) | — | ||
| 14-16 | Piosnka litewska, Op. 74 No. 16 (lithuanian song) | — | ||
| 14-17 | Śpiew z mogiły, Op. 74 No. 17 (leaves are falling) | — | ||
| 14-18 | Czary, B. 51 (witchcraft) | — | ||
| 14-19 | Dumka, B. 132 (reverie) | — | ||
| 15-1 | Cello Sonata in G minor, Op. 65: I. Allegro moderato | — | ||
| 15-2 | Cello Sonata in G minor, Op. 65: II. Scherzo: Allegro con brio | — | ||
| 15-3 | Cello Sonata in G minor, Op. 65: III. Largo | — | ||
| 15-4 | Cello Sonata in G minor, Op. 65: IV. Finale: Allegro | — | ||
| 15-5 | Grand Duo on Themes from Robert Le Diable, for cello and piano, Op.posth.B.70 (KK IIb No. 1) | — | ||
| 15-6 | Introduction and Polonaise brillante in C major, Op. 3 | — | ||
| 15-7 | Piano Trio in G minor, Op. 8: I. Allegro con fuoco | — | ||
| 15-8 | Piano Trio in G minor, Op. 8: II. Scherzo: Con moto ma non troppo | — | ||
| 15-9 | Piano Trio in G minor, Op. 8: III. Adagio sostenuto | — | ||
| 15-10 | Piano Trio in G minor, Op. 8: IV. Allegretto | — | ||
| 16-1 | Prélude in C major, Op. 28 No. 1: Agitato | — | ||
| 16-2 | Prélude in A minor, Op. 28 No. 2: Lento | — | ||
| 16-3 | Prélude in G major, Op. 28 No. 3: Vivace | — | ||
| 16-4 | Prélude in E minor, Op. 28 No. 4: Largo | — | ||
| 16-5 | Prélude in D major, Op. 28 No. 5: Molto allegro | — | ||
| 16-6 | Prélude in B minor, Op. 28 No. 6: Lento assai | — | ||
| 16-7 | Prélude in A major, Op. 28 No. 7: Andantino | — | ||
| 16-8 | Prélude in F-sharp minor, Op. 28 No. 8: Molto agitato | — | ||
| 16-9 | Prélude in E major, Op. 28 No. 9: Largo | — | ||
| 16-10 | Prélude in C-sharp minor, Op. 28 No. 10: Molto allegro | — | ||
| 16-11 | Prélude in B major, Op. 28 No. 11: Vivace | — | ||
| 16-12 | Prélude in G-sharp minor, Op. 28 No. 12: Presto | — | ||
| 16-13 | Prélude in F-sharp major, Op. 28 No. 13: Lento | — | ||
| 16-14 | Prélude in E-flat minor, Op. 28 No. 14: Allegro | — | ||
| 16-15 | Prélude in D-flat major, Op. 28 No. 15 "Raindrop": Sostenuto | — | ||
| 16-16 | Prélude in B-flat minor, Op. 28 No. 16: Presto con fuoco | — | ||
| 16-17 | Prélude in A-flat major, Op. 28 No. 17: Allegretto | — | ||
| 16-18 | Prélude in F minor, Op. 28 No. 18: Molto allegro | — | ||
| 16-19 | Prélude in E-flat major, Op. 28 No. 19: Vivace | — | ||
| 16-20 | Prélude in C minor, Op. 28 No. 20: Largo | — | ||
| 16-21 | Prélude in B-flat major, Op. 28 No. 21: Cantabile | — | ||
| 16-22 | Prélude in G minor, Op. 28 No. 22: Molto agitato | — | ||
| 16-23 | Prélude in F major, Op. 28 No. 23: Moderato | — | ||
| 16-24 | Prélude in D minor, Op. 28 No. 24: Allegro appassionato | — | ||
| 16-25 | Fantasy on Polish Airs in A | Misha Dichter, Philharmonia Orchestra, Neville Marriner | — | |
| 16-26 | Krakowiak, Concerto Rondo in F, op. 14 | Bella Davidovich, London Symphony Orchestra, Sir Neville Marriner | — | |
| 17-1 | Concerto for Piano and Orchestra No. 1 in E minor, Op. 11: I. Allegro maestoso | — | ||
| 17-2 | Concerto for Piano and Orchestra No. 1 in E minor, Op. 11: II. Romance. Larghetto | — | ||
| 17-3 | Concerto for Piano and Orchestra No. 1 in E minor, Op. 11: III. Rondo. Vivace | — | ||
| 17-4 | Concerto for Piano and Orchestra No. 2 in F minor, Op. 21: I. Maestoso | — | ||
| 17-5 | Concerto for Piano and Orchestra No. 2 in F minor, Op. 21: II. Larghetto | — | ||
| 17-6 | Concerto for Piano and Orchestra No. 2 in F minor, Op. 21: III. Allegro vivace | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Impromptu no. 4 in C-sharp minor, op. 66 "Fantasie-Impromptu" | Bella Davidovich | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5028421932026 is a Universal Product Code (UPC) assigned to Complete Works by Chopin. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 255 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5028421932026 is the Universal Product Code (UPC barcode) for the release “Complete Works” by Chopin, released 2006-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 255 tracks, each with its own ISRC. Tracks include NLA508011101, NLA507928605, NLA508101905.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ballade No. 1 in G minor, Op. 23 | — | ||
| 2 | Ballade No. 2 in F major, Op. 38 | — | ||
| 3 | Ballade No. 3 in A flat major, Op. 47 | — | ||
| 4 | Ballade No. 4 in F minor, Op. 52 | — | ||
| 5 | Impromptu for Piano no. 1 in A-flat major, op. 29 | Bella Davidovich | — | |
| 6 | Impromptu No. 2 in F-sharp major, Op. 36 | — | ||
| 7 | Impromptu No. 3 in G-flat major, Op. 51 | — | ||
| 8 | Impromptu no. 4 in C-sharp minor, op. 66 "Fantasie-Impromptu" | Bella Davidovich | — | |
| 2-1 | 12 Études (a son ami Franz Liszt) in C major, Op. 10 No. 1: Allegro | — | ||
| 2-2 | 12 Études (a son ami Franz Liszt) in A minor, Op. 10 No. 2: Allegro | — | ||
| 2-3 | 12 Études (a son ami Franz Liszt) in E major "Tristesse", Op. 10 No. 3: Lento ma non troppo | — | ||
| 2-4 | 12 Études (a son ami Franz Liszt) in C sharp minor, Op. 10 No. 4: Presto | — | ||
| 2-5 | 12 Études (a son ami Franz Liszt) in G flat major "Black Keys", Op. 10 No. 5: Vivace | — | ||
| 2-6 | 12 Études (a son ami Franz Liszt) in E flat minor, Op. 10 No. 6: Andante con molto espressione | — | ||
| 2-7 | 12 Études (a son ami Franz Liszt) in C major, Op. 10 No. 7: Vivace | — | ||
| 2-8 | 12 Études (a son ami Franz Liszt) in F major, Op. 10 No. 8: Allegro | — | ||
| 2-9 | 12 Études (a son ami Franz Liszt) in F minor, Op. 10 No. 9: Allegro molto agitato | — | ||
| 2-10 | 12 Études (a son ami Franz Liszt) in A flat major, Op. 10 No. 10: Vivace assai | — | ||
| 2-11 | 12 Études (a son ami Franz Liszt) in E flat major, Op. 10 No. 11: Allegretto | — | ||
| 2-12 | 12 Études (a son ami Franz Liszt) in C minor "Revolutionary", Op. 10 No. 12: Allegro con fuoco | — | ||
| 2-13 | 12 Études (a Madame la Comtesse D`Agoult) in A flat major "Aeolian Harp", Op. 25 No. 1: Allegro sostenuto | — | ||
| 2-14 | 12 Études (a Madame la Comtesse D`Agoult) in F minor "Balm", Op. 25 No. 2: Presto | — | ||
| 2-15 | 12 Études (a Madame la Comtesse D`Agoult) in F major "Cartwheel", Op. 25 No. 3: Allegro | — | ||
| 2-16 | 12 Études (a Madame la Comtesse D`Agoult) in A minor, Op. 25 No. 4: Agitato | — | ||
| 2-17 | 12 Études (a Madame la Comtesse D`Agoult) in E minor, Op. 25 No. 5: Vivace | — | ||
| 2-18 | 12 Études (a Madame la Comtesse D`Agoult) in G sharp minor, Op. 25 No. 6: Allegro | — | ||
| 2-19 | 12 Études (a Madame la Comtesse D`Agoult) in C sharp minor, Op. 25 No. 7: Lento | — | ||
| 2-20 | 12 Études (a Madame la Comtesse D`Agoult) in D flat major, Op. 25 No. 8: Vivace assai | — | ||
| 2-21 | 12 Études (a Madame la Comtesse D`Agoult) in G flat major "Butterfly", Op. 25 No. 9: Allegro assai | — | ||
| 2-22 | 12 Études (a Madame la Comtesse D`Agoult) in B minor, Op. 25 No. 10: Allegro con fuoco | — | ||
| 2-23 | 12 Études (a Madame la Comtesse D`Agoult) in A minor "Winter Wind", Op. 25 No. 11: Allegro con brio | — | ||
| 2-24 | 12 Études (a Madame la Comtesse D`Agoult) in C minor "Ocean", Op. 25 No. 12: Allegro molto con fuoco | — | ||
| 2-25 | Trois nouvelle étude, composées pour la Méthode de Moscheles et Fétis) in F minor, No. 1: Andantino | — | ||
| 2-26 | Trois nouvelle étude, composées pour la Méthode de Moscheles et Fétis) in D flat major, No. 2: Allegretto | — | ||
| 2-27 | Trois nouvelle étude, composées pour la Méthode de Moscheles et Fétis) in A flat major, No. 3: Allegretto | — | ||
| 3-1 | Nocturne in B-flat minor, Op. 9 No. 1: Larghetto | — | ||
| 3-2 | Nocturne in E-flat major, Op. 9 No. 2: Andante | — | ||
| 3-3 | Nocturne in B major, Op. 9 No. 3: Allegretto | — | ||
| 3-4 | Nocturne in F major, Op. 15 No. 1: Andante Cantabile | — | ||
| 3-5 | Nocturne in F-sharp major, Op. 15 No. 2: Larghetto | — | ||
| 3-6 | Nocturne in G minor, Op. 15 No. 3: Lento | — | ||
| 3-7 | Nocturne in C-sharp minor, Op. 27 No. 1: Larghetto | — | ||
| 3-8 | Nocturne in D-flat major, Op. 27 No. 2: Lento sostenuto | — | ||
| 3-9 | Nocturne in B major, Op. 32 No. 1: Andantino sostenuto | — | ||
| 4-1 | Nocturne in A-flat major, Op. 32 No. 2: Lento | — | ||
| 4-2 | Nocturne in G minor, Op. 37 No. 1: Andante sostenuto | — | ||
| 4-3 | Nocturne in G major, Op. 37 No. 2: Andantino | — | ||
| 4-4 | Nocturne in C minor, Op. 48 No. 1: Lento | — | ||
| 4-5 | Nocturne in F-sharp minor, Op. 48 No. 2: Andantino | — | ||
| 4-6 | Nocturne in F minor, Op. 55 No. 1: Andante | — | ||
| 4-7 | Nocturne in E-flat major, Op. 55 No. 2: Lento | — | ||
| 4-8 | Nocturne in B major, Op. 62 No. 1: Andante | — | ||
| 4-9 | Nocturne in E major, Op. 62 No. 2: Lento | — | ||
| 4-10 | Nocturne in E minor, Op. post. 72 No. 1: Andante | — | ||
| 4-11 | Nocturne in C-sharp minor, Op. post: Lento con gran espressione | — | ||
| 4-12 | Nocturne in C minor, Op. post. | — | ||
| 4-13 | Prelude in C-sharp minor, Op. 45 | — | ||
| 5-1 | Scherzo No. 1 in B minor "La banquet infernal", Op. 20 | — | ||
| 5-2 | Scherzo No. 2 in B flat minor, Op. 31 | — | ||
| 5-3 | Scherzo No. 3 in C sharp minor, Op. 39 | — | ||
| 5-4 | Scherzo No. 4 in E major, Op. 54 | — | ||
| 5-5 | Fantaisie in F minor, Op. 49 | — | ||
| 5-6 | Berceuse in D flat major, Op. 57 | — | ||
| 5-7 | Barcarolle in F sharp major, Op. 60 | — | ||
| 6-1 | Waltz in E-flat major, Op. 18 "Grande Valse brillante" | — | ||
| 6-2 | Waltz in A-flat major, Op. 34 No. 1 | — | ||
| 6-3 | Waltz in A minor, Op. 34 No. 2 | — | ||
| 6-4 | Waltz in F major, Op. 34 No. 3 | — | ||
| 6-5 | Waltz no. 5 in A-flat major, op. 42 "Grande valse" | Zoltán Kocsis | — | |
| 6-6 | Waltz No. 6 in D-flat major, Op. 64 No. 1, B. 164 "Minute" | Zoltán Kocsis | — | |
| 6-7 | Waltz no. 7 in C-sharp minor, op. 64 no. 2, B. 164 | Zoltán Kocsis | T-922.054.556-2 | |
| 6-8 | Waltz in A-flat major, Op. 64 No. 3 | — | ||
| 6-9 | Waltz in A-flat major, Op. 69 No. 1 "L'adieu" | — | ||
| 6-10 | Waltz in B minor, Op. 69 No. 2 | — | ||
| 6-11 | Waltz in G-flat major, Op. 70 No. 1 | — | ||
| 6-12 | Waltz in F minor, Op. 70 No. 2 | — | ||
| 6-13 | Waltz in D-flat major, Op. 70 No. 3 | — | ||
| 6-14 | Waltz in A-flat major, B. 21 | — | ||
| 6-15 | Waltz in E major, B. 44 | — | ||
| 6-16 | Waltz in E minor, B. 56 | — | ||
| 6-17 | Waltz in A minor, B. 150 | — | ||
| 6-18 | Waltz No. 18 in E flat, Op. posth. | Frédéric Chopin | — | |
| 6-19 | Waltz in E-flat major, B. 46 | — | ||
| 7-1 | Mazurka in F-sharp minor, Op. 6 No. 1 | — | ||
| 7-2 | Mazurka in C-sharp minor, Op. 6 No. 2 | — | ||
| 7-3 | Mazurka in E major, Op. 6 No. 3 | — | ||
| 7-4 | Mazurka in E-flat minor, Op. 6 No. 4 | — | ||
| 7-5 | Mazurka in B-flat major, Op. 7 No. 1 | — | ||
| 7-6 | Mazurka in A minor, Op. 7 No. 2 | — | ||
| 7-7 | Mazurka in F minor, Op. 7 No. 3 | — | ||
| 7-8 | Mazurka in A-flat major, Op. 7 No. 4 | — | ||
| 7-9 | Mazurka in C major, Op. 7 No. 5 | — | ||
| 7-10 | Mazurka in B-flat major, Op. 17 No. 1 | — | ||
| 7-11 | Mazurka in E minor, Op. 17 No. 2 | — | ||
| 7-12 | Mazurka in A-flat major, Op. 17 No. 3 | — | ||
| 7-13 | Mazurka in A minor, Op. 17 No. 4 | — | ||
| 7-14 | Mazurka in G minor Op. 24 No. 1 | — | ||
| 7-15 | Mazurka in C major Op. 24 No. 2 | — | ||
| 7-16 | Mazurka in A-flat major, Op. 24 No. 3 | — | ||
| 7-17 | Mazurka in B-flat minor, Op. 24 No. 4 | — | ||
| 7-18 | Mazurka in C minor Op. 30 No. 1 | — | ||
| 7-19 | Mazurka in B minor Op. 30 No. 2 | — | ||
| 7-20 | Mazurka in D-flat major Op. 30 No. 3 | — | ||
| 7-21 | Mazurka in C-sharp minor Op. 30 No. 4 | — | ||
| 7-22 | Mazurka in G-sharp minor, Op. 33 No. 1 | — | ||
| 7-23 | Mazurka in D major, Op. 33 No. 2 | — | ||
| 8-1 | Mazurka in C major, Op. 33 No. 3 | — | ||
| 8-2 | Mazurka in B minor, Op. 33 No. 4 | — | ||
| 8-3 | Mazurka in C-sharp minor, Op. 41 No. 1 | — | ||
| 8-4 | Mazurka in E minor, Op. 41 No. 2 | — | ||
| 8-5 | Mazurka in B major, Op. 41 No. 3 | — | ||
| 8-6 | Mazurka in A-flat major, Op. 41 No. 4 | — | ||
| 8-7 | Mazurka in G major, Op. 50 No. 1 | — | ||
| 8-8 | Mazurka in A-flat major, Op. 50 No. 2 | — | ||
| 8-9 | Mazurka in C-sharp minor, Op. 50 No. 3 | — | ||
| 8-10 | Mazurka in B major, Op. 56 No. 1 | — | ||
| 8-11 | Mazurka in C major, Op. 56 No. 2 | — | ||
| 8-12 | Mazurka in C minor, Op. 56 No. 3 | — | ||
| 8-13 | Mazurka in A minor, Op. 59 No. 1 | — | ||
| 8-14 | Mazurka in A-flat major, Op. 59 No. 2 | — | ||
| 8-15 | Mazurka in F-sharp minor, Op. 59 No. 3 | — | ||
| 8-16 | Mazurka No. 39 in B major, Op. 63 No. 1 | — | ||
| 8-17 | Mazurka in F minor, Op. 63 No. 2 | — | ||
| 8-18 | Mazurka in C-sharp minor, Op. 63 No. 3 | — | ||
| 8-19 | Variations for Piano & Orchestra on W.A. Mozart: Don Giovanni, K. 527: "La ci darem la mano" in B-flat major, Op. 2 | — | ||
| 9-1 | Andante spianato in G major and Grande Polonaise brillante in E-flat major, Op. 22 | — | ||
| 9-2 | Polonaise in C-sharp minor, Op. 26 No. 1: Allegro appassionato | — | ||
| 9-3 | Polonaise in E-flat minor, Op. 26 No. 2: Maestoso | — | ||
| 9-4 | Polonaise in A major, "Military", Op. 40 No. 1: Allegro con brio | — | ||
| 9-5 | Polonaise in C minor, Op. 40 No. 2: Allegro maestoso | — | ||
| 9-6 | Polonaise in F-sharp minor, Op. 44: Tempo di polacca - doppio movimento, tempo di Mazurka - Tempo I | — | ||
| 9-7 | Polonaise in A-flat major, "Héroique", Op. 53: Maestoso | — | ||
| 9-8 | Polonaise-Fantasy in A-flat major, Op. 61: Allegro maestoso | — | ||
| 10-1 | Polonaise in D minor, Op. 71 No. 1 | — | ||
| 10-2 | Polonaise in B flat major, Op. 71 No. 2 | — | ||
| 10-3 | Polonaise in F minor, Op. 71 No. 3 | — | ||
| 10-4 | Polonaise in G minor, B. 1 (KK IIa No. 1) | — | ||
| 10-5 | Polonaise in B flat major, B. 3 (KK IVa No. 1) | — | ||
| 10-6 | Polonaise in A flat major, B. 5 (KK IVa No. 2) | — | ||
| 10-7 | Polonaise in G sharp minor, B. 6 (KK IVa No. 3) | — | ||
| 10-8 | Polonaise in B flat minor, B. 13 (KK IVa No. 5) | — | ||
| 10-9 | Polonaise in G flat major, B. 36 (KK IVa No. 8) | — | ||
| 10-10 | Bourrée in G major, B. 160 No. 1 | — | ||
| 10-11 | Bourrée in A major, B. 160 No. 2 | — | ||
| 10-12 | Moderato in E major "Albumleaf", B. 151 (KK IVb No. 12) | — | ||
| 10-13 | Largo in E flat major, B. 109 (KK IVb No. 5) | — | ||
| 10-14 | Sostenuto in E-flat major, B. 133 (KK IVb No. 10) | — | ||
| 10-15 | Variation No. 6 in E major from Cycle "Hexaméron" on a Theme from the Opera "I puritani" by V. Bellini (KK IIb No. 2) | — | ||
| 10-16 | Fugue in A minor, B. 144 (KK IVc No. 2) | — | ||
| 10-17 | Canon in F minor (Fragment) (KK IVb No. 1) | — | ||
| 11-1 | Piano Sonata No. 2 in B-flat minor, Op. 35: I. Grave - Doppio movimento | — | ||
| 11-2 | Piano Sonata No. 2 in B-flat minor, Op. 35: II. Scherzo | — | ||
| 11-3 | Piano Sonata No. 2 in B-flat minor, Op. 35: III. Marche funèbre - Lento - attacca | — | ||
| 11-4 | Piano Sonata No. 2 in B-flat minor, Op. 35: IV. Finale. Presto | — | ||
| 11-5 | Piano Sonata No. 3 in B minor, Op. 58: I. Allegro maestoso | — | ||
| 11-6 | Piano Sonata No. 3 in B minor, Op. 58: II. Scherzo: Molto vivace | — | ||
| 11-7 | Piano Sonata No. 3 in B minor, Op. 58: III. Largo | — | ||
| 11-8 | Piano Sonata No. 3 in B minor, Op. 58: IV. Finale: Presto, ma non tanto | — | ||
| 11-9 | Piano Sonata No. 1 in C minor, Op. 4: I. Allegro maestoso | — | ||
| 11-10 | Piano Sonata No. 1 in C minor, Op. 4: II. Menuetto: Allegretto | — | ||
| 11-11 | Piano Sonata No. 1 in C minor, Op. 4: III. Larghetto | — | ||
| 11-12 | Piano Sonata No. 1 in C minor, Op. 4: IV. Finale: Presto | — | ||
| 11-13 | Écossaise No. 1 in D major, Op. 72 No. 3a | — | ||
| 11-14 | Écossaise No. 2 in G major, Op. 72 No. 3b | — | ||
| 11-15 | Écossaise No. 3 in D flat major, Op. 72 No. 3c | — | ||
| 12-1 | Variations brillantes on "Je vends des scapulaires" from the Opera "Ludovic" by F. Hérold and F. Halévy in B-flat major, Op. 12 | — | ||
| 12-2 | Rondo in C minor, Op. 1 | — | ||
| 12-3 | Introduction and Variations in E major on a German National Air, Op. posth. "Der Schweizerbub" | — | ||
| 12-4 | Rondo à la Mazur in F major, Op. 5 | — | ||
| 12-5 | Allegro de concert in A major, Op. 46 | — | ||
| 12-6 | Bolero in C major, Op. 19 | — | ||
| 12-7 | Introduction in C minor and Rondo in E flat major, Op. 16 | — | ||
| 12-8 | Tarantella in A-flat major, Op. 43 | — | ||
| 12-9 | "Souvenir de Paganini" Variations in A major, Op. posth. | — | ||
| 13-1 | Mazurka In A minor Op. posth. "Notre Temps": Allegro | — | ||
| 13-2 | Mazurka No. 42 in G major, Op. 67 No. 1: Vivace | — | ||
| 13-3 | Mazurka No. 43 in G minor, Op. 67 No. 2: Cantabile | — | ||
| 13-4 | Mazurka No. 44 in C major, Op. 67 No. 3: Allegretto | — | ||
| 13-5 | Mazurka No. 45 in A minor, Op. 67 No. 4: Moderato animato | — | ||
| 13-6 | Mazurka No. 46 in C major, Op. 68 No. 1: Vivace | — | ||
| 13-7 | Mazurka No. 47 in A minor, Op. 68 No. 2: Lento | — | ||
| 13-8 | Mazurka No. 48 in F major, Op. 68 No. 3: Allegro ma non troppo | — | ||
| 13-9 | Mazurka No. 49 in F minor, Op. 68 No. 4: Andantino | — | ||
| 13-10 | Mazurka No. 52: Con anima | — | ||
| 13-11 | Mazurka No. 53: Allegro non troppo | — | ||
| 13-12 | Mazurka No. 54: Allegro non troppo | — | ||
| 13-13 | Mazurka No. 55: Allegro non troppo | — | ||
| 13-14 | Mazurka No. 56: Allegretto | — | ||
| 13-15 | Mazurka No. 57: Vivace | — | ||
| 13-16 | Mazurka No. 58: (Poco mosso) | — | ||
| 13-17 | Valse à Mlle Elise Gavard, Op. posth. 70 No. 2 (BI 87)(Original version) | — | ||
| 13-20 | Marche funèbre in C minor, Op. posth. 72 No. 2 (after Oxford edition) | — | ||
| 13-21 | Cantabile in B flat major, B. 84 | — | ||
| 13-22 | Prélude "A mon ami P. Wolff" (Paris 10 Juillet 1834): Presto con leggierezza | — | ||
| 14-1 | Życzenie, Op. 74 No. 1 (maidens wish) | — | ||
| 14-2 | Wiosna, Op. 74 No. 2 (spring) | — | ||
| 14-3 | Smutna rzeka, Op. 74 No. 3 (the sad stream) | — | ||
| 14-4 | Hulanka, Op. 74 No. 4 (drinking song) | — | ||
| 14-5 | Gdzie lubi, Op. 74 No. 5 (there where she loves) | — | ||
| 14-6 | Precz z moich oczu, Op. 74 No. 6 (out of my sight) | — | ||
| 14-7 | Poseł, Op. 74 No. 7 (the messenger) | — | ||
| 14-8 | Śliczny chłopiec, Op. 74 No. 8 (handsome lad) | — | ||
| 14-9 | Melodia, Op. 74 No. 9 (elegy) | — | ||
| 14-10 | Wojak, Op. 74 No. 10 (the warrior) | — | ||
| 14-11 | Dwojaki koniec, Op. 74 No. 11 (the two corpses) | — | ||
| 14-12 | Moja pieszczotka, Op. 74 No. 12 (my darling) | — | ||
| 14-13 | Nie ma czego trzeba, Op. 74 No. 13 (faded and vanished) | — | ||
| 14-14 | Pierścień, Op. 74 No. 14 (the ring) | — | ||
| 14-15 | Narzeczony, Op. 74 No. 15 (the bridegroom) | — | ||
| 14-16 | Piosnka litewska, Op. 74 No. 16 (lithuanian song) | — | ||
| 14-17 | Śpiew z mogiły, Op. 74 No. 17 (leaves are falling) | — | ||
| 14-18 | Czary, B. 51 (witchcraft) | — | ||
| 14-19 | Dumka, B. 132 (reverie) | — | ||
| 15-1 | Cello Sonata in G minor, Op. 65: I. Allegro moderato | — | ||
| 15-2 | Cello Sonata in G minor, Op. 65: II. Scherzo: Allegro con brio | — | ||
| 15-3 | Cello Sonata in G minor, Op. 65: III. Largo | — | ||
| 15-4 | Cello Sonata in G minor, Op. 65: IV. Finale: Allegro | — | ||
| 15-5 | Grand Duo on Themes from Robert Le Diable, for cello and piano, Op.posth.B.70 (KK IIb No. 1) | — | ||
| 15-6 | Introduction and Polonaise brillante in C major, Op. 3 | — | ||
| 15-7 | Piano Trio in G minor, Op. 8: I. Allegro con fuoco | — | ||
| 15-8 | Piano Trio in G minor, Op. 8: II. Scherzo: Con moto ma non troppo | — | ||
| 15-9 | Piano Trio in G minor, Op. 8: III. Adagio sostenuto | — | ||
| 15-10 | Piano Trio in G minor, Op. 8: IV. Allegretto | — | ||
| 16-1 | Prélude in C major, Op. 28 No. 1: Agitato | — | ||
| 16-2 | Prélude in A minor, Op. 28 No. 2: Lento | — | ||
| 16-3 | Prélude in G major, Op. 28 No. 3: Vivace | — | ||
| 16-4 | Prélude in E minor, Op. 28 No. 4: Largo | — | ||
| 16-5 | Prélude in D major, Op. 28 No. 5: Molto allegro | — | ||
| 16-6 | Prélude in B minor, Op. 28 No. 6: Lento assai | — | ||
| 16-7 | Prélude in A major, Op. 28 No. 7: Andantino | — | ||
| 16-8 | Prélude in F-sharp minor, Op. 28 No. 8: Molto agitato | — | ||
| 16-9 | Prélude in E major, Op. 28 No. 9: Largo | — | ||
| 16-10 | Prélude in C-sharp minor, Op. 28 No. 10: Molto allegro | — | ||
| 16-11 | Prélude in B major, Op. 28 No. 11: Vivace | — | ||
| 16-12 | Prélude in G-sharp minor, Op. 28 No. 12: Presto | — | ||
| 16-13 | Prélude in F-sharp major, Op. 28 No. 13: Lento | — | ||
| 16-14 | Prélude in E-flat minor, Op. 28 No. 14: Allegro | — | ||
| 16-15 | Prélude in D-flat major, Op. 28 No. 15 "Raindrop": Sostenuto | — | ||
| 16-16 | Prélude in B-flat minor, Op. 28 No. 16: Presto con fuoco | — | ||
| 16-17 | Prélude in A-flat major, Op. 28 No. 17: Allegretto | — | ||
| 16-18 | Prélude in F minor, Op. 28 No. 18: Molto allegro | — | ||
| 16-19 | Prélude in E-flat major, Op. 28 No. 19: Vivace | — | ||
| 16-20 | Prélude in C minor, Op. 28 No. 20: Largo | — | ||
| 16-21 | Prélude in B-flat major, Op. 28 No. 21: Cantabile | — | ||
| 16-22 | Prélude in G minor, Op. 28 No. 22: Molto agitato | — | ||
| 16-23 | Prélude in F major, Op. 28 No. 23: Moderato | — | ||
| 16-24 | Prélude in D minor, Op. 28 No. 24: Allegro appassionato | — | ||
| 16-25 | Fantasy on Polish Airs in A | Misha Dichter, Philharmonia Orchestra, Neville Marriner | — | |
| 16-26 | Krakowiak, Concerto Rondo in F, op. 14 | Bella Davidovich, London Symphony Orchestra, Sir Neville Marriner | — | |
| 17-1 | Concerto for Piano and Orchestra No. 1 in E minor, Op. 11: I. Allegro maestoso | — | ||
| 17-2 | Concerto for Piano and Orchestra No. 1 in E minor, Op. 11: II. Romance. Larghetto | — | ||
| 17-3 | Concerto for Piano and Orchestra No. 1 in E minor, Op. 11: III. Rondo. Vivace | — | ||
| 17-4 | Concerto for Piano and Orchestra No. 2 in F minor, Op. 21: I. Maestoso | — | ||
| 17-5 | Concerto for Piano and Orchestra No. 2 in F minor, Op. 21: II. Larghetto | — | ||
| 17-6 | Concerto for Piano and Orchestra No. 2 in F minor, Op. 21: III. Allegro vivace | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Impromptu no. 4 in C-sharp minor, op. 66 "Fantasie-Impromptu" | Bella Davidovich | — |
