UPC · Release
Complete Works
Ludwig van Beethoven
5028421935256
28 tracksReleased 2007-01-01Brilliant Classics
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5028421935256 is the Universal Product Code (UPC barcode) for the release “Complete Works” by Ludwig van Beethoven, released 2007-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 28 tracks, each with its own ISRC. Tracks include GBCRW9955101, GBCRW9955102, GBCRW9955103.
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8421Company prefix
93525Product
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Credit Chain
UPCComplete Works
ISRC28 recordings
ISWC4 works
IPI1 songwriter
Track List (28)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 16-1 | March and Trio in F major for wind ensemble, WoO 18 "For the Bohemian Ward" | Ottetto Italiano | — | |
| 16-2 | March and Trio in C major for wind ensemble, WoO 20 "Zapfenstreich" | Ottetto Italiano | — | |
| 16-3 | March and Trio in F major for military band, WoO 19 | Ottetto Italiano | — | |
| 16-4 | Polonaise in D major for military band, WoO 21 | Ottetto Italiano | — | |
| 16-5 | Ecossaise in D major for military band, WoO 22 | Ottetto Italiano | — | |
| 16-6 | March for 2 clarinets, 2 horns and 2 bassoons in B-flat major, WoO 29 | Ottetto Italiano | — | |
| 16-7 | Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: I. Allegro | Ottetto Italiano | — | |
| 16-8 | Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: II. Adagio maestoso | Ottetto Italiano | — | |
| 16-9 | Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: III. Minuetto | Ottetto Italiano | — | |
| 16-10 | Adagio for 3 horns in F major | Ottetto Italiano | — | |
| 16-11 | Equale for 4 trombones, WoO 30: I. Andante | Ottetto Italiano | — | |
| 16-12 | Equale for 4 trombones, WoO 30: II. Poco adagio | Ottetto Italiano | — | |
| 16-13 | Equale for 4 trombones, WoO 30: III. Poco sostenuto | Ottetto Italiano | — | |
| 16-14 | Trio for 2 oboes and english horn in C major, Op. 87: I. Allegro | Ottetto Italiano | — | |
| 16-15 | Trio for 2 oboes and english horn in C major, Op. 87: II. Adagio | Ottetto Italiano | — | |
| 16-16 | Trio for 2 oboes and english horn in C major, Op. 87: III. Minuetto | Ottetto Italiano | — | |
| 16-17 | Trio for 2 oboes and english horn in C major, Op. 87: IV. Finale | Ottetto Italiano | — | |
| 16-18 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: I. Theme | Ottetto Italiano | — | |
| 16-19 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: II. Var1 | Ottetto Italiano | — | |
| 16-20 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: III. Var 2 | Ottetto Italiano | — | |
| 16-21 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IV. Var 3 | Ottetto Italiano | — | |
| 16-22 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: V. Var 4 & 5 | Ottetto Italiano | — | |
| 16-23 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VI. Var 6 | Ottetto Italiano | — | |
| 16-24 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VII. Var 7 | Ottetto Italiano | — | |
| 16-25 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VIII. Var 8 | Ottetto Italiano | — | |
| 16-26 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IX. Coda | Ottetto Italiano | — | |
| 16-27 | Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio | Ottetto Italiano | — | |
| 16-28 | Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto | Ottetto Italiano | — |
March and Trio in F major for wind ensemble, WoO 18 "For the Bohemian Ward"
Ottetto Italiano
—
March and Trio in C major for wind ensemble, WoO 20 "Zapfenstreich"
Ottetto Italiano
—
March and Trio in F major for military band, WoO 19
Ottetto Italiano
—
Polonaise in D major for military band, WoO 21
Ottetto Italiano
—
Ecossaise in D major for military band, WoO 22
Ottetto Italiano
—
March for 2 clarinets, 2 horns and 2 bassoons in B-flat major, WoO 29
Ottetto Italiano
—
Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: I. Allegro
Ottetto Italiano
—
Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: II. Adagio maestoso
Ottetto Italiano
—
Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: III. Minuetto
Ottetto Italiano
—
Adagio for 3 horns in F major
Ottetto Italiano
—
Equale for 4 trombones, WoO 30: I. Andante
Ottetto Italiano
—
Equale for 4 trombones, WoO 30: II. Poco adagio
Ottetto Italiano
—
Equale for 4 trombones, WoO 30: III. Poco sostenuto
Ottetto Italiano
—
Trio for 2 oboes and english horn in C major, Op. 87: I. Allegro
Ottetto Italiano
—
Trio for 2 oboes and english horn in C major, Op. 87: II. Adagio
Ottetto Italiano
—
Trio for 2 oboes and english horn in C major, Op. 87: III. Minuetto
Ottetto Italiano
—
Trio for 2 oboes and english horn in C major, Op. 87: IV. Finale
Ottetto Italiano
—
Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: I. Theme
Ottetto Italiano
—
Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: II. Var1
Ottetto Italiano
—
Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: III. Var 2
Ottetto Italiano
—
Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IV. Var 3
Ottetto Italiano
—
Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: V. Var 4 & 5
Ottetto Italiano
—
Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VI. Var 6
Ottetto Italiano
—
Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VII. Var 7
Ottetto Italiano
—
Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VIII. Var 8
Ottetto Italiano
—
Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IX. Coda
Ottetto Italiano
—
Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio
Ottetto Italiano
—
Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto
Ottetto Italiano
—
Additional database matches (67)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: I. Allegro con brio | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — |
| Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: II. Largo | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — |
| Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: III. Rondo. Allegro | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — |
| Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Allegro moderato | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — |
| Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Andante con moto | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — |
| Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Rondo. Vivace | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — |
| Symphony no. 5 in C minor, op. 67 “Fate”: I. Allegro con brio | Gewandhausorchester Leipzig, Kurt Masur | — |
| Symphony no. 5 in C minor, op. 67 “Fate”: II. Andante con moto | Gewandhausorchester Leipzig, Kurt Masur | — |
| Symphony no. 5 in C minor, op. 67 “Fate”: IV. Allegro | Gewandhausorchester Leipzig, Kurt Masur | — |
| Symphony no. 5 in C minor, op. 67 “Fate”: III. Scherzo. Allegro | Gewandhausorchester Leipzig, Kurt Masur | T3125423812 |
| Symphony no. 6 in F major, op. 68 “Pastorale”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Gewandhausorchester Leipzig, Kurt Masur | — |
| Symphony no. 6 in F major, op. 68 “Pastorale”: II. Szene am Bach: Andante molto mosso | Gewandhausorchester Leipzig, Kurt Masur | — |
| Symphony no. 6 in F major, op. 68 “Pastorale”: III. Lustiges Zusammensein der Landleute: Allegro | Gewandhausorchester Leipzig, Kurt Masur | — |
| Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Gewitter, Sturm: Allegro | Gewandhausorchester Leipzig, Kurt Masur | — |
| Symphony no. 6 in F major, op. 68 “Pastorale”: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto | Gewandhausorchester Leipzig, Kurt Masur | — |
| Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Gewandhausorchester Leipzig, Kurt Masur | — |
| Symphony no. 7 in A major, op. 92: II. Allegretto | Gewandhausorchester Leipzig, Kurt Masur | T0714818275 |
| Symphony no. 7 in A major, op. 92: III. Presto | Gewandhausorchester Leipzig, Kurt Masur | T9157107501 |
| Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Gewandhausorchester Leipzig, Kurt Masur | — |
| Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Gewandhausorchester Leipzig, Kurt Masur | — |
| Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Gewandhausorchester Leipzig, Kurt Masur | T9098217993 |
| Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Gewandhausorchester Leipzig, Kurt Masur | T9098217993 |
| Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Gewandhausorchester Leipzig, Kurt Masur | T9098217993 |
| Leonore, Hess 109: Overture "Leonore II" | Staatskapelle Dresden, Herbert Blomstedt | T9095743785 |
| Leonore: Act I. "Fidelio kommt nicht zurück!" (Marzelline) | Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. No. 1 Aria "O wär'ich schon mit dir vereint" (Marzelline) | Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. "Wenn ich diese Tür nicht" (Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. No. 2 Duet "Jetzt, Schätzchen" (Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. "Höre, Jaquino" (Marzelline, Jaquino, Rocco) | Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. No. 3 Trio "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. "Ist Fidelio noch nich nach Hause gekommen?" (Rocco, Marzelline, Jaquino, Leonore) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. No. 4 Canon "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. "Höre, Fidelio" (Rocco, Marzelline, Leonore) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. No. 5 Aria "Hat man nich auch Gold beineben" (Rocco) | Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline) | Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. No. 6 Trio "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline) | Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. No. 7 March | Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. "Drei Schildwachten auf den Wall" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco) | Theo Adam, MDR Rundfunkchor Leipzig, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. "Rocco!" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. No. 9 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. "Nun ist es endlich entschieden" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. No. 10 Duet "Im in der Ehe froh zu leben" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. "Sie doch, wie du so schnell" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. No. 11 Recitative and Aria "Ach, brich noch nicht" (Leonore) | Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. No. 12 Finale "O welche Lust!" (Chorus of the Prisoners) | Richard Cassilly, Reiner Goldberg, Siegfried Lorenz, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. "Entfernt euch jetzt!" (Rocco, Leonore) | Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore, Marzelline, Pizarro) | Theo Adam, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. "Auf euch nur will ich bauen" (Pizarro, Chorus) | Theo Adam, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. No. 13 Recitative and Aria "Gott! Welch dunkel hier!" (Florestan) | Richard Cassilly, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. No. 14 Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco) | Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. "Er erwacht!" (Leonore, Rocco, Florestan) | Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. No. 15 Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) | Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. "Alles ist bereit" (Rocco, Leonore, Pizarro) | Theo Adam, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. No. 16 Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) | Theo Adam, Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. "Die Waffe hab'ich mir" (Leonore) | Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. No. 17 Recitative and Duet "Ich kann mich noch nicht fassen" (Florestan, Leonore) | Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. "O Leonore, sprich!" (Florestan, Leonore) | Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. No. 18 Finale "Zur Rache" (Chorus, Leonore, Florestan, Rocco, Don Fernando) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. "O Gott! O welch ein Augenblick!" (Leonore, Marzelline, Florestan, Don Fernando, Rocco, Chorus) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. "Wie lange habt Ihr sie getragen?" (Don Fernando, Florestan, Rocco, Chorus, Leonore, Marzelline, Jaquino) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. "Preist mit hoher Freude Glut" (Chorus) | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. "Wer ein solches Weib errungen" (Florestan, Marzelline, Jaquino, Rocco, Don Fernando, Chorus) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Gratulationsmenuett, WoO 3 | Minnesota Orchestra, Stanisław Skrowaczewski | — |
| Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): I. Allegro moderato | Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte | — |
| Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): II. Larghetto | Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte | — |
| Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): III. Rondo. Allegretto (cadenza: Willy Hess) | Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte | — |
Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: I. Allegro con brio
Friedrich Gulda, Wiener Philharmoniker, Horst Stein
—
Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: II. Largo
Friedrich Gulda, Wiener Philharmoniker, Horst Stein
—
Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: III. Rondo. Allegro
Friedrich Gulda, Wiener Philharmoniker, Horst Stein
—
Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Allegro moderato
Friedrich Gulda, Wiener Philharmoniker, Horst Stein
—
Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Andante con moto
Friedrich Gulda, Wiener Philharmoniker, Horst Stein
—
Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Rondo. Vivace
Friedrich Gulda, Wiener Philharmoniker, Horst Stein
—
Symphony no. 5 in C minor, op. 67 “Fate”: I. Allegro con brio
Gewandhausorchester Leipzig, Kurt Masur
—
Symphony no. 5 in C minor, op. 67 “Fate”: II. Andante con moto
Gewandhausorchester Leipzig, Kurt Masur
—
Symphony no. 5 in C minor, op. 67 “Fate”: IV. Allegro
Gewandhausorchester Leipzig, Kurt Masur
—
Gewandhausorchester Leipzig, Kurt Masur
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo
Gewandhausorchester Leipzig, Kurt Masur
—
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Szene am Bach: Andante molto mosso
Gewandhausorchester Leipzig, Kurt Masur
—
Symphony no. 6 in F major, op. 68 “Pastorale”: III. Lustiges Zusammensein der Landleute: Allegro
Gewandhausorchester Leipzig, Kurt Masur
—
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Gewitter, Sturm: Allegro
Gewandhausorchester Leipzig, Kurt Masur
—
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto
Gewandhausorchester Leipzig, Kurt Masur
—
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace
Gewandhausorchester Leipzig, Kurt Masur
—
Gewandhausorchester Leipzig, Kurt Masur
Gewandhausorchester Leipzig, Kurt Masur
Symphony no. 7 in A major, op. 92: IV. Allegro con brio
Gewandhausorchester Leipzig, Kurt Masur
—
Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio
Gewandhausorchester Leipzig, Kurt Masur
—
Gewandhausorchester Leipzig, Kurt Masur
Gewandhausorchester Leipzig, Kurt Masur
Gewandhausorchester Leipzig, Kurt Masur
Staatskapelle Dresden, Herbert Blomstedt
Leonore: Act I. "Fidelio kommt nicht zurück!" (Marzelline)
Helen Donath, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act I. No. 1 Aria "O wär'ich schon mit dir vereint" (Marzelline)
Helen Donath, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act I. "Wenn ich diese Tür nicht" (Jaquino, Marzelline)
Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act I. No. 2 Duet "Jetzt, Schätzchen" (Jaquino, Marzelline)
Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act I. "Höre, Jaquino" (Marzelline, Jaquino, Rocco)
Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act I. No. 3 Trio "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline)
Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act I. "Ist Fidelio noch nich nach Hause gekommen?" (Rocco, Marzelline, Jaquino, Leonore)
Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act I. No. 4 Canon "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act I. "Höre, Fidelio" (Rocco, Marzelline, Leonore)
Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act I. No. 5 Aria "Hat man nich auch Gold beineben" (Rocco)
Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline)
Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act I. No. 6 Trio "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline)
Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act II. No. 7 March
Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act II. "Drei Schildwachten auf den Wall" (Pizarro, Rocco)
Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco)
Theo Adam, MDR Rundfunkchor Leipzig, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act II. "Rocco!" (Pizarro, Rocco)
Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act II. No. 9 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)
Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act II. "Nun ist es endlich entschieden" (Marzelline, Leonore)
Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act II. No. 10 Duet "Im in der Ehe froh zu leben" (Marzelline, Leonore)
Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act II. "Sie doch, wie du so schnell" (Marzelline, Leonore)
Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act II. No. 11 Recitative and Aria "Ach, brich noch nicht" (Leonore)
Edda Moser, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act II. No. 12 Finale "O welche Lust!" (Chorus of the Prisoners)
Richard Cassilly, Reiner Goldberg, Siegfried Lorenz, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act II. "Entfernt euch jetzt!" (Rocco, Leonore)
Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act II. "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore, Marzelline, Pizarro)
Theo Adam, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act II. "Auf euch nur will ich bauen" (Pizarro, Chorus)
Theo Adam, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act III. No. 13 Recitative and Aria "Gott! Welch dunkel hier!" (Florestan)
Richard Cassilly, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act III. No. 14 Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco)
Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act III. "Er erwacht!" (Leonore, Rocco, Florestan)
Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act III. No. 15 Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)
Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act III. "Alles ist bereit" (Rocco, Leonore, Pizarro)
Theo Adam, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act III. No. 16 Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco)
Theo Adam, Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act III. "Die Waffe hab'ich mir" (Leonore)
Edda Moser, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act III. No. 17 Recitative and Duet "Ich kann mich noch nicht fassen" (Florestan, Leonore)
Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act III. "O Leonore, sprich!" (Florestan, Leonore)
Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act III. No. 18 Finale "Zur Rache" (Chorus, Leonore, Florestan, Rocco, Don Fernando)
Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act III. "O Gott! O welch ein Augenblick!" (Leonore, Marzelline, Florestan, Don Fernando, Rocco, Chorus)
Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act III. "Wie lange habt Ihr sie getragen?" (Don Fernando, Florestan, Rocco, Chorus, Leonore, Marzelline, Jaquino)
Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act III. "Preist mit hoher Freude Glut" (Chorus)
MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act III. "Wer ein solches Weib errungen" (Florestan, Marzelline, Jaquino, Rocco, Don Fernando, Chorus)
Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Gratulationsmenuett, WoO 3
Minnesota Orchestra, Stanisław Skrowaczewski
—
Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): I. Allegro moderato
Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte
—
Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): II. Larghetto
Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte
—
Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): III. Rondo. Allegretto (cadenza: Willy Hess)
Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000000133912X000000004544839500000000463113580000000046311438000000004655985500000000473670030000000050859228000000005102062700000000510553790000000051185579
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000000005393553X0000000053979997000000005405017800000000551299370000000055153689000000005518666700000000552061110000000055241902000000005525456X0000000055458984000000005549765X0000000055525227000000005557841700000000573417550000000058312534000000005880575000000000593495740000000059367887000000006301682800000000630370200000000063087618000000006309447100000000632526010000000072463435000000007248256400000000725640250000000072564367000000007315506300000000782673710000000078364606000000007839110200000000783972560000000078440082000000007853601700000000787314530000000079940193000000008005552X000000008014606900000000808699610000000080993372
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What is UPC 5028421935256?
5028421935256 is a Universal Product Code (UPC) assigned to Complete Works by Ludwig van Beethoven. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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