Complete Works

Symphony no. 8 in F major, op. 93: III. Tempo di menuetto

Gewandhausorchester Leipzig, Kurt Masur

Symphony no. 8 in F major, op. 93: IV. Allegro vivace

Gewandhausorchester Leipzig, Kurt Masur

Symphony no. 5 in C minor, op. 67 “Fate”: III. Scherzo. Allegro

Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace

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Symphony No. 4 in B-flat major, Op. 60: II. Adagio

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Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace

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Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo

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Symphony no. 5 in C minor, op. 67 “Fate”: I. Allegro con brio

Gewandhausorchester Leipzig, Kurt Masur

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Symphony no. 5 in C minor, op. 67 “Fate”: II. Andante con moto

Gewandhausorchester Leipzig, Kurt Masur

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Gewandhausorchester Leipzig, Kurt Masur

T-312.542.381-2

Symphony no. 5 in C minor, op. 67 “Fate”: IV. Allegro

Gewandhausorchester Leipzig, Kurt Masur

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Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso

Orchester der Bayreuther Festspiele, Wilhelm Furtwängler

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Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto

Orchester der Bayreuther Festspiele, Wilhelm Furtwängler

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Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante Moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo

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Symphony No. 9 in D minor, Op. 125 "Choral": IVa. Recitative. (Presto - Allegro ma non troppo - Vivace - Adagio cantabile - Allegro assai - Presto "O Freunde")

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Symphony No. 9 in D minor, Op. 125 "Choral": IVb. Allegro assai "Freude, schöner Götterfunken, Seid umschlungen, Millionen! und Ihr, stürzt nieder" - Allegro energico, sempre ben marcato - Allegro ma non tanto "Freude, Tochter aus Elysium!"

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Concerto for Piano and Orchestra No. 1 in C major, Op. 15: I. Allegro con brio (cadenza: Ludwig van Beethoven)

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Concerto for Piano and Orchestra No. 1 in C major, Op. 15: II. Largo

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Concerto for Piano and Orchestra No. 1 in C major, Op. 15: III. Rondo. Allegro

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Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: I. Allegro con brio

Friedrich Gulda, Wiener Philharmoniker, Horst Stein

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Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: II. Largo

Friedrich Gulda, Wiener Philharmoniker, Horst Stein

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Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: III. Rondo. Allegro

Friedrich Gulda, Wiener Philharmoniker, Horst Stein

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Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: I. Allegro con brio (cadenza: Ludwig van Beethoven)

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Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: II. Adagio

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Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro

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Concerto for Piano and Orchestra in D major, Op. 61a: I. Allegro ma non troppo

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Concerto for Piano and Orchestra in D major, Op. 61a: II. Larghetto

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Concerto for Piano and Orchestra in D major, Op. 61a: III. Rondo. Allegro (cadenza: Ludwig van Beethoven)

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Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Allegro moderato

Friedrich Gulda, Wiener Philharmoniker, Horst Stein

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Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Andante con moto

Friedrich Gulda, Wiener Philharmoniker, Horst Stein

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Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Rondo. Vivace

Friedrich Gulda, Wiener Philharmoniker, Horst Stein

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Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro

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Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso

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Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro

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Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo (cadenza: Fritz Kreisler)

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Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto

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Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro (cadenza: Fritz Kreisler)

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Romance for Violin and Orchestra No. 1 in G major, Op. 40: Andante

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Romance for Violin and Orchestra No. 2 in F major, Op. 50: Adagio cantabile

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Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": I. Allegro

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Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo

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Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": III. Rondo alla Polacca

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Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): I. Allegro moderato

Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte

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Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): II. Larghetto

Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte

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Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): III. Rondo. Allegretto (cadenza: Willy Hess)

Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte

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Rondo for Piano and Orchestra in B-flat major, WoO 6. Allegro (cadenza: Carl Czerny)

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Leonore Overture No. 1, Op. 138

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Leonore Overture No. 2, Op. 72

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Leonore Overture No. 3, Op. 72a

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Fidelio Overture, Op. 72b

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Funeral March from Leonore Prohaska, WoO 96

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Die Weihe des Hauses: Overture, Op. 124

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Die Weihe des Hauses: Chorus with soprano solo, WoO98 ''Wo sich die Pulse''

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Coriolan, Op. 62: Overture

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Wellington's Victory or the Battle of Vittoria, Op. 91: Schlacht (Battle)

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Wellington's Victory or the Battle of Vittoria, Op. 91: Sieges-Symphonie (Symphony of Triumph)

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Namensfeier Overture, Op. 115

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Gratulationsmenuett, WoO 3

Minnesota Orchestra, Stanisław Skrowaczewski

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Triumphal March from Tarpeja, WoO 2

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Fugue for Organ in D major, WoO 31

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Stücke für Flötenuhr, WoO 33: Allegro non più molto

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Stücke für Flötenuhr, WoO 33: Allegretto

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Stücke für Flötenuhr, WoO 33: Adagio assai

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Stücke für Flötenuhr, WoO 33: Scherzo. Allegro

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Stücke für Flötenuhr, WoO 33: Allegro

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Grenadiermarsch, Hess 107

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12 Contredanses for Small Orchestra WoO 14 No. 1 in C major

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12 Contredanses for Small Orchestra WoO 14 No. 2 in A major

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12 Contredanses for Small Orchestra WoO 14 No. 3 in D major

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12 Contredanses for Small Orchestra WoO 14 No. 4 in B-flat major

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12 Contredanses for Small Orchestra WoO 14 No. 5 in E-flat major

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12 Contredanses for Small Orchestra WoO 14 No. 6 in C major

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12 Contredanses for Small Orchestra WoO 14 No. 7 in E-flat major

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12 Contredanses for Small Orchestra WoO 14 No. 8 in C major

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12 Contredanses for Small Orchestra WoO 14 No. 9 in A major

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12 Contredanses for Small Orchestra WoO 14 No. 10 in C major

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12 Contredanses for Small Orchestra WoO 14 No. 11 in G major

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Contredanses for Small Orchestra WoO 14 No. 12 in E-flat major

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6 Minuets for Two Violins and Violoncello WoO 9 No. 1 in E-flat major

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6 Minuets for Two Violins and Violoncello WoO 9 No. 2 in G major

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6 Minuets for Two Violins and Violoncello WoO 9 No. 3 in C major

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6 Minuets for Two Violins and Violoncello WoO 9 No. 4 in F major

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6 Minuets for Two Violins and Violoncello WoO 9 No. 5 in D major

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6 Minuets for Two Violins and Violoncello WoO 9 No. 6 in G major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 1: Waltz in E-flat major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 2: Minuet in B-flat major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 3: Waltz in B-flat major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 4: Minuet in E-flat major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 5: Minuet in E-flat major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 6: Ländler in E-flat major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 7: Minuet in B-flat major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 8: Ländler in B-flat major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 9: Minuet in G major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 10: Waltz in D major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 11: Waltz in D major

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Six Ländler for 2 Violins and Bass, WoO 15 No. 1 in D major

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Six Ländler for 2 Violins and Bass, WoO 15 No. 2 in D major

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Six Ländler for 2 Violins and Bass, WoO 15 No. 3 in D major

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Six Ländler for 2 Violins and Bass, WoO 15 No. 4 in D minor

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Six Ländler for 2 Violins and Bass, WoO 15 No. 5 in D major

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Six Ländler for 2 Violins and Bass, WoO 15 No. 6 in D major

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12 German Dances for Orchestra WoO 8 No. 1 in C major

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12 German Dances for Orchestra WoO 8 No. 2 in A major

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12 German Dances for Orchestra WoO 8 No. 3 in F major

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12 German Dances for Orchestra WoO 8 No. 4 in B-flat major

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12 German Dances for Orchestra WoO 8 No. 5 in E-flat major

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12 German Dances for Orchestra WoO 8 No. 6 in G major

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12 German Dances for Orchestra WoO 8 No. 7 in C major

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12 German Dances for Orchestra WoO 8 No. 8 in A major

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12 German Dances for Orchestra WoO 8 No. 9 in F major

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12 German Dances for Orchestra WoO 8 No. 10 in D major

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12 German Dances for Orchestra WoO 8 No. 11 in G major

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12 German Dances for Orchestra WoO 8 No. 12 in C major

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12 Menuets for Orchestra WoO 7 No. 1 in D major

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12 Menuets for Orchestra WoO 7 No. 2 in B-flat major

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12 Menuets for Orchestra WoO 7 No. 3 G major

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12 Menuets for Orchestra WoO 7 No. 4 in E-flat major

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12 Menuets for Orchestra WoO 7 No. 5 in C major

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12 Menuets for Orchestra WoO 7 No. 6 in A major

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12 Menuets for Orchestra WoO 7 No. 7 in D major

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12 Menuets for Orchestra WoO 7 No. 8 in B-flat major

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12 Menuets for Orchestra WoO 7 No. 9 in G major

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12 Menuets for Orchestra WoO 7 No. 10 in E-flat major

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12 Menuets for Orchestra WoO 7 No. 11 in C major

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12 Menuets for Orchestra WoO 7 No. 12 in F major

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Military March in D major WoO 24

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6 Menuets for Orchestra WoO 10 No. 1 in C major

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6 Menuets for Orchestra WoO 10 No. 2 in G major

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6 Menuets for Orchestra WoO 10 No. 3 in E-flat major

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6 Menuets for Orchestra WoO 10 No. 4 in B-flat major

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6 Menuets for Orchestra WoO 10 No. 5 in D major

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6 Menuets for Orchestra WoO 10 No. 6 in C major

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6 Deutsche Tänze WoO 42

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6 Ecossaises in E-flat major WoO 83 No. 1

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6 Ecossaises in E-flat major WoO 83 No. 2

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6 Ecossaises in E-flat major WoO 83 No. 3

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6 Ecossaises in E-flat major WoO 83 No. 4

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6 Ecossaises in E-flat major WoO 83 No. 5

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6 Ecossaises in E-flat major WoO 83 No. 6

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Ecossaise in G major WoO 23

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7 Ländler in D major WoO 11 No. 1

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7 Ländler in D major WoO 11 No. 2

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7 Ländler in D major WoO 11 No. 3

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7 Ländler in D major WoO 11 No. 4

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7 Ländler in D major WoO 11 No. 5

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7 Ländler in D major WoO 11 No. 6

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7 Ländler in D major WoO 11 No. 7

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12 Deutsche Tänze WoO 13 No. 1 in D major

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12 Deutsche Tänze WoO 13 No. 2 in B-flat major

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12 Deutsche Tänze WoO 13 No. 3 in G major

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12 Deutsche Tänze WoO 13 No. 4 in D major

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12 Deutsche Tänze WoO 13 No. 5 in F major

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12 Deutsche Tänze WoO 13 No. 6 in B-flat major

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12 Deutsche Tänze WoO 13 No. 7 in D major

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12 Deutsche Tänze WoO 13 No. 8 in G major

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12 Deutsche Tänze WoO 13 No. 9 in E-flat major

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12 Deutsche Tänze WoO 13 No. 10 in C major

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12 Deutsche Tänze WoO 13 No. 11 in A major

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12 Deutsche Tänze WoO 13 No. 12 in D major

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Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: I. Allegro

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Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: II. Andante

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Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: III. Menuetto

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Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: IV. Finale. Presto

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Rondino for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, WoO 25

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Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: I. Adagio – Allegro

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Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: II. Adagio

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Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: III. Menuetto. Quasi allegretto

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Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: IV. Rondo. Allegro

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3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: I. Allegro comodo

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3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: II. Larghetto sostenuto

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3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: III. Rondo. Allegretto

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3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: I. Allegro affettuoso

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3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: II. Aria. Larghetto

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3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: III. Rondo. allegretto moderato

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3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: I. Allegro sostenuto

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3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: II. Aria con variazioni

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3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: III. Allegro assai

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March and Trio in F major for wind ensemble, WoO 18 "For the Bohemian Ward"

Ottetto Italiano

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March and Trio in C major for wind ensemble, WoO 20 "Zapfenstreich"

Ottetto Italiano

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March and Trio in F major for military band, WoO 19

Ottetto Italiano

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Polonaise in D major for military band, WoO 21

Ottetto Italiano

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Ecossaise in D major for military band, WoO 22

Ottetto Italiano

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March for 2 clarinets, 2 horns and 2 bassoons in B-flat major, WoO 29

Ottetto Italiano

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Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: I. Allegro

Ottetto Italiano

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Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: II. Adagio maestoso

Ottetto Italiano

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Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: III. Minuetto

Ottetto Italiano

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Adagio for 3 horns in F major

Ottetto Italiano

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Equale for 4 trombones, WoO 30: I. Andante

Ottetto Italiano

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Equale for 4 trombones, WoO 30: II. Poco adagio

Ottetto Italiano

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Equale for 4 trombones, WoO 30: III. Poco sostenuto

Ottetto Italiano

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Trio for 2 oboes and english horn in C major, Op. 87: I. Allegro

Ottetto Italiano

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Trio for 2 oboes and english horn in C major, Op. 87: II. Adagio

Ottetto Italiano

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Trio for 2 oboes and english horn in C major, Op. 87: III. Minuetto

Ottetto Italiano

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Trio for 2 oboes and english horn in C major, Op. 87: IV. Finale

Ottetto Italiano

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Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: I. Theme

Ottetto Italiano

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Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: II. Var1

Ottetto Italiano

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Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: III. Var 2

Ottetto Italiano

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Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IV. Var 3

Ottetto Italiano

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Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: V. Var 4 & 5

Ottetto Italiano

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Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VI. Var 6

Ottetto Italiano

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Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VII. Var 7

Ottetto Italiano

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Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VIII. Var 8

Ottetto Italiano

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Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IX. Coda

Ottetto Italiano

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Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio

Ottetto Italiano

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Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto

Ottetto Italiano

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Serenade for Flute and Piano, Op. 41: I. Entrada - Allegro

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Serenade for Flute and Piano, Op. 41: II. Tempo Ordinario D'Un Menuetto

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Serenade for Flute and Piano, Op. 41: III. Molto allegro

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Serenade for Flute and Piano, Op. 41: IV. Andante con variazioni

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Serenade for Flute and Piano, Op. 41: V. Allegro, scherzo e vivace

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Serenade for Flute and Piano, Op. 41: VI. Adagio

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Serenade for Flute and Piano, Op. 41: VII. Allegro vivace e disinvolto

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Six Themes and Variations for Flute and Piano, Op. 105 No. 1: Scottish Air in G major

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Six Themes and Variations for Flute and Piano, Op. 105 No. 2: Scottish Air in C minor

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Six Themes and Variations for Flute and Piano, Op. 105 No. 3: Austrian Air in C major

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Six Themes and Variations for Flute and Piano, Op. 105 No. 4: Scottish Air in E-flat

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Six Themes and Variations for Flute and Piano, Op. 105 No. 5: Scottish Air in E-flat

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Six Themes and Variations for Flute and Piano, Op. 105 No. 6: Scottish Air in D major

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Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio

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Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto

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Trio for Flute, Bassoon, and Piano in G major, WoO 37: I. Allegro

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Trio for Flute, Bassoon, and Piano in G major, WoO 37: II. Adagio

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Trio for Flute, Bassoon, and Piano in G major, WoO 37: III. Thema andante con variazioni

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Ten Themes and Variations for Flute and Piano, Op. 107 No. 1:Tyrolian Air in E-flat

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Ten Themes and Variations for Flute and Piano, Op. 107 No. 2: Scottish Air in F major

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Ten Themes and Variations for Flute and Piano, Op. 107 No. 3: Russian Air in G major

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Ten Themes and Variations for Flute and Piano, Op. 107 No. 4: Scottish Air in F major

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Ten Themes and Variations for Flute and Piano, Op. 107 No. 5: Tyrolian Air in F major

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Ten Themes and Variations for Flute and Piano, Op. 107 No. 6: Scottish Air in E-flat major

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Ten Themes and Variations for Flute and Piano, Op. 107 No. 7: Russian Air in A minor

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Ten Themes and Variations for Flute and Piano, Op. 107 No. 8: Scottish Air in D major

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Ten Themes and Variations for Flute and Piano, Op. 107 No. 9: Scottish Air E-flat major

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Ten Themes and Variations for Flute and Piano, Op. 107 No. 10: Scottish Air G minor

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Trio for three flutes in G major (spurious): I. Allegro

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Trio for three flutes in G major (spurious): II. Andante

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Trio for three flutes in G major (spurious): III. Rondo, allegretto

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Sonate for Flute and Piano in B-flat major, Anh. 4: I. Allegro moderato

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Sonate for Flute and Piano in B-flat major, Anh. 4: II. Polonaise

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Sonate for Flute and Piano in B-flat major, Anh. 4: III. Largo

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Sonate for Flute and Piano in B-flat major, Anh. 4: IV. Allegretto tema con variazione

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Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: I. Adagio – Allegro con brio

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Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: II. Adagio cantabile

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Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: III. Tempo di menuetto

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Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: IV. Tema con variazioni. Andante

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Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace

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Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: VI. Andante con moto alla marcia – Presto

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Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: I. Allegro con brio

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Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: II. Adagio

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Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: III. Rondo. Allegro

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Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: I. Grave – Allegro ma non troppo

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Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: II. Andante cantabile

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Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo

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Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: I. Allegro con brio

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Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: II. Adagio

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Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: III. Allegretto. Variations on ''Pria ch'io l'impegno''

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Sonata for Horn and Piano in F major, Op. 17: I. Allegro moderato

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Sonata for Horn and Piano in F major, Op. 17: II. Poco adagio, quasi andante

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Sonata for Horn and Piano in F major, Op. 17: III. Rondo. Allegro moderato

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Trio for Piano, Violin and Cello in E-flat major, Op. 38: I. Adagio – Allegro con brio

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Trio for Piano, Violin and Cello in E-flat major, Op. 38: II. Adagio cantabile

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Trio for Piano, Violin and Cello in E-flat major, Op. 38: III. Tempo di minuetto

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Trio for Piano, Violin and Cello in E-flat major, Op. 38: IV. Tema con variazioni. Andante

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Trio for Piano, Violin and Cello in E-flat major, Op. 38: V. Scherzo. Allegro molto e vivace

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Trio for Piano, Violin and Cello in E-flat major, Op. 38: VI. Andante con moto alla marcia – Presto

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12 Variations for Violin and Piano on "Se vuol ballare" from Mozart's "Le nozze di Figaro", WoO 40

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Serenade for Flute, Violin and Viola in D major, Op. 25: I. Entrata. Allegro

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Serenade for Flute, Violin and Viola in D major, Op. 25: II. Tempo ordinario d’un Menuetto

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Serenade for Flute, Violin and Viola in D major, Op. 25: III. Allegro molto

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Serenade for Flute, Violin and Viola in D major, Op. 25: IV. Andante con variazioni

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Serenade for Flute, Violin and Viola in D major, Op. 25: V. Allegro scherzando e vivace

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Serenade for Flute, Violin and Viola in D major, Op. 25: VI. Adagio – Allegro vivace disinvolto

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Rondo for Violin and Piano in G major, WoO 41

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Trio for Violin, Cello and Piano in E-flat major, H. 48

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Adagio for Mandolin and Piano in E-flat major, WoO 43 No. 2

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Sonatina for Mandolin and Piano in C major, WoO 44 No. 1

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Sonatina for Mandolin and Piano in C major, WoO 43 No. 1

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Andante con variazioni for Mandolin and Piano in D major, WoO 44 No. 2: I. Andante

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Andante con variazioni for Mandolin and Piano in D major, WoO 44 No. 2: II. Variazioni 1–6

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Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: I. Allegro vivace

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Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: II. Adagio con espressione

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Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: III. Rondo. Allegro

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Quartet for Piano, Violin, Viola and Cello in E-flat major, WoO 36 No. 1: I. Adagio assai – Allegro con spirito

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Quartet for Piano, Violin, Viola and Cello in E-flat major, WoO 36 No. 1: II. Tema con variazioni

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Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: I. Allegro moderato

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Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: II. Andante con moto

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Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: III. Rondo. Allegro

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Trio for Piano, Violin and Cello in E-flat major, Op. 1 No. 1: I. Allegro

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Trio for Piano, Violin and Cello in E-flat major, Op. 1 No. 1: II. Adagio cantabile

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Trio for Piano, Violin and Cello in E-flat major, Op. 1 No. 1: III. Scherzo

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Trio for Piano, Violin and Cello in E-flat major, Op. 1 No. 1: IV. Finale. Presto

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Trio for Piano, Violin and Cello in G major, Op. 1 No. 2: I. Adagio – Allegro vivace

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Trio for Piano, Violin and Cello in G major, Op. 1 No. 2: II. Largo con espressione

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Trio for Piano, Violin and Cello in G major, Op. 1 No. 2: III. Scherzo. Allegro

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Trio for Piano, Violin and Cello in G major, Op. 1 No. 2: IV. Finale. Presto

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Trio for Piano, Violin and Cello in C minor, Op. 1 No. 3: I. Allegro con brio

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Trio for Piano, Violin and Cello in C minor, Op. 1 No. 3: II. Andante cantabile con variazioni

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Trio for Piano, Violin and Cello in C minor, Op. 1 No. 3: III. Menuetto. Quasi allegro

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Trio for Piano, Violin and Cello in C minor, Op. 1 No. 3: IV. Finale. Prestissimo

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Trio for Piano, Violin and Cello in E-flat major, WoO 39: I. Allegro moderato

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Trio for Piano, Violin and Cello in E-flat major, WoO 39: II. Scherzo. Allegro ma non troppo

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Trio for Piano, Violin and Cello in E-flat major, WoO 39: III. Rondo. Allegro

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Variations in G major on Wenzel Müller's "Ich bin der Schneider Kakadu", Op. 121a

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Trio for Piano, Violin and Cello in D major, Op. 70 No. 1 "Geister": I. Allegro vivace e con brio

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Trio for Piano, Violin and Cello in D major, Op. 70 No. 1 "Geister": II. Largo assai ed espressione

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Trio for Piano, Violin and Cello in D major, Op. 70 No. 1 "Geister": III. Presto

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Trio for Piano, Violin and Cello in E-flat major, Op. 70 No. 2: I. Poco sostenuto – Allegro ma non troppo

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Trio for Piano, Violin and Cello in E-flat major, Op. 70 No. 2: II. Allegretto

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Trio for Piano, Violin and Cello in E-flat major, Op. 70 No. 2: III. Allegretto ma non troppo

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Trio for Piano, Violin and Cello in E-flat major, Op. 70 No. 2: IV. Finale. Allegro

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Allegretto for Piano, Violin and Cello in B-flat major, WoO 38

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Trio for Piano, Violin and Cello in B-flat major, Op. 97 "Archduke": I. Allegro moderato

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Trio for Piano, Violin and Cello in B-flat major, Op. 97 "Archduke": II. Allegretto

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Trio for Piano, Violin and Cello in B-flat major, Op. 97 "Archduke": III. Andante cantabile, ma pero con moto

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Trio for Piano, Violin and Cello in B-flat major, Op. 97 "Archduke": IV. Finale. Allegro

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14 Variations for Piano, Violin, and Cello in E-flat major, Op. 44

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Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: I. Adagio sostenuto – Allegro

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Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: II. Rondo. Allegro vivace

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Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: Ia. Adagio sostenuto ed espressivo

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Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: Ib. Allegro molto più tosto presto

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Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: II. Rondo. Allegro

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Sonata for Cello and Piano No. 3 in A major, Op. 69: I. Allegro ma non tanto

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Sonata for Cello and Piano No. 3 in A major, Op. 69: II. Scherzo. Allegro molto

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Sonata for Cello and Piano No. 3 in A major, Op. 69: III. Adagio cantabile – Allegro vivace

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Sonata for Cello and Piano No. 4 in C major, Op. 102 No. 1: I. Adagio – Allegro vivace

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Sonata for Cello and Piano No. 4 in C major, Op. 102 No. 1: II. Adagio – Tempo d’andante – Allegro vivace

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Sonata for Cello and Piano No. 5 in D major, Op. 102 No. 2: I. Allegro con brio

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Sonata for Cello and Piano No. 5 in D major, Op. 102 No. 2: II. Adagio con molto sentimento d’affetto

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Sonata for Cello and Piano No. 5 in D major, Op. 102 No. 2: III. Allegro – Allegro fugato

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Thema. Allegretto

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 1

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 2

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 3

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 4

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 5

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 6

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 7

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 8

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 9

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 10

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 11. Adagio

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 12. Allegro

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Thema. Allegretto

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 1

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 2

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 3

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 4

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 5

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 6

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 7

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 8

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 9

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 10. Adagio

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 11. Poco adagio, quasi andante

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 12. Allegro

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7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Thema. Andante

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7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 1

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7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 2

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7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 3

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7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 4

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7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 5. Si prenda il tempo un poco

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7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 6. Adagio

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7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 7. Allegro ma non troppo

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Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: I. Allegro con brio

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Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: II. Tema con variazioni. Andante con moto

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Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: III. Rondo. Allegro

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Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: I. Allegro vivace

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Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: II. Andante più tosto allegretto

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Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: III. Allegro piacevole

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Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: I. Allegro con spirito

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Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: II. Adagio con molt'espressione

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Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: III. Rondo. Allegro molto

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Sonata for Violin and Piano No. 4 in A minor, Op. 23: I. Presto

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Sonata for Violin and Piano No. 4 in A minor, Op. 23: II. Andante scherzoso, più allegretto

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Sonata for Violin and Piano No. 4 in A minor, Op. 23: III. Allegro molto

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Sonata for Violin and Piano No. 5 in F major, Op. 24 "Frühling": I. Allegro

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Sonata for Violin and Piano No. 5 in F major, Op. 24 "Frühling": II. Adagio molto espressivo

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Sonata for Violin and Piano No. 5 in F major, Op. 24 "Frühling": III. Scherzo. Allegro molto

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Sonata for Violin and Piano No. 5 in F major, Op. 24 "Frühling": IV. Rondo. Allegro ma non troppo

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Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: I. Allegro

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Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: II. Adagio

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Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: III. Allegretto con variazioni

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Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: I. Allegro con brio

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Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: II. Adagio cantabile

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Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: III. Scherzo. Allegro

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Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: IV. Finale. Allegro

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Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: I. Allegro assai

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Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: II. Tempo di menuetto

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Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: III. Allegro vivace

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Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": I. Adagio sostenuto – Presto

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Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": II. Andante con variazioni

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Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": III. Finale. Presto

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Sonata for Violin and Piano No. 10 in G major, Op. 96: I. Allegro moderato

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Sonata for Violin and Piano No. 10 in G major, Op. 96: II. Adagio espressivo

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Sonata for Violin and Piano No. 10 in G major, Op. 96: III. Scherzo. Allegro

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Sonata for Violin and Piano No. 10 in G major, Op. 96: IV. Poco allegretto

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Trio for Violin, Viola and Cello in E-flat major, Op. 3: I. Allegro con brio

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Trio for Violin, Viola and Cello in E-flat major, Op. 3: II. Andante

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Trio for Violin, Viola and Cello in E-flat major, Op. 3: III. Menuetto. Allegro

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Trio for Violin, Viola and Cello in E-flat major, Op. 3: IV. Adagio

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Trio for Violin, Viola and Cello in E-flat major, Op. 3: V. Menuetto. Moderato

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Trio for Violin, Viola and Cello in E-flat major, Op. 3: VI. Finale. Allegro

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Serenade for Violin, Viola and Cello in D major, Op. 8: Ia. Marcia. Allegro

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Serenade for Violin, Viola and Cello in D major, Op. 8: Ib. Adagio

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Serenade for Violin, Viola and Cello in D major, Op. 8: II. Menuetto. Allegretto

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Serenade for Violin, Viola and Cello in D major, Op. 8: III. Adagio – Scherzo. Allegro

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Serenade for Violin, Viola and Cello in D major, Op. 8: IV. Allegretto alla Polacca

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Serenade for Violin, Viola and Cello in D major, Op. 8: Va. Andante quasi allegretto – Variations 1–4 – Allegro

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Serenade for Violin, Viola and Cello in D major, Op. 8: Vb. Marcia. Allegro

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Trio for Violin, Viola and Cello in G major, Op. 9 No. 1: I. Adagio – Allegro con brio

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Trio for Violin, Viola and Cello in G major, Op. 9 No. 1: II. Adagio ma non tanto e cantabile

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Trio for Violin, Viola and Cello in G major, Op. 9 No. 1: III. Scherzo. Allegro

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Trio for Violin, Viola and Cello in G major, Op. 9 No. 1: IV. Presto

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Trio for Violin, Viola and Cello in D major, Op. 9 No. 2: I. Allegretto

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Trio for Violin, Viola and Cello in D major, Op. 9 No. 2: II. Andante quasi allegretto

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Trio for Violin, Viola and Cello in D major, Op. 9 No. 2: III. Menuetto. Allegro

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Trio for Violin, Viola and Cello in D major, Op. 9 No. 2: IV. Rondo. Allegro

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Trio for Violin, Viola and Cello in C minor, Op. 9 No. 3: I. Allegro con spirito

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Trio for Violin, Viola and Cello in C minor, Op. 9 No. 3: II. Adagio con espressione

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Trio for Violin, Viola and Cello in C minor, Op. 9 No. 3: III. Scherzo. Allegro molto e vivace

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Trio for Violin, Viola and Cello in C minor, Op. 9 No. 3: IV. Finale. Presto

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Quartet for Strings in F major, Op. 18 No. 1: I. Allegro con brio

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Quartet for Strings in F major, Op. 18 No. 1: II. Adagio affettuoso ed appassionato

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Quartet for Strings in F major, Op. 18 No. 1: III. Scherzo. Allegro molto

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Quartet for Strings in F major, Op. 18 No. 1: IV. Allegro

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Quartet for Strings in G major, Op. 18 No. 2: I. Allegro

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Quartet for Strings in G major, Op. 18 No. 2: II. Adagio cantabile

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Quartet for Strings in G major, Op. 18 No. 2: III. Scherzo. Allegro

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Quartet for Strings in G major, Op. 18 No. 2: IV. Allegro molto quasi presto

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Quartet for Strings in D major, Op. 18 No. 3: I. Allegro

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Quartet for Strings in D major, Op. 18 No. 3: II. Andante con moto

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Quartet for Strings in D major, Op. 18 No. 3: III. Allegro

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Quartet for Strings in D major, Op. 18 No. 3: IV. Presto

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Quartet for Strings in C minor, Op. 18 No. 4: I. Allegro ma non tanto

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Quartet for Strings in C minor, Op. 18 No. 4: II. Scherzo. Andante scherzoso

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Quartet for Strings in C minor, Op. 18 No. 4: III. Menuetto. Allegretto

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Quartet for Strings in C minor, Op. 18 No. 4: IV. Allegro

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Quartet for Strings in A major, Op. 18 No. 5: I. Allegro

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Quartet for Strings in A major, Op. 18 No. 5: II. Menuetto

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Quartet for Strings in A major, Op. 18 No. 5: III. Andante cantabile

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Quartet for Strings in A major, Op. 18 No. 5: IV. Allegro

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Quartet for strings in B-flat major, Op. 18 No. 6: I. Allegro con brio

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Quartet for strings in B-flat major, Op. 18 No. 6: II. Adagio ma non troppo

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Quartet for strings in B-flat major, Op. 18 No. 6: III. Scherzo. Allegro

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Quartet for strings in B-flat major, Op. 18 No. 6: IV. Adagio “La malinconia” – Allegretto

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Quartet for Strings in F minor, Op. 95 “Serioso”: I. Allegro con brio

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Quartet for Strings in F minor, Op. 95 “Serioso”: II. Allegretto ma non troppo

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Quartet for Strings in F minor, Op. 95 “Serioso”: III. Allegro assai vivace ma serioso

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Quartet for Strings in F minor, Op. 95 “Serioso”: IV. Larghetto espressivo – Allegretto agitato

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Quartet for Strings in F major, Op. 59 No. 1: I. Allegro

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Quartet for Strings in F major, Op. 59 No. 1: II. Allegretto vivace, sempre scherzando

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Quartet for Strings in F major, Op. 59 No. 1: III. Adagio molto e mesto

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Quartet for Strings in F major, Op. 59 No. 1: VI. Theme russe. Allegro

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Quartet for Strings in E minor, Op. 59 No. 2: I. Allegro

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Quartet for Strings in E minor, Op. 59 No. 2: II. Molto adagio

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Quartet for Strings in E minor, Op. 59 No. 2: III. Allegretto

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Quartet for Strings in E minor, Op. 59 No. 2: IV. Finale. Presto

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Quartet for Strings in E-flat major, Op. 74 “Harfen Quartett”: I. Poco adagio – Allegro

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Quartet for Strings in E-flat major, Op. 74 “Harfen Quartett”: II. Adagio ma non troppo

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Quartet for Strings in E-flat major, Op. 74 “Harfen Quartett”: III. Presto – Più presto quasi prestissimo

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Quartet for Strings in E-flat major, Op. 74 “Harfen Quartett”: IV. Allegretto con variazioni

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Quartet for Strings in C-sharp minor, Op. 131: I. Adagio ma non troppo e molto espressivo

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Quartet for Strings in C-sharp minor, Op. 131: II. Allegro molto vivace

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Quartet for Strings in C-sharp minor, Op. 131: III. Allegro moderato

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Quartet for Strings in C-sharp minor, Op. 131: IV. Andante ma non troppo e molto cantabile

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Quartet for Strings in C-sharp minor, Op. 131: V. Presto

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Quartet for Strings in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante

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Quartet for Strings in C-sharp minor, Op. 131: VII. Allegro

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Quartet for Strings in E-flat major, Op. 127: I. Maestoso – Allegro

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Quartet for Strings in E-flat major, Op. 127: II. Adagio,ma no troppo e molto cantabile

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Quartet for Strings in E-flat major, Op. 127: III. Scherzando vivace

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Quartet for Strings in E-flat major, Op. 127: IV. Finale

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Quartet for Strings in F major, Op. 135: I. Allegretto

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Quartet for Strings in F major, Op. 135: II. Vivace

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Quartet for Strings in F major, Op. 135: III. Lento assai, cantante e tranquillo

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Quartet for Strings in F major, Op. 135: IV. Der schwer gefasste Entschluss, grave – Allegro

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Quartet for Strings in A minor, Op. 132: I. Assai sostenuto – Allegro

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Quartet for Strings in A minor, Op. 132: II. Allegro ma non tanto

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Quartet for Strings in A minor, Op. 132: III. Heiliger Dankgesang eines Genesenen an die Gottheit,in der lydischen Tonart

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Quartet for Strings in A minor, Op. 132: IV. Alla marcia, assai vivace

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Quartet for Strings in A minor, Op. 132: V. Allegro appassionato

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Quartet for Strings in C major, Op. 59 No. 3: I. Introduzione. Andante con moto – Allegro vivace

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Quartet for Strings in C major, Op. 59 No. 3: II. Andante con moto quasi allegretto

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Quartet for Strings in C major, Op. 59 No. 3: III. Menuetto. Grazioso

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Quartet for Strings in C major, Op. 59 No. 3: IV. Allegro molto

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Quartet for Strings in B-flat major, Op. 130: I. Adagio ma non troppo – Allegro

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Quartet for Strings in B-flat major, Op. 130: II. Presto

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Quartet for Strings in B-flat major, Op. 130: III. Andante con moto ma non troppo, poco scherzando

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Quartet for Strings in B-flat major, Op. 130: IV. Alla tedesca. Allegro assai

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Quartet for Strings in B-flat major, Op. 130: V. Cavatina. Adagio molto espressivo

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Quartet for Strings in B-flat major, Op. 130: VI. Finale. Allegro

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Große Fuge for Strings in B-flat major, Op. 133: Overtura – Meno mosso e moderato – Allegro

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Quintet for Strings in C major, Op. 29: I. Allegro moderato

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Quintet for Strings in C major, Op. 29: II. Adagio molto espressivo

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Quintet for Strings in C major, Op. 29: III. Scherzo. Allegro

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Quintet for Strings in C major, Op. 29: IV. Presto

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Quintet for Strings in C minor, Op. 104: I. Allegro con brio

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Quintet for Strings in C minor, Op. 104: II. Andante cantabile con variazioni

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Quintet for Strings in C minor, Op. 104: III. Menuetto. Quasi allegro

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Quintet for Strings in C minor, Op. 104: IV. Finale. Presto

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Quartet for Strings in F major, H. 34: I. Allegro moderato

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Quartet for Strings in F major, H. 34: II. Allegretto

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Quartet for Strings in F major, H. 34: III. Allegro

—

Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: I. Allegro con brio

—

Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: II. Andante

—

Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: III. Menuetto

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Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: IV. Finale. Presto

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Fugue for 2 Violins, 2 Violas, Cello and Double Bass in D major, Op. 137

—

Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: I. Allegro

—

Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: II. Minuetto. Allegretto

—

6 Ländlerische Tänze for 2 Violins, Cello and Double Bass, WoO 15

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Prelude and Fugue for 2 Violins and Cello in E minor, H. 29

—

Prelude and Fugue for 2 Violins, Viola and Cello in F major, H. 30

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Prelude and Fugue for for 2 Violins, Viola and Cello in C major, H. 31

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Minuet for for 2 Violins, Viola and Cello, H. 33

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Prelude for 2 Violins, Viola and Cello, H. 40

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6 Variations for Piano on a Swiss Song in F major, WoO 64

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9 Variations for Piano in A major on “Quant’è più bello” from Paisello’s “La molinara”, WoO 69

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6 Variations for Piano in G major on an Original Theme, WoO 77

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8 Variations for Piano in C major on “Une fièvre brulante” from Grétry’s “Richard Cœur-de-Lion”, WoO 72

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Rondo for Piano in G major, Op. 51 No. 2

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Allegretto for Piano in C minor, WoO 53

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6 Écossaises, WoO 83

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Bagatelle for Piano in A minor, WoO 59 "Für Elise"

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Polonaise for Piano in C major, Op. 89

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Sonata for Piano in E-flat major, WoO 47 No. 1 “Kurfürsten”: I. Allegro cantabile

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Sonata for Piano in E-flat major, WoO 47 No. 1 “Kurfürsten”: II. Andante

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Sonata for Piano in E-flat major, WoO 47 No. 1 “Kurfürsten”: III. Rondo. Vivace

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Sonata for Piano in F minor, WoO 47 No. 2 “Kurfürsten”: I. Larghetto maestoso

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Sonata for Piano in F minor, WoO 47 No. 2 “Kurfürsten”: II. Andante

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Sonata for Piano in F minor, WoO 47 No. 2 “Kurfürsten”: III. Presto

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Bagatelle for Piano in C minor, WoO 52

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Allegretto for Piano in C minor, Hess 69

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Bagatelle for Piano in C major, WoO 54 “Lustig-Traurig”

—

Rondo for Piano in C major, WoO 48

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Rondo in A major, WoO 49

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Sonata in F major, WoO 50: I

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Sonata for Piano in F major, WoO 50: II

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Allemande for Piano in A major, WoO 81

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Anglaise in D major, H. 61

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Prelude for Piano in F minor, WoO 55

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Fantasia for Piano in G minor, Op. 77

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Allegretto for Piano in B minor, WoO 61

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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Thema. Maestoso

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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 1

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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 2

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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 3

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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 4

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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 5

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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 6

—

9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 7

—

9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 8

—

9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 9

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Prelude for Piano, Op. 39 No. 1

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Prelude for Piano, Op. 39 No. 2

—

Fugue for Piano in C major, Hess 64

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Minuet for Piano in E-flat major, WoO 82

—

Bagatelle for Piano in C major, WoO 56

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Thema. Allegretto

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 1

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 2

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 3

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 4

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 5

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 6

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 7

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 8

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 9

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 10

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 11

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 12

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Waltz for Piano in E-flat major, WoO 84

—

Allegretto quasi andante for Piano, WoO 61a

—

Waltz for Piano in D major, WoO 85

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Écossaise for Piano in E-flat major, WoO 86

—

Sonata for 2 Pianos in D major, Op. 6: I. Allegro molto

—

Sonata for 2 Pianos in D major, Op. 6: II. Rondo

—

8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Thema

—

8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 1

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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 2

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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 3

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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 4

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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 5

—

8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 6

—

8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 7

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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 8

—

3 Marches for 2 Pianos, Op. 45 No. 1 in C major: Allegro ma non troppo

—

3 Marches for 2 Pianos, Op. 45 No. 2 in E-flat major: Vivace

—

3 Marches for 2 Pianos, Op. 45 No. 3 in D major: Vivace

—

6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Thema

—

6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 1

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6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 2

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6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 3

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6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 4

—

6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 5

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6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 6

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Große Fugue for 2 Pianos, Op. 134: I. Overture. Allegro

—

Große Fugue for 2 Pianos, Op. 134: II. Fuga. Allegro

—

Große Fugue for 2 Pianos, Op. 134: III. Meno mosso e moderato

—

Große Fugue for 2 Pianos, Op. 134: IV. Allegro

—

Große Fugue for 2 Pianos, Op. 134: V. Allegro molto e con brio

—

Große Fugue for 2 Pianos, Op. 134: VI. Allegro molto e con brio

—

Sonata for Piano in D major, WoO 47 No. 3 “Kurfürsten”: I. Allegro

—

Sonata for Piano in D major, WoO 47 No. 3 “Kurfürsten”: II. Menuetto

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Sonata for Piano in D major, WoO 47 No. 3 “Kurfürsten”: III. Scherzando

—

Leonore, Hess 109: Overture "Leonore II"

Staatskapelle Dresden, Herbert Blomstedt

T-909.574.378-5

Leonore: Act I. "Fidelio kommt nicht zurück!" (Marzelline)

Helen Donath, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. No. 1 Aria "O wär'ich schon mit dir vereint" (Marzelline)

Helen Donath, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. "Wenn ich diese Tür nicht" (Jaquino, Marzelline)

Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. No. 2 Duet "Jetzt, Schätzchen" (Jaquino, Marzelline)

Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. "Höre, Jaquino" (Marzelline, Jaquino, Rocco)

Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. No. 3 Trio "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline)

Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. "Ist Fidelio noch nich nach Hause gekommen?" (Rocco, Marzelline, Jaquino, Leonore)

Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. No. 4 Canon "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)

Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. "Höre, Fidelio" (Rocco, Marzelline, Leonore)

Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. No. 5 Aria "Hat man nich auch Gold beineben" (Rocco)

Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline)

Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. No. 6 Trio "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline)

Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. No. 7 March

Staatskapelle Dresden, Herbert Blomstedt

—

Leonore: Act II. "Drei Schildwachten auf den Wall" (Pizarro, Rocco)

Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco)

Theo Adam, MDR Rundfunkchor Leipzig, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. "Rocco!" (Pizarro, Rocco)

Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. No. 9 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)

Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. "Nun ist es endlich entschieden" (Marzelline, Leonore)

Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. No. 10 Duet "Im in der Ehe froh zu leben" (Marzelline, Leonore)

Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. "Sie doch, wie du so schnell" (Marzelline, Leonore)

Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. No. 11 Recitative and Aria "Ach, brich noch nicht" (Leonore)

Edda Moser, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. No. 12 Finale "O welche Lust!" (Chorus of the Prisoners)

Richard Cassilly, Reiner Goldberg, Siegfried Lorenz, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. "Entfernt euch jetzt!" (Rocco, Leonore)

Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore, Marzelline, Pizarro)

Theo Adam, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

—

Leonore: Act II. "Auf euch nur will ich bauen" (Pizarro, Chorus)

Theo Adam, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. No. 13 Recitative and Aria "Gott! Welch dunkel hier!" (Florestan)

Richard Cassilly, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. No. 14 Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco)

Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. "Er erwacht!" (Leonore, Rocco, Florestan)

Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. No. 15 Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)

Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. "Alles ist bereit" (Rocco, Leonore, Pizarro)

Theo Adam, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. No. 16 Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco)

Theo Adam, Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. "Die Waffe hab'ich mir" (Leonore)

Edda Moser, Staatskapelle Dresden, Herbert Blomstedt

—

Leonore: Act III. No. 17 Recitative and Duet "Ich kann mich noch nicht fassen" (Florestan, Leonore)

Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt

—

Leonore: Act III. "O Leonore, sprich!" (Florestan, Leonore)

Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. No. 18 Finale "Zur Rache" (Chorus, Leonore, Florestan, Rocco, Don Fernando)

Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. "O Gott! O welch ein Augenblick!" (Leonore, Marzelline, Florestan, Don Fernando, Rocco, Chorus)

Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. "Wie lange habt Ihr sie getragen?" (Don Fernando, Florestan, Rocco, Chorus, Leonore, Marzelline, Jaquino)

Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. "Preist mit hoher Freude Glut" (Chorus)

MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. "Wer ein solches Weib errungen" (Florestan, Marzelline, Jaquino, Rocco, Don Fernando, Chorus)

Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Fidelio: Overture

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Fidelio: Act I. No. 1 Duet "Jetzt, Schätzchen, sind wir allein" (Jaquino, Marzelline)

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Fidelio: Act I. No. 2 Aria "O war ich schon mit dir vereint" (Marzelline)

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Fidelio: Act I. No. 3 Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)

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Fidelio: Act I. No. 4 Aria "Hat man nicht auch Gold beineben" (Rocco)

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Fidelio: Act I. No. 5 Trio "Gut, Söhnchen, gut" (Leonore, Rocco, Marzelline)

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Fidelio: Act I. No. 6 March

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Fidelio: Act I. No. 7 Aria with Chorus "Ha! Welch'ein Augenblick!" (Pizarro, Soldiers)

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Fidelio: Act I. No. 8 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)

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Fidelio: Act I. No. 9 Recitative and Aria "Abscheulicher! Wo eilst du hin?" (Leonore, Marzelline)

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Fidelio: Act I. Aria. "Komm Hoffnung, lass den letzten Stern" (Leonore, Marzelline, Rocco)

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Fidelio: Act I. No. 10 Finale "O welche Lust" (Prisoners)

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Fidelio: Act I. Recitative and Duet "Nun sprecht, wie ging's?" (Leonore, Rocco)

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Fidelio: Act I. "Ach! Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro)

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Fidelio: Act I. "Leb'wohl, du warmes Sonnenlicht" (Prisoners, Marzelline, Leonore, Pizarro, Jaquino, Rocco)

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Fidelio: Act II. No. 11 Recitative and Aria "Gott! Welch'dunkel hier!" (Florestan)

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Fidelio: Act II. "In des Lebens Frühlingstagen" (Florestan)

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Fidelio: Act II. No. 12 Melodrama and Duet "Wie kalt ist es in diesem unterirdischen Gewölbe" (Leonore, Rocco)

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Fidelio: Act II. "Nur hurtig fort, nur frisch gegraben" (Leonore, Rocco, Florestan)

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Fidelio: Act II. No. 13 Trio "Euch werde Lohn in bessern Welten" (Leonore, Florestan, Rocco, Pizarro)

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Fidelio: Act II. No. 14 Quartet "Er sterbe!" (Leonore, Florestan, Pizarro, Rocco)

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Fidelio: Act II. No. 15 Duet "O namenlose Freude!" (Leonore, Florestan)

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Fidelio: Act II. No. 16 Finale "Heil sei dem Tag!" (People)

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Fidelio: Act II. "Des besten Königs Wink und Wille" (Fernando, People, Prisoners, Rocco, Pizarro, Marzelline)

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Fidelio: Act II. "Wer ein holdes Weib errungen" (Chorus, Leonore, Florestan)

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Egmont, Op. 84: Ouvertüre

—

Egmont, Op. 84: No. 1 Lied "Die Trommel gerühret!" (Klärchen)

—

Egmont, Op. 84: No. 2 Zwischenakt I

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Egmont, Op. 84: No. 3 Zwischenakt II

—

Egmont, Op. 84: No. 4 Lied "Freudvoll und Leidvoll"

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Egmont, Op. 84: No. 5 Zwischenakt III

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Egmont, Op. 84: No. 6 Zwischenakt IV

—

Egmont, Op. 84: Monolog "Alter Freund!" (Egmont)

—

Egmont, Op. 84: No. 7 Musik "Klärchen's Tod bezeichnend"

—

Egmont, Op. 84: Monolog "Es ist vorbei" (Egmont)

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Egmont, Op. 84: No. 8 Melodram "Süsser Schlaf" (Egmont)

—

Egmont, Op. 84: Monolog "Verschwunden ist der Kranz" (Egmont)

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Egmont, Op. 84: No. 9 "Siegessymphonie"

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Die Geschöpfe des Prometheus, Op. 43: Ouverture. Adagio - Allegro molto con brio / Introduction. Allegro non troppo

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Die Geschöpfe des Prometheus, Op. 43: Adagio - Allegro con brio - Allegro vivace

—

Die Geschöpfe des Prometheus, Op. 43: Maestoso andante - Adagio - Andante quasi allegretto

—

Die Geschöpfe des Prometheus, Op. 43: Allegro con brio - Presto

—

Die Geschöpfe des Prometheus, Op. 43: Adagio - Adagio - Allegro molto

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Die Geschöpfe des Prometheus, Op. 43: Pastorale. Allegro

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Die Geschöpfe des Prometheus, Op. 43: Maestoso - Allegro (Solo di Gioia)

—

Die Geschöpfe des Prometheus, Op. 43: Allegro

—

Die Geschöpfe des Prometheus, Op. 43: Andante - Adagio - Allegro - Allegretto (Solo della Cassentini)

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Die Geschöpfe des Prometheus, Op. 43: Andantino - Adagio - Allegro (Solo di Vigano)

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Die Geschöpfe des Prometheus, Op. 43: Finale. Allegretto - Allegro molto presto

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Musik zu einem Ritterballett, WoO 1: I. Marsch

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Musik zu einem Ritterballett, WoO 1: II. Deutscher Gesang. Allegro moderato

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Musik zu einem Ritterballett, WoO 1: III. Jagdlied. Allegretto

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Musik zu einem Ritterballett, WoO 1: IV. Romanze. Andantino

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Musik zu einem Ritterballett, WoO 1: V. Kriegslied. Allegro assai con brio

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Musik zu einem Ritterballett, WoO 1: VI. Trinklied. Allegro con brio

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Musik zu einem Ritterballett, WoO 1: VII. Deutscher Tanz. Walzer

—

Musik zu einem Ritterballett, WoO 1: VIII. Coda. Allegro vivace - Andantino - Tempo I

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Die Ruinen von Athen, Op. 113: I. Overtüre

—

Die Ruinen von Athen, Op. 113: II. Chor "Tochter des mächtigen Zeus"

—

Die Ruinen von Athen, Op. 113: III. Duett "Ohne Verschulden Knechtschaft dulden"

—

Die Ruinen von Athen, Op. 113: IV. Chor der Derwische "Du hast in deines Ärmels Falten"

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Die Ruinen von Athen, Op. 113: V. Marcia alla turca

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Die Ruinen von Athen, Op. 113: VI. March "Schmückt die Altare"

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Die Ruinen von Athen, Op. 113: VII. Chor und Arie "Wir tragen empfängliche Herzen in Busen"

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Die Ruinen von Athen, Op. 113: VIII. Chor "Heil unserm König! Heil!"

—

König Stephan, Op. 117: I. Overtüre

—

König Stephan, Op. 117: II. Männerchor "Ruhend von seinem Thaten"

—

König Stephan, Op. 117: III. Männerchor "Auf dunkelm in finstern Hainen Wandelten"

—

König Stephan, Op. 117: IV. Siegesmarsch

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König Stephan, Op. 117: V. Frauenchor "Wo die Unschuld Blumen streute"

—

König Stephan, Op. 117: VI. Chor "Eine neue strahlende Sonne"

—

König Stephan, Op. 117: VII. Chor "Heil! Heil unserm Enkeln"

—

Aria with Chorus in B-flat major, WoO 94 "Germania"

—

Chor auf die verbündeten Fürsten. WoO 95 "Ihr weisen Gründer"

—

Aria, Op. 65 "Ah! Perfido"

—

Aria for Soprano and Orchestra, WoO 92 - "Primo Amore"

—

Aria for Soprano and Strings, WoO 92a "No, non turbati"

—

Duet for Soprano, Tenor and Orchestra, WoO 93 "Nei giorni tuoi felice"

—

Trio for Soprano, Bass and Orchestra, Op. 116 "Tremate, empi, tremate"

—

Aria for Bass and Orchestra, WoO 89 "Prüfung des Küssens"

—

Aria for Bass and Orchestra, WoO 90 "Mit Mädeln sich vertragen"

—

Aria from "Die schöne Schüsterin" for Tenor and Orchestra, WoO 91 No. 1 "O welch ein Leben!"

—

Aria from "Die schöne Schüsterin" for Soprano and Orchestra, WoO 91 No. 2 "Soll ein Schuh nicht drücken"

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Cantata on the Death of Emperor Joseph II, WoO 87: I. Chorus "Tot! Tot, stöhnt es durch die öde Nacht" (solo quartet)

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Cantata on the Death of Emperor Joseph II, WoO 87: II. Recitative "Ein Ungeheuer, sein Name Fanatismus" (bass)

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Cantata on the Death of Emperor Joseph II, WoO 87: III. Aria "Da kam Joseph" (bass)

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Cantata on the Death of Emperor Joseph II, WoO 87: IV. Aria & Chorus "Da stiegen die Menschen ans Licht" (soprano)

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Cantata on the Death of Emperor Joseph II, WoO 87: V. Recitative "Er schläft" (soprano)

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Cantata on the Death of Emperor Joseph II, WoO 87: VI. Aria "Hier schlummert seinen stillen Frieden" (soprano)

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Cantata on the Death of Emperor Joseph II, WoO 87: VII. Chorus "Tot, stöhnt es durch die öde Nacht" (solo quartet)

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Cantata on the Accession of Emperor Leopold II, WoO 88: I. Recitative & Chorus "Er schlummert, laßt sanft den großen Fürsten ruhen!" (soprano)

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Cantata on the Accession of Emperor Leopold II, WoO 88: II. Aria "Fließe, Wonnezähren, fließe!" (soprano)

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Cantata on the Accession of Emperor Leopold II, WoO 88: III. Recitative "Ihr staunt, Völker der Erde!" (bass)

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Cantata on the Accession of Emperor Leopold II, WoO 88: IV. Recitative "Wie bebt mein Herz vor Wonne!" (tenor)

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Cantata on the Accession of Emperor Leopold II, WoO 88: V. Chorus "Heil! Stürzet nieder, Millionen" (solo quartet)

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Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa Stet!"

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Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!"

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Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna)

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Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin)

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Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin)

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Cantata for 4 Solo Voices, Chous, and Orchestra, Op. 136 "The Moment of Glory": VI. Choir "Es treten vor die Scharen der Frauen"

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Mehrstimmige italienische Gesänge, WoO 99: Bei labbri che amore (Soprano, Tenor)

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Mehrstimmige italienische Gesänge, WoO 99: Sei mio ben (Soprano, Tenor)

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Mehrstimmige italienische Gesänge, WoO 99: Scrivo in te (Soprano, Tenor)

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Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Salvo tu voi lo sposo? (Soprano, Tenor)

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Mehrstimmige italienische Gesänge, WoO 99: Ma tu tremi (Soprano, Alto, Tenor)

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Mehrstimmige italienische Gesänge, WoO 99: Giura il nocchier (Soprano, Alto, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Per te d'amico aprile (Soprano, Alto, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Soprano, Alto, Tenor)

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Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Soprano, Alto, Tenor)

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Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei (Soprano, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Chi mai di questo (Soprano, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Gia la notte (Alto, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Nei Campi e nelle selve I (Soprano, Alto, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Nei Campi e nelle selve II (Soprano, Alto, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Soprano, Alto, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Soprano, Alto, Tenor, Bass)

—

Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei, in G major (Soprano, Alto, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei, in F major (Soprano, Alto, Tenor, Bass)

—

Mehrstimmige italienische Gesänge, WoO 99: Guira il nocchier, in C major (Soprano, Alto, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Guira il nocchier, in B flat major (Soprano, Alto, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Gia la notte (Soprano, Alto, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: E pur fra le tempeste (Tenor, Piano)

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Cantata for Mixed Chorus and Orchestra, Op. 112 "Meeresstille und glückliche Fahrt"

—

Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy"

—

Elegiac Song for Choir and Orchestra, Op. 118

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Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122

—

Rural Cantata for 4 Voices accopmanied by Piano, WoO 103

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Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106

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3 Voice Canon in F major, WoO 166: "Kurz ist der Schmerz"

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Hess 91 - Opferlied (piano arrangement from Op. 121b)

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Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105

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"Abschiedsgesang an Wiens Bürger", WoO 121

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Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122

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"Opferlied", WoO 126

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"Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto

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Sacrificial Song for Soprano accompanied by Choir and Orchestra, Op. 121b

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ia. Introduction. Grave - Adagio

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Choir "Doch weh!" Die frech entehren

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod" (Jesus)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen"

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte"

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter"

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre"

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Choir "Preiset ihn, ihr Engelchöre"

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An die ferne Geliebte, Op. 98: i "Auf Dem Hügel", ii "Wo Die Berge", iii "Leichte Segler", iv "Diese Wolken", v "Es Kehret Der Maien", vi "Nimm Sie Hin Denn"

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Cantata for Voice and Piano in B-flat major, Op. 46: Larghetto "Adelaide: Einsam wandelt dein Freund im Fruhlings Garten"

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"Ich liebe dich so wie du mich" (Zärtliche Liebe), WoO 123

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Arietta "Der Kuß", Op. 128

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"Lied aus der Ferne", WoO 137

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"Der Jüngling in der Fremde", WoO 138

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"Resignation", WoO 149

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Andenken, WoO 136 "Ich denke dein"

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Song for Voice and Piano, Op. 48 No. 1 in E major: Feierlich und mit Andacht "Bitten: Gott deine Gute reicht so"

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Song for Voice and Piano, Op. 48 No. 2 in E-flat major: Lebhaft, doch nicht zu sehr "Die Liebe des Nachsten: So jemand spricht"

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Song for Voice and Piano, Op. 48 No. 3 in F-sharp minor: Mussig und eher langsam als geschwind "Vom Tode: Meine Lebenszeit verstreicht"

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Song for Voice and Piano, Op. 48 No. 4 in C major: Majestatisch und erhaben "Die Ehre Gottes in der Natur:Die Himmel ruhmen des Ewigen"

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Song for Voice and Piano, Op. 48 No. 5 in C major: Mit Kraft and Feuer "Gottes Macht und Vorsehung: Gott ist mein Lied!"

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Song for Voice and Piano, Op. 48 No. 6 in A minor: Poco adagio "Busslied: An dir allein, an dir hab' ich gesundigt"

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Song for Voice and Piano, Op. 52 No. 4 in A-flat major: Allegro "Mailied: Wie herrlich leuchtet"

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Song for Voice and Piano, Op. 52 No. 7 in A minor: Allegretto "Marmotte: Ich komme schon durch manches Land"

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Gesange for Voice and Piano, Op. 75 No. 2 in C major: Lebhaft, doch nicht zu sehr "Neue Liebe, neues Leben: Herz, mein Herz, was soll das geben?"

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Gesange for Voice and Piano, Op. 83 No. 1 in E major: Andante espressivo "Wonne der Wehmuth: Trocknet nicht"

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Gesange for Voice and Piano, Op. 83 No. 2 in B minor: Allegretto "Sehnsucht: Was zieht mir das Herz so?"

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Gesange for Voice and Piano, Op. 83 No. 3 in F major: Leichtlich und mit Grazie vorzutragen "Mie einem gemalten Band: Kleine Blumen, kleine Blatter"

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Egmont, Op. 84: No. 4 Lied "Freudvoll und Leidvoll"

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Song for Voice and Piano and A major, Op. 88: Andante quasi allegretto "Das Gluck der Freundschaft: Der lebt ein Leben wonniglich"

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Song for Voice and Piano, WoO 118: Seufzer eines Ungeliebten und Gegenliebe

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Song for Voice and Piano, WoO 139: "Der Liebende"

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Song for Voice and Piano, WoO 147: "Ruf vom Berge"

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Song for Voice and Piano in E-flat major, Op. 32 "An die Hoffnung": Poco adagio

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Song for Voice and Piano, Op. 94: "An die Hoffnung"

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Song for Voice and Piano, WoO 114: Selbstgespräch

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Song for 2 Voices and Piano, WoO 130: "Gedenke Mein!"

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6 Variations for Piano in D major on the song "Ich denke dein", WoO 74: Leid. Andantino cantabile

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Song for Voice and Piano, Op. 52 No. 6 in F major: Allegretto "Die Liebe: Ohne Liebe lebe wer da kann"

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Song for Voice and Piano, Op. 52 No. 8 in G major: Andante "Das Blumchen Wunderhold: Es steht ein Blumchen irgend wo in"

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Song for Voice and Piano, WoO 107: "Schilderung eines Mädchens"

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Song for Voice and Piano, WoO 115: "An Minna"

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Song for Voice and Piano, WoO 135: "Die laute Klage"

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Song for Voice and Piano, WoO 132: "Als die Geliebte sich trennen wollte"

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Song for Voice and Piano, Op. 52 No. 3 in F major: Adagio "Das Liedchen von der Ruhe: Im Arm der Liebe ruht sich's wohl"

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Song for Voice and Piano, WoO 146: "Sehnsucht"

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Gesange for Voice and Piano, Op. 75 No. 3 in G minor: Poco Allegretto "Aus Goethe's Faust: Es war einmal ein Konig"

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Song for Voice and Piano, Op. 52 No. 1 in A minor: In einer massigen geschwinden Bewegung "Urians Reise um die Welt: Wenn jemand eine Reise thut"

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Song for Voice and Piano, WoO 109: "Trinklied"

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Song for Voice and Piano, WoO 111: "Punchlied, Scherzlieder"

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Gesange for Voice and Piano, Op. 75 No. 6 in A major: Froh und heiter, etwas lebhaft "Der Zufriedene: Zwar schuf das Gluck hienieden"

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Aria for Soprano and Piano, Op. 82 No. 1 in A major: Allegro moderato "Hoffnung: Dimmi ben mio - Nimmer den lieben dem Herzen"

—

Aria for Soprano and Piano, Op. 82 No. 2 in D major: Adagio ma non troppo "Liebsklage: T'indendo, si, mio cor - Den stummen Felsen nur"

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Aria for Soprano and Piano, Op. 82 No. 3 in E-flat major: Allegro "Stille Frage: Che fa il mio bene? - Darf nimmer ich dir nahen?"

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Aria for Soprano and Piano, Op. 82 No. 4 in B-flat major: Andante con espressione "Liebes-Ungeduld: Che fa il mio bene? - So muss ich ihm entsagen"

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Duet for Soprano and Tenor, Op. 82 No. 5 in E major: Andante vivace "Lebens-Genuss: Odi l'aura che dolce sospira - Schnell verbluhen"

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Song for Voice and 2 Pianos, WoO 119: "o Care Selve"

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Song for Voice and Piano, WoO 124: "La partenza (Der Abschied)"

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Song for Voice and Piano, WoO 133: "In questa tomba oscura"

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Song for Voice and Piano, WoO 125: "La Tiranna", Canzonetta

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Song for Voice and Piano, WoO 116: "Que le temps me dure"

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Song for Voice and Piano, WoO 128: "Plaisir d'aimer"

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Song for Voice and Piano, WoO 129: "Der Wachtelschlag"

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Song for Voice and Piano, WoO 145: "Das Geheimnis"

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Song for Voice and Piano, WoO 112: "An Laura"

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Song for Voice and Piano, WoO 150: "Abendlied unterm gestirnten Himmel"

—

Song for Voice and Piano, WoO 113: "Klage"

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Song for Voice and Piano, Op. 52 No. 2 in G major: Andante con moto "Feuerfarb': Ich weiss eine Farbe"

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Song for Voice and Piano, WoO 110: "Elegie Auf Den Tod Eines Pudels"

—

Song for Voice and Piano, WoO 148: "So Oder So"

—

Song for Voice and Piano, WoO 143: "Des Kriegers Abschied"

—

Song for Voice and Piano, WoO 117: "Der Freie Mann"

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Song for Voice and Piano, WoO 126: "Opferlied"

—

Song for Voice and Piano, WoO 141: "Der Gesang der Nachtigall" (J.G. Herder)

—

Song for Voice and Piano, WoO 127: "Neue Liebe, neues Leben" (J.W. von Goethe)

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Song for Voice and Piano, WoO 118: "Seufzer eines Ungeliebten" und "Gegenliebe" (G.A. Bürger)

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Song for Voice and Piano, WoO 142: "Der Bardengeist" (F.R. Hermann)

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Song for Voice and Piano, WoO 139: "Der Liebende" (Reissig)

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Song for Voice and Piano, WoO 144: "Merkenstein" (J.B. Rupprecht)

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Song for Voice and Piano, WoO 120: "Man Strebt, Die Flamme Zu Verhehlen"

—

Song for Voice and Piano, Op. 52 No. 5 in G major: Adagio con espessione "Molly's Abschied: Lebe wohl, du Mann der Lust"

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Song for Voice and Piano, WoO 134: "Sehnsucht" (J.W. Goethe)

—

Gesange for Voice and Piano, Op. 75 No. 5 in G major: Larghetto "An den fernen Geliebten: Einst wohnten susse Ruh"

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Gesange for Voice and Piano, Op. 75 No. 1 in A major: Ziemlich langsam "Mignon: Kennst du das Land"

—

Gesange for Voice and Piano, Op. 75 No. 4 in A major: Etwas lebhaft "Gretels Warnung: Mit Liebes lick und Spiel und Sang"

—

Song for Voice and Piano in G major, Op. 99 "Der Mann von Wort: sagtest, Freund, an diesen Ort komm ich zurück"

—

Song for Voice and Piano, WoO 151: "Der edle Mensche sei hülfreich und gut" (J.W. Goethe)

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Song for Voice and Piano, Hess 151: "Traute Henriette"

—

Song for Voice and Piano in F major, Op. 100 "Merkenstein: Merkenstein! Wo ich wandle denk ich dein": Massig, jdeoch nicht schleppend

—

Musical joke for three voices "Lob auf den Dicken", WoO 100

—

Musical joke for three voices and choir "Esel aller Esel, hi ha", Hess 277

—

Musical joke "Graf, liebster Graf, liebstes Schaf", WoO 101

—

Musical Joke "Herr Graf, ich komme zu fragen", Hess 276

—

Canon for 3 "Bester Graf, Sie sind ein Schaf", WoO 183

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Canon for 4 "Es muss sein", WoO 196

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Canon for 2 Instruments in G major, Hess 274

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Joke or Riddle, canon for 4 "Das ist das Werk, sorgt um das Geld!", WoO 197

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Canon for 5 "Glaube und hoffe", WoO 174

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Canonlike movement for 4 "Auf einen, welche Hoffmann geheissen", WoO 180

—

Canon for 2, Anglaise in D major for piano, Hess 61

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Canon for 2 "Rasch tritt der Tod den Menschen an", WoO 104

—

Song for the Monks from Schiller's "William Tell": "Ich war hier, Doktor, ich war hier", WoO 190

—

Riddle Canon for 2 "Signor abate", WoO 178

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Canon for 3 "Kurz ist der Schmerz, und ewig ist die Freude", WoO 163

—

Canon for 3 "Hol'euch der Teufel! B'hüt euch Gott!", WoO 173

—

Riddle Canon for 2 "Gott ist eine feste Burg", WoO 188

—

Riddle Canon for 2 "Sankt Petrus war ein Fels" "Bernardus war ein Sankt", WoO 175

—

Riddle Canon for 4 "Tugend ist keinleerer name", WoO 181 No. 3

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Canon for 3 "Edel sei der mensch, hülfreich und gut", WoO 185

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Canon for 6 "Bester Magistrat, Ihr friert", WoO 177

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Canon for 2 Male Voices and 2 Double Basses "Kühl, nicht lau", WoO 191

—

Canon for 3 "Wir irren allesamt", WoO 198

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Riddle Canon for 2 "Auf einen, welcher Schwenke geheissen: «Schwenke dich ohne»", WoO 187

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Canon for 4 "Brauchle, Linke", WoO 167

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Canon for 4 "O Tobias!", WoO 182

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Canon for 3 "Gedenket heute an Baden", WoO 181 No. 1

—

Canon for 4 "Seiner Kaiserlichen Hoheit... Alles Gute, alles Schöne", WoO 179

—

Introduction and Canon for 4 "Glück fehl'dir vor allem", WoO 171

—

Canon for 4 "Gehabt euch wohl", WoO 181 No. 2

—

Canon for 4 "Freu dich des Lebens", WoO 195

—

Canon for 2 "Glück zum neuen Jahr", WoO 165

—

Instrumental Canon for 2 in A flat major, Hess 275

—

Canon for 4 "Im Arm der Liebe ruht sich's wohl", WoO 159

—

Canon for 3 "Ich Küsse Sie", WoO 169

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Riddle Canon for 2 "Languisco e moro", Hess 229

—

Canon for 2 "Te solo adoro", WoO 186

—

Canon for 2 "Ewig dein", WoO 161

—

Canon for 3 "Freundschaft ist der Quell wahrer Glückseligkeit", WoO 164

—

Instrumental Canon for 4, WoO 160 No. 2

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Canon for 3 "Ta ta ta, lieber Mälzel", WoO 162

—

Canon for 4 "Ich bitt'dich, schreib'mir die Es-Scala auf", WoO 172

—

Canon for 3 "Ars longa, vita brevis", WoO 192

—

Instrumental Canon for 3, WoO 160 No. 1

—

Riddle Canon "Das Schweigen: «Lerne schweigen, o Freund»", WoO 168 No. 1

—

Riddle Canon for 3 "Das Reden: «Rede, wenn's um einen Freund dir gilt»", WoO 168 No. 2

—

Canon for 3 "Falstafferel", WoO 184

—

Duet for 2 Violins in A major, WoO 34

—

Canon for 5 "Abschiedsgesang «Die Stunde schlägt»", WoO 102

—

25 Irish Songs WoO 152, No. 2 "Sweet power of song" (duet)

—

25 Irish Songs WoO 152, No. 5 "On the massacre of Glencoe"

—

25 Irish Songs WoO 152, No. 6 "What shall I do to shew how much I love her?" (duet)

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25 Irish Songs WoO 152, No. 8 "Come draw we round a cheerful ring"

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25 Irish Songs WoO 152, No. 10 "The deserter"

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25 Irish Songs WoO 152, No. 11 "Thou emblem of faith"

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25 Irish Songs WoO 152, No. 13 "Musing on the roaring ocean"

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25 Irish Songs WoO 152, No. 15 "Let brainspinning swains"

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25 Irish Songs WoO 152, No. 17 "In vain to this desert" (duet)

—

25 Irish Songs WoO 152, No. 19 "Wife, children and friends" (duet)

—

25 Irish Songs WoO 152, No. 20 "Farewell bliss and farewell Nancy" (duet)

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25 Irish Songs WoO 152, No. 21 "Morning a cruel turmoiler is"

—

25 Irish Songs WoO 152, No. 23 "The wand'ring gypsy"

—

25 Irish Songs WoO 152, No. 24 "The Traugh welcome"

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20 Irish Songs WoO 153, No. 1 "When eve's last rays in twilight" (duet)

—

20 Irish Songs WoO 153, No. 4 "Since greybeards inpourm us that youth will decay"

—

20 Irish Songs WoO 153, No. 5 "I dream'd I lay where flowers were springing" (duet)

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20 Irish Songs WoO 153, No. 7 "O soothe me, my lyre"

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20 Irish Songs WoO 153, No. 8 "Norah of Balamagairy"

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20 Irish Songs WoO 153, No. 10 "The hapless soldier" (duet)

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20 Irish Songs WoO 153, No. 15 "'t is but in vain, pour nothing thrives"

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20 Irish Songs WoO 153, No. 17 "Come, Darby dear, easy, be easy"

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20 Irish Songs WoO 153, No. 20 "Thy ship must sail, my Henry dear"

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25 Irish Songs WoO 152, No. 1, "The Return to Ulster"

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25 Irish Songs WoO 152, No. 3, "Once More I Hail Thee"

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25 Irish Songs WoO 152, No. 4, "The Morning Air Plays on My Face"

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25 Irish Songs WoO 152, No. 7, "His Boat Comes on the Sunny Tide"

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25 Irish Songs WoO 152, No. 9, "The Soldier's Dream"

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25 Irish Songs WoO 152, No. 12, "English Bulls"

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25 Irish Songs WoO 152, No. 14, "Dermot and Shelah"

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25 Irish Songs WoO 152, No. 16, "Hide Not Thy Anguish"

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25 Irish Songs WoO 152, No. 18, "They Bid Me Slight My Dermot Dear"

—

25 Irish Songs WoO 152, No. 22, "From Garyone, My Happy Home"

—

25 Irish Songs WoO 152, No. 25, "Oh Harp of Erin"

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20 Irish Songs WoO 153, No. 2, "No Riches From His Scanty Store"

—

20 Irish Songs WoO 153, No. 3, "The British Light Dragoons"

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20 Irish Songs WoO 153, No. 6, "Sad and Luckless Was the Season"

—

20 Irish Songs WoO 153, No. 9, "The Kiss, Dear Maid, Thy Lip Has Left"

—

20 Irish Songs WoO 153, No. 11, "When Far From the Home"

—

20 Irish Songs WoO 153, No. 12, "I'll Praise the Saints"

—

20 Irish Songs WoO 153, No. 13, "'Tis Sunshine at Last"

—

20 Irish Songs WoO 153, No. 14, "Paddy O'Rafferty"

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20 Irish Songs WoO 153, No. 16, "O Might I but My Patrick Love"

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20 Irish Songs WoO 153, No. 18, "No More, My Mary"

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20 Irish Songs WoO 153, No. 19, "Judy, Lovely, Matchless Creature"

—

Additional database matches (42)

Track Title	Artist(s)	ISWC
Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Adagio	Orchester der Bayreuther Festspiele, Wilhelm Furtwängler	—
Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro ma non troppo - Allegro assai - Presto - Allegro assai vivace: alla marcia - Andante maestoso - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco adagio - Prestissimo	Chor, Orchester der Bayreuther Festspiele, Wilhelm Furtwängler	—
Symphony no. 5 in C minor, op. 67: I. Allegro con brio	Philharmonia Orchestra, Herbert von Karajan	—
Symphony no. 5 in C minor, op. 67: II. Andante con moto	Philharmonia Orchestra, Herbert von Karajan	—
Symphony no. 5 in C minor, op. 67: III. Allegro	Philharmonia Orchestra, Herbert von Karajan	—
Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto	Philharmonia Orchestra, Herbert von Karajan	—
Symphony no. 7 in A major, op. 92: IV. Allegro con brio	Philharmonia Orchestra, Herbert von Karajan	—
Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro	Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler	—
Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio	Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler	—
Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo Allegro	Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler	—
Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio	Edwin Fischer	—
Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile	Edwin Fischer	—
Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro	Edwin Fischer	—
Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai - Più allegro	Edwin Fischer	—
Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto	Edwin Fischer	—
Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo - Presto	Edwin Fischer	—
Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: I. Allegro	Solomon	—
Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: II. Scherzo	Solomon	—
Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: III. Adagio e sostenuto	Solomon	—
Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: IV. Largo – Un poco piu vivace – Allegro – Tempo – Prestissimo – Allegroris	Solomon	—
Cello Sonata No. 1 in F major, Op. 5 No. 1: I. Adagio sostenuto	Pau Casals, Mieczysław Horszowski	—
Cello Sonata No. 1 in F major, Op. 5 No. 1: II. Allegro	Pau Casals, Mieczysław Horszowski	—
Sonata no. 1 for Cello and Piano in F major, op. 5 no. 1: II. Rondo. Allegro vivace	Pau Casals, Mieczysław Horszowski	—
Sonata no. 2 for Cello and Piano in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo	Pau Casals, Mieczysław Horszowski	—
Cello Sonata No. 2 in G minor, Op. 5 No. 2: II. Allegro molto più tosto presto	Pau Casals, Mieczysław Horszowski	—
Sonata no. 2 for Cello and Piano in G minor, op. 5 no. 2: III. Rondo. Allegro	Pau Casals, Mieczysław Horszowski	—
Sonata no. 3 for Cello and Piano in A major, op. 69: I. Allegro ma non tanto	Pau Casals, Otto Schulhof	—
Sonata no. 3 for Cello and Piano in A major, op. 69: II. Scherzo. Allegro molto	Pau Casals, Otto Schulhof	—
Sonata no. 3 for Cello and Piano in A major, op. 69: III. Adagio cantabile - Allegro vivace	Pau Casals, Otto Schulhof	—
Minuet in G major, WoO 10 no. 2	Pau Casals, Otto Schulhof	—
Piano Trio no. 7 in B flat major, op. 97 "Archduke": I. Allegro moderato	Pau Casals, Alfred Cortot, Jacques Thibaud	—
Piano Trio no. 7 in B flat major, op. 97 "Archduke": II. Scherzo. Allegro	Pau Casals, Alfred Cortot, Jacques Thibaud	—
Piano Trio no. 7 in B flat major, op. 97 "Archduke": III. Andante cantabile ma però con moto	Pau Casals, Alfred Cortot, Jacques Thibaud	T-917.033.932-9
Piano Trio no. 7 in B flat major, op. 97 "Archduke": IV. Allegro moderato	Pau Casals, Alfred Cortot, Jacques Thibaud	—
Piano Trio no. 1 in B flat major, D. 898: I. Allegro moderato	Pau Casals, Alfred Cortot, Jacques Thibaud	—
Piano Trio no. 1 in B flat major, D. 898: II. Andante un poco mosso	Pau Casals, Alfred Cortot, Jacques Thibaud	—
Piano Trio no. 1 in B flat major, D. 898: III. Allegro	Pau Casals, Alfred Cortot, Jacques Thibaud	—
Piano Trio no. 1 in B flat major, D. 898: IV. Allegro vivace	Pau Casals, Alfred Cortot, Jacques Thibaud	—
Symphony no. 5 in C minor, op. 67: I. Allegro con brio	Philharmonia Orchestra, Herbert von Karajan	—
Symphony no. 5 in C minor, op. 67: II. Andante con moto	Philharmonia Orchestra, Herbert von Karajan	—
Symphony no. 5 in C minor, op. 67: III. Allegro	Philharmonia Orchestra, Herbert von Karajan	—
Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto	Philharmonia Orchestra, Herbert von Karajan	—

Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Adagio

Orchester der Bayreuther Festspiele, Wilhelm Furtwängler

—

Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro ma non troppo - Allegro assai - Presto - Allegro assai vivace: alla marcia - Andante maestoso - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco adagio - Prestissimo

Chor, Orchester der Bayreuther Festspiele, Wilhelm Furtwängler

—

Symphony no. 5 in C minor, op. 67: I. Allegro con brio

Philharmonia Orchestra, Herbert von Karajan

—

Symphony no. 5 in C minor, op. 67: II. Andante con moto

Philharmonia Orchestra, Herbert von Karajan

—

Symphony no. 5 in C minor, op. 67: III. Allegro

Philharmonia Orchestra, Herbert von Karajan

—

Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto

Philharmonia Orchestra, Herbert von Karajan

—

Symphony no. 7 in A major, op. 92: IV. Allegro con brio

Philharmonia Orchestra, Herbert von Karajan

—

Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro

Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler

—

Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio

Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler

—

Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo Allegro

Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler

—

Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio

Edwin Fischer

—

Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile

Edwin Fischer

—

Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro

Edwin Fischer

—

Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai - Più allegro

Edwin Fischer

—

Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto

Edwin Fischer

—

Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo - Presto

Edwin Fischer

—

Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: I. Allegro

Solomon

—

Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: II. Scherzo

Solomon

—

Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: III. Adagio e sostenuto

Solomon

—

Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: IV. Largo – Un poco piu vivace – Allegro – Tempo – Prestissimo – Allegroris

Solomon

—

Cello Sonata No. 1 in F major, Op. 5 No. 1: I. Adagio sostenuto

Pau Casals, Mieczysław Horszowski

—

Cello Sonata No. 1 in F major, Op. 5 No. 1: II. Allegro

Pau Casals, Mieczysław Horszowski

—

Sonata no. 1 for Cello and Piano in F major, op. 5 no. 1: II. Rondo. Allegro vivace

Pau Casals, Mieczysław Horszowski

—

Sonata no. 2 for Cello and Piano in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo

Pau Casals, Mieczysław Horszowski

—

Cello Sonata No. 2 in G minor, Op. 5 No. 2: II. Allegro molto più tosto presto

Pau Casals, Mieczysław Horszowski

—

Sonata no. 2 for Cello and Piano in G minor, op. 5 no. 2: III. Rondo. Allegro

Pau Casals, Mieczysław Horszowski

—

Sonata no. 3 for Cello and Piano in A major, op. 69: I. Allegro ma non tanto

Pau Casals, Otto Schulhof

—

Sonata no. 3 for Cello and Piano in A major, op. 69: II. Scherzo. Allegro molto

Pau Casals, Otto Schulhof

—

Sonata no. 3 for Cello and Piano in A major, op. 69: III. Adagio cantabile - Allegro vivace

Pau Casals, Otto Schulhof

—

Minuet in G major, WoO 10 no. 2

Pau Casals, Otto Schulhof

—

Piano Trio no. 7 in B flat major, op. 97 "Archduke": I. Allegro moderato

Pau Casals, Alfred Cortot, Jacques Thibaud

—

Piano Trio no. 7 in B flat major, op. 97 "Archduke": II. Scherzo. Allegro

Pau Casals, Alfred Cortot, Jacques Thibaud

—

Piano Trio no. 7 in B flat major, op. 97 "Archduke": III. Andante cantabile ma però con moto

Pau Casals, Alfred Cortot, Jacques Thibaud

T-917.033.932-9

Piano Trio no. 7 in B flat major, op. 97 "Archduke": IV. Allegro moderato

Pau Casals, Alfred Cortot, Jacques Thibaud

—

Piano Trio no. 1 in B flat major, D. 898: I. Allegro moderato

Pau Casals, Alfred Cortot, Jacques Thibaud

—

Piano Trio no. 1 in B flat major, D. 898: II. Andante un poco mosso

Pau Casals, Alfred Cortot, Jacques Thibaud

—

Piano Trio no. 1 in B flat major, D. 898: III. Allegro

Pau Casals, Alfred Cortot, Jacques Thibaud

—

Piano Trio no. 1 in B flat major, D. 898: IV. Allegro vivace

Pau Casals, Alfred Cortot, Jacques Thibaud

—

Symphony no. 5 in C minor, op. 67: I. Allegro con brio

Philharmonia Orchestra, Herbert von Karajan

—

Symphony no. 5 in C minor, op. 67: II. Andante con moto

Philharmonia Orchestra, Herbert von Karajan

—

Symphony no. 5 in C minor, op. 67: III. Allegro

Philharmonia Orchestra, Herbert von Karajan

—

Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto

Philharmonia Orchestra, Herbert von Karajan

—

What other identifiers does this connect to?

Musical Works (ISWC)

T-071.481.827-5 T-312.542.381-2 T-909.821.799-3 T-915.710.750-1 T-917.033.932-9

Songwriters/Publishers (IPI)

00004144436

Creative Contributors (ISNI)

SourcesMusicBrainzDiscogs2 sources

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What is UPC 5028421935539?

5028421935539 is a Universal Product Code (UPC) assigned to Complete Works by Ludwig van Beethoven. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 998 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Track List (998)

#	Track Title	Artist(s)	ISWC
1	Symphony No. 1 in C major, Op. 21: I. Adagio molto - Allegro con brio		—
2	Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto		—
3	Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace		—
4	Symphony No. 1 in C major, Op. 21: IV. Adagio - Allegro molto e vivace		—
5	Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio		—
6	Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai		—
7	Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace		—
8	Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto		—
2-1	Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio		—
2-2	Symphony No. 2 in D major, Op. 36: II. Larghetto		—
2-3	Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro		—
2-4	Symphony No. 2 in D major, Op. 36: IV. Allegro molto		—
2-5	Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace	Gewandhausorchester Leipzig, Kurt Masur	—
2-6	Symphony no. 7 in A major, op. 92: II. Allegretto	Gewandhausorchester Leipzig, Kurt Masur	T-071.481.827-5
2-7	Symphony no. 7 in A major, op. 92: III. Presto	Gewandhausorchester Leipzig, Kurt Masur	T-915.710.750-1
2-8	Symphony no. 7 in A major, op. 92: IV. Allegro con brio	Gewandhausorchester Leipzig, Kurt Masur	—
3-1	Symphony no. 6 in F major, op. 68 “Pastorale”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo	Gewandhausorchester Leipzig, Kurt Masur	—
3-2	Symphony no. 6 in F major, op. 68 “Pastorale”: II. Szene am Bach: Andante molto mosso	Gewandhausorchester Leipzig, Kurt Masur	—
3-3	Symphony no. 6 in F major, op. 68 “Pastorale”: III. Lustiges Zusammensein der Landleute: Allegro	Gewandhausorchester Leipzig, Kurt Masur	—
3-4	Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Gewitter, Sturm: Allegro	Gewandhausorchester Leipzig, Kurt Masur	—
3-5	Symphony no. 6 in F major, op. 68 “Pastorale”: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto	Gewandhausorchester Leipzig, Kurt Masur	—
3-6	Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio	Gewandhausorchester Leipzig, Kurt Masur	—
3-7	Symphony no. 8 in F major, op. 93: II. Allegretto scherzando	Gewandhausorchester Leipzig, Kurt Masur	T-909.821.799-3
3-8	Symphony no. 8 in F major, op. 93: III. Tempo di menuetto	Gewandhausorchester Leipzig, Kurt Masur	T-909.821.799-3
3-9	Symphony no. 8 in F major, op. 93: IV. Allegro vivace	Gewandhausorchester Leipzig, Kurt Masur	T-909.821.799-3
4-1	Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace		—
4-2	Symphony No. 4 in B-flat major, Op. 60: II. Adagio		—
4-3	Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace		—
4-4	Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo		—
4-5	Symphony no. 5 in C minor, op. 67 “Fate”: I. Allegro con brio	Gewandhausorchester Leipzig, Kurt Masur	—
4-6	Symphony no. 5 in C minor, op. 67 “Fate”: II. Andante con moto	Gewandhausorchester Leipzig, Kurt Masur	—
4-7	Symphony no. 5 in C minor, op. 67 “Fate”: III. Scherzo. Allegro	Gewandhausorchester Leipzig, Kurt Masur	T-312.542.381-2
4-8	Symphony no. 5 in C minor, op. 67 “Fate”: IV. Allegro	Gewandhausorchester Leipzig, Kurt Masur	—
5-1	Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso	Orchester der Bayreuther Festspiele, Wilhelm Furtwängler	—
5-2	Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto	Orchester der Bayreuther Festspiele, Wilhelm Furtwängler	—
5-3	Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante Moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo		—
5-4	Symphony No. 9 in D minor, Op. 125 "Choral": IVa. Recitative. (Presto - Allegro ma non troppo - Vivace - Adagio cantabile - Allegro assai - Presto "O Freunde")		—
5-5	Symphony No. 9 in D minor, Op. 125 "Choral": IVb. Allegro assai "Freude, schöner Götterfunken, Seid umschlungen, Millionen! und Ihr, stürzt nieder" - Allegro energico, sempre ben marcato - Allegro ma non tanto "Freude, Tochter aus Elysium!"		—
6-1	Concerto for Piano and Orchestra No. 1 in C major, Op. 15: I. Allegro con brio (cadenza: Ludwig van Beethoven)		—
6-2	Concerto for Piano and Orchestra No. 1 in C major, Op. 15: II. Largo		—
6-3	Concerto for Piano and Orchestra No. 1 in C major, Op. 15: III. Rondo. Allegro		—
6-4	Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: I. Allegro con brio	Friedrich Gulda, Wiener Philharmoniker, Horst Stein	—
6-5	Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: II. Largo	Friedrich Gulda, Wiener Philharmoniker, Horst Stein	—
6-6	Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: III. Rondo. Allegro	Friedrich Gulda, Wiener Philharmoniker, Horst Stein	—
7-1	Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: I. Allegro con brio (cadenza: Ludwig van Beethoven)		—
7-2	Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: II. Adagio		—
7-3	Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro		—
7-4	Concerto for Piano and Orchestra in D major, Op. 61a: I. Allegro ma non troppo		—
7-5	Concerto for Piano and Orchestra in D major, Op. 61a: II. Larghetto		—
7-6	Concerto for Piano and Orchestra in D major, Op. 61a: III. Rondo. Allegro (cadenza: Ludwig van Beethoven)		—
8-1	Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Allegro moderato	Friedrich Gulda, Wiener Philharmoniker, Horst Stein	—
8-2	Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Andante con moto	Friedrich Gulda, Wiener Philharmoniker, Horst Stein	—
8-3	Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Rondo. Vivace	Friedrich Gulda, Wiener Philharmoniker, Horst Stein	—
8-4	Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro		—
8-5	Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso		—
8-6	Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro		—
9-1	Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo (cadenza: Fritz Kreisler)		—
9-2	Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto		—
9-3	Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro (cadenza: Fritz Kreisler)		—
9-4	Romance for Violin and Orchestra No. 1 in G major, Op. 40: Andante		—
9-5	Romance for Violin and Orchestra No. 2 in F major, Op. 50: Adagio cantabile		—
10-1	Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": I. Allegro		—
10-2	Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo		—
10-3	Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": III. Rondo alla Polacca		—
10-4	Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): I. Allegro moderato	Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte	—
10-5	Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): II. Larghetto	Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte	—
10-6	Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): III. Rondo. Allegretto (cadenza: Willy Hess)	Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte	—
10-7	Rondo for Piano and Orchestra in B-flat major, WoO 6. Allegro (cadenza: Carl Czerny)		—
11-1	Leonore Overture No. 1, Op. 138		—
11-2	Leonore Overture No. 2, Op. 72		—
11-3	Leonore Overture No. 3, Op. 72a		—
11-4	Fidelio Overture, Op. 72b		—
11-5	Funeral March from Leonore Prohaska, WoO 96		—
11-6	Die Weihe des Hauses: Overture, Op. 124		—
11-7	Die Weihe des Hauses: Chorus with soprano solo, WoO98 ''Wo sich die Pulse''		—
12-1	Coriolan, Op. 62: Overture		—
12-2	Wellington's Victory or the Battle of Vittoria, Op. 91: Schlacht (Battle)		—
12-3	Wellington's Victory or the Battle of Vittoria, Op. 91: Sieges-Symphonie (Symphony of Triumph)		—
12-4	Namensfeier Overture, Op. 115		—
12-5	Gratulationsmenuett, WoO 3	Minnesota Orchestra, Stanisław Skrowaczewski	—
12-6	Triumphal March from Tarpeja, WoO 2		—
12-7	Fugue for Organ in D major, WoO 31		—
12-8	Stücke für Flötenuhr, WoO 33: Allegro non più molto		—
12-9	Stücke für Flötenuhr, WoO 33: Allegretto		—
12-10	Stücke für Flötenuhr, WoO 33: Adagio assai		—
12-11	Stücke für Flötenuhr, WoO 33: Scherzo. Allegro		—
12-12	Stücke für Flötenuhr, WoO 33: Allegro		—
12-13	Grenadiermarsch, Hess 107		—
13-1	12 Contredanses for Small Orchestra WoO 14 No. 1 in C major		—
13-2	12 Contredanses for Small Orchestra WoO 14 No. 2 in A major		—
13-3	12 Contredanses for Small Orchestra WoO 14 No. 3 in D major		—
13-4	12 Contredanses for Small Orchestra WoO 14 No. 4 in B-flat major		—
13-5	12 Contredanses for Small Orchestra WoO 14 No. 5 in E-flat major		—
13-6	12 Contredanses for Small Orchestra WoO 14 No. 6 in C major		—
13-7	12 Contredanses for Small Orchestra WoO 14 No. 7 in E-flat major		—
13-8	12 Contredanses for Small Orchestra WoO 14 No. 8 in C major		—
13-9	12 Contredanses for Small Orchestra WoO 14 No. 9 in A major		—
13-10	12 Contredanses for Small Orchestra WoO 14 No. 10 in C major		—
13-11	12 Contredanses for Small Orchestra WoO 14 No. 11 in G major		—
13-12	Contredanses for Small Orchestra WoO 14 No. 12 in E-flat major		—
13-13	6 Minuets for Two Violins and Violoncello WoO 9 No. 1 in E-flat major		—
13-14	6 Minuets for Two Violins and Violoncello WoO 9 No. 2 in G major		—
13-15	6 Minuets for Two Violins and Violoncello WoO 9 No. 3 in C major		—
13-16	6 Minuets for Two Violins and Violoncello WoO 9 No. 4 in F major		—
13-17	6 Minuets for Two Violins and Violoncello WoO 9 No. 5 in D major		—
13-18	6 Minuets for Two Violins and Violoncello WoO 9 No. 6 in G major		—
13-19	11 Dances for Seven String and Wind Instruments WoO 17 No. 1: Waltz in E-flat major		—
13-20	11 Dances for Seven String and Wind Instruments WoO 17 No. 2: Minuet in B-flat major		—
13-21	11 Dances for Seven String and Wind Instruments WoO 17 No. 3: Waltz in B-flat major		—
13-22	11 Dances for Seven String and Wind Instruments WoO 17 No. 4: Minuet in E-flat major		—
13-23	11 Dances for Seven String and Wind Instruments WoO 17 No. 5: Minuet in E-flat major		—
13-24	11 Dances for Seven String and Wind Instruments WoO 17 No. 6: Ländler in E-flat major		—
13-25	11 Dances for Seven String and Wind Instruments WoO 17 No. 7: Minuet in B-flat major		—
13-26	11 Dances for Seven String and Wind Instruments WoO 17 No. 8: Ländler in B-flat major		—
13-27	11 Dances for Seven String and Wind Instruments WoO 17 No. 9: Minuet in G major		—
13-28	11 Dances for Seven String and Wind Instruments WoO 17 No. 10: Waltz in D major		—
13-29	11 Dances for Seven String and Wind Instruments WoO 17 No. 11: Waltz in D major		—
13-30	Six Ländler for 2 Violins and Bass, WoO 15 No. 1 in D major		—
13-31	Six Ländler for 2 Violins and Bass, WoO 15 No. 2 in D major		—
13-32	Six Ländler for 2 Violins and Bass, WoO 15 No. 3 in D major		—
13-33	Six Ländler for 2 Violins and Bass, WoO 15 No. 4 in D minor		—
13-34	Six Ländler for 2 Violins and Bass, WoO 15 No. 5 in D major		—
13-35	Six Ländler for 2 Violins and Bass, WoO 15 No. 6 in D major		—
13-36	12 German Dances for Orchestra WoO 8 No. 1 in C major		—
13-37	12 German Dances for Orchestra WoO 8 No. 2 in A major		—
13-38	12 German Dances for Orchestra WoO 8 No. 3 in F major		—
13-39	12 German Dances for Orchestra WoO 8 No. 4 in B-flat major		—
13-40	12 German Dances for Orchestra WoO 8 No. 5 in E-flat major		—
13-41	12 German Dances for Orchestra WoO 8 No. 6 in G major		—
13-42	12 German Dances for Orchestra WoO 8 No. 7 in C major		—
13-43	12 German Dances for Orchestra WoO 8 No. 8 in A major		—
13-44	12 German Dances for Orchestra WoO 8 No. 9 in F major		—
13-45	12 German Dances for Orchestra WoO 8 No. 10 in D major		—
13-46	12 German Dances for Orchestra WoO 8 No. 11 in G major		—
13-47	12 German Dances for Orchestra WoO 8 No. 12 in C major		—
14-1	12 Menuets for Orchestra WoO 7 No. 1 in D major		—
14-2	12 Menuets for Orchestra WoO 7 No. 2 in B-flat major		—
14-3	12 Menuets for Orchestra WoO 7 No. 3 G major		—
14-4	12 Menuets for Orchestra WoO 7 No. 4 in E-flat major		—
14-5	12 Menuets for Orchestra WoO 7 No. 5 in C major		—
14-6	12 Menuets for Orchestra WoO 7 No. 6 in A major		—
14-7	12 Menuets for Orchestra WoO 7 No. 7 in D major		—
14-8	12 Menuets for Orchestra WoO 7 No. 8 in B-flat major		—
14-9	12 Menuets for Orchestra WoO 7 No. 9 in G major		—
14-10	12 Menuets for Orchestra WoO 7 No. 10 in E-flat major		—
14-11	12 Menuets for Orchestra WoO 7 No. 11 in C major		—
14-12	12 Menuets for Orchestra WoO 7 No. 12 in F major		—
14-13	Military March in D major WoO 24		—
14-14	6 Menuets for Orchestra WoO 10 No. 1 in C major		—
14-15	6 Menuets for Orchestra WoO 10 No. 2 in G major		—
14-16	6 Menuets for Orchestra WoO 10 No. 3 in E-flat major		—
14-17	6 Menuets for Orchestra WoO 10 No. 4 in B-flat major		—
14-18	6 Menuets for Orchestra WoO 10 No. 5 in D major		—
14-19	6 Menuets for Orchestra WoO 10 No. 6 in C major		—
14-20	6 Deutsche Tänze WoO 42		—
14-21	6 Ecossaises in E-flat major WoO 83 No. 1		—
14-22	6 Ecossaises in E-flat major WoO 83 No. 2		—
14-23	6 Ecossaises in E-flat major WoO 83 No. 3		—
14-24	6 Ecossaises in E-flat major WoO 83 No. 4		—
14-25	6 Ecossaises in E-flat major WoO 83 No. 5		—
14-26	6 Ecossaises in E-flat major WoO 83 No. 6		—
14-27	Ecossaise in G major WoO 23		—
14-28	7 Ländler in D major WoO 11 No. 1		—
14-29	7 Ländler in D major WoO 11 No. 2		—
14-30	7 Ländler in D major WoO 11 No. 3		—
14-31	7 Ländler in D major WoO 11 No. 4		—
14-32	7 Ländler in D major WoO 11 No. 5		—
14-33	7 Ländler in D major WoO 11 No. 6		—
14-34	7 Ländler in D major WoO 11 No. 7		—
14-35	12 Deutsche Tänze WoO 13 No. 1 in D major		—
14-36	12 Deutsche Tänze WoO 13 No. 2 in B-flat major		—
14-37	12 Deutsche Tänze WoO 13 No. 3 in G major		—
14-38	12 Deutsche Tänze WoO 13 No. 4 in D major		—
14-39	12 Deutsche Tänze WoO 13 No. 5 in F major		—
14-40	12 Deutsche Tänze WoO 13 No. 6 in B-flat major		—
14-41	12 Deutsche Tänze WoO 13 No. 7 in D major		—
14-42	12 Deutsche Tänze WoO 13 No. 8 in G major		—
14-43	12 Deutsche Tänze WoO 13 No. 9 in E-flat major		—
14-44	12 Deutsche Tänze WoO 13 No. 10 in C major		—
14-45	12 Deutsche Tänze WoO 13 No. 11 in A major		—
14-46	12 Deutsche Tänze WoO 13 No. 12 in D major		—
15-1	Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: I. Allegro		—
15-2	Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: II. Andante		—
15-3	Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: III. Menuetto		—
15-4	Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: IV. Finale. Presto		—
15-5	Rondino for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, WoO 25		—
15-6	Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: I. Adagio – Allegro		—
15-7	Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: II. Adagio		—
15-8	Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: III. Menuetto. Quasi allegretto		—
15-9	Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: IV. Rondo. Allegro		—
15-10	3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: I. Allegro comodo		—
15-11	3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: II. Larghetto sostenuto		—
15-12	3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: III. Rondo. Allegretto		—
15-13	3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: I. Allegro affettuoso		—
15-14	3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: II. Aria. Larghetto		—
15-15	3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: III. Rondo. allegretto moderato		—
15-16	3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: I. Allegro sostenuto		—
15-17	3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: II. Aria con variazioni		—
15-18	3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: III. Allegro assai		—
16-1	March and Trio in F major for wind ensemble, WoO 18 "For the Bohemian Ward"	Ottetto Italiano	—
16-2	March and Trio in C major for wind ensemble, WoO 20 "Zapfenstreich"	Ottetto Italiano	—
16-3	March and Trio in F major for military band, WoO 19	Ottetto Italiano	—
16-4	Polonaise in D major for military band, WoO 21	Ottetto Italiano	—
16-5	Ecossaise in D major for military band, WoO 22	Ottetto Italiano	—
16-6	March for 2 clarinets, 2 horns and 2 bassoons in B-flat major, WoO 29	Ottetto Italiano	—
16-7	Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: I. Allegro	Ottetto Italiano	—
16-8	Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: II. Adagio maestoso	Ottetto Italiano	—
16-9	Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: III. Minuetto	Ottetto Italiano	—
16-10	Adagio for 3 horns in F major	Ottetto Italiano	—
16-11	Equale for 4 trombones, WoO 30: I. Andante	Ottetto Italiano	—
16-12	Equale for 4 trombones, WoO 30: II. Poco adagio	Ottetto Italiano	—
16-13	Equale for 4 trombones, WoO 30: III. Poco sostenuto	Ottetto Italiano	—
16-14	Trio for 2 oboes and english horn in C major, Op. 87: I. Allegro	Ottetto Italiano	—
16-15	Trio for 2 oboes and english horn in C major, Op. 87: II. Adagio	Ottetto Italiano	—
16-16	Trio for 2 oboes and english horn in C major, Op. 87: III. Minuetto	Ottetto Italiano	—
16-17	Trio for 2 oboes and english horn in C major, Op. 87: IV. Finale	Ottetto Italiano	—
16-18	Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: I. Theme	Ottetto Italiano	—
16-19	Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: II. Var1	Ottetto Italiano	—
16-20	Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: III. Var 2	Ottetto Italiano	—
16-21	Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IV. Var 3	Ottetto Italiano	—
16-22	Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: V. Var 4 & 5	Ottetto Italiano	—
16-23	Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VI. Var 6	Ottetto Italiano	—
16-24	Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VII. Var 7	Ottetto Italiano	—
16-25	Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VIII. Var 8	Ottetto Italiano	—
16-26	Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IX. Coda	Ottetto Italiano	—
16-27	Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio	Ottetto Italiano	—
16-28	Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto	Ottetto Italiano	—
17-1	Serenade for Flute and Piano, Op. 41: I. Entrada - Allegro		—
17-2	Serenade for Flute and Piano, Op. 41: II. Tempo Ordinario D'Un Menuetto		—
17-3	Serenade for Flute and Piano, Op. 41: III. Molto allegro		—
17-4	Serenade for Flute and Piano, Op. 41: IV. Andante con variazioni		—
17-5	Serenade for Flute and Piano, Op. 41: V. Allegro, scherzo e vivace		—
17-6	Serenade for Flute and Piano, Op. 41: VI. Adagio		—
17-7	Serenade for Flute and Piano, Op. 41: VII. Allegro vivace e disinvolto		—
17-8	Six Themes and Variations for Flute and Piano, Op. 105 No. 1: Scottish Air in G major		—
17-9	Six Themes and Variations for Flute and Piano, Op. 105 No. 2: Scottish Air in C minor		—
17-10	Six Themes and Variations for Flute and Piano, Op. 105 No. 3: Austrian Air in C major		—
17-11	Six Themes and Variations for Flute and Piano, Op. 105 No. 4: Scottish Air in E-flat		—
17-12	Six Themes and Variations for Flute and Piano, Op. 105 No. 5: Scottish Air in E-flat		—
17-13	Six Themes and Variations for Flute and Piano, Op. 105 No. 6: Scottish Air in D major		—
17-14	Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio		—
17-15	Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto		—
17-16	Trio for Flute, Bassoon, and Piano in G major, WoO 37: I. Allegro		—
17-17	Trio for Flute, Bassoon, and Piano in G major, WoO 37: II. Adagio		—
17-18	Trio for Flute, Bassoon, and Piano in G major, WoO 37: III. Thema andante con variazioni		—
18-1	Ten Themes and Variations for Flute and Piano, Op. 107 No. 1:Tyrolian Air in E-flat		—
18-2	Ten Themes and Variations for Flute and Piano, Op. 107 No. 2: Scottish Air in F major		—
18-3	Ten Themes and Variations for Flute and Piano, Op. 107 No. 3: Russian Air in G major		—
18-4	Ten Themes and Variations for Flute and Piano, Op. 107 No. 4: Scottish Air in F major		—
18-5	Ten Themes and Variations for Flute and Piano, Op. 107 No. 5: Tyrolian Air in F major		—
18-6	Ten Themes and Variations for Flute and Piano, Op. 107 No. 6: Scottish Air in E-flat major		—
18-7	Ten Themes and Variations for Flute and Piano, Op. 107 No. 7: Russian Air in A minor		—
18-8	Ten Themes and Variations for Flute and Piano, Op. 107 No. 8: Scottish Air in D major		—
18-9	Ten Themes and Variations for Flute and Piano, Op. 107 No. 9: Scottish Air E-flat major		—
18-10	Ten Themes and Variations for Flute and Piano, Op. 107 No. 10: Scottish Air G minor		—
18-11	Trio for three flutes in G major (spurious): I. Allegro		—
18-12	Trio for three flutes in G major (spurious): II. Andante		—
18-13	Trio for three flutes in G major (spurious): III. Rondo, allegretto		—
18-14	Sonate for Flute and Piano in B-flat major, Anh. 4: I. Allegro moderato		—
18-15	Sonate for Flute and Piano in B-flat major, Anh. 4: II. Polonaise		—
18-16	Sonate for Flute and Piano in B-flat major, Anh. 4: III. Largo		—
18-17	Sonate for Flute and Piano in B-flat major, Anh. 4: IV. Allegretto tema con variazione		—
19-1	Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: I. Adagio – Allegro con brio		—
19-2	Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: II. Adagio cantabile		—
19-3	Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: III. Tempo di menuetto		—
19-4	Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: IV. Tema con variazioni. Andante		—
19-5	Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace		—
19-6	Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: VI. Andante con moto alla marcia – Presto		—
19-7	Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: I. Allegro con brio		—
19-8	Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: II. Adagio		—
19-9	Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: III. Rondo. Allegro		—
20-1	Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: I. Grave – Allegro ma non troppo		—
20-2	Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: II. Andante cantabile		—
20-3	Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo		—
20-4	Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: I. Allegro con brio		—
20-5	Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: II. Adagio		—
20-6	Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: III. Allegretto. Variations on ''Pria ch'io l'impegno''		—
20-7	Sonata for Horn and Piano in F major, Op. 17: I. Allegro moderato		—
20-8	Sonata for Horn and Piano in F major, Op. 17: II. Poco adagio, quasi andante		—
20-9	Sonata for Horn and Piano in F major, Op. 17: III. Rondo. Allegro moderato		—
21-1	Trio for Piano, Violin and Cello in E-flat major, Op. 38: I. Adagio – Allegro con brio		—
21-2	Trio for Piano, Violin and Cello in E-flat major, Op. 38: II. Adagio cantabile		—
21-3	Trio for Piano, Violin and Cello in E-flat major, Op. 38: III. Tempo di minuetto		—
21-4	Trio for Piano, Violin and Cello in E-flat major, Op. 38: IV. Tema con variazioni. Andante		—
21-5	Trio for Piano, Violin and Cello in E-flat major, Op. 38: V. Scherzo. Allegro molto e vivace		—
21-6	Trio for Piano, Violin and Cello in E-flat major, Op. 38: VI. Andante con moto alla marcia – Presto		—
21-7	12 Variations for Violin and Piano on "Se vuol ballare" from Mozart's "Le nozze di Figaro", WoO 40		—
22-1	Serenade for Flute, Violin and Viola in D major, Op. 25: I. Entrata. Allegro		—
22-2	Serenade for Flute, Violin and Viola in D major, Op. 25: II. Tempo ordinario d’un Menuetto		—
22-3	Serenade for Flute, Violin and Viola in D major, Op. 25: III. Allegro molto		—
22-4	Serenade for Flute, Violin and Viola in D major, Op. 25: IV. Andante con variazioni		—
22-5	Serenade for Flute, Violin and Viola in D major, Op. 25: V. Allegro scherzando e vivace		—
22-6	Serenade for Flute, Violin and Viola in D major, Op. 25: VI. Adagio – Allegro vivace disinvolto		—
22-7	Rondo for Violin and Piano in G major, WoO 41		—
22-8	Trio for Violin, Cello and Piano in E-flat major, H. 48		—
22-9	Adagio for Mandolin and Piano in E-flat major, WoO 43 No. 2		—
22-10	Sonatina for Mandolin and Piano in C major, WoO 44 No. 1		—
22-11	Sonatina for Mandolin and Piano in C major, WoO 43 No. 1		—
22-12	Andante con variazioni for Mandolin and Piano in D major, WoO 44 No. 2: I. Andante		—
22-13	Andante con variazioni for Mandolin and Piano in D major, WoO 44 No. 2: II. Variazioni 1–6		—
23-1	Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: I. Allegro vivace		—
23-2	Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: II. Adagio con espressione		—
23-3	Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: III. Rondo. Allegro		—
23-4	Quartet for Piano, Violin, Viola and Cello in E-flat major, WoO 36 No. 1: I. Adagio assai – Allegro con spirito		—
23-5	Quartet for Piano, Violin, Viola and Cello in E-flat major, WoO 36 No. 1: II. Tema con variazioni		—
23-6	Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: I. Allegro moderato		—
23-7	Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: II. Andante con moto		—
23-8	Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: III. Rondo. Allegro		—
24-1	Trio for Piano, Violin and Cello in E-flat major, Op. 1 No. 1: I. Allegro		—
24-2	Trio for Piano, Violin and Cello in E-flat major, Op. 1 No. 1: II. Adagio cantabile		—
24-3	Trio for Piano, Violin and Cello in E-flat major, Op. 1 No. 1: III. Scherzo		—
24-4	Trio for Piano, Violin and Cello in E-flat major, Op. 1 No. 1: IV. Finale. Presto		—
24-5	Trio for Piano, Violin and Cello in G major, Op. 1 No. 2: I. Adagio – Allegro vivace		—
24-6	Trio for Piano, Violin and Cello in G major, Op. 1 No. 2: II. Largo con espressione		—
24-7	Trio for Piano, Violin and Cello in G major, Op. 1 No. 2: III. Scherzo. Allegro		—
24-8	Trio for Piano, Violin and Cello in G major, Op. 1 No. 2: IV. Finale. Presto		—
25-1	Trio for Piano, Violin and Cello in C minor, Op. 1 No. 3: I. Allegro con brio		—
25-2	Trio for Piano, Violin and Cello in C minor, Op. 1 No. 3: II. Andante cantabile con variazioni		—
25-3	Trio for Piano, Violin and Cello in C minor, Op. 1 No. 3: III. Menuetto. Quasi allegro		—
25-4	Trio for Piano, Violin and Cello in C minor, Op. 1 No. 3: IV. Finale. Prestissimo		—
25-5	Trio for Piano, Violin and Cello in E-flat major, WoO 39: I. Allegro moderato		—
25-6	Trio for Piano, Violin and Cello in E-flat major, WoO 39: II. Scherzo. Allegro ma non troppo		—
25-7	Trio for Piano, Violin and Cello in E-flat major, WoO 39: III. Rondo. Allegro		—
25-8	Variations in G major on Wenzel Müller's "Ich bin der Schneider Kakadu", Op. 121a		—
26-1	Trio for Piano, Violin and Cello in D major, Op. 70 No. 1 "Geister": I. Allegro vivace e con brio		—
26-2	Trio for Piano, Violin and Cello in D major, Op. 70 No. 1 "Geister": II. Largo assai ed espressione		—
26-3	Trio for Piano, Violin and Cello in D major, Op. 70 No. 1 "Geister": III. Presto		—
26-4	Trio for Piano, Violin and Cello in E-flat major, Op. 70 No. 2: I. Poco sostenuto – Allegro ma non troppo		—
26-5	Trio for Piano, Violin and Cello in E-flat major, Op. 70 No. 2: II. Allegretto		—
26-6	Trio for Piano, Violin and Cello in E-flat major, Op. 70 No. 2: III. Allegretto ma non troppo		—
26-7	Trio for Piano, Violin and Cello in E-flat major, Op. 70 No. 2: IV. Finale. Allegro		—
27-1	Allegretto for Piano, Violin and Cello in B-flat major, WoO 38		—
27-2	Trio for Piano, Violin and Cello in B-flat major, Op. 97 "Archduke": I. Allegro moderato		—
27-3	Trio for Piano, Violin and Cello in B-flat major, Op. 97 "Archduke": II. Allegretto		—
27-4	Trio for Piano, Violin and Cello in B-flat major, Op. 97 "Archduke": III. Andante cantabile, ma pero con moto		—
27-5	Trio for Piano, Violin and Cello in B-flat major, Op. 97 "Archduke": IV. Finale. Allegro		—
27-6	14 Variations for Piano, Violin, and Cello in E-flat major, Op. 44		—
28-1	Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: I. Adagio sostenuto – Allegro		—
28-2	Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: II. Rondo. Allegro vivace		—
28-3	Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: Ia. Adagio sostenuto ed espressivo		—
28-4	Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: Ib. Allegro molto più tosto presto		—
28-5	Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: II. Rondo. Allegro		—
28-6	Sonata for Cello and Piano No. 3 in A major, Op. 69: I. Allegro ma non tanto		—
28-7	Sonata for Cello and Piano No. 3 in A major, Op. 69: II. Scherzo. Allegro molto		—
28-8	Sonata for Cello and Piano No. 3 in A major, Op. 69: III. Adagio cantabile – Allegro vivace		—
29-1	Sonata for Cello and Piano No. 4 in C major, Op. 102 No. 1: I. Adagio – Allegro vivace		—
29-2	Sonata for Cello and Piano No. 4 in C major, Op. 102 No. 1: II. Adagio – Tempo d’andante – Allegro vivace		—
29-3	Sonata for Cello and Piano No. 5 in D major, Op. 102 No. 2: I. Allegro con brio		—
29-4	Sonata for Cello and Piano No. 5 in D major, Op. 102 No. 2: II. Adagio con molto sentimento d’affetto		—
29-5	Sonata for Cello and Piano No. 5 in D major, Op. 102 No. 2: III. Allegro – Allegro fugato		—
29-6	12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Thema. Allegretto		—
29-7	12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 1		—
29-8	12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 2		—
29-9	12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 3		—
29-10	12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 4		—
29-11	12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 5		—
29-12	12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 6		—
29-13	12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 7		—
29-14	12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 8		—
29-15	12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 9		—
29-16	12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 10		—
29-17	12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 11. Adagio		—
29-18	12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 12. Allegro		—
29-19	12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Thema. Allegretto		—
29-20	12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 1		—
29-21	12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 2		—
29-22	12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 3		—
29-23	12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 4		—
29-24	12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 5		—
29-25	12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 6		—
29-26	12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 7		—
29-27	12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 8		—
29-28	12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 9		—
29-29	12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 10. Adagio		—
29-30	12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 11. Poco adagio, quasi andante		—
29-31	12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 12. Allegro		—
29-32	7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Thema. Andante		—
29-33	7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 1		—
29-34	7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 2		—
29-35	7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 3		—
29-36	7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 4		—
29-37	7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 5. Si prenda il tempo un poco		—
29-38	7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 6. Adagio		—
29-39	7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 7. Allegro ma non troppo		—
30-1	Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: I. Allegro con brio		—
30-2	Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: II. Tema con variazioni. Andante con moto		—
30-3	Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: III. Rondo. Allegro		—
30-4	Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: I. Allegro vivace		—
30-5	Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: II. Andante più tosto allegretto		—
30-6	Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: III. Allegro piacevole		—
30-7	Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: I. Allegro con spirito		—
30-8	Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: II. Adagio con molt'espressione		—
30-9	Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: III. Rondo. Allegro molto		—
30-10	Sonata for Violin and Piano No. 4 in A minor, Op. 23: I. Presto		—
30-11	Sonata for Violin and Piano No. 4 in A minor, Op. 23: II. Andante scherzoso, più allegretto		—
30-12	Sonata for Violin and Piano No. 4 in A minor, Op. 23: III. Allegro molto		—
31-1	Sonata for Violin and Piano No. 5 in F major, Op. 24 "Frühling": I. Allegro		—
31-2	Sonata for Violin and Piano No. 5 in F major, Op. 24 "Frühling": II. Adagio molto espressivo		—
31-3	Sonata for Violin and Piano No. 5 in F major, Op. 24 "Frühling": III. Scherzo. Allegro molto		—
31-4	Sonata for Violin and Piano No. 5 in F major, Op. 24 "Frühling": IV. Rondo. Allegro ma non troppo		—
31-5	Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: I. Allegro		—
31-6	Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: II. Adagio		—
31-7	Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: III. Allegretto con variazioni		—
31-8	Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: I. Allegro con brio		—
31-9	Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: II. Adagio cantabile		—
31-10	Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: III. Scherzo. Allegro		—
31-11	Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: IV. Finale. Allegro		—
32-1	Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: I. Allegro assai		—
32-2	Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: II. Tempo di menuetto		—
32-3	Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: III. Allegro vivace		—
32-4	Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": I. Adagio sostenuto – Presto		—
32-5	Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": II. Andante con variazioni		—
32-6	Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": III. Finale. Presto		—
32-7	Sonata for Violin and Piano No. 10 in G major, Op. 96: I. Allegro moderato		—
32-8	Sonata for Violin and Piano No. 10 in G major, Op. 96: II. Adagio espressivo		—
32-9	Sonata for Violin and Piano No. 10 in G major, Op. 96: III. Scherzo. Allegro		—
32-10	Sonata for Violin and Piano No. 10 in G major, Op. 96: IV. Poco allegretto		—
33-1	Trio for Violin, Viola and Cello in E-flat major, Op. 3: I. Allegro con brio		—
33-2	Trio for Violin, Viola and Cello in E-flat major, Op. 3: II. Andante		—
33-3	Trio for Violin, Viola and Cello in E-flat major, Op. 3: III. Menuetto. Allegro		—
33-4	Trio for Violin, Viola and Cello in E-flat major, Op. 3: IV. Adagio		—
33-5	Trio for Violin, Viola and Cello in E-flat major, Op. 3: V. Menuetto. Moderato		—
33-6	Trio for Violin, Viola and Cello in E-flat major, Op. 3: VI. Finale. Allegro		—
33-7	Serenade for Violin, Viola and Cello in D major, Op. 8: Ia. Marcia. Allegro		—
33-8	Serenade for Violin, Viola and Cello in D major, Op. 8: Ib. Adagio		—
33-9	Serenade for Violin, Viola and Cello in D major, Op. 8: II. Menuetto. Allegretto		—
33-10	Serenade for Violin, Viola and Cello in D major, Op. 8: III. Adagio – Scherzo. Allegro		—
33-11	Serenade for Violin, Viola and Cello in D major, Op. 8: IV. Allegretto alla Polacca		—
33-12	Serenade for Violin, Viola and Cello in D major, Op. 8: Va. Andante quasi allegretto – Variations 1–4 – Allegro		—
33-13	Serenade for Violin, Viola and Cello in D major, Op. 8: Vb. Marcia. Allegro		—
34-1	Trio for Violin, Viola and Cello in G major, Op. 9 No. 1: I. Adagio – Allegro con brio		—
34-2	Trio for Violin, Viola and Cello in G major, Op. 9 No. 1: II. Adagio ma non tanto e cantabile		—
34-3	Trio for Violin, Viola and Cello in G major, Op. 9 No. 1: III. Scherzo. Allegro		—
34-4	Trio for Violin, Viola and Cello in G major, Op. 9 No. 1: IV. Presto		—
34-5	Trio for Violin, Viola and Cello in D major, Op. 9 No. 2: I. Allegretto		—
34-6	Trio for Violin, Viola and Cello in D major, Op. 9 No. 2: II. Andante quasi allegretto		—
34-7	Trio for Violin, Viola and Cello in D major, Op. 9 No. 2: III. Menuetto. Allegro		—
34-8	Trio for Violin, Viola and Cello in D major, Op. 9 No. 2: IV. Rondo. Allegro		—
34-9	Trio for Violin, Viola and Cello in C minor, Op. 9 No. 3: I. Allegro con spirito		—
34-10	Trio for Violin, Viola and Cello in C minor, Op. 9 No. 3: II. Adagio con espressione		—
34-11	Trio for Violin, Viola and Cello in C minor, Op. 9 No. 3: III. Scherzo. Allegro molto e vivace		—
34-12	Trio for Violin, Viola and Cello in C minor, Op. 9 No. 3: IV. Finale. Presto		—
35-1	Quartet for Strings in F major, Op. 18 No. 1: I. Allegro con brio		—
35-2	Quartet for Strings in F major, Op. 18 No. 1: II. Adagio affettuoso ed appassionato		—
35-3	Quartet for Strings in F major, Op. 18 No. 1: III. Scherzo. Allegro molto		—
35-4	Quartet for Strings in F major, Op. 18 No. 1: IV. Allegro		—
35-5	Quartet for Strings in G major, Op. 18 No. 2: I. Allegro		—
35-6	Quartet for Strings in G major, Op. 18 No. 2: II. Adagio cantabile		—
35-7	Quartet for Strings in G major, Op. 18 No. 2: III. Scherzo. Allegro		—
35-8	Quartet for Strings in G major, Op. 18 No. 2: IV. Allegro molto quasi presto		—
36-1	Quartet for Strings in D major, Op. 18 No. 3: I. Allegro		—
36-2	Quartet for Strings in D major, Op. 18 No. 3: II. Andante con moto		—
36-3	Quartet for Strings in D major, Op. 18 No. 3: III. Allegro		—
36-4	Quartet for Strings in D major, Op. 18 No. 3: IV. Presto		—
36-5	Quartet for Strings in C minor, Op. 18 No. 4: I. Allegro ma non tanto		—
36-6	Quartet for Strings in C minor, Op. 18 No. 4: II. Scherzo. Andante scherzoso		—
36-7	Quartet for Strings in C minor, Op. 18 No. 4: III. Menuetto. Allegretto		—
36-8	Quartet for Strings in C minor, Op. 18 No. 4: IV. Allegro		—
37-1	Quartet for Strings in A major, Op. 18 No. 5: I. Allegro		—
37-2	Quartet for Strings in A major, Op. 18 No. 5: II. Menuetto		—
37-3	Quartet for Strings in A major, Op. 18 No. 5: III. Andante cantabile		—
37-4	Quartet for Strings in A major, Op. 18 No. 5: IV. Allegro		—
37-5	Quartet for strings in B-flat major, Op. 18 No. 6: I. Allegro con brio		—
37-6	Quartet for strings in B-flat major, Op. 18 No. 6: II. Adagio ma non troppo		—
37-7	Quartet for strings in B-flat major, Op. 18 No. 6: III. Scherzo. Allegro		—
37-8	Quartet for strings in B-flat major, Op. 18 No. 6: IV. Adagio “La malinconia” – Allegretto		—
37-9	Quartet for Strings in F minor, Op. 95 “Serioso”: I. Allegro con brio		—
37-10	Quartet for Strings in F minor, Op. 95 “Serioso”: II. Allegretto ma non troppo		—
37-11	Quartet for Strings in F minor, Op. 95 “Serioso”: III. Allegro assai vivace ma serioso		—
37-12	Quartet for Strings in F minor, Op. 95 “Serioso”: IV. Larghetto espressivo – Allegretto agitato		—
38-1	Quartet for Strings in F major, Op. 59 No. 1: I. Allegro		—
38-2	Quartet for Strings in F major, Op. 59 No. 1: II. Allegretto vivace, sempre scherzando		—
38-3	Quartet for Strings in F major, Op. 59 No. 1: III. Adagio molto e mesto		—
38-4	Quartet for Strings in F major, Op. 59 No. 1: VI. Theme russe. Allegro		—
38-5	Quartet for Strings in E minor, Op. 59 No. 2: I. Allegro		—
38-6	Quartet for Strings in E minor, Op. 59 No. 2: II. Molto adagio		—
38-7	Quartet for Strings in E minor, Op. 59 No. 2: III. Allegretto		—
38-8	Quartet for Strings in E minor, Op. 59 No. 2: IV. Finale. Presto		—
39-1	Quartet for Strings in E-flat major, Op. 74 “Harfen Quartett”: I. Poco adagio – Allegro		—
39-2	Quartet for Strings in E-flat major, Op. 74 “Harfen Quartett”: II. Adagio ma non troppo		—
39-3	Quartet for Strings in E-flat major, Op. 74 “Harfen Quartett”: III. Presto – Più presto quasi prestissimo		—
39-4	Quartet for Strings in E-flat major, Op. 74 “Harfen Quartett”: IV. Allegretto con variazioni		—
39-5	Quartet for Strings in C-sharp minor, Op. 131: I. Adagio ma non troppo e molto espressivo		—
39-6	Quartet for Strings in C-sharp minor, Op. 131: II. Allegro molto vivace		—
39-7	Quartet for Strings in C-sharp minor, Op. 131: III. Allegro moderato		—
39-8	Quartet for Strings in C-sharp minor, Op. 131: IV. Andante ma non troppo e molto cantabile		—
39-9	Quartet for Strings in C-sharp minor, Op. 131: V. Presto		—
39-10	Quartet for Strings in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante		—
39-11	Quartet for Strings in C-sharp minor, Op. 131: VII. Allegro		—
40-1	Quartet for Strings in E-flat major, Op. 127: I. Maestoso – Allegro		—
40-2	Quartet for Strings in E-flat major, Op. 127: II. Adagio,ma no troppo e molto cantabile		—
40-3	Quartet for Strings in E-flat major, Op. 127: III. Scherzando vivace		—
40-4	Quartet for Strings in E-flat major, Op. 127: IV. Finale		—
40-5	Quartet for Strings in F major, Op. 135: I. Allegretto		—
40-6	Quartet for Strings in F major, Op. 135: II. Vivace		—
40-7	Quartet for Strings in F major, Op. 135: III. Lento assai, cantante e tranquillo		—
40-8	Quartet for Strings in F major, Op. 135: IV. Der schwer gefasste Entschluss, grave – Allegro		—
41-1	Quartet for Strings in A minor, Op. 132: I. Assai sostenuto – Allegro		—
41-2	Quartet for Strings in A minor, Op. 132: II. Allegro ma non tanto		—
41-3	Quartet for Strings in A minor, Op. 132: III. Heiliger Dankgesang eines Genesenen an die Gottheit,in der lydischen Tonart		—
41-4	Quartet for Strings in A minor, Op. 132: IV. Alla marcia, assai vivace		—
41-5	Quartet for Strings in A minor, Op. 132: V. Allegro appassionato		—
41-6	Quartet for Strings in C major, Op. 59 No. 3: I. Introduzione. Andante con moto – Allegro vivace		—
41-7	Quartet for Strings in C major, Op. 59 No. 3: II. Andante con moto quasi allegretto		—
41-8	Quartet for Strings in C major, Op. 59 No. 3: III. Menuetto. Grazioso		—
41-9	Quartet for Strings in C major, Op. 59 No. 3: IV. Allegro molto		—
42-1	Quartet for Strings in B-flat major, Op. 130: I. Adagio ma non troppo – Allegro		—
42-2	Quartet for Strings in B-flat major, Op. 130: II. Presto		—
42-3	Quartet for Strings in B-flat major, Op. 130: III. Andante con moto ma non troppo, poco scherzando		—
42-4	Quartet for Strings in B-flat major, Op. 130: IV. Alla tedesca. Allegro assai		—
42-5	Quartet for Strings in B-flat major, Op. 130: V. Cavatina. Adagio molto espressivo		—
42-6	Quartet for Strings in B-flat major, Op. 130: VI. Finale. Allegro		—
42-7	Große Fuge for Strings in B-flat major, Op. 133: Overtura – Meno mosso e moderato – Allegro		—
43-1	Quintet for Strings in C major, Op. 29: I. Allegro moderato		—
43-2	Quintet for Strings in C major, Op. 29: II. Adagio molto espressivo		—
43-3	Quintet for Strings in C major, Op. 29: III. Scherzo. Allegro		—
43-4	Quintet for Strings in C major, Op. 29: IV. Presto		—
43-5	Quintet for Strings in C minor, Op. 104: I. Allegro con brio		—
43-6	Quintet for Strings in C minor, Op. 104: II. Andante cantabile con variazioni		—
43-7	Quintet for Strings in C minor, Op. 104: III. Menuetto. Quasi allegro		—
43-8	Quintet for Strings in C minor, Op. 104: IV. Finale. Presto		—
43-9	Quartet for Strings in F major, H. 34: I. Allegro moderato		—
43-10	Quartet for Strings in F major, H. 34: II. Allegretto		—
43-11	Quartet for Strings in F major, H. 34: III. Allegro		—
44-1	Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: I. Allegro con brio		—
44-2	Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: II. Andante		—
44-3	Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: III. Menuetto		—
44-4	Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: IV. Finale. Presto		—
44-5	Fugue for 2 Violins, 2 Violas, Cello and Double Bass in D major, Op. 137		—
44-6	Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: I. Allegro		—
44-7	Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: II. Minuetto. Allegretto		—
44-8	6 Ländlerische Tänze for 2 Violins, Cello and Double Bass, WoO 15		—
44-9	Prelude and Fugue for 2 Violins and Cello in E minor, H. 29		—
44-10	Prelude and Fugue for 2 Violins, Viola and Cello in F major, H. 30		—
44-11	Prelude and Fugue for for 2 Violins, Viola and Cello in C major, H. 31		—
44-12	Minuet for for 2 Violins, Viola and Cello, H. 33		—
44-13	Prelude for 2 Violins, Viola and Cello, H. 40		—
56-1	6 Variations for Piano on a Swiss Song in F major, WoO 64		—
56-2	9 Variations for Piano in A major on “Quant’è più bello” from Paisello’s “La molinara”, WoO 69		—
56-3	6 Variations for Piano in G major on an Original Theme, WoO 77		—
56-4	8 Variations for Piano in C major on “Une fièvre brulante” from Grétry’s “Richard Cœur-de-Lion”, WoO 72		—
56-5	Rondo for Piano in G major, Op. 51 No. 2		—
56-6	Allegretto for Piano in C minor, WoO 53		—
56-7	6 Écossaises, WoO 83		—
56-8	Bagatelle for Piano in A minor, WoO 59 "Für Elise"		—
56-9	Polonaise for Piano in C major, Op. 89		—
56-10	Sonata for Piano in E-flat major, WoO 47 No. 1 “Kurfürsten”: I. Allegro cantabile		—
56-11	Sonata for Piano in E-flat major, WoO 47 No. 1 “Kurfürsten”: II. Andante		—
56-12	Sonata for Piano in E-flat major, WoO 47 No. 1 “Kurfürsten”: III. Rondo. Vivace		—
56-13	Sonata for Piano in F minor, WoO 47 No. 2 “Kurfürsten”: I. Larghetto maestoso		—
56-14	Sonata for Piano in F minor, WoO 47 No. 2 “Kurfürsten”: II. Andante		—
56-15	Sonata for Piano in F minor, WoO 47 No. 2 “Kurfürsten”: III. Presto		—
59-1	Bagatelle for Piano in C minor, WoO 52		—
59-2	Allegretto for Piano in C minor, Hess 69		—
59-3	Bagatelle for Piano in C major, WoO 54 “Lustig-Traurig”		—
59-4	Rondo for Piano in C major, WoO 48		—
59-5	Rondo in A major, WoO 49		—
59-6	Sonata in F major, WoO 50: I		—
59-7	Sonata for Piano in F major, WoO 50: II		—
59-8	Allemande for Piano in A major, WoO 81		—
59-9	Anglaise in D major, H. 61		—
59-10	Prelude for Piano in F minor, WoO 55		—
59-11	Fantasia for Piano in G minor, Op. 77		—
59-12	Allegretto for Piano in B minor, WoO 61		—
59-13	9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Thema. Maestoso		—
59-14	9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 1		—
59-15	9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 2		—
59-16	9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 3		—
59-17	9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 4		—
59-18	9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 5		—
59-19	9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 6		—
59-20	9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 7		—
59-21	9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 8		—
59-22	9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 9		—
59-23	Prelude for Piano, Op. 39 No. 1		—
59-24	Prelude for Piano, Op. 39 No. 2		—
59-25	Fugue for Piano in C major, Hess 64		—
59-26	Minuet for Piano in E-flat major, WoO 82		—
59-27	Bagatelle for Piano in C major, WoO 56		—
59-28	12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Thema. Allegretto		—
59-29	12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 1		—
59-30	12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 2		—
59-31	12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 3		—
59-32	12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 4		—
59-33	12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 5		—
59-34	12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 6		—
59-35	12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 7		—
59-36	12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 8		—
59-37	12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 9		—
59-38	12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 10		—
59-39	12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 11		—
59-40	12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 12		—
59-41	Waltz for Piano in E-flat major, WoO 84		—
59-42	Allegretto quasi andante for Piano, WoO 61a		—
59-43	Waltz for Piano in D major, WoO 85		—
59-44	Écossaise for Piano in E-flat major, WoO 86		—
60-1	Sonata for 2 Pianos in D major, Op. 6: I. Allegro molto		—
60-2	Sonata for 2 Pianos in D major, Op. 6: II. Rondo		—
60-3	8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Thema		—
60-4	8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 1		—
60-5	8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 2		—
60-6	8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 3		—
60-7	8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 4		—
60-8	8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 5		—
60-9	8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 6		—
60-10	8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 7		—
60-11	8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 8		—
60-12	3 Marches for 2 Pianos, Op. 45 No. 1 in C major: Allegro ma non troppo		—
60-13	3 Marches for 2 Pianos, Op. 45 No. 2 in E-flat major: Vivace		—
60-14	3 Marches for 2 Pianos, Op. 45 No. 3 in D major: Vivace		—
60-15	6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Thema		—
60-16	6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 1		—
60-17	6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 2		—
60-18	6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 3		—
60-19	6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 4		—
60-20	6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 5		—
60-21	6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 6		—
60-22	Große Fugue for 2 Pianos, Op. 134: I. Overture. Allegro		—
60-23	Große Fugue for 2 Pianos, Op. 134: II. Fuga. Allegro		—
60-24	Große Fugue for 2 Pianos, Op. 134: III. Meno mosso e moderato		—
60-25	Große Fugue for 2 Pianos, Op. 134: IV. Allegro		—
60-26	Große Fugue for 2 Pianos, Op. 134: V. Allegro molto e con brio		—
60-27	Große Fugue for 2 Pianos, Op. 134: VI. Allegro molto e con brio		—
60-28	Sonata for Piano in D major, WoO 47 No. 3 “Kurfürsten”: I. Allegro		—
60-29	Sonata for Piano in D major, WoO 47 No. 3 “Kurfürsten”: II. Menuetto		—
60-30	Sonata for Piano in D major, WoO 47 No. 3 “Kurfürsten”: III. Scherzando		—
61-1	Leonore, Hess 109: Overture "Leonore II"	Staatskapelle Dresden, Herbert Blomstedt	T-909.574.378-5
61-2	Leonore: Act I. "Fidelio kommt nicht zurück!" (Marzelline)	Helen Donath, Staatskapelle Dresden, Herbert Blomstedt	—
61-3	Leonore: Act I. No. 1 Aria "O wär'ich schon mit dir vereint" (Marzelline)	Helen Donath, Staatskapelle Dresden, Herbert Blomstedt	—
61-4	Leonore: Act I. "Wenn ich diese Tür nicht" (Jaquino, Marzelline)	Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt	—
61-5	Leonore: Act I. No. 2 Duet "Jetzt, Schätzchen" (Jaquino, Marzelline)	Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt	—
61-6	Leonore: Act I. "Höre, Jaquino" (Marzelline, Jaquino, Rocco)	Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
61-7	Leonore: Act I. No. 3 Trio "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline)	Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
61-8	Leonore: Act I. "Ist Fidelio noch nich nach Hause gekommen?" (Rocco, Marzelline, Jaquino, Leonore)	Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
61-9	Leonore: Act I. No. 4 Canon "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)	Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
61-10	Leonore: Act I. "Höre, Fidelio" (Rocco, Marzelline, Leonore)	Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
61-11	Leonore: Act I. No. 5 Aria "Hat man nich auch Gold beineben" (Rocco)	Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
61-12	Leonore: Act I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline)	Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
61-13	Leonore: Act I. No. 6 Trio "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline)	Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
61-14	Leonore: Act II. No. 7 March	Staatskapelle Dresden, Herbert Blomstedt	—
61-15	Leonore: Act II. "Drei Schildwachten auf den Wall" (Pizarro, Rocco)	Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
61-16	Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco)	Theo Adam, MDR Rundfunkchor Leipzig, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
61-17	Leonore: Act II. "Rocco!" (Pizarro, Rocco)	Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
61-18	Leonore: Act II. No. 9 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)	Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
61-19	Leonore: Act II. "Nun ist es endlich entschieden" (Marzelline, Leonore)	Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt	—
61-20	Leonore: Act II. No. 10 Duet "Im in der Ehe froh zu leben" (Marzelline, Leonore)	Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt	—
61-21	Leonore: Act II. "Sie doch, wie du so schnell" (Marzelline, Leonore)	Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt	—
61-22	Leonore: Act II. No. 11 Recitative and Aria "Ach, brich noch nicht" (Leonore)	Edda Moser, Staatskapelle Dresden, Herbert Blomstedt	—
62-1	Leonore: Act II. No. 12 Finale "O welche Lust!" (Chorus of the Prisoners)	Richard Cassilly, Reiner Goldberg, Siegfried Lorenz, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt	—
62-2	Leonore: Act II. "Entfernt euch jetzt!" (Rocco, Leonore)	Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
62-3	Leonore: Act II. "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore, Marzelline, Pizarro)	Theo Adam, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
62-4	Leonore: Act II. "Auf euch nur will ich bauen" (Pizarro, Chorus)	Theo Adam, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt	—
62-5	Leonore: Act III. No. 13 Recitative and Aria "Gott! Welch dunkel hier!" (Florestan)	Richard Cassilly, Staatskapelle Dresden, Herbert Blomstedt	—
62-6	Leonore: Act III. No. 14 Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco)	Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
62-7	Leonore: Act III. "Er erwacht!" (Leonore, Rocco, Florestan)	Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
62-8	Leonore: Act III. No. 15 Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)	Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
62-9	Leonore: Act III. "Alles ist bereit" (Rocco, Leonore, Pizarro)	Theo Adam, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
62-10	Leonore: Act III. No. 16 Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco)	Theo Adam, Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
62-11	Leonore: Act III. "Die Waffe hab'ich mir" (Leonore)	Edda Moser, Staatskapelle Dresden, Herbert Blomstedt	—
62-12	Leonore: Act III. No. 17 Recitative and Duet "Ich kann mich noch nicht fassen" (Florestan, Leonore)	Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt	—
62-13	Leonore: Act III. "O Leonore, sprich!" (Florestan, Leonore)	Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt	—
62-14	Leonore: Act III. No. 18 Finale "Zur Rache" (Chorus, Leonore, Florestan, Rocco, Don Fernando)	Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
62-15	Leonore: Act III. "O Gott! O welch ein Augenblick!" (Leonore, Marzelline, Florestan, Don Fernando, Rocco, Chorus)	Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
62-16	Leonore: Act III. "Wie lange habt Ihr sie getragen?" (Don Fernando, Florestan, Rocco, Chorus, Leonore, Marzelline, Jaquino)	Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
62-17	Leonore: Act III. "Preist mit hoher Freude Glut" (Chorus)	MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt	—
62-18	Leonore: Act III. "Wer ein solches Weib errungen" (Florestan, Marzelline, Jaquino, Rocco, Don Fernando, Chorus)	Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt	—
63-1	Fidelio: Overture		—
63-2	Fidelio: Act I. No. 1 Duet "Jetzt, Schätzchen, sind wir allein" (Jaquino, Marzelline)		—
63-3	Fidelio: Act I. No. 2 Aria "O war ich schon mit dir vereint" (Marzelline)		—
63-4	Fidelio: Act I. No. 3 Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)		—
63-5	Fidelio: Act I. No. 4 Aria "Hat man nicht auch Gold beineben" (Rocco)		—
63-6	Fidelio: Act I. No. 5 Trio "Gut, Söhnchen, gut" (Leonore, Rocco, Marzelline)		—
63-7	Fidelio: Act I. No. 6 March		—
63-8	Fidelio: Act I. No. 7 Aria with Chorus "Ha! Welch'ein Augenblick!" (Pizarro, Soldiers)		—
63-9	Fidelio: Act I. No. 8 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)		—
63-10	Fidelio: Act I. No. 9 Recitative and Aria "Abscheulicher! Wo eilst du hin?" (Leonore, Marzelline)		—
63-11	Fidelio: Act I. Aria. "Komm Hoffnung, lass den letzten Stern" (Leonore, Marzelline, Rocco)		—
63-12	Fidelio: Act I. No. 10 Finale "O welche Lust" (Prisoners)		—
63-13	Fidelio: Act I. Recitative and Duet "Nun sprecht, wie ging's?" (Leonore, Rocco)		—
63-14	Fidelio: Act I. "Ach! Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro)		—
63-15	Fidelio: Act I. "Leb'wohl, du warmes Sonnenlicht" (Prisoners, Marzelline, Leonore, Pizarro, Jaquino, Rocco)		—
64-1	Fidelio: Act II. No. 11 Recitative and Aria "Gott! Welch'dunkel hier!" (Florestan)		—
64-2	Fidelio: Act II. "In des Lebens Frühlingstagen" (Florestan)		—
64-3	Fidelio: Act II. No. 12 Melodrama and Duet "Wie kalt ist es in diesem unterirdischen Gewölbe" (Leonore, Rocco)		—
64-4	Fidelio: Act II. "Nur hurtig fort, nur frisch gegraben" (Leonore, Rocco, Florestan)		—
64-5	Fidelio: Act II. No. 13 Trio "Euch werde Lohn in bessern Welten" (Leonore, Florestan, Rocco, Pizarro)		—
64-6	Fidelio: Act II. No. 14 Quartet "Er sterbe!" (Leonore, Florestan, Pizarro, Rocco)		—
64-7	Fidelio: Act II. No. 15 Duet "O namenlose Freude!" (Leonore, Florestan)		—
64-8	Fidelio: Act II. No. 16 Finale "Heil sei dem Tag!" (People)		—
64-9	Fidelio: Act II. "Des besten Königs Wink und Wille" (Fernando, People, Prisoners, Rocco, Pizarro, Marzelline)		—
64-10	Fidelio: Act II. "Wer ein holdes Weib errungen" (Chorus, Leonore, Florestan)		—
65-1	Egmont, Op. 84: Ouvertüre		—
65-2	Egmont, Op. 84: No. 1 Lied "Die Trommel gerühret!" (Klärchen)		—
65-3	Egmont, Op. 84: No. 2 Zwischenakt I		—
65-4	Egmont, Op. 84: No. 3 Zwischenakt II		—
65-5	Egmont, Op. 84: No. 4 Lied "Freudvoll und Leidvoll"		—
65-6	Egmont, Op. 84: No. 5 Zwischenakt III		—
65-7	Egmont, Op. 84: No. 6 Zwischenakt IV		—
65-8	Egmont, Op. 84: Monolog "Alter Freund!" (Egmont)		—
65-9	Egmont, Op. 84: No. 7 Musik "Klärchen's Tod bezeichnend"		—
65-10	Egmont, Op. 84: Monolog "Es ist vorbei" (Egmont)		—
65-11	Egmont, Op. 84: No. 8 Melodram "Süsser Schlaf" (Egmont)		—
65-12	Egmont, Op. 84: Monolog "Verschwunden ist der Kranz" (Egmont)		—
65-13	Egmont, Op. 84: No. 9 "Siegessymphonie"		—
66-1	Die Geschöpfe des Prometheus, Op. 43: Ouverture. Adagio - Allegro molto con brio / Introduction. Allegro non troppo		—
66-2	Die Geschöpfe des Prometheus, Op. 43: Adagio - Allegro con brio - Allegro vivace		—
66-3	Die Geschöpfe des Prometheus, Op. 43: Maestoso andante - Adagio - Andante quasi allegretto		—
66-4	Die Geschöpfe des Prometheus, Op. 43: Allegro con brio - Presto		—
66-5	Die Geschöpfe des Prometheus, Op. 43: Adagio - Adagio - Allegro molto		—
66-6	Die Geschöpfe des Prometheus, Op. 43: Pastorale. Allegro		—
66-7	Die Geschöpfe des Prometheus, Op. 43: Maestoso - Allegro (Solo di Gioia)		—
66-8	Die Geschöpfe des Prometheus, Op. 43: Allegro		—
66-9	Die Geschöpfe des Prometheus, Op. 43: Andante - Adagio - Allegro - Allegretto (Solo della Cassentini)		—
66-10	Die Geschöpfe des Prometheus, Op. 43: Andantino - Adagio - Allegro (Solo di Vigano)		—
66-11	Die Geschöpfe des Prometheus, Op. 43: Finale. Allegretto - Allegro molto presto		—
66-12	Musik zu einem Ritterballett, WoO 1: I. Marsch		—
66-13	Musik zu einem Ritterballett, WoO 1: II. Deutscher Gesang. Allegro moderato		—
66-14	Musik zu einem Ritterballett, WoO 1: III. Jagdlied. Allegretto		—
66-15	Musik zu einem Ritterballett, WoO 1: IV. Romanze. Andantino		—
66-16	Musik zu einem Ritterballett, WoO 1: V. Kriegslied. Allegro assai con brio		—
66-17	Musik zu einem Ritterballett, WoO 1: VI. Trinklied. Allegro con brio		—
66-18	Musik zu einem Ritterballett, WoO 1: VII. Deutscher Tanz. Walzer		—
66-19	Musik zu einem Ritterballett, WoO 1: VIII. Coda. Allegro vivace - Andantino - Tempo I		—
67-1	Die Ruinen von Athen, Op. 113: I. Overtüre		—
67-2	Die Ruinen von Athen, Op. 113: II. Chor "Tochter des mächtigen Zeus"		—
67-3	Die Ruinen von Athen, Op. 113: III. Duett "Ohne Verschulden Knechtschaft dulden"		—
67-4	Die Ruinen von Athen, Op. 113: IV. Chor der Derwische "Du hast in deines Ärmels Falten"		—
67-5	Die Ruinen von Athen, Op. 113: V. Marcia alla turca		—
67-6	Die Ruinen von Athen, Op. 113: VI. March "Schmückt die Altare"		—
67-7	Die Ruinen von Athen, Op. 113: VII. Chor und Arie "Wir tragen empfängliche Herzen in Busen"		—
67-8	Die Ruinen von Athen, Op. 113: VIII. Chor "Heil unserm König! Heil!"		—
67-9	König Stephan, Op. 117: I. Overtüre		—
67-10	König Stephan, Op. 117: II. Männerchor "Ruhend von seinem Thaten"		—
67-11	König Stephan, Op. 117: III. Männerchor "Auf dunkelm in finstern Hainen Wandelten"		—
67-12	König Stephan, Op. 117: IV. Siegesmarsch		—
67-13	König Stephan, Op. 117: V. Frauenchor "Wo die Unschuld Blumen streute"		—
67-14	König Stephan, Op. 117: VI. Chor "Eine neue strahlende Sonne"		—
67-15	König Stephan, Op. 117: VII. Chor "Heil! Heil unserm Enkeln"		—
67-16	Aria with Chorus in B-flat major, WoO 94 "Germania"		—
67-17	Chor auf die verbündeten Fürsten. WoO 95 "Ihr weisen Gründer"		—
68-1	Aria, Op. 65 "Ah! Perfido"		—
68-2	Aria for Soprano and Orchestra, WoO 92 - "Primo Amore"		—
68-3	Aria for Soprano and Strings, WoO 92a "No, non turbati"		—
68-4	Duet for Soprano, Tenor and Orchestra, WoO 93 "Nei giorni tuoi felice"		—
68-5	Trio for Soprano, Bass and Orchestra, Op. 116 "Tremate, empi, tremate"		—
68-6	Aria for Bass and Orchestra, WoO 89 "Prüfung des Küssens"		—
68-7	Aria for Bass and Orchestra, WoO 90 "Mit Mädeln sich vertragen"		—
68-8	Aria from "Die schöne Schüsterin" for Tenor and Orchestra, WoO 91 No. 1 "O welch ein Leben!"		—
68-9	Aria from "Die schöne Schüsterin" for Soprano and Orchestra, WoO 91 No. 2 "Soll ein Schuh nicht drücken"		—
69-1	Cantata on the Death of Emperor Joseph II, WoO 87: I. Chorus "Tot! Tot, stöhnt es durch die öde Nacht" (solo quartet)		—
69-2	Cantata on the Death of Emperor Joseph II, WoO 87: II. Recitative "Ein Ungeheuer, sein Name Fanatismus" (bass)		—
69-3	Cantata on the Death of Emperor Joseph II, WoO 87: III. Aria "Da kam Joseph" (bass)		—
69-4	Cantata on the Death of Emperor Joseph II, WoO 87: IV. Aria & Chorus "Da stiegen die Menschen ans Licht" (soprano)		—
69-5	Cantata on the Death of Emperor Joseph II, WoO 87: V. Recitative "Er schläft" (soprano)		—
69-6	Cantata on the Death of Emperor Joseph II, WoO 87: VI. Aria "Hier schlummert seinen stillen Frieden" (soprano)		—
69-7	Cantata on the Death of Emperor Joseph II, WoO 87: VII. Chorus "Tot, stöhnt es durch die öde Nacht" (solo quartet)		—
69-8	Cantata on the Accession of Emperor Leopold II, WoO 88: I. Recitative & Chorus "Er schlummert, laßt sanft den großen Fürsten ruhen!" (soprano)		—
69-9	Cantata on the Accession of Emperor Leopold II, WoO 88: II. Aria "Fließe, Wonnezähren, fließe!" (soprano)		—
69-10	Cantata on the Accession of Emperor Leopold II, WoO 88: III. Recitative "Ihr staunt, Völker der Erde!" (bass)		—
69-11	Cantata on the Accession of Emperor Leopold II, WoO 88: IV. Recitative "Wie bebt mein Herz vor Wonne!" (tenor)		—
69-12	Cantata on the Accession of Emperor Leopold II, WoO 88: V. Chorus "Heil! Stürzet nieder, Millionen" (solo quartet)		—
70-1	Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa Stet!"		—
70-2	Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!"		—
70-3	Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna)		—
70-4	Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin)		—
70-5	Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin)		—
70-6	Cantata for 4 Solo Voices, Chous, and Orchestra, Op. 136 "The Moment of Glory": VI. Choir "Es treten vor die Scharen der Frauen"		—
70-7	Mehrstimmige italienische Gesänge, WoO 99: Bei labbri che amore (Soprano, Tenor)		—
70-8	Mehrstimmige italienische Gesänge, WoO 99: Sei mio ben (Soprano, Tenor)		—
70-9	Mehrstimmige italienische Gesänge, WoO 99: Scrivo in te (Soprano, Tenor)		—
70-10	Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Tenor, Bass)		—
70-11	Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Tenor, Bass)		—
70-12	Mehrstimmige italienische Gesänge, WoO 99: Salvo tu voi lo sposo? (Soprano, Tenor)		—
70-13	Mehrstimmige italienische Gesänge, WoO 99: Ma tu tremi (Soprano, Alto, Tenor)		—
70-14	Mehrstimmige italienische Gesänge, WoO 99: Giura il nocchier (Soprano, Alto, Bass)		—
70-15	Mehrstimmige italienische Gesänge, WoO 99: Per te d'amico aprile (Soprano, Alto, Bass)		—
70-16	Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Soprano, Alto, Tenor)		—
70-17	Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Soprano, Alto, Tenor)		—
70-18	Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei (Soprano, Tenor, Bass)		—
70-19	Mehrstimmige italienische Gesänge, WoO 99: Chi mai di questo (Soprano, Tenor, Bass)		—
70-20	Mehrstimmige italienische Gesänge, WoO 99: Gia la notte (Alto, Tenor, Bass)		—
70-21	Mehrstimmige italienische Gesänge, WoO 99: Nei Campi e nelle selve I (Soprano, Alto, Tenor, Bass)		—
70-22	Mehrstimmige italienische Gesänge, WoO 99: Nei Campi e nelle selve II (Soprano, Alto, Tenor, Bass)		—
70-23	Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Soprano, Alto, Tenor, Bass)		—
70-24	Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Soprano, Alto, Tenor, Bass)		—
70-25	Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei, in G major (Soprano, Alto, Tenor, Bass)		—
70-26	Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei, in F major (Soprano, Alto, Tenor, Bass)		—
70-27	Mehrstimmige italienische Gesänge, WoO 99: Guira il nocchier, in C major (Soprano, Alto, Tenor, Bass)		—
70-28	Mehrstimmige italienische Gesänge, WoO 99: Guira il nocchier, in B flat major (Soprano, Alto, Tenor, Bass)		—
70-29	Mehrstimmige italienische Gesänge, WoO 99: Gia la notte (Soprano, Alto, Tenor, Bass)		—
70-30	Mehrstimmige italienische Gesänge, WoO 99: E pur fra le tempeste (Tenor, Piano)		—
71-1	Cantata for Mixed Chorus and Orchestra, Op. 112 "Meeresstille und glückliche Fahrt"		—
71-2	Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy"		—
71-3	Elegiac Song for Choir and Orchestra, Op. 118		—
71-4	Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122		—
71-5	Rural Cantata for 4 Voices accopmanied by Piano, WoO 103		—
71-6	Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106		—
71-7	3 Voice Canon in F major, WoO 166: "Kurz ist der Schmerz"		—
71-8	Hess 91 - Opferlied (piano arrangement from Op. 121b)		—
71-9	Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105		—
71-10	"Abschiedsgesang an Wiens Bürger", WoO 121		—
71-11	Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122		—
71-12	"Opferlied", WoO 126		—
71-13	"Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto		—
71-14	Sacrificial Song for Soprano accompanied by Choir and Orchestra, Op. 121b		—
72-1	Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ia. Introduction. Grave - Adagio		—
72-2	Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus)		—
72-3	Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus)		—
72-4	Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph)		—
72-5	Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph)		—
72-6	Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir)		—
72-7	Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Choir "Doch weh!" Die frech entehren		—
72-8	Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph)		—
72-9	Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph)		—
72-10	Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod" (Jesus)		—
72-11	Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen"		—
72-12	Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus)		—
72-13	Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte"		—
72-14	Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus)		—
72-15	Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph)		—
72-16	Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter"		—
72-17	Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre"		—
72-18	Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Choir "Preiset ihn, ihr Engelchöre"		—
75-1	An die ferne Geliebte, Op. 98: i "Auf Dem Hügel", ii "Wo Die Berge", iii "Leichte Segler", iv "Diese Wolken", v "Es Kehret Der Maien", vi "Nimm Sie Hin Denn"		—
75-2	Cantata for Voice and Piano in B-flat major, Op. 46: Larghetto "Adelaide: Einsam wandelt dein Freund im Fruhlings Garten"		—
75-3	"Ich liebe dich so wie du mich" (Zärtliche Liebe), WoO 123		—
75-4	Arietta "Der Kuß", Op. 128		—
75-5	"Lied aus der Ferne", WoO 137		—
75-6	"Der Jüngling in der Fremde", WoO 138		—
75-7	"Resignation", WoO 149		—
75-8	Andenken, WoO 136 "Ich denke dein"		—
75-9	Song for Voice and Piano, Op. 48 No. 1 in E major: Feierlich und mit Andacht "Bitten: Gott deine Gute reicht so"		—
75-10	Song for Voice and Piano, Op. 48 No. 2 in E-flat major: Lebhaft, doch nicht zu sehr "Die Liebe des Nachsten: So jemand spricht"		—
75-11	Song for Voice and Piano, Op. 48 No. 3 in F-sharp minor: Mussig und eher langsam als geschwind "Vom Tode: Meine Lebenszeit verstreicht"		—
75-12	Song for Voice and Piano, Op. 48 No. 4 in C major: Majestatisch und erhaben "Die Ehre Gottes in der Natur:Die Himmel ruhmen des Ewigen"		—
75-13	Song for Voice and Piano, Op. 48 No. 5 in C major: Mit Kraft and Feuer "Gottes Macht und Vorsehung: Gott ist mein Lied!"		—
75-14	Song for Voice and Piano, Op. 48 No. 6 in A minor: Poco adagio "Busslied: An dir allein, an dir hab' ich gesundigt"		—
75-15	Song for Voice and Piano, Op. 52 No. 4 in A-flat major: Allegro "Mailied: Wie herrlich leuchtet"		—
75-16	Song for Voice and Piano, Op. 52 No. 7 in A minor: Allegretto "Marmotte: Ich komme schon durch manches Land"		—
75-17	Gesange for Voice and Piano, Op. 75 No. 2 in C major: Lebhaft, doch nicht zu sehr "Neue Liebe, neues Leben: Herz, mein Herz, was soll das geben?"		—
75-18	Gesange for Voice and Piano, Op. 83 No. 1 in E major: Andante espressivo "Wonne der Wehmuth: Trocknet nicht"		—
75-19	Gesange for Voice and Piano, Op. 83 No. 2 in B minor: Allegretto "Sehnsucht: Was zieht mir das Herz so?"		—
75-20	Gesange for Voice and Piano, Op. 83 No. 3 in F major: Leichtlich und mit Grazie vorzutragen "Mie einem gemalten Band: Kleine Blumen, kleine Blatter"		—
75-21	Egmont, Op. 84: No. 4 Lied "Freudvoll und Leidvoll"		—
76-1	Song for Voice and Piano and A major, Op. 88: Andante quasi allegretto "Das Gluck der Freundschaft: Der lebt ein Leben wonniglich"		—
76-2	Song for Voice and Piano, WoO 118: Seufzer eines Ungeliebten und Gegenliebe		—
76-3	Song for Voice and Piano, WoO 139: "Der Liebende"		—
76-4	Song for Voice and Piano, WoO 147: "Ruf vom Berge"		—
76-5	Song for Voice and Piano in E-flat major, Op. 32 "An die Hoffnung": Poco adagio		—
76-6	Song for Voice and Piano, Op. 94: "An die Hoffnung"		—
76-9	Song for Voice and Piano, WoO 114: Selbstgespräch		—
76-10	Song for 2 Voices and Piano, WoO 130: "Gedenke Mein!"		—
76-11	6 Variations for Piano in D major on the song "Ich denke dein", WoO 74: Leid. Andantino cantabile		—
76-12	Song for Voice and Piano, Op. 52 No. 6 in F major: Allegretto "Die Liebe: Ohne Liebe lebe wer da kann"		—
76-13	Song for Voice and Piano, Op. 52 No. 8 in G major: Andante "Das Blumchen Wunderhold: Es steht ein Blumchen irgend wo in"		—
76-14	Song for Voice and Piano, WoO 107: "Schilderung eines Mädchens"		—
76-15	Song for Voice and Piano, WoO 115: "An Minna"		—
76-16	Song for Voice and Piano, WoO 135: "Die laute Klage"		—
76-17	Song for Voice and Piano, WoO 132: "Als die Geliebte sich trennen wollte"		—
76-18	Song for Voice and Piano, Op. 52 No. 3 in F major: Adagio "Das Liedchen von der Ruhe: Im Arm der Liebe ruht sich's wohl"		—
76-19	Song for Voice and Piano, WoO 146: "Sehnsucht"		—
77-1	Gesange for Voice and Piano, Op. 75 No. 3 in G minor: Poco Allegretto "Aus Goethe's Faust: Es war einmal ein Konig"		—
77-2	Song for Voice and Piano, Op. 52 No. 1 in A minor: In einer massigen geschwinden Bewegung "Urians Reise um die Welt: Wenn jemand eine Reise thut"		—
77-3	Song for Voice and Piano, WoO 109: "Trinklied"		—
77-4	Song for Voice and Piano, WoO 111: "Punchlied, Scherzlieder"		—
77-5	Gesange for Voice and Piano, Op. 75 No. 6 in A major: Froh und heiter, etwas lebhaft "Der Zufriedene: Zwar schuf das Gluck hienieden"		—
77-6	Aria for Soprano and Piano, Op. 82 No. 1 in A major: Allegro moderato "Hoffnung: Dimmi ben mio - Nimmer den lieben dem Herzen"		—
77-7	Aria for Soprano and Piano, Op. 82 No. 2 in D major: Adagio ma non troppo "Liebsklage: T'indendo, si, mio cor - Den stummen Felsen nur"		—
77-8	Aria for Soprano and Piano, Op. 82 No. 3 in E-flat major: Allegro "Stille Frage: Che fa il mio bene? - Darf nimmer ich dir nahen?"		—
77-9	Aria for Soprano and Piano, Op. 82 No. 4 in B-flat major: Andante con espressione "Liebes-Ungeduld: Che fa il mio bene? - So muss ich ihm entsagen"		—
77-10	Duet for Soprano and Tenor, Op. 82 No. 5 in E major: Andante vivace "Lebens-Genuss: Odi l'aura che dolce sospira - Schnell verbluhen"		—
77-11	Song for Voice and 2 Pianos, WoO 119: "o Care Selve"		—
77-12	Song for Voice and Piano, WoO 124: "La partenza (Der Abschied)"		—
77-13	Song for Voice and Piano, WoO 133: "In questa tomba oscura"		—
77-14	Song for Voice and Piano, WoO 125: "La Tiranna", Canzonetta		—
77-15	Song for Voice and Piano, WoO 116: "Que le temps me dure"		—
77-16	Song for Voice and Piano, WoO 128: "Plaisir d'aimer"		—
77-17	Song for Voice and Piano, WoO 129: "Der Wachtelschlag"		—
77-18	Song for Voice and Piano, WoO 145: "Das Geheimnis"		—
77-19	Song for Voice and Piano, WoO 112: "An Laura"		—
77-20	Song for Voice and Piano, WoO 150: "Abendlied unterm gestirnten Himmel"		—
77-21	Song for Voice and Piano, WoO 113: "Klage"		—
77-22	Song for Voice and Piano, Op. 52 No. 2 in G major: Andante con moto "Feuerfarb': Ich weiss eine Farbe"		—
77-23	Song for Voice and Piano, WoO 110: "Elegie Auf Den Tod Eines Pudels"		—
77-24	Song for Voice and Piano, WoO 148: "So Oder So"		—
77-25	Song for Voice and Piano, WoO 143: "Des Kriegers Abschied"		—
77-26	Song for Voice and Piano, WoO 117: "Der Freie Mann"		—
77-27	Song for Voice and Piano, WoO 126: "Opferlied"		—
78-1	Song for Voice and Piano, WoO 141: "Der Gesang der Nachtigall" (J.G. Herder)		—
78-2	Song for Voice and Piano, WoO 127: "Neue Liebe, neues Leben" (J.W. von Goethe)		—
78-3	Song for Voice and Piano, WoO 118: "Seufzer eines Ungeliebten" und "Gegenliebe" (G.A. Bürger)		—
78-4	Song for Voice and Piano, WoO 142: "Der Bardengeist" (F.R. Hermann)		—
78-5	Song for Voice and Piano, WoO 139: "Der Liebende" (Reissig)		—
78-6	Song for Voice and Piano, WoO 144: "Merkenstein" (J.B. Rupprecht)		—
78-7	Song for Voice and Piano, WoO 120: "Man Strebt, Die Flamme Zu Verhehlen"		—
78-8	Song for Voice and Piano, Op. 52 No. 5 in G major: Adagio con espessione "Molly's Abschied: Lebe wohl, du Mann der Lust"		—
78-9	Song for Voice and Piano, WoO 134: "Sehnsucht" (J.W. Goethe)		—
78-10	Gesange for Voice and Piano, Op. 75 No. 5 in G major: Larghetto "An den fernen Geliebten: Einst wohnten susse Ruh"		—
78-11	Gesange for Voice and Piano, Op. 75 No. 1 in A major: Ziemlich langsam "Mignon: Kennst du das Land"		—
78-12	Gesange for Voice and Piano, Op. 75 No. 4 in A major: Etwas lebhaft "Gretels Warnung: Mit Liebes lick und Spiel und Sang"		—
78-13	Song for Voice and Piano in G major, Op. 99 "Der Mann von Wort: sagtest, Freund, an diesen Ort komm ich zurück"		—
78-14	Song for Voice and Piano, WoO 151: "Der edle Mensche sei hülfreich und gut" (J.W. Goethe)		—
78-15	Song for Voice and Piano, Hess 151: "Traute Henriette"		—
78-16	Song for Voice and Piano in F major, Op. 100 "Merkenstein: Merkenstein! Wo ich wandle denk ich dein": Massig, jdeoch nicht schleppend		—
79-1	Musical joke for three voices "Lob auf den Dicken", WoO 100		—
79-2	Musical joke for three voices and choir "Esel aller Esel, hi ha", Hess 277		—
79-3	Musical joke "Graf, liebster Graf, liebstes Schaf", WoO 101		—
79-4	Musical Joke "Herr Graf, ich komme zu fragen", Hess 276		—
79-5	Canon for 3 "Bester Graf, Sie sind ein Schaf", WoO 183		—
79-6	Canon for 4 "Es muss sein", WoO 196		—
79-7	Canon for 2 Instruments in G major, Hess 274		—
79-8	Joke or Riddle, canon for 4 "Das ist das Werk, sorgt um das Geld!", WoO 197		—
79-9	Canon for 5 "Glaube und hoffe", WoO 174		—
79-10	Canonlike movement for 4 "Auf einen, welche Hoffmann geheissen", WoO 180		—
79-11	Canon for 2, Anglaise in D major for piano, Hess 61		—
79-12	Canon for 2 "Rasch tritt der Tod den Menschen an", WoO 104		—
79-13	Song for the Monks from Schiller's "William Tell": "Ich war hier, Doktor, ich war hier", WoO 190		—
79-14	Riddle Canon for 2 "Signor abate", WoO 178		—
79-15	Canon for 3 "Kurz ist der Schmerz, und ewig ist die Freude", WoO 163		—
79-16	Canon for 3 "Hol'euch der Teufel! B'hüt euch Gott!", WoO 173		—
79-17	Riddle Canon for 2 "Gott ist eine feste Burg", WoO 188		—
79-18	Riddle Canon for 2 "Sankt Petrus war ein Fels" "Bernardus war ein Sankt", WoO 175		—
79-19	Riddle Canon for 4 "Tugend ist keinleerer name", WoO 181 No. 3		—
79-20	Canon for 3 "Edel sei der mensch, hülfreich und gut", WoO 185		—
79-21	Canon for 6 "Bester Magistrat, Ihr friert", WoO 177		—
79-22	Canon for 2 Male Voices and 2 Double Basses "Kühl, nicht lau", WoO 191		—
79-23	Canon for 3 "Wir irren allesamt", WoO 198		—
79-24	Riddle Canon for 2 "Auf einen, welcher Schwenke geheissen: «Schwenke dich ohne»", WoO 187		—
79-25	Canon for 4 "Brauchle, Linke", WoO 167		—
79-26	Canon for 4 "O Tobias!", WoO 182		—
79-27	Canon for 3 "Gedenket heute an Baden", WoO 181 No. 1		—
79-28	Canon for 4 "Seiner Kaiserlichen Hoheit... Alles Gute, alles Schöne", WoO 179		—
79-29	Introduction and Canon for 4 "Glück fehl'dir vor allem", WoO 171		—
79-30	Canon for 4 "Gehabt euch wohl", WoO 181 No. 2		—
79-31	Canon for 4 "Freu dich des Lebens", WoO 195		—
79-32	Canon for 2 "Glück zum neuen Jahr", WoO 165		—
79-33	Instrumental Canon for 2 in A flat major, Hess 275		—
79-34	Canon for 4 "Im Arm der Liebe ruht sich's wohl", WoO 159		—
79-35	Canon for 3 "Ich Küsse Sie", WoO 169		—
79-36	Riddle Canon for 2 "Languisco e moro", Hess 229		—
79-37	Canon for 2 "Te solo adoro", WoO 186		—
79-38	Canon for 2 "Ewig dein", WoO 161		—
79-39	Canon for 3 "Freundschaft ist der Quell wahrer Glückseligkeit", WoO 164		—
79-40	Instrumental Canon for 4, WoO 160 No. 2		—
79-41	Canon for 3 "Ta ta ta, lieber Mälzel", WoO 162		—
79-42	Canon for 4 "Ich bitt'dich, schreib'mir die Es-Scala auf", WoO 172		—
79-43	Canon for 3 "Ars longa, vita brevis", WoO 192		—
79-44	Instrumental Canon for 3, WoO 160 No. 1		—
79-45	Riddle Canon "Das Schweigen: «Lerne schweigen, o Freund»", WoO 168 No. 1		—
79-46	Riddle Canon for 3 "Das Reden: «Rede, wenn's um einen Freund dir gilt»", WoO 168 No. 2		—
79-47	Canon for 3 "Falstafferel", WoO 184		—
79-48	Duet for 2 Violins in A major, WoO 34		—
79-49	Canon for 5 "Abschiedsgesang «Die Stunde schlägt»", WoO 102		—
79-50	25 Irish Songs WoO 152, No. 2 "Sweet power of song" (duet)		—
79-51	25 Irish Songs WoO 152, No. 5 "On the massacre of Glencoe"		—
79-52	25 Irish Songs WoO 152, No. 6 "What shall I do to shew how much I love her?" (duet)		—
79-53	25 Irish Songs WoO 152, No. 8 "Come draw we round a cheerful ring"		—
79-54	25 Irish Songs WoO 152, No. 10 "The deserter"		—
79-55	25 Irish Songs WoO 152, No. 11 "Thou emblem of faith"		—
79-56	25 Irish Songs WoO 152, No. 13 "Musing on the roaring ocean"		—
79-57	25 Irish Songs WoO 152, No. 15 "Let brainspinning swains"		—
79-58	25 Irish Songs WoO 152, No. 17 "In vain to this desert" (duet)		—
79-59	25 Irish Songs WoO 152, No. 19 "Wife, children and friends" (duet)		—
79-60	25 Irish Songs WoO 152, No. 20 "Farewell bliss and farewell Nancy" (duet)		—
79-61	25 Irish Songs WoO 152, No. 21 "Morning a cruel turmoiler is"		—
79-62	25 Irish Songs WoO 152, No. 23 "The wand'ring gypsy"		—
79-63	25 Irish Songs WoO 152, No. 24 "The Traugh welcome"		—
79-64	20 Irish Songs WoO 153, No. 1 "When eve's last rays in twilight" (duet)		—
79-65	20 Irish Songs WoO 153, No. 4 "Since greybeards inpourm us that youth will decay"		—
79-66	20 Irish Songs WoO 153, No. 5 "I dream'd I lay where flowers were springing" (duet)		—
79-67	20 Irish Songs WoO 153, No. 7 "O soothe me, my lyre"		—
79-68	20 Irish Songs WoO 153, No. 8 "Norah of Balamagairy"		—
79-69	20 Irish Songs WoO 153, No. 10 "The hapless soldier" (duet)		—
79-70	20 Irish Songs WoO 153, No. 15 "'t is but in vain, pour nothing thrives"		—
79-71	20 Irish Songs WoO 153, No. 17 "Come, Darby dear, easy, be easy"		—
79-72	20 Irish Songs WoO 153, No. 20 "Thy ship must sail, my Henry dear"		—
80-1	25 Irish Songs WoO 152, No. 1, "The Return to Ulster"		—
80-2	25 Irish Songs WoO 152, No. 3, "Once More I Hail Thee"		—
80-3	25 Irish Songs WoO 152, No. 4, "The Morning Air Plays on My Face"		—
80-4	25 Irish Songs WoO 152, No. 7, "His Boat Comes on the Sunny Tide"		—
80-5	25 Irish Songs WoO 152, No. 9, "The Soldier's Dream"		—
80-6	25 Irish Songs WoO 152, No. 12, "English Bulls"		—
80-7	25 Irish Songs WoO 152, No. 14, "Dermot and Shelah"		—
80-8	25 Irish Songs WoO 152, No. 16, "Hide Not Thy Anguish"		—
80-9	25 Irish Songs WoO 152, No. 18, "They Bid Me Slight My Dermot Dear"		—
80-10	25 Irish Songs WoO 152, No. 22, "From Garyone, My Happy Home"		—
80-11	25 Irish Songs WoO 152, No. 25, "Oh Harp of Erin"		—
80-12	20 Irish Songs WoO 153, No. 2, "No Riches From His Scanty Store"		—
80-13	20 Irish Songs WoO 153, No. 3, "The British Light Dragoons"		—
80-14	20 Irish Songs WoO 153, No. 6, "Sad and Luckless Was the Season"		—
80-15	20 Irish Songs WoO 153, No. 9, "The Kiss, Dear Maid, Thy Lip Has Left"		—
80-16	20 Irish Songs WoO 153, No. 11, "When Far From the Home"		—
80-17	20 Irish Songs WoO 153, No. 12, "I'll Praise the Saints"		—
80-18	20 Irish Songs WoO 153, No. 13, "'Tis Sunshine at Last"		—
80-19	20 Irish Songs WoO 153, No. 14, "Paddy O'Rafferty"		—
80-20	20 Irish Songs WoO 153, No. 16, "O Might I but My Patrick Love"		—
80-21	20 Irish Songs WoO 153, No. 18, "No More, My Mary"		—
80-22	20 Irish Songs WoO 153, No. 19, "Judy, Lovely, Matchless Creature"		—

Symphony No. 1 in C major, Op. 21: I. Adagio molto - Allegro con brio

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Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto

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Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace

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Symphony No. 1 in C major, Op. 21: IV. Adagio - Allegro molto e vivace

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Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio

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Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai

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Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace

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Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto

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Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio

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Symphony No. 2 in D major, Op. 36: II. Larghetto

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Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro

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Symphony No. 2 in D major, Op. 36: IV. Allegro molto

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Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace

Symphony no. 7 in A major, op. 92: II. Allegretto

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Symphony no. 7 in A major, op. 92: III. Presto

T-071.481.827-5

T-915.710.750-1

Symphony no. 7 in A major, op. 92: IV. Allegro con brio

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Symphony no. 6 in F major, op. 68 “Pastorale”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo

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Symphony no. 6 in F major, op. 68 “Pastorale”: II. Szene am Bach: Andante molto mosso

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Symphony no. 6 in F major, op. 68 “Pastorale”: III. Lustiges Zusammensein der Landleute: Allegro

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Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Gewitter, Sturm: Allegro

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Symphony no. 6 in F major, op. 68 “Pastorale”: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto

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Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio

Symphony no. 8 in F major, op. 93: II. Allegretto scherzando

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Symphony no. 8 in F major, op. 93: III. Tempo di menuetto

Symphony no. 8 in F major, op. 93: IV. Allegro vivace

Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace

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Symphony No. 4 in B-flat major, Op. 60: II. Adagio

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Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace

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Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo

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Symphony no. 5 in C minor, op. 67 “Fate”: I. Allegro con brio

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Symphony no. 5 in C minor, op. 67 “Fate”: II. Andante con moto

Symphony no. 5 in C minor, op. 67 “Fate”: III. Scherzo. Allegro

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T-312.542.381-2

Symphony no. 5 in C minor, op. 67 “Fate”: IV. Allegro

Orchester der Bayreuther Festspiele, Wilhelm Furtwängler

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Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso

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Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto

Orchester der Bayreuther Festspiele, Wilhelm Furtwängler

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Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante Moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo

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Symphony No. 9 in D minor, Op. 125 "Choral": IVa. Recitative. (Presto - Allegro ma non troppo - Vivace - Adagio cantabile - Allegro assai - Presto "O Freunde")

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Concerto for Piano and Orchestra No. 1 in C major, Op. 15: I. Allegro con brio (cadenza: Ludwig van Beethoven)

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Concerto for Piano and Orchestra No. 1 in C major, Op. 15: II. Largo

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Concerto for Piano and Orchestra No. 1 in C major, Op. 15: III. Rondo. Allegro

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Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: I. Allegro con brio

Friedrich Gulda, Wiener Philharmoniker, Horst Stein

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Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: II. Largo

Friedrich Gulda, Wiener Philharmoniker, Horst Stein

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Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: III. Rondo. Allegro

Friedrich Gulda, Wiener Philharmoniker, Horst Stein

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Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: I. Allegro con brio (cadenza: Ludwig van Beethoven)

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Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: II. Adagio

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Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro

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Concerto for Piano and Orchestra in D major, Op. 61a: I. Allegro ma non troppo

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Concerto for Piano and Orchestra in D major, Op. 61a: II. Larghetto

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Concerto for Piano and Orchestra in D major, Op. 61a: III. Rondo. Allegro (cadenza: Ludwig van Beethoven)

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Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Allegro moderato

Friedrich Gulda, Wiener Philharmoniker, Horst Stein

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Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Andante con moto

Friedrich Gulda, Wiener Philharmoniker, Horst Stein

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Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Rondo. Vivace

Friedrich Gulda, Wiener Philharmoniker, Horst Stein

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Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro

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Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso

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Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro

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Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo (cadenza: Fritz Kreisler)

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Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto

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Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro (cadenza: Fritz Kreisler)

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Romance for Violin and Orchestra No. 1 in G major, Op. 40: Andante

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Romance for Violin and Orchestra No. 2 in F major, Op. 50: Adagio cantabile

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Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": I. Allegro

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Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo

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Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": III. Rondo alla Polacca

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Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): I. Allegro moderato

Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte

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Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): II. Larghetto

Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte

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Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): III. Rondo. Allegretto (cadenza: Willy Hess)

Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte

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Rondo for Piano and Orchestra in B-flat major, WoO 6. Allegro (cadenza: Carl Czerny)

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Leonore Overture No. 1, Op. 138

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Leonore Overture No. 2, Op. 72

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Leonore Overture No. 3, Op. 72a

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Fidelio Overture, Op. 72b

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Funeral March from Leonore Prohaska, WoO 96

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Die Weihe des Hauses: Overture, Op. 124

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Die Weihe des Hauses: Chorus with soprano solo, WoO98 ''Wo sich die Pulse''

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Coriolan, Op. 62: Overture

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Wellington's Victory or the Battle of Vittoria, Op. 91: Schlacht (Battle)

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Wellington's Victory or the Battle of Vittoria, Op. 91: Sieges-Symphonie (Symphony of Triumph)

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Namensfeier Overture, Op. 115

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Gratulationsmenuett, WoO 3

Minnesota Orchestra, Stanisław Skrowaczewski

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Triumphal March from Tarpeja, WoO 2

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Fugue for Organ in D major, WoO 31

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Stücke für Flötenuhr, WoO 33: Allegro non più molto

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Stücke für Flötenuhr, WoO 33: Allegretto

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Stücke für Flötenuhr, WoO 33: Adagio assai

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Stücke für Flötenuhr, WoO 33: Scherzo. Allegro

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Stücke für Flötenuhr, WoO 33: Allegro

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Grenadiermarsch, Hess 107

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12 Contredanses for Small Orchestra WoO 14 No. 1 in C major

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12 Contredanses for Small Orchestra WoO 14 No. 2 in A major

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12 Contredanses for Small Orchestra WoO 14 No. 3 in D major

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12 Contredanses for Small Orchestra WoO 14 No. 4 in B-flat major

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12 Contredanses for Small Orchestra WoO 14 No. 5 in E-flat major

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12 Contredanses for Small Orchestra WoO 14 No. 6 in C major

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12 Contredanses for Small Orchestra WoO 14 No. 7 in E-flat major

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12 Contredanses for Small Orchestra WoO 14 No. 8 in C major

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12 Contredanses for Small Orchestra WoO 14 No. 9 in A major

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12 Contredanses for Small Orchestra WoO 14 No. 10 in C major

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12 Contredanses for Small Orchestra WoO 14 No. 11 in G major

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Contredanses for Small Orchestra WoO 14 No. 12 in E-flat major

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6 Minuets for Two Violins and Violoncello WoO 9 No. 1 in E-flat major

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6 Minuets for Two Violins and Violoncello WoO 9 No. 2 in G major

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6 Minuets for Two Violins and Violoncello WoO 9 No. 3 in C major

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6 Minuets for Two Violins and Violoncello WoO 9 No. 4 in F major

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6 Minuets for Two Violins and Violoncello WoO 9 No. 5 in D major

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6 Minuets for Two Violins and Violoncello WoO 9 No. 6 in G major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 1: Waltz in E-flat major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 2: Minuet in B-flat major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 3: Waltz in B-flat major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 4: Minuet in E-flat major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 5: Minuet in E-flat major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 6: Ländler in E-flat major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 7: Minuet in B-flat major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 8: Ländler in B-flat major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 9: Minuet in G major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 10: Waltz in D major

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11 Dances for Seven String and Wind Instruments WoO 17 No. 11: Waltz in D major

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Six Ländler for 2 Violins and Bass, WoO 15 No. 1 in D major

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Six Ländler for 2 Violins and Bass, WoO 15 No. 2 in D major

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Six Ländler for 2 Violins and Bass, WoO 15 No. 3 in D major

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Six Ländler for 2 Violins and Bass, WoO 15 No. 4 in D minor

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Six Ländler for 2 Violins and Bass, WoO 15 No. 5 in D major

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Six Ländler for 2 Violins and Bass, WoO 15 No. 6 in D major

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12 German Dances for Orchestra WoO 8 No. 1 in C major

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12 German Dances for Orchestra WoO 8 No. 2 in A major

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12 German Dances for Orchestra WoO 8 No. 3 in F major

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12 German Dances for Orchestra WoO 8 No. 4 in B-flat major

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12 German Dances for Orchestra WoO 8 No. 5 in E-flat major

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12 German Dances for Orchestra WoO 8 No. 6 in G major

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12 German Dances for Orchestra WoO 8 No. 7 in C major

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12 German Dances for Orchestra WoO 8 No. 8 in A major

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12 German Dances for Orchestra WoO 8 No. 9 in F major

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12 German Dances for Orchestra WoO 8 No. 10 in D major

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12 German Dances for Orchestra WoO 8 No. 11 in G major

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12 German Dances for Orchestra WoO 8 No. 12 in C major

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12 Menuets for Orchestra WoO 7 No. 1 in D major

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12 Menuets for Orchestra WoO 7 No. 2 in B-flat major

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12 Menuets for Orchestra WoO 7 No. 3 G major

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12 Menuets for Orchestra WoO 7 No. 4 in E-flat major

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12 Menuets for Orchestra WoO 7 No. 5 in C major

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12 Menuets for Orchestra WoO 7 No. 6 in A major

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12 Menuets for Orchestra WoO 7 No. 7 in D major

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12 Menuets for Orchestra WoO 7 No. 8 in B-flat major

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12 Menuets for Orchestra WoO 7 No. 9 in G major

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12 Menuets for Orchestra WoO 7 No. 10 in E-flat major

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12 Menuets for Orchestra WoO 7 No. 11 in C major

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12 Menuets for Orchestra WoO 7 No. 12 in F major

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Military March in D major WoO 24

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6 Menuets for Orchestra WoO 10 No. 1 in C major

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6 Menuets for Orchestra WoO 10 No. 2 in G major

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6 Menuets for Orchestra WoO 10 No. 3 in E-flat major

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6 Menuets for Orchestra WoO 10 No. 4 in B-flat major

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6 Menuets for Orchestra WoO 10 No. 5 in D major

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6 Menuets for Orchestra WoO 10 No. 6 in C major

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6 Deutsche Tänze WoO 42

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6 Ecossaises in E-flat major WoO 83 No. 1

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6 Ecossaises in E-flat major WoO 83 No. 2

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6 Ecossaises in E-flat major WoO 83 No. 3

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6 Ecossaises in E-flat major WoO 83 No. 4

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6 Ecossaises in E-flat major WoO 83 No. 5

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6 Ecossaises in E-flat major WoO 83 No. 6

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Ecossaise in G major WoO 23

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7 Ländler in D major WoO 11 No. 1

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7 Ländler in D major WoO 11 No. 2

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7 Ländler in D major WoO 11 No. 3

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7 Ländler in D major WoO 11 No. 4

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7 Ländler in D major WoO 11 No. 5

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7 Ländler in D major WoO 11 No. 6

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7 Ländler in D major WoO 11 No. 7

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12 Deutsche Tänze WoO 13 No. 1 in D major

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12 Deutsche Tänze WoO 13 No. 2 in B-flat major

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12 Deutsche Tänze WoO 13 No. 3 in G major

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12 Deutsche Tänze WoO 13 No. 4 in D major

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12 Deutsche Tänze WoO 13 No. 5 in F major

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12 Deutsche Tänze WoO 13 No. 6 in B-flat major

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12 Deutsche Tänze WoO 13 No. 7 in D major

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12 Deutsche Tänze WoO 13 No. 8 in G major

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12 Deutsche Tänze WoO 13 No. 9 in E-flat major

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12 Deutsche Tänze WoO 13 No. 10 in C major

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12 Deutsche Tänze WoO 13 No. 11 in A major

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12 Deutsche Tänze WoO 13 No. 12 in D major

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Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: I. Allegro

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Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: II. Andante

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Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: III. Menuetto

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Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: IV. Finale. Presto

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Rondino for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, WoO 25

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Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: I. Adagio – Allegro

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Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: II. Adagio

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Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: III. Menuetto. Quasi allegretto

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Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: IV. Rondo. Allegro

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3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: I. Allegro comodo

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3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: II. Larghetto sostenuto

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3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: III. Rondo. Allegretto

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3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: I. Allegro affettuoso

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3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: II. Aria. Larghetto

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3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: III. Rondo. allegretto moderato

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3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: I. Allegro sostenuto

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3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: II. Aria con variazioni

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3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: III. Allegro assai

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March and Trio in F major for wind ensemble, WoO 18 "For the Bohemian Ward"

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March and Trio in C major for wind ensemble, WoO 20 "Zapfenstreich"

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March and Trio in F major for military band, WoO 19

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Polonaise in D major for military band, WoO 21

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Ecossaise in D major for military band, WoO 22

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March for 2 clarinets, 2 horns and 2 bassoons in B-flat major, WoO 29

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Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: I. Allegro

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Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: II. Adagio maestoso

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Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: III. Minuetto

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Adagio for 3 horns in F major

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Equale for 4 trombones, WoO 30: I. Andante

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Equale for 4 trombones, WoO 30: II. Poco adagio

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Equale for 4 trombones, WoO 30: III. Poco sostenuto

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Trio for 2 oboes and english horn in C major, Op. 87: I. Allegro

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Trio for 2 oboes and english horn in C major, Op. 87: II. Adagio

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Trio for 2 oboes and english horn in C major, Op. 87: III. Minuetto

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Trio for 2 oboes and english horn in C major, Op. 87: IV. Finale

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Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: I. Theme

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Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: II. Var1

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Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: III. Var 2

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Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IV. Var 3

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Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: V. Var 4 & 5

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Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VI. Var 6

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Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VII. Var 7

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Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VIII. Var 8

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Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IX. Coda

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Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio

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Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto

Leonore, Hess 109: Overture "Leonore II"

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Serenade for Flute and Piano, Op. 41: I. Entrada - Allegro

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Serenade for Flute and Piano, Op. 41: II. Tempo Ordinario D'Un Menuetto

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Serenade for Flute and Piano, Op. 41: III. Molto allegro

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Serenade for Flute and Piano, Op. 41: IV. Andante con variazioni

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Serenade for Flute and Piano, Op. 41: V. Allegro, scherzo e vivace

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Serenade for Flute and Piano, Op. 41: VI. Adagio

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Serenade for Flute and Piano, Op. 41: VII. Allegro vivace e disinvolto

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Six Themes and Variations for Flute and Piano, Op. 105 No. 1: Scottish Air in G major

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Six Themes and Variations for Flute and Piano, Op. 105 No. 2: Scottish Air in C minor

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Six Themes and Variations for Flute and Piano, Op. 105 No. 3: Austrian Air in C major

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Six Themes and Variations for Flute and Piano, Op. 105 No. 4: Scottish Air in E-flat

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Six Themes and Variations for Flute and Piano, Op. 105 No. 5: Scottish Air in E-flat

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Six Themes and Variations for Flute and Piano, Op. 105 No. 6: Scottish Air in D major

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Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio

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Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto

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Trio for Flute, Bassoon, and Piano in G major, WoO 37: I. Allegro

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Trio for Flute, Bassoon, and Piano in G major, WoO 37: II. Adagio

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Trio for Flute, Bassoon, and Piano in G major, WoO 37: III. Thema andante con variazioni

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Ten Themes and Variations for Flute and Piano, Op. 107 No. 1:Tyrolian Air in E-flat

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Ten Themes and Variations for Flute and Piano, Op. 107 No. 2: Scottish Air in F major

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Ten Themes and Variations for Flute and Piano, Op. 107 No. 3: Russian Air in G major

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Ten Themes and Variations for Flute and Piano, Op. 107 No. 4: Scottish Air in F major

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Ten Themes and Variations for Flute and Piano, Op. 107 No. 5: Tyrolian Air in F major

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Ten Themes and Variations for Flute and Piano, Op. 107 No. 6: Scottish Air in E-flat major

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Ten Themes and Variations for Flute and Piano, Op. 107 No. 7: Russian Air in A minor

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Ten Themes and Variations for Flute and Piano, Op. 107 No. 8: Scottish Air in D major

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Ten Themes and Variations for Flute and Piano, Op. 107 No. 9: Scottish Air E-flat major

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Ten Themes and Variations for Flute and Piano, Op. 107 No. 10: Scottish Air G minor

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Trio for three flutes in G major (spurious): I. Allegro

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Trio for three flutes in G major (spurious): II. Andante

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Trio for three flutes in G major (spurious): III. Rondo, allegretto

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Sonate for Flute and Piano in B-flat major, Anh. 4: I. Allegro moderato

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Sonate for Flute and Piano in B-flat major, Anh. 4: II. Polonaise

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Sonate for Flute and Piano in B-flat major, Anh. 4: III. Largo

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Sonate for Flute and Piano in B-flat major, Anh. 4: IV. Allegretto tema con variazione

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Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: I. Adagio – Allegro con brio

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Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: II. Adagio cantabile

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Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: III. Tempo di menuetto

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Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: IV. Tema con variazioni. Andante

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Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace

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Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: VI. Andante con moto alla marcia – Presto

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Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: I. Allegro con brio

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Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: II. Adagio

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Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: III. Rondo. Allegro

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Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: I. Grave – Allegro ma non troppo

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Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: II. Andante cantabile

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Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo

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Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: I. Allegro con brio

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Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: II. Adagio

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Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: III. Allegretto. Variations on ''Pria ch'io l'impegno''

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Sonata for Horn and Piano in F major, Op. 17: I. Allegro moderato

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Sonata for Horn and Piano in F major, Op. 17: II. Poco adagio, quasi andante

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Sonata for Horn and Piano in F major, Op. 17: III. Rondo. Allegro moderato

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Trio for Piano, Violin and Cello in E-flat major, Op. 38: I. Adagio – Allegro con brio

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Trio for Piano, Violin and Cello in E-flat major, Op. 38: II. Adagio cantabile

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Trio for Piano, Violin and Cello in E-flat major, Op. 38: III. Tempo di minuetto

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Trio for Piano, Violin and Cello in E-flat major, Op. 38: IV. Tema con variazioni. Andante

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Trio for Piano, Violin and Cello in E-flat major, Op. 38: V. Scherzo. Allegro molto e vivace

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Trio for Piano, Violin and Cello in E-flat major, Op. 38: VI. Andante con moto alla marcia – Presto

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12 Variations for Violin and Piano on "Se vuol ballare" from Mozart's "Le nozze di Figaro", WoO 40

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Serenade for Flute, Violin and Viola in D major, Op. 25: I. Entrata. Allegro

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Serenade for Flute, Violin and Viola in D major, Op. 25: II. Tempo ordinario d’un Menuetto

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Serenade for Flute, Violin and Viola in D major, Op. 25: III. Allegro molto

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Serenade for Flute, Violin and Viola in D major, Op. 25: IV. Andante con variazioni

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Serenade for Flute, Violin and Viola in D major, Op. 25: V. Allegro scherzando e vivace

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Serenade for Flute, Violin and Viola in D major, Op. 25: VI. Adagio – Allegro vivace disinvolto

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Rondo for Violin and Piano in G major, WoO 41

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Trio for Violin, Cello and Piano in E-flat major, H. 48

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Adagio for Mandolin and Piano in E-flat major, WoO 43 No. 2

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Sonatina for Mandolin and Piano in C major, WoO 44 No. 1

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Sonatina for Mandolin and Piano in C major, WoO 43 No. 1

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Andante con variazioni for Mandolin and Piano in D major, WoO 44 No. 2: I. Andante

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Andante con variazioni for Mandolin and Piano in D major, WoO 44 No. 2: II. Variazioni 1–6

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Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: I. Allegro vivace

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Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: II. Adagio con espressione

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Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: III. Rondo. Allegro

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Quartet for Piano, Violin, Viola and Cello in E-flat major, WoO 36 No. 1: I. Adagio assai – Allegro con spirito

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Quartet for Piano, Violin, Viola and Cello in E-flat major, WoO 36 No. 1: II. Tema con variazioni

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Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: I. Allegro moderato

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Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: II. Andante con moto

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Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: III. Rondo. Allegro

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Trio for Piano, Violin and Cello in E-flat major, Op. 1 No. 1: I. Allegro

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Trio for Piano, Violin and Cello in E-flat major, Op. 1 No. 1: II. Adagio cantabile

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Trio for Piano, Violin and Cello in E-flat major, Op. 1 No. 1: III. Scherzo

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Trio for Piano, Violin and Cello in E-flat major, Op. 1 No. 1: IV. Finale. Presto

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Trio for Piano, Violin and Cello in G major, Op. 1 No. 2: I. Adagio – Allegro vivace

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Trio for Piano, Violin and Cello in G major, Op. 1 No. 2: II. Largo con espressione

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Trio for Piano, Violin and Cello in G major, Op. 1 No. 2: III. Scherzo. Allegro

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Trio for Piano, Violin and Cello in G major, Op. 1 No. 2: IV. Finale. Presto

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Trio for Piano, Violin and Cello in C minor, Op. 1 No. 3: I. Allegro con brio

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Trio for Piano, Violin and Cello in C minor, Op. 1 No. 3: II. Andante cantabile con variazioni

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Trio for Piano, Violin and Cello in C minor, Op. 1 No. 3: III. Menuetto. Quasi allegro

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Trio for Piano, Violin and Cello in C minor, Op. 1 No. 3: IV. Finale. Prestissimo

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Trio for Piano, Violin and Cello in E-flat major, WoO 39: I. Allegro moderato

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Trio for Piano, Violin and Cello in E-flat major, WoO 39: II. Scherzo. Allegro ma non troppo

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Trio for Piano, Violin and Cello in E-flat major, WoO 39: III. Rondo. Allegro

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Variations in G major on Wenzel Müller's "Ich bin der Schneider Kakadu", Op. 121a

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Trio for Piano, Violin and Cello in D major, Op. 70 No. 1 "Geister": I. Allegro vivace e con brio

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Trio for Piano, Violin and Cello in D major, Op. 70 No. 1 "Geister": II. Largo assai ed espressione

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Trio for Piano, Violin and Cello in D major, Op. 70 No. 1 "Geister": III. Presto

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Trio for Piano, Violin and Cello in E-flat major, Op. 70 No. 2: I. Poco sostenuto – Allegro ma non troppo

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Trio for Piano, Violin and Cello in E-flat major, Op. 70 No. 2: II. Allegretto

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Trio for Piano, Violin and Cello in E-flat major, Op. 70 No. 2: III. Allegretto ma non troppo

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Trio for Piano, Violin and Cello in E-flat major, Op. 70 No. 2: IV. Finale. Allegro

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Allegretto for Piano, Violin and Cello in B-flat major, WoO 38

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Trio for Piano, Violin and Cello in B-flat major, Op. 97 "Archduke": I. Allegro moderato

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Trio for Piano, Violin and Cello in B-flat major, Op. 97 "Archduke": II. Allegretto

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Trio for Piano, Violin and Cello in B-flat major, Op. 97 "Archduke": III. Andante cantabile, ma pero con moto

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Trio for Piano, Violin and Cello in B-flat major, Op. 97 "Archduke": IV. Finale. Allegro

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14 Variations for Piano, Violin, and Cello in E-flat major, Op. 44

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Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: I. Adagio sostenuto – Allegro

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Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: II. Rondo. Allegro vivace

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Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: Ia. Adagio sostenuto ed espressivo

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Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: Ib. Allegro molto più tosto presto

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Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: II. Rondo. Allegro

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Sonata for Cello and Piano No. 3 in A major, Op. 69: I. Allegro ma non tanto

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Sonata for Cello and Piano No. 3 in A major, Op. 69: II. Scherzo. Allegro molto

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Sonata for Cello and Piano No. 3 in A major, Op. 69: III. Adagio cantabile – Allegro vivace

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Sonata for Cello and Piano No. 4 in C major, Op. 102 No. 1: I. Adagio – Allegro vivace

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Sonata for Cello and Piano No. 4 in C major, Op. 102 No. 1: II. Adagio – Tempo d’andante – Allegro vivace

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Sonata for Cello and Piano No. 5 in D major, Op. 102 No. 2: I. Allegro con brio

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Sonata for Cello and Piano No. 5 in D major, Op. 102 No. 2: II. Adagio con molto sentimento d’affetto

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Sonata for Cello and Piano No. 5 in D major, Op. 102 No. 2: III. Allegro – Allegro fugato

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Thema. Allegretto

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 1

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 2

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 3

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 4

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 5

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 6

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 7

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 8

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 9

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 10

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 11. Adagio

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12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 12. Allegro

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Thema. Allegretto

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 1

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 2

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 3

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 4

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 5

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 6

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 7

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 8

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 9

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 10. Adagio

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 11. Poco adagio, quasi andante

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12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 12. Allegro

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7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Thema. Andante

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7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 1

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7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 2

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7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 3

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7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 4

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7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 5. Si prenda il tempo un poco

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7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 6. Adagio

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7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 7. Allegro ma non troppo

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Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: I. Allegro con brio

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Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: II. Tema con variazioni. Andante con moto

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Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: III. Rondo. Allegro

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Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: I. Allegro vivace

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Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: II. Andante più tosto allegretto

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Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: III. Allegro piacevole

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Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: I. Allegro con spirito

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Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: II. Adagio con molt'espressione

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Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: III. Rondo. Allegro molto

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Sonata for Violin and Piano No. 4 in A minor, Op. 23: I. Presto

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Sonata for Violin and Piano No. 4 in A minor, Op. 23: II. Andante scherzoso, più allegretto

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Sonata for Violin and Piano No. 4 in A minor, Op. 23: III. Allegro molto

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Sonata for Violin and Piano No. 5 in F major, Op. 24 "Frühling": I. Allegro

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Sonata for Violin and Piano No. 5 in F major, Op. 24 "Frühling": II. Adagio molto espressivo

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Sonata for Violin and Piano No. 5 in F major, Op. 24 "Frühling": III. Scherzo. Allegro molto

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Sonata for Violin and Piano No. 5 in F major, Op. 24 "Frühling": IV. Rondo. Allegro ma non troppo

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Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: I. Allegro

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Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: II. Adagio

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Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: III. Allegretto con variazioni

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Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: I. Allegro con brio

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Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: II. Adagio cantabile

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Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: III. Scherzo. Allegro

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Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: IV. Finale. Allegro

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Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: I. Allegro assai

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Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: II. Tempo di menuetto

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Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: III. Allegro vivace

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Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": I. Adagio sostenuto – Presto

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Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": II. Andante con variazioni

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Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": III. Finale. Presto

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Sonata for Violin and Piano No. 10 in G major, Op. 96: I. Allegro moderato

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Sonata for Violin and Piano No. 10 in G major, Op. 96: II. Adagio espressivo

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Sonata for Violin and Piano No. 10 in G major, Op. 96: III. Scherzo. Allegro

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Sonata for Violin and Piano No. 10 in G major, Op. 96: IV. Poco allegretto

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Trio for Violin, Viola and Cello in E-flat major, Op. 3: I. Allegro con brio

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Trio for Violin, Viola and Cello in E-flat major, Op. 3: II. Andante

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Trio for Violin, Viola and Cello in E-flat major, Op. 3: III. Menuetto. Allegro

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Trio for Violin, Viola and Cello in E-flat major, Op. 3: IV. Adagio

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Trio for Violin, Viola and Cello in E-flat major, Op. 3: V. Menuetto. Moderato

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Trio for Violin, Viola and Cello in E-flat major, Op. 3: VI. Finale. Allegro

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Serenade for Violin, Viola and Cello in D major, Op. 8: Ia. Marcia. Allegro

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Serenade for Violin, Viola and Cello in D major, Op. 8: Ib. Adagio

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Serenade for Violin, Viola and Cello in D major, Op. 8: II. Menuetto. Allegretto

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Serenade for Violin, Viola and Cello in D major, Op. 8: III. Adagio – Scherzo. Allegro

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Serenade for Violin, Viola and Cello in D major, Op. 8: IV. Allegretto alla Polacca

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Serenade for Violin, Viola and Cello in D major, Op. 8: Va. Andante quasi allegretto – Variations 1–4 – Allegro

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Serenade for Violin, Viola and Cello in D major, Op. 8: Vb. Marcia. Allegro

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Trio for Violin, Viola and Cello in G major, Op. 9 No. 1: I. Adagio – Allegro con brio

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Trio for Violin, Viola and Cello in G major, Op. 9 No. 1: II. Adagio ma non tanto e cantabile

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Trio for Violin, Viola and Cello in G major, Op. 9 No. 1: III. Scherzo. Allegro

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Trio for Violin, Viola and Cello in G major, Op. 9 No. 1: IV. Presto

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Trio for Violin, Viola and Cello in D major, Op. 9 No. 2: I. Allegretto

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Trio for Violin, Viola and Cello in D major, Op. 9 No. 2: II. Andante quasi allegretto

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Trio for Violin, Viola and Cello in D major, Op. 9 No. 2: III. Menuetto. Allegro

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Trio for Violin, Viola and Cello in D major, Op. 9 No. 2: IV. Rondo. Allegro

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Trio for Violin, Viola and Cello in C minor, Op. 9 No. 3: I. Allegro con spirito

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Trio for Violin, Viola and Cello in C minor, Op. 9 No. 3: II. Adagio con espressione

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Trio for Violin, Viola and Cello in C minor, Op. 9 No. 3: III. Scherzo. Allegro molto e vivace

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Trio for Violin, Viola and Cello in C minor, Op. 9 No. 3: IV. Finale. Presto

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Quartet for Strings in F major, Op. 18 No. 1: I. Allegro con brio

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Quartet for Strings in F major, Op. 18 No. 1: II. Adagio affettuoso ed appassionato

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Quartet for Strings in F major, Op. 18 No. 1: III. Scherzo. Allegro molto

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Quartet for Strings in F major, Op. 18 No. 1: IV. Allegro

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Quartet for Strings in G major, Op. 18 No. 2: I. Allegro

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Quartet for Strings in G major, Op. 18 No. 2: II. Adagio cantabile

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Quartet for Strings in G major, Op. 18 No. 2: III. Scherzo. Allegro

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Quartet for Strings in G major, Op. 18 No. 2: IV. Allegro molto quasi presto

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Quartet for Strings in D major, Op. 18 No. 3: I. Allegro

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Quartet for Strings in D major, Op. 18 No. 3: II. Andante con moto

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Quartet for Strings in D major, Op. 18 No. 3: III. Allegro

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Quartet for Strings in D major, Op. 18 No. 3: IV. Presto

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Quartet for Strings in C minor, Op. 18 No. 4: I. Allegro ma non tanto

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Quartet for Strings in C minor, Op. 18 No. 4: II. Scherzo. Andante scherzoso

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Quartet for Strings in C minor, Op. 18 No. 4: III. Menuetto. Allegretto

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Quartet for Strings in C minor, Op. 18 No. 4: IV. Allegro

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Quartet for Strings in A major, Op. 18 No. 5: I. Allegro

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Quartet for Strings in A major, Op. 18 No. 5: II. Menuetto

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Quartet for Strings in A major, Op. 18 No. 5: III. Andante cantabile

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Quartet for Strings in A major, Op. 18 No. 5: IV. Allegro

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Quartet for strings in B-flat major, Op. 18 No. 6: I. Allegro con brio

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Quartet for strings in B-flat major, Op. 18 No. 6: II. Adagio ma non troppo

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Quartet for strings in B-flat major, Op. 18 No. 6: III. Scherzo. Allegro

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Quartet for strings in B-flat major, Op. 18 No. 6: IV. Adagio “La malinconia” – Allegretto

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Quartet for Strings in F minor, Op. 95 “Serioso”: I. Allegro con brio

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Quartet for Strings in F minor, Op. 95 “Serioso”: II. Allegretto ma non troppo

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Quartet for Strings in F minor, Op. 95 “Serioso”: III. Allegro assai vivace ma serioso

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Quartet for Strings in F minor, Op. 95 “Serioso”: IV. Larghetto espressivo – Allegretto agitato

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Quartet for Strings in F major, Op. 59 No. 1: I. Allegro

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Quartet for Strings in F major, Op. 59 No. 1: II. Allegretto vivace, sempre scherzando

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Quartet for Strings in F major, Op. 59 No. 1: III. Adagio molto e mesto

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Quartet for Strings in F major, Op. 59 No. 1: VI. Theme russe. Allegro

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Quartet for Strings in E minor, Op. 59 No. 2: I. Allegro

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Quartet for Strings in E minor, Op. 59 No. 2: II. Molto adagio

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Quartet for Strings in E minor, Op. 59 No. 2: III. Allegretto

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Quartet for Strings in E minor, Op. 59 No. 2: IV. Finale. Presto

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Quartet for Strings in E-flat major, Op. 74 “Harfen Quartett”: I. Poco adagio – Allegro

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Quartet for Strings in E-flat major, Op. 74 “Harfen Quartett”: II. Adagio ma non troppo

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Quartet for Strings in E-flat major, Op. 74 “Harfen Quartett”: III. Presto – Più presto quasi prestissimo

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Quartet for Strings in E-flat major, Op. 74 “Harfen Quartett”: IV. Allegretto con variazioni

—

Quartet for Strings in C-sharp minor, Op. 131: I. Adagio ma non troppo e molto espressivo

—

Quartet for Strings in C-sharp minor, Op. 131: II. Allegro molto vivace

—

Quartet for Strings in C-sharp minor, Op. 131: III. Allegro moderato

—

Quartet for Strings in C-sharp minor, Op. 131: IV. Andante ma non troppo e molto cantabile

—

Quartet for Strings in C-sharp minor, Op. 131: V. Presto

—

Quartet for Strings in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante

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Quartet for Strings in C-sharp minor, Op. 131: VII. Allegro

—

Quartet for Strings in E-flat major, Op. 127: I. Maestoso – Allegro

—

Quartet for Strings in E-flat major, Op. 127: II. Adagio,ma no troppo e molto cantabile

—

Quartet for Strings in E-flat major, Op. 127: III. Scherzando vivace

—

Quartet for Strings in E-flat major, Op. 127: IV. Finale

—

Quartet for Strings in F major, Op. 135: I. Allegretto

—

Quartet for Strings in F major, Op. 135: II. Vivace

—

Quartet for Strings in F major, Op. 135: III. Lento assai, cantante e tranquillo

—

Quartet for Strings in F major, Op. 135: IV. Der schwer gefasste Entschluss, grave – Allegro

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Quartet for Strings in A minor, Op. 132: I. Assai sostenuto – Allegro

—

Quartet for Strings in A minor, Op. 132: II. Allegro ma non tanto

—

Quartet for Strings in A minor, Op. 132: III. Heiliger Dankgesang eines Genesenen an die Gottheit,in der lydischen Tonart

—

Quartet for Strings in A minor, Op. 132: IV. Alla marcia, assai vivace

—

Quartet for Strings in A minor, Op. 132: V. Allegro appassionato

—

Quartet for Strings in C major, Op. 59 No. 3: I. Introduzione. Andante con moto – Allegro vivace

—

Quartet for Strings in C major, Op. 59 No. 3: II. Andante con moto quasi allegretto

—

Quartet for Strings in C major, Op. 59 No. 3: III. Menuetto. Grazioso

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Quartet for Strings in C major, Op. 59 No. 3: IV. Allegro molto

—

Quartet for Strings in B-flat major, Op. 130: I. Adagio ma non troppo – Allegro

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Quartet for Strings in B-flat major, Op. 130: II. Presto

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Quartet for Strings in B-flat major, Op. 130: III. Andante con moto ma non troppo, poco scherzando

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Quartet for Strings in B-flat major, Op. 130: IV. Alla tedesca. Allegro assai

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Quartet for Strings in B-flat major, Op. 130: V. Cavatina. Adagio molto espressivo

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Quartet for Strings in B-flat major, Op. 130: VI. Finale. Allegro

—

Große Fuge for Strings in B-flat major, Op. 133: Overtura – Meno mosso e moderato – Allegro

—

Quintet for Strings in C major, Op. 29: I. Allegro moderato

—

Quintet for Strings in C major, Op. 29: II. Adagio molto espressivo

—

Quintet for Strings in C major, Op. 29: III. Scherzo. Allegro

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Quintet for Strings in C major, Op. 29: IV. Presto

—

Quintet for Strings in C minor, Op. 104: I. Allegro con brio

—

Quintet for Strings in C minor, Op. 104: II. Andante cantabile con variazioni

—

Quintet for Strings in C minor, Op. 104: III. Menuetto. Quasi allegro

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Quintet for Strings in C minor, Op. 104: IV. Finale. Presto

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Quartet for Strings in F major, H. 34: I. Allegro moderato

—

Quartet for Strings in F major, H. 34: II. Allegretto

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Quartet for Strings in F major, H. 34: III. Allegro

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Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: I. Allegro con brio

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Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: II. Andante

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Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: III. Menuetto

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Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: IV. Finale. Presto

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Fugue for 2 Violins, 2 Violas, Cello and Double Bass in D major, Op. 137

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Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: I. Allegro

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Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: II. Minuetto. Allegretto

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6 Ländlerische Tänze for 2 Violins, Cello and Double Bass, WoO 15

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Prelude and Fugue for 2 Violins and Cello in E minor, H. 29

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Prelude and Fugue for 2 Violins, Viola and Cello in F major, H. 30

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Prelude and Fugue for for 2 Violins, Viola and Cello in C major, H. 31

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Minuet for for 2 Violins, Viola and Cello, H. 33

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Prelude for 2 Violins, Viola and Cello, H. 40

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6 Variations for Piano on a Swiss Song in F major, WoO 64

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9 Variations for Piano in A major on “Quant’è più bello” from Paisello’s “La molinara”, WoO 69

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6 Variations for Piano in G major on an Original Theme, WoO 77

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8 Variations for Piano in C major on “Une fièvre brulante” from Grétry’s “Richard Cœur-de-Lion”, WoO 72

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Rondo for Piano in G major, Op. 51 No. 2

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Allegretto for Piano in C minor, WoO 53

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6 Écossaises, WoO 83

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Bagatelle for Piano in A minor, WoO 59 "Für Elise"

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Polonaise for Piano in C major, Op. 89

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Sonata for Piano in E-flat major, WoO 47 No. 1 “Kurfürsten”: I. Allegro cantabile

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Sonata for Piano in E-flat major, WoO 47 No. 1 “Kurfürsten”: II. Andante

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Sonata for Piano in E-flat major, WoO 47 No. 1 “Kurfürsten”: III. Rondo. Vivace

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Sonata for Piano in F minor, WoO 47 No. 2 “Kurfürsten”: I. Larghetto maestoso

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Sonata for Piano in F minor, WoO 47 No. 2 “Kurfürsten”: II. Andante

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Sonata for Piano in F minor, WoO 47 No. 2 “Kurfürsten”: III. Presto

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Bagatelle for Piano in C minor, WoO 52

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Allegretto for Piano in C minor, Hess 69

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Bagatelle for Piano in C major, WoO 54 “Lustig-Traurig”

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Rondo for Piano in C major, WoO 48

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Rondo in A major, WoO 49

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Sonata in F major, WoO 50: I

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Sonata for Piano in F major, WoO 50: II

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Allemande for Piano in A major, WoO 81

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Anglaise in D major, H. 61

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Prelude for Piano in F minor, WoO 55

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Fantasia for Piano in G minor, Op. 77

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Allegretto for Piano in B minor, WoO 61

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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Thema. Maestoso

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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 1

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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 2

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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 3

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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 4

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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 5

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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 6

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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 7

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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 8

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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 9

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Prelude for Piano, Op. 39 No. 1

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Prelude for Piano, Op. 39 No. 2

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Fugue for Piano in C major, Hess 64

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Minuet for Piano in E-flat major, WoO 82

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Bagatelle for Piano in C major, WoO 56

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Thema. Allegretto

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 1

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 2

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 3

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 4

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 5

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 6

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 7

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 8

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 9

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 10

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 11

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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 12

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Waltz for Piano in E-flat major, WoO 84

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Allegretto quasi andante for Piano, WoO 61a

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Waltz for Piano in D major, WoO 85

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Écossaise for Piano in E-flat major, WoO 86

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Sonata for 2 Pianos in D major, Op. 6: I. Allegro molto

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Sonata for 2 Pianos in D major, Op. 6: II. Rondo

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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Thema

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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 1

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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 2

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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 3

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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 4

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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 5

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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 6

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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 7

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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 8

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3 Marches for 2 Pianos, Op. 45 No. 1 in C major: Allegro ma non troppo

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3 Marches for 2 Pianos, Op. 45 No. 2 in E-flat major: Vivace

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3 Marches for 2 Pianos, Op. 45 No. 3 in D major: Vivace

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6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Thema

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6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 1

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6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 2

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6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 3

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6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 4

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6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 5

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6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 6

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Große Fugue for 2 Pianos, Op. 134: I. Overture. Allegro

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Große Fugue for 2 Pianos, Op. 134: II. Fuga. Allegro

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Große Fugue for 2 Pianos, Op. 134: III. Meno mosso e moderato

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Große Fugue for 2 Pianos, Op. 134: IV. Allegro

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Große Fugue for 2 Pianos, Op. 134: V. Allegro molto e con brio

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Große Fugue for 2 Pianos, Op. 134: VI. Allegro molto e con brio

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Sonata for Piano in D major, WoO 47 No. 3 “Kurfürsten”: I. Allegro

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Sonata for Piano in D major, WoO 47 No. 3 “Kurfürsten”: II. Menuetto

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Sonata for Piano in D major, WoO 47 No. 3 “Kurfürsten”: III. Scherzando

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Staatskapelle Dresden, Herbert Blomstedt

T-909.574.378-5

Leonore: Act I. "Fidelio kommt nicht zurück!" (Marzelline)

Helen Donath, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. No. 1 Aria "O wär'ich schon mit dir vereint" (Marzelline)

Helen Donath, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. "Wenn ich diese Tür nicht" (Jaquino, Marzelline)

Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. No. 2 Duet "Jetzt, Schätzchen" (Jaquino, Marzelline)

Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. "Höre, Jaquino" (Marzelline, Jaquino, Rocco)

Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. No. 3 Trio "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline)

Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. "Ist Fidelio noch nich nach Hause gekommen?" (Rocco, Marzelline, Jaquino, Leonore)

Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. No. 4 Canon "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)

Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. "Höre, Fidelio" (Rocco, Marzelline, Leonore)

Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. No. 5 Aria "Hat man nich auch Gold beineben" (Rocco)

Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline)

Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act I. No. 6 Trio "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline)

Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. No. 7 March

Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. "Drei Schildwachten auf den Wall" (Pizarro, Rocco)

Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco)

Theo Adam, MDR Rundfunkchor Leipzig, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. "Rocco!" (Pizarro, Rocco)

Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. No. 9 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)

Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. "Nun ist es endlich entschieden" (Marzelline, Leonore)

Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. No. 10 Duet "Im in der Ehe froh zu leben" (Marzelline, Leonore)

Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. "Sie doch, wie du so schnell" (Marzelline, Leonore)

Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. No. 11 Recitative and Aria "Ach, brich noch nicht" (Leonore)

Edda Moser, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. No. 12 Finale "O welche Lust!" (Chorus of the Prisoners)

Richard Cassilly, Reiner Goldberg, Siegfried Lorenz, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. "Entfernt euch jetzt!" (Rocco, Leonore)

Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore, Marzelline, Pizarro)

Theo Adam, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act II. "Auf euch nur will ich bauen" (Pizarro, Chorus)

Theo Adam, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. No. 13 Recitative and Aria "Gott! Welch dunkel hier!" (Florestan)

Richard Cassilly, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. No. 14 Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco)

Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. "Er erwacht!" (Leonore, Rocco, Florestan)

Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. No. 15 Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)

Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. "Alles ist bereit" (Rocco, Leonore, Pizarro)

Theo Adam, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. No. 16 Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco)

Theo Adam, Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. "Die Waffe hab'ich mir" (Leonore)

Edda Moser, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. No. 17 Recitative and Duet "Ich kann mich noch nicht fassen" (Florestan, Leonore)

Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. "O Leonore, sprich!" (Florestan, Leonore)

Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. No. 18 Finale "Zur Rache" (Chorus, Leonore, Florestan, Rocco, Don Fernando)

Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. "O Gott! O welch ein Augenblick!" (Leonore, Marzelline, Florestan, Don Fernando, Rocco, Chorus)

Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. "Wie lange habt Ihr sie getragen?" (Don Fernando, Florestan, Rocco, Chorus, Leonore, Marzelline, Jaquino)

Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. "Preist mit hoher Freude Glut" (Chorus)

MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt

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Leonore: Act III. "Wer ein solches Weib errungen" (Florestan, Marzelline, Jaquino, Rocco, Don Fernando, Chorus)

Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt

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Fidelio: Overture

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Fidelio: Act I. No. 1 Duet "Jetzt, Schätzchen, sind wir allein" (Jaquino, Marzelline)

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Fidelio: Act I. No. 2 Aria "O war ich schon mit dir vereint" (Marzelline)

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Fidelio: Act I. No. 3 Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)

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Fidelio: Act I. No. 4 Aria "Hat man nicht auch Gold beineben" (Rocco)

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Fidelio: Act I. No. 5 Trio "Gut, Söhnchen, gut" (Leonore, Rocco, Marzelline)

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Fidelio: Act I. No. 6 March

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Fidelio: Act I. No. 7 Aria with Chorus "Ha! Welch'ein Augenblick!" (Pizarro, Soldiers)

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Fidelio: Act I. No. 8 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)

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Fidelio: Act I. No. 9 Recitative and Aria "Abscheulicher! Wo eilst du hin?" (Leonore, Marzelline)

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Fidelio: Act I. Aria. "Komm Hoffnung, lass den letzten Stern" (Leonore, Marzelline, Rocco)

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Fidelio: Act I. No. 10 Finale "O welche Lust" (Prisoners)

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Fidelio: Act I. Recitative and Duet "Nun sprecht, wie ging's?" (Leonore, Rocco)

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Fidelio: Act I. "Ach! Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro)

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Fidelio: Act I. "Leb'wohl, du warmes Sonnenlicht" (Prisoners, Marzelline, Leonore, Pizarro, Jaquino, Rocco)

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Fidelio: Act II. No. 11 Recitative and Aria "Gott! Welch'dunkel hier!" (Florestan)

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Fidelio: Act II. "In des Lebens Frühlingstagen" (Florestan)

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Fidelio: Act II. No. 12 Melodrama and Duet "Wie kalt ist es in diesem unterirdischen Gewölbe" (Leonore, Rocco)

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Fidelio: Act II. "Nur hurtig fort, nur frisch gegraben" (Leonore, Rocco, Florestan)

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Fidelio: Act II. No. 13 Trio "Euch werde Lohn in bessern Welten" (Leonore, Florestan, Rocco, Pizarro)

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Fidelio: Act II. No. 14 Quartet "Er sterbe!" (Leonore, Florestan, Pizarro, Rocco)

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Fidelio: Act II. No. 15 Duet "O namenlose Freude!" (Leonore, Florestan)

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Fidelio: Act II. No. 16 Finale "Heil sei dem Tag!" (People)

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Fidelio: Act II. "Des besten Königs Wink und Wille" (Fernando, People, Prisoners, Rocco, Pizarro, Marzelline)

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Fidelio: Act II. "Wer ein holdes Weib errungen" (Chorus, Leonore, Florestan)

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Egmont, Op. 84: Ouvertüre

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Egmont, Op. 84: No. 1 Lied "Die Trommel gerühret!" (Klärchen)

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Egmont, Op. 84: No. 2 Zwischenakt I

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Egmont, Op. 84: No. 3 Zwischenakt II

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Egmont, Op. 84: No. 4 Lied "Freudvoll und Leidvoll"

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Egmont, Op. 84: No. 5 Zwischenakt III

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Egmont, Op. 84: No. 6 Zwischenakt IV

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Egmont, Op. 84: Monolog "Alter Freund!" (Egmont)

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Egmont, Op. 84: No. 7 Musik "Klärchen's Tod bezeichnend"

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Egmont, Op. 84: Monolog "Es ist vorbei" (Egmont)

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Egmont, Op. 84: No. 8 Melodram "Süsser Schlaf" (Egmont)

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Egmont, Op. 84: Monolog "Verschwunden ist der Kranz" (Egmont)

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Egmont, Op. 84: No. 9 "Siegessymphonie"

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Die Geschöpfe des Prometheus, Op. 43: Ouverture. Adagio - Allegro molto con brio / Introduction. Allegro non troppo

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Die Geschöpfe des Prometheus, Op. 43: Adagio - Allegro con brio - Allegro vivace

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Die Geschöpfe des Prometheus, Op. 43: Maestoso andante - Adagio - Andante quasi allegretto

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Die Geschöpfe des Prometheus, Op. 43: Allegro con brio - Presto

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Die Geschöpfe des Prometheus, Op. 43: Adagio - Adagio - Allegro molto

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Die Geschöpfe des Prometheus, Op. 43: Pastorale. Allegro

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Die Geschöpfe des Prometheus, Op. 43: Maestoso - Allegro (Solo di Gioia)

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Die Geschöpfe des Prometheus, Op. 43: Allegro

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Die Geschöpfe des Prometheus, Op. 43: Andante - Adagio - Allegro - Allegretto (Solo della Cassentini)

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Die Geschöpfe des Prometheus, Op. 43: Andantino - Adagio - Allegro (Solo di Vigano)

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Die Geschöpfe des Prometheus, Op. 43: Finale. Allegretto - Allegro molto presto

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Musik zu einem Ritterballett, WoO 1: I. Marsch

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Musik zu einem Ritterballett, WoO 1: II. Deutscher Gesang. Allegro moderato

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Musik zu einem Ritterballett, WoO 1: III. Jagdlied. Allegretto

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Musik zu einem Ritterballett, WoO 1: IV. Romanze. Andantino

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Musik zu einem Ritterballett, WoO 1: V. Kriegslied. Allegro assai con brio

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Musik zu einem Ritterballett, WoO 1: VI. Trinklied. Allegro con brio

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Musik zu einem Ritterballett, WoO 1: VII. Deutscher Tanz. Walzer

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Musik zu einem Ritterballett, WoO 1: VIII. Coda. Allegro vivace - Andantino - Tempo I

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Die Ruinen von Athen, Op. 113: I. Overtüre

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Die Ruinen von Athen, Op. 113: II. Chor "Tochter des mächtigen Zeus"

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Die Ruinen von Athen, Op. 113: III. Duett "Ohne Verschulden Knechtschaft dulden"

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Die Ruinen von Athen, Op. 113: IV. Chor der Derwische "Du hast in deines Ärmels Falten"

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Die Ruinen von Athen, Op. 113: V. Marcia alla turca

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Die Ruinen von Athen, Op. 113: VI. March "Schmückt die Altare"

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Die Ruinen von Athen, Op. 113: VII. Chor und Arie "Wir tragen empfängliche Herzen in Busen"

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Die Ruinen von Athen, Op. 113: VIII. Chor "Heil unserm König! Heil!"

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König Stephan, Op. 117: I. Overtüre

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König Stephan, Op. 117: II. Männerchor "Ruhend von seinem Thaten"

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König Stephan, Op. 117: III. Männerchor "Auf dunkelm in finstern Hainen Wandelten"

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König Stephan, Op. 117: IV. Siegesmarsch

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König Stephan, Op. 117: V. Frauenchor "Wo die Unschuld Blumen streute"

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König Stephan, Op. 117: VI. Chor "Eine neue strahlende Sonne"

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König Stephan, Op. 117: VII. Chor "Heil! Heil unserm Enkeln"

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Aria with Chorus in B-flat major, WoO 94 "Germania"

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Chor auf die verbündeten Fürsten. WoO 95 "Ihr weisen Gründer"

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Aria, Op. 65 "Ah! Perfido"

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Aria for Soprano and Orchestra, WoO 92 - "Primo Amore"

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Aria for Soprano and Strings, WoO 92a "No, non turbati"

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Duet for Soprano, Tenor and Orchestra, WoO 93 "Nei giorni tuoi felice"

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Trio for Soprano, Bass and Orchestra, Op. 116 "Tremate, empi, tremate"

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Aria for Bass and Orchestra, WoO 89 "Prüfung des Küssens"

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Aria for Bass and Orchestra, WoO 90 "Mit Mädeln sich vertragen"

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Aria from "Die schöne Schüsterin" for Tenor and Orchestra, WoO 91 No. 1 "O welch ein Leben!"

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Aria from "Die schöne Schüsterin" for Soprano and Orchestra, WoO 91 No. 2 "Soll ein Schuh nicht drücken"

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Cantata on the Death of Emperor Joseph II, WoO 87: I. Chorus "Tot! Tot, stöhnt es durch die öde Nacht" (solo quartet)

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Cantata on the Death of Emperor Joseph II, WoO 87: II. Recitative "Ein Ungeheuer, sein Name Fanatismus" (bass)

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Cantata on the Death of Emperor Joseph II, WoO 87: III. Aria "Da kam Joseph" (bass)

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Cantata on the Death of Emperor Joseph II, WoO 87: IV. Aria & Chorus "Da stiegen die Menschen ans Licht" (soprano)

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Cantata on the Death of Emperor Joseph II, WoO 87: V. Recitative "Er schläft" (soprano)

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Cantata on the Death of Emperor Joseph II, WoO 87: VI. Aria "Hier schlummert seinen stillen Frieden" (soprano)

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Cantata on the Death of Emperor Joseph II, WoO 87: VII. Chorus "Tot, stöhnt es durch die öde Nacht" (solo quartet)

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Cantata on the Accession of Emperor Leopold II, WoO 88: I. Recitative & Chorus "Er schlummert, laßt sanft den großen Fürsten ruhen!" (soprano)

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Cantata on the Accession of Emperor Leopold II, WoO 88: II. Aria "Fließe, Wonnezähren, fließe!" (soprano)

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Cantata on the Accession of Emperor Leopold II, WoO 88: III. Recitative "Ihr staunt, Völker der Erde!" (bass)

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Cantata on the Accession of Emperor Leopold II, WoO 88: IV. Recitative "Wie bebt mein Herz vor Wonne!" (tenor)

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Cantata on the Accession of Emperor Leopold II, WoO 88: V. Chorus "Heil! Stürzet nieder, Millionen" (solo quartet)

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Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa Stet!"

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Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!"

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Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin)

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Cantata for 4 Solo Voices, Chous, and Orchestra, Op. 136 "The Moment of Glory": VI. Choir "Es treten vor die Scharen der Frauen"

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Mehrstimmige italienische Gesänge, WoO 99: Bei labbri che amore (Soprano, Tenor)

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Mehrstimmige italienische Gesänge, WoO 99: Sei mio ben (Soprano, Tenor)

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Mehrstimmige italienische Gesänge, WoO 99: Scrivo in te (Soprano, Tenor)

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Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Salvo tu voi lo sposo? (Soprano, Tenor)

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Mehrstimmige italienische Gesänge, WoO 99: Ma tu tremi (Soprano, Alto, Tenor)

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Mehrstimmige italienische Gesänge, WoO 99: Giura il nocchier (Soprano, Alto, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Per te d'amico aprile (Soprano, Alto, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Soprano, Alto, Tenor)

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Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Soprano, Alto, Tenor)

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Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei (Soprano, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Chi mai di questo (Soprano, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Gia la notte (Alto, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Nei Campi e nelle selve I (Soprano, Alto, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Nei Campi e nelle selve II (Soprano, Alto, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Soprano, Alto, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Soprano, Alto, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei, in G major (Soprano, Alto, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei, in F major (Soprano, Alto, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Guira il nocchier, in C major (Soprano, Alto, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Guira il nocchier, in B flat major (Soprano, Alto, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: Gia la notte (Soprano, Alto, Tenor, Bass)

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Mehrstimmige italienische Gesänge, WoO 99: E pur fra le tempeste (Tenor, Piano)

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Cantata for Mixed Chorus and Orchestra, Op. 112 "Meeresstille und glückliche Fahrt"

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Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy"

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Elegiac Song for Choir and Orchestra, Op. 118

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Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122

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Rural Cantata for 4 Voices accopmanied by Piano, WoO 103

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Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106

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3 Voice Canon in F major, WoO 166: "Kurz ist der Schmerz"

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Hess 91 - Opferlied (piano arrangement from Op. 121b)

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Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105

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"Abschiedsgesang an Wiens Bürger", WoO 121

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Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122

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"Opferlied", WoO 126

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"Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto

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Sacrificial Song for Soprano accompanied by Choir and Orchestra, Op. 121b

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ia. Introduction. Grave - Adagio

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Choir "Doch weh!" Die frech entehren

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod" (Jesus)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen"

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte"

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph)

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter"

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre"

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Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Choir "Preiset ihn, ihr Engelchöre"

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An die ferne Geliebte, Op. 98: i "Auf Dem Hügel", ii "Wo Die Berge", iii "Leichte Segler", iv "Diese Wolken", v "Es Kehret Der Maien", vi "Nimm Sie Hin Denn"

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Cantata for Voice and Piano in B-flat major, Op. 46: Larghetto "Adelaide: Einsam wandelt dein Freund im Fruhlings Garten"

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"Ich liebe dich so wie du mich" (Zärtliche Liebe), WoO 123

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Arietta "Der Kuß", Op. 128

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"Lied aus der Ferne", WoO 137

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"Der Jüngling in der Fremde", WoO 138

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"Resignation", WoO 149

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Andenken, WoO 136 "Ich denke dein"

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Song for Voice and Piano, Op. 48 No. 1 in E major: Feierlich und mit Andacht "Bitten: Gott deine Gute reicht so"

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Song for Voice and Piano, Op. 48 No. 2 in E-flat major: Lebhaft, doch nicht zu sehr "Die Liebe des Nachsten: So jemand spricht"

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Song for Voice and Piano, Op. 48 No. 3 in F-sharp minor: Mussig und eher langsam als geschwind "Vom Tode: Meine Lebenszeit verstreicht"

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Song for Voice and Piano, Op. 48 No. 4 in C major: Majestatisch und erhaben "Die Ehre Gottes in der Natur:Die Himmel ruhmen des Ewigen"

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Song for Voice and Piano, Op. 48 No. 5 in C major: Mit Kraft and Feuer "Gottes Macht und Vorsehung: Gott ist mein Lied!"

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Song for Voice and Piano, Op. 48 No. 6 in A minor: Poco adagio "Busslied: An dir allein, an dir hab' ich gesundigt"

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Song for Voice and Piano, Op. 52 No. 4 in A-flat major: Allegro "Mailied: Wie herrlich leuchtet"

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Song for Voice and Piano, Op. 52 No. 7 in A minor: Allegretto "Marmotte: Ich komme schon durch manches Land"

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Gesange for Voice and Piano, Op. 75 No. 2 in C major: Lebhaft, doch nicht zu sehr "Neue Liebe, neues Leben: Herz, mein Herz, was soll das geben?"

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Gesange for Voice and Piano, Op. 83 No. 1 in E major: Andante espressivo "Wonne der Wehmuth: Trocknet nicht"

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Gesange for Voice and Piano, Op. 83 No. 2 in B minor: Allegretto "Sehnsucht: Was zieht mir das Herz so?"

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Gesange for Voice and Piano, Op. 83 No. 3 in F major: Leichtlich und mit Grazie vorzutragen "Mie einem gemalten Band: Kleine Blumen, kleine Blatter"

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Egmont, Op. 84: No. 4 Lied "Freudvoll und Leidvoll"

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Song for Voice and Piano and A major, Op. 88: Andante quasi allegretto "Das Gluck der Freundschaft: Der lebt ein Leben wonniglich"

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Song for Voice and Piano, WoO 118: Seufzer eines Ungeliebten und Gegenliebe

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Song for Voice and Piano, WoO 139: "Der Liebende"

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Song for Voice and Piano, WoO 147: "Ruf vom Berge"

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Song for Voice and Piano in E-flat major, Op. 32 "An die Hoffnung": Poco adagio

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Song for Voice and Piano, Op. 94: "An die Hoffnung"

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Song for Voice and Piano, WoO 114: Selbstgespräch

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Song for 2 Voices and Piano, WoO 130: "Gedenke Mein!"

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6 Variations for Piano in D major on the song "Ich denke dein", WoO 74: Leid. Andantino cantabile

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Song for Voice and Piano, Op. 52 No. 6 in F major: Allegretto "Die Liebe: Ohne Liebe lebe wer da kann"

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Song for Voice and Piano, Op. 52 No. 8 in G major: Andante "Das Blumchen Wunderhold: Es steht ein Blumchen irgend wo in"

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Song for Voice and Piano, WoO 107: "Schilderung eines Mädchens"

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Song for Voice and Piano, WoO 115: "An Minna"

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Song for Voice and Piano, WoO 135: "Die laute Klage"

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Song for Voice and Piano, WoO 132: "Als die Geliebte sich trennen wollte"

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Song for Voice and Piano, Op. 52 No. 3 in F major: Adagio "Das Liedchen von der Ruhe: Im Arm der Liebe ruht sich's wohl"

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Song for Voice and Piano, WoO 146: "Sehnsucht"

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Gesange for Voice and Piano, Op. 75 No. 3 in G minor: Poco Allegretto "Aus Goethe's Faust: Es war einmal ein Konig"

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Song for Voice and Piano, Op. 52 No. 1 in A minor: In einer massigen geschwinden Bewegung "Urians Reise um die Welt: Wenn jemand eine Reise thut"

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Song for Voice and Piano, WoO 109: "Trinklied"

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Song for Voice and Piano, WoO 111: "Punchlied, Scherzlieder"

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Gesange for Voice and Piano, Op. 75 No. 6 in A major: Froh und heiter, etwas lebhaft "Der Zufriedene: Zwar schuf das Gluck hienieden"

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Aria for Soprano and Piano, Op. 82 No. 1 in A major: Allegro moderato "Hoffnung: Dimmi ben mio - Nimmer den lieben dem Herzen"

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Aria for Soprano and Piano, Op. 82 No. 2 in D major: Adagio ma non troppo "Liebsklage: T'indendo, si, mio cor - Den stummen Felsen nur"

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Aria for Soprano and Piano, Op. 82 No. 3 in E-flat major: Allegro "Stille Frage: Che fa il mio bene? - Darf nimmer ich dir nahen?"

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Aria for Soprano and Piano, Op. 82 No. 4 in B-flat major: Andante con espressione "Liebes-Ungeduld: Che fa il mio bene? - So muss ich ihm entsagen"

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Duet for Soprano and Tenor, Op. 82 No. 5 in E major: Andante vivace "Lebens-Genuss: Odi l'aura che dolce sospira - Schnell verbluhen"

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Song for Voice and 2 Pianos, WoO 119: "o Care Selve"

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Song for Voice and Piano, WoO 124: "La partenza (Der Abschied)"

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Song for Voice and Piano, WoO 133: "In questa tomba oscura"

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Song for Voice and Piano, WoO 125: "La Tiranna", Canzonetta

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Song for Voice and Piano, WoO 116: "Que le temps me dure"

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Song for Voice and Piano, WoO 128: "Plaisir d'aimer"

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Song for Voice and Piano, WoO 129: "Der Wachtelschlag"

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Song for Voice and Piano, WoO 145: "Das Geheimnis"

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Song for Voice and Piano, WoO 112: "An Laura"

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Song for Voice and Piano, WoO 150: "Abendlied unterm gestirnten Himmel"

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Song for Voice and Piano, WoO 113: "Klage"

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Song for Voice and Piano, Op. 52 No. 2 in G major: Andante con moto "Feuerfarb': Ich weiss eine Farbe"

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Song for Voice and Piano, WoO 110: "Elegie Auf Den Tod Eines Pudels"

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Song for Voice and Piano, WoO 148: "So Oder So"

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Song for Voice and Piano, WoO 143: "Des Kriegers Abschied"

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Song for Voice and Piano, WoO 117: "Der Freie Mann"

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Song for Voice and Piano, WoO 126: "Opferlied"

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Song for Voice and Piano, WoO 141: "Der Gesang der Nachtigall" (J.G. Herder)

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Song for Voice and Piano, WoO 127: "Neue Liebe, neues Leben" (J.W. von Goethe)

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Song for Voice and Piano, WoO 118: "Seufzer eines Ungeliebten" und "Gegenliebe" (G.A. Bürger)

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Song for Voice and Piano, WoO 142: "Der Bardengeist" (F.R. Hermann)

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Song for Voice and Piano, WoO 139: "Der Liebende" (Reissig)

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Song for Voice and Piano, WoO 144: "Merkenstein" (J.B. Rupprecht)

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Song for Voice and Piano, WoO 120: "Man Strebt, Die Flamme Zu Verhehlen"

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Song for Voice and Piano, Op. 52 No. 5 in G major: Adagio con espessione "Molly's Abschied: Lebe wohl, du Mann der Lust"

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Song for Voice and Piano, WoO 134: "Sehnsucht" (J.W. Goethe)

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Gesange for Voice and Piano, Op. 75 No. 5 in G major: Larghetto "An den fernen Geliebten: Einst wohnten susse Ruh"

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Gesange for Voice and Piano, Op. 75 No. 1 in A major: Ziemlich langsam "Mignon: Kennst du das Land"

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Gesange for Voice and Piano, Op. 75 No. 4 in A major: Etwas lebhaft "Gretels Warnung: Mit Liebes lick und Spiel und Sang"

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Song for Voice and Piano in G major, Op. 99 "Der Mann von Wort: sagtest, Freund, an diesen Ort komm ich zurück"

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Song for Voice and Piano, WoO 151: "Der edle Mensche sei hülfreich und gut" (J.W. Goethe)

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Song for Voice and Piano, Hess 151: "Traute Henriette"

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Song for Voice and Piano in F major, Op. 100 "Merkenstein: Merkenstein! Wo ich wandle denk ich dein": Massig, jdeoch nicht schleppend

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Musical joke for three voices "Lob auf den Dicken", WoO 100

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Musical joke for three voices and choir "Esel aller Esel, hi ha", Hess 277

—

Musical joke "Graf, liebster Graf, liebstes Schaf", WoO 101

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Musical Joke "Herr Graf, ich komme zu fragen", Hess 276

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Canon for 3 "Bester Graf, Sie sind ein Schaf", WoO 183

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Canon for 4 "Es muss sein", WoO 196

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Canon for 2 Instruments in G major, Hess 274

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Joke or Riddle, canon for 4 "Das ist das Werk, sorgt um das Geld!", WoO 197

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Canon for 5 "Glaube und hoffe", WoO 174

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Canonlike movement for 4 "Auf einen, welche Hoffmann geheissen", WoO 180

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Canon for 2, Anglaise in D major for piano, Hess 61

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Canon for 2 "Rasch tritt der Tod den Menschen an", WoO 104

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Song for the Monks from Schiller's "William Tell": "Ich war hier, Doktor, ich war hier", WoO 190

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Riddle Canon for 2 "Signor abate", WoO 178

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Canon for 3 "Kurz ist der Schmerz, und ewig ist die Freude", WoO 163

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Canon for 3 "Hol'euch der Teufel! B'hüt euch Gott!", WoO 173

—

Riddle Canon for 2 "Gott ist eine feste Burg", WoO 188

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Riddle Canon for 2 "Sankt Petrus war ein Fels" "Bernardus war ein Sankt", WoO 175

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Riddle Canon for 4 "Tugend ist keinleerer name", WoO 181 No. 3

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Canon for 3 "Edel sei der mensch, hülfreich und gut", WoO 185

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Canon for 6 "Bester Magistrat, Ihr friert", WoO 177

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Canon for 2 Male Voices and 2 Double Basses "Kühl, nicht lau", WoO 191

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Canon for 3 "Wir irren allesamt", WoO 198

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Riddle Canon for 2 "Auf einen, welcher Schwenke geheissen: «Schwenke dich ohne»", WoO 187

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Canon for 4 "Brauchle, Linke", WoO 167

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Canon for 4 "O Tobias!", WoO 182

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Canon for 3 "Gedenket heute an Baden", WoO 181 No. 1

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Canon for 4 "Seiner Kaiserlichen Hoheit... Alles Gute, alles Schöne", WoO 179

—

Introduction and Canon for 4 "Glück fehl'dir vor allem", WoO 171

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Canon for 4 "Gehabt euch wohl", WoO 181 No. 2

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Canon for 4 "Freu dich des Lebens", WoO 195

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Canon for 2 "Glück zum neuen Jahr", WoO 165

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Instrumental Canon for 2 in A flat major, Hess 275

—

Canon for 4 "Im Arm der Liebe ruht sich's wohl", WoO 159

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Canon for 3 "Ich Küsse Sie", WoO 169

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Riddle Canon for 2 "Languisco e moro", Hess 229

—

Canon for 2 "Te solo adoro", WoO 186

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Canon for 2 "Ewig dein", WoO 161

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Canon for 3 "Freundschaft ist der Quell wahrer Glückseligkeit", WoO 164

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Instrumental Canon for 4, WoO 160 No. 2

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Canon for 3 "Ta ta ta, lieber Mälzel", WoO 162

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Canon for 4 "Ich bitt'dich, schreib'mir die Es-Scala auf", WoO 172

—

Canon for 3 "Ars longa, vita brevis", WoO 192

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Instrumental Canon for 3, WoO 160 No. 1

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Riddle Canon "Das Schweigen: «Lerne schweigen, o Freund»", WoO 168 No. 1

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Riddle Canon for 3 "Das Reden: «Rede, wenn's um einen Freund dir gilt»", WoO 168 No. 2

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Canon for 3 "Falstafferel", WoO 184

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Duet for 2 Violins in A major, WoO 34

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Canon for 5 "Abschiedsgesang «Die Stunde schlägt»", WoO 102

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25 Irish Songs WoO 152, No. 2 "Sweet power of song" (duet)

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25 Irish Songs WoO 152, No. 5 "On the massacre of Glencoe"

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25 Irish Songs WoO 152, No. 6 "What shall I do to shew how much I love her?" (duet)

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25 Irish Songs WoO 152, No. 8 "Come draw we round a cheerful ring"

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25 Irish Songs WoO 152, No. 10 "The deserter"

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25 Irish Songs WoO 152, No. 11 "Thou emblem of faith"

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25 Irish Songs WoO 152, No. 13 "Musing on the roaring ocean"

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25 Irish Songs WoO 152, No. 15 "Let brainspinning swains"

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25 Irish Songs WoO 152, No. 17 "In vain to this desert" (duet)

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25 Irish Songs WoO 152, No. 19 "Wife, children and friends" (duet)

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25 Irish Songs WoO 152, No. 20 "Farewell bliss and farewell Nancy" (duet)

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25 Irish Songs WoO 152, No. 21 "Morning a cruel turmoiler is"

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25 Irish Songs WoO 152, No. 23 "The wand'ring gypsy"

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25 Irish Songs WoO 152, No. 24 "The Traugh welcome"

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20 Irish Songs WoO 153, No. 1 "When eve's last rays in twilight" (duet)

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20 Irish Songs WoO 153, No. 4 "Since greybeards inpourm us that youth will decay"

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20 Irish Songs WoO 153, No. 5 "I dream'd I lay where flowers were springing" (duet)

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20 Irish Songs WoO 153, No. 7 "O soothe me, my lyre"

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20 Irish Songs WoO 153, No. 8 "Norah of Balamagairy"

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20 Irish Songs WoO 153, No. 10 "The hapless soldier" (duet)

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20 Irish Songs WoO 153, No. 15 "'t is but in vain, pour nothing thrives"

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20 Irish Songs WoO 153, No. 17 "Come, Darby dear, easy, be easy"

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20 Irish Songs WoO 153, No. 20 "Thy ship must sail, my Henry dear"

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25 Irish Songs WoO 152, No. 1, "The Return to Ulster"

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25 Irish Songs WoO 152, No. 3, "Once More I Hail Thee"

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25 Irish Songs WoO 152, No. 4, "The Morning Air Plays on My Face"

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25 Irish Songs WoO 152, No. 7, "His Boat Comes on the Sunny Tide"

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25 Irish Songs WoO 152, No. 9, "The Soldier's Dream"

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25 Irish Songs WoO 152, No. 12, "English Bulls"

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25 Irish Songs WoO 152, No. 14, "Dermot and Shelah"

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25 Irish Songs WoO 152, No. 16, "Hide Not Thy Anguish"

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25 Irish Songs WoO 152, No. 18, "They Bid Me Slight My Dermot Dear"

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25 Irish Songs WoO 152, No. 22, "From Garyone, My Happy Home"

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25 Irish Songs WoO 152, No. 25, "Oh Harp of Erin"

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20 Irish Songs WoO 153, No. 2, "No Riches From His Scanty Store"

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20 Irish Songs WoO 153, No. 3, "The British Light Dragoons"

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20 Irish Songs WoO 153, No. 6, "Sad and Luckless Was the Season"

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20 Irish Songs WoO 153, No. 9, "The Kiss, Dear Maid, Thy Lip Has Left"

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20 Irish Songs WoO 153, No. 11, "When Far From the Home"

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20 Irish Songs WoO 153, No. 12, "I'll Praise the Saints"

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20 Irish Songs WoO 153, No. 13, "'Tis Sunshine at Last"

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20 Irish Songs WoO 153, No. 14, "Paddy O'Rafferty"

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20 Irish Songs WoO 153, No. 16, "O Might I but My Patrick Love"

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20 Irish Songs WoO 153, No. 18, "No More, My Mary"

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20 Irish Songs WoO 153, No. 19, "Judy, Lovely, Matchless Creature"

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Additional database matches (42)

Track Title	Artist(s)	ISWC
Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Adagio	Orchester der Bayreuther Festspiele, Wilhelm Furtwängler	—
Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro ma non troppo - Allegro assai - Presto - Allegro assai vivace: alla marcia - Andante maestoso - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco adagio - Prestissimo	Chor, Orchester der Bayreuther Festspiele, Wilhelm Furtwängler	—
Symphony no. 5 in C minor, op. 67: I. Allegro con brio	Philharmonia Orchestra, Herbert von Karajan	—
Symphony no. 5 in C minor, op. 67: II. Andante con moto	Philharmonia Orchestra, Herbert von Karajan	—
Symphony no. 5 in C minor, op. 67: III. Allegro	Philharmonia Orchestra, Herbert von Karajan	—
Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto	Philharmonia Orchestra, Herbert von Karajan	—
Symphony no. 7 in A major, op. 92: IV. Allegro con brio	Philharmonia Orchestra, Herbert von Karajan	—
Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro	Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler	—
Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio	Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler	—
Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo Allegro	Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler	—
Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio	Edwin Fischer	—
Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile	Edwin Fischer	—
Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro	Edwin Fischer	—
Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai - Più allegro	Edwin Fischer	—
Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto	Edwin Fischer	—
Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo - Presto	Edwin Fischer	—
Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: I. Allegro	Solomon	—
Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: II. Scherzo	Solomon	—
Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: III. Adagio e sostenuto	Solomon	—
Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: IV. Largo – Un poco piu vivace – Allegro – Tempo – Prestissimo – Allegroris	Solomon	—
Cello Sonata No. 1 in F major, Op. 5 No. 1: I. Adagio sostenuto	Pau Casals, Mieczysław Horszowski	—
Cello Sonata No. 1 in F major, Op. 5 No. 1: II. Allegro	Pau Casals, Mieczysław Horszowski	—
Sonata no. 1 for Cello and Piano in F major, op. 5 no. 1: II. Rondo. Allegro vivace	Pau Casals, Mieczysław Horszowski	—
Sonata no. 2 for Cello and Piano in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo	Pau Casals, Mieczysław Horszowski	—
Cello Sonata No. 2 in G minor, Op. 5 No. 2: II. Allegro molto più tosto presto	Pau Casals, Mieczysław Horszowski	—
Sonata no. 2 for Cello and Piano in G minor, op. 5 no. 2: III. Rondo. Allegro	Pau Casals, Mieczysław Horszowski	—
Sonata no. 3 for Cello and Piano in A major, op. 69: I. Allegro ma non tanto	Pau Casals, Otto Schulhof	—
Sonata no. 3 for Cello and Piano in A major, op. 69: II. Scherzo. Allegro molto	Pau Casals, Otto Schulhof	—
Sonata no. 3 for Cello and Piano in A major, op. 69: III. Adagio cantabile - Allegro vivace	Pau Casals, Otto Schulhof	—
Minuet in G major, WoO 10 no. 2	Pau Casals, Otto Schulhof	—
Piano Trio no. 7 in B flat major, op. 97 "Archduke": I. Allegro moderato	Pau Casals, Alfred Cortot, Jacques Thibaud	—
Piano Trio no. 7 in B flat major, op. 97 "Archduke": II. Scherzo. Allegro	Pau Casals, Alfred Cortot, Jacques Thibaud	—
Piano Trio no. 7 in B flat major, op. 97 "Archduke": III. Andante cantabile ma però con moto	Pau Casals, Alfred Cortot, Jacques Thibaud	T-917.033.932-9
Piano Trio no. 7 in B flat major, op. 97 "Archduke": IV. Allegro moderato	Pau Casals, Alfred Cortot, Jacques Thibaud	—
Piano Trio no. 1 in B flat major, D. 898: I. Allegro moderato	Pau Casals, Alfred Cortot, Jacques Thibaud	—
Piano Trio no. 1 in B flat major, D. 898: II. Andante un poco mosso	Pau Casals, Alfred Cortot, Jacques Thibaud	—
Piano Trio no. 1 in B flat major, D. 898: III. Allegro	Pau Casals, Alfred Cortot, Jacques Thibaud	—
Piano Trio no. 1 in B flat major, D. 898: IV. Allegro vivace	Pau Casals, Alfred Cortot, Jacques Thibaud	—
Symphony no. 5 in C minor, op. 67: I. Allegro con brio	Philharmonia Orchestra, Herbert von Karajan	—
Symphony no. 5 in C minor, op. 67: II. Andante con moto	Philharmonia Orchestra, Herbert von Karajan	—
Symphony no. 5 in C minor, op. 67: III. Allegro	Philharmonia Orchestra, Herbert von Karajan	—
Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto	Philharmonia Orchestra, Herbert von Karajan	—

Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Adagio

Orchester der Bayreuther Festspiele, Wilhelm Furtwängler

—

Chor, Orchester der Bayreuther Festspiele, Wilhelm Furtwängler

—

Symphony no. 5 in C minor, op. 67: I. Allegro con brio

—

Symphony no. 5 in C minor, op. 67: II. Andante con moto

—

Symphony no. 5 in C minor, op. 67: III. Allegro

—

Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto

—

Symphony no. 7 in A major, op. 92: IV. Allegro con brio

Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler

—

Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro

—

Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio

Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler

—

Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo Allegro

Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler

—

Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio

—

Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile

—

Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro

—

Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai - Più allegro

—

Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto

—

Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo - Presto

—

Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: I. Allegro

—

Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: II. Scherzo

—

Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: III. Adagio e sostenuto

—

Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: IV. Largo – Un poco piu vivace – Allegro – Tempo – Prestissimo – Allegroris

—

Cello Sonata No. 1 in F major, Op. 5 No. 1: I. Adagio sostenuto

—

Cello Sonata No. 1 in F major, Op. 5 No. 1: II. Allegro

—

Sonata no. 1 for Cello and Piano in F major, op. 5 no. 1: II. Rondo. Allegro vivace

—

Sonata no. 2 for Cello and Piano in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo

—

Cello Sonata No. 2 in G minor, Op. 5 No. 2: II. Allegro molto più tosto presto

—

Sonata no. 2 for Cello and Piano in G minor, op. 5 no. 2: III. Rondo. Allegro

—

Sonata no. 3 for Cello and Piano in A major, op. 69: I. Allegro ma non tanto

—

Sonata no. 3 for Cello and Piano in A major, op. 69: II. Scherzo. Allegro molto

—

Sonata no. 3 for Cello and Piano in A major, op. 69: III. Adagio cantabile - Allegro vivace

—

Minuet in G major, WoO 10 no. 2

—

Piano Trio no. 7 in B flat major, op. 97 "Archduke": I. Allegro moderato

—

Piano Trio no. 7 in B flat major, op. 97 "Archduke": II. Scherzo. Allegro

Piano Trio no. 7 in B flat major, op. 97 "Archduke": III. Andante cantabile ma però con moto

—

T-917.033.932-9

Piano Trio no. 7 in B flat major, op. 97 "Archduke": IV. Allegro moderato

—

Piano Trio no. 1 in B flat major, D. 898: I. Allegro moderato

—

Piano Trio no. 1 in B flat major, D. 898: II. Andante un poco mosso

—

Piano Trio no. 1 in B flat major, D. 898: III. Allegro

—

Piano Trio no. 1 in B flat major, D. 898: IV. Allegro vivace

—

Symphony no. 5 in C minor, op. 67: I. Allegro con brio

—

Symphony no. 5 in C minor, op. 67: II. Andante con moto

—

Symphony no. 5 in C minor, op. 67: III. Allegro

—

Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto