UPC · Release
Johannes Brahms
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The UPC for “Complete Works” by Johannes Brahms is 5028421935546. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2008-01-01. Label: Brilliant Classics. This release contains 997 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro – Meno allegro | — | ||
| 2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 4 | Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro | — | ||
| 2-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 2-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | — | ||
| 2-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso | — | ||
| 2-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 3-1 | Symphony no. 3 in F major, op. 90: I. Allegro con brio – Un poco sostenuto – Tempo I | — | ||
| 3-2 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 3-3 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | — | ||
| 3-4 | Symphony no. 3 in F major, op. 90: IV. Allegro – Un poco sostenuto | — | ||
| 3-5 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 3-6 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 3-7 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 3-8 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato – Più allegro | — | ||
| 4-1 | Akademische Festouvertüre, op. 80 | — | ||
| 4-2 | Tragische Overtüre, op. 81 | — | ||
| 4-3 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: I. Chorale St. Antoni. Andante | — | ||
| 4-4 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: II. Variation I. Poco più animato | — | ||
| 4-5 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: III. Variation II. Più vivace | — | ||
| 4-6 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: IV. Variation III. Con moto | — | ||
| 4-7 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: V. Variation IV. Andante con moto | — | ||
| 4-8 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: VI. Variation V. Vivace | — | ||
| 4-9 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: VII. Variation VI. Vivace | — | ||
| 4-10 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: VIII. Variation VII. Grazioso | — | ||
| 4-11 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: IX. Variation VIII. Presto non troppo | — | ||
| 4-12 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: X. Finale. Andante | — | ||
| 4-13 | Serenade no. 2 in A major, op. 16: I. Allegro moderato | — | ||
| 4-14 | Serenade no. 2 in A major, op. 16: II. Scherzo. Vivace | — | ||
| 4-15 | Serenade no. 2 in A major, op. 16: III. Adagio non troppo | — | ||
| 4-16 | Serenade no. 2 in A major, op. 16: IV. Quasi menuetto | — | ||
| 4-17 | Serenade no. 2 in A major, op. 16: V. Rondo. Allegro | — | ||
| 5-1 | Serenade no. 1 in D major, op. 11: I. Allegro molto | — | ||
| 5-2 | Serenade no. 1 in D major, op. 11: II. Scherzo. Allegro non troppo | — | ||
| 5-3 | Serenade no. 1 in D major, op. 11: III. Adagio non troppo | — | ||
| 5-4 | Serenade no. 1 in D major, op. 11: IV. Menuetto 1 & 2 | — | ||
| 5-5 | Serenade no. 1 in D major, op. 11: V. Scherzo. Allegro | — | ||
| 5-6 | Serenade no. 1 in D major, op. 11: VI. Rondo. Allegro | — | ||
| 6-1 | Hungarian Dances (orchestral): No. 1 in G minor | — | ||
| 6-2 | Hungarian Dances (orchestral): No. 2 in D minor | — | ||
| 6-3 | Hungarian Dances (orchestral): No. 3 in F major | — | ||
| 6-4 | Hungarian Dances (orchestral): No. 4 in F‐sharp minor | — | ||
| 6-5 | Hungarian Dances (orchestral): No. 5 in G minor | — | ||
| 6-6 | Hungarian Dances (orchestral): No. 6 in D major | — | ||
| 6-7 | Hungarian Dances (orchestral): No. 7 in F major | — | ||
| 6-8 | Hungarian Dances (orchestral): No. 8 in A minor | — | ||
| 6-9 | Hungarian Dances (orchestral): No. 9 in E minor | — | ||
| 6-10 | Hungarian Dances (orchestral): No. 10 in F major | — | ||
| 6-11 | Hungarian Dances (orchestral): No. 11 in D minor | — | ||
| 6-12 | Hungarian Dances (orchestral): No. 12 in D minor | — | ||
| 6-13 | Hungarian Dances (orchestral): No. 13 in D major | — | ||
| 6-14 | Hungarian Dances (orchestral): No. 14 in D minor | — | ||
| 6-15 | Hungarian Dances (orchestral): No. 15 in B‐flat major | — | ||
| 6-16 | Hungarian Dances (orchestral): No. 16 in F minor | — | ||
| 6-17 | Hungarian Dances (orchestral): No. 17 in F‐sharp minor | — | ||
| 6-18 | Hungarian Dances (orchestral): No. 18 in D major | — | ||
| 6-19 | Hungarian Dances (orchestral): No. 19 in B minor | — | ||
| 6-20 | Hungarian Dances (orchestral): No. 20 in E minor | — | ||
| 6-21 | Hungarian Dances (orchestral): No. 21 in E minor | — | ||
| 7-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | — | ||
| 7-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 7-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | — | ||
| 7-4 | 16 Waltzes, op. 39: No. 1 in B major | — | ||
| 7-5 | 16 Waltzes, op. 39: No. 2 in E major | — | ||
| 7-6 | 16 Waltzes, op. 39: No. 3 in G‐sharp minor | — | ||
| 7-7 | 16 Waltzes, op. 39: No. 4 in E minor | — | ||
| 7-8 | 16 Waltzes, op. 39: No. 5 in E major | — | ||
| 7-9 | 16 Waltzes, op. 39: No. 6 in C‐sharp major | — | ||
| 7-10 | 16 Waltzes, op. 39: No. 7 in C‐sharp minor | — | ||
| 7-11 | 16 Waltzes, op. 39: No. 8 in B‐flat major | — | ||
| 7-12 | 16 Waltzes, op. 39: No. 9 in D minor | — | ||
| 7-13 | 16 Waltzes, op. 39: No. 10 in G major | — | ||
| 7-14 | 16 Waltzes, op. 39: No. 11 in B minor | — | ||
| 7-15 | 16 Waltzes, op. 39: No. 12 in E major | — | ||
| 7-16 | 16 Waltzes, op. 39: No. 13 in B major | — | ||
| 7-17 | 16 Waltzes, op. 39: No. 14 in G‐sharp minor | — | ||
| 7-18 | 16 Waltzes, op. 39: No. 15 in A‐flat major | — | ||
| 7-19 | 16 Waltzes, op. 39: No. 16 in C‐sharp minor | — | ||
| 8-1 | Piano Concerto no. 2 in B‐flat major, op. 83: I. Allegro non troppo | — | ||
| 8-2 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appassionato | — | ||
| 8-3 | Piano Concerto no. 2 in B‐flat major, op. 83: III. Andante | — | ||
| 8-4 | Piano Concerto no. 2 in B‐flat major, op. 83: IV. Allegretto grazioso | — | ||
| 8-5 | 4 Klavierstücke, op. 119: Intermezzo in B minor. Adagio | — | ||
| 8-6 | 4 Klavierstücke, op. 119: Intermezzo in E minor. Andantino un poco agitato | — | ||
| 8-7 | 4 Klavierstücke, op. 119: Intermezzo in C major. Grazioso e giocoso | — | ||
| 8-8 | 4 Klavierstücke, op. 119: Rhapsody in E‐flat major. Allegro risoluto | — | ||
| 9-1 | Violin Concerto in D major, op. 77: I. Allegro ma non troppo | — | ||
| 9-2 | Violin Concerto in D major, op. 77: II. Adagio | — | ||
| 9-3 | Violin Concerto in D major, op. 77: III. Allegro giocoso | — | ||
| 9-4 | Concerto for Violin, Cello & Orchestra in A minor, op. 102: I. Allegro | — | ||
| 9-5 | Concerto for Violin, Cello & Orchestra in A minor, op. 102: II. Andante | — | ||
| 9-6 | Concerto for Violin, Cello & Orchestra in A minor, op. 102: III. Vivace non troppo | — | ||
| 10-1 | Piano Quartet no. 1 in G minor, op. 25: I. Allegro | — | ||
| 10-2 | Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo. Allegro ma non troppo | — | ||
| 10-3 | Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto | — | ||
| 10-4 | Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla zingarese | — | ||
| 10-5 | Piano Quartet no. 3 in C minor, op. 60: I. Allegro non troppo | — | ||
| 10-6 | Piano Quartet no. 3 in C minor, op. 60: II. Scherzo. Allegro | — | ||
| 10-7 | Piano Quartet no. 3 in C minor, op. 60: III. Andante | — | ||
| 10-8 | Piano Quartet no. 3 in C minor, op. 60: IV. Finale. Allegro comodo | — | ||
| 11-1 | Piano Quartet no. 2 in A major, op. 26: I. Allegro non troppo | — | ||
| 11-2 | Piano Quartet no. 2 in A major, op. 26: II. Poco adagio | — | ||
| 11-3 | Piano Quartet no. 2 in A major, op. 26: III. Scherzo. Poco allegro | — | ||
| 11-4 | Piano Quartet no. 2 in A major, op. 26: IV. Finale. Allegro | — | ||
| 12-1 | String Quintet no. 1 in F major, op. 88: I. Allegro non troppo ma con brio | — | ||
| 12-2 | String Quintet no. 1 in F major, op. 88: II. Grave ed appassionato – Allegretto – Vivace – Tempo I – Presto – Tempo I | — | ||
| 12-3 | String Quintet no. 1 in F major, op. 88: III. Allegro energico | — | ||
| 12-4 | String Quintet no. 2 in G major, op. 111: I. Allegro non troppo ma con brio | — | ||
| 12-5 | String Quintet no. 2 in G major, op. 111: II. Adagio | — | ||
| 12-6 | String Quintet no. 2 in G major, op. 111: III. Un poco allegretto | — | ||
| 12-7 | String Quintet no. 2 in G major, op. 111: IV. Vivace ma non troppo presto | — | ||
| 13-1 | Clarinet Sonata no. 1 op. 120 in F minor: I. Allegro appassionato | — | ||
| 13-2 | Clarinet Sonata no. 1 op. 120 in F minor: II. Andante un poco adagio | — | ||
| 13-3 | Clarinet Sonata no. 1 op. 120 in F minor: III. Allegretto grazioso | — | ||
| 13-4 | Clarinet Sonata no. 1 op. 120 in F minor: IV. Vivace | — | ||
| 13-5 | Clarinet Sonata no. 2 op. 120 in E‐flat major: I. Allegro amabile | — | ||
| 13-6 | Clarinet Sonata no. 2 op. 120 in E‐flat major: II. Allegro appassionato | — | ||
| 13-7 | Clarinet Sonata no. 2 op. 120 in E‐flat major: III. Andante con moto-allegro | — | ||
| 14-1 | Quintet for Clarinet in B minor, op. 115: I. Allegro | — | ||
| 14-2 | Quintet for Clarinet in B minor, op. 115: II. Adagio - Più lento | — | ||
| 14-3 | Quintet for Clarinet in B minor, op. 115: III. Andantino - Presto non assai, ma con sentimento | — | ||
| 14-4 | Quintet for Clarinet in B minor, op. 115: IV. Con moto | — | ||
| 14-5 | Quartet for Strings no. 2 in A minor, op. 51 No. 2: I. Allegro non troppo | — | ||
| 14-6 | Quartet for Strings no. 2 in A minor, op. 51 No. 2: II. Andante moderato | — | ||
| 14-7 | Quartet for Strings no. 2 in A minor, op. 51 No. 2: III. Quasi minuetto | — | ||
| 14-8 | Quartet for Strings no. 2 in A minor, op. 51 No. 2: IV. Allegro non assai | — | ||
| 15-1 | String Quartet no. 1 in C minor, op. 51 no. 1: I. Allegro | — | ||
| 15-2 | String Quartet no. 1 in C minor, op. 51 no. 1: II. Romanze. Poco adagio | — | ||
| 15-3 | String Quartet no. 1 in C minor, op. 51 no. 1: III. Allegro molto moderato e comodo | — | ||
| 15-4 | String Quartet no. 1 in C minor, op. 51 no. 1: IV. Allegro | — | ||
| 15-5 | String Quartet no. 3 in B‐flat major, op. 67: I. Vivace | — | ||
| 15-6 | String Quartet no. 3 in B‐flat major, op. 67: II. Andante | — | ||
| 15-7 | String Quartet no. 3 in B‐flat major, op. 67: III. Agitato – Allegretto non troppo | — | ||
| 15-8 | String Quartet no. 3 in B‐flat major, op. 67: IV. Poco allegretto con variazioni | — | ||
| 16-1 | Horn Trio in E‐flat major, op. 40: I. Andante – Poco più animato | — | ||
| 16-2 | Horn Trio in E‐flat major, op. 40: II. Scherzo & Trio. Allegro | — | ||
| 16-3 | Horn Trio in E‐flat major, op. 40: III. Adagio mesto | — | ||
| 16-4 | Horn Trio in E‐flat major, op. 40: IV. Allegro con brio | — | ||
| 16-5 | Piano Quintet in F minor, op. 34: I. Allegro non troppo | — | ||
| 16-6 | Piano Quintet in F minor, op. 34: II. Andante, un poco adagio | — | ||
| 16-7 | Piano Quintet in F minor, op. 34: III. Scherzo & Trio. Allegro | — | ||
| 16-8 | Piano Quintet in F minor, op. 34: IV. Poco sostenuto – Allegro non troppo | — | ||
| 17-1 | Sonata for Violin and Piano no. 1 in G major, op. 78: I. Vivace ma non troppo | — | ||
| 17-2 | Sonata for Violin and Piano no. 1 in G major, op. 78: II. Adagio - Più andante - Adagio | — | ||
| 17-3 | Sonata for Violin and Piano no. 1 in G major, op. 78: III. Allegro molto moderato | — | ||
| 17-4 | Sonata for Violin and Piano no. 2 in A major, op. 100: I. Allegro amabile | — | ||
| 17-5 | Sonata for Violin and Piano no. 2 in A major, op. 100: II. Andante tranquillo - Vivace | — | ||
| 17-6 | Sonata for Violin and Piano no. 2 in A major, op. 100: III. Allegretto grazioso | — | ||
| 17-7 | Sonata for Violin and Piano no. 3 in D minor, op. 108: I. Allegro | — | ||
| 17-8 | Sonata for Violin and Piano no. 3 in D minor, op. 108: II. Adagio | — | ||
| 17-9 | Sonata for Violin and Piano no. 3 in D minor, op. 108: III. Un poco presto e con sentimento | — | ||
| 17-10 | Sonata for Violin and Piano no. 3 in D minor, op. 108: IV. Presto agitato | — | ||
| 17-11 | Scherzo for Violin and Piano in C minor from F-A-E Sonata, WoO 2 | — | ||
| 18-1 | Cello Sonata no. 1 op. 38 in E minor I. Allegro non troppo | — | ||
| 18-2 | Cello Sonata no. 1 op. 38 in E minor II. Allegretto quasi menuetto | — | ||
| 18-3 | Cello Sonata no. 1 op. 38 in E minor III. Allegro | — | ||
| 18-4 | Cello Sonata no. 2 op. 99 in F major I. Allegro vivace | — | ||
| 18-5 | Cello Sonata no. 2 op. 99 in F major II. Adagio affettuoso | — | ||
| 18-6 | Cello Sonata no. 2 op. 99 in F major III. Allegro passionato | — | ||
| 18-7 | Cello Sonata no. 2 op. 99 in F major IV. Allegro molto | — | ||
| 19-1 | String Sextet no. 1 in B‐flat major, op. 18: I. Allegro ma non troppo | — | ||
| 19-2 | String Sextet no. 1 in B‐flat major, op. 18: II. Andante ma moderato | — | ||
| 19-3 | String Sextet no. 1 in B‐flat major, op. 18: III. Scherzo. Allegro molto | — | ||
| 19-4 | String Sextet no. 1 in B‐flat major, op. 18: IV. Rondo. Poco allegretto e grazioso | — | ||
| 19-5 | String Sextet no. 2 in G major, op. 36: I. Allegro non troppo | — | ||
| 19-6 | String Sextet no. 2 in G major, op. 36: II. Scherzo. Allegro non troppo. Presto giocoso | — | ||
| 19-7 | String Sextet no. 2 in G major, op. 36: III. Poco adagio | — | ||
| 19-8 | String Sextet no. 2 in G major, op. 36: IV. Poco allegro | — | ||
| 20-1 | Piano Trio no. 1 op. 8 in B major I. Allegro | — | ||
| 20-2 | Piano Trio no. 1 op. 8 in B major II. Scherzo (allegro molto) | — | ||
| 20-3 | Piano Trio no. 1 op. 8 in B major III. Adagio | — | ||
| 20-4 | Piano Trio no. 1 op. 8 in B major IV. Allegro | — | ||
| 20-5 | Piano Trio no. 3 op. 101 in C minor I. Allegro energico | — | ||
| 20-6 | Piano Trio no. 3 op. 101 in C minor II. Presto non assai | — | ||
| 20-7 | Piano Trio no. 3 op. 101 in C minor III. Andante grazioso | — | ||
| 20-8 | Piano Trio no. 3 op. 101 in C minor IV. Allegro molto | — | ||
| 21-1 | Piano Trio no. 2 op. 87 in C major I. Allegro | — | ||
| 21-2 | Piano Trio no. 2 op. 87 in C major II. Andante con moto | — | ||
| 21-3 | Piano Trio no. 2 op. 87 in C major III. Scherzo (presto) | — | ||
| 21-4 | Piano Trio no. 2 op. 87 in C major IV. Finale, allegro | — | ||
| 21-5 | Clarinet Trio op. 114 in A minor I. Allegro | — | ||
| 21-6 | Clarinet Trio op. 114 in A minor II. Adagio | — | ||
| 21-7 | Clarinet Trio op. 114 in A minor III. Andante grazioso | — | ||
| 21-8 | Clarinet Trio op. 114 in A minor IV. Allegro | — | ||
| 22-1 | Sonata for viola & piano in F minor op. 120 No. 1 - I. Allegro appassionato | — | ||
| 22-2 | Sonata for viola & piano in F minor op. 120 No. 1 - II. Andante un poco adagio | — | ||
| 22-3 | Sonata for viola & piano in F minor op. 120 No. 1 - III. Allegretto grazioso | — | ||
| 22-4 | Sonata for viola & piano in F minor op. 120 No. 1 - IV. Vivace | — | ||
| 22-5 | Sonata for viola & piano in E‐flat major op. 120 No. 2 - I. Allegro amabile | — | ||
| 22-6 | Sonata for viola & piano in E‐flat major op. 120 No. 2 - II. Allegro appassionato | — | ||
| 22-7 | Sonata for viola & piano in E‐flat major op. 120 No. 2 - III. Andante con moto-allegro | — | ||
| 22-8 | Piano Trio in A major op. Posth. - I. Moderato | — | ||
| 22-9 | Piano Trio in A major op. Posth. - II. Vivace | — | ||
| 22-10 | Piano Trio in A major op. Posth. - III. Lento | — | ||
| 22-11 | Piano Trio in A major op. Posth. - IV. Presto | — | ||
| 23-1 | Sonata for Two Pianos op. 34b in F minor I. Allegro non troppo | — | ||
| 23-2 | Sonata for Two Pianos op. 34b in F minor II. Andante un poco adagio | — | ||
| 23-3 | Sonata for Two Pianos op. 34b in F minor III. Scherzo, allegro | — | ||
| 23-4 | Sonata for Two Pianos op. 34b in F minor IV. Finale: poco sostenuto, allegro non troppo, presto non troppo | — | ||
| 24-1 | Variations on a theme by Joseph Haydn "St. Antoni Chorale", op. 56b | — | ||
| 24-2 | 16 Waltzes op. 39 for piano four hands | — | ||
| 24-3 | Variations on a theme of Robert Schumann op. 23 for piano four hands | — | ||
| 25-1 | Hungarian Dance for Four Hands in G minor, WoO 1 no. 1: Allegro molto | — | ||
| 25-2 | Hungarian Dance for Four Hands in D minor, WoO 1 no. 2: Allegro non assai | — | ||
| 25-3 | Hungarian Dance for Four Hands in F major, WoO 1 no. 3: Allegretto | — | ||
| 25-4 | Hungarian Dance for Four Hands in F minor, WoO 1 no. 4: Poco sostenuto | — | ||
| 25-5 | Hungarian Dance for Four Hands in F‐sharp minor, WoO 1 no. 5: Allegro | — | ||
| 25-6 | Hungarian Dance for Four Hands in D‐flat major, WoO 1 no. 6: Vivace | — | ||
| 25-7 | Hungarian Dance for Four Hands in A major, WoO 1 no. 7: Allegretto | — | ||
| 25-8 | Hungarian Dance for Four Hands in A minor, WoO 1 no. 8: Presto | — | ||
| 25-9 | Hungarian Dance for Four Hands in E minor, WoO 1 no. 9: Allegro non troppo | — | ||
| 25-10 | Hungarian Dance for Four Hands in E major, WoO 1 no. 10: Presto | — | ||
| 25-11 | Hungarian Dance for Four Hands in C major, WoO 1 no. 11: Poco andante | — | ||
| 25-12 | Hungarian Dance for Four Hands in D minor, WoO 1 no. 12: Presto | — | ||
| 25-13 | Hungarian Dance for Four Hands in D major, WoO 1 no. 13: Andantino grazioso | — | ||
| 25-14 | Hungarian Dance for Four Hands in D minor, WoO 1 no. 14: Un poco andante | — | ||
| 25-15 | Hungarian Dance for Four Hands in B‐flat major, WoO 1 no. 15: Allegretto grazioso | — | ||
| 25-16 | Hungarian Dance for Four Hands in F minor, WoO 1 no. 16: Con moto | — | ||
| 25-17 | Hungarian Dance for Four Hands in F‐sharp minor, WoO 1 no. 17: Andantino | — | ||
| 25-18 | Hungarian Dance for Four Hands in D major, WoO 1 no. 18: Molto vivace | — | ||
| 25-19 | Hungarian Dance for Four Hands in B minor, WoO 1 no. 19: Allegretto | — | ||
| 25-20 | Hungarian Dance for Four Hands in E minor, WoO 1 no. 20: Poco allegretto | — | ||
| 25-21 | Hungarian Dance for Four Hands in E minor, WoO 1 no. 21: Vivace | — | ||
| 25-22 | Academic Festival Overture, Op. 80 four hand piano | — | ||
| 26-1 | Piano Sonata no. 1 op. 1 in C major: I. Allegro | — | ||
| 26-2 | Piano Sonata no. 1 op. 1 in C major: II. Andante (nach einem altdeutschen Minneliede) | — | ||
| 26-3 | Piano Sonata no. 1 op. 1 in C major: III. Scherzo: Allegro moltoe con fuoco-Piu mosso-Tempo I | — | ||
| 26-4 | Piano Sonata no. 1 op. 1 in C major: IV. Finale: Allegro con fuoco-Presto non troppo ed agitato | — | ||
| 26-5 | Scherzo op. 4 in E flat minor: Rasch und Feurig-Trio I-Da capo-Trio II:Molto espressivo-Da capo-Coda:Piu mosso-Piu sostenuto | — | ||
| 27-1 | Piano Sonata no. 2 op. 2 in F‐sharp minor: I. Allegro ma non troppo ma energico | — | ||
| 27-2 | Piano Sonata no. 2 op. 2 in F‐sharp minor: II. Andante con espressione | — | ||
| 27-3 | Piano Sonata no. 2 op. 2 in F‐sharp minor: III. Scherzo, allegro | — | ||
| 27-4 | Piano Sonata no. 2 op. 2 in F‐sharp minor: IV. Finale: introduzione, allegro non troppo e rubato | — | ||
| 27-5 | Piano Sonata no. 3 op. 5 in F minor: I. Allegro maestoso | — | ||
| 27-6 | Piano Sonata no. 3 op. 5 in F minor: II. Andante espressivo | — | ||
| 27-7 | Piano Sonata no. 3 op. 5 in F minor: III. Scherzo, allegro energico | — | ||
| 27-8 | Piano Sonata no. 3 op. 5 in F minor: IV. Inttermezzo, andante molto | — | ||
| 27-9 | Piano Sonata no. 3 op. 5 in F minor: V. Finale: allegro moderato ma rubato | — | ||
| 28-1 | Variations on a Theme of Paganini, op. 35 no. 1: I. Thema. Non troppo presto | — | ||
| 28-2 | Variations on a Theme of Paganini, op. 35 no. 1: II. Variation I | — | ||
| 28-3 | Variations on a Theme of Paganini, op. 35 no. 1: III. Variation II | — | ||
| 28-4 | Variations on a Theme of Paganini, op. 35 no. 1: IV. Variation III | — | ||
| 28-5 | Variations on a Theme of Paganini, op. 35 no. 1: V. Variation IV | — | ||
| 28-6 | Variations on a Theme of Paganini, op. 35 no. 1: VI. Variation V: Espressivo - Molto leggiero | — | ||
| 28-7 | Variations on a Theme of Paganini, op. 35 no. 1: VII. Variation VI: Molto leggiero | — | ||
| 28-8 | Variations on a Theme of Paganini, op. 35 no. 1: VIII. Variation VII | — | ||
| 28-9 | Variations on a Theme of Paganini, op. 35 no. 1: IX. Variation VIII: Staccato | — | ||
| 28-10 | Variations on a Theme of Paganini, op. 35 no. 1: X. Variation IX: Legato | — | ||
| 28-11 | Variations on a Theme of Paganini, op. 35 no. 1: XI. Variation X: Sotto voce | — | ||
| 28-12 | Variations on a Theme of Paganini, op. 35 no. 1: XII. Variation XI: Andante - Molto legato e dolce - Espressivo | — | ||
| 28-13 | Variations on a Theme of Paganini, op. 35 no. 1: XIII. Variation XII: Molto dolce | — | ||
| 28-14 | Variations on a Theme of Paganini, op. 35 no. 1: XIV. Variation XIII: Vivace e scherzando | — | ||
| 28-15 | Variations on a Theme of Paganini, op. 35 no. 1: XV. Variation XIV: Ben marcato, con fuoco - Presto, ma non troppo | — | ||
| 28-16 | Variations on a Theme of Paganini, op. 35 no. 2: I. Thema: Non troppo presto | — | ||
| 28-17 | Variations on a Theme of Paganini, op. 35 no. 2: II. Variation I | — | ||
| 28-18 | Variations on a Theme of Paganini, op. 35 no. 2: III. Variation II: Poco animato - Poco forte espressivo - Legato | — | ||
| 28-19 | Variations on a Theme of Paganini, op. 35 no. 2: IV. Variation III: Leggiero - Espressivo | — | ||
| 28-20 | Variations on a Theme of Paganini, op. 35 no. 2: V. Variation IV: Poco allegretto, con grazia | — | ||
| 28-21 | Variations on a Theme of Paganini, op. 35 no. 2: VI. Variation V: Dolce | — | ||
| 28-22 | Variations on a Theme of Paganini, op. 35 no. 2: VII. Variation VI: Poco più vivace - Leggiero | — | ||
| 28-23 | Variations on a Theme of Paganini, op. 35 no. 2: VIII. Variation VII: Leggiero e ben marcato | — | ||
| 28-24 | Variations on a Theme of Paganini, op. 35 no. 2: IX. Variation VIII: Allegro - Leggiero - Quasi pizzicato | — | ||
| 28-25 | Variations on a Theme of Paganini, op. 35 no. 2: X. Variation IX | — | ||
| 28-26 | Variations on a Theme of Paganini, op. 35 no. 2: XI. Variation X: Feroce - Energico | — | ||
| 28-27 | Variations on a Theme of Paganini, op. 35 no. 2: XII. Variation XI: Vivace, non legato e scherzando | — | ||
| 28-28 | Variations on a Theme of Paganini, op. 35 no. 2: XIII. Variation XII: Un poco andante, dolce espressivo | — | ||
| 28-29 | Variations on a Theme of Paganini, op. 35 no. 2: XIV. Variation XIII: Un poco più andante - Poco espressivo | — | ||
| 28-30 | Variations on a Theme of Paganini, op. 35 no. 2: XV. Variation XIV: Presto, ma non troppo - Scherzando | — | ||
| 28-31 | Variations and Fugue on a Theme of Händel, op. 24: I. Aria: Rhytmisch, mit Humor | — | ||
| 28-32 | Variations and Fugue on a Theme of Händel, op. 24: II. Variation I: L'Istesso tempo | — | ||
| 28-33 | Variations and Fugue on a Theme of Händel, op. 24: III. Variation II: Con espressione | — | ||
| 28-34 | Variations and Fugue on a Theme of Händel, op. 24: IV. Variation III: Grazioso | — | ||
| 28-35 | Variations and Fugue on a Theme of Händel, op. 24: V. Variation IV: Risoluto - Con fuoco - Staccato | — | ||
| 28-36 | Variations and Fugue on a Theme of Händel, op. 24: VI. Variation V: Affettuoso - Espressivo | — | ||
| 28-37 | Variations and Fugue on a Theme of Händel, op. 24: VII. Variation VI: Sordo e legato | — | ||
| 28-38 | Variations and Fugue on a Theme of Händel, op. 24: VIII. Variation VII: Con vivacita | — | ||
| 28-39 | Variations and Fugue on a Theme of Händel, op. 24: IX. Variation VIII: Martellato/Distinto, non legato | — | ||
| 28-40 | Variations and Fugue on a Theme of Händel, op. 24: X. Variation IX: Poco sostenuto, legato | — | ||
| 28-41 | Variations and Fugue on a Theme of Händel, op. 24: XI. Variation X: Energico | — | ||
| 28-42 | Variations and Fugue on a Theme of Händel, op. 24: XII. Variation XI: Lusingando, con tenerezza - Dolce - Legato | — | ||
| 28-43 | Variations and Fugue on a Theme of Händel, op. 24: XIII. Variation XII: L'Istesso tempo - Semplice - Soave - Legato | — | ||
| 28-44 | Variations and Fugue on a Theme of Händel, op. 24: XIV. Variation XIII: Largamente, ma non più - Espressivo | — | ||
| 28-45 | Variations and Fugue on a Theme of Händel, op. 24: XV. Variation XIV: Vivace - Sciolto | — | ||
| 28-46 | Variations and Fugue on a Theme of Händel, op. 24: XVI. Variation XV: L'Istesso tempo | — | ||
| 28-47 | Variations and Fugue on a Theme of Händel, op. 24: XVII. Variation XVI: Scherzando | — | ||
| 28-48 | Variations and Fugue on a Theme of Händel, op. 24: XVIII. Variation XVII: Più mosso - Semplice | — | ||
| 28-49 | Variations and Fugue on a Theme of Händel, op. 24: XIX. Variation XVIII: Grazioso | — | ||
| 28-50 | Variations and Fugue on a Theme of Händel, op. 24: XX. Variation XIX: Leggiero e vivace, alla Siciliana | — | ||
| 28-51 | Variations and Fugue on a Theme of Händel, op. 24: XXI. Variation XX: Andante espressivo, legato | — | ||
| 28-52 | Variations and Fugue on a Theme of Händel, op. 24: XXII. Variation XXI: Allegretto vivace, dolce/leggiero | — | ||
| 28-53 | Variations and Fugue on a Theme of Händel, op. 24: XXIII. Variation XXII: Alla Musette | — | ||
| 28-54 | Variations and Fugue on a Theme of Händel, op. 24: XXIV. Variation XXIII: Vivace - Sospetto - Vivace e staccato | — | ||
| 28-55 | Variations and Fugue on a Theme of Händel, op. 24: XXV. Variation XXIV: L'Istesso tempo - Tumultuoso - Feroce | — | ||
| 28-56 | Variations and Fugue on a Theme of Händel, op. 24: XXVI. Variation XXV: Poco più lento - Festivo - Fieramente, con tutta forza | — | ||
| 28-57 | Variations and Fugue on a Theme of Händel, op. 24: XXVII. Fuga: Allegro sostenuto e fermo | — | ||
| 29-1 | Variations on an Original Theme, op. 21 no. 1: I. Thema: Poco larghetto, poco forte, molto espressivo e legato | — | ||
| 29-2 | Variations on an Original Theme, op. 21 no. 1: II. Variation I: Molto piano e legato | — | ||
| 29-3 | Variations on an Original Theme, op. 21 no. 1: III. Variation II: Più moto, espressivo | — | ||
| 29-4 | Variations on an Original Theme, op. 21 no. 1: IV. Variation III: Dolce | — | ||
| 29-5 | Variations on an Original Theme, op. 21 no. 1: V. Variation IV: [Poco più lento] Dolce | — | ||
| 29-6 | Variations on an Original Theme, op. 21 no. 1: VI. Variation V: Tempo di tema, Canone in moto contrario, molto dolce, teneramente | — | ||
| 29-7 | Variations on an Original Theme, op. 21 no. 1: VII. Variation VI: Più moto, espressivo, legato | — | ||
| 29-8 | Variations on an Original Theme, op. 21 no. 1: VIII. Variation VII: Andante con moto, dolce | — | ||
| 29-9 | Variations on an Original Theme, op. 21 no. 1: IX. Variation VIII: Allegro non troppo | — | ||
| 29-10 | Variations on an Original Theme, op. 21 no. 1: X. Variation IX: | — | ||
| 29-11 | Variations on an Original Theme, op. 21 no. 1: XI. Variation X: Espressivo agitato | — | ||
| 29-12 | Variations on an Original Theme, op. 21 no. 1: XII. Variation XI: Tempo di tema, poco più lento, dolce | — | ||
| 29-13 | Variations on a Hungarian Song, op. 21 no. 2: I. Allegro | — | ||
| 29-14 | Variations on a Hungarian Song, op. 21 no. 2: II. Variation I | — | ||
| 29-15 | Variations on a Hungarian Song, op. 21 no. 2: III. Variation II | — | ||
| 29-16 | Variations on a Hungarian Song, op. 21 no. 2: IV. Variation III | — | ||
| 29-17 | Variations on a Hungarian Song, op. 21 no. 2: V. Variation IV | — | ||
| 29-18 | Variations on a Hungarian Song, op. 21 no. 2: VI. Variation V: Con espressione | — | ||
| 29-19 | Variations on a Hungarian Song, op. 21 no. 2: VII. Variation VI | — | ||
| 29-20 | Variations on a Hungarian Song, op. 21 no. 2: VIII. Variation VII: Poco più lento, dolce espressivo/quasi pizzicato | — | ||
| 29-21 | Variations on a Hungarian Song, op. 21 no. 2: IX. Variation VIII: [Ancora un poco più lento] Espressivo, dolce | — | ||
| 29-22 | Variations on a Hungarian Song, op. 21 no. 2: X. Variation IX: Dolce | — | ||
| 29-23 | Variations on a Hungarian Song, op. 21 no. 2: XI. Variation X: Legato, dolce | — | ||
| 29-24 | Variations on a Hungarian Song, op. 21 no. 2: XII. Variation XI: Dolce | — | ||
| 29-25 | Variations on a Hungarian Song, op. 21 no. 2: XIII. Variation XII: Espressivo | — | ||
| 29-26 | Variations on a Hungarian Song, op. 21 no. 2: XIV. Variation XIII: Con forza - Allegro - Tempo I più animato | — | ||
| 29-27 | Variations on a Theme of Robert Schumann, op. 9: I. Thema: Ziemlich langsam | — | ||
| 29-28 | Variations on a Theme of Robert Schumann, op. 9: II. Variation I | — | ||
| 29-29 | Variations on a Theme of Robert Schumann, op. 9: III. Variation II: Poco più moto, espressivo/staccato e leggiero | — | ||
| 29-30 | Variations on a Theme of Robert Schumann, op. 9: IV. Variation III: Tempo di tema | — | ||
| 29-31 | Variations on a Theme of Robert Schumann, op. 9: V. Variation IV: Poco più moto, espressivo/leggiero | — | ||
| 29-32 | Variations on a Theme of Robert Schumann, op. 9: VI. Variation V: Allegro capriccioso | — | ||
| 29-33 | Variations on a Theme of Robert Schumann, op. 9: VII. Variation VI: Allegro | — | ||
| 29-34 | Variations on a Theme of Robert Schumann, op. 9: VIII. Variation VII: Andante | — | ||
| 29-35 | Variations on a Theme of Robert Schumann, op. 9: IX. Variation VIII: Andante (non troppo lento), espressivo | — | ||
| 29-36 | Variations on a Theme of Robert Schumann, op. 9: X. Variation IX: Schnell | — | ||
| 29-37 | Variations on a Theme of Robert Schumann, op. 9: XI. Variation X: Poco adagio, espressivo dolce | — | ||
| 29-38 | Variations on a Theme of Robert Schumann, op. 9: XII. Variation XI: Un poco più animato, sempre pianissimo dolcissimo | — | ||
| 29-39 | Variations on a Theme of Robert Schumann, op. 9: XIII. Variation XII: Allegretto, poco scherzando, staccato e leggiero | — | ||
| 29-40 | Variations on a Theme of Robert Schumann, op. 9: XIV. Variation XIII: Non troppo presto, molto leggiero | — | ||
| 29-41 | Variations on a Theme of Robert Schumann, op. 9: XV. Variation XIV: Andante, espressivo/staccato e leggiero | — | ||
| 29-42 | Variations on a Theme of Robert Schumann, op. 9: XVI. Variation XV: Poco adagio, espressivo | — | ||
| 29-43 | Variations on a Theme of Robert Schumann, op. 9: XVII. Variation XVI: Adagio | — | ||
| 30-1 | Ballades, op. 10: I. Andante "Edward" | — | ||
| 30-2 | Ballades, op. 10: II. Andante | — | ||
| 30-3 | Ballades, op. 10: III. Intermezzo, allegro | — | ||
| 30-4 | Ballades, op. 10: IV. Andante con moto | — | ||
| 30-5 | Rhapsodies, op. 79: I. Agitato | — | ||
| 30-6 | Rhapsodies, op. 79: II. Molto passionato | — | ||
| 30-7 | Eight Piano Pieces, Capriccio in F‐sharp minor, op. 76: I. Un poco agitato | — | ||
| 30-8 | Eight Piano Pieces, Capriccio in B minor, op. 76: II. Allegretto non troppo | — | ||
| 30-9 | Eight Piano Pieces, Intermezzo in A‐flat major, op. 76: III. Grazioso | — | ||
| 30-10 | Eight Piano Pieces, Intermezzo in B‐flat major, op. 76: IV. Allegretto Grazioso | — | ||
| 30-11 | Eight Piano Pieces, Capriccio in C‐sharp minor, op. 76: V. Agitato, ma non troppo presto | — | ||
| 30-12 | Eight Piano Pieces, Intermezzo in A major, op. 76: VI. Andante con moto | — | ||
| 30-13 | Eight Piano Pieces, Intermezzo in A minor, op. 76: VII. Moderato semplice | — | ||
| 30-14 | Eight Piano Pieces, Capriccio in C major, op. 76: VIII. Grazioso ed un poco vivace | — | ||
| 31-1 | Fantasien, Capriccio in D minor, op. 116: I. Presto energico | — | ||
| 31-2 | Fantasien, Intermezzo in A minor, op. 116: II. Andante | — | ||
| 31-3 | Fantasien, Capriccio in D minor, op. 116: III. Presto energico | — | ||
| 31-4 | Fantasien, Intermezzo in E major, op. 116: IV. Adagio | — | ||
| 31-5 | Fantasien, Intermezzo in E minor, op. 116: V. Andante con grazia ed intimissimo sentimento | — | ||
| 31-6 | Fantasien, Intermezzo in E major, op. 116: VI. Andantino teneramente | — | ||
| 31-7 | Fantasien, Capriccio in D minor, op. 116: VII. Allegro agitato | — | ||
| 31-8 | Intermezzo in E‐flat major, op. 117: I. Andante moderato | — | ||
| 31-9 | Intermezzo in B‐flat minor, op. 117: II. Andante non troppo | — | ||
| 31-10 | Intermezzo in C‐sharp minor, op. 117: III. Andante con moto | — | ||
| 31-11 | Six Pieces for Piano, Intermezzo in A minor, op. 118: I. Allegro non assai | — | ||
| 31-12 | Six Pieces for Piano, Intermezzo in A major, op. 118: II. Andante teneramente | — | ||
| 31-13 | Six Pieces for Piano, Ballade in G minor, op. 118: III. Allegro energico | — | ||
| 31-14 | Six Pieces for Piano, Intermezzo in F minor, op. 118: IV. Allegretto un poco agitato | — | ||
| 31-15 | Six Pieces for Piano, Romanze in F major, op. 118: V. Andante | — | ||
| 31-16 | Six Pieces for Piano, Intermezzo in E‐flat minor, op. 118: VI. Andante, largo e mesto | — | ||
| 31-17 | Four Pieces for Piano, Intermezzo in B minor, op. 119: I. Adagio | — | ||
| 31-18 | Four Pieces for Piano, Intermezzo in E minor, op. 119: II. Andantino un poco agitato | — | ||
| 31-19 | Four Pieces for Piano, Intermezzo in C major, op. 119: III. Grazioso e giocoso | — | ||
| 31-20 | Four Pieces for Piano, Rhapsodie in E‐flat major, op. 119: IV. Allegro risoluto | — | ||
| 32-1 | Hungarian Dances for solo piano no. 1 in G minor | — | ||
| 32-2 | Hungarian Dances for solo piano no. 2 in D minor | — | ||
| 32-3 | Hungarian Dances for solo piano no. 3 in F major | — | ||
| 32-4 | Hungarian Dances for solo piano no. 4 in F‐sharp minor | — | ||
| 32-5 | Hungarian Dances for solo piano no. 5 in F‐sharp minor | — | ||
| 32-6 | Hungarian Dances for solo piano no. 6 in D‐flat major | — | ||
| 32-7 | Hungarian Dances for solo piano no. 7 in F major | — | ||
| 32-8 | Hungarian Dances for solo piano no. 8 in A minor | — | ||
| 32-9 | Hungarian Dances for solo piano no. 9 in E minor | — | ||
| 32-10 | Hungarian Dances for solo piano no. 10 in E major | — | ||
| 32-11 | After an Study by Chopin (Op. 25 no. 2 in F minor) | — | ||
| 32-12 | After a Rondo by von Weber (Finale of Piano Sonata in C major) | — | ||
| 32-13 | After a Presto by J.S. Bach, first version (Finale of Solo Violin Sonata BWV 1001) | — | ||
| 32-14 | After a Presto by J.S. Bach, second version (Finale of SOlo Violin Sonata BWV 1001) | — | ||
| 32-15 | After Chaconne by J.S. Bach, for the left hand (from Violin Partita no. 2 in D minor, BWV 1016) | — | ||
| 33-1 | Hungarian Dances for solo piano no. 11 in D minor | — | ||
| 33-2 | Hungarian Dances for solo piano no. 12 in D minor | — | ||
| 33-3 | Hungarian Dances for solo piano no. 13 in D major | — | ||
| 33-4 | Hungarian Dances for solo piano no. 14 in D minor | — | ||
| 33-5 | Hungarian Dances for solo piano no. 15 in B‐flat minor | — | ||
| 33-6 | Hungarian Dances for solo piano no. 16 in F minor | — | ||
| 33-7 | Hungarian Dances for solo piano no. 17 in F‐sharp minor | — | ||
| 33-8 | Hungarian Dances for solo piano no. 18 in D major | — | ||
| 33-9 | Hungarian Dances for solo piano no. 19 in B minor | — | ||
| 33-10 | Hungarian Dances for solo piano no. 20 in E minor | — | ||
| 33-11 | Hungarian Dances for solo piano no. 21 in E minor | — | ||
| 33-12 | Sarabande no. 1 in A minor | — | ||
| 33-13 | Sarabande no. 2 in B minor | — | ||
| 33-14 | Gavotte no. 1 in A minor | — | ||
| 33-15 | Gavotte no. 2 in A major | — | ||
| 33-16 | Gigue no. 1 in A minor | — | ||
| 33-17 | Gigue no. 2 in B minor | — | ||
| 33-18 | Transcription of a Gavotte by Gluck | — | ||
| 33-19 | Study after an Impromptu by Schubert op. 90 no. 2 | — | ||
| 33-20 | Theme & Variations in D minor (from String Sextet op. 18) | — | ||
| 34-1 | A German Requiem, op. 45: I. Chorus “Selig sind,die da Leid tragen” | — | ||
| 34-2 | A German Requiem, op. 45: II. Chorus “Denn alles Fleisch, es ist wie Gras” | — | ||
| 34-3 | A German Requiem, op. 45: III. Baritone & Chorus “Herr, lehre doch mich” | — | ||
| 34-4 | A German Requiem, op. 45: IV. Chorus “Wie lieblich sind deine Wohnungen” | — | ||
| 34-5 | A German Requiem, op. 45: V. Soprano & chorus “Ihr habt nun Traurigkeit” | — | ||
| 34-6 | A German Requiem, op. 45: VI. Baritone & Chorus “Denn wir haben hier keine bleibende Statt” | — | ||
| 34-7 | A German Requiem, op. 45: VII. Chorus “Selig sind die Toten” | — | ||
| 35-1 | Song of Triumph op. 55: I. Lebhaft und feierlich animato | — | ||
| 35-2 | Song of Triumph op. 55: II. Mässig belebt Lebhaft Ziemlich langsam doch nicht schleppend | — | ||
| 35-3 | Song of Triumph op. 55: III. Lebhaft Etwas lebhafter Feierlich | — | ||
| 35-4 | Ave Maria op. 12 andante | — | ||
| 35-5 | Song of Destiny, op. 54: Langsam und sehnsuchtsvoll allegro adagio | — | ||
| 35-6 | Nänie op. 82 andante piu sostenuto tempo primo | — | ||
| 35-7 | Funeral Song op. 13 | — | ||
| 36-1 | Song of the Fates, op. 89 | — | ||
| 36-2 | Alto Rhapsody, op. 53 | — | ||
| 36-3 | Rinaldo, op. 50: I. Zu dem Strande! Zu der Barke! | — | ||
| 36-4 | Rinaldo, op. 50: II. Stelle her der goldnen Tage Paradise | — | ||
| 36-5 | Rinaldo, op. 50: III. Zurück nur! Zurücke | — | ||
| 36-6 | Rinaldo, op. 50: IV. Zum zweiten Male | — | ||
| 36-7 | Rinaldo, op. 50: V. Segel schwellen | — | ||
| 37-1 | Songs of Love Waltz op. 52: I. Rede Mädchen, allzu liebes | — | ||
| 37-2 | Songs of Love Waltz op. 52: II. Am Gesteine rauscht die Flut | — | ||
| 37-3 | Songs of Love Waltz op. 52: III. O Die Frauen | — | ||
| 37-4 | Songs of Love Waltz op. 52: IV. Wie des Abends schöne Röte | — | ||
| 37-5 | Songs of Love Waltz op. 52: V. Die grüne Hopfenranke | — | ||
| 37-6 | Songs of Love Waltz op. 52: VI. Ein kleiner, hübscher Vogel | — | ||
| 37-7 | Songs of Love Waltz op. 52: VII. Wohl schön bewandt war es | — | ||
| 37-8 | Songs of Love Waltz op. 52: VIII. Wenn so lind dein Auge mir | — | ||
| 37-9 | Songs of Love Waltz op. 52: IX. Am Donaustrande | — | ||
| 37-10 | Songs of Love Waltz op. 52: X. O wie sanft die Quelle | — | ||
| 37-11 | Songs of Love Waltz op. 52: XI. Nein, es ist nicht auszukommen | — | ||
| 37-12 | Songs of Love Waltz op. 52: XII. Schlosser auf und mache Schlösser | — | ||
| 37-13 | Songs of Love Waltz op. 52: XIII. Vögelein durchrauscht die Luft | — | ||
| 37-14 | Songs of Love Waltz op. 52: XIV. Sieh, wie ist die Welle klar | — | ||
| 37-15 | Songs of Love Waltz op. 52: XV. Nachtigall, sie singt so schön | — | ||
| 37-16 | Songs of Love Waltz op. 52: XVI. Ein dunkeler Schacht ist Liebe | — | ||
| 37-17 | Songs of Love Waltz op. 52: XVII. Nicht wandle, mein Licht | — | ||
| 37-18 | Songs of Love Waltz op. 52: XVIII. Es bebet das Gesträuche | — | ||
| 37-19 | New Love Songs Waltz op. 65: I. Verzicht, oh Herz, auf Rettung | — | ||
| 37-20 | New Love Songs Waltz op. 65: II. Finstere Schatten der Nacht | — | ||
| 37-21 | New Love Songs Waltz op. 65: III. An jeder Hand die Finger | — | ||
| 37-22 | New Love Songs Waltz op. 65: IV. Ihr schwarzen Augen | — | ||
| 37-23 | New Love Songs Waltz op. 65: V. Wahre, wahre deinen Sohn | — | ||
| 37-24 | New Love Songs Waltz op. 65: VI.Rosen steckt mir an die Mutter | — | ||
| 37-25 | New Love Songs Waltz op. 65: VII. Vom Gebirge Well auf Well | — | ||
| 37-26 | New Love Songs Waltz op. 65: VIII. Weiche Gräser im Revier | — | ||
| 37-27 | New Love Songs Waltz op. 65: IX. Nagen am Herzen fühl ich | — | ||
| 37-28 | New Love Songs Waltz op. 65: X. Ich kose süß mit der und der | — | ||
| 37-29 | New Love Songs Waltz op. 65: XI. Alles, alles in den Wind | — | ||
| 37-30 | New Love Songs Waltz op. 65: XII. Schwarzer Wald, dein Schatten | — | ||
| 37-31 | New Love Songs Waltz op. 65: XIII. Nein, Geliebter, setze dich | — | ||
| 37-32 | New Love Songs Waltz op. 65: XIV. Flammenauge, dunkles Haar | — | ||
| 37-33 | New Love Songs Waltz op. 65: XV. Zum Schluss: Nun, ihr Musen, genug | — | ||
| 38-1 | Three Quartets op. 31: I. Substitution Song at the Dance | — | ||
| 38-2 | Three Quartets op. 31: II. Banter | — | ||
| 38-3 | Three Quartets op. 31: III. The Visit to My Beloved | — | ||
| 38-4 | Three Quartets op. 64: I. To the Homeland | — | ||
| 38-5 | Three Quartets op. 64: II. The Evening | — | ||
| 38-6 | Three Quartets op. 64: III. Questions | — | ||
| 38-7 | Four Quartets op. 92: I. O Lovely Night | — | ||
| 38-8 | Four Quartets op. 92: II. In Autumn | — | ||
| 38-9 | Four Quartets op. 92: III. Evening Song | — | ||
| 38-10 | Four Quartets op. 92: IV. Why | — | ||
| 38-11 | Two Quartets op. 112a: I. Longing | — | ||
| 38-12 | Two Quartets op. 112a: II. At Night | — | ||
| 39-1 | Three Songs a Cappella op. 42: I. Evening Serenade | — | ||
| 39-2 | Three Songs a Cappella op. 42: II. Vineta | — | ||
| 39-3 | Three Songs a Cappella op. 42: III. Darthula’s Dirge | — | ||
| 39-4 | Seven Songs op. 62: I. Rosemary | — | ||
| 39-5 | Seven Songs op. 62: II. From Old Love Songs | — | ||
| 39-6 | Seven Songs op. 62: III. Night in the Forest | — | ||
| 39-7 | Seven Songs op. 62: IV. Thou Gentle Heart | — | ||
| 39-8 | Seven Songs op. 62: V. My Heartfelt Thanks | — | ||
| 39-9 | Seven Songs op. 62: VI. A Sigh Goes Floating | — | ||
| 39-10 | Seven Songs op. 62: VII. I Have Lost Happiness and Health | — | ||
| 39-11 | Six Songs and Romances op. 93a: I. The Hump‐backed Fiddler | — | ||
| 39-12 | Six Songs and Romances op. 93a: II. The Maiden | — | ||
| 39-13 | Six Songs and Romances op. 93a: III. Oh Sweet May | — | ||
| 39-14 | Six Songs and Romances op. 93a: IV. Fare Thee Well | — | ||
| 39-15 | Six Songs and Romances op. 93a: V. The Falcon | — | ||
| 39-16 | Six Songs and Romances op. 93a: VI. Heeding | — | ||
| 39-17 | Five Songs a Cappella for Mixed Chorus op. 104: I. Nightwatch I | — | ||
| 39-18 | Five Songs a Cappella for Mixed Chorus op. 104: II. Nightwatch II | — | ||
| 39-19 | Five Songs a Cappella for Mixed Chorus op. 104: III. Last Luck | — | ||
| 39-20 | Five Songs a Cappella for Mixed Chorus op. 104: IV. Lost Youth | — | ||
| 39-21 | Five Songs a Cappella for Mixed Chorus op. 104: V. In Autumn | — | ||
| 40-1 | Fourteen Folksongs WoO 34: I. Von edler Art | — | ||
| 40-2 | Fourteen Folksongs WoO 34: II. Mit Lust tät ich ausreiten | — | ||
| 40-3 | Fourteen Folksongs WoO 34: III. Bei nächtlicher Weil | — | ||
| 40-4 | Fourteen Folksongs WoO 34: IV. Vom heiligen Mätyrer Emmerano | — | ||
| 40-5 | Fourteen Folksongs WoO 34: V. Täublein weiß | — | ||
| 40-6 | Fourteen Folksongs WoO 34: VI. Ach lieber Herre Jesu Christ | — | ||
| 40-7 | Fourteen Folksongs WoO 34: VII. St.Raphael | — | ||
| 40-8 | Fourteen Folksongs WoO 34: VIII. In stiller Nacht | — | ||
| 40-9 | Fourteen Folksongs WoO 34: IX. Abschiedslied | — | ||
| 40-10 | Fourteen Folksongs WoO 34: X. Der tote Knabe | — | ||
| 40-11 | Fourteen Folksongs WoO 34: XI. Die Wollust im Maien | — | ||
| 40-12 | Fourteen Folksongs WoO 34: XII. Morgengesang | — | ||
| 40-13 | Fourteen Folksongs WoO 34: XIII. Schnitter Tod | — | ||
| 40-14 | Fourteen Folksongs WoO 34: XIV. Der englische Jäger | — | ||
| 40-15 | Twelve German Folksongs WoO 35: I. Scheiden | — | ||
| 40-16 | Twelve German Folksongs WoO 35: II. Wach auf! | — | ||
| 40-17 | Twelve German Folksongs WoO 35: III. Erlaube mir | — | ||
| 40-18 | Twelve German Folksongs WoO 35: IV. Der Fiedler | — | ||
| 40-19 | Twelve German Folksongs WoO 35: V. Da unten im Tale | — | ||
| 40-20 | Twelve German Folksongs WoO 35: VI. Des Abends | — | ||
| 40-21 | Twelve German Folksongs WoO 35: VII. Wach auf! (2. Bearbeitung] | — | ||
| 40-22 | Twelve German Folksongs WoO 35: VIII. Dort in den Weiden | — | ||
| 40-23 | Twelve German Folksongs WoO 35: IX. Altes Volkslied | — | ||
| 40-24 | Twelve German Folksongs WoO 35: X. Der Ritter und die Fein | — | ||
| 40-25 | Twelve German Folksongs WoO 35: XI. Der Zimmergesell | — | ||
| 40-26 | Twelve German Folksongs WoO 35: XII. Altdeutsches Kampflied | — | ||
| 41-1 | Gypsy Songs op. 103: I. He, Zigeuner | — | ||
| 41-2 | Gypsy Songs op. 103: II. Hochgetürmte Rimaflut | — | ||
| 41-3 | Gypsy Songs op. 103: III. Wisst ihr, wann mein Kindchen | — | ||
| 41-4 | Gypsy Songs op. 103: IV. Lieber Gott, du weißt | — | ||
| 41-5 | Gypsy Songs op. 103: V. Brauner Bursche | — | ||
| 41-6 | Gypsy Songs op. 103: VI. Röslein dreie in der Reihe | — | ||
| 41-7 | Gypsy Songs op. 103: VII. Kommt dir manchmal in den Sinn | — | ||
| 41-8 | Gypsy Songs op. 103: VIII. Horch, der Wind klagt in den Zweigen | — | ||
| 41-9 | Gypsy Songs op. 103: IX. Weit und breit schaut niemand mich an | — | ||
| 41-10 | Gypsy Songs op. 103: X. Mond verhüllt sein Angesicht | — | ||
| 41-11 | Gypsy Songs op. 103: XI. Rote Abendwolken ziehn | — | ||
| 41-12 | Gypsy Songs op. 112b: III. Himmel strahlt so helle und klar | — | ||
| 41-13 | Gypsy Songs op. 112b: IV. Rote Rosenknospen künden | — | ||
| 41-14 | Gypsy Songs op. 112b: V. Brennessel steht an Weges Rand | — | ||
| 41-15 | Gypsy Songs op. 112b: VI. Liebe Schwalbe, kleine Schwalbe | — | ||
| 41-16 | Seven Folksongs for Soloists, Choir & Piano WoO 33: I. Es stunden drei Rosen | — | ||
| 41-17 | Seven Folksongs for Soloists, Choir & Piano WoO 33: II. Dem Himmel will ich klagen | — | ||
| 41-18 | Seven Folksongs for Soloists, Choir & Piano WoO 33: III. Es saß ein schneeweiß Vögelein | — | ||
| 41-19 | Seven Folksongs for Soloists, Choir & Piano WoO 33: IV. Es war einmal ein Zimmergesell | — | ||
| 41-20 | Seven Folksongs for Soloists, Choir & Piano WoO 33: V. Es ging sich unsre Fraue | — | ||
| 41-21 | Seven Folksongs for Soloists, Choir & Piano WoO 33: VI. Nachtigall, sag | — | ||
| 41-22 | Seven Folksongs for Soloists, Choir & Piano WoO 33: VII. Verstohlen geht der Mond auf | — | ||
| 41-23 | Tablesong op. 93b | — | ||
| 41-24 | Little Wedding Cantata WoO 16 | — | ||
| 41-25 | The Dark Womb of the Earth WoO 20 | — | ||
| 42-1 | Two Motets op. 29: I. Es ist das Heil uns kommen her | — | ||
| 42-2 | Two Motets op. 29: II. Schaffe in mir, Gott | — | ||
| 42-3 | Spiritual Song op. 30 | — | ||
| 42-4 | Two Motets op. 74: I. Warum ist das Licht gegeben | — | ||
| 42-5 | Two Motets op. 74: II. O Heiland, reiß die Himmel auf | — | ||
| 42-6 | Three Motets op. 110: I. Ich bin aber elend | — | ||
| 42-7 | Three Motets op. 110: II. Ach arme Welt, Du trügest mich | — | ||
| 42-8 | Three Motets op. 110: III. Wenn wir in höchsten Nöten sein | — | ||
| 42-9 | Missa canonica WoO 18: I. Kyrie | — | ||
| 42-10 | Missa canonica WoO 18: II. Sanctus | — | ||
| 42-11 | Missa canonica WoO 18: III. Benedictus | — | ||
| 42-12 | Missa canonica WoO 18: IV. Agnus Dei | — | ||
| 43-1 | Songs for Mary op. 22: I. The English Salutation | — | ||
| 43-2 | Songs for Mary op. 22: II. Mary’s Churchgoing | — | ||
| 43-3 | Songs for Mary op. 22: III. Mary’s Pilgrimage | — | ||
| 43-4 | Songs for Mary op. 22: IV. The Hunter | — | ||
| 43-5 | Songs for Mary op. 22: V. Call to Mary | — | ||
| 43-6 | Songs for Mary op. 22: VI. Magdalene | — | ||
| 43-7 | Songs for Mary op. 22: VII. Mary’s Praise | — | ||
| 43-8 | Festal and Commemorative Sentences op. 109: I. Our Fathers Hoped in Thee | — | ||
| 43-9 | Festal and Commemorative Sentences op. 109: II. When a Strong Armed Man | — | ||
| 43-10 | Festal and Commemorative Sentences op. 109: III. For What Nation Is There So Great | — | ||
| 43-11 | Five Songs for Male Voices op. 41: I. I Blow My Horn | — | ||
| 43-12 | Five Songs for Male Voices op. 41: II. Volunteer Here! | — | ||
| 43-13 | Five Songs for Male Voices op. 41: III. Escort | — | ||
| 43-14 | Five Songs for Male Voices op. 41: IV. Marching | — | ||
| 43-15 | Five Songs for Male Voices op. 41: V. Watch Out | — | ||
| 43-16 | Twelve Songs and Romances op. 44: I. Song of Love | — | ||
| 43-17 | Twelve Songs and Romances op. 44: II. The Bridegroom | — | ||
| 43-18 | Twelve Songs and Romances op. 44: III. Barcarole | — | ||
| 43-19 | Twelve Songs and Romances op. 44: IV. Asking | — | ||
| 43-20 | Twelve Songs and Romances op. 44: V. The Miller | — | ||
| 43-21 | Twelve Songs and Romances op. 44: VI. The Nun | — | ||
| 43-22 | Twelve Songs and Romances op. 44: VII. Four Songs from the Fountain of Youth: I. Nun stehen die Rosen in Blüte | — | ||
| 43-23 | Twelve Songs and Romances op. 44: VIII. Four Songs from the Fountain of Youth: II. Die Berge sind spitz | — | ||
| 43-24 | Twelve Songs and Romances op. 44: IX. Four Songs from the Fountain of Youth: III. Am Wildbach die Weiden | — | ||
| 43-25 | Twelve Songs and Romances op. 44: X. Four Songs from the Fountain of Youth: IV. Und gehst Du über den Kirchhof | — | ||
| 43-26 | Twelve Songs and Romances op. 44: XI. The Bride | — | ||
| 43-27 | Twelve Songs and Romances op. 44: XII. March Night | — | ||
| 44-1 | Ave Maria op. 12 | — | ||
| 44-2 | Psalm 13 op. 27: How long, O Lord? | — | ||
| 44-3 | Three Sacred Choruses op. 37: I. O Good Jesus | — | ||
| 44-4 | Three Sacred Choruses op. 37: II. We Adore | — | ||
| 44-5 | Three Sacred Choruses op. 37: III. Queen of Heaven | — | ||
| 44-6 | Four Songs for women's chorus, two horns and harp op. 17: I. It Tinges a Full Harp Sound | — | ||
| 44-7 | Four Songs for women's chorus, two horns and harp op. 17: II. Song By Shakespeare | — | ||
| 44-8 | Four Songs for women's chorus, two horns and harp op. 17: III. The Gardener | — | ||
| 44-9 | Four Songs for women's chorus, two horns and harp op. 17: IV. Song about Fingal | — | ||
| 44-10 | Thirteen Canons for female choir op. 113: I | — | ||
| 44-11 | Thirteen Canons for female choir op. 113: II | — | ||
| 44-12 | Thirteen Canons for female choir op. 113: III | — | ||
| 44-13 | Thirteen Canons for female choir op. 113: IV | — | ||
| 44-14 | Thirteen Canons for female choir op. 113: V | — | ||
| 44-15 | Thirteen Canons for female choir op. 113: VI | — | ||
| 44-16 | Thirteen Canons for female choir op. 113: VII | — | ||
| 44-17 | Thirteen Canons for female choir op. 113: VIII | — | ||
| 44-18 | Thirteen Canons for female choir op. 113: IX | — | ||
| 44-19 | Thirteen Canons for female choir op. 113: X | — | ||
| 44-20 | Thirteen Canons for female choir op. 113: XI | — | ||
| 44-21 | Thirteen Canons for female choir op. 113: XII | — | ||
| 44-22 | Thirteen Canons for female choir op. 113: XIII | — | ||
| 45-1 | Four Songs op. 43: I. For Eternal Love (Wenzig) | — | ||
| 45-2 | Five Songs op. 72: I. Old Love (Candidus) | — | ||
| 45-3 | Nine Songs op. 63: VIII. Homesickness II (Groth) | — | ||
| 45-4 | Six Songs op. 86: IV. Over the Heath (Storm) | — | ||
| 45-5 | Four Songs op. 96: I. Death is the Cool Night (Heine) | — | ||
| 45-6 | Five Songs op. 72: IV. Despondency (Lemcke) | — | ||
| 45-7 | Five Songs op. 72: III. Oh Cool Forest (Brentano) | — | ||
| 45-8 | Nine Songs op. 32: VI. You Say, That I Deceived Myself | — | ||
| 45-9 | Five Songs op. 105: IV. In the Churchyard (Liliencron) | — | ||
| 45-10 | Four Songs op. 43: II. The May Night | — | ||
| 45-11 | Five Songs op. 105: I. As If Melodies Were Moving (Groth) | — | ||
| 45-12 | Six Songs op. 86: II. The Loneliness of the Field (Allmers) | — | ||
| 45-13 | Six Songs op. 97: V. Come Soon | — | ||
| 45-14 | Five Songs op. 47: III Sunday (Uhland) | — | ||
| 45-15 | Eleven Gypsy Songs op. 103: I. Ziegeunerlieder He, Zigeuner | — | ||
| 45-16 | Eleven Gypsy Songs op. 103: II. Hochgetürmte Rimaflut | — | ||
| 45-17 | Eleven Gypsy Songs op. 103: III. Wisst ihr, wann mein Kindchen | — | ||
| 45-18 | Eleven Gypsy Songs op. 103: IV. Lieber Gott, du weißt | — | ||
| 45-19 | Eleven Gypsy Songs op. 103: V. Brauner Bursche | — | ||
| 45-20 | Eleven Gypsy Songs op. 103: VI. Röslein dreie in der Reihe | — | ||
| 45-21 | Eleven Gypsy Songs op. 103: VII. kommt dir manchmal in Sinn | — | ||
| 45-22 | Eleven Gypsy Songs op. 103: VIII. Horch, der Wind klagt in den Zweigen | — | ||
| 46-1 | Five Romances and Songs op. 84: IV. Fruitless Serenade | — | ||
| 46-2 | 49 German Folk Songs WoO 33: XXXVIII. Des Abends kann ich nicht schlafen gehn | — | ||
| 46-3 | 49 German Folk Songs WoO 33: II. Erlaube mir, feines Mädchen | — | ||
| 46-4 | 49 German Folk Songs WoO 33: XXXI. Dort in den Weiden steht ein Haus | — | ||
| 46-5 | 49 German Folk Songs WoO 33: XL. Ich weiß mir'n Maidlein | — | ||
| 46-6 | 49 German Folk Songs WoO 33: XII. Feinsliebchen | — | ||
| 46-7 | 49 German Folk Songs WoO 33: XXV. Mein Mädel hat einen Rosenmund | — | ||
| 46-8 | 49 German Folk Songs WoO 33: XI. Jungrfräulein, soll ich mich euch gehn | — | ||
| 46-9 | 49 German Folk Songs WoO 33: XXX. Alle meine Gedanken | — | ||
| 46-10 | 49 German Folk Songs WoO 33: XVI. Wach auf mein Herzensschöne | — | ||
| 46-11 | 49 German Folk Songs WoO 33: XVI. Wach auf mein Herzensschöne | — | ||
| 46-12 | 49 German Folk Songs WoO 33: XVIII. So wünsch ich ihr eine gute Nacht | — | ||
| 46-13 | 49 German Folk Songs WoO 33: XXXV. Soll sich der Mond nicht heller scheinen | — | ||
| 46-14 | 49 German Folk Songs WoO 33: V. Die Sonne scheint nicht mehr | — | ||
| 46-15 | 49 German Folk Songs WoO 33: XV. Schwesterlein | — | ||
| 46-16 | Seven Songs op. 48: I. The Visit to the Beloved (Volksweise) | — | ||
| 46-17 | 49 German Folk Songs WoO 33: XLI. Es steht ein Lind | — | ||
| 46-18 | 49 German Folk Songs WoO 33: VI. Da unten im Tale | — | ||
| 46-19 | 49 German Folk Songs WoO 33: XXI. Es ging ein Maidlein zarte | — | ||
| 46-20 | Eight Songs and Romances for Voice and Piano op. 14 : I. Outside the Window | — | ||
| 46-21 | 49 German Folk Songs WoO 33: XVII. Ach, Gott, wie weh tut scheiden | — | ||
| 46-22 | 49 German Folk Songs WoO 33: XLII. In stiller Nacht | — | ||
| 47-1 | Six Songs op. 3: I. Fidelity in Love | — | ||
| 47-2 | Eight Songs and Romances op. 14 : I. Outside the Window | — | ||
| 47-3 | Five Poems for Voice and Piano op. 19: IV. The Blacksmith | — | ||
| 47-4 | Nine Songs op. 32: VIII. So We Stand, I and My Pasture | — | ||
| 47-5 | Four Songs op. 46: IV. To the Nightingale | — | ||
| 47-6 | Ophelia’s Songs WoO 22: I. How Should I Your True Love Know | — | ||
| 47-7 | Ophelia’s Songs WoO 22: II. White His Shroud | — | ||
| 47-8 | Ophelia’s Songs WoO 22: III. Tomorrow is Saint Valentine’s day | — | ||
| 47-9 | Ophelia’s Songs WoO 22: IV. They bore him barefaced on the bier | — | ||
| 47-10 | Ophelia’s Songs WoO 22: V. And will he not come again? | — | ||
| 47-11 | Eight Songs op. 59: II. On the Lake | — | ||
| 47-12 | Eight Songs op. 59: V. Agnes | — | ||
| 47-13 | Eight Songs op. 59: VIII. Your Blue Eyes | — | ||
| 47-14 | Nine Songs op. 63: V. Young Songs I | — | ||
| 47-15 | Six Songs op. 86: I. Therese | — | ||
| 47-16 | Two Songs for Alto Voice, Viola and Piano op. 91: I. Satisfied Longing | — | ||
| 47-17 | Two Songs for Alto Voice, Viola and Piano op. 91: II. Spiritual Lullaby | — | ||
| 47-18 | Five Songs op. 94: IV. Sapphic Ode | — | ||
| 47-19 | Rain Song for Voice and Piano WoO 23 | — | ||
| 47-20 | Seven Songs op. 95: IV. The Hunter | — | ||
| 47-21 | Five Songs op. 105: II. My Slumber Grows More and More Peaceful | — | ||
| 47-22 | Five Songs op. 107: II. Salamander | — | ||
| 47-23 | Five Songs op. 107: III. The Girl Speaks | — | ||
| 47-24 | Five Songs op. 107: V. Girl’s Song | — | ||
| 47-25 | Five Songs op. 49: IV. Lullaby | — | ||
| 48-1 | Nine Songs op. 32: II. Nowhere for You to Go | — | ||
| 48-2 | Nine Songs op. 32: IX. How Are You, My Queen | — | ||
| 48-3 | Five Songs op. 47: I. Message | — | ||
| 48-4 | Five Songs op. 47: II. The Fervour of Love | — | ||
| 48-5 | Eight Songs op. 57: I. From Part‑forest Altitudes | — | ||
| 48-6 | Eight Songs op. 57: II. When You Sometimes Just Smile | — | ||
| 48-7 | Eight Songs op. 57: III. This I Dreamt, I Was Dear to You | — | ||
| 48-8 | Eight Songs op. 57: IV. Ah, Turn That Gaze | — | ||
| 48-9 | Eight Songs op. 57: V. In My Nights I Yearn | — | ||
| 48-10 | Eight Songs op. 57: VI. Sometimes Too Radiates a Mild Light | — | ||
| 48-11 | Eight Songs op. 57: VII. The String, Pearl By Pearl | — | ||
| 48-12 | Eight Songs op. 57: VIII. Motionless Light Air | — | ||
| 48-13 | Eight Songs op. 59: VI. A Good Good Night | — | ||
| 48-14 | Seven Songs Op.95: VII. It Was Beautiful, My Solemn Gift to You | — | ||
| 48-15 | Four Songs op. 96: II. We Were Walking | — | ||
| 48-16 | Four Serious Songs op. 121: I. For That Which Befalleth the Sons of Men | — | ||
| 48-17 | Four Serious Songs op. 121: II. So I Returned | — | ||
| 48-18 | Four Serious Songs op. 121: III. O Death How Bitter Thou Art | — | ||
| 48-19 | Four Serious Songs op. 121: IV. Though I Speak with the Tongues of Men and of Angels | — | ||
| 49-1 | Nine Songs op. 69: I. Lament I | — | ||
| 49-2 | Nine Songs op. 69: II. Lament II | — | ||
| 49-3 | Nine Songs op. 69: III. Farewell | — | ||
| 49-4 | Nine Songs op. 69: IV. My Sweetheart’s Promise | — | ||
| 49-5 | Nine Songs op. 69: V. Little Song of the Drummer | — | ||
| 49-6 | Nine Songs op. 69: VI. From the Beach | — | ||
| 49-7 | Nine Songs op. 69: VII. Over the Sea | — | ||
| 49-8 | Nine Songs op. 69: VIII. Salome | — | ||
| 49-9 | Nine Songs op. 69: IX. A Girl’s Curse | — | ||
| 49-10 | Five Poems op. 19: V. To an Aeolian Harp | — | ||
| 49-11 | Seven Songs op. 48: VII. Autumn Mood | — | ||
| 49-12 | Five Songs op. 49: V. Twilight | — | ||
| 49-13 | Eight Songs op. 59: I. Twilight Has Descended from Above | — | ||
| 49-14 | Eight Songs op. 59: VII. My Wounded Heart | — | ||
| 49-15 | Six Songs op. 7: I. True Love | — | ||
| 49-16 | Six Songs op. 7: II. Watchword | — | ||
| 49-17 | Six Songs op. 7: III. Reminiscences | — | ||
| 49-18 | Six Songs op. 7: IV. Folksong | — | ||
| 49-19 | Six Songs op. 7: V. The Unhappy Girl | — | ||
| 49-20 | Six Songs op. 7: VI. Homecoming | — | ||
| 49-21 | Moon Night WoO 21 | — | ||
| 49-22 | Four Songs op. 70: II. Song of the Larks | — | ||
| 49-23 | Five Songs op. 71 : III. Secret | — | ||
| 49-24 | Six Songs op. 85: VI. In the Loneliness of the Forest | — | ||
| 49-25 | Four Songs op. 96: IV. A Voyage on the Sea | — | ||
| 49-26 | Five Songs op. 106: I. Serenade | — | ||
| 50-1 | Four Duets op. 28: I. The Nun and the Knight | — | ||
| 50-2 | Four Duets op. 28: II. Before the Door | — | ||
| 50-3 | Four Duets op. 28: III. The Water Rushes | — | ||
| 50-4 | Four Duets op. 28: IV. The Hunter and His Beloved | — | ||
| 50-5 | Forty‐nine German Folksongs WoO 33: I. Sagt mir o schönste Schäf'rin mein | — | ||
| 50-6 | Forty‐nine German Folksongs WoO 33: III. Gar lieblich hat sich gesellet | — | ||
| 50-7 | Forty‐nine German Folksongs WoO 33: IV. Guten Abend mein tausiger Schatz | — | ||
| 50-8 | Forty‐nine German Folksongs WoO 33: VII. Gunhilde | — | ||
| 50-9 | Forty‐nine German Folksongs WoO 33: VIII. Ach englische Schäferin | — | ||
| 50-10 | Forty‐nine German Folksongs WoO 33: IX. Es war eine schöne Jüdin | — | ||
| 50-11 | Forty‐nine German Folksongs WoO 33: X. Es ritt ein Ritter | — | ||
| 50-12 | Forty‐nine German Folksongs WoO 33: XIII. Wach auf mein Hort | — | ||
| 50-13 | Forty‐nine German Folksongs WoO 33: XIV. Maria ging aus wandern | — | ||
| 50-14 | Forty‐nine German Folksongs WoO 33: XIX. Nur ein Gesicht auf Erden lebt | — | ||
| 50-15 | Forty‐nine German Folksongs WoO 33: XX. Schönster Schatz mein Engel | — | ||
| 50-16 | Forty‐nine German Folksongs WoO 33: XXII. Wo gehst du hin du Stolze? | — | ||
| 50-17 | Forty‐nine German Folksongs WoO 33: XXIII. Der Reiter | — | ||
| 50-18 | Forty‐nine German Folksongs WoO 33: XXIV. Mir ist ein schöns brauns Maidelein | — | ||
| 50-19 | Forty‐nine German Folksongs WoO 33: XXVI. Ach könnt ich diesen Abend | — | ||
| 50-20 | Forty‐nine German Folksongs WoO 33: XXVII. Ich stand auf hohem Berge | — | ||
| 50-21 | Forty‐nine German Folksongs WoO 33: XXVIII. Es reit ein Herr und auch sein Knecht | — | ||
| 50-22 | Forty‐nine German Folksongs WoO 33: XXIX. Es war ein markgraf | — | ||
| 50-23 | Forty‐nine German Folksongs WoO 33: XXXII. So will ich frisch und fröhlich sein | — | ||
| 50-24 | Forty‐nine German Folksongs WoO 33: XXXIII. Och Moder ich well ein Ding han | — | ||
| 50-25 | Forty‐nine German Folksongs WoO 33: XXVI. Es wohnet ein Fiedler | — | ||
| 50-26 | Forty‐nine German Folksongs WoO 33: XXXVII. Du mein einzig Licht | — | ||
| 50-27 | Forty‐nine German Folksongs WoO 33: XXXIX. Schöner Augen schöne Strahlen | — | ||
| 51-1 | Three Duets op. 20: I. Way of Love I | — | ||
| 51-2 | Three Duets op. 20: II. Way of Love II | — | ||
| 51-3 | Three Duets op. 20: III. The Sea | — | ||
| 51-4 | Four Duets op. 61: I The Sisters | — | ||
| 51-5 | Four Duets op. 61: II. Nuns | — | ||
| 51-6 | Four Duets op. 61: III. Phenomenon | — | ||
| 51-7 | Four Duets op. 61: IV. The Messengers of Love | — | ||
| 51-8 | Five Duets op. 66: I. Sounds I | — | ||
| 51-9 | Five Duets op. 66: II. Sounds II | — | ||
| 51-10 | Five Duets op. 66: III. On the Beach | — | ||
| 51-11 | Five Duets op. 66: IV. Huntsman’s Song | — | ||
| 51-12 | Five Romances and Songs op. 84: I. Summer Evening | — | ||
| 51-13 | Five Romances and Songs op. 84: II. The Wreath | — | ||
| 51-14 | Five Romances and Songs op. 84: III. Among the Berries | — | ||
| 51-15 | Five Romances and Songs op. 84: IV. Fruitless Serenade | — | ||
| 51-16 | Five Romances and Songs op. 84: V. Tension | — | ||
| 51-17 | Four Ballads and Romances op. 75: IV. Walpurgis Night | — | ||
| 51-18 | Four Ballads and Romances op. 75: II. Good Advice | — | ||
| 51-19 | Five Duets op. 66: V. Take Care! | — | ||
| 52-1 | Romances (Magelone Songs) op. 33: I. Text/ In der Provence... | — | ||
| 52-2 | Romances (Magelone Songs) op. 33: I. Musik/ No one has yet regretted | — | ||
| 52-3 | Romances (Magelone Songs) op. 33: II. Text/ Der junge Mann... | — | ||
| 52-4 | Romances (Magelone Songs) op. 33: II. Musik/ Ho! Bows and arrows are meet for the foe | — | ||
| 52-5 | Romances (Magelone Songs) op. 33: III. Text/ Er kam nach vielen | — | ||
| 52-6 | Romances (Magelone Songs) op. 33: III. Musik/ Are they sorrows, are they pleasures? | — | ||
| 52-7 | Romances (Magelone Songs) op. 33: IV. Text/ In derselben Nacht. | — | ||
| 52-8 | Romances (Magelone Songs) op. 33: IV. Musik/ Love came from distant lands | — | ||
| 52-9 | Romances (Magelone Songs) op. 33: V. Text/ "Daß du dich ei | — | ||
| 52-10 | Romances (Magelone Songs) op. 33: V. Musik/ Will you graciously pity? | — | ||
| 52-11 | Romances (Magelone Songs) op. 33: VI. Text/ Der Ritter befand s | — | ||
| 52-12 | Romances (Magelone Songs) op. 33: VI. Musik/ How am I then to bear the joy, the rapture? | — | ||
| 52-13 | Romances (Magelone Songs) op. 33: VII. Text/ jetzt war die Stun | — | ||
| 52-14 | Romances (Magelone Songs) op. 33: VII. Musik/ Was it you, for whom these lips trembled? | — | ||
| 52-15 | Romances (Magelone Songs) op. 33: VIII. Text/ Peter hatte seine | — | ||
| 52-16 | Romances (Magelone Songs) op. 33: VIII. Musik/ We must part [beloved lute] | — | ||
| 52-17 | Romances (Magelone Songs) op. 33: IX. Text/ Die Nacht war gekom | — | ||
| 52-18 | Romances (Magelone Songs) op. 33: IX. Musik/ Rest, sweet love | — | ||
| 52-19 | Romances (Magelone Songs) op. 33: X. Text/ Peter war durch sein | — | ||
| 52-20 | Romances (Magelone Songs) op. 33: X. Musik/ Despair (So resound then, Foaming Waves) | — | ||
| 52-21 | Romances (Magelone Songs) op. 33: XI. Text/ Magelone erwachte.. | — | ||
| 52-22 | Romances (Magelone Songs) op. 33: XI. Musik/ How quickly vanish light and radiance | — | ||
| 52-23 | Romances (Magelone Songs) op. 33: XII. Text/ Peter auf seinem K | — | ||
| 52-24 | Romances (Magelone Songs) op. 33: XII. Musik/ Must there be a parting? | — | ||
| 52-25 | Romances (Magelone Songs) op. 33: XIII. Text/ Peter war nun sch | — | ||
| 52-26 | Romances (Magelone Songs) op. 33: XIII. Musik/ Sulima (Beloved, where do your wandering feet now stray?) | — | ||
| 52-27 | Romances (Magelone Songs) op. 33: XIV. Text/ Peter ruderte stär | — | ||
| 52-28 | Romances (Magelone Songs) op. 33: XIV. Musik/ How glad and strong | — | ||
| 52-29 | Romances (Magelone Songs) op. 33: XV. Text/ Die Fahrt war glück | — | ||
| 52-30 | Romances (Magelone Songs) op. 33: XV. Musik/ True love lasts long | — | ||
| 53-1 | Five Songs op. 49: II. To a Violet | — | ||
| 53-2 | Six Songs op. 06: II. The Spring | — | ||
| 53-3 | Eight Songs and Romances op. 14: VIII. Longing | — | ||
| 53-4 | Six Songs op. 85: I. Summer Evening | — | ||
| 53-5 | Six Songs op. 85: II. Moonlight | — | ||
| 53-6 | Five Poems op. 19: I. The Kiss | — | ||
| 53-7 | Eight Songs and Romances op. 14: VI. Visit To My Beloved | — | ||
| 53-8 | Eight Songs and Romances op. 14: V. Separation | — | ||
| 53-9 | Five Poems op. 19: II. Separations and Avoidances | — | ||
| 53-10 | Five Poems op. 19: III. In the Distance | — | ||
| 53-11 | Six Songs op. 97: III. Abduction | — | ||
| 53-12 | Five Songs op. 47: IV. Oh Lovely Face | — | ||
| 53-13 | Five Songs op. 71: I. Love Is So Delightful in the Spring! | — | ||
| 53-14 | Five Songs op. 106: III. Hoarfrost Hung | — | ||
| 53-15 | Seven Songs op. 95: II. My Thoughts Are With You | — | ||
| 53-16 | Four Songs op. 70: IV. Evening Rain | — | ||
| 53-17 | Four Songs op. 43: IV. The Song of the Mister from Falconstone | — | ||
| 53-18 | Four Songs op. 70: I. In the Garden by the Seashore | — | ||
| 53-19 | Six Songs op. 97: II. On the Ship | — | ||
| 53-20 | Five Songs op. 106: IV. My Songs | — | ||
| 53-21 | Nine Songs op. 32: III. I Creep About | — | ||
| 53-22 | Six Songs op. 06: V. Like the Cloud to the Sun | — | ||
| 53-23 | Seven Songs op. 48: V. Consolation in Tears | — | ||
| 53-24 | Five Songs op. 106: II. On the Lake | — | ||
| 53-25 | Six Songs op. 03: VI. Song | — | ||
| 53-26 | Five Songs op. 49: III. Longing | — | ||
| 53-27 | Six Songs op. 06: III. Aftermath | — | ||
| 53-28 | Six Songs op. 86: VI. Longing for Death | — | ||
| 54-1 | Six Songs op. 85: V. Spring Song | — | ||
| 54-2 | Four Songs op. 70: III. Serenade | — | ||
| 54-3 | Four Songs op. 96: III. Flowers Look | — | ||
| 54-4 | Eight Songs op. 59: III. Rain Song | — | ||
| 54-5 | Eight Songs op. 59: IV. Lingering Sound | — | ||
| 54-6 | Seven Songs op. 48: III. The Lovelorn Girl’s Lament | — | ||
| 54-7 | Seven Songs op. 48: IV. Gold Prevails Over Love | — | ||
| 54-8 | Eight Songs and Romances op. 14: IV. A Sonnet | — | ||
| 54-9 | Eight Songs and Romances op. 14: VII. Serenade | — | ||
| 54-10 | Eight Songs and Romances op. 14: VIII. Longinga | — | ||
| 54-11 | Nine Songs op. 32: VII. You Meant to Say Bitterness | — | ||
| 54-12 | Nine Songs op. 63: I. Spring’s Consolation | — | ||
| 54-13 | Nine Songs op. 63: II. Reminiscence | — | ||
| 54-14 | Nine Songs op. 63: VI. Young Songs II | — | ||
| 54-15 | Nine Songs op. 63: VII. Homesickness I | — | ||
| 54-16 | Six Songs op. 97: I. Nightingale | — | ||
| 54-17 | Six Songs op. 97: IV. There Among the Willows | — | ||
| 54-18 | Six Songs op. 97: VI. Separation | — | ||
| 54-19 | Six Songs op. 06: I. Spanish Song | — | ||
| 54-20 | Six Songs op. 06: IV. Whoop! | — | ||
| 54-21 | Six Songs op. 06: VI. Nightingales Swing Happily | — | ||
| 54-22 | Five Songs op. 49: I. On Sunday Morning | — | ||
| 54-23 | Seven Songs op. 95: I. The Maiden | — | ||
| 54-24 | Seven Songs op. 95: III. At Parting | — | ||
| 54-25 | Seven Songs op. 95: V. Hasty Oath | — | ||
| 54-26 | Seven Songs op. 95: VI. Maiden’s Song | — | ||
| 54-27 | Five Songs op. 107: IV. Catkins | — | ||
| 55-1 | Twenty‐eight German Folk Songs WoO 32: I. Die Schnürbrust | — | ||
| 55-2 | Twenty‐eight German Folk Songs WoO 32: II. Der Jäger | — | ||
| 55-3 | Twenty‐eight German Folk Songs WoO 32: III. Drei Vögelein | — | ||
| 55-4 | Twenty‐eight German Folk Songs WoO 32: IV. Auf, gebet uns das Pfingstei | — | ||
| 55-5 | Twenty‐eight German Folk Songs WoO 32: V. Des Markgrafen Töchterlein | — | ||
| 55-6 | Twenty‐eight German Folk Songs WoO 32: VI. Der Reiter | — | ||
| 55-7 | Twenty‐eight German Folk Songs WoO 32: VII. Die heilige Elisabeth | — | ||
| 55-8 | Twenty‐eight German Folk Songs WoO 32: VIII. Der englische Gruß | — | ||
| 55-9 | Twenty‐eight German Folk Songs WoO 32: IX. Ich stund an einem Morgen | — | ||
| 55-10 | Twenty‐eight German Folk Songs WoO 32: X. Gunhilde | — | ||
| 55-11 | Twenty‐eight German Folk Songs WoO 32: XI. Der tote Gast | — | ||
| 55-12 | Twenty‐eight German Folk Songs WoO 32: XII. Ageweis vor einer schönen Frauen | — | ||
| 55-13 | Twenty‐eight German Folk Songs WoO 32: XIII. Schifferlied | — | ||
| 55-14 | Twenty‐eight German Folk Songs WoO 32: XIV. Nachtgesang | — | ||
| 55-15 | Twenty‐eight German Folk Songs WoO 32: XV. Die beiden Königskinder | — | ||
| 55-16 | Twenty‐eight German Folk Songs WoO 32: XVI. Scheiden | — | ||
| 55-17 | Twenty‐eight German Folk Songs WoO 32: XVII. Altes Minnelied | — | ||
| 55-18 | Twenty‐eight German Folk Songs WoO 32: XVIII. Der getreue Eckart | — | ||
| 55-19 | Twenty‐eight German Folk Songs WoO 32: XIX. Die Versuchung | — | ||
| 55-20 | Twenty‐eight German Folk Songs WoO 32: XX. Der Tochter Wunsch | — | ||
| 55-21 | Twenty‐eight German Folk Songs WoO 32: XXI. Schnitter Tod | — | ||
| 55-22 | Twenty‐eight German Folk Songs WoO 32: XXII. Marias Wallfahrt | — | ||
| 55-23 | Twenty‐eight German Folk Songs WoO 32: XXIII. Das Mädchen und der Tod | — | ||
| 55-24 | Twenty‐eight German Folk Songs WoO 32: XXIV. Es ritt ein Ritter | — | ||
| 55-25 | Twenty‐eight German Folk Songs WoO 32: XXV. Liebeslied | — | ||
| 55-26 | Twenty‐eight German Folk Songs WoO 32: XXVI. Guten Abend, mein tausiger Schatz | — | ||
| 55-27 | Twenty‐eight German Folk Songs WoO 32: XXVII. Die Wollust in den Maien | — | ||
| 55-28 | Twenty‐eight German Folk Songs WoO 32: XXVIII. Es reit ein Herr und auch sein Knecht | — | ||
| 56-1 | Six Songs op. 3: IV. Song | — | ||
| 56-2 | Nine Songs op. 32: V. Woe, So You Want Me Again | — | ||
| 56-3 | Five Songs op. 47: V. The Enamoured Writes | — | ||
| 56-4 | Eight Songs op. 58: I. Blind Man’s Bluff | — | ||
| 56-5 | Eight Songs op. 58: II. During the Rain | — | ||
| 56-6 | Eight Songs op. 58: III. The Unapproachable Woman | — | ||
| 56-7 | Eight Songs op. 58: IV. Oh Come, Fair Summer Night | — | ||
| 56-8 | Eight Songs op. 58: V. Melancholy | — | ||
| 56-9 | Eight Songs op. 58: VI. In the Narrow Street | — | ||
| 56-10 | Eight Songs op. 58: VII. Gone By | — | ||
| 56-11 | Eight Songs op. 58: VIII. Serenade | — | ||
| 56-12 | Five Songs op. 72: II. Summer Threads | — | ||
| 56-13 | Four Ballads and Romances op. 75: I. Edward | — | ||
| 56-14 | Four Ballads and Romances op. 75: III. So Let Us Wander! | — | ||
| 56-15 | Six Songs op. 85: III. Girl’s Song | — | ||
| 56-16 | Six Songs op. 85: IV. Goodbye! | — | ||
| 56-17 | Five Songs op. 105: III. Lament | — | ||
| 56-18 | Fifteen Children’s Folksongs WoO 31: I. Dornröschen | — | ||
| 56-19 | Fifteen Children’s Folksongs WoO 31: II. Die Nachtigall | — | ||
| 56-20 | Fifteen Children’s Folksongs WoO 31: III. Die Henne | — | ||
| 56-21 | Fifteen Children’s Folksongs WoO 31: IV. Sandmännchen | — | ||
| 56-22 | Fifteen Children’s Folksongs WoO 31: V. Der Mann | — | ||
| 56-23 | Fifteen Children’s Folksongs WoO 31: VI. Heideröslein | — | ||
| 56-24 | Fifteen Children’s Folksongs WoO 31: VII. Das Schlaraffenland | — | ||
| 56-25 | Fifteen Children’s Folksongs WoO 31: VIII. Beim Ritt auf dem Knie | — | ||
| 56-26 | Fifteen Children’s Folksongs WoO 31: VIIIa. Beim Ritt auf dem Knie | — | ||
| 56-27 | Fifteen Children’s Folksongs WoO 31: IX. Der Jäger in dem Walde | — | ||
| 56-28 | Fifteen Children’s Folksongs WoO 31: X. Das Mädchen und die Hasel | — | ||
| 56-29 | Fifteen Children’s Folksongs WoO 31: XI. Wiegenlied | — | ||
| 56-30 | Fifteen Children’s Folksongs WoO 31: XII. Weihnachten | — | ||
| 56-31 | Fifteen Children’s Folksongs WoO 31: XIII. Marienwürmchen | — | ||
| 56-32 | Fifteen Children’s Folksongs WoO 31: XIV. Dem Schutzengel | — | ||
| 57-1 | Four Songs op. 46: I. The Wreaths | — | ||
| 57-2 | Four Songs op. 46: II. Hungarian | — | ||
| 57-3 | Four Songs op. 46: III. The Shell Of Oblivion | — | ||
| 57-4 | Six Songs op. 85: V. Spring Song | — | ||
| 57-5 | Six Songs op. 03: II. Love And Spring I | — | ||
| 57-6 | Six Songs op. 03: III. Love And Spring II | — | ||
| 57-7 | Six Songs op. 03: V. Away From Home | — | ||
| 57-8 | Five Songs op. 94: I. At Forty | — | ||
| 57-9 | Five Songs op. 94: II. Arise, Beloved Ghost | — | ||
| 57-10 | Five Songs op. 94: III. My Heart is Heavy | — | ||
| 57-11 | Five Songs op. 94: V. No House, No Homeland | — | ||
| 57-12 | Four Songs op. 43: III. I Sound My Horn in the Valley of Grief | — | ||
| 57-13 | Nine Songs op. 32: I. How I Sprang Up In The Night | — | ||
| 57-14 | Nine Songs op. 32: IV. The Current, The Rustling Next To Me | — | ||
| 57-15 | Five Songs op. 106: V. A Traveler | — | ||
| 57-16 | Seven Songs op. 48: VI. I Have Lost Happiness and Well-being | — | ||
| 57-17 | Five Songs op. 72: V. Unconquerable | — | ||
| 57-18 | Eight Songs and Romances op. 14: III. The Assassination of Murray | — | ||
| 57-19 | Five Songs op. 105: V. Betrayal | — | ||
| 57-20 | Six Songs op. 86: III. Sleepwalker | — | ||
| 57-21 | Six Songs op. 86: V. Enraptured | — | ||
| 57-22 | Five Songs op. 71: II. To the Moon | — | ||
| 57-23 | Five Songs op. 71: IV. Do You Want Me to Go? | — | ||
| 57-24 | Five Songs op. 71: V. Minnesong | — | ||
| 57-25 | Five Songs op. 107: I. To a Haughty Woman | — | ||
| 58-1 | The Little Heart Mild WoO 19 | — | ||
| 58-2 | Eight German Folk Songs WoO 36: I. Totenklage | — | ||
| 58-3 | Eight German Folk Songs WoO 36: II. Altes Lied | — | ||
| 58-4 | Eight German Folk Songs WoO 36: III. Der todte Gast | — | ||
| 58-5 | Eight German Folk Songs WoO 36: IV. Ich hab die Nacht geträumet | — | ||
| 58-6 | Eight German Folk Songs WoO 36: V. Altes Liebeslied | — | ||
| 58-7 | Eight German Folk Songs WoO 36: VI. Es waren zwei Königskinder | — | ||
| 58-8 | Eight German Folk Songs WoO 36: VII. Spannung | — | ||
| 58-9 | Eight German Folk Songs WoO 36: VIII. Mit Lust tät ich ausreiten | — | ||
| 58-10 | Sixteen German Folk Songs WoO 37: I. Schwesterlein, Schwesterlein | — | ||
| 58-11 | Sixteen German Folk Songs WoO 37: II. Ich hört ein Sichtlein rauschen | — | ||
| 58-12 | Sixteen German Folk Songs WoO 37: III. Es stunden drei Rosen | — | ||
| 58-13 | Sixteen German Folk Songs WoO 37: IV. ch stand auf hohem Berge | — | ||
| 58-14 | Sixteen German Folk Songs WoO 37: V. Gunhilde | — | ||
| 58-15 | Sixteen German Folk Songs WoO 37: VI. Der bucklichte Fiedler | — | ||
| 58-16 | Sixteen German Folk Songs WoO 37: VII. Die Versuchung | — | ||
| 58-17 | Sixteen German Folk Songs WoO 37: VIII. Altes Minnelied | — | ||
| 58-18 | Sixteen German Folk Songs WoO 37: IX. Die Wollust in den Maien | — | ||
| 58-19 | Sixteen German Folk Songs WoO 37: X. Da unten im Tale | — | ||
| 58-20 | Sixteen German Folk Songs WoO 37: XI. Der Jäger | — | ||
| 58-21 | Sixteen German Folk Songs WoO 37: XII. Scheiden | — | ||
| 58-22 | Sixteen German Folk Songs WoO 37: XIII. Zu Straßburg auf der Schanz | — | ||
| 58-23 | Sixteen German Folk Songs WoO 37: XIV. Wach auf, mein Hort | — | ||
| 58-24 | Sixteen German Folk Songs WoO 37: XV. Der Ritter | — | ||
| 58-25 | Sixteen German Folk Songs WoO 37: XVI. Ständchen | — | ||
| 59-1 | Twenty German Folk Songs WoO 38: I. Die Entführung | — | ||
| 59-2 | Twenty German Folk Songs WoO 38: II. Gang zur Liebsten | — | ||
| 59-3 | Twenty German Folk Songs WoO 38: III. Schifferlied | — | ||
| 59-4 | Twenty German Folk Songs WoO 38: IV. Erlaube mir, feins Mädchen | — | ||
| 59-5 | Twenty German Folk Songs WoO 38: V. Schnitter Tod | — | ||
| 59-6 | Twenty German Folk Songs WoO 38: VI. Die Bernauerin | — | ||
| 59-7 | Twenty German Folk Songs WoO 38: VII. Der eifersüchtige Knabe | — | ||
| 59-8 | Twenty German Folk Songs WoO 38: VIII. Der Baum im Odenwald | — | ||
| 59-9 | Twenty German Folk Songs WoO 38: IX. Des Markgrafen Töchterlein | — | ||
| 59-10 | Twenty German Folk Songs WoO 38: X. Die stolze Jüdin | — | ||
| 59-11 | Twenty German Folk Songs WoO 38: XI. Der Zimmergesell | — | ||
| 59-12 | Twenty German Folk Songs WoO 38: XII. Liebeslied | — | ||
| 59-13 | Twenty German Folk Songs WoO 38: XIII. Heimliche Liebe | — | ||
| 59-14 | Twenty German Folk Songs WoO 38: XV. Dauernde Liebe | — | ||
| 59-15 | Twenty German Folk Songs WoO 38: XVI. Während der Trennung | — | ||
| 59-16 | Twenty German Folk Songs WoO 38: XVII. Morgen Muß ich fort von hier | — | ||
| 59-17 | Twenty German Folk Songs WoO 38: XVIII. Scheiden | — | ||
| 59-18 | Twenty German Folk Songs WoO 38: XIX. Vor dem Fenster | — | ||
| 59-19 | Twenty German Folk Songs WoO 38: XX. Ständchen | — | ||
| 60-1 | Choral prelude and fugue for organ (’O Traurigkeit, O Herzeleid’), WoO 7: I. Prelude | — | ||
| 60-2 | Choral prelude and fugue for organ (’O Traurigkeit, O Herzeleid’), WoO 7: II. Fugue | — | ||
| 60-3 | Fugue for organ in A‐flat minor WoO 8 | — | ||
| 60-4 | Prelude and fugue for organ in G minor WoO posth. 10: I. Prelude | — | ||
| 60-5 | Prelude and fugue for organ in G minor WoO posth. 10: II. Fugue | — | ||
| 60-6 | Eleven Chorale Preludes for organ op. 122: I. Mein Jesu, der du mich | — | ||
| 60-7 | Eleven Chorale Preludes for organ op. 122: II. Herzliebster Jesu | — | ||
| 60-8 | Eleven Chorale Preludes for organ op. 122: III. O Welt, ich muss dich lassen I | — | ||
| 60-9 | Eleven Chorale Preludes for organ op. 122: IV. Herzlich tut mich erfreuen | — | ||
| 60-10 | Eleven Chorale Preludes for organ op. 122: V. Schmucke dich, o liebe Seele | — | ||
| 60-11 | Eleven Chorale Preludes for organ op. 122: VI. O wie selig seid ihr doch, ihr Frommen | — | ||
| 60-12 | Eleven Chorale Preludes for organ op. 122: VII. O Gott, du frommer Gott | — | ||
| 60-13 | Eleven Chorale Preludes for organ op. 122: VIII. Es ist ein Ros entsprungen | — | ||
| 60-14 | Eleven Chorale Preludes for organ op. 122: IX. Herzlich tut mich verlangen I | — | ||
| 60-15 | Eleven Chorale Preludes for organ op. 122: X. Herzlich tut mich verlangen II | — | ||
| 60-16 | Eleven Chorale Preludes for organ op. 122: XI. O Welt, ich muss dich lassen II | — |
Credits Graph
5028421935546 is a Universal Product Code (UPC) assigned to Complete Works by Johannes Brahms. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 997 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Complete Works” by Johannes Brahms is 5028421935546. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2008-01-01. Label: Brilliant Classics. This release contains 997 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro – Meno allegro | — | ||
| 2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 4 | Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro | — | ||
| 2-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 2-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | — | ||
| 2-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso | — | ||
| 2-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 3-1 | Symphony no. 3 in F major, op. 90: I. Allegro con brio – Un poco sostenuto – Tempo I | — | ||
| 3-2 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 3-3 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | — | ||
| 3-4 | Symphony no. 3 in F major, op. 90: IV. Allegro – Un poco sostenuto | — | ||
| 3-5 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 3-6 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 3-7 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 3-8 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato – Più allegro | — | ||
| 4-1 | Akademische Festouvertüre, op. 80 | — | ||
| 4-2 | Tragische Overtüre, op. 81 | — | ||
| 4-3 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: I. Chorale St. Antoni. Andante | — | ||
| 4-4 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: II. Variation I. Poco più animato | — | ||
| 4-5 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: III. Variation II. Più vivace | — | ||
| 4-6 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: IV. Variation III. Con moto | — | ||
| 4-7 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: V. Variation IV. Andante con moto | — | ||
| 4-8 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: VI. Variation V. Vivace | — | ||
| 4-9 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: VII. Variation VI. Vivace | — | ||
| 4-10 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: VIII. Variation VII. Grazioso | — | ||
| 4-11 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: IX. Variation VIII. Presto non troppo | — | ||
| 4-12 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: X. Finale. Andante | — | ||
| 4-13 | Serenade no. 2 in A major, op. 16: I. Allegro moderato | — | ||
| 4-14 | Serenade no. 2 in A major, op. 16: II. Scherzo. Vivace | — | ||
| 4-15 | Serenade no. 2 in A major, op. 16: III. Adagio non troppo | — | ||
| 4-16 | Serenade no. 2 in A major, op. 16: IV. Quasi menuetto | — | ||
| 4-17 | Serenade no. 2 in A major, op. 16: V. Rondo. Allegro | — | ||
| 5-1 | Serenade no. 1 in D major, op. 11: I. Allegro molto | — | ||
| 5-2 | Serenade no. 1 in D major, op. 11: II. Scherzo. Allegro non troppo | — | ||
| 5-3 | Serenade no. 1 in D major, op. 11: III. Adagio non troppo | — | ||
| 5-4 | Serenade no. 1 in D major, op. 11: IV. Menuetto 1 & 2 | — | ||
| 5-5 | Serenade no. 1 in D major, op. 11: V. Scherzo. Allegro | — | ||
| 5-6 | Serenade no. 1 in D major, op. 11: VI. Rondo. Allegro | — | ||
| 6-1 | Hungarian Dances (orchestral): No. 1 in G minor | — | ||
| 6-2 | Hungarian Dances (orchestral): No. 2 in D minor | — | ||
| 6-3 | Hungarian Dances (orchestral): No. 3 in F major | — | ||
| 6-4 | Hungarian Dances (orchestral): No. 4 in F‐sharp minor | — | ||
| 6-5 | Hungarian Dances (orchestral): No. 5 in G minor | — | ||
| 6-6 | Hungarian Dances (orchestral): No. 6 in D major | — | ||
| 6-7 | Hungarian Dances (orchestral): No. 7 in F major | — | ||
| 6-8 | Hungarian Dances (orchestral): No. 8 in A minor | — | ||
| 6-9 | Hungarian Dances (orchestral): No. 9 in E minor | — | ||
| 6-10 | Hungarian Dances (orchestral): No. 10 in F major | — | ||
| 6-11 | Hungarian Dances (orchestral): No. 11 in D minor | — | ||
| 6-12 | Hungarian Dances (orchestral): No. 12 in D minor | — | ||
| 6-13 | Hungarian Dances (orchestral): No. 13 in D major | — | ||
| 6-14 | Hungarian Dances (orchestral): No. 14 in D minor | — | ||
| 6-15 | Hungarian Dances (orchestral): No. 15 in B‐flat major | — | ||
| 6-16 | Hungarian Dances (orchestral): No. 16 in F minor | — | ||
| 6-17 | Hungarian Dances (orchestral): No. 17 in F‐sharp minor | — | ||
| 6-18 | Hungarian Dances (orchestral): No. 18 in D major | — | ||
| 6-19 | Hungarian Dances (orchestral): No. 19 in B minor | — | ||
| 6-20 | Hungarian Dances (orchestral): No. 20 in E minor | — | ||
| 6-21 | Hungarian Dances (orchestral): No. 21 in E minor | — | ||
| 7-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | — | ||
| 7-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 7-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | — | ||
| 7-4 | 16 Waltzes, op. 39: No. 1 in B major | — | ||
| 7-5 | 16 Waltzes, op. 39: No. 2 in E major | — | ||
| 7-6 | 16 Waltzes, op. 39: No. 3 in G‐sharp minor | — | ||
| 7-7 | 16 Waltzes, op. 39: No. 4 in E minor | — | ||
| 7-8 | 16 Waltzes, op. 39: No. 5 in E major | — | ||
| 7-9 | 16 Waltzes, op. 39: No. 6 in C‐sharp major | — | ||
| 7-10 | 16 Waltzes, op. 39: No. 7 in C‐sharp minor | — | ||
| 7-11 | 16 Waltzes, op. 39: No. 8 in B‐flat major | — | ||
| 7-12 | 16 Waltzes, op. 39: No. 9 in D minor | — | ||
| 7-13 | 16 Waltzes, op. 39: No. 10 in G major | — | ||
| 7-14 | 16 Waltzes, op. 39: No. 11 in B minor | — | ||
| 7-15 | 16 Waltzes, op. 39: No. 12 in E major | — | ||
| 7-16 | 16 Waltzes, op. 39: No. 13 in B major | — | ||
| 7-17 | 16 Waltzes, op. 39: No. 14 in G‐sharp minor | — | ||
| 7-18 | 16 Waltzes, op. 39: No. 15 in A‐flat major | — | ||
| 7-19 | 16 Waltzes, op. 39: No. 16 in C‐sharp minor | — | ||
| 8-1 | Piano Concerto no. 2 in B‐flat major, op. 83: I. Allegro non troppo | — | ||
| 8-2 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appassionato | — | ||
| 8-3 | Piano Concerto no. 2 in B‐flat major, op. 83: III. Andante | — | ||
| 8-4 | Piano Concerto no. 2 in B‐flat major, op. 83: IV. Allegretto grazioso | — | ||
| 8-5 | 4 Klavierstücke, op. 119: Intermezzo in B minor. Adagio | — | ||
| 8-6 | 4 Klavierstücke, op. 119: Intermezzo in E minor. Andantino un poco agitato | — | ||
| 8-7 | 4 Klavierstücke, op. 119: Intermezzo in C major. Grazioso e giocoso | — | ||
| 8-8 | 4 Klavierstücke, op. 119: Rhapsody in E‐flat major. Allegro risoluto | — | ||
| 9-1 | Violin Concerto in D major, op. 77: I. Allegro ma non troppo | — | ||
| 9-2 | Violin Concerto in D major, op. 77: II. Adagio | — | ||
| 9-3 | Violin Concerto in D major, op. 77: III. Allegro giocoso | — | ||
| 9-4 | Concerto for Violin, Cello & Orchestra in A minor, op. 102: I. Allegro | — | ||
| 9-5 | Concerto for Violin, Cello & Orchestra in A minor, op. 102: II. Andante | — | ||
| 9-6 | Concerto for Violin, Cello & Orchestra in A minor, op. 102: III. Vivace non troppo | — | ||
| 10-1 | Piano Quartet no. 1 in G minor, op. 25: I. Allegro | — | ||
| 10-2 | Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo. Allegro ma non troppo | — | ||
| 10-3 | Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto | — | ||
| 10-4 | Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla zingarese | — | ||
| 10-5 | Piano Quartet no. 3 in C minor, op. 60: I. Allegro non troppo | — | ||
| 10-6 | Piano Quartet no. 3 in C minor, op. 60: II. Scherzo. Allegro | — | ||
| 10-7 | Piano Quartet no. 3 in C minor, op. 60: III. Andante | — | ||
| 10-8 | Piano Quartet no. 3 in C minor, op. 60: IV. Finale. Allegro comodo | — | ||
| 11-1 | Piano Quartet no. 2 in A major, op. 26: I. Allegro non troppo | — | ||
| 11-2 | Piano Quartet no. 2 in A major, op. 26: II. Poco adagio | — | ||
| 11-3 | Piano Quartet no. 2 in A major, op. 26: III. Scherzo. Poco allegro | — | ||
| 11-4 | Piano Quartet no. 2 in A major, op. 26: IV. Finale. Allegro | — | ||
| 12-1 | String Quintet no. 1 in F major, op. 88: I. Allegro non troppo ma con brio | — | ||
| 12-2 | String Quintet no. 1 in F major, op. 88: II. Grave ed appassionato – Allegretto – Vivace – Tempo I – Presto – Tempo I | — | ||
| 12-3 | String Quintet no. 1 in F major, op. 88: III. Allegro energico | — | ||
| 12-4 | String Quintet no. 2 in G major, op. 111: I. Allegro non troppo ma con brio | — | ||
| 12-5 | String Quintet no. 2 in G major, op. 111: II. Adagio | — | ||
| 12-6 | String Quintet no. 2 in G major, op. 111: III. Un poco allegretto | — | ||
| 12-7 | String Quintet no. 2 in G major, op. 111: IV. Vivace ma non troppo presto | — | ||
| 13-1 | Clarinet Sonata no. 1 op. 120 in F minor: I. Allegro appassionato | — | ||
| 13-2 | Clarinet Sonata no. 1 op. 120 in F minor: II. Andante un poco adagio | — | ||
| 13-3 | Clarinet Sonata no. 1 op. 120 in F minor: III. Allegretto grazioso | — | ||
| 13-4 | Clarinet Sonata no. 1 op. 120 in F minor: IV. Vivace | — | ||
| 13-5 | Clarinet Sonata no. 2 op. 120 in E‐flat major: I. Allegro amabile | — | ||
| 13-6 | Clarinet Sonata no. 2 op. 120 in E‐flat major: II. Allegro appassionato | — | ||
| 13-7 | Clarinet Sonata no. 2 op. 120 in E‐flat major: III. Andante con moto-allegro | — | ||
| 14-1 | Quintet for Clarinet in B minor, op. 115: I. Allegro | — | ||
| 14-2 | Quintet for Clarinet in B minor, op. 115: II. Adagio - Più lento | — | ||
| 14-3 | Quintet for Clarinet in B minor, op. 115: III. Andantino - Presto non assai, ma con sentimento | — | ||
| 14-4 | Quintet for Clarinet in B minor, op. 115: IV. Con moto | — | ||
| 14-5 | Quartet for Strings no. 2 in A minor, op. 51 No. 2: I. Allegro non troppo | — | ||
| 14-6 | Quartet for Strings no. 2 in A minor, op. 51 No. 2: II. Andante moderato | — | ||
| 14-7 | Quartet for Strings no. 2 in A minor, op. 51 No. 2: III. Quasi minuetto | — | ||
| 14-8 | Quartet for Strings no. 2 in A minor, op. 51 No. 2: IV. Allegro non assai | — | ||
| 15-1 | String Quartet no. 1 in C minor, op. 51 no. 1: I. Allegro | — | ||
| 15-2 | String Quartet no. 1 in C minor, op. 51 no. 1: II. Romanze. Poco adagio | — | ||
| 15-3 | String Quartet no. 1 in C minor, op. 51 no. 1: III. Allegro molto moderato e comodo | — | ||
| 15-4 | String Quartet no. 1 in C minor, op. 51 no. 1: IV. Allegro | — | ||
| 15-5 | String Quartet no. 3 in B‐flat major, op. 67: I. Vivace | — | ||
| 15-6 | String Quartet no. 3 in B‐flat major, op. 67: II. Andante | — | ||
| 15-7 | String Quartet no. 3 in B‐flat major, op. 67: III. Agitato – Allegretto non troppo | — | ||
| 15-8 | String Quartet no. 3 in B‐flat major, op. 67: IV. Poco allegretto con variazioni | — | ||
| 16-1 | Horn Trio in E‐flat major, op. 40: I. Andante – Poco più animato | — | ||
| 16-2 | Horn Trio in E‐flat major, op. 40: II. Scherzo & Trio. Allegro | — | ||
| 16-3 | Horn Trio in E‐flat major, op. 40: III. Adagio mesto | — | ||
| 16-4 | Horn Trio in E‐flat major, op. 40: IV. Allegro con brio | — | ||
| 16-5 | Piano Quintet in F minor, op. 34: I. Allegro non troppo | — | ||
| 16-6 | Piano Quintet in F minor, op. 34: II. Andante, un poco adagio | — | ||
| 16-7 | Piano Quintet in F minor, op. 34: III. Scherzo & Trio. Allegro | — | ||
| 16-8 | Piano Quintet in F minor, op. 34: IV. Poco sostenuto – Allegro non troppo | — | ||
| 17-1 | Sonata for Violin and Piano no. 1 in G major, op. 78: I. Vivace ma non troppo | — | ||
| 17-2 | Sonata for Violin and Piano no. 1 in G major, op. 78: II. Adagio - Più andante - Adagio | — | ||
| 17-3 | Sonata for Violin and Piano no. 1 in G major, op. 78: III. Allegro molto moderato | — | ||
| 17-4 | Sonata for Violin and Piano no. 2 in A major, op. 100: I. Allegro amabile | — | ||
| 17-5 | Sonata for Violin and Piano no. 2 in A major, op. 100: II. Andante tranquillo - Vivace | — | ||
| 17-6 | Sonata for Violin and Piano no. 2 in A major, op. 100: III. Allegretto grazioso | — | ||
| 17-7 | Sonata for Violin and Piano no. 3 in D minor, op. 108: I. Allegro | — | ||
| 17-8 | Sonata for Violin and Piano no. 3 in D minor, op. 108: II. Adagio | — | ||
| 17-9 | Sonata for Violin and Piano no. 3 in D minor, op. 108: III. Un poco presto e con sentimento | — | ||
| 17-10 | Sonata for Violin and Piano no. 3 in D minor, op. 108: IV. Presto agitato | — | ||
| 17-11 | Scherzo for Violin and Piano in C minor from F-A-E Sonata, WoO 2 | — | ||
| 18-1 | Cello Sonata no. 1 op. 38 in E minor I. Allegro non troppo | — | ||
| 18-2 | Cello Sonata no. 1 op. 38 in E minor II. Allegretto quasi menuetto | — | ||
| 18-3 | Cello Sonata no. 1 op. 38 in E minor III. Allegro | — | ||
| 18-4 | Cello Sonata no. 2 op. 99 in F major I. Allegro vivace | — | ||
| 18-5 | Cello Sonata no. 2 op. 99 in F major II. Adagio affettuoso | — | ||
| 18-6 | Cello Sonata no. 2 op. 99 in F major III. Allegro passionato | — | ||
| 18-7 | Cello Sonata no. 2 op. 99 in F major IV. Allegro molto | — | ||
| 19-1 | String Sextet no. 1 in B‐flat major, op. 18: I. Allegro ma non troppo | — | ||
| 19-2 | String Sextet no. 1 in B‐flat major, op. 18: II. Andante ma moderato | — | ||
| 19-3 | String Sextet no. 1 in B‐flat major, op. 18: III. Scherzo. Allegro molto | — | ||
| 19-4 | String Sextet no. 1 in B‐flat major, op. 18: IV. Rondo. Poco allegretto e grazioso | — | ||
| 19-5 | String Sextet no. 2 in G major, op. 36: I. Allegro non troppo | — | ||
| 19-6 | String Sextet no. 2 in G major, op. 36: II. Scherzo. Allegro non troppo. Presto giocoso | — | ||
| 19-7 | String Sextet no. 2 in G major, op. 36: III. Poco adagio | — | ||
| 19-8 | String Sextet no. 2 in G major, op. 36: IV. Poco allegro | — | ||
| 20-1 | Piano Trio no. 1 op. 8 in B major I. Allegro | — | ||
| 20-2 | Piano Trio no. 1 op. 8 in B major II. Scherzo (allegro molto) | — | ||
| 20-3 | Piano Trio no. 1 op. 8 in B major III. Adagio | — | ||
| 20-4 | Piano Trio no. 1 op. 8 in B major IV. Allegro | — | ||
| 20-5 | Piano Trio no. 3 op. 101 in C minor I. Allegro energico | — | ||
| 20-6 | Piano Trio no. 3 op. 101 in C minor II. Presto non assai | — | ||
| 20-7 | Piano Trio no. 3 op. 101 in C minor III. Andante grazioso | — | ||
| 20-8 | Piano Trio no. 3 op. 101 in C minor IV. Allegro molto | — | ||
| 21-1 | Piano Trio no. 2 op. 87 in C major I. Allegro | — | ||
| 21-2 | Piano Trio no. 2 op. 87 in C major II. Andante con moto | — | ||
| 21-3 | Piano Trio no. 2 op. 87 in C major III. Scherzo (presto) | — | ||
| 21-4 | Piano Trio no. 2 op. 87 in C major IV. Finale, allegro | — | ||
| 21-5 | Clarinet Trio op. 114 in A minor I. Allegro | — | ||
| 21-6 | Clarinet Trio op. 114 in A minor II. Adagio | — | ||
| 21-7 | Clarinet Trio op. 114 in A minor III. Andante grazioso | — | ||
| 21-8 | Clarinet Trio op. 114 in A minor IV. Allegro | — | ||
| 22-1 | Sonata for viola & piano in F minor op. 120 No. 1 - I. Allegro appassionato | — | ||
| 22-2 | Sonata for viola & piano in F minor op. 120 No. 1 - II. Andante un poco adagio | — | ||
| 22-3 | Sonata for viola & piano in F minor op. 120 No. 1 - III. Allegretto grazioso | — | ||
| 22-4 | Sonata for viola & piano in F minor op. 120 No. 1 - IV. Vivace | — | ||
| 22-5 | Sonata for viola & piano in E‐flat major op. 120 No. 2 - I. Allegro amabile | — | ||
| 22-6 | Sonata for viola & piano in E‐flat major op. 120 No. 2 - II. Allegro appassionato | — | ||
| 22-7 | Sonata for viola & piano in E‐flat major op. 120 No. 2 - III. Andante con moto-allegro | — | ||
| 22-8 | Piano Trio in A major op. Posth. - I. Moderato | — | ||
| 22-9 | Piano Trio in A major op. Posth. - II. Vivace | — | ||
| 22-10 | Piano Trio in A major op. Posth. - III. Lento | — | ||
| 22-11 | Piano Trio in A major op. Posth. - IV. Presto | — | ||
| 23-1 | Sonata for Two Pianos op. 34b in F minor I. Allegro non troppo | — | ||
| 23-2 | Sonata for Two Pianos op. 34b in F minor II. Andante un poco adagio | — | ||
| 23-3 | Sonata for Two Pianos op. 34b in F minor III. Scherzo, allegro | — | ||
| 23-4 | Sonata for Two Pianos op. 34b in F minor IV. Finale: poco sostenuto, allegro non troppo, presto non troppo | — | ||
| 24-1 | Variations on a theme by Joseph Haydn "St. Antoni Chorale", op. 56b | — | ||
| 24-2 | 16 Waltzes op. 39 for piano four hands | — | ||
| 24-3 | Variations on a theme of Robert Schumann op. 23 for piano four hands | — | ||
| 25-1 | Hungarian Dance for Four Hands in G minor, WoO 1 no. 1: Allegro molto | — | ||
| 25-2 | Hungarian Dance for Four Hands in D minor, WoO 1 no. 2: Allegro non assai | — | ||
| 25-3 | Hungarian Dance for Four Hands in F major, WoO 1 no. 3: Allegretto | — | ||
| 25-4 | Hungarian Dance for Four Hands in F minor, WoO 1 no. 4: Poco sostenuto | — | ||
| 25-5 | Hungarian Dance for Four Hands in F‐sharp minor, WoO 1 no. 5: Allegro | — | ||
| 25-6 | Hungarian Dance for Four Hands in D‐flat major, WoO 1 no. 6: Vivace | — | ||
| 25-7 | Hungarian Dance for Four Hands in A major, WoO 1 no. 7: Allegretto | — | ||
| 25-8 | Hungarian Dance for Four Hands in A minor, WoO 1 no. 8: Presto | — | ||
| 25-9 | Hungarian Dance for Four Hands in E minor, WoO 1 no. 9: Allegro non troppo | — | ||
| 25-10 | Hungarian Dance for Four Hands in E major, WoO 1 no. 10: Presto | — | ||
| 25-11 | Hungarian Dance for Four Hands in C major, WoO 1 no. 11: Poco andante | — | ||
| 25-12 | Hungarian Dance for Four Hands in D minor, WoO 1 no. 12: Presto | — | ||
| 25-13 | Hungarian Dance for Four Hands in D major, WoO 1 no. 13: Andantino grazioso | — | ||
| 25-14 | Hungarian Dance for Four Hands in D minor, WoO 1 no. 14: Un poco andante | — | ||
| 25-15 | Hungarian Dance for Four Hands in B‐flat major, WoO 1 no. 15: Allegretto grazioso | — | ||
| 25-16 | Hungarian Dance for Four Hands in F minor, WoO 1 no. 16: Con moto | — | ||
| 25-17 | Hungarian Dance for Four Hands in F‐sharp minor, WoO 1 no. 17: Andantino | — | ||
| 25-18 | Hungarian Dance for Four Hands in D major, WoO 1 no. 18: Molto vivace | — | ||
| 25-19 | Hungarian Dance for Four Hands in B minor, WoO 1 no. 19: Allegretto | — | ||
| 25-20 | Hungarian Dance for Four Hands in E minor, WoO 1 no. 20: Poco allegretto | — | ||
| 25-21 | Hungarian Dance for Four Hands in E minor, WoO 1 no. 21: Vivace | — | ||
| 25-22 | Academic Festival Overture, Op. 80 four hand piano | — | ||
| 26-1 | Piano Sonata no. 1 op. 1 in C major: I. Allegro | — | ||
| 26-2 | Piano Sonata no. 1 op. 1 in C major: II. Andante (nach einem altdeutschen Minneliede) | — | ||
| 26-3 | Piano Sonata no. 1 op. 1 in C major: III. Scherzo: Allegro moltoe con fuoco-Piu mosso-Tempo I | — | ||
| 26-4 | Piano Sonata no. 1 op. 1 in C major: IV. Finale: Allegro con fuoco-Presto non troppo ed agitato | — | ||
| 26-5 | Scherzo op. 4 in E flat minor: Rasch und Feurig-Trio I-Da capo-Trio II:Molto espressivo-Da capo-Coda:Piu mosso-Piu sostenuto | — | ||
| 27-1 | Piano Sonata no. 2 op. 2 in F‐sharp minor: I. Allegro ma non troppo ma energico | — | ||
| 27-2 | Piano Sonata no. 2 op. 2 in F‐sharp minor: II. Andante con espressione | — | ||
| 27-3 | Piano Sonata no. 2 op. 2 in F‐sharp minor: III. Scherzo, allegro | — | ||
| 27-4 | Piano Sonata no. 2 op. 2 in F‐sharp minor: IV. Finale: introduzione, allegro non troppo e rubato | — | ||
| 27-5 | Piano Sonata no. 3 op. 5 in F minor: I. Allegro maestoso | — | ||
| 27-6 | Piano Sonata no. 3 op. 5 in F minor: II. Andante espressivo | — | ||
| 27-7 | Piano Sonata no. 3 op. 5 in F minor: III. Scherzo, allegro energico | — | ||
| 27-8 | Piano Sonata no. 3 op. 5 in F minor: IV. Inttermezzo, andante molto | — | ||
| 27-9 | Piano Sonata no. 3 op. 5 in F minor: V. Finale: allegro moderato ma rubato | — | ||
| 28-1 | Variations on a Theme of Paganini, op. 35 no. 1: I. Thema. Non troppo presto | — | ||
| 28-2 | Variations on a Theme of Paganini, op. 35 no. 1: II. Variation I | — | ||
| 28-3 | Variations on a Theme of Paganini, op. 35 no. 1: III. Variation II | — | ||
| 28-4 | Variations on a Theme of Paganini, op. 35 no. 1: IV. Variation III | — | ||
| 28-5 | Variations on a Theme of Paganini, op. 35 no. 1: V. Variation IV | — | ||
| 28-6 | Variations on a Theme of Paganini, op. 35 no. 1: VI. Variation V: Espressivo - Molto leggiero | — | ||
| 28-7 | Variations on a Theme of Paganini, op. 35 no. 1: VII. Variation VI: Molto leggiero | — | ||
| 28-8 | Variations on a Theme of Paganini, op. 35 no. 1: VIII. Variation VII | — | ||
| 28-9 | Variations on a Theme of Paganini, op. 35 no. 1: IX. Variation VIII: Staccato | — | ||
| 28-10 | Variations on a Theme of Paganini, op. 35 no. 1: X. Variation IX: Legato | — | ||
| 28-11 | Variations on a Theme of Paganini, op. 35 no. 1: XI. Variation X: Sotto voce | — | ||
| 28-12 | Variations on a Theme of Paganini, op. 35 no. 1: XII. Variation XI: Andante - Molto legato e dolce - Espressivo | — | ||
| 28-13 | Variations on a Theme of Paganini, op. 35 no. 1: XIII. Variation XII: Molto dolce | — | ||
| 28-14 | Variations on a Theme of Paganini, op. 35 no. 1: XIV. Variation XIII: Vivace e scherzando | — | ||
| 28-15 | Variations on a Theme of Paganini, op. 35 no. 1: XV. Variation XIV: Ben marcato, con fuoco - Presto, ma non troppo | — | ||
| 28-16 | Variations on a Theme of Paganini, op. 35 no. 2: I. Thema: Non troppo presto | — | ||
| 28-17 | Variations on a Theme of Paganini, op. 35 no. 2: II. Variation I | — | ||
| 28-18 | Variations on a Theme of Paganini, op. 35 no. 2: III. Variation II: Poco animato - Poco forte espressivo - Legato | — | ||
| 28-19 | Variations on a Theme of Paganini, op. 35 no. 2: IV. Variation III: Leggiero - Espressivo | — | ||
| 28-20 | Variations on a Theme of Paganini, op. 35 no. 2: V. Variation IV: Poco allegretto, con grazia | — | ||
| 28-21 | Variations on a Theme of Paganini, op. 35 no. 2: VI. Variation V: Dolce | — | ||
| 28-22 | Variations on a Theme of Paganini, op. 35 no. 2: VII. Variation VI: Poco più vivace - Leggiero | — | ||
| 28-23 | Variations on a Theme of Paganini, op. 35 no. 2: VIII. Variation VII: Leggiero e ben marcato | — | ||
| 28-24 | Variations on a Theme of Paganini, op. 35 no. 2: IX. Variation VIII: Allegro - Leggiero - Quasi pizzicato | — | ||
| 28-25 | Variations on a Theme of Paganini, op. 35 no. 2: X. Variation IX | — | ||
| 28-26 | Variations on a Theme of Paganini, op. 35 no. 2: XI. Variation X: Feroce - Energico | — | ||
| 28-27 | Variations on a Theme of Paganini, op. 35 no. 2: XII. Variation XI: Vivace, non legato e scherzando | — | ||
| 28-28 | Variations on a Theme of Paganini, op. 35 no. 2: XIII. Variation XII: Un poco andante, dolce espressivo | — | ||
| 28-29 | Variations on a Theme of Paganini, op. 35 no. 2: XIV. Variation XIII: Un poco più andante - Poco espressivo | — | ||
| 28-30 | Variations on a Theme of Paganini, op. 35 no. 2: XV. Variation XIV: Presto, ma non troppo - Scherzando | — | ||
| 28-31 | Variations and Fugue on a Theme of Händel, op. 24: I. Aria: Rhytmisch, mit Humor | — | ||
| 28-32 | Variations and Fugue on a Theme of Händel, op. 24: II. Variation I: L'Istesso tempo | — | ||
| 28-33 | Variations and Fugue on a Theme of Händel, op. 24: III. Variation II: Con espressione | — | ||
| 28-34 | Variations and Fugue on a Theme of Händel, op. 24: IV. Variation III: Grazioso | — | ||
| 28-35 | Variations and Fugue on a Theme of Händel, op. 24: V. Variation IV: Risoluto - Con fuoco - Staccato | — | ||
| 28-36 | Variations and Fugue on a Theme of Händel, op. 24: VI. Variation V: Affettuoso - Espressivo | — | ||
| 28-37 | Variations and Fugue on a Theme of Händel, op. 24: VII. Variation VI: Sordo e legato | — | ||
| 28-38 | Variations and Fugue on a Theme of Händel, op. 24: VIII. Variation VII: Con vivacita | — | ||
| 28-39 | Variations and Fugue on a Theme of Händel, op. 24: IX. Variation VIII: Martellato/Distinto, non legato | — | ||
| 28-40 | Variations and Fugue on a Theme of Händel, op. 24: X. Variation IX: Poco sostenuto, legato | — | ||
| 28-41 | Variations and Fugue on a Theme of Händel, op. 24: XI. Variation X: Energico | — | ||
| 28-42 | Variations and Fugue on a Theme of Händel, op. 24: XII. Variation XI: Lusingando, con tenerezza - Dolce - Legato | — | ||
| 28-43 | Variations and Fugue on a Theme of Händel, op. 24: XIII. Variation XII: L'Istesso tempo - Semplice - Soave - Legato | — | ||
| 28-44 | Variations and Fugue on a Theme of Händel, op. 24: XIV. Variation XIII: Largamente, ma non più - Espressivo | — | ||
| 28-45 | Variations and Fugue on a Theme of Händel, op. 24: XV. Variation XIV: Vivace - Sciolto | — | ||
| 28-46 | Variations and Fugue on a Theme of Händel, op. 24: XVI. Variation XV: L'Istesso tempo | — | ||
| 28-47 | Variations and Fugue on a Theme of Händel, op. 24: XVII. Variation XVI: Scherzando | — | ||
| 28-48 | Variations and Fugue on a Theme of Händel, op. 24: XVIII. Variation XVII: Più mosso - Semplice | — | ||
| 28-49 | Variations and Fugue on a Theme of Händel, op. 24: XIX. Variation XVIII: Grazioso | — | ||
| 28-50 | Variations and Fugue on a Theme of Händel, op. 24: XX. Variation XIX: Leggiero e vivace, alla Siciliana | — | ||
| 28-51 | Variations and Fugue on a Theme of Händel, op. 24: XXI. Variation XX: Andante espressivo, legato | — | ||
| 28-52 | Variations and Fugue on a Theme of Händel, op. 24: XXII. Variation XXI: Allegretto vivace, dolce/leggiero | — | ||
| 28-53 | Variations and Fugue on a Theme of Händel, op. 24: XXIII. Variation XXII: Alla Musette | — | ||
| 28-54 | Variations and Fugue on a Theme of Händel, op. 24: XXIV. Variation XXIII: Vivace - Sospetto - Vivace e staccato | — | ||
| 28-55 | Variations and Fugue on a Theme of Händel, op. 24: XXV. Variation XXIV: L'Istesso tempo - Tumultuoso - Feroce | — | ||
| 28-56 | Variations and Fugue on a Theme of Händel, op. 24: XXVI. Variation XXV: Poco più lento - Festivo - Fieramente, con tutta forza | — | ||
| 28-57 | Variations and Fugue on a Theme of Händel, op. 24: XXVII. Fuga: Allegro sostenuto e fermo | — | ||
| 29-1 | Variations on an Original Theme, op. 21 no. 1: I. Thema: Poco larghetto, poco forte, molto espressivo e legato | — | ||
| 29-2 | Variations on an Original Theme, op. 21 no. 1: II. Variation I: Molto piano e legato | — | ||
| 29-3 | Variations on an Original Theme, op. 21 no. 1: III. Variation II: Più moto, espressivo | — | ||
| 29-4 | Variations on an Original Theme, op. 21 no. 1: IV. Variation III: Dolce | — | ||
| 29-5 | Variations on an Original Theme, op. 21 no. 1: V. Variation IV: [Poco più lento] Dolce | — | ||
| 29-6 | Variations on an Original Theme, op. 21 no. 1: VI. Variation V: Tempo di tema, Canone in moto contrario, molto dolce, teneramente | — | ||
| 29-7 | Variations on an Original Theme, op. 21 no. 1: VII. Variation VI: Più moto, espressivo, legato | — | ||
| 29-8 | Variations on an Original Theme, op. 21 no. 1: VIII. Variation VII: Andante con moto, dolce | — | ||
| 29-9 | Variations on an Original Theme, op. 21 no. 1: IX. Variation VIII: Allegro non troppo | — | ||
| 29-10 | Variations on an Original Theme, op. 21 no. 1: X. Variation IX: | — | ||
| 29-11 | Variations on an Original Theme, op. 21 no. 1: XI. Variation X: Espressivo agitato | — | ||
| 29-12 | Variations on an Original Theme, op. 21 no. 1: XII. Variation XI: Tempo di tema, poco più lento, dolce | — | ||
| 29-13 | Variations on a Hungarian Song, op. 21 no. 2: I. Allegro | — | ||
| 29-14 | Variations on a Hungarian Song, op. 21 no. 2: II. Variation I | — | ||
| 29-15 | Variations on a Hungarian Song, op. 21 no. 2: III. Variation II | — | ||
| 29-16 | Variations on a Hungarian Song, op. 21 no. 2: IV. Variation III | — | ||
| 29-17 | Variations on a Hungarian Song, op. 21 no. 2: V. Variation IV | — | ||
| 29-18 | Variations on a Hungarian Song, op. 21 no. 2: VI. Variation V: Con espressione | — | ||
| 29-19 | Variations on a Hungarian Song, op. 21 no. 2: VII. Variation VI | — | ||
| 29-20 | Variations on a Hungarian Song, op. 21 no. 2: VIII. Variation VII: Poco più lento, dolce espressivo/quasi pizzicato | — | ||
| 29-21 | Variations on a Hungarian Song, op. 21 no. 2: IX. Variation VIII: [Ancora un poco più lento] Espressivo, dolce | — | ||
| 29-22 | Variations on a Hungarian Song, op. 21 no. 2: X. Variation IX: Dolce | — | ||
| 29-23 | Variations on a Hungarian Song, op. 21 no. 2: XI. Variation X: Legato, dolce | — | ||
| 29-24 | Variations on a Hungarian Song, op. 21 no. 2: XII. Variation XI: Dolce | — | ||
| 29-25 | Variations on a Hungarian Song, op. 21 no. 2: XIII. Variation XII: Espressivo | — | ||
| 29-26 | Variations on a Hungarian Song, op. 21 no. 2: XIV. Variation XIII: Con forza - Allegro - Tempo I più animato | — | ||
| 29-27 | Variations on a Theme of Robert Schumann, op. 9: I. Thema: Ziemlich langsam | — | ||
| 29-28 | Variations on a Theme of Robert Schumann, op. 9: II. Variation I | — | ||
| 29-29 | Variations on a Theme of Robert Schumann, op. 9: III. Variation II: Poco più moto, espressivo/staccato e leggiero | — | ||
| 29-30 | Variations on a Theme of Robert Schumann, op. 9: IV. Variation III: Tempo di tema | — | ||
| 29-31 | Variations on a Theme of Robert Schumann, op. 9: V. Variation IV: Poco più moto, espressivo/leggiero | — | ||
| 29-32 | Variations on a Theme of Robert Schumann, op. 9: VI. Variation V: Allegro capriccioso | — | ||
| 29-33 | Variations on a Theme of Robert Schumann, op. 9: VII. Variation VI: Allegro | — | ||
| 29-34 | Variations on a Theme of Robert Schumann, op. 9: VIII. Variation VII: Andante | — | ||
| 29-35 | Variations on a Theme of Robert Schumann, op. 9: IX. Variation VIII: Andante (non troppo lento), espressivo | — | ||
| 29-36 | Variations on a Theme of Robert Schumann, op. 9: X. Variation IX: Schnell | — | ||
| 29-37 | Variations on a Theme of Robert Schumann, op. 9: XI. Variation X: Poco adagio, espressivo dolce | — | ||
| 29-38 | Variations on a Theme of Robert Schumann, op. 9: XII. Variation XI: Un poco più animato, sempre pianissimo dolcissimo | — | ||
| 29-39 | Variations on a Theme of Robert Schumann, op. 9: XIII. Variation XII: Allegretto, poco scherzando, staccato e leggiero | — | ||
| 29-40 | Variations on a Theme of Robert Schumann, op. 9: XIV. Variation XIII: Non troppo presto, molto leggiero | — | ||
| 29-41 | Variations on a Theme of Robert Schumann, op. 9: XV. Variation XIV: Andante, espressivo/staccato e leggiero | — | ||
| 29-42 | Variations on a Theme of Robert Schumann, op. 9: XVI. Variation XV: Poco adagio, espressivo | — | ||
| 29-43 | Variations on a Theme of Robert Schumann, op. 9: XVII. Variation XVI: Adagio | — | ||
| 30-1 | Ballades, op. 10: I. Andante "Edward" | — | ||
| 30-2 | Ballades, op. 10: II. Andante | — | ||
| 30-3 | Ballades, op. 10: III. Intermezzo, allegro | — | ||
| 30-4 | Ballades, op. 10: IV. Andante con moto | — | ||
| 30-5 | Rhapsodies, op. 79: I. Agitato | — | ||
| 30-6 | Rhapsodies, op. 79: II. Molto passionato | — | ||
| 30-7 | Eight Piano Pieces, Capriccio in F‐sharp minor, op. 76: I. Un poco agitato | — | ||
| 30-8 | Eight Piano Pieces, Capriccio in B minor, op. 76: II. Allegretto non troppo | — | ||
| 30-9 | Eight Piano Pieces, Intermezzo in A‐flat major, op. 76: III. Grazioso | — | ||
| 30-10 | Eight Piano Pieces, Intermezzo in B‐flat major, op. 76: IV. Allegretto Grazioso | — | ||
| 30-11 | Eight Piano Pieces, Capriccio in C‐sharp minor, op. 76: V. Agitato, ma non troppo presto | — | ||
| 30-12 | Eight Piano Pieces, Intermezzo in A major, op. 76: VI. Andante con moto | — | ||
| 30-13 | Eight Piano Pieces, Intermezzo in A minor, op. 76: VII. Moderato semplice | — | ||
| 30-14 | Eight Piano Pieces, Capriccio in C major, op. 76: VIII. Grazioso ed un poco vivace | — | ||
| 31-1 | Fantasien, Capriccio in D minor, op. 116: I. Presto energico | — | ||
| 31-2 | Fantasien, Intermezzo in A minor, op. 116: II. Andante | — | ||
| 31-3 | Fantasien, Capriccio in D minor, op. 116: III. Presto energico | — | ||
| 31-4 | Fantasien, Intermezzo in E major, op. 116: IV. Adagio | — | ||
| 31-5 | Fantasien, Intermezzo in E minor, op. 116: V. Andante con grazia ed intimissimo sentimento | — | ||
| 31-6 | Fantasien, Intermezzo in E major, op. 116: VI. Andantino teneramente | — | ||
| 31-7 | Fantasien, Capriccio in D minor, op. 116: VII. Allegro agitato | — | ||
| 31-8 | Intermezzo in E‐flat major, op. 117: I. Andante moderato | — | ||
| 31-9 | Intermezzo in B‐flat minor, op. 117: II. Andante non troppo | — | ||
| 31-10 | Intermezzo in C‐sharp minor, op. 117: III. Andante con moto | — | ||
| 31-11 | Six Pieces for Piano, Intermezzo in A minor, op. 118: I. Allegro non assai | — | ||
| 31-12 | Six Pieces for Piano, Intermezzo in A major, op. 118: II. Andante teneramente | — | ||
| 31-13 | Six Pieces for Piano, Ballade in G minor, op. 118: III. Allegro energico | — | ||
| 31-14 | Six Pieces for Piano, Intermezzo in F minor, op. 118: IV. Allegretto un poco agitato | — | ||
| 31-15 | Six Pieces for Piano, Romanze in F major, op. 118: V. Andante | — | ||
| 31-16 | Six Pieces for Piano, Intermezzo in E‐flat minor, op. 118: VI. Andante, largo e mesto | — | ||
| 31-17 | Four Pieces for Piano, Intermezzo in B minor, op. 119: I. Adagio | — | ||
| 31-18 | Four Pieces for Piano, Intermezzo in E minor, op. 119: II. Andantino un poco agitato | — | ||
| 31-19 | Four Pieces for Piano, Intermezzo in C major, op. 119: III. Grazioso e giocoso | — | ||
| 31-20 | Four Pieces for Piano, Rhapsodie in E‐flat major, op. 119: IV. Allegro risoluto | — | ||
| 32-1 | Hungarian Dances for solo piano no. 1 in G minor | — | ||
| 32-2 | Hungarian Dances for solo piano no. 2 in D minor | — | ||
| 32-3 | Hungarian Dances for solo piano no. 3 in F major | — | ||
| 32-4 | Hungarian Dances for solo piano no. 4 in F‐sharp minor | — | ||
| 32-5 | Hungarian Dances for solo piano no. 5 in F‐sharp minor | — | ||
| 32-6 | Hungarian Dances for solo piano no. 6 in D‐flat major | — | ||
| 32-7 | Hungarian Dances for solo piano no. 7 in F major | — | ||
| 32-8 | Hungarian Dances for solo piano no. 8 in A minor | — | ||
| 32-9 | Hungarian Dances for solo piano no. 9 in E minor | — | ||
| 32-10 | Hungarian Dances for solo piano no. 10 in E major | — | ||
| 32-11 | After an Study by Chopin (Op. 25 no. 2 in F minor) | — | ||
| 32-12 | After a Rondo by von Weber (Finale of Piano Sonata in C major) | — | ||
| 32-13 | After a Presto by J.S. Bach, first version (Finale of Solo Violin Sonata BWV 1001) | — | ||
| 32-14 | After a Presto by J.S. Bach, second version (Finale of SOlo Violin Sonata BWV 1001) | — | ||
| 32-15 | After Chaconne by J.S. Bach, for the left hand (from Violin Partita no. 2 in D minor, BWV 1016) | — | ||
| 33-1 | Hungarian Dances for solo piano no. 11 in D minor | — | ||
| 33-2 | Hungarian Dances for solo piano no. 12 in D minor | — | ||
| 33-3 | Hungarian Dances for solo piano no. 13 in D major | — | ||
| 33-4 | Hungarian Dances for solo piano no. 14 in D minor | — | ||
| 33-5 | Hungarian Dances for solo piano no. 15 in B‐flat minor | — | ||
| 33-6 | Hungarian Dances for solo piano no. 16 in F minor | — | ||
| 33-7 | Hungarian Dances for solo piano no. 17 in F‐sharp minor | — | ||
| 33-8 | Hungarian Dances for solo piano no. 18 in D major | — | ||
| 33-9 | Hungarian Dances for solo piano no. 19 in B minor | — | ||
| 33-10 | Hungarian Dances for solo piano no. 20 in E minor | — | ||
| 33-11 | Hungarian Dances for solo piano no. 21 in E minor | — | ||
| 33-12 | Sarabande no. 1 in A minor | — | ||
| 33-13 | Sarabande no. 2 in B minor | — | ||
| 33-14 | Gavotte no. 1 in A minor | — | ||
| 33-15 | Gavotte no. 2 in A major | — | ||
| 33-16 | Gigue no. 1 in A minor | — | ||
| 33-17 | Gigue no. 2 in B minor | — | ||
| 33-18 | Transcription of a Gavotte by Gluck | — | ||
| 33-19 | Study after an Impromptu by Schubert op. 90 no. 2 | — | ||
| 33-20 | Theme & Variations in D minor (from String Sextet op. 18) | — | ||
| 34-1 | A German Requiem, op. 45: I. Chorus “Selig sind,die da Leid tragen” | — | ||
| 34-2 | A German Requiem, op. 45: II. Chorus “Denn alles Fleisch, es ist wie Gras” | — | ||
| 34-3 | A German Requiem, op. 45: III. Baritone & Chorus “Herr, lehre doch mich” | — | ||
| 34-4 | A German Requiem, op. 45: IV. Chorus “Wie lieblich sind deine Wohnungen” | — | ||
| 34-5 | A German Requiem, op. 45: V. Soprano & chorus “Ihr habt nun Traurigkeit” | — | ||
| 34-6 | A German Requiem, op. 45: VI. Baritone & Chorus “Denn wir haben hier keine bleibende Statt” | — | ||
| 34-7 | A German Requiem, op. 45: VII. Chorus “Selig sind die Toten” | — | ||
| 35-1 | Song of Triumph op. 55: I. Lebhaft und feierlich animato | — | ||
| 35-2 | Song of Triumph op. 55: II. Mässig belebt Lebhaft Ziemlich langsam doch nicht schleppend | — | ||
| 35-3 | Song of Triumph op. 55: III. Lebhaft Etwas lebhafter Feierlich | — | ||
| 35-4 | Ave Maria op. 12 andante | — | ||
| 35-5 | Song of Destiny, op. 54: Langsam und sehnsuchtsvoll allegro adagio | — | ||
| 35-6 | Nänie op. 82 andante piu sostenuto tempo primo | — | ||
| 35-7 | Funeral Song op. 13 | — | ||
| 36-1 | Song of the Fates, op. 89 | — | ||
| 36-2 | Alto Rhapsody, op. 53 | — | ||
| 36-3 | Rinaldo, op. 50: I. Zu dem Strande! Zu der Barke! | — | ||
| 36-4 | Rinaldo, op. 50: II. Stelle her der goldnen Tage Paradise | — | ||
| 36-5 | Rinaldo, op. 50: III. Zurück nur! Zurücke | — | ||
| 36-6 | Rinaldo, op. 50: IV. Zum zweiten Male | — | ||
| 36-7 | Rinaldo, op. 50: V. Segel schwellen | — | ||
| 37-1 | Songs of Love Waltz op. 52: I. Rede Mädchen, allzu liebes | — | ||
| 37-2 | Songs of Love Waltz op. 52: II. Am Gesteine rauscht die Flut | — | ||
| 37-3 | Songs of Love Waltz op. 52: III. O Die Frauen | — | ||
| 37-4 | Songs of Love Waltz op. 52: IV. Wie des Abends schöne Röte | — | ||
| 37-5 | Songs of Love Waltz op. 52: V. Die grüne Hopfenranke | — | ||
| 37-6 | Songs of Love Waltz op. 52: VI. Ein kleiner, hübscher Vogel | — | ||
| 37-7 | Songs of Love Waltz op. 52: VII. Wohl schön bewandt war es | — | ||
| 37-8 | Songs of Love Waltz op. 52: VIII. Wenn so lind dein Auge mir | — | ||
| 37-9 | Songs of Love Waltz op. 52: IX. Am Donaustrande | — | ||
| 37-10 | Songs of Love Waltz op. 52: X. O wie sanft die Quelle | — | ||
| 37-11 | Songs of Love Waltz op. 52: XI. Nein, es ist nicht auszukommen | — | ||
| 37-12 | Songs of Love Waltz op. 52: XII. Schlosser auf und mache Schlösser | — | ||
| 37-13 | Songs of Love Waltz op. 52: XIII. Vögelein durchrauscht die Luft | — | ||
| 37-14 | Songs of Love Waltz op. 52: XIV. Sieh, wie ist die Welle klar | — | ||
| 37-15 | Songs of Love Waltz op. 52: XV. Nachtigall, sie singt so schön | — | ||
| 37-16 | Songs of Love Waltz op. 52: XVI. Ein dunkeler Schacht ist Liebe | — | ||
| 37-17 | Songs of Love Waltz op. 52: XVII. Nicht wandle, mein Licht | — | ||
| 37-18 | Songs of Love Waltz op. 52: XVIII. Es bebet das Gesträuche | — | ||
| 37-19 | New Love Songs Waltz op. 65: I. Verzicht, oh Herz, auf Rettung | — | ||
| 37-20 | New Love Songs Waltz op. 65: II. Finstere Schatten der Nacht | — | ||
| 37-21 | New Love Songs Waltz op. 65: III. An jeder Hand die Finger | — | ||
| 37-22 | New Love Songs Waltz op. 65: IV. Ihr schwarzen Augen | — | ||
| 37-23 | New Love Songs Waltz op. 65: V. Wahre, wahre deinen Sohn | — | ||
| 37-24 | New Love Songs Waltz op. 65: VI.Rosen steckt mir an die Mutter | — | ||
| 37-25 | New Love Songs Waltz op. 65: VII. Vom Gebirge Well auf Well | — | ||
| 37-26 | New Love Songs Waltz op. 65: VIII. Weiche Gräser im Revier | — | ||
| 37-27 | New Love Songs Waltz op. 65: IX. Nagen am Herzen fühl ich | — | ||
| 37-28 | New Love Songs Waltz op. 65: X. Ich kose süß mit der und der | — | ||
| 37-29 | New Love Songs Waltz op. 65: XI. Alles, alles in den Wind | — | ||
| 37-30 | New Love Songs Waltz op. 65: XII. Schwarzer Wald, dein Schatten | — | ||
| 37-31 | New Love Songs Waltz op. 65: XIII. Nein, Geliebter, setze dich | — | ||
| 37-32 | New Love Songs Waltz op. 65: XIV. Flammenauge, dunkles Haar | — | ||
| 37-33 | New Love Songs Waltz op. 65: XV. Zum Schluss: Nun, ihr Musen, genug | — | ||
| 38-1 | Three Quartets op. 31: I. Substitution Song at the Dance | — | ||
| 38-2 | Three Quartets op. 31: II. Banter | — | ||
| 38-3 | Three Quartets op. 31: III. The Visit to My Beloved | — | ||
| 38-4 | Three Quartets op. 64: I. To the Homeland | — | ||
| 38-5 | Three Quartets op. 64: II. The Evening | — | ||
| 38-6 | Three Quartets op. 64: III. Questions | — | ||
| 38-7 | Four Quartets op. 92: I. O Lovely Night | — | ||
| 38-8 | Four Quartets op. 92: II. In Autumn | — | ||
| 38-9 | Four Quartets op. 92: III. Evening Song | — | ||
| 38-10 | Four Quartets op. 92: IV. Why | — | ||
| 38-11 | Two Quartets op. 112a: I. Longing | — | ||
| 38-12 | Two Quartets op. 112a: II. At Night | — | ||
| 39-1 | Three Songs a Cappella op. 42: I. Evening Serenade | — | ||
| 39-2 | Three Songs a Cappella op. 42: II. Vineta | — | ||
| 39-3 | Three Songs a Cappella op. 42: III. Darthula’s Dirge | — | ||
| 39-4 | Seven Songs op. 62: I. Rosemary | — | ||
| 39-5 | Seven Songs op. 62: II. From Old Love Songs | — | ||
| 39-6 | Seven Songs op. 62: III. Night in the Forest | — | ||
| 39-7 | Seven Songs op. 62: IV. Thou Gentle Heart | — | ||
| 39-8 | Seven Songs op. 62: V. My Heartfelt Thanks | — | ||
| 39-9 | Seven Songs op. 62: VI. A Sigh Goes Floating | — | ||
| 39-10 | Seven Songs op. 62: VII. I Have Lost Happiness and Health | — | ||
| 39-11 | Six Songs and Romances op. 93a: I. The Hump‐backed Fiddler | — | ||
| 39-12 | Six Songs and Romances op. 93a: II. The Maiden | — | ||
| 39-13 | Six Songs and Romances op. 93a: III. Oh Sweet May | — | ||
| 39-14 | Six Songs and Romances op. 93a: IV. Fare Thee Well | — | ||
| 39-15 | Six Songs and Romances op. 93a: V. The Falcon | — | ||
| 39-16 | Six Songs and Romances op. 93a: VI. Heeding | — | ||
| 39-17 | Five Songs a Cappella for Mixed Chorus op. 104: I. Nightwatch I | — | ||
| 39-18 | Five Songs a Cappella for Mixed Chorus op. 104: II. Nightwatch II | — | ||
| 39-19 | Five Songs a Cappella for Mixed Chorus op. 104: III. Last Luck | — | ||
| 39-20 | Five Songs a Cappella for Mixed Chorus op. 104: IV. Lost Youth | — | ||
| 39-21 | Five Songs a Cappella for Mixed Chorus op. 104: V. In Autumn | — | ||
| 40-1 | Fourteen Folksongs WoO 34: I. Von edler Art | — | ||
| 40-2 | Fourteen Folksongs WoO 34: II. Mit Lust tät ich ausreiten | — | ||
| 40-3 | Fourteen Folksongs WoO 34: III. Bei nächtlicher Weil | — | ||
| 40-4 | Fourteen Folksongs WoO 34: IV. Vom heiligen Mätyrer Emmerano | — | ||
| 40-5 | Fourteen Folksongs WoO 34: V. Täublein weiß | — | ||
| 40-6 | Fourteen Folksongs WoO 34: VI. Ach lieber Herre Jesu Christ | — | ||
| 40-7 | Fourteen Folksongs WoO 34: VII. St.Raphael | — | ||
| 40-8 | Fourteen Folksongs WoO 34: VIII. In stiller Nacht | — | ||
| 40-9 | Fourteen Folksongs WoO 34: IX. Abschiedslied | — | ||
| 40-10 | Fourteen Folksongs WoO 34: X. Der tote Knabe | — | ||
| 40-11 | Fourteen Folksongs WoO 34: XI. Die Wollust im Maien | — | ||
| 40-12 | Fourteen Folksongs WoO 34: XII. Morgengesang | — | ||
| 40-13 | Fourteen Folksongs WoO 34: XIII. Schnitter Tod | — | ||
| 40-14 | Fourteen Folksongs WoO 34: XIV. Der englische Jäger | — | ||
| 40-15 | Twelve German Folksongs WoO 35: I. Scheiden | — | ||
| 40-16 | Twelve German Folksongs WoO 35: II. Wach auf! | — | ||
| 40-17 | Twelve German Folksongs WoO 35: III. Erlaube mir | — | ||
| 40-18 | Twelve German Folksongs WoO 35: IV. Der Fiedler | — | ||
| 40-19 | Twelve German Folksongs WoO 35: V. Da unten im Tale | — | ||
| 40-20 | Twelve German Folksongs WoO 35: VI. Des Abends | — | ||
| 40-21 | Twelve German Folksongs WoO 35: VII. Wach auf! (2. Bearbeitung] | — | ||
| 40-22 | Twelve German Folksongs WoO 35: VIII. Dort in den Weiden | — | ||
| 40-23 | Twelve German Folksongs WoO 35: IX. Altes Volkslied | — | ||
| 40-24 | Twelve German Folksongs WoO 35: X. Der Ritter und die Fein | — | ||
| 40-25 | Twelve German Folksongs WoO 35: XI. Der Zimmergesell | — | ||
| 40-26 | Twelve German Folksongs WoO 35: XII. Altdeutsches Kampflied | — | ||
| 41-1 | Gypsy Songs op. 103: I. He, Zigeuner | — | ||
| 41-2 | Gypsy Songs op. 103: II. Hochgetürmte Rimaflut | — | ||
| 41-3 | Gypsy Songs op. 103: III. Wisst ihr, wann mein Kindchen | — | ||
| 41-4 | Gypsy Songs op. 103: IV. Lieber Gott, du weißt | — | ||
| 41-5 | Gypsy Songs op. 103: V. Brauner Bursche | — | ||
| 41-6 | Gypsy Songs op. 103: VI. Röslein dreie in der Reihe | — | ||
| 41-7 | Gypsy Songs op. 103: VII. Kommt dir manchmal in den Sinn | — | ||
| 41-8 | Gypsy Songs op. 103: VIII. Horch, der Wind klagt in den Zweigen | — | ||
| 41-9 | Gypsy Songs op. 103: IX. Weit und breit schaut niemand mich an | — | ||
| 41-10 | Gypsy Songs op. 103: X. Mond verhüllt sein Angesicht | — | ||
| 41-11 | Gypsy Songs op. 103: XI. Rote Abendwolken ziehn | — | ||
| 41-12 | Gypsy Songs op. 112b: III. Himmel strahlt so helle und klar | — | ||
| 41-13 | Gypsy Songs op. 112b: IV. Rote Rosenknospen künden | — | ||
| 41-14 | Gypsy Songs op. 112b: V. Brennessel steht an Weges Rand | — | ||
| 41-15 | Gypsy Songs op. 112b: VI. Liebe Schwalbe, kleine Schwalbe | — | ||
| 41-16 | Seven Folksongs for Soloists, Choir & Piano WoO 33: I. Es stunden drei Rosen | — | ||
| 41-17 | Seven Folksongs for Soloists, Choir & Piano WoO 33: II. Dem Himmel will ich klagen | — | ||
| 41-18 | Seven Folksongs for Soloists, Choir & Piano WoO 33: III. Es saß ein schneeweiß Vögelein | — | ||
| 41-19 | Seven Folksongs for Soloists, Choir & Piano WoO 33: IV. Es war einmal ein Zimmergesell | — | ||
| 41-20 | Seven Folksongs for Soloists, Choir & Piano WoO 33: V. Es ging sich unsre Fraue | — | ||
| 41-21 | Seven Folksongs for Soloists, Choir & Piano WoO 33: VI. Nachtigall, sag | — | ||
| 41-22 | Seven Folksongs for Soloists, Choir & Piano WoO 33: VII. Verstohlen geht der Mond auf | — | ||
| 41-23 | Tablesong op. 93b | — | ||
| 41-24 | Little Wedding Cantata WoO 16 | — | ||
| 41-25 | The Dark Womb of the Earth WoO 20 | — | ||
| 42-1 | Two Motets op. 29: I. Es ist das Heil uns kommen her | — | ||
| 42-2 | Two Motets op. 29: II. Schaffe in mir, Gott | — | ||
| 42-3 | Spiritual Song op. 30 | — | ||
| 42-4 | Two Motets op. 74: I. Warum ist das Licht gegeben | — | ||
| 42-5 | Two Motets op. 74: II. O Heiland, reiß die Himmel auf | — | ||
| 42-6 | Three Motets op. 110: I. Ich bin aber elend | — | ||
| 42-7 | Three Motets op. 110: II. Ach arme Welt, Du trügest mich | — | ||
| 42-8 | Three Motets op. 110: III. Wenn wir in höchsten Nöten sein | — | ||
| 42-9 | Missa canonica WoO 18: I. Kyrie | — | ||
| 42-10 | Missa canonica WoO 18: II. Sanctus | — | ||
| 42-11 | Missa canonica WoO 18: III. Benedictus | — | ||
| 42-12 | Missa canonica WoO 18: IV. Agnus Dei | — | ||
| 43-1 | Songs for Mary op. 22: I. The English Salutation | — | ||
| 43-2 | Songs for Mary op. 22: II. Mary’s Churchgoing | — | ||
| 43-3 | Songs for Mary op. 22: III. Mary’s Pilgrimage | — | ||
| 43-4 | Songs for Mary op. 22: IV. The Hunter | — | ||
| 43-5 | Songs for Mary op. 22: V. Call to Mary | — | ||
| 43-6 | Songs for Mary op. 22: VI. Magdalene | — | ||
| 43-7 | Songs for Mary op. 22: VII. Mary’s Praise | — | ||
| 43-8 | Festal and Commemorative Sentences op. 109: I. Our Fathers Hoped in Thee | — | ||
| 43-9 | Festal and Commemorative Sentences op. 109: II. When a Strong Armed Man | — | ||
| 43-10 | Festal and Commemorative Sentences op. 109: III. For What Nation Is There So Great | — | ||
| 43-11 | Five Songs for Male Voices op. 41: I. I Blow My Horn | — | ||
| 43-12 | Five Songs for Male Voices op. 41: II. Volunteer Here! | — | ||
| 43-13 | Five Songs for Male Voices op. 41: III. Escort | — | ||
| 43-14 | Five Songs for Male Voices op. 41: IV. Marching | — | ||
| 43-15 | Five Songs for Male Voices op. 41: V. Watch Out | — | ||
| 43-16 | Twelve Songs and Romances op. 44: I. Song of Love | — | ||
| 43-17 | Twelve Songs and Romances op. 44: II. The Bridegroom | — | ||
| 43-18 | Twelve Songs and Romances op. 44: III. Barcarole | — | ||
| 43-19 | Twelve Songs and Romances op. 44: IV. Asking | — | ||
| 43-20 | Twelve Songs and Romances op. 44: V. The Miller | — | ||
| 43-21 | Twelve Songs and Romances op. 44: VI. The Nun | — | ||
| 43-22 | Twelve Songs and Romances op. 44: VII. Four Songs from the Fountain of Youth: I. Nun stehen die Rosen in Blüte | — | ||
| 43-23 | Twelve Songs and Romances op. 44: VIII. Four Songs from the Fountain of Youth: II. Die Berge sind spitz | — | ||
| 43-24 | Twelve Songs and Romances op. 44: IX. Four Songs from the Fountain of Youth: III. Am Wildbach die Weiden | — | ||
| 43-25 | Twelve Songs and Romances op. 44: X. Four Songs from the Fountain of Youth: IV. Und gehst Du über den Kirchhof | — | ||
| 43-26 | Twelve Songs and Romances op. 44: XI. The Bride | — | ||
| 43-27 | Twelve Songs and Romances op. 44: XII. March Night | — | ||
| 44-1 | Ave Maria op. 12 | — | ||
| 44-2 | Psalm 13 op. 27: How long, O Lord? | — | ||
| 44-3 | Three Sacred Choruses op. 37: I. O Good Jesus | — | ||
| 44-4 | Three Sacred Choruses op. 37: II. We Adore | — | ||
| 44-5 | Three Sacred Choruses op. 37: III. Queen of Heaven | — | ||
| 44-6 | Four Songs for women's chorus, two horns and harp op. 17: I. It Tinges a Full Harp Sound | — | ||
| 44-7 | Four Songs for women's chorus, two horns and harp op. 17: II. Song By Shakespeare | — | ||
| 44-8 | Four Songs for women's chorus, two horns and harp op. 17: III. The Gardener | — | ||
| 44-9 | Four Songs for women's chorus, two horns and harp op. 17: IV. Song about Fingal | — | ||
| 44-10 | Thirteen Canons for female choir op. 113: I | — | ||
| 44-11 | Thirteen Canons for female choir op. 113: II | — | ||
| 44-12 | Thirteen Canons for female choir op. 113: III | — | ||
| 44-13 | Thirteen Canons for female choir op. 113: IV | — | ||
| 44-14 | Thirteen Canons for female choir op. 113: V | — | ||
| 44-15 | Thirteen Canons for female choir op. 113: VI | — | ||
| 44-16 | Thirteen Canons for female choir op. 113: VII | — | ||
| 44-17 | Thirteen Canons for female choir op. 113: VIII | — | ||
| 44-18 | Thirteen Canons for female choir op. 113: IX | — | ||
| 44-19 | Thirteen Canons for female choir op. 113: X | — | ||
| 44-20 | Thirteen Canons for female choir op. 113: XI | — | ||
| 44-21 | Thirteen Canons for female choir op. 113: XII | — | ||
| 44-22 | Thirteen Canons for female choir op. 113: XIII | — | ||
| 45-1 | Four Songs op. 43: I. For Eternal Love (Wenzig) | — | ||
| 45-2 | Five Songs op. 72: I. Old Love (Candidus) | — | ||
| 45-3 | Nine Songs op. 63: VIII. Homesickness II (Groth) | — | ||
| 45-4 | Six Songs op. 86: IV. Over the Heath (Storm) | — | ||
| 45-5 | Four Songs op. 96: I. Death is the Cool Night (Heine) | — | ||
| 45-6 | Five Songs op. 72: IV. Despondency (Lemcke) | — | ||
| 45-7 | Five Songs op. 72: III. Oh Cool Forest (Brentano) | — | ||
| 45-8 | Nine Songs op. 32: VI. You Say, That I Deceived Myself | — | ||
| 45-9 | Five Songs op. 105: IV. In the Churchyard (Liliencron) | — | ||
| 45-10 | Four Songs op. 43: II. The May Night | — | ||
| 45-11 | Five Songs op. 105: I. As If Melodies Were Moving (Groth) | — | ||
| 45-12 | Six Songs op. 86: II. The Loneliness of the Field (Allmers) | — | ||
| 45-13 | Six Songs op. 97: V. Come Soon | — | ||
| 45-14 | Five Songs op. 47: III Sunday (Uhland) | — | ||
| 45-15 | Eleven Gypsy Songs op. 103: I. Ziegeunerlieder He, Zigeuner | — | ||
| 45-16 | Eleven Gypsy Songs op. 103: II. Hochgetürmte Rimaflut | — | ||
| 45-17 | Eleven Gypsy Songs op. 103: III. Wisst ihr, wann mein Kindchen | — | ||
| 45-18 | Eleven Gypsy Songs op. 103: IV. Lieber Gott, du weißt | — | ||
| 45-19 | Eleven Gypsy Songs op. 103: V. Brauner Bursche | — | ||
| 45-20 | Eleven Gypsy Songs op. 103: VI. Röslein dreie in der Reihe | — | ||
| 45-21 | Eleven Gypsy Songs op. 103: VII. kommt dir manchmal in Sinn | — | ||
| 45-22 | Eleven Gypsy Songs op. 103: VIII. Horch, der Wind klagt in den Zweigen | — | ||
| 46-1 | Five Romances and Songs op. 84: IV. Fruitless Serenade | — | ||
| 46-2 | 49 German Folk Songs WoO 33: XXXVIII. Des Abends kann ich nicht schlafen gehn | — | ||
| 46-3 | 49 German Folk Songs WoO 33: II. Erlaube mir, feines Mädchen | — | ||
| 46-4 | 49 German Folk Songs WoO 33: XXXI. Dort in den Weiden steht ein Haus | — | ||
| 46-5 | 49 German Folk Songs WoO 33: XL. Ich weiß mir'n Maidlein | — | ||
| 46-6 | 49 German Folk Songs WoO 33: XII. Feinsliebchen | — | ||
| 46-7 | 49 German Folk Songs WoO 33: XXV. Mein Mädel hat einen Rosenmund | — | ||
| 46-8 | 49 German Folk Songs WoO 33: XI. Jungrfräulein, soll ich mich euch gehn | — | ||
| 46-9 | 49 German Folk Songs WoO 33: XXX. Alle meine Gedanken | — | ||
| 46-10 | 49 German Folk Songs WoO 33: XVI. Wach auf mein Herzensschöne | — | ||
| 46-11 | 49 German Folk Songs WoO 33: XVI. Wach auf mein Herzensschöne | — | ||
| 46-12 | 49 German Folk Songs WoO 33: XVIII. So wünsch ich ihr eine gute Nacht | — | ||
| 46-13 | 49 German Folk Songs WoO 33: XXXV. Soll sich der Mond nicht heller scheinen | — | ||
| 46-14 | 49 German Folk Songs WoO 33: V. Die Sonne scheint nicht mehr | — | ||
| 46-15 | 49 German Folk Songs WoO 33: XV. Schwesterlein | — | ||
| 46-16 | Seven Songs op. 48: I. The Visit to the Beloved (Volksweise) | — | ||
| 46-17 | 49 German Folk Songs WoO 33: XLI. Es steht ein Lind | — | ||
| 46-18 | 49 German Folk Songs WoO 33: VI. Da unten im Tale | — | ||
| 46-19 | 49 German Folk Songs WoO 33: XXI. Es ging ein Maidlein zarte | — | ||
| 46-20 | Eight Songs and Romances for Voice and Piano op. 14 : I. Outside the Window | — | ||
| 46-21 | 49 German Folk Songs WoO 33: XVII. Ach, Gott, wie weh tut scheiden | — | ||
| 46-22 | 49 German Folk Songs WoO 33: XLII. In stiller Nacht | — | ||
| 47-1 | Six Songs op. 3: I. Fidelity in Love | — | ||
| 47-2 | Eight Songs and Romances op. 14 : I. Outside the Window | — | ||
| 47-3 | Five Poems for Voice and Piano op. 19: IV. The Blacksmith | — | ||
| 47-4 | Nine Songs op. 32: VIII. So We Stand, I and My Pasture | — | ||
| 47-5 | Four Songs op. 46: IV. To the Nightingale | — | ||
| 47-6 | Ophelia’s Songs WoO 22: I. How Should I Your True Love Know | — | ||
| 47-7 | Ophelia’s Songs WoO 22: II. White His Shroud | — | ||
| 47-8 | Ophelia’s Songs WoO 22: III. Tomorrow is Saint Valentine’s day | — | ||
| 47-9 | Ophelia’s Songs WoO 22: IV. They bore him barefaced on the bier | — | ||
| 47-10 | Ophelia’s Songs WoO 22: V. And will he not come again? | — | ||
| 47-11 | Eight Songs op. 59: II. On the Lake | — | ||
| 47-12 | Eight Songs op. 59: V. Agnes | — | ||
| 47-13 | Eight Songs op. 59: VIII. Your Blue Eyes | — | ||
| 47-14 | Nine Songs op. 63: V. Young Songs I | — | ||
| 47-15 | Six Songs op. 86: I. Therese | — | ||
| 47-16 | Two Songs for Alto Voice, Viola and Piano op. 91: I. Satisfied Longing | — | ||
| 47-17 | Two Songs for Alto Voice, Viola and Piano op. 91: II. Spiritual Lullaby | — | ||
| 47-18 | Five Songs op. 94: IV. Sapphic Ode | — | ||
| 47-19 | Rain Song for Voice and Piano WoO 23 | — | ||
| 47-20 | Seven Songs op. 95: IV. The Hunter | — | ||
| 47-21 | Five Songs op. 105: II. My Slumber Grows More and More Peaceful | — | ||
| 47-22 | Five Songs op. 107: II. Salamander | — | ||
| 47-23 | Five Songs op. 107: III. The Girl Speaks | — | ||
| 47-24 | Five Songs op. 107: V. Girl’s Song | — | ||
| 47-25 | Five Songs op. 49: IV. Lullaby | — | ||
| 48-1 | Nine Songs op. 32: II. Nowhere for You to Go | — | ||
| 48-2 | Nine Songs op. 32: IX. How Are You, My Queen | — | ||
| 48-3 | Five Songs op. 47: I. Message | — | ||
| 48-4 | Five Songs op. 47: II. The Fervour of Love | — | ||
| 48-5 | Eight Songs op. 57: I. From Part‑forest Altitudes | — | ||
| 48-6 | Eight Songs op. 57: II. When You Sometimes Just Smile | — | ||
| 48-7 | Eight Songs op. 57: III. This I Dreamt, I Was Dear to You | — | ||
| 48-8 | Eight Songs op. 57: IV. Ah, Turn That Gaze | — | ||
| 48-9 | Eight Songs op. 57: V. In My Nights I Yearn | — | ||
| 48-10 | Eight Songs op. 57: VI. Sometimes Too Radiates a Mild Light | — | ||
| 48-11 | Eight Songs op. 57: VII. The String, Pearl By Pearl | — | ||
| 48-12 | Eight Songs op. 57: VIII. Motionless Light Air | — | ||
| 48-13 | Eight Songs op. 59: VI. A Good Good Night | — | ||
| 48-14 | Seven Songs Op.95: VII. It Was Beautiful, My Solemn Gift to You | — | ||
| 48-15 | Four Songs op. 96: II. We Were Walking | — | ||
| 48-16 | Four Serious Songs op. 121: I. For That Which Befalleth the Sons of Men | — | ||
| 48-17 | Four Serious Songs op. 121: II. So I Returned | — | ||
| 48-18 | Four Serious Songs op. 121: III. O Death How Bitter Thou Art | — | ||
| 48-19 | Four Serious Songs op. 121: IV. Though I Speak with the Tongues of Men and of Angels | — | ||
| 49-1 | Nine Songs op. 69: I. Lament I | — | ||
| 49-2 | Nine Songs op. 69: II. Lament II | — | ||
| 49-3 | Nine Songs op. 69: III. Farewell | — | ||
| 49-4 | Nine Songs op. 69: IV. My Sweetheart’s Promise | — | ||
| 49-5 | Nine Songs op. 69: V. Little Song of the Drummer | — | ||
| 49-6 | Nine Songs op. 69: VI. From the Beach | — | ||
| 49-7 | Nine Songs op. 69: VII. Over the Sea | — | ||
| 49-8 | Nine Songs op. 69: VIII. Salome | — | ||
| 49-9 | Nine Songs op. 69: IX. A Girl’s Curse | — | ||
| 49-10 | Five Poems op. 19: V. To an Aeolian Harp | — | ||
| 49-11 | Seven Songs op. 48: VII. Autumn Mood | — | ||
| 49-12 | Five Songs op. 49: V. Twilight | — | ||
| 49-13 | Eight Songs op. 59: I. Twilight Has Descended from Above | — | ||
| 49-14 | Eight Songs op. 59: VII. My Wounded Heart | — | ||
| 49-15 | Six Songs op. 7: I. True Love | — | ||
| 49-16 | Six Songs op. 7: II. Watchword | — | ||
| 49-17 | Six Songs op. 7: III. Reminiscences | — | ||
| 49-18 | Six Songs op. 7: IV. Folksong | — | ||
| 49-19 | Six Songs op. 7: V. The Unhappy Girl | — | ||
| 49-20 | Six Songs op. 7: VI. Homecoming | — | ||
| 49-21 | Moon Night WoO 21 | — | ||
| 49-22 | Four Songs op. 70: II. Song of the Larks | — | ||
| 49-23 | Five Songs op. 71 : III. Secret | — | ||
| 49-24 | Six Songs op. 85: VI. In the Loneliness of the Forest | — | ||
| 49-25 | Four Songs op. 96: IV. A Voyage on the Sea | — | ||
| 49-26 | Five Songs op. 106: I. Serenade | — | ||
| 50-1 | Four Duets op. 28: I. The Nun and the Knight | — | ||
| 50-2 | Four Duets op. 28: II. Before the Door | — | ||
| 50-3 | Four Duets op. 28: III. The Water Rushes | — | ||
| 50-4 | Four Duets op. 28: IV. The Hunter and His Beloved | — | ||
| 50-5 | Forty‐nine German Folksongs WoO 33: I. Sagt mir o schönste Schäf'rin mein | — | ||
| 50-6 | Forty‐nine German Folksongs WoO 33: III. Gar lieblich hat sich gesellet | — | ||
| 50-7 | Forty‐nine German Folksongs WoO 33: IV. Guten Abend mein tausiger Schatz | — | ||
| 50-8 | Forty‐nine German Folksongs WoO 33: VII. Gunhilde | — | ||
| 50-9 | Forty‐nine German Folksongs WoO 33: VIII. Ach englische Schäferin | — | ||
| 50-10 | Forty‐nine German Folksongs WoO 33: IX. Es war eine schöne Jüdin | — | ||
| 50-11 | Forty‐nine German Folksongs WoO 33: X. Es ritt ein Ritter | — | ||
| 50-12 | Forty‐nine German Folksongs WoO 33: XIII. Wach auf mein Hort | — | ||
| 50-13 | Forty‐nine German Folksongs WoO 33: XIV. Maria ging aus wandern | — | ||
| 50-14 | Forty‐nine German Folksongs WoO 33: XIX. Nur ein Gesicht auf Erden lebt | — | ||
| 50-15 | Forty‐nine German Folksongs WoO 33: XX. Schönster Schatz mein Engel | — | ||
| 50-16 | Forty‐nine German Folksongs WoO 33: XXII. Wo gehst du hin du Stolze? | — | ||
| 50-17 | Forty‐nine German Folksongs WoO 33: XXIII. Der Reiter | — | ||
| 50-18 | Forty‐nine German Folksongs WoO 33: XXIV. Mir ist ein schöns brauns Maidelein | — | ||
| 50-19 | Forty‐nine German Folksongs WoO 33: XXVI. Ach könnt ich diesen Abend | — | ||
| 50-20 | Forty‐nine German Folksongs WoO 33: XXVII. Ich stand auf hohem Berge | — | ||
| 50-21 | Forty‐nine German Folksongs WoO 33: XXVIII. Es reit ein Herr und auch sein Knecht | — | ||
| 50-22 | Forty‐nine German Folksongs WoO 33: XXIX. Es war ein markgraf | — | ||
| 50-23 | Forty‐nine German Folksongs WoO 33: XXXII. So will ich frisch und fröhlich sein | — | ||
| 50-24 | Forty‐nine German Folksongs WoO 33: XXXIII. Och Moder ich well ein Ding han | — | ||
| 50-25 | Forty‐nine German Folksongs WoO 33: XXVI. Es wohnet ein Fiedler | — | ||
| 50-26 | Forty‐nine German Folksongs WoO 33: XXXVII. Du mein einzig Licht | — | ||
| 50-27 | Forty‐nine German Folksongs WoO 33: XXXIX. Schöner Augen schöne Strahlen | — | ||
| 51-1 | Three Duets op. 20: I. Way of Love I | — | ||
| 51-2 | Three Duets op. 20: II. Way of Love II | — | ||
| 51-3 | Three Duets op. 20: III. The Sea | — | ||
| 51-4 | Four Duets op. 61: I The Sisters | — | ||
| 51-5 | Four Duets op. 61: II. Nuns | — | ||
| 51-6 | Four Duets op. 61: III. Phenomenon | — | ||
| 51-7 | Four Duets op. 61: IV. The Messengers of Love | — | ||
| 51-8 | Five Duets op. 66: I. Sounds I | — | ||
| 51-9 | Five Duets op. 66: II. Sounds II | — | ||
| 51-10 | Five Duets op. 66: III. On the Beach | — | ||
| 51-11 | Five Duets op. 66: IV. Huntsman’s Song | — | ||
| 51-12 | Five Romances and Songs op. 84: I. Summer Evening | — | ||
| 51-13 | Five Romances and Songs op. 84: II. The Wreath | — | ||
| 51-14 | Five Romances and Songs op. 84: III. Among the Berries | — | ||
| 51-15 | Five Romances and Songs op. 84: IV. Fruitless Serenade | — | ||
| 51-16 | Five Romances and Songs op. 84: V. Tension | — | ||
| 51-17 | Four Ballads and Romances op. 75: IV. Walpurgis Night | — | ||
| 51-18 | Four Ballads and Romances op. 75: II. Good Advice | — | ||
| 51-19 | Five Duets op. 66: V. Take Care! | — | ||
| 52-1 | Romances (Magelone Songs) op. 33: I. Text/ In der Provence... | — | ||
| 52-2 | Romances (Magelone Songs) op. 33: I. Musik/ No one has yet regretted | — | ||
| 52-3 | Romances (Magelone Songs) op. 33: II. Text/ Der junge Mann... | — | ||
| 52-4 | Romances (Magelone Songs) op. 33: II. Musik/ Ho! Bows and arrows are meet for the foe | — | ||
| 52-5 | Romances (Magelone Songs) op. 33: III. Text/ Er kam nach vielen | — | ||
| 52-6 | Romances (Magelone Songs) op. 33: III. Musik/ Are they sorrows, are they pleasures? | — | ||
| 52-7 | Romances (Magelone Songs) op. 33: IV. Text/ In derselben Nacht. | — | ||
| 52-8 | Romances (Magelone Songs) op. 33: IV. Musik/ Love came from distant lands | — | ||
| 52-9 | Romances (Magelone Songs) op. 33: V. Text/ "Daß du dich ei | — | ||
| 52-10 | Romances (Magelone Songs) op. 33: V. Musik/ Will you graciously pity? | — | ||
| 52-11 | Romances (Magelone Songs) op. 33: VI. Text/ Der Ritter befand s | — | ||
| 52-12 | Romances (Magelone Songs) op. 33: VI. Musik/ How am I then to bear the joy, the rapture? | — | ||
| 52-13 | Romances (Magelone Songs) op. 33: VII. Text/ jetzt war die Stun | — | ||
| 52-14 | Romances (Magelone Songs) op. 33: VII. Musik/ Was it you, for whom these lips trembled? | — | ||
| 52-15 | Romances (Magelone Songs) op. 33: VIII. Text/ Peter hatte seine | — | ||
| 52-16 | Romances (Magelone Songs) op. 33: VIII. Musik/ We must part [beloved lute] | — | ||
| 52-17 | Romances (Magelone Songs) op. 33: IX. Text/ Die Nacht war gekom | — | ||
| 52-18 | Romances (Magelone Songs) op. 33: IX. Musik/ Rest, sweet love | — | ||
| 52-19 | Romances (Magelone Songs) op. 33: X. Text/ Peter war durch sein | — | ||
| 52-20 | Romances (Magelone Songs) op. 33: X. Musik/ Despair (So resound then, Foaming Waves) | — | ||
| 52-21 | Romances (Magelone Songs) op. 33: XI. Text/ Magelone erwachte.. | — | ||
| 52-22 | Romances (Magelone Songs) op. 33: XI. Musik/ How quickly vanish light and radiance | — | ||
| 52-23 | Romances (Magelone Songs) op. 33: XII. Text/ Peter auf seinem K | — | ||
| 52-24 | Romances (Magelone Songs) op. 33: XII. Musik/ Must there be a parting? | — | ||
| 52-25 | Romances (Magelone Songs) op. 33: XIII. Text/ Peter war nun sch | — | ||
| 52-26 | Romances (Magelone Songs) op. 33: XIII. Musik/ Sulima (Beloved, where do your wandering feet now stray?) | — | ||
| 52-27 | Romances (Magelone Songs) op. 33: XIV. Text/ Peter ruderte stär | — | ||
| 52-28 | Romances (Magelone Songs) op. 33: XIV. Musik/ How glad and strong | — | ||
| 52-29 | Romances (Magelone Songs) op. 33: XV. Text/ Die Fahrt war glück | — | ||
| 52-30 | Romances (Magelone Songs) op. 33: XV. Musik/ True love lasts long | — | ||
| 53-1 | Five Songs op. 49: II. To a Violet | — | ||
| 53-2 | Six Songs op. 06: II. The Spring | — | ||
| 53-3 | Eight Songs and Romances op. 14: VIII. Longing | — | ||
| 53-4 | Six Songs op. 85: I. Summer Evening | — | ||
| 53-5 | Six Songs op. 85: II. Moonlight | — | ||
| 53-6 | Five Poems op. 19: I. The Kiss | — | ||
| 53-7 | Eight Songs and Romances op. 14: VI. Visit To My Beloved | — | ||
| 53-8 | Eight Songs and Romances op. 14: V. Separation | — | ||
| 53-9 | Five Poems op. 19: II. Separations and Avoidances | — | ||
| 53-10 | Five Poems op. 19: III. In the Distance | — | ||
| 53-11 | Six Songs op. 97: III. Abduction | — | ||
| 53-12 | Five Songs op. 47: IV. Oh Lovely Face | — | ||
| 53-13 | Five Songs op. 71: I. Love Is So Delightful in the Spring! | — | ||
| 53-14 | Five Songs op. 106: III. Hoarfrost Hung | — | ||
| 53-15 | Seven Songs op. 95: II. My Thoughts Are With You | — | ||
| 53-16 | Four Songs op. 70: IV. Evening Rain | — | ||
| 53-17 | Four Songs op. 43: IV. The Song of the Mister from Falconstone | — | ||
| 53-18 | Four Songs op. 70: I. In the Garden by the Seashore | — | ||
| 53-19 | Six Songs op. 97: II. On the Ship | — | ||
| 53-20 | Five Songs op. 106: IV. My Songs | — | ||
| 53-21 | Nine Songs op. 32: III. I Creep About | — | ||
| 53-22 | Six Songs op. 06: V. Like the Cloud to the Sun | — | ||
| 53-23 | Seven Songs op. 48: V. Consolation in Tears | — | ||
| 53-24 | Five Songs op. 106: II. On the Lake | — | ||
| 53-25 | Six Songs op. 03: VI. Song | — | ||
| 53-26 | Five Songs op. 49: III. Longing | — | ||
| 53-27 | Six Songs op. 06: III. Aftermath | — | ||
| 53-28 | Six Songs op. 86: VI. Longing for Death | — | ||
| 54-1 | Six Songs op. 85: V. Spring Song | — | ||
| 54-2 | Four Songs op. 70: III. Serenade | — | ||
| 54-3 | Four Songs op. 96: III. Flowers Look | — | ||
| 54-4 | Eight Songs op. 59: III. Rain Song | — | ||
| 54-5 | Eight Songs op. 59: IV. Lingering Sound | — | ||
| 54-6 | Seven Songs op. 48: III. The Lovelorn Girl’s Lament | — | ||
| 54-7 | Seven Songs op. 48: IV. Gold Prevails Over Love | — | ||
| 54-8 | Eight Songs and Romances op. 14: IV. A Sonnet | — | ||
| 54-9 | Eight Songs and Romances op. 14: VII. Serenade | — | ||
| 54-10 | Eight Songs and Romances op. 14: VIII. Longinga | — | ||
| 54-11 | Nine Songs op. 32: VII. You Meant to Say Bitterness | — | ||
| 54-12 | Nine Songs op. 63: I. Spring’s Consolation | — | ||
| 54-13 | Nine Songs op. 63: II. Reminiscence | — | ||
| 54-14 | Nine Songs op. 63: VI. Young Songs II | — | ||
| 54-15 | Nine Songs op. 63: VII. Homesickness I | — | ||
| 54-16 | Six Songs op. 97: I. Nightingale | — | ||
| 54-17 | Six Songs op. 97: IV. There Among the Willows | — | ||
| 54-18 | Six Songs op. 97: VI. Separation | — | ||
| 54-19 | Six Songs op. 06: I. Spanish Song | — | ||
| 54-20 | Six Songs op. 06: IV. Whoop! | — | ||
| 54-21 | Six Songs op. 06: VI. Nightingales Swing Happily | — | ||
| 54-22 | Five Songs op. 49: I. On Sunday Morning | — | ||
| 54-23 | Seven Songs op. 95: I. The Maiden | — | ||
| 54-24 | Seven Songs op. 95: III. At Parting | — | ||
| 54-25 | Seven Songs op. 95: V. Hasty Oath | — | ||
| 54-26 | Seven Songs op. 95: VI. Maiden’s Song | — | ||
| 54-27 | Five Songs op. 107: IV. Catkins | — | ||
| 55-1 | Twenty‐eight German Folk Songs WoO 32: I. Die Schnürbrust | — | ||
| 55-2 | Twenty‐eight German Folk Songs WoO 32: II. Der Jäger | — | ||
| 55-3 | Twenty‐eight German Folk Songs WoO 32: III. Drei Vögelein | — | ||
| 55-4 | Twenty‐eight German Folk Songs WoO 32: IV. Auf, gebet uns das Pfingstei | — | ||
| 55-5 | Twenty‐eight German Folk Songs WoO 32: V. Des Markgrafen Töchterlein | — | ||
| 55-6 | Twenty‐eight German Folk Songs WoO 32: VI. Der Reiter | — | ||
| 55-7 | Twenty‐eight German Folk Songs WoO 32: VII. Die heilige Elisabeth | — | ||
| 55-8 | Twenty‐eight German Folk Songs WoO 32: VIII. Der englische Gruß | — | ||
| 55-9 | Twenty‐eight German Folk Songs WoO 32: IX. Ich stund an einem Morgen | — | ||
| 55-10 | Twenty‐eight German Folk Songs WoO 32: X. Gunhilde | — | ||
| 55-11 | Twenty‐eight German Folk Songs WoO 32: XI. Der tote Gast | — | ||
| 55-12 | Twenty‐eight German Folk Songs WoO 32: XII. Ageweis vor einer schönen Frauen | — | ||
| 55-13 | Twenty‐eight German Folk Songs WoO 32: XIII. Schifferlied | — | ||
| 55-14 | Twenty‐eight German Folk Songs WoO 32: XIV. Nachtgesang | — | ||
| 55-15 | Twenty‐eight German Folk Songs WoO 32: XV. Die beiden Königskinder | — | ||
| 55-16 | Twenty‐eight German Folk Songs WoO 32: XVI. Scheiden | — | ||
| 55-17 | Twenty‐eight German Folk Songs WoO 32: XVII. Altes Minnelied | — | ||
| 55-18 | Twenty‐eight German Folk Songs WoO 32: XVIII. Der getreue Eckart | — | ||
| 55-19 | Twenty‐eight German Folk Songs WoO 32: XIX. Die Versuchung | — | ||
| 55-20 | Twenty‐eight German Folk Songs WoO 32: XX. Der Tochter Wunsch | — | ||
| 55-21 | Twenty‐eight German Folk Songs WoO 32: XXI. Schnitter Tod | — | ||
| 55-22 | Twenty‐eight German Folk Songs WoO 32: XXII. Marias Wallfahrt | — | ||
| 55-23 | Twenty‐eight German Folk Songs WoO 32: XXIII. Das Mädchen und der Tod | — | ||
| 55-24 | Twenty‐eight German Folk Songs WoO 32: XXIV. Es ritt ein Ritter | — | ||
| 55-25 | Twenty‐eight German Folk Songs WoO 32: XXV. Liebeslied | — | ||
| 55-26 | Twenty‐eight German Folk Songs WoO 32: XXVI. Guten Abend, mein tausiger Schatz | — | ||
| 55-27 | Twenty‐eight German Folk Songs WoO 32: XXVII. Die Wollust in den Maien | — | ||
| 55-28 | Twenty‐eight German Folk Songs WoO 32: XXVIII. Es reit ein Herr und auch sein Knecht | — | ||
| 56-1 | Six Songs op. 3: IV. Song | — | ||
| 56-2 | Nine Songs op. 32: V. Woe, So You Want Me Again | — | ||
| 56-3 | Five Songs op. 47: V. The Enamoured Writes | — | ||
| 56-4 | Eight Songs op. 58: I. Blind Man’s Bluff | — | ||
| 56-5 | Eight Songs op. 58: II. During the Rain | — | ||
| 56-6 | Eight Songs op. 58: III. The Unapproachable Woman | — | ||
| 56-7 | Eight Songs op. 58: IV. Oh Come, Fair Summer Night | — | ||
| 56-8 | Eight Songs op. 58: V. Melancholy | — | ||
| 56-9 | Eight Songs op. 58: VI. In the Narrow Street | — | ||
| 56-10 | Eight Songs op. 58: VII. Gone By | — | ||
| 56-11 | Eight Songs op. 58: VIII. Serenade | — | ||
| 56-12 | Five Songs op. 72: II. Summer Threads | — | ||
| 56-13 | Four Ballads and Romances op. 75: I. Edward | — | ||
| 56-14 | Four Ballads and Romances op. 75: III. So Let Us Wander! | — | ||
| 56-15 | Six Songs op. 85: III. Girl’s Song | — | ||
| 56-16 | Six Songs op. 85: IV. Goodbye! | — | ||
| 56-17 | Five Songs op. 105: III. Lament | — | ||
| 56-18 | Fifteen Children’s Folksongs WoO 31: I. Dornröschen | — | ||
| 56-19 | Fifteen Children’s Folksongs WoO 31: II. Die Nachtigall | — | ||
| 56-20 | Fifteen Children’s Folksongs WoO 31: III. Die Henne | — | ||
| 56-21 | Fifteen Children’s Folksongs WoO 31: IV. Sandmännchen | — | ||
| 56-22 | Fifteen Children’s Folksongs WoO 31: V. Der Mann | — | ||
| 56-23 | Fifteen Children’s Folksongs WoO 31: VI. Heideröslein | — | ||
| 56-24 | Fifteen Children’s Folksongs WoO 31: VII. Das Schlaraffenland | — | ||
| 56-25 | Fifteen Children’s Folksongs WoO 31: VIII. Beim Ritt auf dem Knie | — | ||
| 56-26 | Fifteen Children’s Folksongs WoO 31: VIIIa. Beim Ritt auf dem Knie | — | ||
| 56-27 | Fifteen Children’s Folksongs WoO 31: IX. Der Jäger in dem Walde | — | ||
| 56-28 | Fifteen Children’s Folksongs WoO 31: X. Das Mädchen und die Hasel | — | ||
| 56-29 | Fifteen Children’s Folksongs WoO 31: XI. Wiegenlied | — | ||
| 56-30 | Fifteen Children’s Folksongs WoO 31: XII. Weihnachten | — | ||
| 56-31 | Fifteen Children’s Folksongs WoO 31: XIII. Marienwürmchen | — | ||
| 56-32 | Fifteen Children’s Folksongs WoO 31: XIV. Dem Schutzengel | — | ||
| 57-1 | Four Songs op. 46: I. The Wreaths | — | ||
| 57-2 | Four Songs op. 46: II. Hungarian | — | ||
| 57-3 | Four Songs op. 46: III. The Shell Of Oblivion | — | ||
| 57-4 | Six Songs op. 85: V. Spring Song | — | ||
| 57-5 | Six Songs op. 03: II. Love And Spring I | — | ||
| 57-6 | Six Songs op. 03: III. Love And Spring II | — | ||
| 57-7 | Six Songs op. 03: V. Away From Home | — | ||
| 57-8 | Five Songs op. 94: I. At Forty | — | ||
| 57-9 | Five Songs op. 94: II. Arise, Beloved Ghost | — | ||
| 57-10 | Five Songs op. 94: III. My Heart is Heavy | — | ||
| 57-11 | Five Songs op. 94: V. No House, No Homeland | — | ||
| 57-12 | Four Songs op. 43: III. I Sound My Horn in the Valley of Grief | — | ||
| 57-13 | Nine Songs op. 32: I. How I Sprang Up In The Night | — | ||
| 57-14 | Nine Songs op. 32: IV. The Current, The Rustling Next To Me | — | ||
| 57-15 | Five Songs op. 106: V. A Traveler | — | ||
| 57-16 | Seven Songs op. 48: VI. I Have Lost Happiness and Well-being | — | ||
| 57-17 | Five Songs op. 72: V. Unconquerable | — | ||
| 57-18 | Eight Songs and Romances op. 14: III. The Assassination of Murray | — | ||
| 57-19 | Five Songs op. 105: V. Betrayal | — | ||
| 57-20 | Six Songs op. 86: III. Sleepwalker | — | ||
| 57-21 | Six Songs op. 86: V. Enraptured | — | ||
| 57-22 | Five Songs op. 71: II. To the Moon | — | ||
| 57-23 | Five Songs op. 71: IV. Do You Want Me to Go? | — | ||
| 57-24 | Five Songs op. 71: V. Minnesong | — | ||
| 57-25 | Five Songs op. 107: I. To a Haughty Woman | — | ||
| 58-1 | The Little Heart Mild WoO 19 | — | ||
| 58-2 | Eight German Folk Songs WoO 36: I. Totenklage | — | ||
| 58-3 | Eight German Folk Songs WoO 36: II. Altes Lied | — | ||
| 58-4 | Eight German Folk Songs WoO 36: III. Der todte Gast | — | ||
| 58-5 | Eight German Folk Songs WoO 36: IV. Ich hab die Nacht geträumet | — | ||
| 58-6 | Eight German Folk Songs WoO 36: V. Altes Liebeslied | — | ||
| 58-7 | Eight German Folk Songs WoO 36: VI. Es waren zwei Königskinder | — | ||
| 58-8 | Eight German Folk Songs WoO 36: VII. Spannung | — | ||
| 58-9 | Eight German Folk Songs WoO 36: VIII. Mit Lust tät ich ausreiten | — | ||
| 58-10 | Sixteen German Folk Songs WoO 37: I. Schwesterlein, Schwesterlein | — | ||
| 58-11 | Sixteen German Folk Songs WoO 37: II. Ich hört ein Sichtlein rauschen | — | ||
| 58-12 | Sixteen German Folk Songs WoO 37: III. Es stunden drei Rosen | — | ||
| 58-13 | Sixteen German Folk Songs WoO 37: IV. ch stand auf hohem Berge | — | ||
| 58-14 | Sixteen German Folk Songs WoO 37: V. Gunhilde | — | ||
| 58-15 | Sixteen German Folk Songs WoO 37: VI. Der bucklichte Fiedler | — | ||
| 58-16 | Sixteen German Folk Songs WoO 37: VII. Die Versuchung | — | ||
| 58-17 | Sixteen German Folk Songs WoO 37: VIII. Altes Minnelied | — | ||
| 58-18 | Sixteen German Folk Songs WoO 37: IX. Die Wollust in den Maien | — | ||
| 58-19 | Sixteen German Folk Songs WoO 37: X. Da unten im Tale | — | ||
| 58-20 | Sixteen German Folk Songs WoO 37: XI. Der Jäger | — | ||
| 58-21 | Sixteen German Folk Songs WoO 37: XII. Scheiden | — | ||
| 58-22 | Sixteen German Folk Songs WoO 37: XIII. Zu Straßburg auf der Schanz | — | ||
| 58-23 | Sixteen German Folk Songs WoO 37: XIV. Wach auf, mein Hort | — | ||
| 58-24 | Sixteen German Folk Songs WoO 37: XV. Der Ritter | — | ||
| 58-25 | Sixteen German Folk Songs WoO 37: XVI. Ständchen | — | ||
| 59-1 | Twenty German Folk Songs WoO 38: I. Die Entführung | — | ||
| 59-2 | Twenty German Folk Songs WoO 38: II. Gang zur Liebsten | — | ||
| 59-3 | Twenty German Folk Songs WoO 38: III. Schifferlied | — | ||
| 59-4 | Twenty German Folk Songs WoO 38: IV. Erlaube mir, feins Mädchen | — | ||
| 59-5 | Twenty German Folk Songs WoO 38: V. Schnitter Tod | — | ||
| 59-6 | Twenty German Folk Songs WoO 38: VI. Die Bernauerin | — | ||
| 59-7 | Twenty German Folk Songs WoO 38: VII. Der eifersüchtige Knabe | — | ||
| 59-8 | Twenty German Folk Songs WoO 38: VIII. Der Baum im Odenwald | — | ||
| 59-9 | Twenty German Folk Songs WoO 38: IX. Des Markgrafen Töchterlein | — | ||
| 59-10 | Twenty German Folk Songs WoO 38: X. Die stolze Jüdin | — | ||
| 59-11 | Twenty German Folk Songs WoO 38: XI. Der Zimmergesell | — | ||
| 59-12 | Twenty German Folk Songs WoO 38: XII. Liebeslied | — | ||
| 59-13 | Twenty German Folk Songs WoO 38: XIII. Heimliche Liebe | — | ||
| 59-14 | Twenty German Folk Songs WoO 38: XV. Dauernde Liebe | — | ||
| 59-15 | Twenty German Folk Songs WoO 38: XVI. Während der Trennung | — | ||
| 59-16 | Twenty German Folk Songs WoO 38: XVII. Morgen Muß ich fort von hier | — | ||
| 59-17 | Twenty German Folk Songs WoO 38: XVIII. Scheiden | — | ||
| 59-18 | Twenty German Folk Songs WoO 38: XIX. Vor dem Fenster | — | ||
| 59-19 | Twenty German Folk Songs WoO 38: XX. Ständchen | — | ||
| 60-1 | Choral prelude and fugue for organ (’O Traurigkeit, O Herzeleid’), WoO 7: I. Prelude | — | ||
| 60-2 | Choral prelude and fugue for organ (’O Traurigkeit, O Herzeleid’), WoO 7: II. Fugue | — | ||
| 60-3 | Fugue for organ in A‐flat minor WoO 8 | — | ||
| 60-4 | Prelude and fugue for organ in G minor WoO posth. 10: I. Prelude | — | ||
| 60-5 | Prelude and fugue for organ in G minor WoO posth. 10: II. Fugue | — | ||
| 60-6 | Eleven Chorale Preludes for organ op. 122: I. Mein Jesu, der du mich | — | ||
| 60-7 | Eleven Chorale Preludes for organ op. 122: II. Herzliebster Jesu | — | ||
| 60-8 | Eleven Chorale Preludes for organ op. 122: III. O Welt, ich muss dich lassen I | — | ||
| 60-9 | Eleven Chorale Preludes for organ op. 122: IV. Herzlich tut mich erfreuen | — | ||
| 60-10 | Eleven Chorale Preludes for organ op. 122: V. Schmucke dich, o liebe Seele | — | ||
| 60-11 | Eleven Chorale Preludes for organ op. 122: VI. O wie selig seid ihr doch, ihr Frommen | — | ||
| 60-12 | Eleven Chorale Preludes for organ op. 122: VII. O Gott, du frommer Gott | — | ||
| 60-13 | Eleven Chorale Preludes for organ op. 122: VIII. Es ist ein Ros entsprungen | — | ||
| 60-14 | Eleven Chorale Preludes for organ op. 122: IX. Herzlich tut mich verlangen I | — | ||
| 60-15 | Eleven Chorale Preludes for organ op. 122: X. Herzlich tut mich verlangen II | — | ||
| 60-16 | Eleven Chorale Preludes for organ op. 122: XI. O Welt, ich muss dich lassen II | — |
