UPC · Release
Complete Works
Johannes Brahms
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5028421935546 is the Universal Product Code (UPC barcode) for the release “Complete Works” by Johannes Brahms, released 2008-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 997 tracks, each with its own ISRC.
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Track List (997)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro – Meno allegro | — | ||
| 2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 4 | Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro | — | ||
| 2-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 2-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | — | ||
| 2-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso | — | ||
| 2-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 3-1 | Symphony no. 3 in F major, op. 90: I. Allegro con brio – Un poco sostenuto – Tempo I | — | ||
| 3-2 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 3-3 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | — | ||
| 3-4 | Symphony no. 3 in F major, op. 90: IV. Allegro – Un poco sostenuto | — | ||
| 3-5 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 3-6 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 3-7 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 3-8 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato – Più allegro | — | ||
| 4-1 | Akademische Festouvertüre, op. 80 | — | ||
| 4-2 | Tragische Overtüre, op. 81 | — | ||
| 4-3 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: I. Chorale St. Antoni. Andante | — | ||
| 4-4 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: II. Variation I. Poco più animato | — | ||
| 4-5 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: III. Variation II. Più vivace | — | ||
| 4-6 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: IV. Variation III. Con moto | — | ||
| 4-7 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: V. Variation IV. Andante con moto | — | ||
| 4-8 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: VI. Variation V. Vivace | — | ||
| 4-9 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: VII. Variation VI. Vivace | — | ||
| 4-10 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: VIII. Variation VII. Grazioso | — | ||
| 4-11 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: IX. Variation VIII. Presto non troppo | — | ||
| 4-12 | Variations on a Theme by Joseph Haydn (St. Anthony), op. 56a: X. Finale. Andante | — | ||
| 4-13 | Serenade no. 2 in A major, op. 16: I. Allegro moderato | — | ||
| 4-14 | Serenade no. 2 in A major, op. 16: II. Scherzo. Vivace | — | ||
| 4-15 | Serenade no. 2 in A major, op. 16: III. Adagio non troppo | — | ||
| 4-16 | Serenade no. 2 in A major, op. 16: IV. Quasi menuetto | — | ||
| 4-17 | Serenade no. 2 in A major, op. 16: V. Rondo. Allegro | — | ||
| 5-1 | Serenade no. 1 in D major, op. 11: I. Allegro molto | — | ||
| 5-2 | Serenade no. 1 in D major, op. 11: II. Scherzo. Allegro non troppo | — | ||
| 5-3 | Serenade no. 1 in D major, op. 11: III. Adagio non troppo | — | ||
| 5-4 | Serenade no. 1 in D major, op. 11: IV. Menuetto 1 & 2 | — | ||
| 5-5 | Serenade no. 1 in D major, op. 11: V. Scherzo. Allegro | — | ||
| 5-6 | Serenade no. 1 in D major, op. 11: VI. Rondo. Allegro | — | ||
| 6-1 | Hungarian Dances (orchestral): No. 1 in G minor | — | ||
| 6-2 | Hungarian Dances (orchestral): No. 2 in D minor | — | ||
| 6-3 | Hungarian Dances (orchestral): No. 3 in F major | — | ||
| 6-4 | Hungarian Dances (orchestral): No. 4 in F‐sharp minor | — | ||
| 6-5 | Hungarian Dances (orchestral): No. 5 in G minor | — | ||
| 6-6 | Hungarian Dances (orchestral): No. 6 in D major | — | ||
| 6-7 | Hungarian Dances (orchestral): No. 7 in F major | — | ||
| 6-8 | Hungarian Dances (orchestral): No. 8 in A minor | — | ||
| 6-9 | Hungarian Dances (orchestral): No. 9 in E minor | — | ||
| 6-10 | Hungarian Dances (orchestral): No. 10 in F major | — | ||
| 6-11 | Hungarian Dances (orchestral): No. 11 in D minor | — | ||
| 6-12 | Hungarian Dances (orchestral): No. 12 in D minor | — | ||
| 6-13 | Hungarian Dances (orchestral): No. 13 in D major | — | ||
| 6-14 | Hungarian Dances (orchestral): No. 14 in D minor | — | ||
| 6-15 | Hungarian Dances (orchestral): No. 15 in B‐flat major | — | ||
| 6-16 | Hungarian Dances (orchestral): No. 16 in F minor | — | ||
| 6-17 | Hungarian Dances (orchestral): No. 17 in F‐sharp minor | — | ||
| 6-18 | Hungarian Dances (orchestral): No. 18 in D major | — | ||
| 6-19 | Hungarian Dances (orchestral): No. 19 in B minor | — | ||
| 6-20 | Hungarian Dances (orchestral): No. 20 in E minor | — | ||
| 6-21 | Hungarian Dances (orchestral): No. 21 in E minor | — | ||
| 7-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | — | ||
| 7-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 7-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | — | ||
| 7-4 | 16 Waltzes, op. 39: No. 1 in B major | — | ||
| 7-5 | 16 Waltzes, op. 39: No. 2 in E major | — | ||
| 7-6 | 16 Waltzes, op. 39: No. 3 in G‐sharp minor | — | ||
| 7-7 | 16 Waltzes, op. 39: No. 4 in E minor | — | ||
| 7-8 | 16 Waltzes, op. 39: No. 5 in E major | — | ||
| 7-9 | 16 Waltzes, op. 39: No. 6 in C‐sharp major | — | ||
| 7-10 | 16 Waltzes, op. 39: No. 7 in C‐sharp minor | — | ||
| 7-11 | 16 Waltzes, op. 39: No. 8 in B‐flat major | — | ||
| 7-12 | 16 Waltzes, op. 39: No. 9 in D minor | — | ||
| 7-13 | 16 Waltzes, op. 39: No. 10 in G major | — | ||
| 7-14 | 16 Waltzes, op. 39: No. 11 in B minor | — | ||
| 7-15 | 16 Waltzes, op. 39: No. 12 in E major | — | ||
| 7-16 | 16 Waltzes, op. 39: No. 13 in B major | — | ||
| 7-17 | 16 Waltzes, op. 39: No. 14 in G‐sharp minor | — | ||
| 7-18 | 16 Waltzes, op. 39: No. 15 in A‐flat major | — | ||
| 7-19 | 16 Waltzes, op. 39: No. 16 in C‐sharp minor | — | ||
| 8-1 | Piano Concerto no. 2 in B‐flat major, op. 83: I. Allegro non troppo | — | ||
| 8-2 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appassionato | — | ||
| 8-3 | Piano Concerto no. 2 in B‐flat major, op. 83: III. Andante | — | ||
| 8-4 | Piano Concerto no. 2 in B‐flat major, op. 83: IV. Allegretto grazioso | — | ||
| 8-5 | 4 Klavierstücke, op. 119: Intermezzo in B minor. Adagio | — | ||
| 8-6 | 4 Klavierstücke, op. 119: Intermezzo in E minor. Andantino un poco agitato | — | ||
| 8-7 | 4 Klavierstücke, op. 119: Intermezzo in C major. Grazioso e giocoso | — | ||
| 8-8 | 4 Klavierstücke, op. 119: Rhapsody in E‐flat major. Allegro risoluto | — | ||
| 9-1 | Violin Concerto in D major, op. 77: I. Allegro ma non troppo | — | ||
| 9-2 | Violin Concerto in D major, op. 77: II. Adagio | — | ||
| 9-3 | Violin Concerto in D major, op. 77: III. Allegro giocoso | — | ||
| 9-4 | Concerto for Violin, Cello & Orchestra in A minor, op. 102: I. Allegro | — | ||
| 9-5 | Concerto for Violin, Cello & Orchestra in A minor, op. 102: II. Andante | — | ||
| 9-6 | Concerto for Violin, Cello & Orchestra in A minor, op. 102: III. Vivace non troppo | — | ||
| 10-1 | Piano Quartet no. 1 in G minor, op. 25: I. Allegro | — | ||
| 10-2 | Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo. Allegro ma non troppo | — | ||
| 10-3 | Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto | — | ||
| 10-4 | Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla zingarese | — | ||
| 10-5 | Piano Quartet no. 3 in C minor, op. 60: I. Allegro non troppo | — | ||
| 10-6 | Piano Quartet no. 3 in C minor, op. 60: II. Scherzo. Allegro | — | ||
| 10-7 | Piano Quartet no. 3 in C minor, op. 60: III. Andante | — | ||
| 10-8 | Piano Quartet no. 3 in C minor, op. 60: IV. Finale. Allegro comodo | — | ||
| 11-1 | Piano Quartet no. 2 in A major, op. 26: I. Allegro non troppo | — | ||
| 11-2 | Piano Quartet no. 2 in A major, op. 26: II. Poco adagio | — | ||
| 11-3 | Piano Quartet no. 2 in A major, op. 26: III. Scherzo. Poco allegro | — | ||
| 11-4 | Piano Quartet no. 2 in A major, op. 26: IV. Finale. Allegro | — | ||
| 12-1 | String Quintet no. 1 in F major, op. 88: I. Allegro non troppo ma con brio | — | ||
| 12-2 | String Quintet no. 1 in F major, op. 88: II. Grave ed appassionato – Allegretto – Vivace – Tempo I – Presto – Tempo I | — | ||
| 12-3 | String Quintet no. 1 in F major, op. 88: III. Allegro energico | — | ||
| 12-4 | String Quintet no. 2 in G major, op. 111: I. Allegro non troppo ma con brio | — | ||
| 12-5 | String Quintet no. 2 in G major, op. 111: II. Adagio | — | ||
| 12-6 | String Quintet no. 2 in G major, op. 111: III. Un poco allegretto | — | ||
| 12-7 | String Quintet no. 2 in G major, op. 111: IV. Vivace ma non troppo presto | — | ||
| 13-1 | Clarinet Sonata no. 1 op. 120 in F minor: I. Allegro appassionato | — | ||
| 13-2 | Clarinet Sonata no. 1 op. 120 in F minor: II. Andante un poco adagio | — | ||
| 13-3 | Clarinet Sonata no. 1 op. 120 in F minor: III. Allegretto grazioso | — | ||
| 13-4 | Clarinet Sonata no. 1 op. 120 in F minor: IV. Vivace | — | ||
| 13-5 | Clarinet Sonata no. 2 op. 120 in E‐flat major: I. Allegro amabile | — | ||
| 13-6 | Clarinet Sonata no. 2 op. 120 in E‐flat major: II. Allegro appassionato | — | ||
| 13-7 | Clarinet Sonata no. 2 op. 120 in E‐flat major: III. Andante con moto-allegro | — | ||
| 14-1 | Quintet for Clarinet in B minor, op. 115: I. Allegro | — | ||
| 14-2 | Quintet for Clarinet in B minor, op. 115: II. Adagio - Più lento | — | ||
| 14-3 | Quintet for Clarinet in B minor, op. 115: III. Andantino - Presto non assai, ma con sentimento | — | ||
| 14-4 | Quintet for Clarinet in B minor, op. 115: IV. Con moto | — | ||
| 14-5 | Quartet for Strings no. 2 in A minor, op. 51 No. 2: I. Allegro non troppo | — | ||
| 14-6 | Quartet for Strings no. 2 in A minor, op. 51 No. 2: II. Andante moderato | — | ||
| 14-7 | Quartet for Strings no. 2 in A minor, op. 51 No. 2: III. Quasi minuetto | — | ||
| 14-8 | Quartet for Strings no. 2 in A minor, op. 51 No. 2: IV. Allegro non assai | — | ||
| 15-1 | String Quartet no. 1 in C minor, op. 51 no. 1: I. Allegro | — | ||
| 15-2 | String Quartet no. 1 in C minor, op. 51 no. 1: II. Romanze. Poco adagio | — | ||
| 15-3 | String Quartet no. 1 in C minor, op. 51 no. 1: III. Allegro molto moderato e comodo | — | ||
| 15-4 | String Quartet no. 1 in C minor, op. 51 no. 1: IV. Allegro | — | ||
| 15-5 | String Quartet no. 3 in B‐flat major, op. 67: I. Vivace | — | ||
| 15-6 | String Quartet no. 3 in B‐flat major, op. 67: II. Andante | — | ||
| 15-7 | String Quartet no. 3 in B‐flat major, op. 67: III. Agitato – Allegretto non troppo | — | ||
| 15-8 | String Quartet no. 3 in B‐flat major, op. 67: IV. Poco allegretto con variazioni | — | ||
| 16-1 | Horn Trio in E‐flat major, op. 40: I. Andante – Poco più animato | — | ||
| 16-2 | Horn Trio in E‐flat major, op. 40: II. Scherzo & Trio. Allegro | — | ||
| 16-3 | Horn Trio in E‐flat major, op. 40: III. Adagio mesto | — | ||
| 16-4 | Horn Trio in E‐flat major, op. 40: IV. Allegro con brio | — | ||
| 16-5 | Piano Quintet in F minor, op. 34: I. Allegro non troppo | — | ||
| 16-6 | Piano Quintet in F minor, op. 34: II. Andante, un poco adagio | — | ||
| 16-7 | Piano Quintet in F minor, op. 34: III. Scherzo & Trio. Allegro | — | ||
| 16-8 | Piano Quintet in F minor, op. 34: IV. Poco sostenuto – Allegro non troppo | — | ||
| 17-1 | Sonata for Violin and Piano no. 1 in G major, op. 78: I. Vivace ma non troppo | — | ||
| 17-2 | Sonata for Violin and Piano no. 1 in G major, op. 78: II. Adagio - Più andante - Adagio | — | ||
| 17-3 | Sonata for Violin and Piano no. 1 in G major, op. 78: III. Allegro molto moderato | — | ||
| 17-4 | Sonata for Violin and Piano no. 2 in A major, op. 100: I. Allegro amabile | — | ||
| 17-5 | Sonata for Violin and Piano no. 2 in A major, op. 100: II. Andante tranquillo - Vivace | — | ||
| 17-6 | Sonata for Violin and Piano no. 2 in A major, op. 100: III. Allegretto grazioso | — | ||
| 17-7 | Sonata for Violin and Piano no. 3 in D minor, op. 108: I. Allegro | — | ||
| 17-8 | Sonata for Violin and Piano no. 3 in D minor, op. 108: II. Adagio | — | ||
| 17-9 | Sonata for Violin and Piano no. 3 in D minor, op. 108: III. Un poco presto e con sentimento | — | ||
| 17-10 | Sonata for Violin and Piano no. 3 in D minor, op. 108: IV. Presto agitato | — | ||
| 17-11 | Scherzo for Violin and Piano in C minor from F-A-E Sonata, WoO 2 | — | ||
| 18-1 | Cello Sonata no. 1 op. 38 in E minor I. Allegro non troppo | — | ||
| 18-2 | Cello Sonata no. 1 op. 38 in E minor II. Allegretto quasi menuetto | — | ||
| 18-3 | Cello Sonata no. 1 op. 38 in E minor III. Allegro | — | ||
| 18-4 | Cello Sonata no. 2 op. 99 in F major I. Allegro vivace | — | ||
| 18-5 | Cello Sonata no. 2 op. 99 in F major II. Adagio affettuoso | — | ||
| 18-6 | Cello Sonata no. 2 op. 99 in F major III. Allegro passionato | — | ||
| 18-7 | Cello Sonata no. 2 op. 99 in F major IV. Allegro molto | — | ||
| 19-1 | String Sextet no. 1 in B‐flat major, op. 18: I. Allegro ma non troppo | — | ||
| 19-2 | String Sextet no. 1 in B‐flat major, op. 18: II. Andante ma moderato | — | ||
| 19-3 | String Sextet no. 1 in B‐flat major, op. 18: III. Scherzo. Allegro molto | — | ||
| 19-4 | String Sextet no. 1 in B‐flat major, op. 18: IV. Rondo. Poco allegretto e grazioso | — | ||
| 19-5 | String Sextet no. 2 in G major, op. 36: I. Allegro non troppo | — | ||
| 19-6 | String Sextet no. 2 in G major, op. 36: II. Scherzo. Allegro non troppo. Presto giocoso | — | ||
| 19-7 | String Sextet no. 2 in G major, op. 36: III. Poco adagio | — | ||
| 19-8 | String Sextet no. 2 in G major, op. 36: IV. Poco allegro | — | ||
| 20-1 | Piano Trio no. 1 op. 8 in B major I. Allegro | — | ||
| 20-2 | Piano Trio no. 1 op. 8 in B major II. Scherzo (allegro molto) | — | ||
| 20-3 | Piano Trio no. 1 op. 8 in B major III. Adagio | — | ||
| 20-4 | Piano Trio no. 1 op. 8 in B major IV. Allegro | — | ||
| 20-5 | Piano Trio no. 3 op. 101 in C minor I. Allegro energico | — | ||
| 20-6 | Piano Trio no. 3 op. 101 in C minor II. Presto non assai | — | ||
| 20-7 | Piano Trio no. 3 op. 101 in C minor III. Andante grazioso | — | ||
| 20-8 | Piano Trio no. 3 op. 101 in C minor IV. Allegro molto | — | ||
| 21-1 | Piano Trio no. 2 op. 87 in C major I. Allegro | — | ||
| 21-2 | Piano Trio no. 2 op. 87 in C major II. Andante con moto | — | ||
| 21-3 | Piano Trio no. 2 op. 87 in C major III. Scherzo (presto) | — | ||
| 21-4 | Piano Trio no. 2 op. 87 in C major IV. Finale, allegro | — | ||
| 21-5 | Clarinet Trio op. 114 in A minor I. Allegro | — | ||
| 21-6 | Clarinet Trio op. 114 in A minor II. Adagio | — | ||
| 21-7 | Clarinet Trio op. 114 in A minor III. Andante grazioso | — | ||
| 21-8 | Clarinet Trio op. 114 in A minor IV. Allegro | — | ||
| 22-1 | Sonata for viola & piano in F minor op. 120 No. 1 - I. Allegro appassionato | — | ||
| 22-2 | Sonata for viola & piano in F minor op. 120 No. 1 - II. Andante un poco adagio | — | ||
| 22-3 | Sonata for viola & piano in F minor op. 120 No. 1 - III. Allegretto grazioso | — | ||
| 22-4 | Sonata for viola & piano in F minor op. 120 No. 1 - IV. Vivace | — | ||
| 22-5 | Sonata for viola & piano in E‐flat major op. 120 No. 2 - I. Allegro amabile | — | ||
| 22-6 | Sonata for viola & piano in E‐flat major op. 120 No. 2 - II. Allegro appassionato | — | ||
| 22-7 | Sonata for viola & piano in E‐flat major op. 120 No. 2 - III. Andante con moto-allegro | — | ||
| 22-8 | Piano Trio in A major op. Posth. - I. Moderato | — | ||
| 22-9 | Piano Trio in A major op. Posth. - II. Vivace | — | ||
| 22-10 | Piano Trio in A major op. Posth. - III. Lento | — | ||
| 22-11 | Piano Trio in A major op. Posth. - IV. Presto | — | ||
| 23-1 | Sonata for Two Pianos op. 34b in F minor I. Allegro non troppo | — | ||
| 23-2 | Sonata for Two Pianos op. 34b in F minor II. Andante un poco adagio | — | ||
| 23-3 | Sonata for Two Pianos op. 34b in F minor III. Scherzo, allegro | — | ||
| 23-4 | Sonata for Two Pianos op. 34b in F minor IV. Finale: poco sostenuto, allegro non troppo, presto non troppo | — | ||
| 24-1 | Variations on a theme by Joseph Haydn "St. Antoni Chorale", op. 56b | — | ||
| 24-2 | 16 Waltzes op. 39 for piano four hands | — | ||
| 24-3 | Variations on a theme of Robert Schumann op. 23 for piano four hands | — | ||
| 25-1 | Hungarian Dance for Four Hands in G minor, WoO 1 no. 1: Allegro molto | — | ||
| 25-2 | Hungarian Dance for Four Hands in D minor, WoO 1 no. 2: Allegro non assai | — | ||
| 25-3 | Hungarian Dance for Four Hands in F major, WoO 1 no. 3: Allegretto | — | ||
| 25-4 | Hungarian Dance for Four Hands in F minor, WoO 1 no. 4: Poco sostenuto | — | ||
| 25-5 | Hungarian Dance for Four Hands in F‐sharp minor, WoO 1 no. 5: Allegro | — | ||
| 25-6 | Hungarian Dance for Four Hands in D‐flat major, WoO 1 no. 6: Vivace | — | ||
| 25-7 | Hungarian Dance for Four Hands in A major, WoO 1 no. 7: Allegretto | — | ||
| 25-8 | Hungarian Dance for Four Hands in A minor, WoO 1 no. 8: Presto | — | ||
| 25-9 | Hungarian Dance for Four Hands in E minor, WoO 1 no. 9: Allegro non troppo | — | ||
| 25-10 | Hungarian Dance for Four Hands in E major, WoO 1 no. 10: Presto | — | ||
| 25-11 | Hungarian Dance for Four Hands in C major, WoO 1 no. 11: Poco andante | — | ||
| 25-12 | Hungarian Dance for Four Hands in D minor, WoO 1 no. 12: Presto | — | ||
| 25-13 | Hungarian Dance for Four Hands in D major, WoO 1 no. 13: Andantino grazioso | — | ||
| 25-14 | Hungarian Dance for Four Hands in D minor, WoO 1 no. 14: Un poco andante | — | ||
| 25-15 | Hungarian Dance for Four Hands in B‐flat major, WoO 1 no. 15: Allegretto grazioso | — | ||
| 25-16 | Hungarian Dance for Four Hands in F minor, WoO 1 no. 16: Con moto | — | ||
| 25-17 | Hungarian Dance for Four Hands in F‐sharp minor, WoO 1 no. 17: Andantino | — | ||
| 25-18 | Hungarian Dance for Four Hands in D major, WoO 1 no. 18: Molto vivace | — | ||
| 25-19 | Hungarian Dance for Four Hands in B minor, WoO 1 no. 19: Allegretto | — | ||
| 25-20 | Hungarian Dance for Four Hands in E minor, WoO 1 no. 20: Poco allegretto | — | ||
| 25-21 | Hungarian Dance for Four Hands in E minor, WoO 1 no. 21: Vivace | — | ||
| 25-22 | Academic Festival Overture, Op. 80 four hand piano | — | ||
| 26-1 | Piano Sonata no. 1 op. 1 in C major: I. Allegro | — | ||
| 26-2 | Piano Sonata no. 1 op. 1 in C major: II. Andante (nach einem altdeutschen Minneliede) | — | ||
| 26-3 | Piano Sonata no. 1 op. 1 in C major: III. Scherzo: Allegro moltoe con fuoco-Piu mosso-Tempo I | — | ||
| 26-4 | Piano Sonata no. 1 op. 1 in C major: IV. Finale: Allegro con fuoco-Presto non troppo ed agitato | — | ||
| 26-5 | Scherzo op. 4 in E flat minor: Rasch und Feurig-Trio I-Da capo-Trio II:Molto espressivo-Da capo-Coda:Piu mosso-Piu sostenuto | — | ||
| 27-1 | Piano Sonata no. 2 op. 2 in F‐sharp minor: I. Allegro ma non troppo ma energico | — | ||
| 27-2 | Piano Sonata no. 2 op. 2 in F‐sharp minor: II. Andante con espressione | — | ||
| 27-3 | Piano Sonata no. 2 op. 2 in F‐sharp minor: III. Scherzo, allegro | — | ||
| 27-4 | Piano Sonata no. 2 op. 2 in F‐sharp minor: IV. Finale: introduzione, allegro non troppo e rubato | — | ||
| 27-5 | Piano Sonata no. 3 op. 5 in F minor: I. Allegro maestoso | — | ||
| 27-6 | Piano Sonata no. 3 op. 5 in F minor: II. Andante espressivo | — | ||
| 27-7 | Piano Sonata no. 3 op. 5 in F minor: III. Scherzo, allegro energico | — | ||
| 27-8 | Piano Sonata no. 3 op. 5 in F minor: IV. Inttermezzo, andante molto | — | ||
| 27-9 | Piano Sonata no. 3 op. 5 in F minor: V. Finale: allegro moderato ma rubato | — | ||
| 28-1 | Variations on a Theme of Paganini, op. 35 no. 1: I. Thema. Non troppo presto | — | ||
| 28-2 | Variations on a Theme of Paganini, op. 35 no. 1: II. Variation I | — | ||
| 28-3 | Variations on a Theme of Paganini, op. 35 no. 1: III. Variation II | — | ||
| 28-4 | Variations on a Theme of Paganini, op. 35 no. 1: IV. Variation III | — | ||
| 28-5 | Variations on a Theme of Paganini, op. 35 no. 1: V. Variation IV | — | ||
| 28-6 | Variations on a Theme of Paganini, op. 35 no. 1: VI. Variation V: Espressivo - Molto leggiero | — | ||
| 28-7 | Variations on a Theme of Paganini, op. 35 no. 1: VII. Variation VI: Molto leggiero | — | ||
| 28-8 | Variations on a Theme of Paganini, op. 35 no. 1: VIII. Variation VII | — | ||
| 28-9 | Variations on a Theme of Paganini, op. 35 no. 1: IX. Variation VIII: Staccato | — | ||
| 28-10 | Variations on a Theme of Paganini, op. 35 no. 1: X. Variation IX: Legato | — | ||
| 28-11 | Variations on a Theme of Paganini, op. 35 no. 1: XI. Variation X: Sotto voce | — | ||
| 28-12 | Variations on a Theme of Paganini, op. 35 no. 1: XII. Variation XI: Andante - Molto legato e dolce - Espressivo | — | ||
| 28-13 | Variations on a Theme of Paganini, op. 35 no. 1: XIII. Variation XII: Molto dolce | — | ||
| 28-14 | Variations on a Theme of Paganini, op. 35 no. 1: XIV. Variation XIII: Vivace e scherzando | — | ||
| 28-15 | Variations on a Theme of Paganini, op. 35 no. 1: XV. Variation XIV: Ben marcato, con fuoco - Presto, ma non troppo | — | ||
| 28-16 | Variations on a Theme of Paganini, op. 35 no. 2: I. Thema: Non troppo presto | — | ||
| 28-17 | Variations on a Theme of Paganini, op. 35 no. 2: II. Variation I | — | ||
| 28-18 | Variations on a Theme of Paganini, op. 35 no. 2: III. Variation II: Poco animato - Poco forte espressivo - Legato | — | ||
| 28-19 | Variations on a Theme of Paganini, op. 35 no. 2: IV. Variation III: Leggiero - Espressivo | — | ||
| 28-20 | Variations on a Theme of Paganini, op. 35 no. 2: V. Variation IV: Poco allegretto, con grazia | — | ||
| 28-21 | Variations on a Theme of Paganini, op. 35 no. 2: VI. Variation V: Dolce | — | ||
| 28-22 | Variations on a Theme of Paganini, op. 35 no. 2: VII. Variation VI: Poco più vivace - Leggiero | — | ||
| 28-23 | Variations on a Theme of Paganini, op. 35 no. 2: VIII. Variation VII: Leggiero e ben marcato | — | ||
| 28-24 | Variations on a Theme of Paganini, op. 35 no. 2: IX. Variation VIII: Allegro - Leggiero - Quasi pizzicato | — | ||
| 28-25 | Variations on a Theme of Paganini, op. 35 no. 2: X. Variation IX | — | ||
| 28-26 | Variations on a Theme of Paganini, op. 35 no. 2: XI. Variation X: Feroce - Energico | — | ||
| 28-27 | Variations on a Theme of Paganini, op. 35 no. 2: XII. Variation XI: Vivace, non legato e scherzando | — | ||
| 28-28 | Variations on a Theme of Paganini, op. 35 no. 2: XIII. Variation XII: Un poco andante, dolce espressivo | — | ||
| 28-29 | Variations on a Theme of Paganini, op. 35 no. 2: XIV. Variation XIII: Un poco più andante - Poco espressivo | — | ||
| 28-30 | Variations on a Theme of Paganini, op. 35 no. 2: XV. Variation XIV: Presto, ma non troppo - Scherzando | — | ||
| 28-31 | Variations and Fugue on a Theme of Händel, op. 24: I. Aria: Rhytmisch, mit Humor | — | ||
| 28-32 | Variations and Fugue on a Theme of Händel, op. 24: II. Variation I: L'Istesso tempo | — | ||
| 28-33 | Variations and Fugue on a Theme of Händel, op. 24: III. Variation II: Con espressione | — | ||
| 28-34 | Variations and Fugue on a Theme of Händel, op. 24: IV. Variation III: Grazioso | — | ||
| 28-35 | Variations and Fugue on a Theme of Händel, op. 24: V. Variation IV: Risoluto - Con fuoco - Staccato | — | ||
| 28-36 | Variations and Fugue on a Theme of Händel, op. 24: VI. Variation V: Affettuoso - Espressivo | — | ||
| 28-37 | Variations and Fugue on a Theme of Händel, op. 24: VII. Variation VI: Sordo e legato | — | ||
| 28-38 | Variations and Fugue on a Theme of Händel, op. 24: VIII. Variation VII: Con vivacita | — | ||
| 28-39 | Variations and Fugue on a Theme of Händel, op. 24: IX. Variation VIII: Martellato/Distinto, non legato | — | ||
| 28-40 | Variations and Fugue on a Theme of Händel, op. 24: X. Variation IX: Poco sostenuto, legato | — | ||
| 28-41 | Variations and Fugue on a Theme of Händel, op. 24: XI. Variation X: Energico | — | ||
| 28-42 | Variations and Fugue on a Theme of Händel, op. 24: XII. Variation XI: Lusingando, con tenerezza - Dolce - Legato | — | ||
| 28-43 | Variations and Fugue on a Theme of Händel, op. 24: XIII. Variation XII: L'Istesso tempo - Semplice - Soave - Legato | — | ||
| 28-44 | Variations and Fugue on a Theme of Händel, op. 24: XIV. Variation XIII: Largamente, ma non più - Espressivo | — | ||
| 28-45 | Variations and Fugue on a Theme of Händel, op. 24: XV. Variation XIV: Vivace - Sciolto | — | ||
| 28-46 | Variations and Fugue on a Theme of Händel, op. 24: XVI. Variation XV: L'Istesso tempo | — | ||
| 28-47 | Variations and Fugue on a Theme of Händel, op. 24: XVII. Variation XVI: Scherzando | — | ||
| 28-48 | Variations and Fugue on a Theme of Händel, op. 24: XVIII. Variation XVII: Più mosso - Semplice | — | ||
| 28-49 | Variations and Fugue on a Theme of Händel, op. 24: XIX. Variation XVIII: Grazioso | — | ||
| 28-50 | Variations and Fugue on a Theme of Händel, op. 24: XX. Variation XIX: Leggiero e vivace, alla Siciliana | — | ||
| 28-51 | Variations and Fugue on a Theme of Händel, op. 24: XXI. Variation XX: Andante espressivo, legato | — | ||
| 28-52 | Variations and Fugue on a Theme of Händel, op. 24: XXII. Variation XXI: Allegretto vivace, dolce/leggiero | — | ||
| 28-53 | Variations and Fugue on a Theme of Händel, op. 24: XXIII. Variation XXII: Alla Musette | — | ||
| 28-54 | Variations and Fugue on a Theme of Händel, op. 24: XXIV. Variation XXIII: Vivace - Sospetto - Vivace e staccato | — | ||
| 28-55 | Variations and Fugue on a Theme of Händel, op. 24: XXV. Variation XXIV: L'Istesso tempo - Tumultuoso - Feroce | — | ||
| 28-56 | Variations and Fugue on a Theme of Händel, op. 24: XXVI. Variation XXV: Poco più lento - Festivo - Fieramente, con tutta forza | — | ||
| 28-57 | Variations and Fugue on a Theme of Händel, op. 24: XXVII. Fuga: Allegro sostenuto e fermo | — | ||
| 29-1 | Variations on an Original Theme, op. 21 no. 1: I. Thema: Poco larghetto, poco forte, molto espressivo e legato | — | ||
| 29-2 | Variations on an Original Theme, op. 21 no. 1: II. Variation I: Molto piano e legato | — | ||
| 29-3 | Variations on an Original Theme, op. 21 no. 1: III. Variation II: Più moto, espressivo | — | ||
| 29-4 | Variations on an Original Theme, op. 21 no. 1: IV. Variation III: Dolce | — | ||
| 29-5 | Variations on an Original Theme, op. 21 no. 1: V. Variation IV: [Poco più lento] Dolce | — | ||
| 29-6 | Variations on an Original Theme, op. 21 no. 1: VI. Variation V: Tempo di tema, Canone in moto contrario, molto dolce, teneramente | — | ||
| 29-7 | Variations on an Original Theme, op. 21 no. 1: VII. Variation VI: Più moto, espressivo, legato | — | ||
| 29-8 | Variations on an Original Theme, op. 21 no. 1: VIII. Variation VII: Andante con moto, dolce | — | ||
| 29-9 | Variations on an Original Theme, op. 21 no. 1: IX. Variation VIII: Allegro non troppo | — | ||
| 29-10 | Variations on an Original Theme, op. 21 no. 1: X. Variation IX: | — | ||
| 29-11 | Variations on an Original Theme, op. 21 no. 1: XI. Variation X: Espressivo agitato | — | ||
| 29-12 | Variations on an Original Theme, op. 21 no. 1: XII. Variation XI: Tempo di tema, poco più lento, dolce | — | ||
| 29-13 | Variations on a Hungarian Song, op. 21 no. 2: I. Allegro | — | ||
| 29-14 | Variations on a Hungarian Song, op. 21 no. 2: II. Variation I | — | ||
| 29-15 | Variations on a Hungarian Song, op. 21 no. 2: III. Variation II | — | ||
| 29-16 | Variations on a Hungarian Song, op. 21 no. 2: IV. Variation III | — | ||
| 29-17 | Variations on a Hungarian Song, op. 21 no. 2: V. Variation IV | — | ||
| 29-18 | Variations on a Hungarian Song, op. 21 no. 2: VI. Variation V: Con espressione | — | ||
| 29-19 | Variations on a Hungarian Song, op. 21 no. 2: VII. Variation VI | — | ||
| 29-20 | Variations on a Hungarian Song, op. 21 no. 2: VIII. Variation VII: Poco più lento, dolce espressivo/quasi pizzicato | — | ||
| 29-21 | Variations on a Hungarian Song, op. 21 no. 2: IX. Variation VIII: [Ancora un poco più lento] Espressivo, dolce | — | ||
| 29-22 | Variations on a Hungarian Song, op. 21 no. 2: X. Variation IX: Dolce | — | ||
| 29-23 | Variations on a Hungarian Song, op. 21 no. 2: XI. Variation X: Legato, dolce | — | ||
| 29-24 | Variations on a Hungarian Song, op. 21 no. 2: XII. Variation XI: Dolce | — | ||
| 29-25 | Variations on a Hungarian Song, op. 21 no. 2: XIII. Variation XII: Espressivo | — | ||
| 29-26 | Variations on a Hungarian Song, op. 21 no. 2: XIV. Variation XIII: Con forza - Allegro - Tempo I più animato | — | ||
| 29-27 | Variations on a Theme of Robert Schumann, op. 9: I. Thema: Ziemlich langsam | — | ||
| 29-28 | Variations on a Theme of Robert Schumann, op. 9: II. Variation I | — | ||
| 29-29 | Variations on a Theme of Robert Schumann, op. 9: III. Variation II: Poco più moto, espressivo/staccato e leggiero | — | ||
| 29-30 | Variations on a Theme of Robert Schumann, op. 9: IV. Variation III: Tempo di tema | — | ||
| 29-31 | Variations on a Theme of Robert Schumann, op. 9: V. Variation IV: Poco più moto, espressivo/leggiero | — | ||
| 29-32 | Variations on a Theme of Robert Schumann, op. 9: VI. Variation V: Allegro capriccioso | — | ||
| 29-33 | Variations on a Theme of Robert Schumann, op. 9: VII. Variation VI: Allegro | — | ||
| 29-34 | Variations on a Theme of Robert Schumann, op. 9: VIII. Variation VII: Andante | — | ||
| 29-35 | Variations on a Theme of Robert Schumann, op. 9: IX. Variation VIII: Andante (non troppo lento), espressivo | — | ||
| 29-36 | Variations on a Theme of Robert Schumann, op. 9: X. Variation IX: Schnell | — | ||
| 29-37 | Variations on a Theme of Robert Schumann, op. 9: XI. Variation X: Poco adagio, espressivo dolce | — | ||
| 29-38 | Variations on a Theme of Robert Schumann, op. 9: XII. Variation XI: Un poco più animato, sempre pianissimo dolcissimo | — | ||
| 29-39 | Variations on a Theme of Robert Schumann, op. 9: XIII. Variation XII: Allegretto, poco scherzando, staccato e leggiero | — | ||
| 29-40 | Variations on a Theme of Robert Schumann, op. 9: XIV. Variation XIII: Non troppo presto, molto leggiero | — | ||
| 29-41 | Variations on a Theme of Robert Schumann, op. 9: XV. Variation XIV: Andante, espressivo/staccato e leggiero | — | ||
| 29-42 | Variations on a Theme of Robert Schumann, op. 9: XVI. Variation XV: Poco adagio, espressivo | — | ||
| 29-43 | Variations on a Theme of Robert Schumann, op. 9: XVII. Variation XVI: Adagio | — | ||
| 30-1 | Ballades, op. 10: I. Andante "Edward" | — | ||
| 30-2 | Ballades, op. 10: II. Andante | — | ||
| 30-3 | Ballades, op. 10: III. Intermezzo, allegro | — | ||
| 30-4 | Ballades, op. 10: IV. Andante con moto | — | ||
| 30-5 | Rhapsodies, op. 79: I. Agitato | — | ||
| 30-6 | Rhapsodies, op. 79: II. Molto passionato | — | ||
| 30-7 | Eight Piano Pieces, Capriccio in F‐sharp minor, op. 76: I. Un poco agitato | — | ||
| 30-8 | Eight Piano Pieces, Capriccio in B minor, op. 76: II. Allegretto non troppo | — | ||
| 30-9 | Eight Piano Pieces, Intermezzo in A‐flat major, op. 76: III. Grazioso | — | ||
| 30-10 | Eight Piano Pieces, Intermezzo in B‐flat major, op. 76: IV. Allegretto Grazioso | — | ||
| 30-11 | Eight Piano Pieces, Capriccio in C‐sharp minor, op. 76: V. Agitato, ma non troppo presto | — | ||
| 30-12 | Eight Piano Pieces, Intermezzo in A major, op. 76: VI. Andante con moto | — | ||
| 30-13 | Eight Piano Pieces, Intermezzo in A minor, op. 76: VII. Moderato semplice | — | ||
| 30-14 | Eight Piano Pieces, Capriccio in C major, op. 76: VIII. Grazioso ed un poco vivace | — | ||
| 31-1 | Fantasien, Capriccio in D minor, op. 116: I. Presto energico | — | ||
| 31-2 | Fantasien, Intermezzo in A minor, op. 116: II. Andante | — | ||
| 31-3 | Fantasien, Capriccio in D minor, op. 116: III. Presto energico | — | ||
| 31-4 | Fantasien, Intermezzo in E major, op. 116: IV. Adagio | — | ||
| 31-5 | Fantasien, Intermezzo in E minor, op. 116: V. Andante con grazia ed intimissimo sentimento | — | ||
| 31-6 | Fantasien, Intermezzo in E major, op. 116: VI. Andantino teneramente | — | ||
| 31-7 | Fantasien, Capriccio in D minor, op. 116: VII. Allegro agitato | — | ||
| 31-8 | Intermezzo in E‐flat major, op. 117: I. Andante moderato | — | ||
| 31-9 | Intermezzo in B‐flat minor, op. 117: II. Andante non troppo | — | ||
| 31-10 | Intermezzo in C‐sharp minor, op. 117: III. Andante con moto | — | ||
| 31-11 | Six Pieces for Piano, Intermezzo in A minor, op. 118: I. Allegro non assai | — | ||
| 31-12 | Six Pieces for Piano, Intermezzo in A major, op. 118: II. Andante teneramente | — | ||
| 31-13 | Six Pieces for Piano, Ballade in G minor, op. 118: III. Allegro energico | — | ||
| 31-14 | Six Pieces for Piano, Intermezzo in F minor, op. 118: IV. Allegretto un poco agitato | — | ||
| 31-15 | Six Pieces for Piano, Romanze in F major, op. 118: V. Andante | — | ||
| 31-16 | Six Pieces for Piano, Intermezzo in E‐flat minor, op. 118: VI. Andante, largo e mesto | — | ||
| 31-17 | Four Pieces for Piano, Intermezzo in B minor, op. 119: I. Adagio | — | ||
| 31-18 | Four Pieces for Piano, Intermezzo in E minor, op. 119: II. Andantino un poco agitato | — | ||
| 31-19 | Four Pieces for Piano, Intermezzo in C major, op. 119: III. Grazioso e giocoso | — | ||
| 31-20 | Four Pieces for Piano, Rhapsodie in E‐flat major, op. 119: IV. Allegro risoluto | — | ||
| 32-1 | Hungarian Dances for solo piano no. 1 in G minor | — | ||
| 32-2 | Hungarian Dances for solo piano no. 2 in D minor | — | ||
| 32-3 | Hungarian Dances for solo piano no. 3 in F major | — | ||
| 32-4 | Hungarian Dances for solo piano no. 4 in F‐sharp minor | — | ||
| 32-5 | Hungarian Dances for solo piano no. 5 in F‐sharp minor | — | ||
| 32-6 | Hungarian Dances for solo piano no. 6 in D‐flat major | — | ||
| 32-7 | Hungarian Dances for solo piano no. 7 in F major | — | ||
| 32-8 | Hungarian Dances for solo piano no. 8 in A minor | — | ||
| 32-9 | Hungarian Dances for solo piano no. 9 in E minor | — | ||
| 32-10 | Hungarian Dances for solo piano no. 10 in E major | — | ||
| 32-11 | After an Study by Chopin (Op. 25 no. 2 in F minor) | — | ||
| 32-12 | After a Rondo by von Weber (Finale of Piano Sonata in C major) | — | ||
| 32-13 | After a Presto by J.S. Bach, first version (Finale of Solo Violin Sonata BWV 1001) | — | ||
| 32-14 | After a Presto by J.S. Bach, second version (Finale of SOlo Violin Sonata BWV 1001) | — | ||
| 32-15 | After Chaconne by J.S. Bach, for the left hand (from Violin Partita no. 2 in D minor, BWV 1016) | — | ||
| 33-1 | Hungarian Dances for solo piano no. 11 in D minor | — | ||
| 33-2 | Hungarian Dances for solo piano no. 12 in D minor | — | ||
| 33-3 | Hungarian Dances for solo piano no. 13 in D major | — | ||
| 33-4 | Hungarian Dances for solo piano no. 14 in D minor | — | ||
| 33-5 | Hungarian Dances for solo piano no. 15 in B‐flat minor | — | ||
| 33-6 | Hungarian Dances for solo piano no. 16 in F minor | — | ||
| 33-7 | Hungarian Dances for solo piano no. 17 in F‐sharp minor | — | ||
| 33-8 | Hungarian Dances for solo piano no. 18 in D major | — | ||
| 33-9 | Hungarian Dances for solo piano no. 19 in B minor | — | ||
| 33-10 | Hungarian Dances for solo piano no. 20 in E minor | — | ||
| 33-11 | Hungarian Dances for solo piano no. 21 in E minor | — | ||
| 33-12 | Sarabande no. 1 in A minor | — | ||
| 33-13 | Sarabande no. 2 in B minor | — | ||
| 33-14 | Gavotte no. 1 in A minor | — | ||
| 33-15 | Gavotte no. 2 in A major | — | ||
| 33-16 | Gigue no. 1 in A minor | — | ||
| 33-17 | Gigue no. 2 in B minor | — | ||
| 33-18 | Transcription of a Gavotte by Gluck | — | ||
| 33-19 | Study after an Impromptu by Schubert op. 90 no. 2 | — | ||
| 33-20 | Theme & Variations in D minor (from String Sextet op. 18) | — | ||
| 34-1 | A German Requiem, op. 45: I. Chorus “Selig sind,die da Leid tragen” | — | ||
| 34-2 | A German Requiem, op. 45: II. Chorus “Denn alles Fleisch, es ist wie Gras” | — | ||
| 34-3 | A German Requiem, op. 45: III. Baritone & Chorus “Herr, lehre doch mich” | — | ||
| 34-4 | A German Requiem, op. 45: IV. Chorus “Wie lieblich sind deine Wohnungen” | — | ||
| 34-5 | A German Requiem, op. 45: V. Soprano & chorus “Ihr habt nun Traurigkeit” | — | ||
| 34-6 | A German Requiem, op. 45: VI. Baritone & Chorus “Denn wir haben hier keine bleibende Statt” | — | ||
| 34-7 | A German Requiem, op. 45: VII. Chorus “Selig sind die Toten” | — | ||
| 35-1 | Song of Triumph op. 55: I. Lebhaft und feierlich animato | — | ||
| 35-2 | Song of Triumph op. 55: II. Mässig belebt Lebhaft Ziemlich langsam doch nicht schleppend | — | ||
| 35-3 | Song of Triumph op. 55: III. Lebhaft Etwas lebhafter Feierlich | — | ||
| 35-4 | Ave Maria op. 12 andante | — | ||
| 35-5 | Song of Destiny, op. 54: Langsam und sehnsuchtsvoll allegro adagio | — | ||
| 35-6 | Nänie op. 82 andante piu sostenuto tempo primo | — | ||
| 35-7 | Funeral Song op. 13 | — | ||
| 36-1 | Song of the Fates, op. 89 | — | ||
| 36-2 | Alto Rhapsody, op. 53 | — | ||
| 36-3 | Rinaldo, op. 50: I. Zu dem Strande! Zu der Barke! | — | ||
| 36-4 | Rinaldo, op. 50: II. Stelle her der goldnen Tage Paradise | — | ||
| 36-5 | Rinaldo, op. 50: III. Zurück nur! Zurücke | — | ||
| 36-6 | Rinaldo, op. 50: IV. Zum zweiten Male | — | ||
| 36-7 | Rinaldo, op. 50: V. Segel schwellen | — | ||
| 37-1 | Songs of Love Waltz op. 52: I. Rede Mädchen, allzu liebes | — | ||
| 37-2 | Songs of Love Waltz op. 52: II. Am Gesteine rauscht die Flut | — | ||
| 37-3 | Songs of Love Waltz op. 52: III. O Die Frauen | — | ||
| 37-4 | Songs of Love Waltz op. 52: IV. Wie des Abends schöne Röte | — | ||
| 37-5 | Songs of Love Waltz op. 52: V. Die grüne Hopfenranke | — | ||
| 37-6 | Songs of Love Waltz op. 52: VI. Ein kleiner, hübscher Vogel | — | ||
| 37-7 | Songs of Love Waltz op. 52: VII. Wohl schön bewandt war es | — | ||
| 37-8 | Songs of Love Waltz op. 52: VIII. Wenn so lind dein Auge mir | — | ||
| 37-9 | Songs of Love Waltz op. 52: IX. Am Donaustrande | — | ||
| 37-10 | Songs of Love Waltz op. 52: X. O wie sanft die Quelle | — | ||
| 37-11 | Songs of Love Waltz op. 52: XI. Nein, es ist nicht auszukommen | — | ||
| 37-12 | Songs of Love Waltz op. 52: XII. Schlosser auf und mache Schlösser | — | ||
| 37-13 | Songs of Love Waltz op. 52: XIII. Vögelein durchrauscht die Luft | — | ||
| 37-14 | Songs of Love Waltz op. 52: XIV. Sieh, wie ist die Welle klar | — | ||
| 37-15 | Songs of Love Waltz op. 52: XV. Nachtigall, sie singt so schön | — | ||
| 37-16 | Songs of Love Waltz op. 52: XVI. Ein dunkeler Schacht ist Liebe | — | ||
| 37-17 | Songs of Love Waltz op. 52: XVII. Nicht wandle, mein Licht | — | ||
| 37-18 | Songs of Love Waltz op. 52: XVIII. Es bebet das Gesträuche | — | ||
| 37-19 | New Love Songs Waltz op. 65: I. Verzicht, oh Herz, auf Rettung | — | ||
| 37-20 | New Love Songs Waltz op. 65: II. Finstere Schatten der Nacht | — | ||
| 37-21 | New Love Songs Waltz op. 65: III. An jeder Hand die Finger | — | ||
| 37-22 | New Love Songs Waltz op. 65: IV. Ihr schwarzen Augen | — | ||
| 37-23 | New Love Songs Waltz op. 65: V. Wahre, wahre deinen Sohn | — | ||
| 37-24 | New Love Songs Waltz op. 65: VI.Rosen steckt mir an die Mutter | — | ||
| 37-25 | New Love Songs Waltz op. 65: VII. Vom Gebirge Well auf Well | — | ||
| 37-26 | New Love Songs Waltz op. 65: VIII. Weiche Gräser im Revier | — | ||
| 37-27 | New Love Songs Waltz op. 65: IX. Nagen am Herzen fühl ich | — | ||
| 37-28 | New Love Songs Waltz op. 65: X. Ich kose süß mit der und der | — | ||
| 37-29 | New Love Songs Waltz op. 65: XI. Alles, alles in den Wind | — | ||
| 37-30 | New Love Songs Waltz op. 65: XII. Schwarzer Wald, dein Schatten | — | ||
| 37-31 | New Love Songs Waltz op. 65: XIII. Nein, Geliebter, setze dich | — | ||
| 37-32 | New Love Songs Waltz op. 65: XIV. Flammenauge, dunkles Haar | — | ||
| 37-33 | New Love Songs Waltz op. 65: XV. Zum Schluss: Nun, ihr Musen, genug | — | ||
| 38-1 | Three Quartets op. 31: I. Substitution Song at the Dance | — | ||
| 38-2 | Three Quartets op. 31: II. Banter | — | ||
| 38-3 | Three Quartets op. 31: III. The Visit to My Beloved | — | ||
| 38-4 | Three Quartets op. 64: I. To the Homeland | — | ||
| 38-5 | Three Quartets op. 64: II. The Evening | — | ||
| 38-6 | Three Quartets op. 64: III. Questions | — | ||
| 38-7 | Four Quartets op. 92: I. O Lovely Night | — | ||
| 38-8 | Four Quartets op. 92: II. In Autumn | — | ||
| 38-9 | Four Quartets op. 92: III. Evening Song | — | ||
| 38-10 | Four Quartets op. 92: IV. Why | — | ||
| 38-11 | Two Quartets op. 112a: I. Longing | — | ||
| 38-12 | Two Quartets op. 112a: II. At Night | — | ||
| 39-1 | Three Songs a Cappella op. 42: I. Evening Serenade | — | ||
| 39-2 | Three Songs a Cappella op. 42: II. Vineta | — | ||
| 39-3 | Three Songs a Cappella op. 42: III. Darthula’s Dirge | — | ||
| 39-4 | Seven Songs op. 62: I. Rosemary | — | ||
| 39-5 | Seven Songs op. 62: II. From Old Love Songs | — | ||
| 39-6 | Seven Songs op. 62: III. Night in the Forest | — | ||
| 39-7 | Seven Songs op. 62: IV. Thou Gentle Heart | — | ||
| 39-8 | Seven Songs op. 62: V. My Heartfelt Thanks | — | ||
| 39-9 | Seven Songs op. 62: VI. A Sigh Goes Floating | — | ||
| 39-10 | Seven Songs op. 62: VII. I Have Lost Happiness and Health | — | ||
| 39-11 | Six Songs and Romances op. 93a: I. The Hump‐backed Fiddler | — | ||
| 39-12 | Six Songs and Romances op. 93a: II. The Maiden | — | ||
| 39-13 | Six Songs and Romances op. 93a: III. Oh Sweet May | — | ||
| 39-14 | Six Songs and Romances op. 93a: IV. Fare Thee Well | — | ||
| 39-15 | Six Songs and Romances op. 93a: V. The Falcon | — | ||
| 39-16 | Six Songs and Romances op. 93a: VI. Heeding | — | ||
| 39-17 | Five Songs a Cappella for Mixed Chorus op. 104: I. Nightwatch I | — | ||
| 39-18 | Five Songs a Cappella for Mixed Chorus op. 104: II. Nightwatch II | — | ||
| 39-19 | Five Songs a Cappella for Mixed Chorus op. 104: III. Last Luck | — | ||
| 39-20 | Five Songs a Cappella for Mixed Chorus op. 104: IV. Lost Youth | — | ||
| 39-21 | Five Songs a Cappella for Mixed Chorus op. 104: V. In Autumn | — | ||
| 40-1 | Fourteen Folksongs WoO 34: I. Von edler Art | — | ||
| 40-2 | Fourteen Folksongs WoO 34: II. Mit Lust tät ich ausreiten | — | ||
| 40-3 | Fourteen Folksongs WoO 34: III. Bei nächtlicher Weil | — | ||
| 40-4 | Fourteen Folksongs WoO 34: IV. Vom heiligen Mätyrer Emmerano | — | ||
| 40-5 | Fourteen Folksongs WoO 34: V. Täublein weiß | — | ||
| 40-6 | Fourteen Folksongs WoO 34: VI. Ach lieber Herre Jesu Christ | — | ||
| 40-7 | Fourteen Folksongs WoO 34: VII. St.Raphael | — | ||
| 40-8 | Fourteen Folksongs WoO 34: VIII. In stiller Nacht | — | ||
| 40-9 | Fourteen Folksongs WoO 34: IX. Abschiedslied | — | ||
| 40-10 | Fourteen Folksongs WoO 34: X. Der tote Knabe | — | ||
| 40-11 | Fourteen Folksongs WoO 34: XI. Die Wollust im Maien | — | ||
| 40-12 | Fourteen Folksongs WoO 34: XII. Morgengesang | — | ||
| 40-13 | Fourteen Folksongs WoO 34: XIII. Schnitter Tod | — | ||
| 40-14 | Fourteen Folksongs WoO 34: XIV. Der englische Jäger | — | ||
| 40-15 | Twelve German Folksongs WoO 35: I. Scheiden | — | ||
| 40-16 | Twelve German Folksongs WoO 35: II. Wach auf! | — | ||
| 40-17 | Twelve German Folksongs WoO 35: III. Erlaube mir | — | ||
| 40-18 | Twelve German Folksongs WoO 35: IV. Der Fiedler | — | ||
| 40-19 | Twelve German Folksongs WoO 35: V. Da unten im Tale | — | ||
| 40-20 | Twelve German Folksongs WoO 35: VI. Des Abends | — | ||
| 40-21 | Twelve German Folksongs WoO 35: VII. Wach auf! (2. Bearbeitung] | — | ||
| 40-22 | Twelve German Folksongs WoO 35: VIII. Dort in den Weiden | — | ||
| 40-23 | Twelve German Folksongs WoO 35: IX. Altes Volkslied | — | ||
| 40-24 | Twelve German Folksongs WoO 35: X. Der Ritter und die Fein | — | ||
| 40-25 | Twelve German Folksongs WoO 35: XI. Der Zimmergesell | — | ||
| 40-26 | Twelve German Folksongs WoO 35: XII. Altdeutsches Kampflied | — | ||
| 41-1 | Gypsy Songs op. 103: I. He, Zigeuner | — | ||
| 41-2 | Gypsy Songs op. 103: II. Hochgetürmte Rimaflut | — | ||
| 41-3 | Gypsy Songs op. 103: III. Wisst ihr, wann mein Kindchen | — | ||
| 41-4 | Gypsy Songs op. 103: IV. Lieber Gott, du weißt | — | ||
| 41-5 | Gypsy Songs op. 103: V. Brauner Bursche | — | ||
| 41-6 | Gypsy Songs op. 103: VI. Röslein dreie in der Reihe | — | ||
| 41-7 | Gypsy Songs op. 103: VII. Kommt dir manchmal in den Sinn | — | ||
| 41-8 | Gypsy Songs op. 103: VIII. Horch, der Wind klagt in den Zweigen | — | ||
| 41-9 | Gypsy Songs op. 103: IX. Weit und breit schaut niemand mich an | — | ||
| 41-10 | Gypsy Songs op. 103: X. Mond verhüllt sein Angesicht | — | ||
| 41-11 | Gypsy Songs op. 103: XI. Rote Abendwolken ziehn | — | ||
| 41-12 | Gypsy Songs op. 112b: III. Himmel strahlt so helle und klar | — | ||
| 41-13 | Gypsy Songs op. 112b: IV. Rote Rosenknospen künden | — | ||
| 41-14 | Gypsy Songs op. 112b: V. Brennessel steht an Weges Rand | — | ||
| 41-15 | Gypsy Songs op. 112b: VI. Liebe Schwalbe, kleine Schwalbe | — | ||
| 41-16 | Seven Folksongs for Soloists, Choir & Piano WoO 33: I. Es stunden drei Rosen | — | ||
| 41-17 | Seven Folksongs for Soloists, Choir & Piano WoO 33: II. Dem Himmel will ich klagen | — | ||
| 41-18 | Seven Folksongs for Soloists, Choir & Piano WoO 33: III. Es saß ein schneeweiß Vögelein | — | ||
| 41-19 | Seven Folksongs for Soloists, Choir & Piano WoO 33: IV. Es war einmal ein Zimmergesell | — | ||
| 41-20 | Seven Folksongs for Soloists, Choir & Piano WoO 33: V. Es ging sich unsre Fraue | — | ||
| 41-21 | Seven Folksongs for Soloists, Choir & Piano WoO 33: VI. Nachtigall, sag | — | ||
| 41-22 | Seven Folksongs for Soloists, Choir & Piano WoO 33: VII. Verstohlen geht der Mond auf | — | ||
| 41-23 | Tablesong op. 93b | — | ||
| 41-24 | Little Wedding Cantata WoO 16 | — | ||
| 41-25 | The Dark Womb of the Earth WoO 20 | — | ||
| 42-1 | Two Motets op. 29: I. Es ist das Heil uns kommen her | — | ||
| 42-2 | Two Motets op. 29: II. Schaffe in mir, Gott | — | ||
| 42-3 | Spiritual Song op. 30 | — | ||
| 42-4 | Two Motets op. 74: I. Warum ist das Licht gegeben | — | ||
| 42-5 | Two Motets op. 74: II. O Heiland, reiß die Himmel auf | — | ||
| 42-6 | Three Motets op. 110: I. Ich bin aber elend | — | ||
| 42-7 | Three Motets op. 110: II. Ach arme Welt, Du trügest mich | — | ||
| 42-8 | Three Motets op. 110: III. Wenn wir in höchsten Nöten sein | — | ||
| 42-9 | Missa canonica WoO 18: I. Kyrie | — | ||
| 42-10 | Missa canonica WoO 18: II. Sanctus | — | ||
| 42-11 | Missa canonica WoO 18: III. Benedictus | — | ||
| 42-12 | Missa canonica WoO 18: IV. Agnus Dei | — | ||
| 43-1 | Songs for Mary op. 22: I. The English Salutation | — | ||
| 43-2 | Songs for Mary op. 22: II. Mary’s Churchgoing | — | ||
| 43-3 | Songs for Mary op. 22: III. Mary’s Pilgrimage | — | ||
| 43-4 | Songs for Mary op. 22: IV. The Hunter | — | ||
| 43-5 | Songs for Mary op. 22: V. Call to Mary | — | ||
| 43-6 | Songs for Mary op. 22: VI. Magdalene | — | ||
| 43-7 | Songs for Mary op. 22: VII. Mary’s Praise | — | ||
| 43-8 | Festal and Commemorative Sentences op. 109: I. Our Fathers Hoped in Thee | — | ||
| 43-9 | Festal and Commemorative Sentences op. 109: II. When a Strong Armed Man | — | ||
| 43-10 | Festal and Commemorative Sentences op. 109: III. For What Nation Is There So Great | — | ||
| 43-11 | Five Songs for Male Voices op. 41: I. I Blow My Horn | — | ||
| 43-12 | Five Songs for Male Voices op. 41: II. Volunteer Here! | — | ||
| 43-13 | Five Songs for Male Voices op. 41: III. Escort | — | ||
| 43-14 | Five Songs for Male Voices op. 41: IV. Marching | — | ||
| 43-15 | Five Songs for Male Voices op. 41: V. Watch Out | — | ||
| 43-16 | Twelve Songs and Romances op. 44: I. Song of Love | — | ||
| 43-17 | Twelve Songs and Romances op. 44: II. The Bridegroom | — | ||
| 43-18 | Twelve Songs and Romances op. 44: III. Barcarole | — | ||
| 43-19 | Twelve Songs and Romances op. 44: IV. Asking | — | ||
| 43-20 | Twelve Songs and Romances op. 44: V. The Miller | — | ||
| 43-21 | Twelve Songs and Romances op. 44: VI. The Nun | — | ||
| 43-22 | Twelve Songs and Romances op. 44: VII. Four Songs from the Fountain of Youth: I. Nun stehen die Rosen in Blüte | — | ||
| 43-23 | Twelve Songs and Romances op. 44: VIII. Four Songs from the Fountain of Youth: II. Die Berge sind spitz | — | ||
| 43-24 | Twelve Songs and Romances op. 44: IX. Four Songs from the Fountain of Youth: III. Am Wildbach die Weiden | — | ||
| 43-25 | Twelve Songs and Romances op. 44: X. Four Songs from the Fountain of Youth: IV. Und gehst Du über den Kirchhof | — | ||
| 43-26 | Twelve Songs and Romances op. 44: XI. The Bride | — | ||
| 43-27 | Twelve Songs and Romances op. 44: XII. March Night | — | ||
| 44-1 | Ave Maria op. 12 | — | ||
| 44-2 | Psalm 13 op. 27: How long, O Lord? | — | ||
| 44-3 | Three Sacred Choruses op. 37: I. O Good Jesus | — | ||
| 44-4 | Three Sacred Choruses op. 37: II. We Adore | — | ||
| 44-5 | Three Sacred Choruses op. 37: III. Queen of Heaven | — | ||
| 44-6 | Four Songs for women's chorus, two horns and harp op. 17: I. It Tinges a Full Harp Sound | — | ||
| 44-7 | Four Songs for women's chorus, two horns and harp op. 17: II. Song By Shakespeare | — | ||
| 44-8 | Four Songs for women's chorus, two horns and harp op. 17: III. The Gardener | — | ||
| 44-9 | Four Songs for women's chorus, two horns and harp op. 17: IV. Song about Fingal | — | ||
| 44-10 | Thirteen Canons for female choir op. 113: I | — | ||
| 44-11 | Thirteen Canons for female choir op. 113: II | — | ||
| 44-12 | Thirteen Canons for female choir op. 113: III | — | ||
| 44-13 | Thirteen Canons for female choir op. 113: IV | — | ||
| 44-14 | Thirteen Canons for female choir op. 113: V | — | ||
| 44-15 | Thirteen Canons for female choir op. 113: VI | — | ||
| 44-16 | Thirteen Canons for female choir op. 113: VII | — | ||
| 44-17 | Thirteen Canons for female choir op. 113: VIII | — | ||
| 44-18 | Thirteen Canons for female choir op. 113: IX | — | ||
| 44-19 | Thirteen Canons for female choir op. 113: X | — | ||
| 44-20 | Thirteen Canons for female choir op. 113: XI | — | ||
| 44-21 | Thirteen Canons for female choir op. 113: XII | — | ||
| 44-22 | Thirteen Canons for female choir op. 113: XIII | — | ||
| 45-1 | Four Songs op. 43: I. For Eternal Love (Wenzig) | — | ||
| 45-2 | Five Songs op. 72: I. Old Love (Candidus) | — | ||
| 45-3 | Nine Songs op. 63: VIII. Homesickness II (Groth) | — | ||
| 45-4 | Six Songs op. 86: IV. Over the Heath (Storm) | — | ||
| 45-5 | Four Songs op. 96: I. Death is the Cool Night (Heine) | — | ||
| 45-6 | Five Songs op. 72: IV. Despondency (Lemcke) | — | ||
| 45-7 | Five Songs op. 72: III. Oh Cool Forest (Brentano) | — | ||
| 45-8 | Nine Songs op. 32: VI. You Say, That I Deceived Myself | — | ||
| 45-9 | Five Songs op. 105: IV. In the Churchyard (Liliencron) | — | ||
| 45-10 | Four Songs op. 43: II. The May Night | — | ||
| 45-11 | Five Songs op. 105: I. As If Melodies Were Moving (Groth) | — | ||
| 45-12 | Six Songs op. 86: II. The Loneliness of the Field (Allmers) | — | ||
| 45-13 | Six Songs op. 97: V. Come Soon | — | ||
| 45-14 | Five Songs op. 47: III Sunday (Uhland) | — | ||
| 45-15 | Eleven Gypsy Songs op. 103: I. Ziegeunerlieder He, Zigeuner | — | ||
| 45-16 | Eleven Gypsy Songs op. 103: II. Hochgetürmte Rimaflut | — | ||
| 45-17 | Eleven Gypsy Songs op. 103: III. Wisst ihr, wann mein Kindchen | — | ||
| 45-18 | Eleven Gypsy Songs op. 103: IV. Lieber Gott, du weißt | — | ||
| 45-19 | Eleven Gypsy Songs op. 103: V. Brauner Bursche | — | ||
| 45-20 | Eleven Gypsy Songs op. 103: VI. Röslein dreie in der Reihe | — | ||
| 45-21 | Eleven Gypsy Songs op. 103: VII. kommt dir manchmal in Sinn | — | ||
| 45-22 | Eleven Gypsy Songs op. 103: VIII. Horch, der Wind klagt in den Zweigen | — | ||
| 46-1 | Five Romances and Songs op. 84: IV. Fruitless Serenade | — | ||
| 46-2 | 49 German Folk Songs WoO 33: XXXVIII. Des Abends kann ich nicht schlafen gehn | — | ||
| 46-3 | 49 German Folk Songs WoO 33: II. Erlaube mir, feines Mädchen | — | ||
| 46-4 | 49 German Folk Songs WoO 33: XXXI. Dort in den Weiden steht ein Haus | — | ||
| 46-5 | 49 German Folk Songs WoO 33: XL. Ich weiß mir'n Maidlein | — | ||
| 46-6 | 49 German Folk Songs WoO 33: XII. Feinsliebchen | — | ||
| 46-7 | 49 German Folk Songs WoO 33: XXV. Mein Mädel hat einen Rosenmund | — | ||
| 46-8 | 49 German Folk Songs WoO 33: XI. Jungrfräulein, soll ich mich euch gehn | — | ||
| 46-9 | 49 German Folk Songs WoO 33: XXX. Alle meine Gedanken | — | ||
| 46-10 | 49 German Folk Songs WoO 33: XVI. Wach auf mein Herzensschöne | — | ||
| 46-11 | 49 German Folk Songs WoO 33: XVI. Wach auf mein Herzensschöne | — | ||
| 46-12 | 49 German Folk Songs WoO 33: XVIII. So wünsch ich ihr eine gute Nacht | — | ||
| 46-13 | 49 German Folk Songs WoO 33: XXXV. Soll sich der Mond nicht heller scheinen | — | ||
| 46-14 | 49 German Folk Songs WoO 33: V. Die Sonne scheint nicht mehr | — | ||
| 46-15 | 49 German Folk Songs WoO 33: XV. Schwesterlein | — | ||
| 46-16 | Seven Songs op. 48: I. The Visit to the Beloved (Volksweise) | — | ||
| 46-17 | 49 German Folk Songs WoO 33: XLI. Es steht ein Lind | — | ||
| 46-18 | 49 German Folk Songs WoO 33: VI. Da unten im Tale | — | ||
| 46-19 | 49 German Folk Songs WoO 33: XXI. Es ging ein Maidlein zarte | — | ||
| 46-20 | Eight Songs and Romances for Voice and Piano op. 14 : I. Outside the Window | — | ||
| 46-21 | 49 German Folk Songs WoO 33: XVII. Ach, Gott, wie weh tut scheiden | — | ||
| 46-22 | 49 German Folk Songs WoO 33: XLII. In stiller Nacht | — | ||
| 47-1 | Six Songs op. 3: I. Fidelity in Love | — | ||
| 47-2 | Eight Songs and Romances op. 14 : I. Outside the Window | — | ||
| 47-3 | Five Poems for Voice and Piano op. 19: IV. The Blacksmith | — | ||
| 47-4 | Nine Songs op. 32: VIII. So We Stand, I and My Pasture | — | ||
| 47-5 | Four Songs op. 46: IV. To the Nightingale | — | ||
| 47-6 | Ophelia’s Songs WoO 22: I. How Should I Your True Love Know | — | ||
| 47-7 | Ophelia’s Songs WoO 22: II. White His Shroud | — | ||
| 47-8 | Ophelia’s Songs WoO 22: III. Tomorrow is Saint Valentine’s day | — | ||
| 47-9 | Ophelia’s Songs WoO 22: IV. They bore him barefaced on the bier | — | ||
| 47-10 | Ophelia’s Songs WoO 22: V. And will he not come again? | — | ||
| 47-11 | Eight Songs op. 59: II. On the Lake | — | ||
| 47-12 | Eight Songs op. 59: V. Agnes | — | ||
| 47-13 | Eight Songs op. 59: VIII. Your Blue Eyes | — | ||
| 47-14 | Nine Songs op. 63: V. Young Songs I | — | ||
| 47-15 | Six Songs op. 86: I. Therese | — | ||
| 47-16 | Two Songs for Alto Voice, Viola and Piano op. 91: I. Satisfied Longing | — | ||
| 47-17 | Two Songs for Alto Voice, Viola and Piano op. 91: II. Spiritual Lullaby | — | ||
| 47-18 | Five Songs op. 94: IV. Sapphic Ode | — | ||
| 47-19 | Rain Song for Voice and Piano WoO 23 | — | ||
| 47-20 | Seven Songs op. 95: IV. The Hunter | — | ||
| 47-21 | Five Songs op. 105: II. My Slumber Grows More and More Peaceful | — | ||
| 47-22 | Five Songs op. 107: II. Salamander | — | ||
| 47-23 | Five Songs op. 107: III. The Girl Speaks | — | ||
| 47-24 | Five Songs op. 107: V. Girl’s Song | — | ||
| 47-25 | Five Songs op. 49: IV. Lullaby | — | ||
| 48-1 | Nine Songs op. 32: II. Nowhere for You to Go | — | ||
| 48-2 | Nine Songs op. 32: IX. How Are You, My Queen | — | ||
| 48-3 | Five Songs op. 47: I. Message | — | ||
| 48-4 | Five Songs op. 47: II. The Fervour of Love | — | ||
| 48-5 | Eight Songs op. 57: I. From Part‑forest Altitudes | — | ||
| 48-6 | Eight Songs op. 57: II. When You Sometimes Just Smile | — | ||
| 48-7 | Eight Songs op. 57: III. This I Dreamt, I Was Dear to You | — | ||
| 48-8 | Eight Songs op. 57: IV. Ah, Turn That Gaze | — | ||
| 48-9 | Eight Songs op. 57: V. In My Nights I Yearn | — | ||
| 48-10 | Eight Songs op. 57: VI. Sometimes Too Radiates a Mild Light | — | ||
| 48-11 | Eight Songs op. 57: VII. The String, Pearl By Pearl | — | ||
| 48-12 | Eight Songs op. 57: VIII. Motionless Light Air | — | ||
| 48-13 | Eight Songs op. 59: VI. A Good Good Night | — | ||
| 48-14 | Seven Songs Op.95: VII. It Was Beautiful, My Solemn Gift to You | — | ||
| 48-15 | Four Songs op. 96: II. We Were Walking | — | ||
| 48-16 | Four Serious Songs op. 121: I. For That Which Befalleth the Sons of Men | — | ||
| 48-17 | Four Serious Songs op. 121: II. So I Returned | — | ||
| 48-18 | Four Serious Songs op. 121: III. O Death How Bitter Thou Art | — | ||
| 48-19 | Four Serious Songs op. 121: IV. Though I Speak with the Tongues of Men and of Angels | — | ||
| 49-1 | Nine Songs op. 69: I. Lament I | — | ||
| 49-2 | Nine Songs op. 69: II. Lament II | — | ||
| 49-3 | Nine Songs op. 69: III. Farewell | — | ||
| 49-4 | Nine Songs op. 69: IV. My Sweetheart’s Promise | — | ||
| 49-5 | Nine Songs op. 69: V. Little Song of the Drummer | — | ||
| 49-6 | Nine Songs op. 69: VI. From the Beach | — | ||
| 49-7 | Nine Songs op. 69: VII. Over the Sea | — | ||
| 49-8 | Nine Songs op. 69: VIII. Salome | — | ||
| 49-9 | Nine Songs op. 69: IX. A Girl’s Curse | — | ||
| 49-10 | Five Poems op. 19: V. To an Aeolian Harp | — | ||
| 49-11 | Seven Songs op. 48: VII. Autumn Mood | — | ||
| 49-12 | Five Songs op. 49: V. Twilight | — | ||
| 49-13 | Eight Songs op. 59: I. Twilight Has Descended from Above | — | ||
| 49-14 | Eight Songs op. 59: VII. My Wounded Heart | — | ||
| 49-15 | Six Songs op. 7: I. True Love | — | ||
| 49-16 | Six Songs op. 7: II. Watchword | — | ||
| 49-17 | Six Songs op. 7: III. Reminiscences | — | ||
| 49-18 | Six Songs op. 7: IV. Folksong | — | ||
| 49-19 | Six Songs op. 7: V. The Unhappy Girl | — | ||
| 49-20 | Six Songs op. 7: VI. Homecoming | — | ||
| 49-21 | Moon Night WoO 21 | — | ||
| 49-22 | Four Songs op. 70: II. Song of the Larks | — | ||
| 49-23 | Five Songs op. 71 : III. Secret | — | ||
| 49-24 | Six Songs op. 85: VI. In the Loneliness of the Forest | — | ||
| 49-25 | Four Songs op. 96: IV. A Voyage on the Sea | — | ||
| 49-26 | Five Songs op. 106: I. Serenade | — | ||
| 50-1 | Four Duets op. 28: I. The Nun and the Knight | — | ||
| 50-2 | Four Duets op. 28: II. Before the Door | — | ||
| 50-3 | Four Duets op. 28: III. The Water Rushes | — | ||
| 50-4 | Four Duets op. 28: IV. The Hunter and His Beloved | — | ||
| 50-5 | Forty‐nine German Folksongs WoO 33: I. Sagt mir o schönste Schäf'rin mein | — | ||
| 50-6 | Forty‐nine German Folksongs WoO 33: III. Gar lieblich hat sich gesellet | — | ||
| 50-7 | Forty‐nine German Folksongs WoO 33: IV. Guten Abend mein tausiger Schatz | — | ||
| 50-8 | Forty‐nine German Folksongs WoO 33: VII. Gunhilde | — | ||
| 50-9 | Forty‐nine German Folksongs WoO 33: VIII. Ach englische Schäferin | — | ||
| 50-10 | Forty‐nine German Folksongs WoO 33: IX. Es war eine schöne Jüdin | — | ||
| 50-11 | Forty‐nine German Folksongs WoO 33: X. Es ritt ein Ritter | — | ||
| 50-12 | Forty‐nine German Folksongs WoO 33: XIII. Wach auf mein Hort | — | ||
| 50-13 | Forty‐nine German Folksongs WoO 33: XIV. Maria ging aus wandern | — | ||
| 50-14 | Forty‐nine German Folksongs WoO 33: XIX. Nur ein Gesicht auf Erden lebt | — | ||
| 50-15 | Forty‐nine German Folksongs WoO 33: XX. Schönster Schatz mein Engel | — | ||
| 50-16 | Forty‐nine German Folksongs WoO 33: XXII. Wo gehst du hin du Stolze? | — | ||
| 50-17 | Forty‐nine German Folksongs WoO 33: XXIII. Der Reiter | — | ||
| 50-18 | Forty‐nine German Folksongs WoO 33: XXIV. Mir ist ein schöns brauns Maidelein | — | ||
| 50-19 | Forty‐nine German Folksongs WoO 33: XXVI. Ach könnt ich diesen Abend | — | ||
| 50-20 | Forty‐nine German Folksongs WoO 33: XXVII. Ich stand auf hohem Berge | — | ||
| 50-21 | Forty‐nine German Folksongs WoO 33: XXVIII. Es reit ein Herr und auch sein Knecht | — | ||
| 50-22 | Forty‐nine German Folksongs WoO 33: XXIX. Es war ein markgraf | — | ||
| 50-23 | Forty‐nine German Folksongs WoO 33: XXXII. So will ich frisch und fröhlich sein | — | ||
| 50-24 | Forty‐nine German Folksongs WoO 33: XXXIII. Och Moder ich well ein Ding han | — | ||
| 50-25 | Forty‐nine German Folksongs WoO 33: XXVI. Es wohnet ein Fiedler | — | ||
| 50-26 | Forty‐nine German Folksongs WoO 33: XXXVII. Du mein einzig Licht | — | ||
| 50-27 | Forty‐nine German Folksongs WoO 33: XXXIX. Schöner Augen schöne Strahlen | — | ||
| 51-1 | Three Duets op. 20: I. Way of Love I | — | ||
| 51-2 | Three Duets op. 20: II. Way of Love II | — | ||
| 51-3 | Three Duets op. 20: III. The Sea | — | ||
| 51-4 | Four Duets op. 61: I The Sisters | — | ||
| 51-5 | Four Duets op. 61: II. Nuns | — | ||
| 51-6 | Four Duets op. 61: III. Phenomenon | — | ||
| 51-7 | Four Duets op. 61: IV. The Messengers of Love | — | ||
| 51-8 | Five Duets op. 66: I. Sounds I | — | ||
| 51-9 | Five Duets op. 66: II. Sounds II | — | ||
| 51-10 | Five Duets op. 66: III. On the Beach | — | ||
| 51-11 | Five Duets op. 66: IV. Huntsman’s Song | — | ||
| 51-12 | Five Romances and Songs op. 84: I. Summer Evening | — | ||
| 51-13 | Five Romances and Songs op. 84: II. The Wreath | — | ||
| 51-14 | Five Romances and Songs op. 84: III. Among the Berries | — | ||
| 51-15 | Five Romances and Songs op. 84: IV. Fruitless Serenade | — | ||
| 51-16 | Five Romances and Songs op. 84: V. Tension | — | ||
| 51-17 | Four Ballads and Romances op. 75: IV. Walpurgis Night | — | ||
| 51-18 | Four Ballads and Romances op. 75: II. Good Advice | — | ||
| 51-19 | Five Duets op. 66: V. Take Care! | — | ||
| 52-1 | Romances (Magelone Songs) op. 33: I. Text/ In der Provence... | — | ||
| 52-2 | Romances (Magelone Songs) op. 33: I. Musik/ No one has yet regretted | — | ||
| 52-3 | Romances (Magelone Songs) op. 33: II. Text/ Der junge Mann... | — | ||
| 52-4 | Romances (Magelone Songs) op. 33: II. Musik/ Ho! Bows and arrows are meet for the foe | — | ||
| 52-5 | Romances (Magelone Songs) op. 33: III. Text/ Er kam nach vielen | — | ||
| 52-6 | Romances (Magelone Songs) op. 33: III. Musik/ Are they sorrows, are they pleasures? | — | ||
| 52-7 | Romances (Magelone Songs) op. 33: IV. Text/ In derselben Nacht. | — | ||
| 52-8 | Romances (Magelone Songs) op. 33: IV. Musik/ Love came from distant lands | — | ||
| 52-9 | Romances (Magelone Songs) op. 33: V. Text/ "Daß du dich ei | — | ||
| 52-10 | Romances (Magelone Songs) op. 33: V. Musik/ Will you graciously pity? | — | ||
| 52-11 | Romances (Magelone Songs) op. 33: VI. Text/ Der Ritter befand s | — | ||
| 52-12 | Romances (Magelone Songs) op. 33: VI. Musik/ How am I then to bear the joy, the rapture? | — | ||
| 52-13 | Romances (Magelone Songs) op. 33: VII. Text/ jetzt war die Stun | — | ||
| 52-14 | Romances (Magelone Songs) op. 33: VII. Musik/ Was it you, for whom these lips trembled? | — | ||
| 52-15 | Romances (Magelone Songs) op. 33: VIII. Text/ Peter hatte seine | — | ||
| 52-16 | Romances (Magelone Songs) op. 33: VIII. Musik/ We must part [beloved lute] | — | ||
| 52-17 | Romances (Magelone Songs) op. 33: IX. Text/ Die Nacht war gekom | — | ||
| 52-18 | Romances (Magelone Songs) op. 33: IX. Musik/ Rest, sweet love | — | ||
| 52-19 | Romances (Magelone Songs) op. 33: X. Text/ Peter war durch sein | — | ||
| 52-20 | Romances (Magelone Songs) op. 33: X. Musik/ Despair (So resound then, Foaming Waves) | — | ||
| 52-21 | Romances (Magelone Songs) op. 33: XI. Text/ Magelone erwachte.. | — | ||
| 52-22 | Romances (Magelone Songs) op. 33: XI. Musik/ How quickly vanish light and radiance | — | ||
| 52-23 | Romances (Magelone Songs) op. 33: XII. Text/ Peter auf seinem K | — | ||
| 52-24 | Romances (Magelone Songs) op. 33: XII. Musik/ Must there be a parting? | — | ||
| 52-25 | Romances (Magelone Songs) op. 33: XIII. Text/ Peter war nun sch | — | ||
| 52-26 | Romances (Magelone Songs) op. 33: XIII. Musik/ Sulima (Beloved, where do your wandering feet now stray?) | — | ||
| 52-27 | Romances (Magelone Songs) op. 33: XIV. Text/ Peter ruderte stär | — | ||
| 52-28 | Romances (Magelone Songs) op. 33: XIV. Musik/ How glad and strong | — | ||
| 52-29 | Romances (Magelone Songs) op. 33: XV. Text/ Die Fahrt war glück | — | ||
| 52-30 | Romances (Magelone Songs) op. 33: XV. Musik/ True love lasts long | — | ||
| 53-1 | Five Songs op. 49: II. To a Violet | — | ||
| 53-2 | Six Songs op. 06: II. The Spring | — | ||
| 53-3 | Eight Songs and Romances op. 14: VIII. Longing | — | ||
| 53-4 | Six Songs op. 85: I. Summer Evening | — | ||
| 53-5 | Six Songs op. 85: II. Moonlight | — | ||
| 53-6 | Five Poems op. 19: I. The Kiss | — | ||
| 53-7 | Eight Songs and Romances op. 14: VI. Visit To My Beloved | — | ||
| 53-8 | Eight Songs and Romances op. 14: V. Separation | — | ||
| 53-9 | Five Poems op. 19: II. Separations and Avoidances | — | ||
| 53-10 | Five Poems op. 19: III. In the Distance | — | ||
| 53-11 | Six Songs op. 97: III. Abduction | — | ||
| 53-12 | Five Songs op. 47: IV. Oh Lovely Face | — | ||
| 53-13 | Five Songs op. 71: I. Love Is So Delightful in the Spring! | — | ||
| 53-14 | Five Songs op. 106: III. Hoarfrost Hung | — | ||
| 53-15 | Seven Songs op. 95: II. My Thoughts Are With You | — | ||
| 53-16 | Four Songs op. 70: IV. Evening Rain | — | ||
| 53-17 | Four Songs op. 43: IV. The Song of the Mister from Falconstone | — | ||
| 53-18 | Four Songs op. 70: I. In the Garden by the Seashore | — | ||
| 53-19 | Six Songs op. 97: II. On the Ship | — | ||
| 53-20 | Five Songs op. 106: IV. My Songs | — | ||
| 53-21 | Nine Songs op. 32: III. I Creep About | — | ||
| 53-22 | Six Songs op. 06: V. Like the Cloud to the Sun | — | ||
| 53-23 | Seven Songs op. 48: V. Consolation in Tears | — | ||
| 53-24 | Five Songs op. 106: II. On the Lake | — | ||
| 53-25 | Six Songs op. 03: VI. Song | — | ||
| 53-26 | Five Songs op. 49: III. Longing | — | ||
| 53-27 | Six Songs op. 06: III. Aftermath | — | ||
| 53-28 | Six Songs op. 86: VI. Longing for Death | — | ||
| 54-1 | Six Songs op. 85: V. Spring Song | — | ||
| 54-2 | Four Songs op. 70: III. Serenade | — | ||
| 54-3 | Four Songs op. 96: III. Flowers Look | — | ||
| 54-4 | Eight Songs op. 59: III. Rain Song | — | ||
| 54-5 | Eight Songs op. 59: IV. Lingering Sound | — | ||
| 54-6 | Seven Songs op. 48: III. The Lovelorn Girl’s Lament | — | ||
| 54-7 | Seven Songs op. 48: IV. Gold Prevails Over Love | — | ||
| 54-8 | Eight Songs and Romances op. 14: IV. A Sonnet | — | ||
| 54-9 | Eight Songs and Romances op. 14: VII. Serenade | — | ||
| 54-10 | Eight Songs and Romances op. 14: VIII. Longinga | — | ||
| 54-11 | Nine Songs op. 32: VII. You Meant to Say Bitterness | — | ||
| 54-12 | Nine Songs op. 63: I. Spring’s Consolation | — | ||
| 54-13 | Nine Songs op. 63: II. Reminiscence | — | ||
| 54-14 | Nine Songs op. 63: VI. Young Songs II | — | ||
| 54-15 | Nine Songs op. 63: VII. Homesickness I | — | ||
| 54-16 | Six Songs op. 97: I. Nightingale | — | ||
| 54-17 | Six Songs op. 97: IV. There Among the Willows | — | ||
| 54-18 | Six Songs op. 97: VI. Separation | — | ||
| 54-19 | Six Songs op. 06: I. Spanish Song | — | ||
| 54-20 | Six Songs op. 06: IV. Whoop! | — | ||
| 54-21 | Six Songs op. 06: VI. Nightingales Swing Happily | — | ||
| 54-22 | Five Songs op. 49: I. On Sunday Morning | — | ||
| 54-23 | Seven Songs op. 95: I. The Maiden | — | ||
| 54-24 | Seven Songs op. 95: III. At Parting | — | ||
| 54-25 | Seven Songs op. 95: V. Hasty Oath | — | ||
| 54-26 | Seven Songs op. 95: VI. Maiden’s Song | — | ||
| 54-27 | Five Songs op. 107: IV. Catkins | — | ||
| 55-1 | Twenty‐eight German Folk Songs WoO 32: I. Die Schnürbrust | — | ||
| 55-2 | Twenty‐eight German Folk Songs WoO 32: II. Der Jäger | — | ||
| 55-3 | Twenty‐eight German Folk Songs WoO 32: III. Drei Vögelein | — | ||
| 55-4 | Twenty‐eight German Folk Songs WoO 32: IV. Auf, gebet uns das Pfingstei | — | ||
| 55-5 | Twenty‐eight German Folk Songs WoO 32: V. Des Markgrafen Töchterlein | — | ||
| 55-6 | Twenty‐eight German Folk Songs WoO 32: VI. Der Reiter | — | ||
| 55-7 | Twenty‐eight German Folk Songs WoO 32: VII. Die heilige Elisabeth | — | ||
| 55-8 | Twenty‐eight German Folk Songs WoO 32: VIII. Der englische Gruß | — | ||
| 55-9 | Twenty‐eight German Folk Songs WoO 32: IX. Ich stund an einem Morgen | — | ||
| 55-10 | Twenty‐eight German Folk Songs WoO 32: X. Gunhilde | — | ||
| 55-11 | Twenty‐eight German Folk Songs WoO 32: XI. Der tote Gast | — | ||
| 55-12 | Twenty‐eight German Folk Songs WoO 32: XII. Ageweis vor einer schönen Frauen | — | ||
| 55-13 | Twenty‐eight German Folk Songs WoO 32: XIII. Schifferlied | — | ||
| 55-14 | Twenty‐eight German Folk Songs WoO 32: XIV. Nachtgesang | — | ||
| 55-15 | Twenty‐eight German Folk Songs WoO 32: XV. Die beiden Königskinder | — | ||
| 55-16 | Twenty‐eight German Folk Songs WoO 32: XVI. Scheiden | — | ||
| 55-17 | Twenty‐eight German Folk Songs WoO 32: XVII. Altes Minnelied | — | ||
| 55-18 | Twenty‐eight German Folk Songs WoO 32: XVIII. Der getreue Eckart | — | ||
| 55-19 | Twenty‐eight German Folk Songs WoO 32: XIX. Die Versuchung | — | ||
| 55-20 | Twenty‐eight German Folk Songs WoO 32: XX. Der Tochter Wunsch | — | ||
| 55-21 | Twenty‐eight German Folk Songs WoO 32: XXI. Schnitter Tod | — | ||
| 55-22 | Twenty‐eight German Folk Songs WoO 32: XXII. Marias Wallfahrt | — | ||
| 55-23 | Twenty‐eight German Folk Songs WoO 32: XXIII. Das Mädchen und der Tod | — | ||
| 55-24 | Twenty‐eight German Folk Songs WoO 32: XXIV. Es ritt ein Ritter | — | ||
| 55-25 | Twenty‐eight German Folk Songs WoO 32: XXV. Liebeslied | — | ||
| 55-26 | Twenty‐eight German Folk Songs WoO 32: XXVI. Guten Abend, mein tausiger Schatz | — | ||
| 55-27 | Twenty‐eight German Folk Songs WoO 32: XXVII. Die Wollust in den Maien | — | ||
| 55-28 | Twenty‐eight German Folk Songs WoO 32: XXVIII. Es reit ein Herr und auch sein Knecht | — | ||
| 56-1 | Six Songs op. 3: IV. Song | — | ||
| 56-2 | Nine Songs op. 32: V. Woe, So You Want Me Again | — | ||
| 56-3 | Five Songs op. 47: V. The Enamoured Writes | — | ||
| 56-4 | Eight Songs op. 58: I. Blind Man’s Bluff | — | ||
| 56-5 | Eight Songs op. 58: II. During the Rain | — | ||
| 56-6 | Eight Songs op. 58: III. The Unapproachable Woman | — | ||
| 56-7 | Eight Songs op. 58: IV. Oh Come, Fair Summer Night | — | ||
| 56-8 | Eight Songs op. 58: V. Melancholy | — | ||
| 56-9 | Eight Songs op. 58: VI. In the Narrow Street | — | ||
| 56-10 | Eight Songs op. 58: VII. Gone By | — | ||
| 56-11 | Eight Songs op. 58: VIII. Serenade | — | ||
| 56-12 | Five Songs op. 72: II. Summer Threads | — | ||
| 56-13 | Four Ballads and Romances op. 75: I. Edward | — | ||
| 56-14 | Four Ballads and Romances op. 75: III. So Let Us Wander! | — | ||
| 56-15 | Six Songs op. 85: III. Girl’s Song | — | ||
| 56-16 | Six Songs op. 85: IV. Goodbye! | — | ||
| 56-17 | Five Songs op. 105: III. Lament | — | ||
| 56-18 | Fifteen Children’s Folksongs WoO 31: I. Dornröschen | — | ||
| 56-19 | Fifteen Children’s Folksongs WoO 31: II. Die Nachtigall | — | ||
| 56-20 | Fifteen Children’s Folksongs WoO 31: III. Die Henne | — | ||
| 56-21 | Fifteen Children’s Folksongs WoO 31: IV. Sandmännchen | — | ||
| 56-22 | Fifteen Children’s Folksongs WoO 31: V. Der Mann | — | ||
| 56-23 | Fifteen Children’s Folksongs WoO 31: VI. Heideröslein | — | ||
| 56-24 | Fifteen Children’s Folksongs WoO 31: VII. Das Schlaraffenland | — | ||
| 56-25 | Fifteen Children’s Folksongs WoO 31: VIII. Beim Ritt auf dem Knie | — | ||
| 56-26 | Fifteen Children’s Folksongs WoO 31: VIIIa. Beim Ritt auf dem Knie | — | ||
| 56-27 | Fifteen Children’s Folksongs WoO 31: IX. Der Jäger in dem Walde | — | ||
| 56-28 | Fifteen Children’s Folksongs WoO 31: X. Das Mädchen und die Hasel | — | ||
| 56-29 | Fifteen Children’s Folksongs WoO 31: XI. Wiegenlied | — | ||
| 56-30 | Fifteen Children’s Folksongs WoO 31: XII. Weihnachten | — | ||
| 56-31 | Fifteen Children’s Folksongs WoO 31: XIII. Marienwürmchen | — | ||
| 56-32 | Fifteen Children’s Folksongs WoO 31: XIV. Dem Schutzengel | — | ||
| 57-1 | Four Songs op. 46: I. The Wreaths | — | ||
| 57-2 | Four Songs op. 46: II. Hungarian | — | ||
| 57-3 | Four Songs op. 46: III. The Shell Of Oblivion | — | ||
| 57-4 | Six Songs op. 85: V. Spring Song | — | ||
| 57-5 | Six Songs op. 03: II. Love And Spring I | — | ||
| 57-6 | Six Songs op. 03: III. Love And Spring II | — | ||
| 57-7 | Six Songs op. 03: V. Away From Home | — | ||
| 57-8 | Five Songs op. 94: I. At Forty | — | ||
| 57-9 | Five Songs op. 94: II. Arise, Beloved Ghost | — | ||
| 57-10 | Five Songs op. 94: III. My Heart is Heavy | — | ||
| 57-11 | Five Songs op. 94: V. No House, No Homeland | — | ||
| 57-12 | Four Songs op. 43: III. I Sound My Horn in the Valley of Grief | — | ||
| 57-13 | Nine Songs op. 32: I. How I Sprang Up In The Night | — | ||
| 57-14 | Nine Songs op. 32: IV. The Current, The Rustling Next To Me | — | ||
| 57-15 | Five Songs op. 106: V. A Traveler | — | ||
| 57-16 | Seven Songs op. 48: VI. I Have Lost Happiness and Well-being | — | ||
| 57-17 | Five Songs op. 72: V. Unconquerable | — | ||
| 57-18 | Eight Songs and Romances op. 14: III. The Assassination of Murray | — | ||
| 57-19 | Five Songs op. 105: V. Betrayal | — | ||
| 57-20 | Six Songs op. 86: III. Sleepwalker | — | ||
| 57-21 | Six Songs op. 86: V. Enraptured | — | ||
| 57-22 | Five Songs op. 71: II. To the Moon | — | ||
| 57-23 | Five Songs op. 71: IV. Do You Want Me to Go? | — | ||
| 57-24 | Five Songs op. 71: V. Minnesong | — | ||
| 57-25 | Five Songs op. 107: I. To a Haughty Woman | — | ||
| 58-1 | The Little Heart Mild WoO 19 | — | ||
| 58-2 | Eight German Folk Songs WoO 36: I. Totenklage | — | ||
| 58-3 | Eight German Folk Songs WoO 36: II. Altes Lied | — | ||
| 58-4 | Eight German Folk Songs WoO 36: III. Der todte Gast | — | ||
| 58-5 | Eight German Folk Songs WoO 36: IV. Ich hab die Nacht geträumet | — | ||
| 58-6 | Eight German Folk Songs WoO 36: V. Altes Liebeslied | — | ||
| 58-7 | Eight German Folk Songs WoO 36: VI. Es waren zwei Königskinder | — | ||
| 58-8 | Eight German Folk Songs WoO 36: VII. Spannung | — | ||
| 58-9 | Eight German Folk Songs WoO 36: VIII. Mit Lust tät ich ausreiten | — | ||
| 58-10 | Sixteen German Folk Songs WoO 37: I. Schwesterlein, Schwesterlein | — | ||
| 58-11 | Sixteen German Folk Songs WoO 37: II. Ich hört ein Sichtlein rauschen | — | ||
| 58-12 | Sixteen German Folk Songs WoO 37: III. Es stunden drei Rosen | — | ||
| 58-13 | Sixteen German Folk Songs WoO 37: IV. ch stand auf hohem Berge | — | ||
| 58-14 | Sixteen German Folk Songs WoO 37: V. Gunhilde | — | ||
| 58-15 | Sixteen German Folk Songs WoO 37: VI. Der bucklichte Fiedler | — | ||
| 58-16 | Sixteen German Folk Songs WoO 37: VII. Die Versuchung | — | ||
| 58-17 | Sixteen German Folk Songs WoO 37: VIII. Altes Minnelied | — | ||
| 58-18 | Sixteen German Folk Songs WoO 37: IX. Die Wollust in den Maien | — | ||
| 58-19 | Sixteen German Folk Songs WoO 37: X. Da unten im Tale | — | ||
| 58-20 | Sixteen German Folk Songs WoO 37: XI. Der Jäger | — | ||
| 58-21 | Sixteen German Folk Songs WoO 37: XII. Scheiden | — | ||
| 58-22 | Sixteen German Folk Songs WoO 37: XIII. Zu Straßburg auf der Schanz | — | ||
| 58-23 | Sixteen German Folk Songs WoO 37: XIV. Wach auf, mein Hort | — | ||
| 58-24 | Sixteen German Folk Songs WoO 37: XV. Der Ritter | — | ||
| 58-25 | Sixteen German Folk Songs WoO 37: XVI. Ständchen | — | ||
| 59-1 | Twenty German Folk Songs WoO 38: I. Die Entführung | — | ||
| 59-2 | Twenty German Folk Songs WoO 38: II. Gang zur Liebsten | — | ||
| 59-3 | Twenty German Folk Songs WoO 38: III. Schifferlied | — | ||
| 59-4 | Twenty German Folk Songs WoO 38: IV. Erlaube mir, feins Mädchen | — | ||
| 59-5 | Twenty German Folk Songs WoO 38: V. Schnitter Tod | — | ||
| 59-6 | Twenty German Folk Songs WoO 38: VI. Die Bernauerin | — | ||
| 59-7 | Twenty German Folk Songs WoO 38: VII. Der eifersüchtige Knabe | — | ||
| 59-8 | Twenty German Folk Songs WoO 38: VIII. Der Baum im Odenwald | — | ||
| 59-9 | Twenty German Folk Songs WoO 38: IX. Des Markgrafen Töchterlein | — | ||
| 59-10 | Twenty German Folk Songs WoO 38: X. Die stolze Jüdin | — | ||
| 59-11 | Twenty German Folk Songs WoO 38: XI. Der Zimmergesell | — | ||
| 59-12 | Twenty German Folk Songs WoO 38: XII. Liebeslied | — | ||
| 59-13 | Twenty German Folk Songs WoO 38: XIII. Heimliche Liebe | — | ||
| 59-14 | Twenty German Folk Songs WoO 38: XV. Dauernde Liebe | — | ||
| 59-15 | Twenty German Folk Songs WoO 38: XVI. Während der Trennung | — | ||
| 59-16 | Twenty German Folk Songs WoO 38: XVII. Morgen Muß ich fort von hier | — | ||
| 59-17 | Twenty German Folk Songs WoO 38: XVIII. Scheiden | — | ||
| 59-18 | Twenty German Folk Songs WoO 38: XIX. Vor dem Fenster | — | ||
| 59-19 | Twenty German Folk Songs WoO 38: XX. Ständchen | — | ||
| 60-1 | Choral prelude and fugue for organ (’O Traurigkeit, O Herzeleid’), WoO 7: I. Prelude | — | ||
| 60-2 | Choral prelude and fugue for organ (’O Traurigkeit, O Herzeleid’), WoO 7: II. Fugue | — | ||
| 60-3 | Fugue for organ in A‐flat minor WoO 8 | — | ||
| 60-4 | Prelude and fugue for organ in G minor WoO posth. 10: I. Prelude | — | ||
| 60-5 | Prelude and fugue for organ in G minor WoO posth. 10: II. Fugue | — | ||
| 60-6 | Eleven Chorale Preludes for organ op. 122: I. Mein Jesu, der du mich | — | ||
| 60-7 | Eleven Chorale Preludes for organ op. 122: II. Herzliebster Jesu | — | ||
| 60-8 | Eleven Chorale Preludes for organ op. 122: III. O Welt, ich muss dich lassen I | — | ||
| 60-9 | Eleven Chorale Preludes for organ op. 122: IV. Herzlich tut mich erfreuen | — | ||
| 60-10 | Eleven Chorale Preludes for organ op. 122: V. Schmucke dich, o liebe Seele | — | ||
| 60-11 | Eleven Chorale Preludes for organ op. 122: VI. O wie selig seid ihr doch, ihr Frommen | — | ||
| 60-12 | Eleven Chorale Preludes for organ op. 122: VII. O Gott, du frommer Gott | — | ||
| 60-13 | Eleven Chorale Preludes for organ op. 122: VIII. Es ist ein Ros entsprungen | — | ||
| 60-14 | Eleven Chorale Preludes for organ op. 122: IX. Herzlich tut mich verlangen I | — | ||
| 60-15 | Eleven Chorale Preludes for organ op. 122: X. Herzlich tut mich verlangen II | — | ||
| 60-16 | Eleven Chorale Preludes for organ op. 122: XI. O Welt, ich muss dich lassen II | — |
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5028421935546 is a Universal Product Code (UPC) assigned to Complete Works by Johannes Brahms. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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