UPC · Release
Tchaikovsky Edition
Pyotr Ilyich Tchaikovsky
5028421939803
798 tracksReleased 2011-01-01Brilliant Classics
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5028421939803 is the Universal Product Code (UPC barcode) for the release “Tchaikovsky Edition” by Pyotr Ilyich Tchaikovsky, released 2011-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 798 tracks, each with its own ISRC. Tracks include GBF075941701, GBF075941702, GBF075941703.
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UPCTchaikovsky Edition
ISRC140 recordings
ISWC7 works
Track List (798)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": I. Daydreams of a Winter Journey: Allegro tranquillo | — | ||
| 2 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": II. Land of Gloom, Land of Mist: Adagio cantabile ma non tanto | — | ||
| 3 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": III. Scherzo: Allegro scherzando giocoso | — | ||
| 4 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": IV. Finale: Andante lugubre - Allegro moderato | — | ||
| 5 | 1812 Ouverture: Festival Overture in E-flat, op. 49 | — | ||
| 2-1 | Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo | — | ||
| 2-2 | Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale - quasi moderato | — | ||
| 2-3 | Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo: Allegro molto vivace | — | ||
| 2-4 | Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale: Moderato assai | — | ||
| 2-5 | Francesca da Rimini: Symphonic Fantasia in E minor after Dante | — | ||
| 3-1 | Symphony no. 3 in D, op. 29 "Polish": I. Introduzione e allegro - Moderato assai (Tempo di marcia funebre) - Allegro brillante | — | ||
| 3-2 | Symphony no. 3 in D, op. 29 "Polish": II. Alla tedesca - Allegro moderato e semplice | — | ||
| 3-3 | Symphony no. 3 in D, op. 29 "Polish": III. Andante elegiaco | — | ||
| 3-4 | Symphony no. 3 in D, op. 29 "Polish": IV. Scherzo: Allegro vivo | — | ||
| 3-5 | Symphony no. 3 in D, op. 29 "Polish": V. Finale: Allegro con fuoco (Tempo di Polacca) | — | ||
| 3-6 | Hamlet: Fantasy Overture for Orchestra in F minor, op. 67a | — | ||
| 4-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima | — | ||
| 4-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona | — | ||
| 4-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato | — | ||
| 4-4 | Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco | — | ||
| 4-5 | March Slave, op. 31 | — | ||
| 5-1 | Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima | — | ||
| 5-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile con alcuna licenza - Moderato con anima | — | ||
| 5-3 | Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato | — | ||
| 5-4 | Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace | — | ||
| 5-5 | Capriccio Italien, op. 45 | — | ||
| 6-1 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo | — | ||
| 6-2 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | — | ||
| 6-3 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace | — | ||
| 6-4 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso - Andante | — | ||
| 6-5 | Overture: The Storm | — | ||
| 7-1 | Manfred Symphony in B minor, op. 58: I. Lento lugubre | — | ||
| 7-2 | Manfred Symphony in B minor, op. 58: II. Vivace con spirito | — | ||
| 7-3 | Manfred Symphony in B minor, op. 58: III. Andante con moto | — | ||
| 7-4 | Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco | — | ||
| 7-5 | Romeo and Juliet: Fantasy Overture after Shakespeare | — | ||
| 8-1 | Hamlet, op. 67a: Overture | — | ||
| 8-2 | Hamlet, op. 67a: Moderato assai | — | ||
| 8-3 | Hamlet, op. 67a: Allegro vivo | — | ||
| 8-4 | Hamlet, op. 67a: Moderato assai | — | ||
| 8-5 | Hamlet, op. 67a: Allegro giusto ed agitato | — | ||
| 8-6 | Hamlet, op. 67a: Allegro semplice | — | ||
| 8-7 | Hamlet, op. 67a: Fanfare | — | ||
| 8-8 | Hamlet, op. 67a: Andante quasi allegretto | — | ||
| 8-9 | Hamlet, op. 67a: Andante non troppo | — | ||
| 8-10 | Hamlet, op. 67a: Andantino "Elsinore", Mad Scene | — | ||
| 8-11 | Hamlet, op. 67a: Andantino | — | ||
| 8-12 | Hamlet, op. 67a: Marcia: Moderato assai | — | ||
| 8-13 | Hamlet, op. 67a: Allegro giusto | — | ||
| 8-14 | Hamlet, op. 67a: Allegro risoluto ma non troppo | — | ||
| 8-15 | Fatum, op. posth. 77: Tonepoem for Orchestra | — | ||
| 9-1 | The Snow Maiden: Introduction | — | ||
| 9-2 | The Snow Maiden: Dance and Choruses of the Birds | — | ||
| 9-3 | The Snow Maiden: Winter's Monologue | — | ||
| 9-4 | The Snow Maiden: Carnival Procession | — | ||
| 9-5 | The Snow Maiden: Melodrama | — | ||
| 9-6 | The Snow Maiden: Interlude | — | ||
| 9-7 | The Snow Maiden: Lehl's First Song | — | ||
| 9-8 | The Snow Maiden: Lehl's Second Song | — | ||
| 9-9 | The Snow Maiden: Interlude | — | ||
| 9-10 | The Snow Maiden: Chant of the Blind Bards | — | ||
| 9-11 | The Snow Maiden: Melodrama | — | ||
| 9-12 | The Snow Maiden: Chorus of the people and the courtiers | — | ||
| 9-13 | The Snow Maiden: Round of the Young Maidens | — | ||
| 9-14 | The Snow Maiden: Dance of the Thumblers | — | ||
| 9-15 | The Snow Maiden: Lehl's Third Song | — | ||
| 9-16 | The Snow Maiden: brussila's song | — | ||
| 9-17 | The Snow Maiden: Apparation of the Spirit and the Wood | — | ||
| 9-18 | The Snow Maiden: Interlude - The Spring Fairy | — | ||
| 9-19 | The Snow Maiden: Tsar Berendey's March | — | ||
| 9-20 | The Snow Maiden: Final Chorus | — | ||
| 10-1 | Orchestral Suite no. 1 in D minor, op. 43: I. Introduzione e Fuga | — | ||
| 10-2 | Orchestral Suite no. 1 in D minor, op. 43: II. Divertimento | — | ||
| 10-3 | Orchestral Suite no. 1 in D minor, op. 43: III. Intermezzo | — | ||
| 10-4 | Orchestral Suite no. 1 in D minor, op. 43: IV. Marche miniature | — | ||
| 10-5 | Orchestral Suite no. 1 in D minor, op. 43: V. Scherzo | — | ||
| 10-6 | Orchestral Suite no. 1 in D minor, op. 43: VI. Gavotte | — | ||
| 10-7 | Orchestral Suite no. 2 in C, op. 53 "Suite caractérique": I. Jeu de sons | — | ||
| 10-8 | Orchestral Suite no. 2 in C, op. 53 "Suite caractérique": II. Valse | — | ||
| 10-9 | Orchestral Suite no. 2 in C, op. 53 "Suite caractérique": III. Scherzo burlesque | — | ||
| 10-10 | Orchestral Suite no. 2 in C, op. 53 "Suite caractérique": IV. Rêves d'enfant | — | ||
| 10-11 | Orchestral Suite no. 2 in C, op. 53 "Suite caractérique": V. Danse baroque | — | ||
| 11-1 | Orchestral Suite no. 3 in G, op. 55: I. Élégie: Andante molto cantabile | — | ||
| 11-2 | Orchestral Suite no. 3 in G, op. 55: II. Valse mélancolique: Allegro moderato | — | ||
| 11-3 | Orchestral Suite no. 3 in G, op. 55: III. Scherzo: Molto vivace | — | ||
| 11-4 | Orchestral Suite no. 3 in G, op. 55: IV. Tema con variazioni: Andante con moto | — | ||
| 11-5 | Orchestral Suite no. 4 in G "Mozartiana": I. Gigue: Allegro (Gigue, K. 574) | — | ||
| 11-6 | Orchestral Suite no. 4 in G "Mozartiana": II. Menuet: Moderato (Minuet, K. 355) | — | ||
| 11-7 | Orchestral Suite no. 4 in G "Mozartiana": III. Preghiera: Andante non tanto (Ave verum corpus, K. 618) | — | ||
| 11-8 | Orchestral Suite no. 4 in G "Mozartiana": IV. Théme et Variations: Allegro giusto (Unser dummer Pöbel meint, K. 455) | — | ||
| 12-1 | Swan Lake: Introduction (Moderato assai) / No. 1. Scène (Allegro giusto) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 12-2 | Swan Lake: No. 2. Waltz (Tempo di valse) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 12-3 | Swan Lake: Act I. No. 4 Pas de trois: a. Intrada: Allegro / b. Andante sostenuto / c. Allegro semplice / d. Moderato / e. Allegro / f. Coda: Allegro vivace | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 12-4 | Swan Lake: No. 7. Subject / No. 8. Dance with Goblets (Tempo di polacca) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 12-5 | Swan Lake: No. 10. Scene (Moderato) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 12-6 | Swan Lake: No. 11. Scene (Allegro moderato - Allegro vivo) / 12. Scene (Allegro) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 12-7 | Swan Lake: No. 13. Dances of the Swans: I. Tempo di valse | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 12-8 | Swan Lake: No. 13. Dances of the Swans: V. Pas d'action: Odette et le prince (Andante) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 12-9 | Le Lac des cygnes : Danse des petits cygnes (Allegro moderato) | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 12-10 | Swan Lake: No. 13. Dances of the Swans: VI. Danse générale (Valse) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 12-11 | Swan Lake: No. 13. Dances of the Swans: II. Odette solo (Moderato assai) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 12-12 | Swan Lake: No. 13. Dances of the Swans: VII. Coda (Allegro vivace) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 12-13 | Swan Lake: No. 15. Scene (Allegro giusto) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 12-14 | Swan Lake: No. 17. Scene: Entrance and Waltz of the Special Guests (Allegro - Tempo di valse) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 12-15 | Swan Lake: No. 18. Scene (Allegro - Allegro giusto) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 12-16 | Swan Lake: No. 21. Spanish Dance (Allegro non troppo: tempo di Bolero) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 12-17 | Swan Lake: No. 22. Neapolitan Dance (Allegro moderato - Andantino quasi moderato) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 12-18 | Swan Lake: No. 23. Mazurka | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 12-19 | Swan Lake: No. 20. Danse hongroise (Czárdás) | Orchestre de la Suisse Romande, Ernest Ansermet | T-900.160.317-4 | |
| 12-20 | Swan Lake: Act III. No. 5. Pas de deux: a. Intrada: Tempo di valse / b. Andante / c. Tempo di valse / d. Coda: Allegro molto vivace | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 13-1 | Swan Lake: No. 28. Scene (Allegro agitato - Allegro vivace) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 13-2 | Swan Lake: No. 29. Finale (Andante - Allegro agitato - Alla breve - Moderato e maestoso) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 13-3 | Variations on a Rococo Theme, op. 33 | — | ||
| 13-4 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 13-5 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 13-6 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 13-7 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale (Adagio lamentoso - Andante) | — | ||
| 14-1 | Sleeping Beauty: Introduction (Allegro vivo - Andantino) / Prologue, No. 1. March (Moderato) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 14-2 | Sleeping Beauty: Prologue, No. 2. Dance scene (Moderato con moto) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 14-3 | Sleeping Beauty: Prologue, No. 3. Pas de six: Introduction - Adagio | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 14-4 | Sleeping Beauty: Prologue, No. 3. Pas de six: Variation I. The Fairy of the Crystal Fountain (Allegro moderato) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 14-5 | Sleeping Beauty: Prologue, No. 3. Pas de six: Variation II. The Fairy of the Enchanted Garden (Allegro) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 14-6 | Sleeping Beauty: Prologue, No. 3. Pas de six: Variation III. The Fairy of the Woodland Glades (Allegro moderato) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 14-7 | Sleeping Beauty: Prologue, No. 3. Pas de six: Variation IV. The Fairy of the Songbirds (Moderato) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 14-8 | Sleeping Beauty: Prologue, No. 3. Pas de six: Variation V. The Fairy of the Golden Vine (Allegro molto vivace) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 14-9 | Sleeping Beauty: Prologue, No. 3. Pas de six: Variation VI. The Lilac Fairy (Tempo di valse) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 14-10 | Sleeping Beauty: Prologue, No. 3. Pas de six: Coda | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 14-11 | Sleeping Beauty: Prologue, No. 4. Finale | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 14-12 | Sleeping Beauty: Act One, No. 5. Scene (Allegro vivo - Moderato) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 14-13 | Sleeping Beauty: Act One, No. 6. Waltz (Allegro: Tempo di valse) | Orchestre de la Suisse Romande, Ernest Ansermet | T-905.014.886-2 | |
| 14-14 | Sleeping Beauty: Act One, No. 7. Scene (Andante) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 14-15 | Sleeping Beauty: Act One, No. 8. Pas d'action: Rose Adagio (Andante - Adagio maestoso) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 14-16 | Sleeping Beauty: Act One, No. 8. Pas d'action: Dance of the Maids of Honour and the Pages | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 14-17 | Sleeping Beauty: Act One, No. 8. Pas d'action: Aurora's Variation | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 14-18 | Sleeping Beauty: Act One, No. 8. Pas d'action: Coda (Allegro giusto) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 14-19 | La Belle au bois dormant : La Fée des lilas | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-1 | Sleeping Beauty: Act Two, No. 10. Entr'acte and Scene (Allegro con spirito - Un poco più tranquillo) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-2 | Sleeping Beauty: Act Two, No. 11. Blind Man's Buff (Allegro vivo) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-3 | Sleeping Beauty: Act Two, No. 12. Scene: Dances of the Courtiers: Scene | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-4 | Sleeping Beauty: Act Two, No. 12. Scene: Dances of the Courtiers: Dance of the Duchesses (Minuet: Moderato con moto) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-5 | Sleeping Beauty: Act Two, No. 12. Scene: Dances of the Courtiers: Dance of the Baronesses (Gavotte) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-6 | Sleeping Beauty: Act Two, No. 12. Scene: Dances of the Courtiers: Dance of the Countesses (Allegro non troppo) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-7 | Sleeping Beauty: Act Two, No. 12. Scene: Dances of the Courtiers: Dance of the Marchionesses (Allegro non troppo) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-8 | Sleeping Beauty: Act Two, No. 13. Farandole: Scene (Poco più vivo) - Dance (Allegro non troppo) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-9 | Sleeping Beauty: Act Two, No. 14. Scene: Prince Florimund and the Lilac Fairy | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-10 | Sleeping Beauty: Act Two, No. 15. Pas d'action: Aurora and Florimund (Andante cantabile) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-11 | Sleeping Beauty: Act Two, No. 15. Pas d'action: Aurora's Variation (Allegro con moto) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-12 | Sleeping Beauty: Act Two, No. 15. Pas d'action: Coda (Presto) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-13 | Sleeping Beauty: Act Two, No. 16. Scene (Allegro agitato) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-14 | Sleeping Beauty: Act Two, No. 17. Panorama (Andantino) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-15 | Sleeping Beauty: Act Two, No. 19. Symphonic Entr' acte (The Sleep) and Scene (Andante misterioso) / No. 20. Finale: The Awakening (Allegro agitato) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-16 | Sleeping Beauty: Act Three, No. 21. March (Allegro non troppo) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-17 | Sleeping Beauty: Act Three, No. 22. Polonaise: Procession of Fairy Tale Characters (Allegro moderato e brillante) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-18 | Sleeping Beauty: Act Three, No. 23. Pas de quatre: Introduction | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-19 | Sleeping Beauty: Act Three, No. 23. Pas de quatre: Variation I. The Golden Fairy (Allegro tempo di valse) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-20 | Sleeping Beauty: Act Three, No. 23. Pas de quatre: Variation II. The Silver Fairy (Allegro giusto) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-21 | Sleeping Beauty: Act Three, No. 23. Pas de quatre: Variation IV. The Diamond Fairy (Vivace) - Coda (L'istesso tempo) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-22 | La Belle au bois dormant : Pas de caractère (Le Chat botté et la Chatte blanche) | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-23 | Sleeping Beauty: Act Three, No. 25. Pas de quatre: Introduction (Adagio) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-24 | Sleeping Beauty: Act Three, No. 25. Pas de quatre: Variation I. Cinderella and Prince Charming (Allegro: Tempo di valse) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-25 | Sleeping Beauty: Act Three, No. 25. Pas de quatre: Variation II. The Bluebird and Princess Florine (Andantino) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-26 | Sleeping Beauty: Act Three, No. 25. Pas de quatre: Coda (Presto) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-27 | Sleeping Beauty: Act Three, No. 26. Pas de caractère: Red Riding Hood and the Wolf (Allegro moderato) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-28 | Sleeping Beauty: Act Three, No. 27. Tom Thumb (Allegro agitato - Tempo di valse - Vivace assai) - | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-29 | Sleeping Beauty: Act Three, No. 27. Cinderella and Prince Fortune | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-30 | Sleeping Beauty: Act Three, No. 28. Pas de deux: Entreé (Allegretto - Allegro moderato) - Adagio (Andante non troppo) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-31 | Sleeping Beauty: Act Three, No. 28. Pas de deux: Variation I. Florimund (Vivace - Prestissimo) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-32 | Sleeping Beauty: Act Three, No. 28. Pas de deux: Variation II. Aurora (Andantino) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-33 | Sleeping Beauty: Act Three, No. 28. Pas de deux: Coda (Allegro vivace) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-34 | Sleeping Beauty: Act Three, No. 29. Sarabande | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-35 | Sleeping Beauty: Act Three, No. 30. Finale and Apotheosis: Finale (Allegro brillante: Tempo di mazurka) - | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15-36 | Sleeping Beauty: Act Three, No. 30. Finale and Apotheosis: Apotheosis (Andante molto maestoso) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 16-1 | The Nutcracker, op. 71: Ouverture miniature: Allegro giusto | Orchestre de la Suisse Romande, Ernest Ansermet | T-312.199.363-9 | |
| 16-2 | The Nutcracker, op. 71: Act I, Tableau 1. No. 1 Scene: The Christmas Tree | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 16-3 | The Nutcracker, op. 71: Act I, Tableau 1. No. 2 March of the Toy Soldiers | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 16-4 | The Nutcracker, op. 71: Act I, Tableau 1. No. 3 Children's Gallop - Dance of the Parents | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 16-5 | The Nutcracker, op. 71: Act I, Tableau 1. No. 4 Dance Scene: Arrival of Drosselmeyer - Distribution of presents | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 16-6 | The Nutcracker, op. 71: Act I, Tableau 1. No. 5 Scene: Grandfather Waltz | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 16-7 | The Nutcracker, op. 71: Act I, Tableau 1. No. 6 Scene: Departure of the guests - Clara and the Nutcracker | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 16-8 | The Nutcracker, op. 71: Act I, Tableau 1. No. 7 Scene: The Battle | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 16-9 | The Nutcracker, op. 71: Act I, Tableau 2. No. 8 Scene: A Pine Forest in Winter | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 16-10 | The Nutcracker, op. 71: Act I, Tableau 2. No. 9 Waltz of the Snowflakes | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 16-11 | The Nutcracker, op. 71: Act II, Tableau 3. No. 10 Scene: The Magic Castle on the Mountain of Sweets | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 16-12 | The Nutcracker, op. 71: Act II, Tableau 3. No. 11 Scene: Clara and Nutcracker Prince | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 16-13 | The Nutcracker, op. 71: Act II, Tableau 3. No. 12 Divertissement: a. Chocolate (Spanish Dance) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 16-14 | The Nutcracker, op. 71: Act II, Tableau 3. No. 12 Divertissement: b. Coffee (Arabian Dance) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 16-15 | Casse-Noisette : Danse chinoise | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 16-16 | The Nutcracker, op. 71: Act II, Tableau 3. No. 12 Divertissement: d. Trepak (Russian Dance) | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 16-17 | Casse-Noisette : Danse des Mirlitons | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 16-18 | The Nutcracker, op. 71: Act II, Tableau 3. No. 12 Divertissement: f. Clowns Dance | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 16-19 | The Nutcracker, op. 71: Act II, Tableau 3. No. 13 Waltz of the Flowers | Orchestre de la Suisse Romande, Ernest Ansermet | T-011.792.441-0 | |
| 17-1 | The Nutcracker, op. 71: Act II, Tableau 3. No. 14 Pas de deux | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 17-2 | The Nutcracker, op. 71: Act II, Tableau 3. No. 14 Pas de deux: Variation 1: Tarantelle | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 17-3 | The Nutcracker, op. 71: Act II, Tableau 3. No. 14 Pas de deux: Variation 2: Dance of The Sugar Plum Fairy | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 17-4 | The Nutcracker, op. 71: Act II, Tableau 3. No. 14 Pas de deux: Coda | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 17-5 | The Nutcracker, op. 71: Act II, Tableau 3. No. 15 Final Waltz and Apotheosis | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 17-6 | Suite for Orchestra no. 3 in G, op. 55: I. Elégie | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 17-7 | Suite for Orchestra no. 3 in G, op. 55: II. Valse mélancolique | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 17-8 | Suite for Orchestra no. 3 in G, op. 55: III. Scherzo | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 17-9 | Suite for Orchestra no. 3 in G, op. 55: IV. Thème et variations | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 17-10 | Suite for Orchestra no. 4 in G, op. 61 "Mozartiana": I. Gigue | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 17-11 | Suite for Orchestra no. 4 in G, op. 61 "Mozartiana": II. Menuet | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 17-12 | Suite for Orchestra no. 4 in G, op. 61 "Mozartiana": III. Preghiera | Orchestre de la Suisse Romande, Ernest Ansermet | T-329.460.887-6 | |
| 17-13 | Suite for Orchestra no. 4 in G, op. 61 "Mozartiana": IV. Thème et variations | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 18-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 18-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andante semplice | — | ||
| 18-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 18-4 | Piano Concerto no. 2 in G, op. 44: I. Allegro brilliante | — | ||
| 18-5 | Piano Concerto no. 2 in G, op. 44: II. Andante non troppo | — | ||
| 18-6 | Piano Concerto no. 2 in G, op. 44: III. Allegro con fuoco | — | ||
| 19-1 | Piano Concerto no. 3 in E-flat, op. 75/79: I. Allegro brillante | — | ||
| 19-2 | Piano Concerto no. 3 in E-flat, op. 75/79: II. Andante | — | ||
| 19-3 | Piano Concerto no. 3 in E-flat, op. 75/79: III. Finale: Allegro maestoso | — | ||
| 19-4 | Concert Fantasy, op. 56: I. Quasi rondo: Andante mosso | — | ||
| 19-5 | Concert Fantasy, op. 56: II. Contrastes: Andante cantabile | — | ||
| 20-1 | Méditation | — | ||
| 20-2 | Scherzo | — | ||
| 20-3 | Mélodie | — | ||
| 20-4 | Sérénade mélancolique | — | ||
| 20-5 | Valse-Scherzo | — | ||
| 20-6 | Violin Concerto in D, op. 35: I. Allegro moderato | — | ||
| 20-7 | Violin Concerto in D, op. 35: II. Andante | — | ||
| 20-8 | Violin Concerto in D, op. 35: III. Allegro vivacissimo | — | ||
| 21-1 | Variations on Rococo Theme, op. 33 (Original version) | Александр Израилевич Рудин, Ensemble Instrumental Musica Viva, Николай Геннадьевич Алексеев | — | |
| 21-2 | Nocturne (Adapted from 6 Piano Pieces, op. 19) | Александр Израилевич Рудин, Ensemble Instrumental Musica Viva, Николай Геннадьевич Алексеев | — | |
| 21-3 | Andante cantabile (Adapted from String Quartet no. 1, op. 11) | Александр Израилевич Рудин, Ensemble Instrumental Musica Viva, Николай Геннадьевич Алексеев | — | |
| 21-4 | Pezzo capriccioso, op. 62 | Александр Израилевич Рудин, Ensemble Instrumental Musica Viva, Николай Геннадьевич Алексеев | — | |
| 21-5 | Andante cantabile (Adapted from Sleeping Beauty, op. 66) | Александр Израилевич Рудин, Ensemble Instrumental Musica Viva, Николай Геннадьевич Алексеев | — | |
| 21-6 | Serenade for Strings in C, op. 48: I. Pezzo in forma di sonatina; Andante non troppo - Allegro moderato | Ensemble Instrumental Musica Viva, Александр Израилевич Рудин | — | |
| 21-7 | Serenade for Strings in C, op. 48: II. Valse: Moderato (Tempo di valse) | Ensemble Instrumental Musica Viva, Александр Израилевич Рудин | — | |
| 21-8 | Serenade for Strings in C, op. 48: III. Elégie: Larghetto elegiaco | Ensemble Instrumental Musica Viva, Александр Израилевич Рудин | — | |
| 21-9 | Serenade for Strings in C, op. 48: IV. Finale (Tema russo): Andante - Allegro con spirito | Ensemble Instrumental Musica Viva, Александр Израилевич Рудин | T-318.676.528-2 | |
| 22-1 | Liturgy of St John Chrysostom, op. 41: I. Lord, have mercy | — | ||
| 22-2 | Liturgy of St John Chrysostom, op. 41: II. Glory be to the Father | — | ||
| 22-3 | Liturgy of St John Chrysostom, op. 41: III. O come, let us worship | — | ||
| 22-4 | Liturgy of St John Chrysostom, op. 41: IV. Alleluia | — | ||
| 22-5 | Liturgy of St John Chrysostom, op. 41: V. Glory be to Thee | — | ||
| 22-6 | Liturgy of St John Chrysostom, op. 41: VI. Hymn of the Cherubim | — | ||
| 22-7 | Liturgy of St John Chrysostom, op. 41: VII. Lord have Mercy | — | ||
| 22-8 | Liturgy of St John Chrysostom, op. 41: VIII. The Creed | — | ||
| 22-9 | Liturgy of St John Chrysostom, op. 41: IX. The mercy of peace | — | ||
| 22-10 | Liturgy of St John Chrysostom, op. 41: X. We sing Thee | — | ||
| 22-11 | Liturgy of St John Chrysostom, op. 41: XI. It is meet | — | ||
| 22-12 | Liturgy of St John Chrysostom, op. 41: XII. Amen, and with Thy Spirit | — | ||
| 22-13 | Liturgy of St John Chrysostom, op. 41: XIII. Our Father | — | ||
| 22-14 | Liturgy of St John Chrysostom, op. 41: XIV. Praise ye the Lord from the Heavens | — | ||
| 22-15 | Liturgy of St John Chrysostom, op. 41: XV. Blessed be he that cometh in name of the lord | — | ||
| 23-1 | Evening | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-2 | Autumn | Andrei Azovski, Moscow Choral Academy, Виктор Сергеевич Попов | T-900.124.104-9 | |
| 23-3 | Child's Song | Dimitri Kortchak, Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-4 | Blessed Is He Who Smiles | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-5 | Why Does the Sound of the Revels Grow Silent? | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-6 | Much Too Soon in the Season | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-7 | Old French Air | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-8 | Dawn | Moscow Choral Academy, Tamara Kravtchenko, Виктор Сергеевич Попов | — | |
| 23-9 | Nature and Love | Anetta Michina, Moscow Choral Academy, Tamara Kravtchenko, Виктор Сергеевич Попов | — | |
| 23-10 | Before Sleep | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-11 | A Golden Cloud Slumbered | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-12 | A Greeting to Anton Rubinstein | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-13 | The Nightingale | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-14 | It's Not the Cuckoo | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-15 | Night | Moscow Choral Academy, Tamara Kravtchenko, Виктор Сергеевич Попов | — | |
| 23-16 | Hymn to Cyril and Methodius | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-17 | A Legend | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-18 | Neopolitan Air (Adaptation for Chorus by Klimov) | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 24-1 | Piano Trio in A minor, op. 50 "In Memory of a Great Artist": I. Pezzo elegiaco. Moderato assai - Allegro giusto | — | ||
| 24-2 | Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Andante con moto | — | ||
| 24-3 | Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation I: Cantabile | — | ||
| 24-4 | Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation II: Più mosso | — | ||
| 24-5 | Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation III: Allegro moderato | — | ||
| 24-6 | Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation IV: L'istesso tempo | — | ||
| 24-7 | Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation V: L'istesso tempo | — | ||
| 24-8 | Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation VI: Tempo di valse | — | ||
| 24-9 | Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation VII: Allegro moderato | — | ||
| 24-10 | Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation VIII: Fuga (Allegro moderato) | — | ||
| 24-11 | Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation IX: Andante flebile ma non tanto | — | ||
| 24-12 | Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation X: Tempo di mazurka | — | ||
| 24-13 | Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation XI: Moderato | — | ||
| 24-14 | Piano Trio in A minor, op. 50 "In Memory of a Great Artist": III. Finale: Allegretto risoluto e con fuoco - Coda: Andante con moto - Lugubre | — | ||
| 25-1 | String Quartet no. 1 in D, op. 11: I. Moderato e semplice | — | ||
| 25-2 | String Quartet no. 1 in D, op. 11: II. Andante cantabile | — | ||
| 25-3 | String Quartet no. 1 in D, op. 11: III. Scherzo: Allegro non tanto e con fuoco | — | ||
| 25-4 | String Quartet no. 1 in D, op. 11: IV. Finale: Allegro giusto - Allegro vivace | — | ||
| 25-5 | String Quartet no. 2 in F, op. 22: I. Adagio - Moderato assai | — | ||
| 25-6 | String Quartet no. 2 in F, op. 22: II. Scherzo: Allegro giusto | — | ||
| 25-7 | String Quartet no. 2 in F, op. 22: III. Andante ma non tanto | — | ||
| 25-8 | String Quartet no. 2 in F, op. 22: IV. Finale: Allegro con moto | — | ||
| 25-9 | Quartet Movement in B-flat: Adagio misterioso - Allegro con moto - Adagio misterioso | — | ||
| 26-1 | String Sextet in D minor, op. 70 "Souvenir de Florence": I. Allegro con spirito | — | ||
| 26-2 | String Sextet in D minor, op. 70 "Souvenir de Florence": II. Adagio cantabile e con moto | — | ||
| 26-3 | String Sextet in D minor, op. 70 "Souvenir de Florence": III. Allegretto moderato | — | ||
| 26-4 | String Sextet in D minor, op. 70 "Souvenir de Florence": IV. Allegro con brio e vivace | — | ||
| 26-5 | String Quartet no. 3 in E minor, op. 30: I. Andante sostenuto | — | ||
| 26-6 | String Quartet no. 3 in E minor, op. 30: II. Allegretto vivo e scherzando | — | ||
| 26-7 | String Quartet no. 3 in E minor, op. 30: III. Andante funebre e doloroso, ma con moto | — | ||
| 26-8 | String Quartet no. 3 in E minor, op. 30: IV. Finale: Allegro non troppo e risoluto | — | ||
| 26-9 | Allegretto moderato in D for String Trio | — | ||
| 26-10 | Allegretto in E for String Quartet | — | ||
| 26-11 | Allegro vivace in B-flat for String Quartet | — | ||
| 26-12 | Andante molto in G for String Quartet | — | ||
| 27-1 | The Seasons, op. 37a: I. January | — | ||
| 27-2 | The Seasons, op. 37a: II. February | — | ||
| 27-3 | The Seasons, op. 37a: III. March | — | ||
| 27-4 | The Seasons, op. 37a: IV. April | — | ||
| 27-5 | The Seasons, op. 37a: V. May | — | ||
| 27-6 | The Seasons, op. 37a: VI. June | — | ||
| 27-7 | The Seasons, op. 37a: VII. July | — | ||
| 27-8 | The Seasons, op. 37a: VIII. August | — | ||
| 27-9 | The Seasons, op. 37a: IX. September | — | ||
| 27-10 | The Seasons, op. 37a: X. October | — | ||
| 27-11 | The Seasons, op. 37a: XI. November | — | ||
| 27-12 | The Seasons, op. 37a: XII. December | — | ||
| 27-13 | 6 Pieces for Piano, op. 51: Valse de salon | — | ||
| 27-14 | 6 Pieces for Piano, op. 51: Polka peu dansante | — | ||
| 27-15 | 6 Pieces for Piano, op. 51: Menuetto scherzoso | — | ||
| 27-16 | 6 Pieces for Piano, op. 51: Natha Valse | — | ||
| 27-17 | 6 Pieces for Piano, op. 51: Romance | — | ||
| 27-18 | 6 Pieces for Piano, op. 51: Valse sentimentale | — | ||
| 27-19 | Album for the Young, op. 39: Morning Prayer | — | ||
| 27-20 | Album for the Young, op. 39: Winter Morning | — | ||
| 27-21 | Album for the Young, op. 39: Little Horseman | — | ||
| 27-22 | Album for the Young, op. 39: Mama | — | ||
| 27-23 | Album for the Young, op. 39: March of the Wooden Soldiers | — | ||
| 27-24 | Album for the Young, op. 39: The Sick Doll | — | ||
| 27-25 | Album for the Young, op. 39: Dolly's Funeral | — | ||
| 27-26 | Album for the Young, op. 39: Waltz | — | ||
| 27-27 | Album for the Young, op. 39: The New Doll | — | ||
| 27-28 | Album for the Young, op. 39: Mazurka | — | ||
| 27-29 | Album for the Young, op. 39: Russian Folksong | — | ||
| 27-30 | Album for the Young, op. 39: Peasant's Song | — | ||
| 27-31 | Album for the Young, op. 39: Russian Dance | — | ||
| 27-32 | Album for the Young, op. 39: Polka | — | ||
| 27-33 | Album for the Young, op. 39: Italian Ditty | — | ||
| 27-34 | Album for the Young, op. 39: Old French Melody | — | ||
| 27-35 | Album for the Young, op. 39: German Song | — | ||
| 27-36 | Album for the Young, op. 39: Neopolitan Dance Tune | — | ||
| 27-37 | Album for the Young, op. 39: Old Nurse's Song | — | ||
| 27-38 | Album for the Young, op. 39: Witch | — | ||
| 27-39 | Album for the Young, op. 39: Sweet Dreams | — | ||
| 27-40 | Album for the Young, op. 39: Song of the Lark | — | ||
| 27-41 | Album for the Young, op. 39: The Organ Grinder | — | ||
| 27-42 | Album for the Young, op. 39: In Church | — | ||
| 28-1 | Piano Sonata in C-sharp minor, op. 80: I. Allegro con fuoco | — | ||
| 28-2 | Piano Sonata in C-sharp minor, op. 80: II. Andante | — | ||
| 28-3 | Piano Sonata in C-sharp minor, op. 80: III. Allegro vivo | — | ||
| 28-4 | Piano Sonata in C-sharp minor, op. 80: IV. Allegro vivo | — | ||
| 28-5 | 18 Piano Pieces, op. 72: Impromptu | — | ||
| 28-6 | 18 Piano Pieces, op. 72: Berceuse | — | ||
| 28-7 | 18 Piano Pieces, op. 72: Tender Reproaches | — | ||
| 28-8 | 18 Piano Pieces, op. 72: Danse caractéristique | — | ||
| 28-9 | 18 Piano Pieces, op. 72: Méditation | — | ||
| 28-10 | 18 Piano Pieces, op. 72: Mazurka pour danser | — | ||
| 28-11 | 18 Piano Pieces, op. 72: Concert polonaise | — | ||
| 28-12 | 18 Piano Pieces, op. 72: Dialogue | — | ||
| 28-13 | 18 Piano Pieces, op. 72: Un poco di Schumann | — | ||
| 28-14 | 18 Piano Pieces, op. 72: Scherzo-Fantasie | — | ||
| 28-15 | 18 Piano Pieces, op. 72: Valse bluette | — | ||
| 28-16 | 18 Piano Pieces, op. 72: L'espiégle | — | ||
| 28-17 | 18 Piano Pieces, op. 72: Echo rustique | — | ||
| 28-18 | 18 Piano Pieces, op. 72: Chant élégiaque | — | ||
| 28-19 | 18 Piano Pieces, op. 72: Un poco di Chopin | — | ||
| 28-20 | 18 Piano Pieces, op. 72: Valse à cinq temps | — | ||
| 28-21 | 18 Piano Pieces, op. 72: Distant Past | — | ||
| 28-22 | 18 Piano Pieces, op. 72: Scéne dansante | — | ||
| 29-1 | Scherzo á la russe, op. 1 no. 1 | — | ||
| 29-2 | Impromptu, op. 1 no. 2 | — | ||
| 29-3 | Ruines d'un Chateau, op. 2 no. 1 | — | ||
| 29-4 | Scherzo, op. 2 no. 2 | — | ||
| 29-5 | Song Without Words, op. 2 no. 3 | — | ||
| 29-6 | Valse Caprice, op. 4 | — | ||
| 29-7 | Romanze, op. 5 | — | ||
| 29-8 | Capriccio, op. 8 | — | ||
| 29-9 | Rêverie, op. 9 no. 1 | — | ||
| 29-10 | Polka de salon, op. 9 no. 2 | — | ||
| 29-11 | Mazurka de salon, op. 3 no. 3 | — | ||
| 29-12 | Nocturne, op. 10 no. 1 | — | ||
| 29-13 | Humeresque, op. 10 no. 2 | — | ||
| 29-14 | Dumka, op. 59 | — | ||
| 29-15 | Impromptu | — | ||
| 29-16 | Impromptu-Caprice | — | ||
| 29-17 | Valse-Scherzo | — | ||
| 29-18 | Impromptu-Moderato | — | ||
| 29-19 | Aveu passionne | — | ||
| 29-20 | Valse Scherzo, op. 7 | — | ||
| 29-21 | Abend-Träumerei, op. 19 no. 1 | — | ||
| 29-22 | Scherzo humoristique, op. 19 no. 2 | — | ||
| 30-1 | Feuillet d'album, op. 19 no. 3 | — | ||
| 30-2 | Nocturne, op. 19 no. 4 | — | ||
| 30-3 | Capriccioso, op. 19 no. 5 | — | ||
| 30-4 | Theme and Variations, op. 19 no. 6 | — | ||
| 30-5 | Six Pieces on a Single Theme, op. 21: I. Praeludium | — | ||
| 30-6 | Six Pieces on a Single Theme, op. 21: II. Fugue | — | ||
| 30-7 | Six Pieces on a Single Theme, op. 21: III. Impromptu | — | ||
| 30-8 | Six Pieces on a Single Theme, op. 21: IV. Trauermarsch | — | ||
| 30-9 | Six Pieces on a Single Theme, op. 21: V. Mazurka | — | ||
| 30-10 | Six Pieces on a Single Theme, op. 21: VI. Scherzo | — | ||
| 30-11 | Piano Sonata in G minor, op. 37: I. Moderato e risoluto | — | ||
| 30-12 | Piano Sonata in G minor, op. 37: II. Andante non troppo quasi moderato | — | ||
| 30-13 | Piano Sonata in G minor, op. 37: III. Scherzo: Allegro giocoso | — | ||
| 30-14 | Piano Sonata in G minor, op. 37: IV. Finale: Allegro vivace | — | ||
| 31-1 | 12 Pieces, op. 40: I. Etude | — | ||
| 31-2 | 12 Pieces, op. 40: II. Chanson | — | ||
| 31-3 | 12 Pieces, op. 40: III. Marche | — | ||
| 31-4 | 12 Pieces, op. 40: IV. Mazurka in C | — | ||
| 31-5 | 12 Pieces, op. 40: V. Mazurka in D | — | ||
| 31-6 | 12 Pieces, op. 40: VI. Chant | — | ||
| 31-7 | 12 Pieces, op. 40: VII. Au village | — | ||
| 31-8 | 12 Pieces, op. 40: VIII. Walzer | — | ||
| 31-9 | 12 Pieces, op. 40: IX. Walzer | — | ||
| 31-10 | 12 Pieces, op. 40: X. Danse russe | — | ||
| 31-11 | 12 Pieces, op. 40: XI. Scherzo | — | ||
| 31-12 | 12 Pieces, op. 40: XII. Réverie | — | ||
| 31-13 | Violin Concerto in D, op. 35: I. Allegro moderato | Aaron Rosand, Orchestre symphonique de Radio Télé Luxembourg, Louis de Froment | — | |
| 31-14 | Violin Concerto in D, op. 35: II. Canzonetta: Andante | — | ||
| 31-15 | Violin Concerto in D, op. 35: III. Finale: Allegro vivacissimo | — | ||
| 32-1 | Evgeny Onegin: Act I: Scene I: Prelude | — | ||
| 32-2 | Evgeny Onegin: Act I: Scene I: no. 1. Duet and Quartet | — | ||
| 32-3 | Evgeny Onegin: Act I: Scene I: no. 2. Peasant's Chorus and Dance | — | ||
| 32-4 | Evgeny Onegin: Act I: Scene I: no. 3. Scene and Arioso (Olga) | — | ||
| 32-5 | Evgeny Onegin: Act I: Scene I: no. 4. Scene | — | ||
| 32-6 | Evgeny Onegin: Act I: Scene I: no. 5. Scene and Quartet | — | ||
| 32-7 | Evgeny Onegin: Act I: Scene I: no. 6. Scene and Arioso (Lensky) | — | ||
| 32-8 | Evgeny Onegin: Act I: Scene I: no. 7. Closing Scene | — | ||
| 32-9 | Evgeny Onegin: Act I: Scene II: no. 8. Introduction and Scene | — | ||
| 32-10 | Evgeny Onegin: Act I: Scene II: no. 9. Letter Scene | — | ||
| 32-11 | Evgeny Onegin: Act I: Scene II: no. 10. Scene and Duet | — | ||
| 32-12 | Evgeny Onegin: Act I: Scene III: no. 11. Servant Girls' Chorus | — | ||
| 32-13 | Evgeny Onegin: Act I: Scene III: no. 12. Scene and Aria (Onegin) | — | ||
| 32-14 | Evgeny Onegin: Act II: Scene I: no. 13. Entr'acte and Waltz Scene and Chorus | — | ||
| 32-15 | Evgeny Onegin: Act II: Scene I: no. 14. Scene and Couplets (Triquet) | — | ||
| 33-1 | Evgeny Onegin: Act II, Scene 1, no. 15. Mazurka and Scene | — | ||
| 33-2 | Evgeny Onegin: Act II, Scene 1, no. 16. Finale | — | ||
| 33-3 | Evgeny Onegin: Act II, Scene 2, no. 17. Introduction, Scene and Aria (Lensky) | — | ||
| 33-4 | Evgeny Onegin: Act II, Scene 2, no. 18. Duel Scene | — | ||
| 33-5 | Evgeny Onegin: Act III, Scene 1, no. 19. Polonaise | — | ||
| 33-6 | Evgeny Onegin: Act III, Scene 1, no. 20. Scene | — | ||
| 33-7 | Evgeny Onegin: Act III, Scene 1. Écossaise I | — | ||
| 33-8 | Evgeny Onegin: Act III, Scene 1. Scene (continued) | — | ||
| 33-9 | Evgeny Onegin: Act III, Scene 1, no. 20a. Aria (Prince Gremin) | — | ||
| 33-10 | Evgeny Onegin: Act III, Scene 1, no. 21. Scene and Arioso (Onegin) | — | ||
| 33-11 | Evgeny Onegin: Act III, Scene 1. Écossaise II | — | ||
| 33-12 | Evgeny Onegin: Act III, Scene 2, no. 22. Closing Scene (Tatiana and Onegin) | — | ||
| 34-1 | The Oprichnik: Act I. Introduction | — | ||
| 34-2 | The Oprichnik: Act I. "Come in, do us the honour" (Zemchuznyj) | — | ||
| 34-3 | The Oprichnik: Act I. "A duckling was swimming in the sea" (Chorus of Girls) | — | ||
| 34-4 | The Oprichnik: Act I. How wearisome it is to spend" | — | ||
| 34-5 | The Oprichnik: Act I. "A nightingila chirps on leafy fronds" (Natal'ja) | — | ||
| 34-6 | The Oprichnik: Act I. "See here if one should get sad over such a song!" (Zachar'evna) | — | ||
| 34-7 | The Oprichnik: Act I. "Don't worry, dear Andrej, step forward" (Basmanov) | — | ||
| 34-8 | The Oprichnik: Act I. "Tell me, have you taken a decision?" (Basmanov) | — | ||
| 34-9 | The Oprichnik: Act I. "No, my friend" (Andrej) | — | ||
| 34-10 | The Oprichnik: Act I. "I thought I heard some voices" (Natal'ja) | — | ||
| 34-11 | The Oprichnik: Act I. "Here you are then!" (Zachar'evna) | — | ||
| 34-12 | The Oprichnik: Act II. Introduction | — | ||
| 34-13 | The Oprichnik: Act II. "Much as one tries, life never changes" (Morozova) | — | ||
| 34-14 | The Oprichnik: Act II. "No more worries, mother, let the wind" (Andrej) | — | ||
| 34-15 | The Oprichnik: Act II. "But you, son, keep purer than the snow (Morozova) | — | ||
| 34-16 | The Oprichnik: Act II. "Basmanov likes wine and pleasures (Andrej) | — | ||
| 34-17 | The Oprichnik: Act II. "Dear son, do not abandon me" (Morozova) | — | ||
| 34-18 | The Oprichnik: Act II. "I leave, mother, but I won't be away for long" (Andrej) | — | ||
| 35-1 | The Oprichnik: Act II. Introduction | — | ||
| 35-2 | The Oprichnik: Act II. "What refuge shall I find from my sins?" (Chorus of Oprichniks) | — | ||
| 35-3 | The Oprichnik: Act II. "Brothers, stop being engrossed in godly things!" (Vjaz'minskij) | — | ||
| 35-4 | The Oprichnik: Act II. "No, say, I come from the Czar" (Basmanov) | — | ||
| 35-5 | The Oprichnik: Act II. "Have you made this choice freely" (Vjaz'minskij) | — | ||
| 35-6 | The Oprichnik: Act II. "Before you, like before God" (Andrej) | — | ||
| 35-7 | The Oprichnik: Act II. "Are you ready, then, to take the sacred oath? (Vjaz'minskij) | — | ||
| 35-8 | The Oprichnik: Act II. "O Natal'ja, O mother! (Andrej) | — | ||
| 35-9 | The Oprichnik: Act II. "In the name of the almighty God (Vjaz'minskij, Chorus of Oprichniks) | — | ||
| 35-10 | The Oprichnik: Act II. "As glorious as the sun in a clear day" (Vjaz'minskij, Chorus of Oprichniks) | — | ||
| 35-11 | The Oprichnik: Act III. Introduction | — | ||
| 35-12 | The Oprichnik: Act III. "Dark timesrae looming on us" (Chorus of People) | — | ||
| 35-13 | The Oprichnik: Act III. "Oh, how lonely I already feel!" | — | ||
| 35-14 | The Oprichnik: Act III. "Filthy bitch, dirty brook" (Chorus of Boys) | — | ||
| 35-15 | The Oprichnik: Act III. "I run to you dear mother" (Natal'ja) | — | ||
| 36-1 | The Oprichnik: Act III. "Let's run away, come, let's flee somewhere" (Natal'ja) | — | ||
| 36-2 | The Oprichnik: Act III. "I am before you and before the Lord" (Natal'ja) | — | ||
| 36-3 | The Oprichnik: Act III. "Go, princess (Zemchuznyj) | — | ||
| 36-4 | The Oprichnik: Act III. "I deny you, off with you, Praetorian" (Morozova) | — | ||
| 36-5 | The Oprichnik: Act III. "Alas I cannot fully grasp" (Andrej) | — | ||
| 36-6 | The Oprichnik: Act III. "Take heart, brother in faith" (Basmanov) | — | ||
| 36-7 | The Oprichnik: Act IV. "Honour and glory to the fine, courageous lad" (Wedding Chorus) | — | ||
| 36-8 | The Oprichnik: Act IV. Dances of Oprichniks and women | — | ||
| 36-9 | The Oprichnik: Act IV. Friends, this day is both joyful and sad (Andrej) | — | ||
| 36-10 | The Oprichnik: Act IV. Oh, if only this banquet would end! (Natal'ja) | — | ||
| 36-11 | The Oprichnik: Act IV. "You are my light, my life" (Natal'ja) | — | ||
| 36-12 | The Oprichnik: Act IV. "Oh, may they never age" (Wedding Chorus) | — | ||
| 36-13 | The Oprichnik: Act IV. "My respects to the noble congregation" (Vjaz'minskij) | — | ||
| 36-14 | The Oprichnik: Act IV. "Look, a frightening storm threatens" | — | ||
| 36-15 | The Oprichnik: Act IV. "And so, my love, do you know who is calling you?" (Vjaz'minskij) | — | ||
| 37-1 | Cherevichki: Overture | — | ||
| 37-2 | Cherevichki: "Ah, how silvery the moon shines" (Solocha) | — | ||
| 37-3 | Cherevichki: "She's got really warmed up" (Bes) | — | ||
| 37-4 | Cherevichki: "Just look at the snowstorm" (Oksana) | — | ||
| 37-5 | Cherevichki: "A little apple tree was blossoming in the garden" (Oksana) | — | ||
| 37-6 | Cherevichki: "She never takes her eyes off herself" (Vakula) | — | ||
| 37-7 | Cherevichki: "Look at the way you are!" (Oksana) | — | ||
| 37-8 | Cherevichki: "What's all this noise?" (Oksana) | — | ||
| 37-9 | Cherevichki: "If only people were a bit more intelligent" (Oksana) | — | ||
| 38-1 | Cherevichki: Intermezzo | — | ||
| 38-2 | Cherevichki: "The storm has swept my broomstick away" (Solocha) | — | ||
| 38-3 | Cherevichki: "Now that's what I call now" (Golova) | — | ||
| 38-4 | Cherevichki: "Is anyone in?" (Schoolmaster) | — | ||
| 38-5 | Cherevichki: "A woman runs after the devil" (Schoolmaster) | — | ||
| 38-6 | Cherevichki: "Greetings!" (Cub) | — | ||
| 38-7 | Cherevichki: "I don't feel well..." (Schoolmaster) | — | ||
| 38-8 | Cherevichki: "A year has gone by..." (Vakula) | — | ||
| 38-9 | Cherevichki: "Good evening!" (Chorus) | — | ||
| 38-10 | Cherevichki: "Oksana, why are you so late?" (Chorus) | — | ||
| 38-11 | Cherevichki: "My shoes aren't very big" (Oksana) | — | ||
| 38-12 | Cherevichki: "Ah, Vakula, you're here again" (Oksana) | — | ||
| 39-1 | Cherevichki: Intermezzo | — | ||
| 39-2 | Cherevichki: "It's dark, too dark" (Chorus of Undines) | — | ||
| 39-3 | Cherevichki: "Where have I come to?" (Vakula) | — | ||
| 39-4 | Cherevichki: "Who knows, my girl, if your heart can feel may pain" (Vakula) | — | ||
| 39-5 | Cherevichki: "We are there" (Bes) | — | ||
| 39-6 | Cherevichki: "Before we start the dances" (His Serene Highness) | — | ||
| 39-7 | Cherevichki: "Did you have a good journey?" (His Serene Highness) | — | ||
| 39-8 | Cherevichki: Russian dance | — | ||
| 39-9 | Cherevichki: Cossack dance | — | ||
| 39-10 | Cherevichki: "In the Czarina's family theatre" (Master of Ceremonies) | — | ||
| 39-11 | Cherevichki: "Some say he threw himself into the river!" (Solocha) | — | ||
| 39-12 | Cherevichki: "We invite you to our house" (Chorus of women) | — | ||
| 39-13 | Cherevichki: "If you want to drink honey" (Chorus) | — | ||
| 39-14 | Cherevichki: "Strong winds, do not blow in the thick woods" (Chorus) | — | ||
| 40-1 | The Maid of Orleans: Introduction | — | ||
| 40-2 | The Maid of Orleans: Act I. "Les us all gather here" (Chorus) | — | ||
| 40-3 | The Maid of Orleans: Act I. "I do not enjoy your songs and games" (Thibaut, Raymond, Joan) | — | ||
| 40-4 | The Maid of Orleans: Act I. "Answer, Joan, will you obey my wishes?" (Thibaut, Joan, Raymond) | — | ||
| 40-5 | The Maid of Orleans: Act I. "A distant fire..." (Raymond, Thibaut, Chorus, Bertrand) | — | ||
| 40-6 | The Maid of Orleans: Act I. "Brothers and friends, dry your tears!" (Joan, Chorus, Soldier, Thibaut) | — | ||
| 40-7 | The Maid of Orleans: Act I. "Almighty God" (Joan, Raymond, Bertrand, Chorus) | — | ||
| 40-8 | The Maid of Orleans: Act I. "Yes, the time has come!" (Joan) | — | ||
| 40-9 | The Maid of Orleans: Act I. "Farewell hills, dear fields" (Joan) | — | ||
| 40-10 | The Maid of Orleans: Act I. "But will I have the strength" (Joan, Chorus) | — | ||
| 40-11 | The Maid of Orleans: Act I. Entr'acte | — | ||
| 40-12 | The Maid of Orleans: Act II. "Days and years hurry by" (Minstrel) | — | ||
| 40-13 | The Maid of Orleans: Act II. "Oh! Agnes!" (King) | — | ||
| 40-14 | The Maid of Orleans: Act II. Ballet | — | ||
| 40-15 | The Maid of Orleans: Act II. "I am well pleased!" (King, Dunois, Agnes) | — | ||
| 40-16 | The Maid of Orleans: Act II. "I beg of you, hurry now" (Dunois, King) | — | ||
| 40-17 | The Maid of Orleans: Act II. "Grief! Grief!" (Lore, King, Dunois) | — | ||
| 41-1 | The Maid of Orleans: Act II. "A terrible fate is upon us..." (King, Agnes) | — | ||
| 41-2 | The Maid of Orleans: Act II. "If you have not been given the strength" (Agnes) | — | ||
| 41-3 | The Maid of Orleans: Act II. "If it were not for you, my angel" (King, Agnes) | — | ||
| 41-4 | The Maid of Orleans: Act II. "Glory, glory to our rescuer, our maiden!" (Chorus, Agnes, Dunois, King, Cardinal) | — | ||
| 41-5 | The Maid of Orleans: Act II. "So you are a saint?" (Duois, Joan, King, Cardinal) | — | ||
| 41-6 | The Maid of Orleans: Act II. "Holy father, my name is Joan" (Joan) | — | ||
| 41-7 | The Maid of Orleans: Act II. "I must be silent before Cardinal" (King, Agnes, Chorus, Joan) | — | ||
| 41-8 | The Maid of Orleans: Act III. "Halt, halt, you are dead!" (Joan, Lionel) | — | ||
| 41-9 | The Maid of Orleans: Act III. "Who do you hesitate?" (Lionel, Joan) | — | ||
| 41-10 | The Maid of Orleans: Act III. "I feel sorry for your beauty" (Lionel, Joan) | — | ||
| 41-11 | The Maid of Orleans: Act III. "I surrender to you!" (Lionel, Dunois, Joan) | — | ||
| 41-12 | The Maid of Orleans: Act III. "Glory to the King!" (Chorus) | — | ||
| 41-13 | The Maid of Orleans: Act III. "Let us return, dear Thibaut" (Raymond, Thibaut) | — | ||
| 41-14 | The Maid of Orleans: Act III. "Glory to the Almighty" (Chorus) | — | ||
| 41-15 | The Maid of Orleans: Act III. "Glory, glory to the King!" (Chorus, King) | — | ||
| 41-16 | The Maid of Orleans: Act III. "Oh God! My father!" (Joan, Chorus, Thibaut, King) | — | ||
| 41-17 | The Maid of Orleans: Act III. "She bends her head..." (All) | — | ||
| 41-18 | The Maid of Orleans: Act III. "Why are you afraid?" (All) | — | ||
| 41-19 | The Maid of Orleans: Act III. "Joan, take advantage of this moment" (Lionel, Joan) | — | ||
| 42-1 | The Maid of Orleans: Act IV. Introduction | — | ||
| 42-2 | The Maid of Orleans: Act IV. "How I resist this love?" (Joan) | — | ||
| 42-3 | The Maid of Orleans: Act IV. "Oh wonderful, sweet dream!" (Lionel, Joan) | — | ||
| 42-4 | The Maid of Orleans: Act IV. "You have disobeyed the will of heaven" (Chorus, Lionel, Joan) | — | ||
| 42-5 | The Maid of Orleans: Act IV. "Look, they are bringing her" (Chorus) | — | ||
| 42-6 | The Maid of Orleans: Act IV. "Holy father! Help me, I am afraid!" (Joan, Chorus) | — | ||
| 42-7 | Pique Dame: Act II. Scene of the Countess | — | ||
| 42-8 | Iolanta: Overture | — | ||
| 42-9 | Iolanta: "Iolanta, my little one, are you tired?" | — | ||
| 42-10 | Iolanta: "That's enough, dear, no more now" | — | ||
| 42-11 | Iolanta: "Brigitta, is that you?" | — | ||
| 42-12 | Iolanta: "A bugle call" | — | ||
| 43-1 | Iolanta: "The expression you wear" | — | ||
| 43-2 | Iolanta: "Hurry not, it is so dark here" | — | ||
| 43-3 | Iolanta: "No, the charming attentions" | — | ||
| 43-4 | Iolanta: "But where on earth are we?" | — | ||
| 43-5 | Iolanta: "Iolanta! Where are you?" | — | ||
| 43-6 | Iolanta: "Please forgive me" | — | ||
| 44-1 | Pique Dame: Introduction | — | ||
| 44-2 | Pique Dame: "Burn, burn bright" | — | ||
| 44-3 | Pique Dame: "How did the game end last night?" | — | ||
| 44-4 | Pique Dame: "Finally God has sent us a sunny little day!" | — | ||
| 44-5 | Pique Dame: "I am frightened" | — | ||
| 44-6 | Pique Dame: "What a witch that Countess is!" | — | ||
| 44-7 | Pique Dame: "Se non e vero, e ben trovato" | — | ||
| 44-8 | Pique Dame: "Evening already" | — | ||
| 44-9 | Pique Dame: "Bewitching! Enchanting" | — | ||
| 44-10 | Pique Dame: "Mesdemoiselles, What's this noise?" | — | ||
| 44-11 | Pique Dame: "It's time now to be breaking up" | — | ||
| 44-12 | Pique Dame: "Happily and merrily on this day" | — | ||
| 44-13 | Pique Dame: "The master asks his dear quests to come and see" | — | ||
| 44-14 | Pique Dame: "Stay for one moment" | — | ||
| 44-15 | Pique Dame: "I would like to see her right now" | — | ||
| 44-16 | Pique Dame: "Under the thick shade near the calm brook" | — | ||
| 45-1 | Pique Dame: "My darling little friend" | — | ||
| 45-2 | Pique Dame: "Who, ardently and passionately loving!" | — | ||
| 45-3 | Pique Dame: "Everything is as she told me" | — | ||
| 45-4 | Pique Dame: "That's not enough talk from you!" | — | ||
| 45-5 | Pique Dame: "Don't be frightened!" | — | ||
| 45-6 | Pique Dame: "I do not believe that you wanted the Countess's death" | — | ||
| 45-7 | Pique Dame: "I am frightened!" | — | ||
| 45-8 | Pique Dame: "Midnight is already nearing" | — | ||
| 45-9 | Pique Dame: "But if the clock strikes out in reply to me" | — | ||
| 45-10 | Pique Dame: "We will drink and be merry" | — | ||
| 45-11 | Pique Dame: "If darling girls could fly like birds" | — | ||
| 45-12 | Pique Dame: "To business, gentleman, to cards!" | — | ||
| 46-1 | Charodeika: Overture | — | ||
| 46-2 | Charodeika: No. 1. Group scene | — | ||
| 46-3 | Charodeika: No. 2. Group scene | — | ||
| 46-4 | Charodeika: No. 3. Chorus of Visiting Guest and Scene | — | ||
| 46-5 | Charodeika: No. 4. Scene and Arioso | — | ||
| 46-6 | Charodeika: No. 5. Chorus and Scene | — | ||
| 46-7 | Charodeika: No. 6. Scene | — | ||
| 46-8 | Charodeika: No. 7. Finale | — | ||
| 46-9 | Charodeika: No. 8. Scene and Arioso | — | ||
| 46-10 | Charodeika: No. 9. Scene and Duet | — | ||
| 46-11 | Charodeika: No. 10. Scene | — | ||
| 47-1 | Charodeika: No. 11. Scene and Arioso | — | ||
| 47-2 | Charodeika: No. 12. Scene | — | ||
| 47-3 | Charodeika: No. 13. Group Scene | — | ||
| 47-4 | Charodeika: No. 14. Finale | — | ||
| 47-5 | Charodeika: No. 15. Scene and Duet | — | ||
| 47-6 | Charodeika: No. 16. Scene | — | ||
| 47-7 | Charodeika: No. 17. Scene and Duet | — | ||
| 48-1 | Charodeika: No. 18. Scene with Chorus | — | ||
| 48-2 | Charodeika: No. 19. Scene and Duet | — | ||
| 48-3 | Charodeika: No. 20. Scene and Arioso | — | ||
| 48-4 | Charodeika: No. 21. Scene and Duet | — | ||
| 48-5 | Charodeika: No. 22. Scene and Quartet | — | ||
| 48-6 | Charodeika: No. 23. Finale | — | ||
| 48-7 | Toropka's Three Songs: I. | — | ||
| 48-8 | Toropka's Three Songs: II. | — | ||
| 48-9 | Toropka's Three Songs: III. | — | ||
| 48-10 | Ruslan and Ludmilla: Scene of the Finn and Ruslan | — | ||
| 48-11 | Pique Dame: "Her name is unknown to me" | — | ||
| 48-12 | Pique Dame: "Forgive me, bright celestial visions" | — | ||
| 48-13 | Pique Dame: "What is our life?" | — | ||
| 49-1 | Mazeppa: Introduction | — | ||
| 49-2 | Mazeppa: Act I, Scene I. Girls' Chorus and Scene "I weave my fragant garland" | — | ||
| 49-3 | Mazeppa: Act I, Scene I. Arioso and Duet "You love the songs, dear companions" | — | ||
| 49-4 | Mazeppa: Act I, Scene I. Scene "Well, Vasily, you honour me wonderfully" | — | ||
| 49-5 | Mazeppa: Act I, Scene I. Chorus and Dance "There is no bridge here" | — | ||
| 49-6 | Mazeppa: Act I, Scene I. Hopak | — | ||
| 49-7 | Mazeppa: Act I, Scene I. Scene and Arioso "That's fine, I like that!" | — | ||
| 49-8 | Mazeppa: Act I, Scene I. Quarrel Scene "Mazeppa, I'm distressed by what you say" | — | ||
| 49-9 | Mazeppa: Act I, Scene II. Chorus and Mother's Lament "As the storm brings clouds over the sky" | — | ||
| 49-10 | Mazeppa: Act I, Scene II. Finale "Abandon your grief, Kochubey" | — | ||
| 49-11 | Mazeppa: Act II, Scene I. Prison Scene "So this is the reward for my information" | — | ||
| 49-12 | Mazeppa: Act II, Scene I. Mazeppa's Monologue and Scene with Orlik "How still is the Ukranian night" | — | ||
| 50-1 | Mazeppa: Act II, Scene II. Mazeppa's Arioso "O Maria, Maria!" | — | ||
| 50-2 | Mazeppa: Act II, Scene II. Mazeppa's Scene with Maria "My dearest love" | — | ||
| 50-3 | Mazeppa: Act II, Scene II. Scene between Maria and her Mother "How the stars twinkle in the sky" | — | ||
| 50-4 | Mazeppa: Act II, Scene III. Crowd Scene "Will it be soon?" | — | ||
| 50-5 | Mazeppa: Act II, Scene III. Finale "Hey ho, fiddle-de-dee" | — | ||
| 50-6 | Mazeppa: Act II, Scene III. The Battle of Poltava (Symphonic sketch) | — | ||
| 50-7 | Mazeppa: Act III. Scene and Andrey's Aria "In bloody battle, on the field of honour" | — | ||
| 50-8 | Mazeppa: Act III. Scene and Duet "I hear in the distance the clatter of horses' hooves" | — | ||
| 50-9 | Mazeppa: Act III. Appearance of the demented Maria "Unhappy man! God knows" | — | ||
| 50-10 | Mazeppa: Act III. Finale "The old man's gone, how my heart beats" | — | ||
| 51-1 | Zemphira's Song | — | ||
| 51-2 | Midnight | — | ||
| 51-3 | To Forget So Soon | — | ||
| 51-4 | Lullaby, op. 16 no. 1 | — | ||
| 51-5 | Wait!, op. 16 no. 2 | — | ||
| 51-6 | Carry My Heart Away | — | ||
| 51-7 | As When Upon Hot Ashes, op. 25 no. 2 | — | ||
| 51-8 | Do Not Leave Me, op. 27 no. 3 | — | ||
| 51-9 | He Loved Me So, op. 28 no. 4 | — | ||
| 51-10 | If I Had Known, op. 47 no. 1 | — | ||
| 51-11 | A Soul Floated Gently Up to Heaven, op. 47 no. 2 | — | ||
| 51-12 | Darkness Has Fallen Over the Earth, op. 47 no. 3 | — | ||
| 51-13 | Whether in the Realm of Day?, op. 47 no. 6 | — | ||
| 51-14 | Was I Not a Blade of Grass?, op. 47 no. 7 | — | ||
| 51-15 | Wild Nights, op. 60 no. 6 | — | ||
| 51-16 | Gypsy's Song, op. 60 no. 7 | — | ||
| 51-17 | Gentle Stars Shone for Us, op. 60 no. 12 | — | ||
| 52-1 | Children's Songs, op. 54: Grandmother and Grandson | — | ||
| 52-2 | Children's Songs, op. 54: The Little Bird | — | ||
| 52-3 | Children's Songs, op. 54: Spring | — | ||
| 52-4 | Children's Songs, op. 54: My Little Garden | — | ||
| 52-5 | Children's Songs, op. 54: A Legend | — | ||
| 52-6 | Children's Songs, op. 54: On the River-Bank | — | ||
| 52-7 | Children's Songs, op. 54: A Winter's Evening | — | ||
| 52-8 | Children's Songs, op. 54: The Cuckoo | — | ||
| 52-9 | Children's Songs, op. 54: Spring | — | ||
| 52-10 | Children's Songs, op. 54: Lullaby in a Storm | — | ||
| 52-11 | Children's Songs, op. 54: The Flower | — | ||
| 52-12 | Children's Songs, op. 54: Winter | — | ||
| 52-13 | Children's Songs, op. 54: Spring Song | — | ||
| 52-14 | Children's Songs, op. 54: Autumn | — | ||
| 52-15 | Children's Songs, op. 54: The Swallow | — | ||
| 52-16 | Children's Songs, op. 54: A Little Children's Song | — | ||
| 52-17 | Six Romances, op. 73: We Sat Together | — | ||
| 52-18 | Six Romances, op. 73: Night | — | ||
| 52-19 | Six Romances, op. 73: This Moonlit Night | — | ||
| 52-20 | Six Romances, op. 73: The Sun Has Set | — | ||
| 52-21 | Six Romances, op. 73: On Gloomy Day | — | ||
| 52-22 | Six Romances, op. 73: Once More, As Before | — | ||
| 53-1 | Both Painfully and Sweetly, op. 6 no. 3 | — | ||
| 53-2 | My Genius, My Angel, op. 6 no. 3 | — | ||
| 53-3 | Only You Alone, op. 57 no. 6 | — | ||
| 53-4 | Do Not Ask, op. 57 no. 3 | — | ||
| 53-5 | Death, op. 57 no. 5 | — | ||
| 53-6 | No, Only He Who Has Known, op. 6 no. 6 | — | ||
| 53-7 | Why?, op. 6 no. 5 | — | ||
| 53-8 | The First Meeting, op. 63 no. 4 | — | ||
| 53-9 | Now a Word, O My Friend, op. 6 no. 2 | — | ||
| 53-10 | Pimpinella, op. 38 no. 6 | — | ||
| 53-11 | Sleep, Poor Friend, op. 47 no. 4 | — | ||
| 53-12 | I Opened the Window, op. 63 no. 2 | — | ||
| 53-13 | The Fires in the Room Were Already Out, op. 63 no. 5 | — | ||
| 53-14 | Serenade, op. 63 no. 6 | — | ||
| 53-15 | Why Did I Dream of You?, op. 28 no. 3 | — | ||
| 53-16 | I Do Not Please You, op. 63 no. 3 | — | ||
| 53-17 | Do Not Believe, My Friend, op. 6 no. 1 | — | ||
| 53-18 | The Fearful Minute, op. 28 no. 6 | — | ||
| 53-19 | Sleep, op. 57 no. 4 | — | ||
| 53-20 | I Did Not Love You at the First, op. 63 no. 1 | — | ||
| 53-21 | On the Golden Cornfields, op. 57 no. 2 | — | ||
| 54-1 | They Said: You Fool Do Not Go, op. 25 no. 6 | — | ||
| 54-2 | No Time to Take a Walk | — | ||
| 54-3 | Last Night, op. 60 no. 1 | — | ||
| 54-4 | I Don't Tell You Anything, op. 60 no. 2 | — | ||
| 54-5 | Excuse Me, op. 60 no. 8 | — | ||
| 54-6 | In the Shadow Outside the Window, op. 60 no. 10 | — | ||
| 54-7 | Night, op. 60 no. 9 | — | ||
| 54-8 | Nightingale, op. 60 no. 4 | — | ||
| 54-9 | Simple Words, op. 60 no. 5 | — | ||
| 54-10 | For One Simple Word | — | ||
| 54-11 | Canary, op. 25 no. 4 | — | ||
| 54-12 | The Eyes of Spring Are Blue | — | ||
| 54-13 | So What Can I Say?, op. 16 no. 5 | — | ||
| 54-14 | Oh, If Only You Knew, op. 60 no. 3 | — | ||
| 54-15 | Oh, Sing That Song, op. 16 no. 4 | — | ||
| 54-16 | Reconcilation, op. 25 no. 1 | — | ||
| 54-17 | I Bless You, Woods, op. 48 no. 5 | — | ||
| 54-18 | Evening, op. 27 no. 4 | — | ||
| 54-19 | It Was in Early Spring, op. 38 no. 2 | — | ||
| 54-20 | Arnid the Din of the Ball, op. 38 no. 3 | — | ||
| 54-21 | The Exploit, op. 60 no. 11 | — | ||
| 54-22 | Mignon's Song, op. 25 no. 3 (On a theme from "Ruins of Athens") | — | ||
| 55-1 | I Will Never Name Her, op. 28 no. 1 | — | ||
| 55-2 | Six French Songs, op. 65: No. 1. Serenade | — | ||
| 55-3 | Six French Songs, op. 65: No. 2. Disillusionment | — | ||
| 55-4 | Six French Songs, op. 65: No. 3. Serenade | — | ||
| 55-5 | Six French Songs, op. 65: No. 4. Let The Winter... | — | ||
| 55-6 | Six French Songs, op. 65: No. 5. Tears | — | ||
| 55-7 | Six French Songs, op. 65: No. 6. Enchantress | — | ||
| 55-8 | Oh, If You Could, op. 38 no. 4 | — | ||
| 55-9 | No Reply, No Word, No Greeting, op. 28 no. 5 | — | ||
| 55-10 | New Greek Song, op. 16 no. 6 | — | ||
| 55-11 | My Mischief, op. 27 no. 6 | — | ||
| 55-12 | Love of a Dead Man, op. 38 no. 5 | — | ||
| 55-13 | You Were in My Dream | — | ||
| 55-14 | Oh No, Do Not Leave Me for My Beauty | — | ||
| 55-15 | Hamlet, op. 67: I. Ophelia's First Scene | — | ||
| 55-16 | Hamlet, op. 67: II. Ophelia's Second Scene | — | ||
| 55-17 | Hamlet, op. 67: III. Grave-digger's Song | — | ||
| 55-18 | Hear at Least Once, op. 16 no. 3 | — | ||
| 55-19 | I Never Spoke To Her, op. 25 no. 5 | — | ||
| 55-20 | Before Sleep, op. 27 no. 1 | — | ||
| 55-21 | Look: There is a Silver Cloud, op. 27 no. 2 | — | ||
| 55-22 | Had My Mother Borne Me, op. 27 no. 5 | — | ||
| 55-23 | A String of Corals, op. 28 no. 2 | — | ||
| 55-24 | Don Juan's Serenade, op. 38 no. 1 | — | ||
| 56-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 56-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo | — | ||
| 56-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 56-4 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | — | ||
| 56-5 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice | — | ||
| 56-6 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 57-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | — | ||
| 57-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I | — | ||
| 57-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 57-4 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | — | ||
| 57-5 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice | — | ||
| 57-6 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 58-1 | Violin Concerto in D, op. 35: I. Allegro moderato | — | ||
| 58-2 | Violin Concerto in D, op. 35: II. Canzonetta: Andante | — | ||
| 58-3 | Violin Concerto in D, op. 35: III. Finale: Allegro vivacissimo | — | ||
| 58-4 | Violin Concerto in D, op. 35: I. Allegro moderato | — | ||
| 58-5 | Violin Concerto in D, op. 35: II. Canzonetta: Andante | — | ||
| 58-6 | Violin Concerto in D, op. 35: III. Finale: Allegro vivacissimo | — | ||
| 59-1 | Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima | — | ||
| 59-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 59-3 | Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato | — | ||
| 59-4 | Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace - Molto vivace - Moderato assai | — | ||
| 59-5 | Sleeping Beauty: Pas de deux | — | ||
| 59-6 | Capriccio italien, op. 45 | — | ||
| 60-1 | Serenade for Strings in C, op. 48: I. Pezzo in forma di Sonatina | — | ||
| 60-2 | Serenade for Strings in C, op. 48: II. Walzer | — | ||
| 60-3 | Serenade for Strings in C, op. 48: III. Elegia | — | ||
| 60-4 | Serenade for Strings in C, op. 48: IV. Finale | — | ||
| 60-5 | The Nutcracker - Ballet Suite, op. 71a (selection): I. Dance of the Mirlitons | — | ||
| 60-6 | The Nutcracker - Ballet Suite, op. 71a (selection): II. Chinese Dance | — | ||
| 60-7 | The Nutcracker - Ballet Suite, op. 71a (selection): III. Arabian Dance | — | ||
| 60-8 | Francesca da rimini, op. 32: Symphonic Fantasy after Dante | — |
Symphony no. 1 in G minor, op. 13 "Winter Dreams": I. Daydreams of a Winter Journey: Allegro tranquillo
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Symphony no. 1 in G minor, op. 13 "Winter Dreams": II. Land of Gloom, Land of Mist: Adagio cantabile ma non tanto
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Symphony no. 1 in G minor, op. 13 "Winter Dreams": III. Scherzo: Allegro scherzando giocoso
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Symphony no. 1 in G minor, op. 13 "Winter Dreams": IV. Finale: Andante lugubre - Allegro moderato
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1812 Ouverture: Festival Overture in E-flat, op. 49
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Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo
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Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale - quasi moderato
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Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo: Allegro molto vivace
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Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale: Moderato assai
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Francesca da Rimini: Symphonic Fantasia in E minor after Dante
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Symphony no. 3 in D, op. 29 "Polish": I. Introduzione e allegro - Moderato assai (Tempo di marcia funebre) - Allegro brillante
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Symphony no. 3 in D, op. 29 "Polish": II. Alla tedesca - Allegro moderato e semplice
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Symphony no. 3 in D, op. 29 "Polish": III. Andante elegiaco
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Symphony no. 3 in D, op. 29 "Polish": IV. Scherzo: Allegro vivo
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Symphony no. 3 in D, op. 29 "Polish": V. Finale: Allegro con fuoco (Tempo di Polacca)
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Hamlet: Fantasy Overture for Orchestra in F minor, op. 67a
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Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima
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Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona
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Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato
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Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco
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March Slave, op. 31
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Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima
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Symphony no. 5 in E minor, op. 64: II. Andante cantabile con alcuna licenza - Moderato con anima
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Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato
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Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace
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Capriccio Italien, op. 45
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Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo
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Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia
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Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace
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Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso - Andante
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Overture: The Storm
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Manfred Symphony in B minor, op. 58: I. Lento lugubre
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Manfred Symphony in B minor, op. 58: II. Vivace con spirito
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Manfred Symphony in B minor, op. 58: III. Andante con moto
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Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco
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Romeo and Juliet: Fantasy Overture after Shakespeare
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Hamlet, op. 67a: Overture
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Hamlet, op. 67a: Moderato assai
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Hamlet, op. 67a: Allegro vivo
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Hamlet, op. 67a: Moderato assai
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Hamlet, op. 67a: Allegro giusto ed agitato
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Hamlet, op. 67a: Allegro semplice
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Hamlet, op. 67a: Fanfare
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Hamlet, op. 67a: Andante quasi allegretto
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Hamlet, op. 67a: Andante non troppo
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Hamlet, op. 67a: Andantino "Elsinore", Mad Scene
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Hamlet, op. 67a: Andantino
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Hamlet, op. 67a: Marcia: Moderato assai
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Hamlet, op. 67a: Allegro giusto
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Hamlet, op. 67a: Allegro risoluto ma non troppo
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Fatum, op. posth. 77: Tonepoem for Orchestra
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The Snow Maiden: Introduction
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The Snow Maiden: Dance and Choruses of the Birds
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The Snow Maiden: Winter's Monologue
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The Snow Maiden: Carnival Procession
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The Snow Maiden: Melodrama
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The Snow Maiden: Interlude
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The Snow Maiden: Lehl's First Song
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The Snow Maiden: Lehl's Second Song
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The Snow Maiden: Interlude
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The Snow Maiden: Chant of the Blind Bards
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The Snow Maiden: Melodrama
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The Snow Maiden: Chorus of the people and the courtiers
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The Snow Maiden: Round of the Young Maidens
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The Snow Maiden: Dance of the Thumblers
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The Snow Maiden: Lehl's Third Song
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The Snow Maiden: brussila's song
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The Snow Maiden: Apparation of the Spirit and the Wood
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The Snow Maiden: Interlude - The Spring Fairy
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The Snow Maiden: Tsar Berendey's March
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The Snow Maiden: Final Chorus
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Orchestral Suite no. 1 in D minor, op. 43: I. Introduzione e Fuga
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Orchestral Suite no. 1 in D minor, op. 43: II. Divertimento
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Orchestral Suite no. 1 in D minor, op. 43: III. Intermezzo
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Orchestral Suite no. 1 in D minor, op. 43: IV. Marche miniature
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Orchestral Suite no. 1 in D minor, op. 43: V. Scherzo
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Orchestral Suite no. 1 in D minor, op. 43: VI. Gavotte
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Orchestral Suite no. 2 in C, op. 53 "Suite caractérique": I. Jeu de sons
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Orchestral Suite no. 2 in C, op. 53 "Suite caractérique": II. Valse
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Orchestral Suite no. 2 in C, op. 53 "Suite caractérique": III. Scherzo burlesque
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Orchestral Suite no. 2 in C, op. 53 "Suite caractérique": IV. Rêves d'enfant
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Orchestral Suite no. 2 in C, op. 53 "Suite caractérique": V. Danse baroque
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Orchestral Suite no. 3 in G, op. 55: I. Élégie: Andante molto cantabile
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Orchestral Suite no. 3 in G, op. 55: II. Valse mélancolique: Allegro moderato
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Orchestral Suite no. 3 in G, op. 55: III. Scherzo: Molto vivace
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Orchestral Suite no. 3 in G, op. 55: IV. Tema con variazioni: Andante con moto
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Orchestral Suite no. 4 in G "Mozartiana": I. Gigue: Allegro (Gigue, K. 574)
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Orchestral Suite no. 4 in G "Mozartiana": II. Menuet: Moderato (Minuet, K. 355)
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Orchestral Suite no. 4 in G "Mozartiana": III. Preghiera: Andante non tanto (Ave verum corpus, K. 618)
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Orchestral Suite no. 4 in G "Mozartiana": IV. Théme et Variations: Allegro giusto (Unser dummer Pöbel meint, K. 455)
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Swan Lake: Introduction (Moderato assai) / No. 1. Scène (Allegro giusto)
Orchestre de la Suisse Romande, Ernest Ansermet
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Swan Lake: No. 2. Waltz (Tempo di valse)
Orchestre de la Suisse Romande, Ernest Ansermet
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Swan Lake: Act I. No. 4 Pas de trois: a. Intrada: Allegro / b. Andante sostenuto / c. Allegro semplice / d. Moderato / e. Allegro / f. Coda: Allegro vivace
Orchestre de la Suisse Romande, Ernest Ansermet
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Swan Lake: No. 7. Subject / No. 8. Dance with Goblets (Tempo di polacca)
Orchestre de la Suisse Romande, Ernest Ansermet
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Swan Lake: No. 10. Scene (Moderato)
Orchestre de la Suisse Romande, Ernest Ansermet
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Swan Lake: No. 11. Scene (Allegro moderato - Allegro vivo) / 12. Scene (Allegro)
Orchestre de la Suisse Romande, Ernest Ansermet
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Swan Lake: No. 13. Dances of the Swans: I. Tempo di valse
Orchestre de la Suisse Romande, Ernest Ansermet
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Swan Lake: No. 13. Dances of the Swans: V. Pas d'action: Odette et le prince (Andante)
Orchestre de la Suisse Romande, Ernest Ansermet
—
Le Lac des cygnes : Danse des petits cygnes (Allegro moderato)
L’Orchestre de la Suisse Romande, Ernest Ansermet
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Swan Lake: No. 13. Dances of the Swans: VI. Danse générale (Valse)
Orchestre de la Suisse Romande, Ernest Ansermet
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Swan Lake: No. 13. Dances of the Swans: II. Odette solo (Moderato assai)
Orchestre de la Suisse Romande, Ernest Ansermet
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Swan Lake: No. 13. Dances of the Swans: VII. Coda (Allegro vivace)
Orchestre de la Suisse Romande, Ernest Ansermet
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Swan Lake: No. 15. Scene (Allegro giusto)
Orchestre de la Suisse Romande, Ernest Ansermet
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Swan Lake: No. 17. Scene: Entrance and Waltz of the Special Guests (Allegro - Tempo di valse)
Orchestre de la Suisse Romande, Ernest Ansermet
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Swan Lake: No. 18. Scene (Allegro - Allegro giusto)
Orchestre de la Suisse Romande, Ernest Ansermet
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Swan Lake: No. 21. Spanish Dance (Allegro non troppo: tempo di Bolero)
Orchestre de la Suisse Romande, Ernest Ansermet
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Swan Lake: No. 22. Neapolitan Dance (Allegro moderato - Andantino quasi moderato)
Orchestre de la Suisse Romande, Ernest Ansermet
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Swan Lake: No. 23. Mazurka
Orchestre de la Suisse Romande, Ernest Ansermet
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Orchestre de la Suisse Romande, Ernest Ansermet
Swan Lake: Act III. No. 5. Pas de deux: a. Intrada: Tempo di valse / b. Andante / c. Tempo di valse / d. Coda: Allegro molto vivace
Orchestre de la Suisse Romande, Ernest Ansermet
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Swan Lake: No. 28. Scene (Allegro agitato - Allegro vivace)
Orchestre de la Suisse Romande, Ernest Ansermet
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Swan Lake: No. 29. Finale (Andante - Allegro agitato - Alla breve - Moderato e maestoso)
Orchestre de la Suisse Romande, Ernest Ansermet
—
Variations on a Rococo Theme, op. 33
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Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo
Orchestre de la Suisse Romande, Ernest Ansermet
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Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia
Orchestre de la Suisse Romande, Ernest Ansermet
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Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace
Orchestre de la Suisse Romande, Ernest Ansermet
—
Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale (Adagio lamentoso - Andante)
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Sleeping Beauty: Introduction (Allegro vivo - Andantino) / Prologue, No. 1. March (Moderato)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Prologue, No. 2. Dance scene (Moderato con moto)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Prologue, No. 3. Pas de six: Introduction - Adagio
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Prologue, No. 3. Pas de six: Variation I. The Fairy of the Crystal Fountain (Allegro moderato)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Prologue, No. 3. Pas de six: Variation II. The Fairy of the Enchanted Garden (Allegro)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Prologue, No. 3. Pas de six: Variation III. The Fairy of the Woodland Glades (Allegro moderato)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Prologue, No. 3. Pas de six: Variation IV. The Fairy of the Songbirds (Moderato)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Prologue, No. 3. Pas de six: Variation V. The Fairy of the Golden Vine (Allegro molto vivace)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Prologue, No. 3. Pas de six: Variation VI. The Lilac Fairy (Tempo di valse)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Prologue, No. 3. Pas de six: Coda
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Prologue, No. 4. Finale
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act One, No. 5. Scene (Allegro vivo - Moderato)
Orchestre de la Suisse Romande, Ernest Ansermet
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Orchestre de la Suisse Romande, Ernest Ansermet
Sleeping Beauty: Act One, No. 7. Scene (Andante)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act One, No. 8. Pas d'action: Rose Adagio (Andante - Adagio maestoso)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act One, No. 8. Pas d'action: Dance of the Maids of Honour and the Pages
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act One, No. 8. Pas d'action: Aurora's Variation
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act One, No. 8. Pas d'action: Coda (Allegro giusto)
Orchestre de la Suisse Romande, Ernest Ansermet
—
La Belle au bois dormant : La Fée des lilas
L’Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Two, No. 10. Entr'acte and Scene (Allegro con spirito - Un poco più tranquillo)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Two, No. 11. Blind Man's Buff (Allegro vivo)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Two, No. 12. Scene: Dances of the Courtiers: Scene
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Two, No. 12. Scene: Dances of the Courtiers: Dance of the Duchesses (Minuet: Moderato con moto)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Two, No. 12. Scene: Dances of the Courtiers: Dance of the Baronesses (Gavotte)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Two, No. 12. Scene: Dances of the Courtiers: Dance of the Countesses (Allegro non troppo)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Two, No. 12. Scene: Dances of the Courtiers: Dance of the Marchionesses (Allegro non troppo)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Two, No. 13. Farandole: Scene (Poco più vivo) - Dance (Allegro non troppo)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Two, No. 14. Scene: Prince Florimund and the Lilac Fairy
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Two, No. 15. Pas d'action: Aurora and Florimund (Andante cantabile)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Two, No. 15. Pas d'action: Aurora's Variation (Allegro con moto)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Two, No. 15. Pas d'action: Coda (Presto)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Two, No. 16. Scene (Allegro agitato)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Two, No. 17. Panorama (Andantino)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Two, No. 19. Symphonic Entr' acte (The Sleep) and Scene (Andante misterioso) / No. 20. Finale: The Awakening (Allegro agitato)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Three, No. 21. March (Allegro non troppo)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Three, No. 22. Polonaise: Procession of Fairy Tale Characters (Allegro moderato e brillante)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Three, No. 23. Pas de quatre: Introduction
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Three, No. 23. Pas de quatre: Variation I. The Golden Fairy (Allegro tempo di valse)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Three, No. 23. Pas de quatre: Variation II. The Silver Fairy (Allegro giusto)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Three, No. 23. Pas de quatre: Variation IV. The Diamond Fairy (Vivace) - Coda (L'istesso tempo)
Orchestre de la Suisse Romande, Ernest Ansermet
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La Belle au bois dormant : Pas de caractère (Le Chat botté et la Chatte blanche)
L’Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Three, No. 25. Pas de quatre: Introduction (Adagio)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Three, No. 25. Pas de quatre: Variation I. Cinderella and Prince Charming (Allegro: Tempo di valse)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Three, No. 25. Pas de quatre: Variation II. The Bluebird and Princess Florine (Andantino)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Three, No. 25. Pas de quatre: Coda (Presto)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Three, No. 26. Pas de caractère: Red Riding Hood and the Wolf (Allegro moderato)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Three, No. 27. Tom Thumb (Allegro agitato - Tempo di valse - Vivace assai) -
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Three, No. 27. Cinderella and Prince Fortune
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Three, No. 28. Pas de deux: Entreé (Allegretto - Allegro moderato) - Adagio (Andante non troppo)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Three, No. 28. Pas de deux: Variation I. Florimund (Vivace - Prestissimo)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Three, No. 28. Pas de deux: Variation II. Aurora (Andantino)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Three, No. 28. Pas de deux: Coda (Allegro vivace)
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Three, No. 29. Sarabande
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Three, No. 30. Finale and Apotheosis: Finale (Allegro brillante: Tempo di mazurka) -
Orchestre de la Suisse Romande, Ernest Ansermet
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Sleeping Beauty: Act Three, No. 30. Finale and Apotheosis: Apotheosis (Andante molto maestoso)
Orchestre de la Suisse Romande, Ernest Ansermet
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Orchestre de la Suisse Romande, Ernest Ansermet
The Nutcracker, op. 71: Act I, Tableau 1. No. 1 Scene: The Christmas Tree
Orchestre de la Suisse Romande, Ernest Ansermet
—
The Nutcracker, op. 71: Act I, Tableau 1. No. 2 March of the Toy Soldiers
Orchestre de la Suisse Romande, Ernest Ansermet
—
The Nutcracker, op. 71: Act I, Tableau 1. No. 3 Children's Gallop - Dance of the Parents
Orchestre de la Suisse Romande, Ernest Ansermet
—
The Nutcracker, op. 71: Act I, Tableau 1. No. 4 Dance Scene: Arrival of Drosselmeyer - Distribution of presents
Orchestre de la Suisse Romande, Ernest Ansermet
—
The Nutcracker, op. 71: Act I, Tableau 1. No. 5 Scene: Grandfather Waltz
Orchestre de la Suisse Romande, Ernest Ansermet
—
The Nutcracker, op. 71: Act I, Tableau 1. No. 6 Scene: Departure of the guests - Clara and the Nutcracker
Orchestre de la Suisse Romande, Ernest Ansermet
—
The Nutcracker, op. 71: Act I, Tableau 1. No. 7 Scene: The Battle
Orchestre de la Suisse Romande, Ernest Ansermet
—
The Nutcracker, op. 71: Act I, Tableau 2. No. 8 Scene: A Pine Forest in Winter
Orchestre de la Suisse Romande, Ernest Ansermet
—
The Nutcracker, op. 71: Act I, Tableau 2. No. 9 Waltz of the Snowflakes
Orchestre de la Suisse Romande, Ernest Ansermet
—
The Nutcracker, op. 71: Act II, Tableau 3. No. 10 Scene: The Magic Castle on the Mountain of Sweets
Orchestre de la Suisse Romande, Ernest Ansermet
—
The Nutcracker, op. 71: Act II, Tableau 3. No. 11 Scene: Clara and Nutcracker Prince
Orchestre de la Suisse Romande, Ernest Ansermet
—
The Nutcracker, op. 71: Act II, Tableau 3. No. 12 Divertissement: a. Chocolate (Spanish Dance)
Orchestre de la Suisse Romande, Ernest Ansermet
—
The Nutcracker, op. 71: Act II, Tableau 3. No. 12 Divertissement: b. Coffee (Arabian Dance)
Orchestre de la Suisse Romande, Ernest Ansermet
—
Casse-Noisette : Danse chinoise
L’Orchestre de la Suisse Romande, Ernest Ansermet
—
The Nutcracker, op. 71: Act II, Tableau 3. No. 12 Divertissement: d. Trepak (Russian Dance)
Orchestre de la Suisse Romande, Ernest Ansermet
—
Casse-Noisette : Danse des Mirlitons
L’Orchestre de la Suisse Romande, Ernest Ansermet
—
The Nutcracker, op. 71: Act II, Tableau 3. No. 12 Divertissement: f. Clowns Dance
Orchestre de la Suisse Romande, Ernest Ansermet
—
Orchestre de la Suisse Romande, Ernest Ansermet
The Nutcracker, op. 71: Act II, Tableau 3. No. 14 Pas de deux
Orchestre de la Suisse Romande, Ernest Ansermet
—
The Nutcracker, op. 71: Act II, Tableau 3. No. 14 Pas de deux: Variation 1: Tarantelle
Orchestre de la Suisse Romande, Ernest Ansermet
—
The Nutcracker, op. 71: Act II, Tableau 3. No. 14 Pas de deux: Variation 2: Dance of The Sugar Plum Fairy
Orchestre de la Suisse Romande, Ernest Ansermet
—
The Nutcracker, op. 71: Act II, Tableau 3. No. 14 Pas de deux: Coda
Orchestre de la Suisse Romande, Ernest Ansermet
—
The Nutcracker, op. 71: Act II, Tableau 3. No. 15 Final Waltz and Apotheosis
Orchestre de la Suisse Romande, Ernest Ansermet
—
Suite for Orchestra no. 3 in G, op. 55: I. Elégie
Orchestre de la Suisse Romande, Ernest Ansermet
—
Suite for Orchestra no. 3 in G, op. 55: II. Valse mélancolique
Orchestre de la Suisse Romande, Ernest Ansermet
—
Suite for Orchestra no. 3 in G, op. 55: III. Scherzo
Orchestre de la Suisse Romande, Ernest Ansermet
—
Suite for Orchestra no. 3 in G, op. 55: IV. Thème et variations
L’Orchestre de la Suisse Romande, Ernest Ansermet
—
Suite for Orchestra no. 4 in G, op. 61 "Mozartiana": I. Gigue
Orchestre de la Suisse Romande, Ernest Ansermet
—
Suite for Orchestra no. 4 in G, op. 61 "Mozartiana": II. Menuet
Orchestre de la Suisse Romande, Ernest Ansermet
—
Orchestre de la Suisse Romande, Ernest Ansermet
Suite for Orchestra no. 4 in G, op. 61 "Mozartiana": IV. Thème et variations
Orchestre de la Suisse Romande, Ernest Ansermet
—
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito
—
Piano Concerto no. 1 in B-flat minor, op. 23: II. Andante semplice
—
Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
—
Piano Concerto no. 2 in G, op. 44: I. Allegro brilliante
—
Piano Concerto no. 2 in G, op. 44: II. Andante non troppo
—
Piano Concerto no. 2 in G, op. 44: III. Allegro con fuoco
—
Piano Concerto no. 3 in E-flat, op. 75/79: I. Allegro brillante
—
Piano Concerto no. 3 in E-flat, op. 75/79: II. Andante
—
Piano Concerto no. 3 in E-flat, op. 75/79: III. Finale: Allegro maestoso
—
Concert Fantasy, op. 56: I. Quasi rondo: Andante mosso
—
Concert Fantasy, op. 56: II. Contrastes: Andante cantabile
—
Méditation
—
Scherzo
—
Mélodie
—
Sérénade mélancolique
—
Valse-Scherzo
—
Violin Concerto in D, op. 35: I. Allegro moderato
—
Violin Concerto in D, op. 35: II. Andante
—
Violin Concerto in D, op. 35: III. Allegro vivacissimo
—
Variations on Rococo Theme, op. 33 (Original version)
Александр Израилевич Рудин, Ensemble Instrumental Musica Viva, Николай Геннадьевич Алексеев
—
Nocturne (Adapted from 6 Piano Pieces, op. 19)
Александр Израилевич Рудин, Ensemble Instrumental Musica Viva, Николай Геннадьевич Алексеев
—
Andante cantabile (Adapted from String Quartet no. 1, op. 11)
Александр Израилевич Рудин, Ensemble Instrumental Musica Viva, Николай Геннадьевич Алексеев
—
Pezzo capriccioso, op. 62
Александр Израилевич Рудин, Ensemble Instrumental Musica Viva, Николай Геннадьевич Алексеев
—
Andante cantabile (Adapted from Sleeping Beauty, op. 66)
Александр Израилевич Рудин, Ensemble Instrumental Musica Viva, Николай Геннадьевич Алексеев
—
Serenade for Strings in C, op. 48: I. Pezzo in forma di sonatina; Andante non troppo - Allegro moderato
Ensemble Instrumental Musica Viva, Александр Израилевич Рудин
—
Serenade for Strings in C, op. 48: II. Valse: Moderato (Tempo di valse)
Ensemble Instrumental Musica Viva, Александр Израилевич Рудин
—
Serenade for Strings in C, op. 48: III. Elégie: Larghetto elegiaco
Ensemble Instrumental Musica Viva, Александр Израилевич Рудин
—
Ensemble Instrumental Musica Viva, Александр Израилевич Рудин
Liturgy of St John Chrysostom, op. 41: I. Lord, have mercy
—
Liturgy of St John Chrysostom, op. 41: II. Glory be to the Father
—
Liturgy of St John Chrysostom, op. 41: III. O come, let us worship
—
Liturgy of St John Chrysostom, op. 41: IV. Alleluia
—
Liturgy of St John Chrysostom, op. 41: V. Glory be to Thee
—
Liturgy of St John Chrysostom, op. 41: VI. Hymn of the Cherubim
—
Liturgy of St John Chrysostom, op. 41: VII. Lord have Mercy
—
Liturgy of St John Chrysostom, op. 41: VIII. The Creed
—
Liturgy of St John Chrysostom, op. 41: IX. The mercy of peace
—
Liturgy of St John Chrysostom, op. 41: X. We sing Thee
—
Liturgy of St John Chrysostom, op. 41: XI. It is meet
—
Liturgy of St John Chrysostom, op. 41: XII. Amen, and with Thy Spirit
—
Liturgy of St John Chrysostom, op. 41: XIII. Our Father
—
Liturgy of St John Chrysostom, op. 41: XIV. Praise ye the Lord from the Heavens
—
Liturgy of St John Chrysostom, op. 41: XV. Blessed be he that cometh in name of the lord
—
Evening
Moscow Choral Academy, Виктор Сергеевич Попов
—
Child's Song
Dimitri Kortchak, Moscow Choral Academy, Виктор Сергеевич Попов
—
Blessed Is He Who Smiles
Moscow Choral Academy, Виктор Сергеевич Попов
—
Why Does the Sound of the Revels Grow Silent?
Moscow Choral Academy, Виктор Сергеевич Попов
—
Much Too Soon in the Season
Moscow Choral Academy, Виктор Сергеевич Попов
—
Old French Air
Moscow Choral Academy, Виктор Сергеевич Попов
—
Dawn
Moscow Choral Academy, Tamara Kravtchenko, Виктор Сергеевич Попов
—
Nature and Love
Anetta Michina, Moscow Choral Academy, Tamara Kravtchenko, Виктор Сергеевич Попов
—
Before Sleep
Moscow Choral Academy, Виктор Сергеевич Попов
—
A Golden Cloud Slumbered
Moscow Choral Academy, Виктор Сергеевич Попов
—
A Greeting to Anton Rubinstein
Moscow Choral Academy, Виктор Сергеевич Попов
—
The Nightingale
Moscow Choral Academy, Виктор Сергеевич Попов
—
It's Not the Cuckoo
Moscow Choral Academy, Виктор Сергеевич Попов
—
Night
Moscow Choral Academy, Tamara Kravtchenko, Виктор Сергеевич Попов
—
Hymn to Cyril and Methodius
Moscow Choral Academy, Виктор Сергеевич Попов
—
A Legend
Moscow Choral Academy, Виктор Сергеевич Попов
—
Neopolitan Air (Adaptation for Chorus by Klimov)
Moscow Choral Academy, Виктор Сергеевич Попов
—
Piano Trio in A minor, op. 50 "In Memory of a Great Artist": I. Pezzo elegiaco. Moderato assai - Allegro giusto
—
Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Andante con moto
—
Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation I: Cantabile
—
Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation II: Più mosso
—
Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation III: Allegro moderato
—
Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation IV: L'istesso tempo
—
Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation V: L'istesso tempo
—
Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation VI: Tempo di valse
—
Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation VII: Allegro moderato
—
Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation VIII: Fuga (Allegro moderato)
—
Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation IX: Andante flebile ma non tanto
—
Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation X: Tempo di mazurka
—
Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Tema con variazioni: Variation XI: Moderato
—
Piano Trio in A minor, op. 50 "In Memory of a Great Artist": III. Finale: Allegretto risoluto e con fuoco - Coda: Andante con moto - Lugubre
—
String Quartet no. 1 in D, op. 11: I. Moderato e semplice
—
String Quartet no. 1 in D, op. 11: II. Andante cantabile
—
String Quartet no. 1 in D, op. 11: III. Scherzo: Allegro non tanto e con fuoco
—
String Quartet no. 1 in D, op. 11: IV. Finale: Allegro giusto - Allegro vivace
—
String Quartet no. 2 in F, op. 22: I. Adagio - Moderato assai
—
String Quartet no. 2 in F, op. 22: II. Scherzo: Allegro giusto
—
String Quartet no. 2 in F, op. 22: III. Andante ma non tanto
—
String Quartet no. 2 in F, op. 22: IV. Finale: Allegro con moto
—
Quartet Movement in B-flat: Adagio misterioso - Allegro con moto - Adagio misterioso
—
String Sextet in D minor, op. 70 "Souvenir de Florence": I. Allegro con spirito
—
String Sextet in D minor, op. 70 "Souvenir de Florence": II. Adagio cantabile e con moto
—
String Sextet in D minor, op. 70 "Souvenir de Florence": III. Allegretto moderato
—
String Sextet in D minor, op. 70 "Souvenir de Florence": IV. Allegro con brio e vivace
—
String Quartet no. 3 in E minor, op. 30: I. Andante sostenuto
—
String Quartet no. 3 in E minor, op. 30: II. Allegretto vivo e scherzando
—
String Quartet no. 3 in E minor, op. 30: III. Andante funebre e doloroso, ma con moto
—
String Quartet no. 3 in E minor, op. 30: IV. Finale: Allegro non troppo e risoluto
—
Allegretto moderato in D for String Trio
—
Allegretto in E for String Quartet
—
Allegro vivace in B-flat for String Quartet
—
Andante molto in G for String Quartet
—
The Seasons, op. 37a: I. January
—
The Seasons, op. 37a: II. February
—
The Seasons, op. 37a: III. March
—
The Seasons, op. 37a: IV. April
—
The Seasons, op. 37a: V. May
—
The Seasons, op. 37a: VI. June
—
The Seasons, op. 37a: VII. July
—
The Seasons, op. 37a: VIII. August
—
The Seasons, op. 37a: IX. September
—
The Seasons, op. 37a: X. October
—
The Seasons, op. 37a: XI. November
—
The Seasons, op. 37a: XII. December
—
6 Pieces for Piano, op. 51: Valse de salon
—
6 Pieces for Piano, op. 51: Polka peu dansante
—
6 Pieces for Piano, op. 51: Menuetto scherzoso
—
6 Pieces for Piano, op. 51: Natha Valse
—
6 Pieces for Piano, op. 51: Romance
—
6 Pieces for Piano, op. 51: Valse sentimentale
—
Album for the Young, op. 39: Morning Prayer
—
Album for the Young, op. 39: Winter Morning
—
Album for the Young, op. 39: Little Horseman
—
Album for the Young, op. 39: Mama
—
Album for the Young, op. 39: March of the Wooden Soldiers
—
Album for the Young, op. 39: The Sick Doll
—
Album for the Young, op. 39: Dolly's Funeral
—
Album for the Young, op. 39: Waltz
—
Album for the Young, op. 39: The New Doll
—
Album for the Young, op. 39: Mazurka
—
Album for the Young, op. 39: Russian Folksong
—
Album for the Young, op. 39: Peasant's Song
—
Album for the Young, op. 39: Russian Dance
—
Album for the Young, op. 39: Polka
—
Album for the Young, op. 39: Italian Ditty
—
Album for the Young, op. 39: Old French Melody
—
Album for the Young, op. 39: German Song
—
Album for the Young, op. 39: Neopolitan Dance Tune
—
Album for the Young, op. 39: Old Nurse's Song
—
Album for the Young, op. 39: Witch
—
Album for the Young, op. 39: Sweet Dreams
—
Album for the Young, op. 39: Song of the Lark
—
Album for the Young, op. 39: The Organ Grinder
—
Album for the Young, op. 39: In Church
—
Piano Sonata in C-sharp minor, op. 80: I. Allegro con fuoco
—
Piano Sonata in C-sharp minor, op. 80: II. Andante
—
Piano Sonata in C-sharp minor, op. 80: III. Allegro vivo
—
Piano Sonata in C-sharp minor, op. 80: IV. Allegro vivo
—
18 Piano Pieces, op. 72: Impromptu
—
18 Piano Pieces, op. 72: Berceuse
—
18 Piano Pieces, op. 72: Tender Reproaches
—
18 Piano Pieces, op. 72: Danse caractéristique
—
18 Piano Pieces, op. 72: Méditation
—
18 Piano Pieces, op. 72: Mazurka pour danser
—
18 Piano Pieces, op. 72: Concert polonaise
—
18 Piano Pieces, op. 72: Dialogue
—
18 Piano Pieces, op. 72: Un poco di Schumann
—
18 Piano Pieces, op. 72: Scherzo-Fantasie
—
18 Piano Pieces, op. 72: Valse bluette
—
18 Piano Pieces, op. 72: L'espiégle
—
18 Piano Pieces, op. 72: Echo rustique
—
18 Piano Pieces, op. 72: Chant élégiaque
—
18 Piano Pieces, op. 72: Un poco di Chopin
—
18 Piano Pieces, op. 72: Valse à cinq temps
—
18 Piano Pieces, op. 72: Distant Past
—
18 Piano Pieces, op. 72: Scéne dansante
—
Scherzo á la russe, op. 1 no. 1
—
Impromptu, op. 1 no. 2
—
Ruines d'un Chateau, op. 2 no. 1
—
Scherzo, op. 2 no. 2
—
Song Without Words, op. 2 no. 3
—
Valse Caprice, op. 4
—
Romanze, op. 5
—
Capriccio, op. 8
—
Rêverie, op. 9 no. 1
—
Polka de salon, op. 9 no. 2
—
Mazurka de salon, op. 3 no. 3
—
Nocturne, op. 10 no. 1
—
Humeresque, op. 10 no. 2
—
Dumka, op. 59
—
Impromptu
—
Impromptu-Caprice
—
Valse-Scherzo
—
Impromptu-Moderato
—
Aveu passionne
—
Valse Scherzo, op. 7
—
Abend-Träumerei, op. 19 no. 1
—
Scherzo humoristique, op. 19 no. 2
—
Feuillet d'album, op. 19 no. 3
—
Nocturne, op. 19 no. 4
—
Capriccioso, op. 19 no. 5
—
Theme and Variations, op. 19 no. 6
—
Six Pieces on a Single Theme, op. 21: I. Praeludium
—
Six Pieces on a Single Theme, op. 21: II. Fugue
—
Six Pieces on a Single Theme, op. 21: III. Impromptu
—
Six Pieces on a Single Theme, op. 21: IV. Trauermarsch
—
Six Pieces on a Single Theme, op. 21: V. Mazurka
—
Six Pieces on a Single Theme, op. 21: VI. Scherzo
—
Piano Sonata in G minor, op. 37: I. Moderato e risoluto
—
Piano Sonata in G minor, op. 37: II. Andante non troppo quasi moderato
—
Piano Sonata in G minor, op. 37: III. Scherzo: Allegro giocoso
—
Piano Sonata in G minor, op. 37: IV. Finale: Allegro vivace
—
12 Pieces, op. 40: I. Etude
—
12 Pieces, op. 40: II. Chanson
—
12 Pieces, op. 40: III. Marche
—
12 Pieces, op. 40: IV. Mazurka in C
—
12 Pieces, op. 40: V. Mazurka in D
—
12 Pieces, op. 40: VI. Chant
—
12 Pieces, op. 40: VII. Au village
—
12 Pieces, op. 40: VIII. Walzer
—
12 Pieces, op. 40: IX. Walzer
—
12 Pieces, op. 40: X. Danse russe
—
12 Pieces, op. 40: XI. Scherzo
—
12 Pieces, op. 40: XII. Réverie
—
Violin Concerto in D, op. 35: I. Allegro moderato
Aaron Rosand, Orchestre symphonique de Radio Télé Luxembourg, Louis de Froment
—
Violin Concerto in D, op. 35: II. Canzonetta: Andante
—
Violin Concerto in D, op. 35: III. Finale: Allegro vivacissimo
—
Evgeny Onegin: Act I: Scene I: Prelude
—
Evgeny Onegin: Act I: Scene I: no. 1. Duet and Quartet
—
Evgeny Onegin: Act I: Scene I: no. 2. Peasant's Chorus and Dance
—
Evgeny Onegin: Act I: Scene I: no. 3. Scene and Arioso (Olga)
—
Evgeny Onegin: Act I: Scene I: no. 4. Scene
—
Evgeny Onegin: Act I: Scene I: no. 5. Scene and Quartet
—
Evgeny Onegin: Act I: Scene I: no. 6. Scene and Arioso (Lensky)
—
Evgeny Onegin: Act I: Scene I: no. 7. Closing Scene
—
Evgeny Onegin: Act I: Scene II: no. 8. Introduction and Scene
—
Evgeny Onegin: Act I: Scene II: no. 9. Letter Scene
—
Evgeny Onegin: Act I: Scene II: no. 10. Scene and Duet
—
Evgeny Onegin: Act I: Scene III: no. 11. Servant Girls' Chorus
—
Evgeny Onegin: Act I: Scene III: no. 12. Scene and Aria (Onegin)
—
Evgeny Onegin: Act II: Scene I: no. 13. Entr'acte and Waltz Scene and Chorus
—
Evgeny Onegin: Act II: Scene I: no. 14. Scene and Couplets (Triquet)
—
Evgeny Onegin: Act II, Scene 1, no. 15. Mazurka and Scene
—
Evgeny Onegin: Act II, Scene 1, no. 16. Finale
—
Evgeny Onegin: Act II, Scene 2, no. 17. Introduction, Scene and Aria (Lensky)
—
Evgeny Onegin: Act II, Scene 2, no. 18. Duel Scene
—
Evgeny Onegin: Act III, Scene 1, no. 19. Polonaise
—
Evgeny Onegin: Act III, Scene 1, no. 20. Scene
—
Evgeny Onegin: Act III, Scene 1. Écossaise I
—
Evgeny Onegin: Act III, Scene 1. Scene (continued)
—
Evgeny Onegin: Act III, Scene 1, no. 20a. Aria (Prince Gremin)
—
Evgeny Onegin: Act III, Scene 1, no. 21. Scene and Arioso (Onegin)
—
Evgeny Onegin: Act III, Scene 1. Écossaise II
—
Evgeny Onegin: Act III, Scene 2, no. 22. Closing Scene (Tatiana and Onegin)
—
The Oprichnik: Act I. Introduction
—
The Oprichnik: Act I. "Come in, do us the honour" (Zemchuznyj)
—
The Oprichnik: Act I. "A duckling was swimming in the sea" (Chorus of Girls)
—
The Oprichnik: Act I. How wearisome it is to spend"
—
The Oprichnik: Act I. "A nightingila chirps on leafy fronds" (Natal'ja)
—
The Oprichnik: Act I. "See here if one should get sad over such a song!" (Zachar'evna)
—
The Oprichnik: Act I. "Don't worry, dear Andrej, step forward" (Basmanov)
—
The Oprichnik: Act I. "Tell me, have you taken a decision?" (Basmanov)
—
The Oprichnik: Act I. "No, my friend" (Andrej)
—
The Oprichnik: Act I. "I thought I heard some voices" (Natal'ja)
—
The Oprichnik: Act I. "Here you are then!" (Zachar'evna)
—
The Oprichnik: Act II. Introduction
—
The Oprichnik: Act II. "Much as one tries, life never changes" (Morozova)
—
The Oprichnik: Act II. "No more worries, mother, let the wind" (Andrej)
—
The Oprichnik: Act II. "But you, son, keep purer than the snow (Morozova)
—
The Oprichnik: Act II. "Basmanov likes wine and pleasures (Andrej)
—
The Oprichnik: Act II. "Dear son, do not abandon me" (Morozova)
—
The Oprichnik: Act II. "I leave, mother, but I won't be away for long" (Andrej)
—
The Oprichnik: Act II. Introduction
—
The Oprichnik: Act II. "What refuge shall I find from my sins?" (Chorus of Oprichniks)
—
The Oprichnik: Act II. "Brothers, stop being engrossed in godly things!" (Vjaz'minskij)
—
The Oprichnik: Act II. "No, say, I come from the Czar" (Basmanov)
—
The Oprichnik: Act II. "Have you made this choice freely" (Vjaz'minskij)
—
The Oprichnik: Act II. "Before you, like before God" (Andrej)
—
The Oprichnik: Act II. "Are you ready, then, to take the sacred oath? (Vjaz'minskij)
—
The Oprichnik: Act II. "O Natal'ja, O mother! (Andrej)
—
The Oprichnik: Act II. "In the name of the almighty God (Vjaz'minskij, Chorus of Oprichniks)
—
The Oprichnik: Act II. "As glorious as the sun in a clear day" (Vjaz'minskij, Chorus of Oprichniks)
—
The Oprichnik: Act III. Introduction
—
The Oprichnik: Act III. "Dark timesrae looming on us" (Chorus of People)
—
The Oprichnik: Act III. "Oh, how lonely I already feel!"
—
The Oprichnik: Act III. "Filthy bitch, dirty brook" (Chorus of Boys)
—
The Oprichnik: Act III. "I run to you dear mother" (Natal'ja)
—
The Oprichnik: Act III. "Let's run away, come, let's flee somewhere" (Natal'ja)
—
The Oprichnik: Act III. "I am before you and before the Lord" (Natal'ja)
—
The Oprichnik: Act III. "Go, princess (Zemchuznyj)
—
The Oprichnik: Act III. "I deny you, off with you, Praetorian" (Morozova)
—
The Oprichnik: Act III. "Alas I cannot fully grasp" (Andrej)
—
The Oprichnik: Act III. "Take heart, brother in faith" (Basmanov)
—
The Oprichnik: Act IV. "Honour and glory to the fine, courageous lad" (Wedding Chorus)
—
The Oprichnik: Act IV. Dances of Oprichniks and women
—
The Oprichnik: Act IV. Friends, this day is both joyful and sad (Andrej)
—
The Oprichnik: Act IV. Oh, if only this banquet would end! (Natal'ja)
—
The Oprichnik: Act IV. "You are my light, my life" (Natal'ja)
—
The Oprichnik: Act IV. "Oh, may they never age" (Wedding Chorus)
—
The Oprichnik: Act IV. "My respects to the noble congregation" (Vjaz'minskij)
—
The Oprichnik: Act IV. "Look, a frightening storm threatens"
—
The Oprichnik: Act IV. "And so, my love, do you know who is calling you?" (Vjaz'minskij)
—
Cherevichki: Overture
—
Cherevichki: "Ah, how silvery the moon shines" (Solocha)
—
Cherevichki: "She's got really warmed up" (Bes)
—
Cherevichki: "Just look at the snowstorm" (Oksana)
—
Cherevichki: "A little apple tree was blossoming in the garden" (Oksana)
—
Cherevichki: "She never takes her eyes off herself" (Vakula)
—
Cherevichki: "Look at the way you are!" (Oksana)
—
Cherevichki: "What's all this noise?" (Oksana)
—
Cherevichki: "If only people were a bit more intelligent" (Oksana)
—
Cherevichki: Intermezzo
—
Cherevichki: "The storm has swept my broomstick away" (Solocha)
—
Cherevichki: "Now that's what I call now" (Golova)
—
Cherevichki: "Is anyone in?" (Schoolmaster)
—
Cherevichki: "A woman runs after the devil" (Schoolmaster)
—
Cherevichki: "Greetings!" (Cub)
—
Cherevichki: "I don't feel well..." (Schoolmaster)
—
Cherevichki: "A year has gone by..." (Vakula)
—
Cherevichki: "Good evening!" (Chorus)
—
Cherevichki: "Oksana, why are you so late?" (Chorus)
—
Cherevichki: "My shoes aren't very big" (Oksana)
—
Cherevichki: "Ah, Vakula, you're here again" (Oksana)
—
Cherevichki: Intermezzo
—
Cherevichki: "It's dark, too dark" (Chorus of Undines)
—
Cherevichki: "Where have I come to?" (Vakula)
—
Cherevichki: "Who knows, my girl, if your heart can feel may pain" (Vakula)
—
Cherevichki: "We are there" (Bes)
—
Cherevichki: "Before we start the dances" (His Serene Highness)
—
Cherevichki: "Did you have a good journey?" (His Serene Highness)
—
Cherevichki: Russian dance
—
Cherevichki: Cossack dance
—
Cherevichki: "In the Czarina's family theatre" (Master of Ceremonies)
—
Cherevichki: "Some say he threw himself into the river!" (Solocha)
—
Cherevichki: "We invite you to our house" (Chorus of women)
—
Cherevichki: "If you want to drink honey" (Chorus)
—
Cherevichki: "Strong winds, do not blow in the thick woods" (Chorus)
—
The Maid of Orleans: Introduction
—
The Maid of Orleans: Act I. "Les us all gather here" (Chorus)
—
The Maid of Orleans: Act I. "I do not enjoy your songs and games" (Thibaut, Raymond, Joan)
—
The Maid of Orleans: Act I. "Answer, Joan, will you obey my wishes?" (Thibaut, Joan, Raymond)
—
The Maid of Orleans: Act I. "A distant fire..." (Raymond, Thibaut, Chorus, Bertrand)
—
The Maid of Orleans: Act I. "Brothers and friends, dry your tears!" (Joan, Chorus, Soldier, Thibaut)
—
The Maid of Orleans: Act I. "Almighty God" (Joan, Raymond, Bertrand, Chorus)
—
The Maid of Orleans: Act I. "Yes, the time has come!" (Joan)
—
The Maid of Orleans: Act I. "Farewell hills, dear fields" (Joan)
—
The Maid of Orleans: Act I. "But will I have the strength" (Joan, Chorus)
—
The Maid of Orleans: Act I. Entr'acte
—
The Maid of Orleans: Act II. "Days and years hurry by" (Minstrel)
—
The Maid of Orleans: Act II. "Oh! Agnes!" (King)
—
The Maid of Orleans: Act II. Ballet
—
The Maid of Orleans: Act II. "I am well pleased!" (King, Dunois, Agnes)
—
The Maid of Orleans: Act II. "I beg of you, hurry now" (Dunois, King)
—
The Maid of Orleans: Act II. "Grief! Grief!" (Lore, King, Dunois)
—
The Maid of Orleans: Act II. "A terrible fate is upon us..." (King, Agnes)
—
The Maid of Orleans: Act II. "If you have not been given the strength" (Agnes)
—
The Maid of Orleans: Act II. "If it were not for you, my angel" (King, Agnes)
—
The Maid of Orleans: Act II. "Glory, glory to our rescuer, our maiden!" (Chorus, Agnes, Dunois, King, Cardinal)
—
The Maid of Orleans: Act II. "So you are a saint?" (Duois, Joan, King, Cardinal)
—
The Maid of Orleans: Act II. "Holy father, my name is Joan" (Joan)
—
The Maid of Orleans: Act II. "I must be silent before Cardinal" (King, Agnes, Chorus, Joan)
—
The Maid of Orleans: Act III. "Halt, halt, you are dead!" (Joan, Lionel)
—
The Maid of Orleans: Act III. "Who do you hesitate?" (Lionel, Joan)
—
The Maid of Orleans: Act III. "I feel sorry for your beauty" (Lionel, Joan)
—
The Maid of Orleans: Act III. "I surrender to you!" (Lionel, Dunois, Joan)
—
The Maid of Orleans: Act III. "Glory to the King!" (Chorus)
—
The Maid of Orleans: Act III. "Let us return, dear Thibaut" (Raymond, Thibaut)
—
The Maid of Orleans: Act III. "Glory to the Almighty" (Chorus)
—
The Maid of Orleans: Act III. "Glory, glory to the King!" (Chorus, King)
—
The Maid of Orleans: Act III. "Oh God! My father!" (Joan, Chorus, Thibaut, King)
—
The Maid of Orleans: Act III. "She bends her head..." (All)
—
The Maid of Orleans: Act III. "Why are you afraid?" (All)
—
The Maid of Orleans: Act III. "Joan, take advantage of this moment" (Lionel, Joan)
—
The Maid of Orleans: Act IV. Introduction
—
The Maid of Orleans: Act IV. "How I resist this love?" (Joan)
—
The Maid of Orleans: Act IV. "Oh wonderful, sweet dream!" (Lionel, Joan)
—
The Maid of Orleans: Act IV. "You have disobeyed the will of heaven" (Chorus, Lionel, Joan)
—
The Maid of Orleans: Act IV. "Look, they are bringing her" (Chorus)
—
The Maid of Orleans: Act IV. "Holy father! Help me, I am afraid!" (Joan, Chorus)
—
Pique Dame: Act II. Scene of the Countess
—
Iolanta: Overture
—
Iolanta: "Iolanta, my little one, are you tired?"
—
Iolanta: "That's enough, dear, no more now"
—
Iolanta: "Brigitta, is that you?"
—
Iolanta: "A bugle call"
—
Iolanta: "The expression you wear"
—
Iolanta: "Hurry not, it is so dark here"
—
Iolanta: "No, the charming attentions"
—
Iolanta: "But where on earth are we?"
—
Iolanta: "Iolanta! Where are you?"
—
Iolanta: "Please forgive me"
—
Pique Dame: Introduction
—
Pique Dame: "Burn, burn bright"
—
Pique Dame: "How did the game end last night?"
—
Pique Dame: "Finally God has sent us a sunny little day!"
—
Pique Dame: "I am frightened"
—
Pique Dame: "What a witch that Countess is!"
—
Pique Dame: "Se non e vero, e ben trovato"
—
Pique Dame: "Evening already"
—
Pique Dame: "Bewitching! Enchanting"
—
Pique Dame: "Mesdemoiselles, What's this noise?"
—
Pique Dame: "It's time now to be breaking up"
—
Pique Dame: "Happily and merrily on this day"
—
Pique Dame: "The master asks his dear quests to come and see"
—
Pique Dame: "Stay for one moment"
—
Pique Dame: "I would like to see her right now"
—
Pique Dame: "Under the thick shade near the calm brook"
—
Pique Dame: "My darling little friend"
—
Pique Dame: "Who, ardently and passionately loving!"
—
Pique Dame: "Everything is as she told me"
—
Pique Dame: "That's not enough talk from you!"
—
Pique Dame: "Don't be frightened!"
—
Pique Dame: "I do not believe that you wanted the Countess's death"
—
Pique Dame: "I am frightened!"
—
Pique Dame: "Midnight is already nearing"
—
Pique Dame: "But if the clock strikes out in reply to me"
—
Pique Dame: "We will drink and be merry"
—
Pique Dame: "If darling girls could fly like birds"
—
Pique Dame: "To business, gentleman, to cards!"
—
Charodeika: Overture
—
Charodeika: No. 1. Group scene
—
Charodeika: No. 2. Group scene
—
Charodeika: No. 3. Chorus of Visiting Guest and Scene
—
Charodeika: No. 4. Scene and Arioso
—
Charodeika: No. 5. Chorus and Scene
—
Charodeika: No. 6. Scene
—
Charodeika: No. 7. Finale
—
Charodeika: No. 8. Scene and Arioso
—
Charodeika: No. 9. Scene and Duet
—
Charodeika: No. 10. Scene
—
Charodeika: No. 11. Scene and Arioso
—
Charodeika: No. 12. Scene
—
Charodeika: No. 13. Group Scene
—
Charodeika: No. 14. Finale
—
Charodeika: No. 15. Scene and Duet
—
Charodeika: No. 16. Scene
—
Charodeika: No. 17. Scene and Duet
—
Charodeika: No. 18. Scene with Chorus
—
Charodeika: No. 19. Scene and Duet
—
Charodeika: No. 20. Scene and Arioso
—
Charodeika: No. 21. Scene and Duet
—
Charodeika: No. 22. Scene and Quartet
—
Charodeika: No. 23. Finale
—
Toropka's Three Songs: I.
—
Toropka's Three Songs: II.
—
Toropka's Three Songs: III.
—
Ruslan and Ludmilla: Scene of the Finn and Ruslan
—
Pique Dame: "Her name is unknown to me"
—
Pique Dame: "Forgive me, bright celestial visions"
—
Pique Dame: "What is our life?"
—
Mazeppa: Introduction
—
Mazeppa: Act I, Scene I. Girls' Chorus and Scene "I weave my fragant garland"
—
Mazeppa: Act I, Scene I. Arioso and Duet "You love the songs, dear companions"
—
Mazeppa: Act I, Scene I. Scene "Well, Vasily, you honour me wonderfully"
—
Mazeppa: Act I, Scene I. Chorus and Dance "There is no bridge here"
—
Mazeppa: Act I, Scene I. Hopak
—
Mazeppa: Act I, Scene I. Scene and Arioso "That's fine, I like that!"
—
Mazeppa: Act I, Scene I. Quarrel Scene "Mazeppa, I'm distressed by what you say"
—
Mazeppa: Act I, Scene II. Chorus and Mother's Lament "As the storm brings clouds over the sky"
—
Mazeppa: Act I, Scene II. Finale "Abandon your grief, Kochubey"
—
Mazeppa: Act II, Scene I. Prison Scene "So this is the reward for my information"
—
Mazeppa: Act II, Scene I. Mazeppa's Monologue and Scene with Orlik "How still is the Ukranian night"
—
Mazeppa: Act II, Scene II. Mazeppa's Arioso "O Maria, Maria!"
—
Mazeppa: Act II, Scene II. Mazeppa's Scene with Maria "My dearest love"
—
Mazeppa: Act II, Scene II. Scene between Maria and her Mother "How the stars twinkle in the sky"
—
Mazeppa: Act II, Scene III. Crowd Scene "Will it be soon?"
—
Mazeppa: Act II, Scene III. Finale "Hey ho, fiddle-de-dee"
—
Mazeppa: Act II, Scene III. The Battle of Poltava (Symphonic sketch)
—
Mazeppa: Act III. Scene and Andrey's Aria "In bloody battle, on the field of honour"
—
Mazeppa: Act III. Scene and Duet "I hear in the distance the clatter of horses' hooves"
—
Mazeppa: Act III. Appearance of the demented Maria "Unhappy man! God knows"
—
Mazeppa: Act III. Finale "The old man's gone, how my heart beats"
—
Zemphira's Song
—
Midnight
—
To Forget So Soon
—
Lullaby, op. 16 no. 1
—
Wait!, op. 16 no. 2
—
Carry My Heart Away
—
As When Upon Hot Ashes, op. 25 no. 2
—
Do Not Leave Me, op. 27 no. 3
—
He Loved Me So, op. 28 no. 4
—
If I Had Known, op. 47 no. 1
—
A Soul Floated Gently Up to Heaven, op. 47 no. 2
—
Darkness Has Fallen Over the Earth, op. 47 no. 3
—
Whether in the Realm of Day?, op. 47 no. 6
—
Was I Not a Blade of Grass?, op. 47 no. 7
—
Wild Nights, op. 60 no. 6
—
Gypsy's Song, op. 60 no. 7
—
Gentle Stars Shone for Us, op. 60 no. 12
—
Children's Songs, op. 54: Grandmother and Grandson
—
Children's Songs, op. 54: The Little Bird
—
Children's Songs, op. 54: Spring
—
Children's Songs, op. 54: My Little Garden
—
Children's Songs, op. 54: A Legend
—
Children's Songs, op. 54: On the River-Bank
—
Children's Songs, op. 54: A Winter's Evening
—
Children's Songs, op. 54: The Cuckoo
—
Children's Songs, op. 54: Spring
—
Children's Songs, op. 54: Lullaby in a Storm
—
Children's Songs, op. 54: The Flower
—
Children's Songs, op. 54: Winter
—
Children's Songs, op. 54: Spring Song
—
Children's Songs, op. 54: Autumn
—
Children's Songs, op. 54: The Swallow
—
Children's Songs, op. 54: A Little Children's Song
—
Six Romances, op. 73: We Sat Together
—
Six Romances, op. 73: Night
—
Six Romances, op. 73: This Moonlit Night
—
Six Romances, op. 73: The Sun Has Set
—
Six Romances, op. 73: On Gloomy Day
—
Six Romances, op. 73: Once More, As Before
—
Both Painfully and Sweetly, op. 6 no. 3
—
My Genius, My Angel, op. 6 no. 3
—
Only You Alone, op. 57 no. 6
—
Do Not Ask, op. 57 no. 3
—
Death, op. 57 no. 5
—
No, Only He Who Has Known, op. 6 no. 6
—
Why?, op. 6 no. 5
—
The First Meeting, op. 63 no. 4
—
Now a Word, O My Friend, op. 6 no. 2
—
Pimpinella, op. 38 no. 6
—
Sleep, Poor Friend, op. 47 no. 4
—
I Opened the Window, op. 63 no. 2
—
The Fires in the Room Were Already Out, op. 63 no. 5
—
Serenade, op. 63 no. 6
—
Why Did I Dream of You?, op. 28 no. 3
—
I Do Not Please You, op. 63 no. 3
—
Do Not Believe, My Friend, op. 6 no. 1
—
The Fearful Minute, op. 28 no. 6
—
Sleep, op. 57 no. 4
—
I Did Not Love You at the First, op. 63 no. 1
—
On the Golden Cornfields, op. 57 no. 2
—
They Said: You Fool Do Not Go, op. 25 no. 6
—
No Time to Take a Walk
—
Last Night, op. 60 no. 1
—
I Don't Tell You Anything, op. 60 no. 2
—
Excuse Me, op. 60 no. 8
—
In the Shadow Outside the Window, op. 60 no. 10
—
Night, op. 60 no. 9
—
Nightingale, op. 60 no. 4
—
Simple Words, op. 60 no. 5
—
For One Simple Word
—
Canary, op. 25 no. 4
—
The Eyes of Spring Are Blue
—
So What Can I Say?, op. 16 no. 5
—
Oh, If Only You Knew, op. 60 no. 3
—
Oh, Sing That Song, op. 16 no. 4
—
Reconcilation, op. 25 no. 1
—
I Bless You, Woods, op. 48 no. 5
—
Evening, op. 27 no. 4
—
It Was in Early Spring, op. 38 no. 2
—
Arnid the Din of the Ball, op. 38 no. 3
—
The Exploit, op. 60 no. 11
—
Mignon's Song, op. 25 no. 3 (On a theme from "Ruins of Athens")
—
I Will Never Name Her, op. 28 no. 1
—
Six French Songs, op. 65: No. 1. Serenade
—
Six French Songs, op. 65: No. 2. Disillusionment
—
Six French Songs, op. 65: No. 3. Serenade
—
Six French Songs, op. 65: No. 4. Let The Winter...
—
Six French Songs, op. 65: No. 5. Tears
—
Six French Songs, op. 65: No. 6. Enchantress
—
Oh, If You Could, op. 38 no. 4
—
No Reply, No Word, No Greeting, op. 28 no. 5
—
New Greek Song, op. 16 no. 6
—
My Mischief, op. 27 no. 6
—
Love of a Dead Man, op. 38 no. 5
—
You Were in My Dream
—
Oh No, Do Not Leave Me for My Beauty
—
Hamlet, op. 67: I. Ophelia's First Scene
—
Hamlet, op. 67: II. Ophelia's Second Scene
—
Hamlet, op. 67: III. Grave-digger's Song
—
Hear at Least Once, op. 16 no. 3
—
I Never Spoke To Her, op. 25 no. 5
—
Before Sleep, op. 27 no. 1
—
Look: There is a Silver Cloud, op. 27 no. 2
—
Had My Mother Borne Me, op. 27 no. 5
—
A String of Corals, op. 28 no. 2
—
Don Juan's Serenade, op. 38 no. 1
—
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito
—
Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo
—
Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
—
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso
—
Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice
—
Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
—
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso
—
Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I
—
Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
—
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso
—
Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice
—
Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
—
Violin Concerto in D, op. 35: I. Allegro moderato
—
Violin Concerto in D, op. 35: II. Canzonetta: Andante
—
Violin Concerto in D, op. 35: III. Finale: Allegro vivacissimo
—
Violin Concerto in D, op. 35: I. Allegro moderato
—
Violin Concerto in D, op. 35: II. Canzonetta: Andante
—
Violin Concerto in D, op. 35: III. Finale: Allegro vivacissimo
—
Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima
—
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza
—
Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato
—
Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace - Molto vivace - Moderato assai
—
Sleeping Beauty: Pas de deux
—
Capriccio italien, op. 45
—
Serenade for Strings in C, op. 48: I. Pezzo in forma di Sonatina
—
Serenade for Strings in C, op. 48: II. Walzer
—
Serenade for Strings in C, op. 48: III. Elegia
—
Serenade for Strings in C, op. 48: IV. Finale
—
The Nutcracker - Ballet Suite, op. 71a (selection): I. Dance of the Mirlitons
—
The Nutcracker - Ballet Suite, op. 71a (selection): II. Chinese Dance
—
The Nutcracker - Ballet Suite, op. 71a (selection): III. Arabian Dance
—
Francesca da rimini, op. 32: Symphonic Fantasy after Dante
—
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
0000000008808929000000001705830600000000388833130000000041849378000000004187345800000000448689100000000050678283000000005515777800000000551589490000000055171406
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000000005517543100000000551825190000000055194640000000005541544X000000005550045X0000000055502279000000005551009200000000555696840000000055763727000000005588826300000000561028160000000056168305000000005630571X00000000572579160000000058100881000000005825098600000000583055530000000058315655000000005852910000000000596032610000000063091596000000006310592700000000714325810000000077318405000000007737145X000000007777907600000000782238620000000078231002000000007841313X00000000800374790000000080847279000000008096957500000000809715950000000081014842000000008108979900000000811382120000000081307186000000008146550400000000816352430000000081833880
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