UPC · Release
Ludwig van Beethoven
Last verified:
5028421940526 is the Universal Product Code (UPC barcode) for the release “Complete Edition” by Ludwig van Beethoven, released 2011-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 1000 tracks, each with its own ISRC. Tracks include DES382025101, DES382025102, DES382025103.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4 | Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 6 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 7 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 8 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-5 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-001.444.317-4 | |
| 2-6 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-001.444.317-4 | |
| 2-7 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-001.444.317-4 | |
| 2-8 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-001.444.317-4 | |
| 3-1 | Symphonie no. 5 in C minor, op. 67: I. Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-2 | Symphonie no. 5 in C minor, op. 67: II. Andante con moto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-3 | Symphonie no. 5 in C minor, op. 67: III. Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-4 | Symphonie no. 5 in C minor, op. 67: IV. Allegro - Presto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-5 | Symphonie no. 6 in F major, op. 68 "Pastorale": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-6 | Symphonie no. 6 in F major, op. 68 "Pastorale": II. Szene am Bach: Andante molto mosso | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-7 | Symphonie no. 6 in F major, op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute: Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-8 | Symphonie no. 6 in F major, op. 68 "Pastorale": IV. Gewitter, Sturm: Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-9 | Symphonie no. 6 in F major, op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-314.638.300-4 | |
| 4-3 | Symphony no. 7 in A major, op. 92: III. Presto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-909.821.799-3 | |
| 4-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-1 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-3 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125: IV. Presto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 6-1 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio (cadenza: Ludwig van Beethoven) | — | ||
| 6-2 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo | — | ||
| 6-3 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro | — | ||
| 6-4 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: I. Allegro con brio | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 6-5 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: II. Largo | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 6-6 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: III. Rondo. Allegro | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 7-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio (cadenza: Ludwig van Beethoven) | — | ||
| 7-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 7-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | — | ||
| 7-4 | Concerto for Piano and Orchestra in D major, op. 61a: I. Allegro ma non troppo | — | ||
| 7-5 | Concerto for Piano and Orchestra in D major, op. 61a: II. Larghetto | — | ||
| 7-6 | Concerto for Piano and Orchestra in D major, op. 61a: III. Rondo. Allegro (cadenza: Ludwig van Beethoven) | — | ||
| 8-1 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Allegro moderato | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 8-2 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Andante con moto | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 8-3 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Rondo. Vivace | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 8-4 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | — | ||
| 8-5 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 8-6 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro | — | ||
| 9-1 | Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo (cadenza: Fritz Kreisler) | — | ||
| 9-2 | Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto | — | ||
| 9-3 | Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro (cadenza: Fritz Kreisler) | — | ||
| 9-4 | Romance for Violin and Orchestra No. 1 in G major, Op. 40: Andante | — | ||
| 9-5 | Romance for Violin and Orchestra No. 2 in F major, Op. 50: Adagio cantabile | — | ||
| 10-1 | Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": I. Allegro | — | ||
| 10-2 | Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo | — | ||
| 10-3 | Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": III. Rondo alla Polacca | — | ||
| 10-4 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): I. Allegro moderato | Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte | — | |
| 10-5 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): II. Larghetto | Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte | — | |
| 10-6 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): III. Rondo. Allegretto (cadenza: Willy Hess) | Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte | — | |
| 10-7 | Rondo for Piano and Orchestra in B-flat major, WoO 6. Allegro (cadenza: Carl Czerny) | — | ||
| 11-1 | Leonore Overture No. 1, Op. 138 | — | ||
| 11-2 | Leonore Overture No. 2, Op. 72 | — | ||
| 11-3 | Leonore Overture No. 3, Op. 72a | — | ||
| 11-4 | Fidelio Overture, Op. 72b | — | ||
| 11-5 | Funeral March from Leonore Prohaska, WoO 96 | — | ||
| 11-6 | Die Weihe des Hauses: Overture, Op. 124 | — | ||
| 11-7 | Die Weihe des Hauses: Chorus with soprano solo, WoO98 ''Wo sich die Pulse'' | — | ||
| 12-1 | Coriolan, Op. 62: Overture | — | ||
| 12-2 | Wellington's Victory or the Battle of Vittoria, Op. 91: Schlacht (Battle) | — | ||
| 12-3 | Wellington's Victory or the Battle of Vittoria, Op. 91: Sieges-Symphonie (Symphony of Triumph) | — | ||
| 12-4 | Namensfeier Overture, Op. 115 | — | ||
| 12-5 | Gratulationsmenuett, WoO 3 | Minnesota Orchestra, Stanisław Skrowaczewski | — | |
| 12-6 | Triumphal March from Tarpeja, WoO 2 | — | ||
| 12-7 | Fugue for Organ in D major, WoO 31 | — | ||
| 12-8 | Stücke für Flötenuhr, WoO 33: Allegro non più molto | — | ||
| 12-9 | Stücke für Flötenuhr, WoO 33: Allegretto | — | ||
| 12-10 | Stücke für Flötenuhr, WoO 33: Adagio assai | — | ||
| 12-11 | Stücke für Flötenuhr, WoO 33: Scherzo. Allegro | — | ||
| 12-12 | Stücke für Flötenuhr, WoO 33: Allegro | — | ||
| 12-13 | Grenadiermarsch, Hess 107 | — | ||
| 13-1 | 12 Contredanses for Small Orchestra WoO 14 No. 1 in C major | — | ||
| 13-2 | 12 Contredanses for Small Orchestra WoO 14 No. 2 in A major | — | ||
| 13-3 | 12 Contredanses for Small Orchestra WoO 14 No. 3 in D major | — | ||
| 13-4 | 12 Contredanses for Small Orchestra WoO 14 No. 4 in B-flat major | — | ||
| 13-5 | 12 Contredanses for Small Orchestra WoO 14 No. 5 in E-flat major | — | ||
| 13-6 | 12 Contredanses for Small Orchestra WoO 14 No. 6 in C major | — | ||
| 13-7 | 12 Contredanses for Small Orchestra WoO 14 No. 7 in E-flat major | — | ||
| 13-8 | 12 Contredanses for Small Orchestra WoO 14 No. 8 in C major | — | ||
| 13-9 | 12 Contredanses for Small Orchestra WoO 14 No. 9 in A major | — | ||
| 13-10 | 12 Contredanses for Small Orchestra WoO 14 No. 10 in C major | — | ||
| 13-11 | 12 Contredanses for Small Orchestra WoO 14 No. 11 in G major | — | ||
| 13-12 | Contredanses for Small Orchestra WoO 14 No. 12 in E-flat major | — | ||
| 13-13 | 6 Minuets for Two Violins and Violoncello WoO 9 No. 1 in E-flat major | — | ||
| 13-14 | 6 Minuets for Two Violins and Violoncello WoO 9 No. 2 in G major | — | ||
| 13-15 | 6 Minuets for Two Violins and Violoncello WoO 9 No. 3 in C major | — | ||
| 13-16 | 6 Minuets for Two Violins and Violoncello WoO 9 No. 4 in F major | — | ||
| 13-17 | 6 Minuets for Two Violins and Violoncello WoO 9 No. 5 in D major | — | ||
| 13-18 | 6 Minuets for Two Violins and Violoncello WoO 9 No. 6 in G major | — | ||
| 13-19 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 1: Waltz in E-flat major | — | ||
| 13-20 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 2: Minuet in B-flat major | — | ||
| 13-21 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 3: Waltz in B-flat major | — | ||
| 13-22 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 4: Minuet in E-flat major | — | ||
| 13-23 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 5: Minuet in E-flat major | — | ||
| 13-24 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 6: Ländler in E-flat major | — | ||
| 13-25 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 7: Minuet in B-flat major | — | ||
| 13-26 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 8: Ländler in B-flat major | — | ||
| 13-27 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 9: Minuet in G major | — | ||
| 13-28 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 10: Waltz in D major | — | ||
| 13-29 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 11: Waltz in D major | — | ||
| 13-30 | Six Ländler for 2 Violins and Bass, WoO 15 No. 1 in D major | — | ||
| 13-31 | Six Ländler for 2 Violins and Bass, WoO 15 No. 2 in D major | — | ||
| 13-32 | Six Ländler for 2 Violins and Bass, WoO 15 No. 3 in D major | — | ||
| 13-33 | Six Ländler for 2 Violins and Bass, WoO 15 No. 4 in D minor | — | ||
| 13-34 | Six Ländler for 2 Violins and Bass, WoO 15 No. 5 in D major | — | ||
| 13-35 | Six Ländler for 2 Violins and Bass, WoO 15 No. 6 in D major | — | ||
| 13-36 | 12 German Dances for Orchestra WoO 8 No. 1 in C major | — | ||
| 13-37 | 12 German Dances for Orchestra WoO 8 No. 2 in A major | — | ||
| 13-38 | 12 German Dances for Orchestra WoO 8 No. 3 in F major | — | ||
| 13-39 | 12 German Dances for Orchestra WoO 8 No. 4 in B-flat major | — | ||
| 13-40 | 12 German Dances for Orchestra WoO 8 No. 5 in E-flat major | — | ||
| 13-41 | 12 German Dances for Orchestra WoO 8 No. 6 in G major | — | ||
| 13-42 | 12 German Dances for Orchestra WoO 8 No. 7 in C major | — | ||
| 13-43 | 12 German Dances for Orchestra WoO 8 No. 8 in A major | — | ||
| 13-44 | 12 German Dances for Orchestra WoO 8 No. 9 in F major | — | ||
| 13-45 | 12 German Dances for Orchestra WoO 8 No. 10 in D major | — | ||
| 13-46 | 12 German Dances for Orchestra WoO 8 No. 11 in G major | — | ||
| 13-47 | 12 German Dances for Orchestra WoO 8 No. 12 in C major | — | ||
| 14-1 | 12 Menuets for Orchestra WoO 7 No. 1 in D major | — | ||
| 14-2 | 12 Menuets for Orchestra WoO 7 No. 2 in B-flat major | — | ||
| 14-3 | 12 Menuets for Orchestra WoO 7 No. 3 G major | — | ||
| 14-4 | 12 Menuets for Orchestra WoO 7 No. 4 in E-flat major | — | ||
| 14-5 | 12 Menuets for Orchestra WoO 7 No. 5 in C major | — | ||
| 14-6 | 12 Menuets for Orchestra WoO 7 No. 6 in A major | — | ||
| 14-7 | 12 Menuets for Orchestra WoO 7 No. 7 in D major | — | ||
| 14-8 | 12 Menuets for Orchestra WoO 7 No. 8 in B-flat major | — | ||
| 14-9 | 12 Menuets for Orchestra WoO 7 No. 9 in G major | — | ||
| 14-10 | 12 Menuets for Orchestra WoO 7 No. 10 in E-flat major | — | ||
| 14-11 | 12 Menuets for Orchestra WoO 7 No. 11 in C major | — | ||
| 14-12 | 12 Menuets for Orchestra WoO 7 No. 12 in F major | — | ||
| 14-13 | Military March in D major WoO 24 | — | ||
| 14-14 | 6 Menuets for Orchestra WoO 10 No. 1 in C major | — | ||
| 14-15 | 6 Menuets for Orchestra WoO 10 No. 2 in G major | — | ||
| 14-16 | 6 Menuets for Orchestra WoO 10 No. 3 in E-flat major | — | ||
| 14-17 | 6 Menuets for Orchestra WoO 10 No. 4 in B-flat major | — | ||
| 14-18 | 6 Menuets for Orchestra WoO 10 No. 5 in D major | — | ||
| 14-19 | 6 Menuets for Orchestra WoO 10 No. 6 in C major | — | ||
| 14-20 | 6 Deutsche Tänze WoO 42 | — | ||
| 14-21 | 6 Ecossaises in E-flat major WoO 83 No. 1 | — | ||
| 14-22 | 6 Ecossaises in E-flat major WoO 83 No. 2 | — | ||
| 14-23 | 6 Ecossaises in E-flat major WoO 83 No. 3 | — | ||
| 14-24 | 6 Ecossaises in E-flat major WoO 83 No. 4 | — | ||
| 14-25 | 6 Ecossaises in E-flat major WoO 83 No. 5 | — | ||
| 14-26 | 6 Ecossaises in E-flat major WoO 83 No. 6 | — | ||
| 14-27 | Ecossaise in G major WoO 23 | — | ||
| 14-28 | 7 Ländler in D major WoO 11 No. 1 | — | ||
| 14-29 | 7 Ländler in D major WoO 11 No. 2 | — | ||
| 14-30 | 7 Ländler in D major WoO 11 No. 3 | — | ||
| 14-31 | 7 Ländler in D major WoO 11 No. 4 | — | ||
| 14-32 | 7 Ländler in D major WoO 11 No. 5 | — | ||
| 14-33 | 7 Ländler in D major WoO 11 No. 6 | — | ||
| 14-34 | 7 Ländler in D major WoO 11 No. 7 | — | ||
| 14-35 | 12 Deutsche Tänze WoO 13 No. 1 in D major | — | ||
| 14-36 | 12 Deutsche Tänze WoO 13 No. 2 in B-flat major | — | ||
| 14-37 | 12 Deutsche Tänze WoO 13 No. 3 in G major | — | ||
| 14-38 | 12 Deutsche Tänze WoO 13 No. 4 in D major | — | ||
| 14-39 | 12 Deutsche Tänze WoO 13 No. 5 in F major | — | ||
| 14-40 | 12 Deutsche Tänze WoO 13 No. 6 in B-flat major | — | ||
| 14-41 | 12 Deutsche Tänze WoO 13 No. 7 in D major | — | ||
| 14-42 | 12 Deutsche Tänze WoO 13 No. 8 in G major | — | ||
| 14-43 | 12 Deutsche Tänze WoO 13 No. 9 in E-flat major | — | ||
| 14-44 | 12 Deutsche Tänze WoO 13 No. 10 in C major | — | ||
| 14-45 | 12 Deutsche Tänze WoO 13 No. 11 in A major | — | ||
| 14-46 | 12 Deutsche Tänze WoO 13 No. 12 in D major | — | ||
| 15-1 | Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: I. Allegro | — | ||
| 15-2 | Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: II. Andante | — | ||
| 15-3 | Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: III. Menuetto | — | ||
| 15-4 | Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: IV. Finale. Presto | — | ||
| 15-5 | Rondino for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, WoO 25 | — | ||
| 15-6 | Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: I. Adagio – Allegro | — | ||
| 15-7 | Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: II. Adagio | — | ||
| 15-8 | Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: III. Menuetto. Quasi allegretto | — | ||
| 15-9 | Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: IV. Rondo. Allegro | — | ||
| 15-10 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: I. Allegro comodo | — | ||
| 15-11 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: II. Larghetto sostenuto | — | ||
| 15-12 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: III. Rondo. Allegretto | — | ||
| 15-13 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: I. Allegro affettuoso | — | ||
| 15-14 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: II. Aria. Larghetto | — | ||
| 15-15 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: III. Rondo. allegretto moderato | — | ||
| 15-16 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: I. Allegro sostenuto | — | ||
| 15-17 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: II. Aria con variazioni | — | ||
| 15-18 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: III. Allegro assai | — | ||
| 16-1 | March and Trio in F major for wind ensemble, WoO 18 "For the Bohemian Ward" | Ottetto Italiano | — | |
| 16-2 | March and Trio in C major for wind ensemble, WoO 20 "Zapfenstreich" | Ottetto Italiano | — | |
| 16-3 | March and Trio in F major for military band, WoO 19 | Ottetto Italiano | — | |
| 16-4 | Polonaise in D major for military band, WoO 21 | Ottetto Italiano | — | |
| 16-5 | Ecossaise in D major for military band, WoO 22 | Ottetto Italiano | — | |
| 16-6 | March for 2 clarinets, 2 horns and 2 bassoons in B-flat major, WoO 29 | Ottetto Italiano | — | |
| 16-7 | Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: I. Allegro | Ottetto Italiano | — | |
| 16-8 | Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: II. Adagio maestoso | Ottetto Italiano | — | |
| 16-9 | Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: III. Minuetto | Ottetto Italiano | — | |
| 16-10 | Adagio for 3 horns in F major | Ottetto Italiano | — | |
| 16-11 | Equale for 4 trombones, WoO 30: I. Andante | Ottetto Italiano | — | |
| 16-12 | Equale for 4 trombones, WoO 30: II. Poco adagio | Ottetto Italiano | — | |
| 16-13 | Equale for 4 trombones, WoO 30: III. Poco sostenuto | Ottetto Italiano | — | |
| 16-14 | Trio for 2 oboes and english horn in C major, Op. 87: I. Allegro | Ottetto Italiano | — | |
| 16-15 | Trio for 2 oboes and english horn in C major, Op. 87: II. Adagio | Ottetto Italiano | — | |
| 16-16 | Trio for 2 oboes and english horn in C major, Op. 87: III. Minuetto | Ottetto Italiano | — | |
| 16-17 | Trio for 2 oboes and english horn in C major, Op. 87: IV. Finale | Ottetto Italiano | — | |
| 16-18 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: I. Theme | Ottetto Italiano | — | |
| 16-19 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: II. Var1 | Ottetto Italiano | — | |
| 16-20 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: III. Var 2 | Ottetto Italiano | — | |
| 16-21 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IV. Var 3 | Ottetto Italiano | — | |
| 16-22 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: V. Var 4 & 5 | Ottetto Italiano | — | |
| 16-23 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VI. Var 6 | Ottetto Italiano | — | |
| 16-24 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VII. Var 7 | Ottetto Italiano | — | |
| 16-25 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VIII. Var 8 | Ottetto Italiano | — | |
| 16-26 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IX. Coda | Ottetto Italiano | — | |
| 16-27 | Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio | Ottetto Italiano | — | |
| 16-28 | Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto | Ottetto Italiano | — | |
| 17-1 | Serenade for Flute and Piano, Op. 41: I. Entrada - Allegro | — | ||
| 17-2 | Serenade for Flute and Piano, Op. 41: II. Tempo Ordinario D'Un Menuetto | — | ||
| 17-3 | Serenade for Flute and Piano, Op. 41: III. Molto allegro | — | ||
| 17-4 | Serenade for Flute and Piano, Op. 41: IV. Andante con variazioni | — | ||
| 17-5 | Serenade for Flute and Piano, Op. 41: V. Allegro, scherzo e vivace | — | ||
| 17-6 | Serenade for Flute and Piano, Op. 41: VI. Adagio | — | ||
| 17-7 | Serenade for Flute and Piano, Op. 41: VII. Allegro vivace e disinvolto | — | ||
| 17-8 | Six Themes and Variations for Flute and Piano, Op. 105 No. 1: Scottish Air in G major | — | ||
| 17-9 | Six Themes and Variations for Flute and Piano, Op. 105 No. 2: Scottish Air in C minor | — | ||
| 17-10 | Six Themes and Variations for Flute and Piano, Op. 105 No. 3: Austrian Air in C major | — | ||
| 17-11 | Six Themes and Variations for Flute and Piano, Op. 105 No. 4: Scottish Air in E-flat | — | ||
| 17-12 | Six Themes and Variations for Flute and Piano, Op. 105 No. 5: Scottish Air in E-flat | — | ||
| 17-13 | Six Themes and Variations for Flute and Piano, Op. 105 No. 6: Scottish Air in D major | — | ||
| 17-14 | Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio | — | ||
| 17-15 | Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto | — | ||
| 17-16 | Trio for Flute, Bassoon, and Piano in G major, WoO 37: I. Allegro | — | ||
| 17-17 | Trio for Flute, Bassoon, and Piano in G major, WoO 37: II. Adagio | — | ||
| 17-18 | Trio for Flute, Bassoon, and Piano in G major, WoO 37: III. Thema andante con variazioni | — | ||
| 18-1 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 1:Tyrolian Air in E-flat | — | ||
| 18-2 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 2: Scottish Air in F major | — | ||
| 18-3 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 3: Russian Air in G major | — | ||
| 18-4 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 4: Scottish Air in F major | — | ||
| 18-5 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 5: Tyrolian Air in F major | — | ||
| 18-6 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 6: Scottish Air in E-flat major | — | ||
| 18-7 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 7: Russian Air in A minor | — | ||
| 18-8 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 8: Scottish Air in D major | — | ||
| 18-9 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 9: Scottish Air E-flat major | — | ||
| 18-10 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 10: Scottish Air G minor | — | ||
| 18-11 | Trio for three flutes in G major (spurious): I. Allegro | — | ||
| 18-12 | Trio for three flutes in G major (spurious): II. Andante | — | ||
| 18-13 | Trio for three flutes in G major (spurious): III. Rondo, allegretto | — | ||
| 18-14 | Sonate for Flute and Piano in B-flat major, Anh. 4: I. Allegro moderato | — | ||
| 18-15 | Sonate for Flute and Piano in B-flat major, Anh. 4: II. Polonaise | — | ||
| 18-16 | Sonate for Flute and Piano in B-flat major, Anh. 4: III. Largo | — | ||
| 18-17 | Sonate for Flute and Piano in B-flat major, Anh. 4: IV. Allegretto tema con variazione | — | ||
| 19-1 | Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: I. Adagio – Allegro con brio | — | ||
| 19-2 | Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: II. Adagio cantabile | — | ||
| 19-3 | Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: III. Tempo di menuetto | — | ||
| 19-4 | Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: IV. Tema con variazioni. Andante | — | ||
| 19-5 | Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace | — | ||
| 19-6 | Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: VI. Andante con moto alla marcia – Presto | — | ||
| 19-7 | Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: I. Allegro con brio | — | ||
| 19-8 | Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: II. Adagio | — | ||
| 19-9 | Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: III. Rondo. Allegro | — | ||
| 20-1 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: I. Grave – Allegro ma non troppo | — | ||
| 20-2 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: II. Andante cantabile | — | ||
| 20-3 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo | — | ||
| 20-4 | Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: I. Allegro con brio | — | ||
| 20-5 | Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: II. Adagio | — | ||
| 20-6 | Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: III. Allegretto. Variations on ''Pria ch'io l'impegno'' | — | ||
| 20-7 | Sonata for Horn and Piano in F major, Op. 17: I. Allegro moderato | — | ||
| 20-8 | Sonata for Horn and Piano in F major, Op. 17: II. Poco adagio, quasi andante | — | ||
| 20-9 | Sonata for Horn and Piano in F major, Op. 17: III. Rondo. Allegro moderato | — | ||
| 22-1 | Serenade for Flute, Violin and Viola in D major, Op. 25: I. Entrata. Allegro | — | ||
| 22-2 | Serenade for Flute, Violin and Viola in D major, Op. 25: II. Tempo ordinario d’un Menuetto | — | ||
| 22-3 | Serenade for Flute, Violin and Viola in D major, Op. 25: III. Allegro molto | — | ||
| 22-4 | Serenade for Flute, Violin and Viola in D major, Op. 25: IV. Andante con variazioni | — | ||
| 22-5 | Serenade for Flute, Violin and Viola in D major, Op. 25: V. Allegro scherzando e vivace | — | ||
| 22-6 | Serenade for Flute, Violin and Viola in D major, Op. 25: VI. Adagio – Allegro vivace disinvolto | — | ||
| 22-7 | Rondo for Violin and Piano in G major, WoO 41 | — | ||
| 22-8 | Trio for Violin, Cello and Piano in E-flat major, H. 48 | — | ||
| 22-9 | Adagio for Mandolin and Piano in E-flat major, WoO 43 No. 2 | — | ||
| 22-10 | Sonatina for Mandolin and Piano in C major, WoO 44 No. 1 | — | ||
| 22-11 | Sonatina for Mandolin and Piano in C major, WoO 43 No. 1 | — | ||
| 22-12 | Andante con variazioni for Mandolin and Piano in D major, WoO 44 No. 2: I. Andante | — | ||
| 22-13 | Andante con variazioni for Mandolin and Piano in D major, WoO 44 No. 2: II. Variazioni 1–6 | — | ||
| 23-1 | Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: I. Allegro vivace | — | ||
| 23-2 | Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: II. Adagio con espressione | — | ||
| 23-3 | Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: III. Rondo. Allegro | — | ||
| 23-4 | Quartet for Piano, Violin, Viola and Cello in E-flat major, WoO 36 No. 1: I. Adagio assai – Allegro con spirito | — | ||
| 23-5 | Quartet for Piano, Violin, Viola and Cello in E-flat major, WoO 36 No. 1: II. Tema con variazioni | — | ||
| 23-6 | Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: I. Allegro moderato | — | ||
| 23-7 | Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: II. Andante con moto | — | ||
| 23-8 | Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: III. Rondo. Allegro | — | ||
| 24-1 | Trio for Piano, Violin and Cello in E-flat major, Op. 1 No. 1: I. Allegro | — | ||
| 24-2 | Trio for Piano, Violin and Cello in E-flat major, Op. 1 No. 1: II. Adagio cantabile | — | ||
| 24-3 | Trio for Piano, Violin and Cello in E-flat major, Op. 1 No. 1: III. Scherzo | — | ||
| 24-4 | Trio for Piano, Violin and Cello in E-flat major, Op. 1 No. 1: IV. Finale. Presto | — | ||
| 24-5 | Trio for Piano, Violin and Cello in G major, Op. 1 No. 2: I. Adagio – Allegro vivace | — | ||
| 24-6 | Trio for Piano, Violin and Cello in G major, Op. 1 No. 2: II. Largo con espressione | — | ||
| 24-7 | Trio for Piano, Violin and Cello in G major, Op. 1 No. 2: III. Scherzo. Allegro | — | ||
| 24-8 | Trio for Piano, Violin and Cello in G major, Op. 1 No. 2: IV. Finale. Presto | — | ||
| 25-1 | Trio for Piano, Violin and Cello in C minor, Op. 1 No. 3: I. Allegro con brio | — | ||
| 25-2 | Trio for Piano, Violin and Cello in C minor, Op. 1 No. 3: II. Andante cantabile con variazioni | — | ||
| 25-3 | Trio for Piano, Violin and Cello in C minor, Op. 1 No. 3: III. Menuetto. Quasi allegro | — | ||
| 25-4 | Trio for Piano, Violin and Cello in C minor, Op. 1 No. 3: IV. Finale. Prestissimo | — | ||
| 25-5 | Trio for Piano, Violin and Cello in E-flat major, WoO 39: I. Allegro moderato | — | ||
| 25-6 | Trio for Piano, Violin and Cello in E-flat major, WoO 39: II. Scherzo. Allegro ma non troppo | — | ||
| 25-7 | Trio for Piano, Violin and Cello in E-flat major, WoO 39: III. Rondo. Allegro | — | ||
| 25-8 | Variations in G major on Wenzel Müller's "Ich bin der Schneider Kakadu", Op. 121a | — | ||
| 26-1 | Trio for Piano, Violin and Cello in D major, Op. 70 No. 1 "Geister": I. Allegro vivace e con brio | — | ||
| 26-2 | Trio for Piano, Violin and Cello in D major, Op. 70 No. 1 "Geister": II. Largo assai ed espressione | — | ||
| 26-3 | Trio for Piano, Violin and Cello in D major, Op. 70 No. 1 "Geister": III. Presto | — | ||
| 26-4 | Trio for Piano, Violin and Cello in E-flat major, Op. 70 No. 2: I. Poco sostenuto – Allegro ma non troppo | — | ||
| 26-5 | Trio for Piano, Violin and Cello in E-flat major, Op. 70 No. 2: II. Allegretto | — | ||
| 26-6 | Trio for Piano, Violin and Cello in E-flat major, Op. 70 No. 2: III. Allegretto ma non troppo | — | ||
| 26-7 | Trio for Piano, Violin and Cello in E-flat major, Op. 70 No. 2: IV. Finale. Allegro | — | ||
| 27-1 | Allegretto for Piano, Violin and Cello in B-flat major, WoO 38 | — | ||
| 27-2 | Trio for Piano, Violin and Cello in B-flat major, Op. 97 "Archduke": I. Allegro moderato | — | ||
| 27-3 | Trio for Piano, Violin and Cello in B-flat major, Op. 97 "Archduke": II. Allegretto | — | ||
| 27-4 | Trio for Piano, Violin and Cello in B-flat major, Op. 97 "Archduke": III. Andante cantabile, ma pero con moto | — | ||
| 27-5 | Trio for Piano, Violin and Cello in B-flat major, Op. 97 "Archduke": IV. Finale. Allegro | — | ||
| 27-6 | 14 Variations for Piano, Violin, and Cello in E-flat major, Op. 44 | — | ||
| 28-1 | Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: I. Adagio sostenuto – Allegro | — | ||
| 28-2 | Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: II. Rondo. Allegro vivace | — | ||
| 28-3 | Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: Ia. Adagio sostenuto ed espressivo | — | ||
| 28-4 | Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: Ib. Allegro molto più tosto presto | — | ||
| 28-5 | Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: II. Rondo. Allegro | — | ||
| 28-6 | Sonata for Cello and Piano No. 3 in A major, Op. 69: I. Allegro ma non tanto | — | ||
| 28-7 | Sonata for Cello and Piano No. 3 in A major, Op. 69: II. Scherzo. Allegro molto | — | ||
| 28-8 | Sonata for Cello and Piano No. 3 in A major, Op. 69: III. Adagio cantabile – Allegro vivace | — | ||
| 29-1 | Sonata for Cello and Piano No. 4 in C major, Op. 102 No. 1: I. Adagio – Allegro vivace | — | ||
| 29-2 | Sonata for Cello and Piano No. 4 in C major, Op. 102 No. 1: II. Adagio – Tempo d’andante – Allegro vivace | — | ||
| 29-3 | Sonata for Cello and Piano No. 5 in D major, Op. 102 No. 2: I. Allegro con brio | — | ||
| 29-4 | Sonata for Cello and Piano No. 5 in D major, Op. 102 No. 2: II. Adagio con molto sentimento d’affetto | — | ||
| 29-5 | Sonata for Cello and Piano No. 5 in D major, Op. 102 No. 2: III. Allegro – Allegro fugato | — | ||
| 29-6 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Thema. Allegretto | — | ||
| 29-7 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 1 | — | ||
| 29-8 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 2 | — | ||
| 29-9 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 3 | — | ||
| 29-10 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 4 | — | ||
| 29-11 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 5 | — | ||
| 29-12 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 6 | — | ||
| 29-13 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 7 | — | ||
| 29-14 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 8 | — | ||
| 29-15 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 9 | — | ||
| 29-16 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 10 | — | ||
| 29-17 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 11. Adagio | — | ||
| 29-18 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 12. Allegro | — | ||
| 29-19 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Thema. Allegretto | — | ||
| 29-20 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 1 | — | ||
| 29-21 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 2 | — | ||
| 29-22 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 3 | — | ||
| 29-23 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 4 | — | ||
| 29-24 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 5 | — | ||
| 29-25 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 6 | — | ||
| 29-26 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 7 | — | ||
| 29-27 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 8 | — | ||
| 29-28 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 9 | — | ||
| 29-29 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 10. Adagio | — | ||
| 29-30 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 11. Poco adagio, quasi andante | — | ||
| 29-31 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 12. Allegro | — | ||
| 29-32 | 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Thema. Andante | — | ||
| 29-33 | 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 1 | — | ||
| 29-34 | 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 2 | — | ||
| 29-35 | 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 3 | — | ||
| 29-36 | 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 4 | — | ||
| 29-37 | 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 5. Si prenda il tempo un poco | — | ||
| 29-38 | 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 6. Adagio | — | ||
| 29-39 | 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 7. Allegro ma non troppo | — | ||
| 30-1 | Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: I. Allegro con brio | — | ||
| 30-2 | Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: II. Tema con variazioni. Andante con moto | — | ||
| 30-3 | Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: III. Rondo. Allegro | — | ||
| 30-4 | Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: I. Allegro vivace | — | ||
| 30-5 | Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: II. Andante più tosto allegretto | — | ||
| 30-6 | Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: III. Allegro piacevole | — | ||
| 30-7 | Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: I. Allegro con spirito | — | ||
| 30-8 | Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: II. Adagio con molt'espressione | — | ||
| 30-9 | Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: III. Rondo. Allegro molto | — | ||
| 30-10 | Sonata for Violin and Piano No. 4 in A minor, Op. 23: I. Presto | — | ||
| 30-11 | Sonata for Violin and Piano No. 4 in A minor, Op. 23: II. Andante scherzoso, più allegretto | — | ||
| 30-12 | Sonata for Violin and Piano No. 4 in A minor, Op. 23: III. Allegro molto | — | ||
| 31-1 | Sonata for Violin and Piano No. 5 in F major, Op. 24 "Frühling": I. Allegro | — | ||
| 31-2 | Sonata for Violin and Piano No. 5 in F major, Op. 24 "Frühling": II. Adagio molto espressivo | — | ||
| 31-3 | Sonata for Violin and Piano No. 5 in F major, Op. 24 "Frühling": III. Scherzo. Allegro molto | — | ||
| 31-4 | Sonata for Violin and Piano No. 5 in F major, Op. 24 "Frühling": IV. Rondo. Allegro ma non troppo | — | ||
| 31-5 | Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: I. Allegro | — | ||
| 31-6 | Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: II. Adagio | — | ||
| 31-7 | Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: III. Allegretto con variazioni | — | ||
| 31-8 | Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: I. Allegro con brio | — | ||
| 31-9 | Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: II. Adagio cantabile | — | ||
| 31-10 | Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: III. Scherzo. Allegro | — | ||
| 31-11 | Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: IV. Finale. Allegro | — | ||
| 32-1 | Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: I. Allegro assai | — | ||
| 32-2 | Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: II. Tempo di menuetto | — | ||
| 32-3 | Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: III. Allegro vivace | — | ||
| 32-4 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": I. Adagio sostenuto – Presto | — | ||
| 32-5 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": II. Andante con variazioni | — | ||
| 32-6 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": III. Finale. Presto | — | ||
| 32-7 | Sonata for Violin and Piano No. 10 in G major, Op. 96: I. Allegro moderato | — | ||
| 32-8 | Sonata for Violin and Piano No. 10 in G major, Op. 96: II. Adagio espressivo | — | ||
| 32-9 | Sonata for Violin and Piano No. 10 in G major, Op. 96: III. Scherzo. Allegro | — | ||
| 32-10 | Sonata for Violin and Piano No. 10 in G major, Op. 96: IV. Poco allegretto | — | ||
| 33-1 | Trio for Violin, Viola and Cello in E-flat major, Op. 3: I. Allegro con brio | — | ||
| 33-2 | Trio for Violin, Viola and Cello in E-flat major, Op. 3: II. Andante | — | ||
| 33-3 | Trio for Violin, Viola and Cello in E-flat major, Op. 3: III. Menuetto. Allegro | — | ||
| 33-4 | Trio for Violin, Viola and Cello in E-flat major, Op. 3: IV. Adagio | — | ||
| 33-5 | Trio for Violin, Viola and Cello in E-flat major, Op. 3: V. Menuetto. Moderato | — | ||
| 33-6 | Trio for Violin, Viola and Cello in E-flat major, Op. 3: VI. Finale. Allegro | — | ||
| 33-7 | Serenade for Violin, Viola and Cello in D major, Op. 8: Ia. Marcia. Allegro | — | ||
| 33-8 | Serenade for Violin, Viola and Cello in D major, Op. 8: Ib. Adagio | — | ||
| 33-9 | Serenade for Violin, Viola and Cello in D major, Op. 8: II. Menuetto. Allegretto | — | ||
| 33-10 | Serenade for Violin, Viola and Cello in D major, Op. 8: III. Adagio – Scherzo. Allegro | — | ||
| 33-11 | Serenade for Violin, Viola and Cello in D major, Op. 8: IV. Allegretto alla Polacca | — | ||
| 33-12 | Serenade for Violin, Viola and Cello in D major, Op. 8: Va. Andante quasi allegretto – Variations 1–4 – Allegro | — | ||
| 33-13 | Serenade for Violin, Viola and Cello in D major, Op. 8: Vb. Marcia. Allegro | — | ||
| 34-1 | Trio for Violin, Viola and Cello in G major, Op. 9 No. 1: I. Adagio – Allegro con brio | — | ||
| 34-2 | Trio for Violin, Viola and Cello in G major, Op. 9 No. 1: II. Adagio ma non tanto e cantabile | — | ||
| 34-3 | Trio for Violin, Viola and Cello in G major, Op. 9 No. 1: III. Scherzo. Allegro | — | ||
| 34-4 | Trio for Violin, Viola and Cello in G major, Op. 9 No. 1: IV. Presto | — | ||
| 34-5 | Trio for Violin, Viola and Cello in D major, Op. 9 No. 2: I. Allegretto | — | ||
| 34-6 | Trio for Violin, Viola and Cello in D major, Op. 9 No. 2: II. Andante quasi allegretto | — | ||
| 34-7 | Trio for Violin, Viola and Cello in D major, Op. 9 No. 2: III. Menuetto. Allegro | — | ||
| 34-8 | Trio for Violin, Viola and Cello in D major, Op. 9 No. 2: IV. Rondo. Allegro | — | ||
| 34-9 | Trio for Violin, Viola and Cello in C minor, Op. 9 No. 3: I. Allegro con spirito | — | ||
| 34-10 | Trio for Violin, Viola and Cello in C minor, Op. 9 No. 3: II. Adagio con espressione | — | ||
| 34-11 | Trio for Violin, Viola and Cello in C minor, Op. 9 No. 3: III. Scherzo. Allegro molto e vivace | — | ||
| 34-12 | Trio for Violin, Viola and Cello in C minor, Op. 9 No. 3: IV. Finale. Presto | — | ||
| 35-1 | String Quartet in F major, Op. 18 No. 1: I. Allegro con brio | — | ||
| 35-2 | String Quartet in F major, Op. 18 No. 1: II Adagio affettuoso ed appassionato | — | ||
| 35-3 | String Quartet in F major, Op. 18 No. 1: III. Scherzo, Allegro molto | — | ||
| 35-4 | String Quartet in F major, Op. 18 No. 1: IV. Allegro | — | ||
| 35-5 | String Quartet in G major, Op. 18 No. 2: I. Allegro | — | ||
| 35-6 | String Quartet in G major, Op. 18 No. 2: II. Adagio cantabile | — | ||
| 35-7 | String Quartet in G major, Op. 18 No. 2: III. Scherzo, Allegro | — | ||
| 35-8 | String Quartet in G major, Op. 18 No. 2: IV. Allegro molto quasi presto | — | ||
| 36-1 | String Quartet in D major, Op. 18 No. 3: I. Allegro | — | ||
| 36-2 | String Quartet in D major, Op. 18 No. 3: II. Andante | — | ||
| 36-3 | String Quartet in D major, Op. 18 No. 3: III. Allegro | — | ||
| 36-4 | String Quartet in D major, Op. 18 No. 3: IV. Presto | — | ||
| 36-5 | String Quartet in C minor, Op. 18 No. 4: I. Allegro ma non tanto | — | ||
| 36-6 | String Quartet in C minor, Op. 18 No. 4: II. Scherzo. Andante scherzoso, quasi allegretto | — | ||
| 36-7 | String Quartet in C minor, Op. 18 No. 4: III. Menuetto & Trio. Allegretto | — | ||
| 36-8 | String Quartet in C minor, Op. 18 No. 4: IV. Allegro | — | ||
| 37-1 | String Quartet in A major, Op. 18 No. 5: I. Allegro | — | ||
| 37-2 | String Quartet in A major, Op. 18 No. 5: II. Menuetto e trio | — | ||
| 37-3 | String Quartet in A major, Op. 18 No. 5: III. Andante cantabile | — | ||
| 37-4 | String Quartet in A major, Op. 18 No. 5: IV. Allegro | — | ||
| 37-5 | String Quartet in B-flat major, Op. 18 No. 6: I. Allegro con brio | — | ||
| 37-6 | String Quartet in B-flat major, Op. 18 No. 6: II. Adagio ma non troppo | — | ||
| 37-7 | String Quartet in B-flat major, Op. 18 No. 6: III. Scherzo & Trio. Allegro | — | ||
| 37-8 | String Quartet in B-flat major, Op. 18 No. 6: IV. La malinconia. Adagio - Allegretto quasi allegro | — | ||
| 37-9 | String Quartet in F minor, Op. 95 “Serioso”: I. Allegro con brio | — | ||
| 37-10 | String Quartet in F minor, Op. 95 “Serioso”: II. Allegretto ma non troppo | — | ||
| 37-11 | String Quartet in F minor, Op. 95 “Serioso”: III. Allegro assai vivace ma serioso | — | ||
| 37-12 | String Quartet in F minor, Op. 95 “Serioso”: IV. Larghetto espressivo – Allegretto agitato | — | ||
| 38-1 | Quartet for Strings in F major, Op. 59 No. 1: I. Allegro | — | ||
| 38-2 | Quartet for Strings in F major, Op. 59 No. 1: II. Allegretto vivace, sempre scherzando | — | ||
| 38-3 | Quartet for Strings in F major, Op. 59 No. 1: III. Adagio molto e mesto | — | ||
| 38-4 | Quartet for Strings in F major, Op. 59 No. 1: VI. Theme russe. Allegro | — | ||
| 38-5 | Quartet for Strings in E minor, Op. 59 No. 2: I. Allegro | — | ||
| 38-6 | Quartet for Strings in E minor, Op. 59 No. 2: II. Molto adagio | — | ||
| 38-7 | Quartet for Strings in E minor, Op. 59 No. 2: III. Allegretto | — | ||
| 38-8 | Quartet for Strings in E minor, Op. 59 No. 2: IV. Finale. Presto | — | ||
| 39-1 | Quartet for Strings in E-flat major, Op. 74 “Harfen Quartett”: I. Poco adagio – Allegro | — | ||
| 39-2 | Quartet for Strings in E-flat major, Op. 74 “Harfen Quartett”: II. Adagio ma non troppo | — | ||
| 39-3 | Quartet for Strings in E-flat major, Op. 74 “Harfen Quartett”: III. Presto – Più presto quasi prestissimo | — | ||
| 39-4 | Quartet for Strings in E-flat major, Op. 74 “Harfen Quartett”: IV. Allegretto con variazioni | — | ||
| 39-5 | Quartet for Strings in C-sharp minor, Op. 131: I. Adagio ma non troppo e molto espressivo | — | ||
| 39-6 | Quartet for Strings in C-sharp minor, Op. 131: II. Allegro molto vivace | — | ||
| 39-7 | Quartet for Strings in C-sharp minor, Op. 131: III. Allegro moderato | — | ||
| 39-8 | Quartet for Strings in C-sharp minor, Op. 131: IV. Andante ma non troppo e molto cantabile | — | ||
| 39-9 | Quartet for Strings in C-sharp minor, Op. 131: V. Presto | — | ||
| 39-10 | Quartet for Strings in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante | — | ||
| 39-11 | Quartet for Strings in C-sharp minor, Op. 131: VII. Allegro | — | ||
| 40-1 | Quartet for Strings in E-flat major, Op. 127: I. Maestoso – Allegro | — | ||
| 40-2 | Quartet for Strings in E-flat major, Op. 127: II. Adagio,ma no troppo e molto cantabile | — | ||
| 40-3 | Quartet for Strings in E-flat major, Op. 127: III. Scherzando vivace | — | ||
| 40-4 | Quartet for Strings in E-flat major, Op. 127: IV. Finale | — | ||
| 40-5 | Quartet for Strings in F major, Op. 135: I. Allegretto | — | ||
| 40-6 | Quartet for Strings in F major, Op. 135: II. Vivace | — | ||
| 40-7 | Quartet for Strings in F major, Op. 135: III. Lento assai, cantante e tranquillo | — | ||
| 40-8 | Quartet for Strings in F major, Op. 135: IV. Der schwer gefasste Entschluss, grave – Allegro | — | ||
| 41-1 | Quartet for Strings in A minor, Op. 132: I. Assai sostenuto – Allegro | — | ||
| 41-2 | Quartet for Strings in A minor, Op. 132: II. Allegro ma non tanto | — | ||
| 41-3 | Quartet for Strings in A minor, Op. 132: III. Heiliger Dankgesang eines Genesenen an die Gottheit,in der lydischen Tonart | — | ||
| 41-4 | Quartet for Strings in A minor, Op. 132: IV. Alla marcia, assai vivace | — | ||
| 41-5 | Quartet for Strings in A minor, Op. 132: V. Allegro appassionato | — | ||
| 41-6 | Quartet for Strings in C major, Op. 59 No. 3: I. Introduzione. Andante con moto – Allegro vivace | — | ||
| 41-7 | Quartet for Strings in C major, Op. 59 No. 3: II. Andante con moto quasi allegretto | — | ||
| 41-8 | Quartet for Strings in C major, Op. 59 No. 3: III. Menuetto. Grazioso | — | ||
| 41-9 | Quartet for Strings in C major, Op. 59 No. 3: IV. Allegro molto | — | ||
| 42-1 | Quartet for Strings in B-flat major, Op. 130: I. Adagio ma non troppo – Allegro | — | ||
| 42-2 | Quartet for Strings in B-flat major, Op. 130: II. Presto | — | ||
| 42-3 | Quartet for Strings in B-flat major, Op. 130: III. Andante con moto ma non troppo, poco scherzando | — | ||
| 42-4 | Quartet for Strings in B-flat major, Op. 130: IV. Alla tedesca. Allegro assai | — | ||
| 42-5 | Quartet for Strings in B-flat major, Op. 130: V. Cavatina. Adagio molto espressivo | — | ||
| 42-6 | Quartet for Strings in B-flat major, Op. 130: VI. Finale. Allegro | — | ||
| 42-7 | Große Fuge for Strings in B-flat major, Op. 133: Overtura – Meno mosso e moderato – Allegro | — | ||
| 43-1 | Quintet for Strings in C major, Op. 29: I. Allegro moderato | — | ||
| 43-2 | Quintet for Strings in C major, Op. 29: II. Adagio molto espressivo | — | ||
| 43-3 | Quintet for Strings in C major, Op. 29: III. Scherzo. Allegro | — | ||
| 43-4 | Quintet for Strings in C major, Op. 29: IV. Presto | — | ||
| 43-5 | Quintet for Strings in C minor, Op. 104: I. Allegro con brio | — | ||
| 43-6 | Quintet for Strings in C minor, Op. 104: II. Andante cantabile con variazioni | — | ||
| 43-7 | Quintet for Strings in C minor, Op. 104: III. Menuetto. Quasi allegro | — | ||
| 43-8 | Quintet for Strings in C minor, Op. 104: IV. Finale. Presto | — | ||
| 43-9 | Quartet for Strings in F major, H. 34: I. Allegro moderato | — | ||
| 43-10 | Quartet for Strings in F major, H. 34: II. Allegretto | — | ||
| 43-11 | Quartet for Strings in F major, H. 34: III. Allegro | — | ||
| 44-1 | Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: I. Allegro con brio | — | ||
| 44-2 | Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: II. Andante | — | ||
| 44-3 | Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: III. Menuetto | — | ||
| 44-4 | Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: IV. Finale. Presto | — | ||
| 44-5 | Fugue for 2 Violins, 2 Violas, Cello and Double Bass in D major, Op. 137 | — | ||
| 44-6 | Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: I. Allegro | — | ||
| 44-7 | Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: II. Minuetto. Allegretto | — | ||
| 44-8 | 6 Ländlerische Tänze for 2 Violins, Cello and Double Bass, WoO 15 | — | ||
| 44-9 | Prelude and Fugue for 2 Violins and Cello in E minor, H. 29 | — | ||
| 44-10 | Prelude and Fugue for 2 Violins, Viola and Cello in F major, H. 30 | — | ||
| 44-11 | Prelude and Fugue for for 2 Violins, Viola and Cello in C major, H. 31 | — | ||
| 44-12 | Minuet for for 2 Violins, Viola and Cello, H. 33 | — | ||
| 44-13 | Prelude for 2 Violins, Viola and Cello, H. 40 | — | ||
| 45-1 | Piano Sonata no. 29 in B-flat, op. 106 ‘Hammerklavier’: I. Allegro | — | ||
| 45-2 | Piano Sonata no. 29 in B-flat, op. 106 ‘Hammerklavier’: II. Scherzo: Assai vivace | — | ||
| 45-3 | Piano Sonata no. 29 in B-flat, op. 106 ‘Hammerklavier’: III. Adagio sostenuto | — | ||
| 45-4 | Piano Sonata no. 29 in B-flat, op. 106 ‘Hammerklavier’: IV. Largo-allegro risoluto | — | ||
| 45-5 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio e appassionato | — | ||
| 45-6 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto, semplice e cantabile | — | ||
| 46-1 | Piano Sonata no. 28 in A, op. 101: I. Allegretto ma non troppo | — | ||
| 46-2 | Piano Sonata no. 28 in A, op. 101: II. Vivace alla marcia | — | ||
| 46-3 | Piano Sonata no. 28 in A, op. 101: III. Adagio ma non troppo con affetto - Presto | — | ||
| 46-4 | Piano Sonata no. 30 in E, op. 109: I. Vivace ma non troppo - adagio espressivo | — | ||
| 46-5 | Piano Sonata no. 30 in E, op. 109: II. Prestissimo | — | ||
| 46-6 | Piano Sonata no. 30 in E, op. 109: III. Tema con variazioni | — | ||
| 46-7 | Piano Sonata no. 31 in A-flat, op. 110: I. Moderato cantabile, molto espressivo | — | ||
| 46-8 | Piano Sonata no. 31 in A-flat, op. 110: II. Allegro molto / III. Adagio ma non troppo | — | ||
| 46-9 | Piano Sonata no. 31 in A-flat, op. 110: Fuga. Allegro ma non troppo | — | ||
| 46-10 | Piano Sonata no. 27 in E minor, op. 90: I. Mit lebhaftigkeit und durchaus mit empfindung und ausdruck | — | ||
| 46-11 | Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | — | ||
| 47-1 | Piano Sonata no. 23 in F minor, op. 57 ‘Appassionata’: I. Allegro assai | — | ||
| 47-2 | Piano Sonata no. 23 in F minor, op. 57 ‘Appassionata’: II. Andante con moto | — | ||
| 47-3 | Piano Sonata no. 23 in F minor, op. 57 ‘Appassionata’: III. Allegro ma non troppo | — | ||
| 47-4 | Piano Sonata no. 22 in F, op. 54: I. In tempo d’un menuetto | — | ||
| 47-5 | Piano Sonata no. 22 in F, op. 54: II. Allegretto | — | ||
| 47-6 | Piano Sonata no. 26 in E-flat, op. 81a ‘Les Adieux’: I. Les adieux: Adagio – allegro | — | ||
| 47-7 | Piano Sonata no. 26 in E-flat, op. 81a ‘Les Adieux’: II. L’absence: Andante espressivo | — | ||
| 47-8 | Piano Sonata no. 26 in E-flat, op. 81a ‘Les Adieux’: III. Le retour: Vivacissimamente | — | ||
| 47-9 | Piano Sonata no. 16 in G, op. 31 no. 1: I. Allegro vivace | — | ||
| 47-10 | Piano Sonata no. 16 in G, op. 31 no. 1: II. Adagio grazioso | — | ||
| 47-11 | Piano Sonata no. 16 in G, op. 31 no. 1: III. Rondo: Allegretto | — | ||
| 48-1 | Piano Sonata no. 17 in D minor, op. 31 no. 2 ‘Tempest’: I. Largo – allegro – adagio | — | ||
| 48-2 | Piano Sonata no. 17 in D minor, op. 31 no. 2 ‘Tempest’: II. Adagio | — | ||
| 48-3 | Piano Sonata no. 17 in D minor, op. 31 no. 2 ‘Tempest’: III. Allegretto | — | ||
| 48-4 | Piano Sonata no. 18 in E-flat, op. 31 no. 3: I. Allegro | — | ||
| 48-5 | Piano Sonata no. 18 in E-flat, op. 31 no. 3: II. Scherzo: Allegretto vivace | — | ||
| 48-6 | Piano Sonata no. 18 in E-flat, op. 31 no. 3: III. Menuetto: Moderato e grazioso | — | ||
| 48-7 | Piano Sonata no. 18 in E-flat, op. 31 no. 3: IV. Presto con fuoco | — | ||
| 48-8 | Piano Sonata no. 21 in C, op. 53 ‘Waldstein’: I. Allegro con brio | — | ||
| 48-9 | Piano Sonata no. 21 in C, op. 53 ‘Waldstein’: II. Introduzione: Adagio molto | — | ||
| 48-10 | Piano Sonata no. 21 in C, op. 53 ‘Waldstein’: III. Rondo: Allegretto moderato – prestissimo | — | ||
| 48-11 | Piano sonata no. 19 in G minor, op. 49 no. 1: I. Andante | — | ||
| 48-12 | Piano sonata no. 19 in G minor, op. 49 no. 1: II. Rondo: Allegro | — | ||
| 49-1 | Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | — | ||
| 49-2 | Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | — | ||
| 49-3 | Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto: Allegretto – trio | — | ||
| 49-4 | Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | — | ||
| 49-5 | Piano Sonata no. 25 in G, op. 79: I. Presto alla tedesca | — | ||
| 49-6 | Piano Sonata no. 25 in G, op. 79: II. Andante | — | ||
| 49-7 | Piano Sonata no. 25 in G, op. 79: III. Vivace | — | ||
| 49-8 | Piano Sonata no. 5 in C minor op. 10 no. 1: I. Allegro molto e con brio | — | ||
| 49-9 | Piano Sonata no. 5 in C minor op. 10 no. 1: II. Adagio molto | — | ||
| 49-10 | Piano Sonata no. 5 in C minor op. 10 no. 1: III. Finale: Prestissimo | — | ||
| 49-11 | Piano Sonata no. 6 in F, op. 10 no. 2: I. Allegro | — | ||
| 49-12 | Piano Sonata no. 6 in F, op. 10 no. 2: II. Allegretto | — | ||
| 49-13 | Piano Sonata no. 6 in F, op. 10 no. 2: III. Presto | — | ||
| 49-14 | Piano Sonata no. 9 in E, op. 14 no. 1: I. Allegro | — | ||
| 49-15 | Piano Sonata no. 9 in E, op. 14 no. 1: II. Allegretto | — | ||
| 49-16 | Piano Sonata no. 9 in E, op. 14 no. 1: III. Rondo: Allegro comodo | — | ||
| 50-1 | Piano Sonata no. 10 in G, op. 14 no. 2: I. Allegro | — | ||
| 50-2 | Piano Sonata no. 10 in G, op. 14 no. 2: II. Andante | — | ||
| 50-3 | Piano Sonata no. 10 in G, op. 14 no. 2: III. Scherzo: Allegro assai | — | ||
| 50-4 | Piano Sonata no. 13 in E-flat, op. 27 no. 1: I. Andante - Allegro - Andante | — | ||
| 50-5 | Piano Sonata no. 13 in E-flat, op. 27 no. 1: II. Allegro molto e vivace | — | ||
| 50-6 | Piano Sonata no. 13 in E-flat, op. 27 no. 1: III. Adagio con espressione | — | ||
| 50-7 | Piano Sonata no. 13 in E-flat, op. 27 no. 1: IV. Finale: Allegro vivace | — | ||
| 50-8 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 ‘Moonlight’: I. Adagio sostenuto | — | ||
| 50-9 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 ‘Moonlight’: II. Allegretto | — | ||
| 50-10 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 ‘Moonlight’: III. Presto agitato | — | ||
| 50-11 | Piano Sonata no. 15 in D, op. 28 ‘Pastoral’: I. Allegro | — | ||
| 50-12 | Piano Sonata no. 15 in D, op. 28 ‘Pastoral’: II. Andante | — | ||
| 50-13 | Piano Sonata no. 15 in D, op. 28 ‘Pastoral’: III. Scherzo: Allegro vivace - Trio / IV. Rondo: Allegro ma non troppo | — | ||
| 51-1 | Piano Sonata no. 7 in D, op.10 no. 3: I. Presto | — | ||
| 51-2 | Piano Sonata no. 7 in D, op.10 no. 3: II. Largo e mesto | — | ||
| 51-3 | Piano Sonata no. 7 in D, op.10 no. 3: III. Menuetto: Allegro | — | ||
| 51-4 | Piano Sonata no. 7 in D, op.10 no. 3: IV. Rondo: Allegro | — | ||
| 51-5 | Piano Sonata no. 2 in A op. 2 no. 2: I. Allegro vivace | — | ||
| 51-6 | Piano Sonata no. 2 in A op. 2 no. 2: II. Largo appassionato | — | ||
| 51-7 | Piano Sonata no. 2 in A op. 2 no. 2: III. Scherzo: Allegretto - Trio | — | ||
| 51-8 | Piano Sonata no. 2 in A op. 2 no. 2: IV. Rondo: Grazioso | — | ||
| 51-9 | Piano Sonata no. 3 in C op. 2 no. 3: I. Allegro con brio | — | ||
| 51-10 | Piano Sonata no. 3 in C op. 2 no. 3: II. Adagio | — | ||
| 51-11 | Piano Sonata no. 3 in C op. 2 no. 3: III. Scherzo: Allegro - Trio | — | ||
| 51-12 | Piano Sonata no. 3 in C op. 2 no. 3: IV. Allegro assai | — | ||
| 52-1 | Piano Sonata no. 8 in C minor, op. 13 ‘Pathétique’: I. Grave - Allegro di molto e con brio | — | ||
| 52-2 | Piano Sonata no. 8 in C minor, op. 13 ‘Pathétique’: II. Adagio cantabile | — | ||
| 52-3 | Piano Sonata no. 8 in C minor, op. 13 ‘Pathétique’: III. Rondo: Allegro | — | ||
| 52-4 | Piano Sonata no. 11 in B-flat, op. 22: I. Allegro con brio | — | ||
| 52-5 | Piano Sonata no. 11 in B-flat, op. 22: II. Adagio con molto espressione | — | ||
| 52-6 | Piano Sonata no. 11 in B-flat, op. 22: III. Menuetto | — | ||
| 52-7 | Piano Sonata no. 11 in B-flat, op. 22: IV. Rondo: Allegretto | — | ||
| 52-8 | Piano Sonata no. 12 in A-flat, op. 26 ‘Funeral March’: I. Andante con variazioni | — | ||
| 52-9 | Piano Sonata no. 12 in A-flat, op. 26 ‘Funeral March’: II. Scherzo: Allegro molto-trio | — | ||
| 52-10 | Piano Sonata no. 12 in A-flat, op. 26 ‘Funeral March’: III. Maestoso andante ‘Marcia funebre sulla morte d’une eroe’ | — | ||
| 52-11 | Piano Sonata no. 12 in A-flat, op. 26 ‘Funeral March’: IV. Allegro | — | ||
| 52-12 | Piano Sonata no. 24 in F-sharp, op. 78: I. Adagio cantabile - Allegro ma non troppo | — | ||
| 52-13 | Piano Sonata no. 24 in F-sharp, op. 78: II. Allegro vivace | — | ||
| 53-1 | Piano Sonata no. 4 in E-flat, op. 7: I. Allegro molto e con brio | — | ||
| 53-2 | Piano Sonata no. 4 in E-flat, op. 7: II. Largo con gran espressione | — | ||
| 53-3 | Piano Sonata no. 4 in E-flat, op. 7: III. Allegro | — | ||
| 53-4 | Piano Sonata no. 4 in E-flat, op. 7: V. Rondo: Poco allegretto e grazioso | — | ||
| 53-5 | Piano Sonata no. 20 in G, op. 49 no. 2: I. Allegro ma non troppo | — | ||
| 53-6 | Piano Sonata no. 20 in G, op. 49 no. 2: II. Tempo di menuetto | — | ||
| 54-1 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations" | — | ||
| 54-2 | Sonata for Piano No. 20 in G major, Op. 49 No. 2: I. Allegro ma non troppo | — | ||
| 54-3 | Sonata for Piano No. 20 in G major, Op. 49 No. 2: II. Tempo di menuetto | — | ||
| 54-4 | 5 Variations for Piano in D major on "Rule Britannia" from Thomas Arne's masque "Alfred", WoO 79 | — | ||
| 54-5 | 7 Variations for Piano in C major on "God Save the King", WoO 78 | — | ||
| 54-6 | 12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen", WoO 71 | — | ||
| 54-7 | 6 Variations for Piano in F major on an Original Theme, Op. 34 | — | ||
| 54-8 | 6 Variations for Piano in D major on an Original Theme from "The Ruins of Athens", Op. 76 | — | ||
| 55-1 | 32 Variations for Piano in C minor on an Original Theme, WoO 80 | — | ||
| 55-2 | 7 Variations for Piano in F major on the Quartet "Kind, willst du ruhig schlafen?" from Peter Winter's opera "Das unterbrochene Opferfest", WoO 75 | — | ||
| 55-3 | 24 Variations for Piano on Vincenzo Righini's Arietta "Venni amore" in D major, WoO 65 | — | ||
| 55-4 | 6 Variations for Piano in G major on the Duet "Nel cor più non mi sento" from Giovanni Paisiello's opera "La molinara", WoO 70 | — | ||
| 55-5 | 8 Variations for Piano in F major on the Trio "Tändeln und Scherzen" from Franz X. Süssmayr's opera "Soliman II", WoO 76 | — | ||
| 55-6 | 13 Variations for Piano in A major on the Arietta "Es war einmal ein alter Mann" from Dittersdorf's Singspiel "Das rote Käppchen", WoO 66 | — | ||
| 55-7 | 10 Variations for Piano in B-flat major on the Duet "La stessa, la stessissima" from Antonio Salieri's opera "Falstaff", WoO 73 | — | ||
| 56-1 | 6 Variations for Piano on a Swiss Song in F major, WoO 64 | — | ||
| 56-2 | 9 Variations for Piano in A major on “Quant’è più bello” from Paisello’s “La molinara”, WoO 69 | — | ||
| 56-3 | 6 Variations for Piano in G major on an Original Theme, WoO 77 | — | ||
| 56-4 | 8 Variations for Piano in C major on “Une fièvre brulante” from Grétry’s “Richard Cœur-de-Lion”, WoO 72 | — | ||
| 56-5 | Rondo for Piano in G major, Op. 51 No. 2 | — | ||
| 56-6 | Allegretto for Piano in C minor, WoO 53 | — | ||
| 56-7 | 6 Écossaises, WoO 83 | — | ||
| 56-8 | Bagatelle for Piano in A minor, WoO 59 "Für Elise" | — | ||
| 56-9 | Polonaise for Piano in C major, Op. 89 | — | ||
| 56-10 | Sonata for Piano in E-flat major, WoO 47 No. 1 “Kurfürsten”: I. Allegro cantabile | — | ||
| 56-11 | Sonata for Piano in E-flat major, WoO 47 No. 1 “Kurfürsten”: II. Andante | — | ||
| 56-12 | Sonata for Piano in E-flat major, WoO 47 No. 1 “Kurfürsten”: III. Rondo. Vivace | — | ||
| 56-13 | Sonata for Piano in F minor, WoO 47 No. 2 “Kurfürsten”: I. Larghetto maestoso | — | ||
| 56-14 | Sonata for Piano in F minor, WoO 47 No. 2 “Kurfürsten”: II. Andante | — | ||
| 56-15 | Sonata for Piano in F minor, WoO 47 No. 2 “Kurfürsten”: III. Presto | — | ||
| 57-1 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Tema. Vivace | — | ||
| 57-2 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. I. Alla marcia maestoso | — | ||
| 57-3 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. II. Poco allegro | — | ||
| 57-4 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. III. L'istesso tempo | — | ||
| 57-5 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. IV. Un poco più vivace | — | ||
| 57-6 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. V. Allegro vivace | — | ||
| 57-7 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VI. Allegro ma non troppo e serioso | — | ||
| 57-8 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VII. Un poco più allegro | — | ||
| 57-9 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VIII. Poco vivace | — | ||
| 57-10 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. IX. Allegro pesante e risoluto | — | ||
| 57-11 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. X. Presto | — | ||
| 57-12 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XI. Allegretto | — | ||
| 57-13 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XII. Un poco più moto | — | ||
| 57-14 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIII. Vivace | — | ||
| 57-15 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIV. Grave e maestoso | — | ||
| 57-16 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XV. Presto scherzando | — | ||
| 57-17 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVI. Allegro | — | ||
| 57-18 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVII. Allegro | — | ||
| 57-19 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVIII. Poco moderato | — | ||
| 57-20 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIX. Presto | — | ||
| 57-21 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XX. Andante | — | ||
| 57-22 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXI. Allegro con brio | — | ||
| 57-23 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXII. Allegro molto | — | ||
| 57-24 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIII. Allegro assai | — | ||
| 57-25 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIV. Fughetta. Andante | — | ||
| 57-26 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXV. Allegro | — | ||
| 57-27 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVI. Allegro | — | ||
| 57-28 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVII. Vivace | — | ||
| 57-29 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVIII. Allegro | — | ||
| 57-30 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIX. Adagio ma non troppo | — | ||
| 57-31 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXX. Andante, sempre cantabile | — | ||
| 57-32 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXI. Largo, molto espressivo | — | ||
| 57-33 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXII. Fuga. Allegro - Poco adagio | — | ||
| 57-34 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXIII. Tempo di Menuetto moderato | — | ||
| 57-35 | Bagatelle for Piano, Op. 119 No. 1 in B-flat major: Allegretto | — | ||
| 57-36 | Bagatelle for Piano, Op. 119 No. 2 in C major: Andante con moto | — | ||
| 57-37 | Bagatelle for Piano, Op. 119 No. 3 in D major: À l'Allemande | — | ||
| 57-38 | Bagatelle for Piano, Op. 119 No. 4 in A major: Andante cantabile | — | ||
| 57-39 | Bagatelle for Piano, Op. 119 No. 5 in C minor: Risoluto | — | ||
| 57-40 | Bagatelle for Piano, Op. 119 No. 6 in G major: Andante - Allegretto | — | ||
| 57-41 | Bagatelle for Piano, Op. 119 No. 7 in C major: Allegro ma non troppo | — | ||
| 57-42 | Bagatelle for Piano, Op. 119 No. 8 in C major: Moderato | — | ||
| 57-43 | Bagatelle for Piano, Op. 119 No. 9 in A minor: Vivace moderato | — | ||
| 57-44 | Bagatelle for Piano, Op. 119 No. 10 in A major: Allegramente | — | ||
| 57-45 | Bagatelle for Piano, Op. 119 No. 11 in B-flat major: Andante, ma non troppo | — | ||
| 58-1 | Bagatelle for Piano, Op. 126 No. 1 in G major: Andante con moto cantabile e compiacevole | — | ||
| 58-2 | Bagatelle for Piano, Op. 126 No. 2 in G minor: Allegro | — | ||
| 58-3 | Bagatelle for Piano, Op. 126 No. 3 in E-flat major: Andante cantabile e grazioso | — | ||
| 58-4 | Bagatelle for Piano, Op. 126 No. 4 in B minor: Presto | — | ||
| 58-5 | Bagatelle for Piano, Op. 126 No. 5 in G major: Quasi allegretto | — | ||
| 58-6 | Bagatelle for Piano, Op. 126 No. 6 in E-flat major: Presto - Andante amabile e con moto - Tempo | — | ||
| 58-7 | Rondo a Capriccio for Piano in G major, Op. 129 "The Rage Over the Lost Penny": Allegro vivace | — | ||
| 58-8 | Rondo for Piano in C major, Op. 51 No. 1: Moderato e grazioso | — | ||
| 58-9 | Bagatelle for Piano, Op. 33 No. 1 in E-flat major: Andante grazioso quasi allegretto | — | ||
| 58-10 | Bagatelle for Piano, Op. 33 No. 2 in C major: Scherzo. Allegro | — | ||
| 58-11 | Bagatelle for Piano, Op. 33 No. 3 in F major: Allegretto | — | ||
| 58-12 | Bagatelle for Piano, Op. 33 No. 4 in A major: Andante | — | ||
| 58-13 | Bagatelle for Piano, Op. 33 No. 5 in C major: Allegro ma non troppo | — | ||
| 58-14 | Bagatelle for Piano, Op. 33 No. 6 in D major: Allegretto quasi andante | — | ||
| 58-15 | Bagatelle for Piano, Op. 33 No. 7 in A-flat major: Presto | — | ||
| 58-16 | Andante for Piano in F major, WoO 57 "Andante favori". Andante grazioso con moto | — | ||
| 58-17 | Ziemlich lebhaft for Piano in B-flat major, WoO 60 | — | ||
| 59-1 | Bagatelle for Piano in C minor, WoO 52 | — | ||
| 59-2 | Allegretto for Piano in C minor, Hess 69 | — | ||
| 59-3 | Bagatelle for Piano in C major, WoO 54 “Lustig-Traurig” | — | ||
| 59-4 | Rondo for Piano in C major, WoO 48 | — | ||
| 59-5 | Rondo in A major, WoO 49 | — | ||
| 59-6 | Sonata in F major, WoO 50: I | — | ||
| 59-7 | Sonata for Piano in F major, WoO 50: II | — | ||
| 59-8 | Allemande for Piano in A major, WoO 81 | — | ||
| 59-9 | Anglaise in D major, H. 61 | — | ||
| 59-10 | Prelude for Piano in F minor, WoO 55 | — | ||
| 59-11 | Fantasia for Piano in G minor, Op. 77 | — | ||
| 59-12 | Allegretto for Piano in B minor, WoO 61 | — | ||
| 59-13 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Thema. Maestoso | — | ||
| 59-14 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 1 | — | ||
| 59-15 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 2 | — | ||
| 59-16 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 3 | — | ||
| 59-17 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 4 | — | ||
| 59-18 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 5 | — | ||
| 59-19 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 6 | — | ||
| 59-20 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 7 | — | ||
| 59-21 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 8 | — | ||
| 59-22 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 9 | — | ||
| 59-23 | Prelude for Piano, Op. 39 No. 1 | — | ||
| 59-24 | Prelude for Piano, Op. 39 No. 2 | — | ||
| 59-25 | Fugue for Piano in C major, Hess 64 | — | ||
| 59-26 | Minuet for Piano in E-flat major, WoO 82 | — | ||
| 59-27 | Bagatelle for Piano in C major, WoO 56 | — | ||
| 59-28 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Thema. Allegretto | — | ||
| 59-29 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 1 | — | ||
| 59-30 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 2 | — | ||
| 59-31 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 3 | — | ||
| 59-32 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 4 | — | ||
| 59-33 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 5 | — | ||
| 59-34 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 6 | — | ||
| 59-35 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 7 | — | ||
| 59-36 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 8 | — | ||
| 59-37 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 9 | — | ||
| 59-38 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 10 | — | ||
| 59-39 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 11 | — | ||
| 59-40 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 12 | — | ||
| 59-41 | Waltz for Piano in E-flat major, WoO 84 | — | ||
| 59-42 | Allegretto quasi andante for Piano, WoO 61a | — | ||
| 59-43 | Waltz for Piano in D major, WoO 85 | — | ||
| 59-44 | Écossaise for Piano in E-flat major, WoO 86 | — | ||
| 60-1 | Sonata for 2 Pianos in D major, Op. 6: I. Allegro molto | — | ||
| 60-2 | Sonata for 2 Pianos in D major, Op. 6: II. Rondo | — | ||
| 60-3 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Thema | — | ||
| 60-4 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 1 | — | ||
| 60-5 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 2 | — | ||
| 60-6 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 3 | — | ||
| 60-7 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 4 | — | ||
| 60-8 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 5 | — | ||
| 60-9 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 6 | — | ||
| 60-10 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 7 | — | ||
| 60-11 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 8 | — | ||
| 60-12 | 3 Marches for 2 Pianos, Op. 45 No. 1 in C major: Allegro ma non troppo | — | ||
| 60-13 | 3 Marches for 2 Pianos, Op. 45 No. 2 in E-flat major: Vivace | — | ||
| 60-14 | 3 Marches for 2 Pianos, Op. 45 No. 3 in D major: Vivace | — | ||
| 60-15 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Thema | — | ||
| 60-16 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 1 | — | ||
| 60-17 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 2 | — | ||
| 60-18 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 3 | — | ||
| 60-19 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 4 | — | ||
| 60-20 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 5 | — | ||
| 60-21 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 6 | — | ||
| 60-22 | Große Fugue for 2 Pianos, Op. 134: I. Overture. Allegro | — | ||
| 60-23 | Große Fugue for 2 Pianos, Op. 134: II. Fuga. Allegro | — | ||
| 60-24 | Große Fugue for 2 Pianos, Op. 134: III. Meno mosso e moderato | — | ||
| 60-25 | Große Fugue for 2 Pianos, Op. 134: IV. Allegro | — | ||
| 60-26 | Große Fugue for 2 Pianos, Op. 134: V. Allegro molto e con brio | — | ||
| 60-27 | Große Fugue for 2 Pianos, Op. 134: VI. Allegro molto e con brio | — | ||
| 60-28 | Sonata for Piano in D major, WoO 47 No. 3 “Kurfürsten”: I. Allegro | — | ||
| 60-29 | Sonata for Piano in D major, WoO 47 No. 3 “Kurfürsten”: II. Menuetto | — | ||
| 60-30 | Sonata for Piano in D major, WoO 47 No. 3 “Kurfürsten”: III. Scherzando | — | ||
| 61-1 | Leonore, Hess 109: Overture "Leonore II" | Staatskapelle Dresden, Herbert Blomstedt | T-909.574.378-5 | |
| 61-2 | Leonore: Act I. "Fidelio kommt nicht zurück!" (Marzelline) | Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-3 | Leonore: Act I. No. 1 Aria "O wär'ich schon mit dir vereint" (Marzelline) | Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-4 | Leonore: Act I. "Wenn ich diese Tür nicht" (Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-5 | Leonore: Act I. No. 2 Duet "Jetzt, Schätzchen" (Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-6 | Leonore: Act I. "Höre, Jaquino" (Marzelline, Jaquino, Rocco) | Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-7 | Leonore: Act I. No. 3 Trio "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-8 | Leonore: Act I. "Ist Fidelio noch nich nach Hause gekommen?" (Rocco, Marzelline, Jaquino, Leonore) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-9 | Leonore: Act I. No. 4 Canon "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-10 | Leonore: Act I. "Höre, Fidelio" (Rocco, Marzelline, Leonore) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-11 | Leonore: Act I. No. 5 Aria "Hat man nich auch Gold beineben" (Rocco) | Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-12 | Leonore: Act I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline) | Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-13 | Leonore: Act I. No. 6 Trio "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline) | Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-14 | Leonore: Act II. No. 7 March | Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-15 | Leonore: Act II. "Drei Schildwachten auf den Wall" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-16 | Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco) | Theo Adam, MDR Rundfunkchor Leipzig, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-17 | Leonore: Act II. "Rocco!" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-18 | Leonore: Act II. No. 9 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-19 | Leonore: Act II. "Nun ist es endlich entschieden" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-20 | Leonore: Act II. No. 10 Duet "Im in der Ehe froh zu leben" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-21 | Leonore: Act II. "Sie doch, wie du so schnell" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-22 | Leonore: Act II. No. 11 Recitative and Aria "Ach, brich noch nicht" (Leonore) | Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-1 | Leonore: Act II. No. 12 Finale "O welche Lust!" (Chorus of the Prisoners) | Richard Cassilly, Reiner Goldberg, Siegfried Lorenz, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-2 | Leonore: Act II. "Entfernt euch jetzt!" (Rocco, Leonore) | Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-3 | Leonore: Act II. "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore, Marzelline, Pizarro) | Theo Adam, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-4 | Leonore: Act II. "Auf euch nur will ich bauen" (Pizarro, Chorus) | Theo Adam, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-5 | Leonore: Act III. No. 13 Recitative and Aria "Gott! Welch dunkel hier!" (Florestan) | Richard Cassilly, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-6 | Leonore: Act III. No. 14 Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco) | Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-7 | Leonore: Act III. "Er erwacht!" (Leonore, Rocco, Florestan) | Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-8 | Leonore: Act III. No. 15 Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) | Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-9 | Leonore: Act III. "Alles ist bereit" (Rocco, Leonore, Pizarro) | Theo Adam, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-10 | Leonore: Act III. No. 16 Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) | Theo Adam, Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-11 | Leonore: Act III. "Die Waffe hab'ich mir" (Leonore) | Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-12 | Leonore: Act III. No. 17 Recitative and Duet "Ich kann mich noch nicht fassen" (Florestan, Leonore) | Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-13 | Leonore: Act III. "O Leonore, sprich!" (Florestan, Leonore) | Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-14 | Leonore: Act III. No. 18 Finale "Zur Rache" (Chorus, Leonore, Florestan, Rocco, Don Fernando) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-15 | Leonore: Act III. "O Gott! O welch ein Augenblick!" (Leonore, Marzelline, Florestan, Don Fernando, Rocco, Chorus) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-16 | Leonore: Act III. "Wie lange habt Ihr sie getragen?" (Don Fernando, Florestan, Rocco, Chorus, Leonore, Marzelline, Jaquino) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-17 | Leonore: Act III. "Preist mit hoher Freude Glut" (Chorus) | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-18 | Leonore: Act III. "Wer ein solches Weib errungen" (Florestan, Marzelline, Jaquino, Rocco, Don Fernando, Chorus) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-1 | Fidelio: Overture | — | ||
| 63-2 | Fidelio: Act I. No. 1 Duet "Jetzt, Schätzchen, sind wir allein" (Jaquino, Marzelline) | — | ||
| 63-3 | Fidelio: Act I. No. 2 Aria "O war ich schon mit dir vereint" (Marzelline) | — | ||
| 63-4 | Fidelio: Act I. No. 3 Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | — | ||
| 63-5 | Fidelio: Act I. No. 4 Aria "Hat man nicht auch Gold beineben" (Rocco) | — | ||
| 63-6 | Fidelio: Act I. No. 5 Trio "Gut, Söhnchen, gut" (Leonore, Rocco, Marzelline) | — | ||
| 63-7 | Fidelio: Act I. No. 6 March | — | ||
| 63-8 | Fidelio: Act I. No. 7 Aria with Chorus "Ha! Welch'ein Augenblick!" (Pizarro, Soldiers) | — | ||
| 63-9 | Fidelio: Act I. No. 8 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco) | — | ||
| 63-10 | Fidelio: Act I. No. 9 Recitative and Aria "Abscheulicher! Wo eilst du hin?" (Leonore, Marzelline) | — | ||
| 63-11 | Fidelio: Act I. Aria. "Komm Hoffnung, lass den letzten Stern" (Leonore, Marzelline, Rocco) | — | ||
| 63-12 | Fidelio: Act I. No. 10 Finale "O welche Lust" (Prisoners) | — | ||
| 63-13 | Fidelio: Act I. Recitative and Duet "Nun sprecht, wie ging's?" (Leonore, Rocco) | — | ||
| 63-14 | Fidelio: Act I. "Ach! Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) | — | ||
| 63-15 | Fidelio: Act I. "Leb'wohl, du warmes Sonnenlicht" (Prisoners, Marzelline, Leonore, Pizarro, Jaquino, Rocco) | — | ||
| 64-1 | Fidelio: Act II. No. 11 Recitative and Aria "Gott! Welch'dunkel hier!" (Florestan) | — | ||
| 64-2 | Fidelio: Act II. "In des Lebens Frühlingstagen" (Florestan) | — | ||
| 64-3 | Fidelio: Act II. No. 12 Melodrama and Duet "Wie kalt ist es in diesem unterirdischen Gewölbe" (Leonore, Rocco) | — | ||
| 64-4 | Fidelio: Act II. "Nur hurtig fort, nur frisch gegraben" (Leonore, Rocco, Florestan) | — | ||
| 64-5 | Fidelio: Act II. No. 13 Trio "Euch werde Lohn in bessern Welten" (Leonore, Florestan, Rocco, Pizarro) | — | ||
| 64-6 | Fidelio: Act II. No. 14 Quartet "Er sterbe!" (Leonore, Florestan, Pizarro, Rocco) | — | ||
| 64-7 | Fidelio: Act II. No. 15 Duet "O namenlose Freude!" (Leonore, Florestan) | — | ||
| 64-8 | Fidelio: Act II. No. 16 Finale "Heil sei dem Tag!" (People) | — | ||
| 64-9 | Fidelio: Act II. "Des besten Königs Wink und Wille" (Fernando, People, Prisoners, Rocco, Pizarro, Marzelline) | — | ||
| 64-10 | Fidelio: Act II. "Wer ein holdes Weib errungen" (Chorus, Leonore, Florestan) | — | ||
| 65-1 | Egmont, Op. 84: Ouvertüre | — | ||
| 65-2 | Egmont, Op. 84: No. 1 Lied "Die Trommel gerühret!" (Klärchen) | — | ||
| 65-3 | Egmont, Op. 84: No. 2 Zwischenakt I | — | ||
| 65-4 | Egmont, Op. 84: No. 3 Zwischenakt II | — | ||
| 65-5 | Egmont, Op. 84: No. 4 Lied "Freudvoll und Leidvoll" | — | ||
| 65-6 | Egmont, Op. 84: No. 5 Zwischenakt III | — | ||
| 65-7 | Egmont, Op. 84: No. 6 Zwischenakt IV | — | ||
| 65-8 | Egmont, Op. 84: Monolog "Alter Freund!" (Egmont) | — | ||
| 65-9 | Egmont, Op. 84: No. 7 Musik "Klärchen's Tod bezeichnend" | — | ||
| 65-10 | Egmont, Op. 84: Monolog "Es ist vorbei" (Egmont) | — | ||
| 65-11 | Egmont, Op. 84: No. 8 Melodram "Süsser Schlaf" (Egmont) | — | ||
| 65-12 | Egmont, Op. 84: Monolog "Verschwunden ist der Kranz" (Egmont) | — | ||
| 65-13 | Egmont, Op. 84: No. 9 "Siegessymphonie" | — | ||
| 66-1 | Die Geschöpfe des Prometheus, Op. 43: Ouverture. Adagio - Allegro molto con brio / Introduction. Allegro non troppo | — | ||
| 66-2 | Die Geschöpfe des Prometheus, Op. 43: Adagio - Allegro con brio - Allegro vivace | — | ||
| 66-3 | Die Geschöpfe des Prometheus, Op. 43: Maestoso andante - Adagio - Andante quasi allegretto | — | ||
| 66-4 | Die Geschöpfe des Prometheus, Op. 43: Allegro con brio - Presto | — | ||
| 66-5 | Die Geschöpfe des Prometheus, Op. 43: Adagio - Adagio - Allegro molto | — | ||
| 66-6 | Die Geschöpfe des Prometheus, Op. 43: Pastorale. Allegro | — | ||
| 66-7 | Die Geschöpfe des Prometheus, Op. 43: Maestoso - Allegro (Solo di Gioia) | — | ||
| 66-8 | Die Geschöpfe des Prometheus, Op. 43: Allegro | — | ||
| 66-9 | Die Geschöpfe des Prometheus, Op. 43: Andante - Adagio - Allegro - Allegretto (Solo della Cassentini) | — | ||
| 66-10 | Die Geschöpfe des Prometheus, Op. 43: Andantino - Adagio - Allegro (Solo di Vigano) | — | ||
| 66-11 | Die Geschöpfe des Prometheus, Op. 43: Finale. Allegretto - Allegro molto presto | — | ||
| 66-12 | Musik zu einem Ritterballett, WoO 1: I. Marsch | — | ||
| 66-13 | Musik zu einem Ritterballett, WoO 1: II. Deutscher Gesang. Allegro moderato | — | ||
| 66-14 | Musik zu einem Ritterballett, WoO 1: III. Jagdlied. Allegretto | — | ||
| 66-15 | Musik zu einem Ritterballett, WoO 1: IV. Romanze. Andantino | — | ||
| 66-16 | Musik zu einem Ritterballett, WoO 1: V. Kriegslied. Allegro assai con brio | — | ||
| 66-17 | Musik zu einem Ritterballett, WoO 1: VI. Trinklied. Allegro con brio | — | ||
| 66-18 | Musik zu einem Ritterballett, WoO 1: VII. Deutscher Tanz. Walzer | — | ||
| 66-19 | Musik zu einem Ritterballett, WoO 1: VIII. Coda. Allegro vivace - Andantino - Tempo I | — | ||
| 67-1 | Die Ruinen von Athen, Op. 113: I. Overtüre | — | ||
| 67-2 | Die Ruinen von Athen, Op. 113: II. Chor "Tochter des mächtigen Zeus" | — | ||
| 67-3 | Die Ruinen von Athen, Op. 113: III. Duett "Ohne Verschulden Knechtschaft dulden" | — | ||
| 67-4 | Die Ruinen von Athen, Op. 113: IV. Chor der Derwische "Du hast in deines Ärmels Falten" | — | ||
| 67-5 | Die Ruinen von Athen, Op. 113: V. Marcia alla turca | — | ||
| 67-6 | Die Ruinen von Athen, Op. 113: VI. March "Schmückt die Altare" | — | ||
| 67-7 | Die Ruinen von Athen, Op. 113: VII. Chor und Arie "Wir tragen empfängliche Herzen in Busen" | — | ||
| 67-8 | Die Ruinen von Athen, Op. 113: VIII. Chor "Heil unserm König! Heil!" | — | ||
| 67-9 | König Stephan, Op. 117: I. Overtüre | — | ||
| 67-10 | König Stephan, Op. 117: II. Männerchor "Ruhend von seinem Thaten" | — | ||
| 67-11 | König Stephan, Op. 117: III. Männerchor "Auf dunkelm in finstern Hainen Wandelten" | — | ||
| 67-12 | König Stephan, Op. 117: IV. Siegesmarsch | — | ||
| 67-13 | König Stephan, Op. 117: V. Frauenchor "Wo die Unschuld Blumen streute" | — | ||
| 67-14 | König Stephan, Op. 117: VI. Chor "Eine neue strahlende Sonne" | — | ||
| 67-15 | König Stephan, Op. 117: VII. Chor "Heil! Heil unserm Enkeln" | — | ||
| 67-16 | Aria with Chorus in B-flat major, WoO 94 "Germania" | — | ||
| 67-17 | Chor auf die verbündeten Fürsten. WoO 95 "Ihr weisen Gründer" | — | ||
| 68-1 | Aria, Op. 65 "Ah! Perfido" | — | ||
| 68-2 | Aria for Soprano and Orchestra, WoO 92 - "Primo Amore" | — | ||
| 68-3 | Aria for Soprano and Strings, WoO 92a "No, non turbati" | — | ||
| 68-4 | Duet for Soprano, Tenor and Orchestra, WoO 93 "Nei giorni tuoi felice" | — | ||
| 68-5 | Trio for Soprano, Bass and Orchestra, Op. 116 "Tremate, empi, tremate" | — | ||
| 68-6 | Aria for Bass and Orchestra, WoO 89 "Prüfung des Küssens" | — | ||
| 68-7 | Aria for Bass and Orchestra, WoO 90 "Mit Mädeln sich vertragen" | — | ||
| 68-8 | Aria from "Die schöne Schüsterin" for Tenor and Orchestra, WoO 91 No. 1 "O welch ein Leben!" | — | ||
| 68-9 | Aria from "Die schöne Schüsterin" for Soprano and Orchestra, WoO 91 No. 2 "Soll ein Schuh nicht drücken" | — | ||
| 69-1 | Cantata on the Death of Emperor Joseph II, WoO 87: I. Chorus "Tot! Tot, stöhnt es durch die öde Nacht" (solo quartet) | — | ||
| 69-2 | Cantata on the Death of Emperor Joseph II, WoO 87: II. Recitative "Ein Ungeheuer, sein Name Fanatismus" (bass) | — | ||
| 69-3 | Cantata on the Death of Emperor Joseph II, WoO 87: III. Aria "Da kam Joseph" (bass) | — | ||
| 69-4 | Cantata on the Death of Emperor Joseph II, WoO 87: IV. Aria & Chorus "Da stiegen die Menschen ans Licht" (soprano) | — | ||
| 69-5 | Cantata on the Death of Emperor Joseph II, WoO 87: V. Recitative "Er schläft" (soprano) | — | ||
| 69-6 | Cantata on the Death of Emperor Joseph II, WoO 87: VI. Aria "Hier schlummert seinen stillen Frieden" (soprano) | — | ||
| 69-7 | Cantata on the Death of Emperor Joseph II, WoO 87: VII. Chorus "Tot, stöhnt es durch die öde Nacht" (solo quartet) | — | ||
| 69-8 | Cantata on the Accession of Emperor Leopold II, WoO 88: I. Recitative & Chorus "Er schlummert, laßt sanft den großen Fürsten ruhen!" (soprano) | — | ||
| 69-9 | Cantata on the Accession of Emperor Leopold II, WoO 88: II. Aria "Fließe, Wonnezähren, fließe!" (soprano) | — | ||
| 69-10 | Cantata on the Accession of Emperor Leopold II, WoO 88: III. Recitative "Ihr staunt, Völker der Erde!" (bass) | — | ||
| 69-11 | Cantata on the Accession of Emperor Leopold II, WoO 88: IV. Recitative "Wie bebt mein Herz vor Wonne!" (tenor) | — | ||
| 69-12 | Cantata on the Accession of Emperor Leopold II, WoO 88: V. Chorus "Heil! Stürzet nieder, Millionen" (solo quartet) | — | ||
| 70-1 | Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa Stet!" | — | ||
| 70-2 | Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!" | — | ||
| 70-3 | Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna) | — | ||
| 70-4 | Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin) | — | ||
| 70-5 | Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin) | — | ||
| 70-6 | Cantata for 4 Solo Voices, Chous, and Orchestra, Op. 136 "The Moment of Glory": VI. Choir "Es treten vor die Scharen der Frauen" | — | ||
| 70-7 | Mehrstimmige italienische Gesänge, WoO 99: Bei labbri che amore (Soprano, Tenor) | — | ||
| 70-8 | Mehrstimmige italienische Gesänge, WoO 99: Sei mio ben (Soprano, Tenor) | — | ||
| 70-9 | Mehrstimmige italienische Gesänge, WoO 99: Scrivo in te (Soprano, Tenor) | — | ||
| 70-10 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Tenor, Bass) | — | ||
| 70-11 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Tenor, Bass) | — | ||
| 70-12 | Mehrstimmige italienische Gesänge, WoO 99: Salvo tu voi lo sposo? (Soprano, Tenor) | — | ||
| 70-13 | Mehrstimmige italienische Gesänge, WoO 99: Ma tu tremi (Soprano, Alto, Tenor) | — | ||
| 70-14 | Mehrstimmige italienische Gesänge, WoO 99: Giura il nocchier (Soprano, Alto, Bass) | — | ||
| 70-15 | Mehrstimmige italienische Gesänge, WoO 99: Per te d'amico aprile (Soprano, Alto, Bass) | — | ||
| 70-16 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Soprano, Alto, Tenor) | — | ||
| 70-17 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Soprano, Alto, Tenor) | — | ||
| 70-18 | Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei (Soprano, Tenor, Bass) | — | ||
| 70-19 | Mehrstimmige italienische Gesänge, WoO 99: Chi mai di questo (Soprano, Tenor, Bass) | — | ||
| 70-20 | Mehrstimmige italienische Gesänge, WoO 99: Gia la notte (Alto, Tenor, Bass) | — | ||
| 70-21 | Mehrstimmige italienische Gesänge, WoO 99: Nei Campi e nelle selve I (Soprano, Alto, Tenor, Bass) | — | ||
| 70-22 | Mehrstimmige italienische Gesänge, WoO 99: Nei Campi e nelle selve II (Soprano, Alto, Tenor, Bass) | — | ||
| 70-23 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Soprano, Alto, Tenor, Bass) | — | ||
| 70-24 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Soprano, Alto, Tenor, Bass) | — | ||
| 70-25 | Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei, in G major (Soprano, Alto, Tenor, Bass) | — | ||
| 70-26 | Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei, in F major (Soprano, Alto, Tenor, Bass) | — | ||
| 70-27 | Mehrstimmige italienische Gesänge, WoO 99: Guira il nocchier, in C major (Soprano, Alto, Tenor, Bass) | — | ||
| 70-28 | Mehrstimmige italienische Gesänge, WoO 99: Guira il nocchier, in B flat major (Soprano, Alto, Tenor, Bass) | — | ||
| 70-29 | Mehrstimmige italienische Gesänge, WoO 99: Gia la notte (Soprano, Alto, Tenor, Bass) | — | ||
| 70-30 | Mehrstimmige italienische Gesänge, WoO 99: E pur fra le tempeste (Tenor, Piano) | — | ||
| 71-1 | Cantata for Mixed Chorus and Orchestra, Op. 112 "Meeresstille und glückliche Fahrt" | — | ||
| 71-2 | Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy" | — | ||
| 71-3 | Elegiac Song for Choir and Orchestra, Op. 118 | — | ||
| 71-4 | Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122 | — | ||
| 71-5 | Rural Cantata for 4 Voices accopmanied by Piano, WoO 103 | — | ||
| 71-6 | Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106 | — | ||
| 71-7 | 3 Voice Canon in F major, WoO 166: "Kurz ist der Schmerz" | — | ||
| 71-8 | Hess 91 - Opferlied (piano arrangement from Op. 121b) | — | ||
| 71-9 | Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105 | — | ||
| 71-10 | "Abschiedsgesang an Wiens Bürger", WoO 121 | — | ||
| 71-11 | Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122 | — | ||
| 71-12 | "Opferlied", WoO 126 | — | ||
| 71-13 | "Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto | — | ||
| 71-14 | Sacrificial Song for Soprano accompanied by Choir and Orchestra, Op. 121b | — | ||
| 72-1 | Christus am Ölberg, op. 85: No. 1 Rezitativ und Arie (Jesus) | — | ||
| 72-2 | Christus am Ölberg, op. 85: No. 2 Rezitativ und Arie (Seraph) | — | ||
| 72-3 | Christus am Ölberg, op. 85: No. 3 Rezitativ und Duett (Serapj, Jesus) | — | ||
| 72-4 | Christus am Ölberg, op. 85: No. 4 Rezitativ (Jesus und Chor der Krieger) | — | ||
| 72-5 | Christus am Ölberg, op. 85: No. 5 Rezitativ (Jesus, Chor der Jünger, Chor der Krieger) | — | ||
| 72-6 | Christus am Ölberg, op. 85: No. 6 Rezitativ (Jesus, Petrus), Terzett (Seraph, Jesus, Petrus), Chor der Jünger, Chor der Krieger | — | ||
| 73-1 | Missa solemnis, Op. 123: Kyrie | — | ||
| 73-2 | Missa solemnis, Op. 123: Gloria in excelsis Deo | — | ||
| 73-3 | Missa solemnis, Op. 123: Qui tollis peccata mundi | — | ||
| 73-4 | Missa solemnis, Op. 123: Quoniam tu solus sanctus | — | ||
| 73-5 | Missa solemnis, Op. 123: Credo in unum Deum | — | ||
| 73-6 | Missa solemnis, Op. 123: Et incarnatus est | — | ||
| 73-7 | Missa solemnis, Op. 123: Et ascendit in cœlum | — | ||
| 73-8 | Missa solemnis, Op. 123: Sanctus Dominus Deus Sabaoth | — | ||
| 73-9 | Missa solemnis, Op. 123: Preludium-Benedictus | — | ||
| 74-1 | Missa solemnis, Op. 123: Agnus Dei | — | ||
| 74-2 | Missa solemnis, Op. 123: Dona nobis pacem | — | ||
| 74-3 | Missa solemnis, Op. 123: Agnus Dei | — | ||
| 74-4 | Mass in C major, Op. 86: Kyrie | — | ||
| 74-5 | Mass in C major, Op. 86: Gloria in excelsis Deo | — | ||
| 74-6 | Mass in C major, Op. 86: Qui tollis peccata mundi | — | ||
| 74-7 | Mass in C major, Op. 86: Quoniam tu solus sanctus | — | ||
| 74-8 | Mass in C major, Op. 86: Credo in unum Deum | — | ||
| 74-9 | Mass in C major, Op. 86: Et incarnatus est | — | ||
| 74-10 | Mass in C major, Op. 86: Sanctus Dominus Deus Sabaoth | — | ||
| 74-11 | Mass in C major, Op. 86: Benedictus | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5028421940526 is a Universal Product Code (UPC) assigned to Complete Edition by Ludwig van Beethoven. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 1000 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5028421940526 is the Universal Product Code (UPC barcode) for the release “Complete Edition” by Ludwig van Beethoven, released 2011-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 1000 tracks, each with its own ISRC. Tracks include DES382025101, DES382025102, DES382025103.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4 | Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 6 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 7 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 8 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-5 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-001.444.317-4 | |
| 2-6 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-001.444.317-4 | |
| 2-7 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-001.444.317-4 | |
| 2-8 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-001.444.317-4 | |
| 3-1 | Symphonie no. 5 in C minor, op. 67: I. Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-2 | Symphonie no. 5 in C minor, op. 67: II. Andante con moto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-3 | Symphonie no. 5 in C minor, op. 67: III. Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-4 | Symphonie no. 5 in C minor, op. 67: IV. Allegro - Presto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-5 | Symphonie no. 6 in F major, op. 68 "Pastorale": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-6 | Symphonie no. 6 in F major, op. 68 "Pastorale": II. Szene am Bach: Andante molto mosso | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-7 | Symphonie no. 6 in F major, op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute: Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-8 | Symphonie no. 6 in F major, op. 68 "Pastorale": IV. Gewitter, Sturm: Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-9 | Symphonie no. 6 in F major, op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-314.638.300-4 | |
| 4-3 | Symphony no. 7 in A major, op. 92: III. Presto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-909.821.799-3 | |
| 4-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-1 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-3 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125: IV. Presto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 6-1 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio (cadenza: Ludwig van Beethoven) | — | ||
| 6-2 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo | — | ||
| 6-3 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro | — | ||
| 6-4 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: I. Allegro con brio | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 6-5 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: II. Largo | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 6-6 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: III. Rondo. Allegro | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 7-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio (cadenza: Ludwig van Beethoven) | — | ||
| 7-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 7-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | — | ||
| 7-4 | Concerto for Piano and Orchestra in D major, op. 61a: I. Allegro ma non troppo | — | ||
| 7-5 | Concerto for Piano and Orchestra in D major, op. 61a: II. Larghetto | — | ||
| 7-6 | Concerto for Piano and Orchestra in D major, op. 61a: III. Rondo. Allegro (cadenza: Ludwig van Beethoven) | — | ||
| 8-1 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Allegro moderato | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 8-2 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Andante con moto | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 8-3 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Rondo. Vivace | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 8-4 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | — | ||
| 8-5 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 8-6 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro | — | ||
| 9-1 | Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo (cadenza: Fritz Kreisler) | — | ||
| 9-2 | Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto | — | ||
| 9-3 | Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro (cadenza: Fritz Kreisler) | — | ||
| 9-4 | Romance for Violin and Orchestra No. 1 in G major, Op. 40: Andante | — | ||
| 9-5 | Romance for Violin and Orchestra No. 2 in F major, Op. 50: Adagio cantabile | — | ||
| 10-1 | Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": I. Allegro | — | ||
| 10-2 | Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo | — | ||
| 10-3 | Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": III. Rondo alla Polacca | — | ||
| 10-4 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): I. Allegro moderato | Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte | — | |
| 10-5 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): II. Larghetto | Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte | — | |
| 10-6 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): III. Rondo. Allegretto (cadenza: Willy Hess) | Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte | — | |
| 10-7 | Rondo for Piano and Orchestra in B-flat major, WoO 6. Allegro (cadenza: Carl Czerny) | — | ||
| 11-1 | Leonore Overture No. 1, Op. 138 | — | ||
| 11-2 | Leonore Overture No. 2, Op. 72 | — | ||
| 11-3 | Leonore Overture No. 3, Op. 72a | — | ||
| 11-4 | Fidelio Overture, Op. 72b | — | ||
| 11-5 | Funeral March from Leonore Prohaska, WoO 96 | — | ||
| 11-6 | Die Weihe des Hauses: Overture, Op. 124 | — | ||
| 11-7 | Die Weihe des Hauses: Chorus with soprano solo, WoO98 ''Wo sich die Pulse'' | — | ||
| 12-1 | Coriolan, Op. 62: Overture | — | ||
| 12-2 | Wellington's Victory or the Battle of Vittoria, Op. 91: Schlacht (Battle) | — | ||
| 12-3 | Wellington's Victory or the Battle of Vittoria, Op. 91: Sieges-Symphonie (Symphony of Triumph) | — | ||
| 12-4 | Namensfeier Overture, Op. 115 | — | ||
| 12-5 | Gratulationsmenuett, WoO 3 | Minnesota Orchestra, Stanisław Skrowaczewski | — | |
| 12-6 | Triumphal March from Tarpeja, WoO 2 | — | ||
| 12-7 | Fugue for Organ in D major, WoO 31 | — | ||
| 12-8 | Stücke für Flötenuhr, WoO 33: Allegro non più molto | — | ||
| 12-9 | Stücke für Flötenuhr, WoO 33: Allegretto | — | ||
| 12-10 | Stücke für Flötenuhr, WoO 33: Adagio assai | — | ||
| 12-11 | Stücke für Flötenuhr, WoO 33: Scherzo. Allegro | — | ||
| 12-12 | Stücke für Flötenuhr, WoO 33: Allegro | — | ||
| 12-13 | Grenadiermarsch, Hess 107 | — | ||
| 13-1 | 12 Contredanses for Small Orchestra WoO 14 No. 1 in C major | — | ||
| 13-2 | 12 Contredanses for Small Orchestra WoO 14 No. 2 in A major | — | ||
| 13-3 | 12 Contredanses for Small Orchestra WoO 14 No. 3 in D major | — | ||
| 13-4 | 12 Contredanses for Small Orchestra WoO 14 No. 4 in B-flat major | — | ||
| 13-5 | 12 Contredanses for Small Orchestra WoO 14 No. 5 in E-flat major | — | ||
| 13-6 | 12 Contredanses for Small Orchestra WoO 14 No. 6 in C major | — | ||
| 13-7 | 12 Contredanses for Small Orchestra WoO 14 No. 7 in E-flat major | — | ||
| 13-8 | 12 Contredanses for Small Orchestra WoO 14 No. 8 in C major | — | ||
| 13-9 | 12 Contredanses for Small Orchestra WoO 14 No. 9 in A major | — | ||
| 13-10 | 12 Contredanses for Small Orchestra WoO 14 No. 10 in C major | — | ||
| 13-11 | 12 Contredanses for Small Orchestra WoO 14 No. 11 in G major | — | ||
| 13-12 | Contredanses for Small Orchestra WoO 14 No. 12 in E-flat major | — | ||
| 13-13 | 6 Minuets for Two Violins and Violoncello WoO 9 No. 1 in E-flat major | — | ||
| 13-14 | 6 Minuets for Two Violins and Violoncello WoO 9 No. 2 in G major | — | ||
| 13-15 | 6 Minuets for Two Violins and Violoncello WoO 9 No. 3 in C major | — | ||
| 13-16 | 6 Minuets for Two Violins and Violoncello WoO 9 No. 4 in F major | — | ||
| 13-17 | 6 Minuets for Two Violins and Violoncello WoO 9 No. 5 in D major | — | ||
| 13-18 | 6 Minuets for Two Violins and Violoncello WoO 9 No. 6 in G major | — | ||
| 13-19 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 1: Waltz in E-flat major | — | ||
| 13-20 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 2: Minuet in B-flat major | — | ||
| 13-21 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 3: Waltz in B-flat major | — | ||
| 13-22 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 4: Minuet in E-flat major | — | ||
| 13-23 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 5: Minuet in E-flat major | — | ||
| 13-24 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 6: Ländler in E-flat major | — | ||
| 13-25 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 7: Minuet in B-flat major | — | ||
| 13-26 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 8: Ländler in B-flat major | — | ||
| 13-27 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 9: Minuet in G major | — | ||
| 13-28 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 10: Waltz in D major | — | ||
| 13-29 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 11: Waltz in D major | — | ||
| 13-30 | Six Ländler for 2 Violins and Bass, WoO 15 No. 1 in D major | — | ||
| 13-31 | Six Ländler for 2 Violins and Bass, WoO 15 No. 2 in D major | — | ||
| 13-32 | Six Ländler for 2 Violins and Bass, WoO 15 No. 3 in D major | — | ||
| 13-33 | Six Ländler for 2 Violins and Bass, WoO 15 No. 4 in D minor | — | ||
| 13-34 | Six Ländler for 2 Violins and Bass, WoO 15 No. 5 in D major | — | ||
| 13-35 | Six Ländler for 2 Violins and Bass, WoO 15 No. 6 in D major | — | ||
| 13-36 | 12 German Dances for Orchestra WoO 8 No. 1 in C major | — | ||
| 13-37 | 12 German Dances for Orchestra WoO 8 No. 2 in A major | — | ||
| 13-38 | 12 German Dances for Orchestra WoO 8 No. 3 in F major | — | ||
| 13-39 | 12 German Dances for Orchestra WoO 8 No. 4 in B-flat major | — | ||
| 13-40 | 12 German Dances for Orchestra WoO 8 No. 5 in E-flat major | — | ||
| 13-41 | 12 German Dances for Orchestra WoO 8 No. 6 in G major | — | ||
| 13-42 | 12 German Dances for Orchestra WoO 8 No. 7 in C major | — | ||
| 13-43 | 12 German Dances for Orchestra WoO 8 No. 8 in A major | — | ||
| 13-44 | 12 German Dances for Orchestra WoO 8 No. 9 in F major | — | ||
| 13-45 | 12 German Dances for Orchestra WoO 8 No. 10 in D major | — | ||
| 13-46 | 12 German Dances for Orchestra WoO 8 No. 11 in G major | — | ||
| 13-47 | 12 German Dances for Orchestra WoO 8 No. 12 in C major | — | ||
| 14-1 | 12 Menuets for Orchestra WoO 7 No. 1 in D major | — | ||
| 14-2 | 12 Menuets for Orchestra WoO 7 No. 2 in B-flat major | — | ||
| 14-3 | 12 Menuets for Orchestra WoO 7 No. 3 G major | — | ||
| 14-4 | 12 Menuets for Orchestra WoO 7 No. 4 in E-flat major | — | ||
| 14-5 | 12 Menuets for Orchestra WoO 7 No. 5 in C major | — | ||
| 14-6 | 12 Menuets for Orchestra WoO 7 No. 6 in A major | — | ||
| 14-7 | 12 Menuets for Orchestra WoO 7 No. 7 in D major | — | ||
| 14-8 | 12 Menuets for Orchestra WoO 7 No. 8 in B-flat major | — | ||
| 14-9 | 12 Menuets for Orchestra WoO 7 No. 9 in G major | — | ||
| 14-10 | 12 Menuets for Orchestra WoO 7 No. 10 in E-flat major | — | ||
| 14-11 | 12 Menuets for Orchestra WoO 7 No. 11 in C major | — | ||
| 14-12 | 12 Menuets for Orchestra WoO 7 No. 12 in F major | — | ||
| 14-13 | Military March in D major WoO 24 | — | ||
| 14-14 | 6 Menuets for Orchestra WoO 10 No. 1 in C major | — | ||
| 14-15 | 6 Menuets for Orchestra WoO 10 No. 2 in G major | — | ||
| 14-16 | 6 Menuets for Orchestra WoO 10 No. 3 in E-flat major | — | ||
| 14-17 | 6 Menuets for Orchestra WoO 10 No. 4 in B-flat major | — | ||
| 14-18 | 6 Menuets for Orchestra WoO 10 No. 5 in D major | — | ||
| 14-19 | 6 Menuets for Orchestra WoO 10 No. 6 in C major | — | ||
| 14-20 | 6 Deutsche Tänze WoO 42 | — | ||
| 14-21 | 6 Ecossaises in E-flat major WoO 83 No. 1 | — | ||
| 14-22 | 6 Ecossaises in E-flat major WoO 83 No. 2 | — | ||
| 14-23 | 6 Ecossaises in E-flat major WoO 83 No. 3 | — | ||
| 14-24 | 6 Ecossaises in E-flat major WoO 83 No. 4 | — | ||
| 14-25 | 6 Ecossaises in E-flat major WoO 83 No. 5 | — | ||
| 14-26 | 6 Ecossaises in E-flat major WoO 83 No. 6 | — | ||
| 14-27 | Ecossaise in G major WoO 23 | — | ||
| 14-28 | 7 Ländler in D major WoO 11 No. 1 | — | ||
| 14-29 | 7 Ländler in D major WoO 11 No. 2 | — | ||
| 14-30 | 7 Ländler in D major WoO 11 No. 3 | — | ||
| 14-31 | 7 Ländler in D major WoO 11 No. 4 | — | ||
| 14-32 | 7 Ländler in D major WoO 11 No. 5 | — | ||
| 14-33 | 7 Ländler in D major WoO 11 No. 6 | — | ||
| 14-34 | 7 Ländler in D major WoO 11 No. 7 | — | ||
| 14-35 | 12 Deutsche Tänze WoO 13 No. 1 in D major | — | ||
| 14-36 | 12 Deutsche Tänze WoO 13 No. 2 in B-flat major | — | ||
| 14-37 | 12 Deutsche Tänze WoO 13 No. 3 in G major | — | ||
| 14-38 | 12 Deutsche Tänze WoO 13 No. 4 in D major | — | ||
| 14-39 | 12 Deutsche Tänze WoO 13 No. 5 in F major | — | ||
| 14-40 | 12 Deutsche Tänze WoO 13 No. 6 in B-flat major | — | ||
| 14-41 | 12 Deutsche Tänze WoO 13 No. 7 in D major | — | ||
| 14-42 | 12 Deutsche Tänze WoO 13 No. 8 in G major | — | ||
| 14-43 | 12 Deutsche Tänze WoO 13 No. 9 in E-flat major | — | ||
| 14-44 | 12 Deutsche Tänze WoO 13 No. 10 in C major | — | ||
| 14-45 | 12 Deutsche Tänze WoO 13 No. 11 in A major | — | ||
| 14-46 | 12 Deutsche Tänze WoO 13 No. 12 in D major | — | ||
| 15-1 | Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: I. Allegro | — | ||
| 15-2 | Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: II. Andante | — | ||
| 15-3 | Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: III. Menuetto | — | ||
| 15-4 | Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: IV. Finale. Presto | — | ||
| 15-5 | Rondino for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, WoO 25 | — | ||
| 15-6 | Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: I. Adagio – Allegro | — | ||
| 15-7 | Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: II. Adagio | — | ||
| 15-8 | Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: III. Menuetto. Quasi allegretto | — | ||
| 15-9 | Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: IV. Rondo. Allegro | — | ||
| 15-10 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: I. Allegro comodo | — | ||
| 15-11 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: II. Larghetto sostenuto | — | ||
| 15-12 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: III. Rondo. Allegretto | — | ||
| 15-13 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: I. Allegro affettuoso | — | ||
| 15-14 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: II. Aria. Larghetto | — | ||
| 15-15 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: III. Rondo. allegretto moderato | — | ||
| 15-16 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: I. Allegro sostenuto | — | ||
| 15-17 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: II. Aria con variazioni | — | ||
| 15-18 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: III. Allegro assai | — | ||
| 16-1 | March and Trio in F major for wind ensemble, WoO 18 "For the Bohemian Ward" | Ottetto Italiano | — | |
| 16-2 | March and Trio in C major for wind ensemble, WoO 20 "Zapfenstreich" | Ottetto Italiano | — | |
| 16-3 | March and Trio in F major for military band, WoO 19 | Ottetto Italiano | — | |
| 16-4 | Polonaise in D major for military band, WoO 21 | Ottetto Italiano | — | |
| 16-5 | Ecossaise in D major for military band, WoO 22 | Ottetto Italiano | — | |
| 16-6 | March for 2 clarinets, 2 horns and 2 bassoons in B-flat major, WoO 29 | Ottetto Italiano | — | |
| 16-7 | Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: I. Allegro | Ottetto Italiano | — | |
| 16-8 | Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: II. Adagio maestoso | Ottetto Italiano | — | |
| 16-9 | Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: III. Minuetto | Ottetto Italiano | — | |
| 16-10 | Adagio for 3 horns in F major | Ottetto Italiano | — | |
| 16-11 | Equale for 4 trombones, WoO 30: I. Andante | Ottetto Italiano | — | |
| 16-12 | Equale for 4 trombones, WoO 30: II. Poco adagio | Ottetto Italiano | — | |
| 16-13 | Equale for 4 trombones, WoO 30: III. Poco sostenuto | Ottetto Italiano | — | |
| 16-14 | Trio for 2 oboes and english horn in C major, Op. 87: I. Allegro | Ottetto Italiano | — | |
| 16-15 | Trio for 2 oboes and english horn in C major, Op. 87: II. Adagio | Ottetto Italiano | — | |
| 16-16 | Trio for 2 oboes and english horn in C major, Op. 87: III. Minuetto | Ottetto Italiano | — | |
| 16-17 | Trio for 2 oboes and english horn in C major, Op. 87: IV. Finale | Ottetto Italiano | — | |
| 16-18 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: I. Theme | Ottetto Italiano | — | |
| 16-19 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: II. Var1 | Ottetto Italiano | — | |
| 16-20 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: III. Var 2 | Ottetto Italiano | — | |
| 16-21 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IV. Var 3 | Ottetto Italiano | — | |
| 16-22 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: V. Var 4 & 5 | Ottetto Italiano | — | |
| 16-23 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VI. Var 6 | Ottetto Italiano | — | |
| 16-24 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VII. Var 7 | Ottetto Italiano | — | |
| 16-25 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VIII. Var 8 | Ottetto Italiano | — | |
| 16-26 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IX. Coda | Ottetto Italiano | — | |
| 16-27 | Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio | Ottetto Italiano | — | |
| 16-28 | Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto | Ottetto Italiano | — | |
| 17-1 | Serenade for Flute and Piano, Op. 41: I. Entrada - Allegro | — | ||
| 17-2 | Serenade for Flute and Piano, Op. 41: II. Tempo Ordinario D'Un Menuetto | — | ||
| 17-3 | Serenade for Flute and Piano, Op. 41: III. Molto allegro | — | ||
| 17-4 | Serenade for Flute and Piano, Op. 41: IV. Andante con variazioni | — | ||
| 17-5 | Serenade for Flute and Piano, Op. 41: V. Allegro, scherzo e vivace | — | ||
| 17-6 | Serenade for Flute and Piano, Op. 41: VI. Adagio | — | ||
| 17-7 | Serenade for Flute and Piano, Op. 41: VII. Allegro vivace e disinvolto | — | ||
| 17-8 | Six Themes and Variations for Flute and Piano, Op. 105 No. 1: Scottish Air in G major | — | ||
| 17-9 | Six Themes and Variations for Flute and Piano, Op. 105 No. 2: Scottish Air in C minor | — | ||
| 17-10 | Six Themes and Variations for Flute and Piano, Op. 105 No. 3: Austrian Air in C major | — | ||
| 17-11 | Six Themes and Variations for Flute and Piano, Op. 105 No. 4: Scottish Air in E-flat | — | ||
| 17-12 | Six Themes and Variations for Flute and Piano, Op. 105 No. 5: Scottish Air in E-flat | — | ||
| 17-13 | Six Themes and Variations for Flute and Piano, Op. 105 No. 6: Scottish Air in D major | — | ||
| 17-14 | Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio | — | ||
| 17-15 | Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto | — | ||
| 17-16 | Trio for Flute, Bassoon, and Piano in G major, WoO 37: I. Allegro | — | ||
| 17-17 | Trio for Flute, Bassoon, and Piano in G major, WoO 37: II. Adagio | — | ||
| 17-18 | Trio for Flute, Bassoon, and Piano in G major, WoO 37: III. Thema andante con variazioni | — | ||
| 18-1 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 1:Tyrolian Air in E-flat | — | ||
| 18-2 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 2: Scottish Air in F major | — | ||
| 18-3 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 3: Russian Air in G major | — | ||
| 18-4 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 4: Scottish Air in F major | — | ||
| 18-5 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 5: Tyrolian Air in F major | — | ||
| 18-6 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 6: Scottish Air in E-flat major | — | ||
| 18-7 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 7: Russian Air in A minor | — | ||
| 18-8 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 8: Scottish Air in D major | — | ||
| 18-9 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 9: Scottish Air E-flat major | — | ||
| 18-10 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 10: Scottish Air G minor | — | ||
| 18-11 | Trio for three flutes in G major (spurious): I. Allegro | — | ||
| 18-12 | Trio for three flutes in G major (spurious): II. Andante | — | ||
| 18-13 | Trio for three flutes in G major (spurious): III. Rondo, allegretto | — | ||
| 18-14 | Sonate for Flute and Piano in B-flat major, Anh. 4: I. Allegro moderato | — | ||
| 18-15 | Sonate for Flute and Piano in B-flat major, Anh. 4: II. Polonaise | — | ||
| 18-16 | Sonate for Flute and Piano in B-flat major, Anh. 4: III. Largo | — | ||
| 18-17 | Sonate for Flute and Piano in B-flat major, Anh. 4: IV. Allegretto tema con variazione | — | ||
| 19-1 | Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: I. Adagio – Allegro con brio | — | ||
| 19-2 | Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: II. Adagio cantabile | — | ||
| 19-3 | Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: III. Tempo di menuetto | — | ||
| 19-4 | Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: IV. Tema con variazioni. Andante | — | ||
| 19-5 | Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace | — | ||
| 19-6 | Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: VI. Andante con moto alla marcia – Presto | — | ||
| 19-7 | Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: I. Allegro con brio | — | ||
| 19-8 | Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: II. Adagio | — | ||
| 19-9 | Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: III. Rondo. Allegro | — | ||
| 20-1 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: I. Grave – Allegro ma non troppo | — | ||
| 20-2 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: II. Andante cantabile | — | ||
| 20-3 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo | — | ||
| 20-4 | Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: I. Allegro con brio | — | ||
| 20-5 | Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: II. Adagio | — | ||
| 20-6 | Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: III. Allegretto. Variations on ''Pria ch'io l'impegno'' | — | ||
| 20-7 | Sonata for Horn and Piano in F major, Op. 17: I. Allegro moderato | — | ||
| 20-8 | Sonata for Horn and Piano in F major, Op. 17: II. Poco adagio, quasi andante | — | ||
| 20-9 | Sonata for Horn and Piano in F major, Op. 17: III. Rondo. Allegro moderato | — | ||
| 22-1 | Serenade for Flute, Violin and Viola in D major, Op. 25: I. Entrata. Allegro | — | ||
| 22-2 | Serenade for Flute, Violin and Viola in D major, Op. 25: II. Tempo ordinario d’un Menuetto | — | ||
| 22-3 | Serenade for Flute, Violin and Viola in D major, Op. 25: III. Allegro molto | — | ||
| 22-4 | Serenade for Flute, Violin and Viola in D major, Op. 25: IV. Andante con variazioni | — | ||
| 22-5 | Serenade for Flute, Violin and Viola in D major, Op. 25: V. Allegro scherzando e vivace | — | ||
| 22-6 | Serenade for Flute, Violin and Viola in D major, Op. 25: VI. Adagio – Allegro vivace disinvolto | — | ||
| 22-7 | Rondo for Violin and Piano in G major, WoO 41 | — | ||
| 22-8 | Trio for Violin, Cello and Piano in E-flat major, H. 48 | — | ||
| 22-9 | Adagio for Mandolin and Piano in E-flat major, WoO 43 No. 2 | — | ||
| 22-10 | Sonatina for Mandolin and Piano in C major, WoO 44 No. 1 | — | ||
| 22-11 | Sonatina for Mandolin and Piano in C major, WoO 43 No. 1 | — | ||
| 22-12 | Andante con variazioni for Mandolin and Piano in D major, WoO 44 No. 2: I. Andante | — | ||
| 22-13 | Andante con variazioni for Mandolin and Piano in D major, WoO 44 No. 2: II. Variazioni 1–6 | — | ||
| 23-1 | Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: I. Allegro vivace | — | ||
| 23-2 | Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: II. Adagio con espressione | — | ||
| 23-3 | Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: III. Rondo. Allegro | — | ||
| 23-4 | Quartet for Piano, Violin, Viola and Cello in E-flat major, WoO 36 No. 1: I. Adagio assai – Allegro con spirito | — | ||
| 23-5 | Quartet for Piano, Violin, Viola and Cello in E-flat major, WoO 36 No. 1: II. Tema con variazioni | — | ||
| 23-6 | Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: I. Allegro moderato | — | ||
| 23-7 | Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: II. Andante con moto | — | ||
| 23-8 | Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: III. Rondo. Allegro | — | ||
| 24-1 | Trio for Piano, Violin and Cello in E-flat major, Op. 1 No. 1: I. Allegro | — | ||
| 24-2 | Trio for Piano, Violin and Cello in E-flat major, Op. 1 No. 1: II. Adagio cantabile | — | ||
| 24-3 | Trio for Piano, Violin and Cello in E-flat major, Op. 1 No. 1: III. Scherzo | — | ||
| 24-4 | Trio for Piano, Violin and Cello in E-flat major, Op. 1 No. 1: IV. Finale. Presto | — | ||
| 24-5 | Trio for Piano, Violin and Cello in G major, Op. 1 No. 2: I. Adagio – Allegro vivace | — | ||
| 24-6 | Trio for Piano, Violin and Cello in G major, Op. 1 No. 2: II. Largo con espressione | — | ||
| 24-7 | Trio for Piano, Violin and Cello in G major, Op. 1 No. 2: III. Scherzo. Allegro | — | ||
| 24-8 | Trio for Piano, Violin and Cello in G major, Op. 1 No. 2: IV. Finale. Presto | — | ||
| 25-1 | Trio for Piano, Violin and Cello in C minor, Op. 1 No. 3: I. Allegro con brio | — | ||
| 25-2 | Trio for Piano, Violin and Cello in C minor, Op. 1 No. 3: II. Andante cantabile con variazioni | — | ||
| 25-3 | Trio for Piano, Violin and Cello in C minor, Op. 1 No. 3: III. Menuetto. Quasi allegro | — | ||
| 25-4 | Trio for Piano, Violin and Cello in C minor, Op. 1 No. 3: IV. Finale. Prestissimo | — | ||
| 25-5 | Trio for Piano, Violin and Cello in E-flat major, WoO 39: I. Allegro moderato | — | ||
| 25-6 | Trio for Piano, Violin and Cello in E-flat major, WoO 39: II. Scherzo. Allegro ma non troppo | — | ||
| 25-7 | Trio for Piano, Violin and Cello in E-flat major, WoO 39: III. Rondo. Allegro | — | ||
| 25-8 | Variations in G major on Wenzel Müller's "Ich bin der Schneider Kakadu", Op. 121a | — | ||
| 26-1 | Trio for Piano, Violin and Cello in D major, Op. 70 No. 1 "Geister": I. Allegro vivace e con brio | — | ||
| 26-2 | Trio for Piano, Violin and Cello in D major, Op. 70 No. 1 "Geister": II. Largo assai ed espressione | — | ||
| 26-3 | Trio for Piano, Violin and Cello in D major, Op. 70 No. 1 "Geister": III. Presto | — | ||
| 26-4 | Trio for Piano, Violin and Cello in E-flat major, Op. 70 No. 2: I. Poco sostenuto – Allegro ma non troppo | — | ||
| 26-5 | Trio for Piano, Violin and Cello in E-flat major, Op. 70 No. 2: II. Allegretto | — | ||
| 26-6 | Trio for Piano, Violin and Cello in E-flat major, Op. 70 No. 2: III. Allegretto ma non troppo | — | ||
| 26-7 | Trio for Piano, Violin and Cello in E-flat major, Op. 70 No. 2: IV. Finale. Allegro | — | ||
| 27-1 | Allegretto for Piano, Violin and Cello in B-flat major, WoO 38 | — | ||
| 27-2 | Trio for Piano, Violin and Cello in B-flat major, Op. 97 "Archduke": I. Allegro moderato | — | ||
| 27-3 | Trio for Piano, Violin and Cello in B-flat major, Op. 97 "Archduke": II. Allegretto | — | ||
| 27-4 | Trio for Piano, Violin and Cello in B-flat major, Op. 97 "Archduke": III. Andante cantabile, ma pero con moto | — | ||
| 27-5 | Trio for Piano, Violin and Cello in B-flat major, Op. 97 "Archduke": IV. Finale. Allegro | — | ||
| 27-6 | 14 Variations for Piano, Violin, and Cello in E-flat major, Op. 44 | — | ||
| 28-1 | Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: I. Adagio sostenuto – Allegro | — | ||
| 28-2 | Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: II. Rondo. Allegro vivace | — | ||
| 28-3 | Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: Ia. Adagio sostenuto ed espressivo | — | ||
| 28-4 | Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: Ib. Allegro molto più tosto presto | — | ||
| 28-5 | Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: II. Rondo. Allegro | — | ||
| 28-6 | Sonata for Cello and Piano No. 3 in A major, Op. 69: I. Allegro ma non tanto | — | ||
| 28-7 | Sonata for Cello and Piano No. 3 in A major, Op. 69: II. Scherzo. Allegro molto | — | ||
| 28-8 | Sonata for Cello and Piano No. 3 in A major, Op. 69: III. Adagio cantabile – Allegro vivace | — | ||
| 29-1 | Sonata for Cello and Piano No. 4 in C major, Op. 102 No. 1: I. Adagio – Allegro vivace | — | ||
| 29-2 | Sonata for Cello and Piano No. 4 in C major, Op. 102 No. 1: II. Adagio – Tempo d’andante – Allegro vivace | — | ||
| 29-3 | Sonata for Cello and Piano No. 5 in D major, Op. 102 No. 2: I. Allegro con brio | — | ||
| 29-4 | Sonata for Cello and Piano No. 5 in D major, Op. 102 No. 2: II. Adagio con molto sentimento d’affetto | — | ||
| 29-5 | Sonata for Cello and Piano No. 5 in D major, Op. 102 No. 2: III. Allegro – Allegro fugato | — | ||
| 29-6 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Thema. Allegretto | — | ||
| 29-7 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 1 | — | ||
| 29-8 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 2 | — | ||
| 29-9 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 3 | — | ||
| 29-10 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 4 | — | ||
| 29-11 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 5 | — | ||
| 29-12 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 6 | — | ||
| 29-13 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 7 | — | ||
| 29-14 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 8 | — | ||
| 29-15 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 9 | — | ||
| 29-16 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 10 | — | ||
| 29-17 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 11. Adagio | — | ||
| 29-18 | 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 12. Allegro | — | ||
| 29-19 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Thema. Allegretto | — | ||
| 29-20 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 1 | — | ||
| 29-21 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 2 | — | ||
| 29-22 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 3 | — | ||
| 29-23 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 4 | — | ||
| 29-24 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 5 | — | ||
| 29-25 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 6 | — | ||
| 29-26 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 7 | — | ||
| 29-27 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 8 | — | ||
| 29-28 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 9 | — | ||
| 29-29 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 10. Adagio | — | ||
| 29-30 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 11. Poco adagio, quasi andante | — | ||
| 29-31 | 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 12. Allegro | — | ||
| 29-32 | 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Thema. Andante | — | ||
| 29-33 | 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 1 | — | ||
| 29-34 | 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 2 | — | ||
| 29-35 | 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 3 | — | ||
| 29-36 | 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 4 | — | ||
| 29-37 | 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 5. Si prenda il tempo un poco | — | ||
| 29-38 | 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 6. Adagio | — | ||
| 29-39 | 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 7. Allegro ma non troppo | — | ||
| 30-1 | Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: I. Allegro con brio | — | ||
| 30-2 | Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: II. Tema con variazioni. Andante con moto | — | ||
| 30-3 | Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: III. Rondo. Allegro | — | ||
| 30-4 | Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: I. Allegro vivace | — | ||
| 30-5 | Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: II. Andante più tosto allegretto | — | ||
| 30-6 | Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: III. Allegro piacevole | — | ||
| 30-7 | Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: I. Allegro con spirito | — | ||
| 30-8 | Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: II. Adagio con molt'espressione | — | ||
| 30-9 | Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: III. Rondo. Allegro molto | — | ||
| 30-10 | Sonata for Violin and Piano No. 4 in A minor, Op. 23: I. Presto | — | ||
| 30-11 | Sonata for Violin and Piano No. 4 in A minor, Op. 23: II. Andante scherzoso, più allegretto | — | ||
| 30-12 | Sonata for Violin and Piano No. 4 in A minor, Op. 23: III. Allegro molto | — | ||
| 31-1 | Sonata for Violin and Piano No. 5 in F major, Op. 24 "Frühling": I. Allegro | — | ||
| 31-2 | Sonata for Violin and Piano No. 5 in F major, Op. 24 "Frühling": II. Adagio molto espressivo | — | ||
| 31-3 | Sonata for Violin and Piano No. 5 in F major, Op. 24 "Frühling": III. Scherzo. Allegro molto | — | ||
| 31-4 | Sonata for Violin and Piano No. 5 in F major, Op. 24 "Frühling": IV. Rondo. Allegro ma non troppo | — | ||
| 31-5 | Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: I. Allegro | — | ||
| 31-6 | Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: II. Adagio | — | ||
| 31-7 | Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: III. Allegretto con variazioni | — | ||
| 31-8 | Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: I. Allegro con brio | — | ||
| 31-9 | Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: II. Adagio cantabile | — | ||
| 31-10 | Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: III. Scherzo. Allegro | — | ||
| 31-11 | Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: IV. Finale. Allegro | — | ||
| 32-1 | Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: I. Allegro assai | — | ||
| 32-2 | Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: II. Tempo di menuetto | — | ||
| 32-3 | Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: III. Allegro vivace | — | ||
| 32-4 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": I. Adagio sostenuto – Presto | — | ||
| 32-5 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": II. Andante con variazioni | — | ||
| 32-6 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": III. Finale. Presto | — | ||
| 32-7 | Sonata for Violin and Piano No. 10 in G major, Op. 96: I. Allegro moderato | — | ||
| 32-8 | Sonata for Violin and Piano No. 10 in G major, Op. 96: II. Adagio espressivo | — | ||
| 32-9 | Sonata for Violin and Piano No. 10 in G major, Op. 96: III. Scherzo. Allegro | — | ||
| 32-10 | Sonata for Violin and Piano No. 10 in G major, Op. 96: IV. Poco allegretto | — | ||
| 33-1 | Trio for Violin, Viola and Cello in E-flat major, Op. 3: I. Allegro con brio | — | ||
| 33-2 | Trio for Violin, Viola and Cello in E-flat major, Op. 3: II. Andante | — | ||
| 33-3 | Trio for Violin, Viola and Cello in E-flat major, Op. 3: III. Menuetto. Allegro | — | ||
| 33-4 | Trio for Violin, Viola and Cello in E-flat major, Op. 3: IV. Adagio | — | ||
| 33-5 | Trio for Violin, Viola and Cello in E-flat major, Op. 3: V. Menuetto. Moderato | — | ||
| 33-6 | Trio for Violin, Viola and Cello in E-flat major, Op. 3: VI. Finale. Allegro | — | ||
| 33-7 | Serenade for Violin, Viola and Cello in D major, Op. 8: Ia. Marcia. Allegro | — | ||
| 33-8 | Serenade for Violin, Viola and Cello in D major, Op. 8: Ib. Adagio | — | ||
| 33-9 | Serenade for Violin, Viola and Cello in D major, Op. 8: II. Menuetto. Allegretto | — | ||
| 33-10 | Serenade for Violin, Viola and Cello in D major, Op. 8: III. Adagio – Scherzo. Allegro | — | ||
| 33-11 | Serenade for Violin, Viola and Cello in D major, Op. 8: IV. Allegretto alla Polacca | — | ||
| 33-12 | Serenade for Violin, Viola and Cello in D major, Op. 8: Va. Andante quasi allegretto – Variations 1–4 – Allegro | — | ||
| 33-13 | Serenade for Violin, Viola and Cello in D major, Op. 8: Vb. Marcia. Allegro | — | ||
| 34-1 | Trio for Violin, Viola and Cello in G major, Op. 9 No. 1: I. Adagio – Allegro con brio | — | ||
| 34-2 | Trio for Violin, Viola and Cello in G major, Op. 9 No. 1: II. Adagio ma non tanto e cantabile | — | ||
| 34-3 | Trio for Violin, Viola and Cello in G major, Op. 9 No. 1: III. Scherzo. Allegro | — | ||
| 34-4 | Trio for Violin, Viola and Cello in G major, Op. 9 No. 1: IV. Presto | — | ||
| 34-5 | Trio for Violin, Viola and Cello in D major, Op. 9 No. 2: I. Allegretto | — | ||
| 34-6 | Trio for Violin, Viola and Cello in D major, Op. 9 No. 2: II. Andante quasi allegretto | — | ||
| 34-7 | Trio for Violin, Viola and Cello in D major, Op. 9 No. 2: III. Menuetto. Allegro | — | ||
| 34-8 | Trio for Violin, Viola and Cello in D major, Op. 9 No. 2: IV. Rondo. Allegro | — | ||
| 34-9 | Trio for Violin, Viola and Cello in C minor, Op. 9 No. 3: I. Allegro con spirito | — | ||
| 34-10 | Trio for Violin, Viola and Cello in C minor, Op. 9 No. 3: II. Adagio con espressione | — | ||
| 34-11 | Trio for Violin, Viola and Cello in C minor, Op. 9 No. 3: III. Scherzo. Allegro molto e vivace | — | ||
| 34-12 | Trio for Violin, Viola and Cello in C minor, Op. 9 No. 3: IV. Finale. Presto | — | ||
| 35-1 | String Quartet in F major, Op. 18 No. 1: I. Allegro con brio | — | ||
| 35-2 | String Quartet in F major, Op. 18 No. 1: II Adagio affettuoso ed appassionato | — | ||
| 35-3 | String Quartet in F major, Op. 18 No. 1: III. Scherzo, Allegro molto | — | ||
| 35-4 | String Quartet in F major, Op. 18 No. 1: IV. Allegro | — | ||
| 35-5 | String Quartet in G major, Op. 18 No. 2: I. Allegro | — | ||
| 35-6 | String Quartet in G major, Op. 18 No. 2: II. Adagio cantabile | — | ||
| 35-7 | String Quartet in G major, Op. 18 No. 2: III. Scherzo, Allegro | — | ||
| 35-8 | String Quartet in G major, Op. 18 No. 2: IV. Allegro molto quasi presto | — | ||
| 36-1 | String Quartet in D major, Op. 18 No. 3: I. Allegro | — | ||
| 36-2 | String Quartet in D major, Op. 18 No. 3: II. Andante | — | ||
| 36-3 | String Quartet in D major, Op. 18 No. 3: III. Allegro | — | ||
| 36-4 | String Quartet in D major, Op. 18 No. 3: IV. Presto | — | ||
| 36-5 | String Quartet in C minor, Op. 18 No. 4: I. Allegro ma non tanto | — | ||
| 36-6 | String Quartet in C minor, Op. 18 No. 4: II. Scherzo. Andante scherzoso, quasi allegretto | — | ||
| 36-7 | String Quartet in C minor, Op. 18 No. 4: III. Menuetto & Trio. Allegretto | — | ||
| 36-8 | String Quartet in C minor, Op. 18 No. 4: IV. Allegro | — | ||
| 37-1 | String Quartet in A major, Op. 18 No. 5: I. Allegro | — | ||
| 37-2 | String Quartet in A major, Op. 18 No. 5: II. Menuetto e trio | — | ||
| 37-3 | String Quartet in A major, Op. 18 No. 5: III. Andante cantabile | — | ||
| 37-4 | String Quartet in A major, Op. 18 No. 5: IV. Allegro | — | ||
| 37-5 | String Quartet in B-flat major, Op. 18 No. 6: I. Allegro con brio | — | ||
| 37-6 | String Quartet in B-flat major, Op. 18 No. 6: II. Adagio ma non troppo | — | ||
| 37-7 | String Quartet in B-flat major, Op. 18 No. 6: III. Scherzo & Trio. Allegro | — | ||
| 37-8 | String Quartet in B-flat major, Op. 18 No. 6: IV. La malinconia. Adagio - Allegretto quasi allegro | — | ||
| 37-9 | String Quartet in F minor, Op. 95 “Serioso”: I. Allegro con brio | — | ||
| 37-10 | String Quartet in F minor, Op. 95 “Serioso”: II. Allegretto ma non troppo | — | ||
| 37-11 | String Quartet in F minor, Op. 95 “Serioso”: III. Allegro assai vivace ma serioso | — | ||
| 37-12 | String Quartet in F minor, Op. 95 “Serioso”: IV. Larghetto espressivo – Allegretto agitato | — | ||
| 38-1 | Quartet for Strings in F major, Op. 59 No. 1: I. Allegro | — | ||
| 38-2 | Quartet for Strings in F major, Op. 59 No. 1: II. Allegretto vivace, sempre scherzando | — | ||
| 38-3 | Quartet for Strings in F major, Op. 59 No. 1: III. Adagio molto e mesto | — | ||
| 38-4 | Quartet for Strings in F major, Op. 59 No. 1: VI. Theme russe. Allegro | — | ||
| 38-5 | Quartet for Strings in E minor, Op. 59 No. 2: I. Allegro | — | ||
| 38-6 | Quartet for Strings in E minor, Op. 59 No. 2: II. Molto adagio | — | ||
| 38-7 | Quartet for Strings in E minor, Op. 59 No. 2: III. Allegretto | — | ||
| 38-8 | Quartet for Strings in E minor, Op. 59 No. 2: IV. Finale. Presto | — | ||
| 39-1 | Quartet for Strings in E-flat major, Op. 74 “Harfen Quartett”: I. Poco adagio – Allegro | — | ||
| 39-2 | Quartet for Strings in E-flat major, Op. 74 “Harfen Quartett”: II. Adagio ma non troppo | — | ||
| 39-3 | Quartet for Strings in E-flat major, Op. 74 “Harfen Quartett”: III. Presto – Più presto quasi prestissimo | — | ||
| 39-4 | Quartet for Strings in E-flat major, Op. 74 “Harfen Quartett”: IV. Allegretto con variazioni | — | ||
| 39-5 | Quartet for Strings in C-sharp minor, Op. 131: I. Adagio ma non troppo e molto espressivo | — | ||
| 39-6 | Quartet for Strings in C-sharp minor, Op. 131: II. Allegro molto vivace | — | ||
| 39-7 | Quartet for Strings in C-sharp minor, Op. 131: III. Allegro moderato | — | ||
| 39-8 | Quartet for Strings in C-sharp minor, Op. 131: IV. Andante ma non troppo e molto cantabile | — | ||
| 39-9 | Quartet for Strings in C-sharp minor, Op. 131: V. Presto | — | ||
| 39-10 | Quartet for Strings in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante | — | ||
| 39-11 | Quartet for Strings in C-sharp minor, Op. 131: VII. Allegro | — | ||
| 40-1 | Quartet for Strings in E-flat major, Op. 127: I. Maestoso – Allegro | — | ||
| 40-2 | Quartet for Strings in E-flat major, Op. 127: II. Adagio,ma no troppo e molto cantabile | — | ||
| 40-3 | Quartet for Strings in E-flat major, Op. 127: III. Scherzando vivace | — | ||
| 40-4 | Quartet for Strings in E-flat major, Op. 127: IV. Finale | — | ||
| 40-5 | Quartet for Strings in F major, Op. 135: I. Allegretto | — | ||
| 40-6 | Quartet for Strings in F major, Op. 135: II. Vivace | — | ||
| 40-7 | Quartet for Strings in F major, Op. 135: III. Lento assai, cantante e tranquillo | — | ||
| 40-8 | Quartet for Strings in F major, Op. 135: IV. Der schwer gefasste Entschluss, grave – Allegro | — | ||
| 41-1 | Quartet for Strings in A minor, Op. 132: I. Assai sostenuto – Allegro | — | ||
| 41-2 | Quartet for Strings in A minor, Op. 132: II. Allegro ma non tanto | — | ||
| 41-3 | Quartet for Strings in A minor, Op. 132: III. Heiliger Dankgesang eines Genesenen an die Gottheit,in der lydischen Tonart | — | ||
| 41-4 | Quartet for Strings in A minor, Op. 132: IV. Alla marcia, assai vivace | — | ||
| 41-5 | Quartet for Strings in A minor, Op. 132: V. Allegro appassionato | — | ||
| 41-6 | Quartet for Strings in C major, Op. 59 No. 3: I. Introduzione. Andante con moto – Allegro vivace | — | ||
| 41-7 | Quartet for Strings in C major, Op. 59 No. 3: II. Andante con moto quasi allegretto | — | ||
| 41-8 | Quartet for Strings in C major, Op. 59 No. 3: III. Menuetto. Grazioso | — | ||
| 41-9 | Quartet for Strings in C major, Op. 59 No. 3: IV. Allegro molto | — | ||
| 42-1 | Quartet for Strings in B-flat major, Op. 130: I. Adagio ma non troppo – Allegro | — | ||
| 42-2 | Quartet for Strings in B-flat major, Op. 130: II. Presto | — | ||
| 42-3 | Quartet for Strings in B-flat major, Op. 130: III. Andante con moto ma non troppo, poco scherzando | — | ||
| 42-4 | Quartet for Strings in B-flat major, Op. 130: IV. Alla tedesca. Allegro assai | — | ||
| 42-5 | Quartet for Strings in B-flat major, Op. 130: V. Cavatina. Adagio molto espressivo | — | ||
| 42-6 | Quartet for Strings in B-flat major, Op. 130: VI. Finale. Allegro | — | ||
| 42-7 | Große Fuge for Strings in B-flat major, Op. 133: Overtura – Meno mosso e moderato – Allegro | — | ||
| 43-1 | Quintet for Strings in C major, Op. 29: I. Allegro moderato | — | ||
| 43-2 | Quintet for Strings in C major, Op. 29: II. Adagio molto espressivo | — | ||
| 43-3 | Quintet for Strings in C major, Op. 29: III. Scherzo. Allegro | — | ||
| 43-4 | Quintet for Strings in C major, Op. 29: IV. Presto | — | ||
| 43-5 | Quintet for Strings in C minor, Op. 104: I. Allegro con brio | — | ||
| 43-6 | Quintet for Strings in C minor, Op. 104: II. Andante cantabile con variazioni | — | ||
| 43-7 | Quintet for Strings in C minor, Op. 104: III. Menuetto. Quasi allegro | — | ||
| 43-8 | Quintet for Strings in C minor, Op. 104: IV. Finale. Presto | — | ||
| 43-9 | Quartet for Strings in F major, H. 34: I. Allegro moderato | — | ||
| 43-10 | Quartet for Strings in F major, H. 34: II. Allegretto | — | ||
| 43-11 | Quartet for Strings in F major, H. 34: III. Allegro | — | ||
| 44-1 | Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: I. Allegro con brio | — | ||
| 44-2 | Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: II. Andante | — | ||
| 44-3 | Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: III. Menuetto | — | ||
| 44-4 | Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: IV. Finale. Presto | — | ||
| 44-5 | Fugue for 2 Violins, 2 Violas, Cello and Double Bass in D major, Op. 137 | — | ||
| 44-6 | Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: I. Allegro | — | ||
| 44-7 | Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: II. Minuetto. Allegretto | — | ||
| 44-8 | 6 Ländlerische Tänze for 2 Violins, Cello and Double Bass, WoO 15 | — | ||
| 44-9 | Prelude and Fugue for 2 Violins and Cello in E minor, H. 29 | — | ||
| 44-10 | Prelude and Fugue for 2 Violins, Viola and Cello in F major, H. 30 | — | ||
| 44-11 | Prelude and Fugue for for 2 Violins, Viola and Cello in C major, H. 31 | — | ||
| 44-12 | Minuet for for 2 Violins, Viola and Cello, H. 33 | — | ||
| 44-13 | Prelude for 2 Violins, Viola and Cello, H. 40 | — | ||
| 45-1 | Piano Sonata no. 29 in B-flat, op. 106 ‘Hammerklavier’: I. Allegro | — | ||
| 45-2 | Piano Sonata no. 29 in B-flat, op. 106 ‘Hammerklavier’: II. Scherzo: Assai vivace | — | ||
| 45-3 | Piano Sonata no. 29 in B-flat, op. 106 ‘Hammerklavier’: III. Adagio sostenuto | — | ||
| 45-4 | Piano Sonata no. 29 in B-flat, op. 106 ‘Hammerklavier’: IV. Largo-allegro risoluto | — | ||
| 45-5 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio e appassionato | — | ||
| 45-6 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto, semplice e cantabile | — | ||
| 46-1 | Piano Sonata no. 28 in A, op. 101: I. Allegretto ma non troppo | — | ||
| 46-2 | Piano Sonata no. 28 in A, op. 101: II. Vivace alla marcia | — | ||
| 46-3 | Piano Sonata no. 28 in A, op. 101: III. Adagio ma non troppo con affetto - Presto | — | ||
| 46-4 | Piano Sonata no. 30 in E, op. 109: I. Vivace ma non troppo - adagio espressivo | — | ||
| 46-5 | Piano Sonata no. 30 in E, op. 109: II. Prestissimo | — | ||
| 46-6 | Piano Sonata no. 30 in E, op. 109: III. Tema con variazioni | — | ||
| 46-7 | Piano Sonata no. 31 in A-flat, op. 110: I. Moderato cantabile, molto espressivo | — | ||
| 46-8 | Piano Sonata no. 31 in A-flat, op. 110: II. Allegro molto / III. Adagio ma non troppo | — | ||
| 46-9 | Piano Sonata no. 31 in A-flat, op. 110: Fuga. Allegro ma non troppo | — | ||
| 46-10 | Piano Sonata no. 27 in E minor, op. 90: I. Mit lebhaftigkeit und durchaus mit empfindung und ausdruck | — | ||
| 46-11 | Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | — | ||
| 47-1 | Piano Sonata no. 23 in F minor, op. 57 ‘Appassionata’: I. Allegro assai | — | ||
| 47-2 | Piano Sonata no. 23 in F minor, op. 57 ‘Appassionata’: II. Andante con moto | — | ||
| 47-3 | Piano Sonata no. 23 in F minor, op. 57 ‘Appassionata’: III. Allegro ma non troppo | — | ||
| 47-4 | Piano Sonata no. 22 in F, op. 54: I. In tempo d’un menuetto | — | ||
| 47-5 | Piano Sonata no. 22 in F, op. 54: II. Allegretto | — | ||
| 47-6 | Piano Sonata no. 26 in E-flat, op. 81a ‘Les Adieux’: I. Les adieux: Adagio – allegro | — | ||
| 47-7 | Piano Sonata no. 26 in E-flat, op. 81a ‘Les Adieux’: II. L’absence: Andante espressivo | — | ||
| 47-8 | Piano Sonata no. 26 in E-flat, op. 81a ‘Les Adieux’: III. Le retour: Vivacissimamente | — | ||
| 47-9 | Piano Sonata no. 16 in G, op. 31 no. 1: I. Allegro vivace | — | ||
| 47-10 | Piano Sonata no. 16 in G, op. 31 no. 1: II. Adagio grazioso | — | ||
| 47-11 | Piano Sonata no. 16 in G, op. 31 no. 1: III. Rondo: Allegretto | — | ||
| 48-1 | Piano Sonata no. 17 in D minor, op. 31 no. 2 ‘Tempest’: I. Largo – allegro – adagio | — | ||
| 48-2 | Piano Sonata no. 17 in D minor, op. 31 no. 2 ‘Tempest’: II. Adagio | — | ||
| 48-3 | Piano Sonata no. 17 in D minor, op. 31 no. 2 ‘Tempest’: III. Allegretto | — | ||
| 48-4 | Piano Sonata no. 18 in E-flat, op. 31 no. 3: I. Allegro | — | ||
| 48-5 | Piano Sonata no. 18 in E-flat, op. 31 no. 3: II. Scherzo: Allegretto vivace | — | ||
| 48-6 | Piano Sonata no. 18 in E-flat, op. 31 no. 3: III. Menuetto: Moderato e grazioso | — | ||
| 48-7 | Piano Sonata no. 18 in E-flat, op. 31 no. 3: IV. Presto con fuoco | — | ||
| 48-8 | Piano Sonata no. 21 in C, op. 53 ‘Waldstein’: I. Allegro con brio | — | ||
| 48-9 | Piano Sonata no. 21 in C, op. 53 ‘Waldstein’: II. Introduzione: Adagio molto | — | ||
| 48-10 | Piano Sonata no. 21 in C, op. 53 ‘Waldstein’: III. Rondo: Allegretto moderato – prestissimo | — | ||
| 48-11 | Piano sonata no. 19 in G minor, op. 49 no. 1: I. Andante | — | ||
| 48-12 | Piano sonata no. 19 in G minor, op. 49 no. 1: II. Rondo: Allegro | — | ||
| 49-1 | Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | — | ||
| 49-2 | Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | — | ||
| 49-3 | Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto: Allegretto – trio | — | ||
| 49-4 | Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | — | ||
| 49-5 | Piano Sonata no. 25 in G, op. 79: I. Presto alla tedesca | — | ||
| 49-6 | Piano Sonata no. 25 in G, op. 79: II. Andante | — | ||
| 49-7 | Piano Sonata no. 25 in G, op. 79: III. Vivace | — | ||
| 49-8 | Piano Sonata no. 5 in C minor op. 10 no. 1: I. Allegro molto e con brio | — | ||
| 49-9 | Piano Sonata no. 5 in C minor op. 10 no. 1: II. Adagio molto | — | ||
| 49-10 | Piano Sonata no. 5 in C minor op. 10 no. 1: III. Finale: Prestissimo | — | ||
| 49-11 | Piano Sonata no. 6 in F, op. 10 no. 2: I. Allegro | — | ||
| 49-12 | Piano Sonata no. 6 in F, op. 10 no. 2: II. Allegretto | — | ||
| 49-13 | Piano Sonata no. 6 in F, op. 10 no. 2: III. Presto | — | ||
| 49-14 | Piano Sonata no. 9 in E, op. 14 no. 1: I. Allegro | — | ||
| 49-15 | Piano Sonata no. 9 in E, op. 14 no. 1: II. Allegretto | — | ||
| 49-16 | Piano Sonata no. 9 in E, op. 14 no. 1: III. Rondo: Allegro comodo | — | ||
| 50-1 | Piano Sonata no. 10 in G, op. 14 no. 2: I. Allegro | — | ||
| 50-2 | Piano Sonata no. 10 in G, op. 14 no. 2: II. Andante | — | ||
| 50-3 | Piano Sonata no. 10 in G, op. 14 no. 2: III. Scherzo: Allegro assai | — | ||
| 50-4 | Piano Sonata no. 13 in E-flat, op. 27 no. 1: I. Andante - Allegro - Andante | — | ||
| 50-5 | Piano Sonata no. 13 in E-flat, op. 27 no. 1: II. Allegro molto e vivace | — | ||
| 50-6 | Piano Sonata no. 13 in E-flat, op. 27 no. 1: III. Adagio con espressione | — | ||
| 50-7 | Piano Sonata no. 13 in E-flat, op. 27 no. 1: IV. Finale: Allegro vivace | — | ||
| 50-8 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 ‘Moonlight’: I. Adagio sostenuto | — | ||
| 50-9 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 ‘Moonlight’: II. Allegretto | — | ||
| 50-10 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 ‘Moonlight’: III. Presto agitato | — | ||
| 50-11 | Piano Sonata no. 15 in D, op. 28 ‘Pastoral’: I. Allegro | — | ||
| 50-12 | Piano Sonata no. 15 in D, op. 28 ‘Pastoral’: II. Andante | — | ||
| 50-13 | Piano Sonata no. 15 in D, op. 28 ‘Pastoral’: III. Scherzo: Allegro vivace - Trio / IV. Rondo: Allegro ma non troppo | — | ||
| 51-1 | Piano Sonata no. 7 in D, op.10 no. 3: I. Presto | — | ||
| 51-2 | Piano Sonata no. 7 in D, op.10 no. 3: II. Largo e mesto | — | ||
| 51-3 | Piano Sonata no. 7 in D, op.10 no. 3: III. Menuetto: Allegro | — | ||
| 51-4 | Piano Sonata no. 7 in D, op.10 no. 3: IV. Rondo: Allegro | — | ||
| 51-5 | Piano Sonata no. 2 in A op. 2 no. 2: I. Allegro vivace | — | ||
| 51-6 | Piano Sonata no. 2 in A op. 2 no. 2: II. Largo appassionato | — | ||
| 51-7 | Piano Sonata no. 2 in A op. 2 no. 2: III. Scherzo: Allegretto - Trio | — | ||
| 51-8 | Piano Sonata no. 2 in A op. 2 no. 2: IV. Rondo: Grazioso | — | ||
| 51-9 | Piano Sonata no. 3 in C op. 2 no. 3: I. Allegro con brio | — | ||
| 51-10 | Piano Sonata no. 3 in C op. 2 no. 3: II. Adagio | — | ||
| 51-11 | Piano Sonata no. 3 in C op. 2 no. 3: III. Scherzo: Allegro - Trio | — | ||
| 51-12 | Piano Sonata no. 3 in C op. 2 no. 3: IV. Allegro assai | — | ||
| 52-1 | Piano Sonata no. 8 in C minor, op. 13 ‘Pathétique’: I. Grave - Allegro di molto e con brio | — | ||
| 52-2 | Piano Sonata no. 8 in C minor, op. 13 ‘Pathétique’: II. Adagio cantabile | — | ||
| 52-3 | Piano Sonata no. 8 in C minor, op. 13 ‘Pathétique’: III. Rondo: Allegro | — | ||
| 52-4 | Piano Sonata no. 11 in B-flat, op. 22: I. Allegro con brio | — | ||
| 52-5 | Piano Sonata no. 11 in B-flat, op. 22: II. Adagio con molto espressione | — | ||
| 52-6 | Piano Sonata no. 11 in B-flat, op. 22: III. Menuetto | — | ||
| 52-7 | Piano Sonata no. 11 in B-flat, op. 22: IV. Rondo: Allegretto | — | ||
| 52-8 | Piano Sonata no. 12 in A-flat, op. 26 ‘Funeral March’: I. Andante con variazioni | — | ||
| 52-9 | Piano Sonata no. 12 in A-flat, op. 26 ‘Funeral March’: II. Scherzo: Allegro molto-trio | — | ||
| 52-10 | Piano Sonata no. 12 in A-flat, op. 26 ‘Funeral March’: III. Maestoso andante ‘Marcia funebre sulla morte d’une eroe’ | — | ||
| 52-11 | Piano Sonata no. 12 in A-flat, op. 26 ‘Funeral March’: IV. Allegro | — | ||
| 52-12 | Piano Sonata no. 24 in F-sharp, op. 78: I. Adagio cantabile - Allegro ma non troppo | — | ||
| 52-13 | Piano Sonata no. 24 in F-sharp, op. 78: II. Allegro vivace | — | ||
| 53-1 | Piano Sonata no. 4 in E-flat, op. 7: I. Allegro molto e con brio | — | ||
| 53-2 | Piano Sonata no. 4 in E-flat, op. 7: II. Largo con gran espressione | — | ||
| 53-3 | Piano Sonata no. 4 in E-flat, op. 7: III. Allegro | — | ||
| 53-4 | Piano Sonata no. 4 in E-flat, op. 7: V. Rondo: Poco allegretto e grazioso | — | ||
| 53-5 | Piano Sonata no. 20 in G, op. 49 no. 2: I. Allegro ma non troppo | — | ||
| 53-6 | Piano Sonata no. 20 in G, op. 49 no. 2: II. Tempo di menuetto | — | ||
| 54-1 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations" | — | ||
| 54-2 | Sonata for Piano No. 20 in G major, Op. 49 No. 2: I. Allegro ma non troppo | — | ||
| 54-3 | Sonata for Piano No. 20 in G major, Op. 49 No. 2: II. Tempo di menuetto | — | ||
| 54-4 | 5 Variations for Piano in D major on "Rule Britannia" from Thomas Arne's masque "Alfred", WoO 79 | — | ||
| 54-5 | 7 Variations for Piano in C major on "God Save the King", WoO 78 | — | ||
| 54-6 | 12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen", WoO 71 | — | ||
| 54-7 | 6 Variations for Piano in F major on an Original Theme, Op. 34 | — | ||
| 54-8 | 6 Variations for Piano in D major on an Original Theme from "The Ruins of Athens", Op. 76 | — | ||
| 55-1 | 32 Variations for Piano in C minor on an Original Theme, WoO 80 | — | ||
| 55-2 | 7 Variations for Piano in F major on the Quartet "Kind, willst du ruhig schlafen?" from Peter Winter's opera "Das unterbrochene Opferfest", WoO 75 | — | ||
| 55-3 | 24 Variations for Piano on Vincenzo Righini's Arietta "Venni amore" in D major, WoO 65 | — | ||
| 55-4 | 6 Variations for Piano in G major on the Duet "Nel cor più non mi sento" from Giovanni Paisiello's opera "La molinara", WoO 70 | — | ||
| 55-5 | 8 Variations for Piano in F major on the Trio "Tändeln und Scherzen" from Franz X. Süssmayr's opera "Soliman II", WoO 76 | — | ||
| 55-6 | 13 Variations for Piano in A major on the Arietta "Es war einmal ein alter Mann" from Dittersdorf's Singspiel "Das rote Käppchen", WoO 66 | — | ||
| 55-7 | 10 Variations for Piano in B-flat major on the Duet "La stessa, la stessissima" from Antonio Salieri's opera "Falstaff", WoO 73 | — | ||
| 56-1 | 6 Variations for Piano on a Swiss Song in F major, WoO 64 | — | ||
| 56-2 | 9 Variations for Piano in A major on “Quant’è più bello” from Paisello’s “La molinara”, WoO 69 | — | ||
| 56-3 | 6 Variations for Piano in G major on an Original Theme, WoO 77 | — | ||
| 56-4 | 8 Variations for Piano in C major on “Une fièvre brulante” from Grétry’s “Richard Cœur-de-Lion”, WoO 72 | — | ||
| 56-5 | Rondo for Piano in G major, Op. 51 No. 2 | — | ||
| 56-6 | Allegretto for Piano in C minor, WoO 53 | — | ||
| 56-7 | 6 Écossaises, WoO 83 | — | ||
| 56-8 | Bagatelle for Piano in A minor, WoO 59 "Für Elise" | — | ||
| 56-9 | Polonaise for Piano in C major, Op. 89 | — | ||
| 56-10 | Sonata for Piano in E-flat major, WoO 47 No. 1 “Kurfürsten”: I. Allegro cantabile | — | ||
| 56-11 | Sonata for Piano in E-flat major, WoO 47 No. 1 “Kurfürsten”: II. Andante | — | ||
| 56-12 | Sonata for Piano in E-flat major, WoO 47 No. 1 “Kurfürsten”: III. Rondo. Vivace | — | ||
| 56-13 | Sonata for Piano in F minor, WoO 47 No. 2 “Kurfürsten”: I. Larghetto maestoso | — | ||
| 56-14 | Sonata for Piano in F minor, WoO 47 No. 2 “Kurfürsten”: II. Andante | — | ||
| 56-15 | Sonata for Piano in F minor, WoO 47 No. 2 “Kurfürsten”: III. Presto | — | ||
| 57-1 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Tema. Vivace | — | ||
| 57-2 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. I. Alla marcia maestoso | — | ||
| 57-3 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. II. Poco allegro | — | ||
| 57-4 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. III. L'istesso tempo | — | ||
| 57-5 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. IV. Un poco più vivace | — | ||
| 57-6 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. V. Allegro vivace | — | ||
| 57-7 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VI. Allegro ma non troppo e serioso | — | ||
| 57-8 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VII. Un poco più allegro | — | ||
| 57-9 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VIII. Poco vivace | — | ||
| 57-10 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. IX. Allegro pesante e risoluto | — | ||
| 57-11 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. X. Presto | — | ||
| 57-12 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XI. Allegretto | — | ||
| 57-13 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XII. Un poco più moto | — | ||
| 57-14 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIII. Vivace | — | ||
| 57-15 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIV. Grave e maestoso | — | ||
| 57-16 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XV. Presto scherzando | — | ||
| 57-17 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVI. Allegro | — | ||
| 57-18 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVII. Allegro | — | ||
| 57-19 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVIII. Poco moderato | — | ||
| 57-20 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIX. Presto | — | ||
| 57-21 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XX. Andante | — | ||
| 57-22 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXI. Allegro con brio | — | ||
| 57-23 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXII. Allegro molto | — | ||
| 57-24 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIII. Allegro assai | — | ||
| 57-25 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIV. Fughetta. Andante | — | ||
| 57-26 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXV. Allegro | — | ||
| 57-27 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVI. Allegro | — | ||
| 57-28 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVII. Vivace | — | ||
| 57-29 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVIII. Allegro | — | ||
| 57-30 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIX. Adagio ma non troppo | — | ||
| 57-31 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXX. Andante, sempre cantabile | — | ||
| 57-32 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXI. Largo, molto espressivo | — | ||
| 57-33 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXII. Fuga. Allegro - Poco adagio | — | ||
| 57-34 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXIII. Tempo di Menuetto moderato | — | ||
| 57-35 | Bagatelle for Piano, Op. 119 No. 1 in B-flat major: Allegretto | — | ||
| 57-36 | Bagatelle for Piano, Op. 119 No. 2 in C major: Andante con moto | — | ||
| 57-37 | Bagatelle for Piano, Op. 119 No. 3 in D major: À l'Allemande | — | ||
| 57-38 | Bagatelle for Piano, Op. 119 No. 4 in A major: Andante cantabile | — | ||
| 57-39 | Bagatelle for Piano, Op. 119 No. 5 in C minor: Risoluto | — | ||
| 57-40 | Bagatelle for Piano, Op. 119 No. 6 in G major: Andante - Allegretto | — | ||
| 57-41 | Bagatelle for Piano, Op. 119 No. 7 in C major: Allegro ma non troppo | — | ||
| 57-42 | Bagatelle for Piano, Op. 119 No. 8 in C major: Moderato | — | ||
| 57-43 | Bagatelle for Piano, Op. 119 No. 9 in A minor: Vivace moderato | — | ||
| 57-44 | Bagatelle for Piano, Op. 119 No. 10 in A major: Allegramente | — | ||
| 57-45 | Bagatelle for Piano, Op. 119 No. 11 in B-flat major: Andante, ma non troppo | — | ||
| 58-1 | Bagatelle for Piano, Op. 126 No. 1 in G major: Andante con moto cantabile e compiacevole | — | ||
| 58-2 | Bagatelle for Piano, Op. 126 No. 2 in G minor: Allegro | — | ||
| 58-3 | Bagatelle for Piano, Op. 126 No. 3 in E-flat major: Andante cantabile e grazioso | — | ||
| 58-4 | Bagatelle for Piano, Op. 126 No. 4 in B minor: Presto | — | ||
| 58-5 | Bagatelle for Piano, Op. 126 No. 5 in G major: Quasi allegretto | — | ||
| 58-6 | Bagatelle for Piano, Op. 126 No. 6 in E-flat major: Presto - Andante amabile e con moto - Tempo | — | ||
| 58-7 | Rondo a Capriccio for Piano in G major, Op. 129 "The Rage Over the Lost Penny": Allegro vivace | — | ||
| 58-8 | Rondo for Piano in C major, Op. 51 No. 1: Moderato e grazioso | — | ||
| 58-9 | Bagatelle for Piano, Op. 33 No. 1 in E-flat major: Andante grazioso quasi allegretto | — | ||
| 58-10 | Bagatelle for Piano, Op. 33 No. 2 in C major: Scherzo. Allegro | — | ||
| 58-11 | Bagatelle for Piano, Op. 33 No. 3 in F major: Allegretto | — | ||
| 58-12 | Bagatelle for Piano, Op. 33 No. 4 in A major: Andante | — | ||
| 58-13 | Bagatelle for Piano, Op. 33 No. 5 in C major: Allegro ma non troppo | — | ||
| 58-14 | Bagatelle for Piano, Op. 33 No. 6 in D major: Allegretto quasi andante | — | ||
| 58-15 | Bagatelle for Piano, Op. 33 No. 7 in A-flat major: Presto | — | ||
| 58-16 | Andante for Piano in F major, WoO 57 "Andante favori". Andante grazioso con moto | — | ||
| 58-17 | Ziemlich lebhaft for Piano in B-flat major, WoO 60 | — | ||
| 59-1 | Bagatelle for Piano in C minor, WoO 52 | — | ||
| 59-2 | Allegretto for Piano in C minor, Hess 69 | — | ||
| 59-3 | Bagatelle for Piano in C major, WoO 54 “Lustig-Traurig” | — | ||
| 59-4 | Rondo for Piano in C major, WoO 48 | — | ||
| 59-5 | Rondo in A major, WoO 49 | — | ||
| 59-6 | Sonata in F major, WoO 50: I | — | ||
| 59-7 | Sonata for Piano in F major, WoO 50: II | — | ||
| 59-8 | Allemande for Piano in A major, WoO 81 | — | ||
| 59-9 | Anglaise in D major, H. 61 | — | ||
| 59-10 | Prelude for Piano in F minor, WoO 55 | — | ||
| 59-11 | Fantasia for Piano in G minor, Op. 77 | — | ||
| 59-12 | Allegretto for Piano in B minor, WoO 61 | — | ||
| 59-13 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Thema. Maestoso | — | ||
| 59-14 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 1 | — | ||
| 59-15 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 2 | — | ||
| 59-16 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 3 | — | ||
| 59-17 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 4 | — | ||
| 59-18 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 5 | — | ||
| 59-19 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 6 | — | ||
| 59-20 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 7 | — | ||
| 59-21 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 8 | — | ||
| 59-22 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 9 | — | ||
| 59-23 | Prelude for Piano, Op. 39 No. 1 | — | ||
| 59-24 | Prelude for Piano, Op. 39 No. 2 | — | ||
| 59-25 | Fugue for Piano in C major, Hess 64 | — | ||
| 59-26 | Minuet for Piano in E-flat major, WoO 82 | — | ||
| 59-27 | Bagatelle for Piano in C major, WoO 56 | — | ||
| 59-28 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Thema. Allegretto | — | ||
| 59-29 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 1 | — | ||
| 59-30 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 2 | — | ||
| 59-31 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 3 | — | ||
| 59-32 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 4 | — | ||
| 59-33 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 5 | — | ||
| 59-34 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 6 | — | ||
| 59-35 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 7 | — | ||
| 59-36 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 8 | — | ||
| 59-37 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 9 | — | ||
| 59-38 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 10 | — | ||
| 59-39 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 11 | — | ||
| 59-40 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 12 | — | ||
| 59-41 | Waltz for Piano in E-flat major, WoO 84 | — | ||
| 59-42 | Allegretto quasi andante for Piano, WoO 61a | — | ||
| 59-43 | Waltz for Piano in D major, WoO 85 | — | ||
| 59-44 | Écossaise for Piano in E-flat major, WoO 86 | — | ||
| 60-1 | Sonata for 2 Pianos in D major, Op. 6: I. Allegro molto | — | ||
| 60-2 | Sonata for 2 Pianos in D major, Op. 6: II. Rondo | — | ||
| 60-3 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Thema | — | ||
| 60-4 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 1 | — | ||
| 60-5 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 2 | — | ||
| 60-6 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 3 | — | ||
| 60-7 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 4 | — | ||
| 60-8 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 5 | — | ||
| 60-9 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 6 | — | ||
| 60-10 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 7 | — | ||
| 60-11 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 8 | — | ||
| 60-12 | 3 Marches for 2 Pianos, Op. 45 No. 1 in C major: Allegro ma non troppo | — | ||
| 60-13 | 3 Marches for 2 Pianos, Op. 45 No. 2 in E-flat major: Vivace | — | ||
| 60-14 | 3 Marches for 2 Pianos, Op. 45 No. 3 in D major: Vivace | — | ||
| 60-15 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Thema | — | ||
| 60-16 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 1 | — | ||
| 60-17 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 2 | — | ||
| 60-18 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 3 | — | ||
| 60-19 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 4 | — | ||
| 60-20 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 5 | — | ||
| 60-21 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 6 | — | ||
| 60-22 | Große Fugue for 2 Pianos, Op. 134: I. Overture. Allegro | — | ||
| 60-23 | Große Fugue for 2 Pianos, Op. 134: II. Fuga. Allegro | — | ||
| 60-24 | Große Fugue for 2 Pianos, Op. 134: III. Meno mosso e moderato | — | ||
| 60-25 | Große Fugue for 2 Pianos, Op. 134: IV. Allegro | — | ||
| 60-26 | Große Fugue for 2 Pianos, Op. 134: V. Allegro molto e con brio | — | ||
| 60-27 | Große Fugue for 2 Pianos, Op. 134: VI. Allegro molto e con brio | — | ||
| 60-28 | Sonata for Piano in D major, WoO 47 No. 3 “Kurfürsten”: I. Allegro | — | ||
| 60-29 | Sonata for Piano in D major, WoO 47 No. 3 “Kurfürsten”: II. Menuetto | — | ||
| 60-30 | Sonata for Piano in D major, WoO 47 No. 3 “Kurfürsten”: III. Scherzando | — | ||
| 61-1 | Leonore, Hess 109: Overture "Leonore II" | Staatskapelle Dresden, Herbert Blomstedt | T-909.574.378-5 | |
| 61-2 | Leonore: Act I. "Fidelio kommt nicht zurück!" (Marzelline) | Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-3 | Leonore: Act I. No. 1 Aria "O wär'ich schon mit dir vereint" (Marzelline) | Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-4 | Leonore: Act I. "Wenn ich diese Tür nicht" (Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-5 | Leonore: Act I. No. 2 Duet "Jetzt, Schätzchen" (Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-6 | Leonore: Act I. "Höre, Jaquino" (Marzelline, Jaquino, Rocco) | Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-7 | Leonore: Act I. No. 3 Trio "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-8 | Leonore: Act I. "Ist Fidelio noch nich nach Hause gekommen?" (Rocco, Marzelline, Jaquino, Leonore) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-9 | Leonore: Act I. No. 4 Canon "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-10 | Leonore: Act I. "Höre, Fidelio" (Rocco, Marzelline, Leonore) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-11 | Leonore: Act I. No. 5 Aria "Hat man nich auch Gold beineben" (Rocco) | Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-12 | Leonore: Act I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline) | Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-13 | Leonore: Act I. No. 6 Trio "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline) | Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-14 | Leonore: Act II. No. 7 March | Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-15 | Leonore: Act II. "Drei Schildwachten auf den Wall" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-16 | Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco) | Theo Adam, MDR Rundfunkchor Leipzig, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-17 | Leonore: Act II. "Rocco!" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-18 | Leonore: Act II. No. 9 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-19 | Leonore: Act II. "Nun ist es endlich entschieden" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-20 | Leonore: Act II. No. 10 Duet "Im in der Ehe froh zu leben" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-21 | Leonore: Act II. "Sie doch, wie du so schnell" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-22 | Leonore: Act II. No. 11 Recitative and Aria "Ach, brich noch nicht" (Leonore) | Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-1 | Leonore: Act II. No. 12 Finale "O welche Lust!" (Chorus of the Prisoners) | Richard Cassilly, Reiner Goldberg, Siegfried Lorenz, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-2 | Leonore: Act II. "Entfernt euch jetzt!" (Rocco, Leonore) | Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-3 | Leonore: Act II. "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore, Marzelline, Pizarro) | Theo Adam, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-4 | Leonore: Act II. "Auf euch nur will ich bauen" (Pizarro, Chorus) | Theo Adam, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-5 | Leonore: Act III. No. 13 Recitative and Aria "Gott! Welch dunkel hier!" (Florestan) | Richard Cassilly, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-6 | Leonore: Act III. No. 14 Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco) | Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-7 | Leonore: Act III. "Er erwacht!" (Leonore, Rocco, Florestan) | Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-8 | Leonore: Act III. No. 15 Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) | Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-9 | Leonore: Act III. "Alles ist bereit" (Rocco, Leonore, Pizarro) | Theo Adam, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-10 | Leonore: Act III. No. 16 Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) | Theo Adam, Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-11 | Leonore: Act III. "Die Waffe hab'ich mir" (Leonore) | Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-12 | Leonore: Act III. No. 17 Recitative and Duet "Ich kann mich noch nicht fassen" (Florestan, Leonore) | Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-13 | Leonore: Act III. "O Leonore, sprich!" (Florestan, Leonore) | Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-14 | Leonore: Act III. No. 18 Finale "Zur Rache" (Chorus, Leonore, Florestan, Rocco, Don Fernando) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-15 | Leonore: Act III. "O Gott! O welch ein Augenblick!" (Leonore, Marzelline, Florestan, Don Fernando, Rocco, Chorus) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-16 | Leonore: Act III. "Wie lange habt Ihr sie getragen?" (Don Fernando, Florestan, Rocco, Chorus, Leonore, Marzelline, Jaquino) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-17 | Leonore: Act III. "Preist mit hoher Freude Glut" (Chorus) | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-18 | Leonore: Act III. "Wer ein solches Weib errungen" (Florestan, Marzelline, Jaquino, Rocco, Don Fernando, Chorus) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-1 | Fidelio: Overture | — | ||
| 63-2 | Fidelio: Act I. No. 1 Duet "Jetzt, Schätzchen, sind wir allein" (Jaquino, Marzelline) | — | ||
| 63-3 | Fidelio: Act I. No. 2 Aria "O war ich schon mit dir vereint" (Marzelline) | — | ||
| 63-4 | Fidelio: Act I. No. 3 Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | — | ||
| 63-5 | Fidelio: Act I. No. 4 Aria "Hat man nicht auch Gold beineben" (Rocco) | — | ||
| 63-6 | Fidelio: Act I. No. 5 Trio "Gut, Söhnchen, gut" (Leonore, Rocco, Marzelline) | — | ||
| 63-7 | Fidelio: Act I. No. 6 March | — | ||
| 63-8 | Fidelio: Act I. No. 7 Aria with Chorus "Ha! Welch'ein Augenblick!" (Pizarro, Soldiers) | — | ||
| 63-9 | Fidelio: Act I. No. 8 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco) | — | ||
| 63-10 | Fidelio: Act I. No. 9 Recitative and Aria "Abscheulicher! Wo eilst du hin?" (Leonore, Marzelline) | — | ||
| 63-11 | Fidelio: Act I. Aria. "Komm Hoffnung, lass den letzten Stern" (Leonore, Marzelline, Rocco) | — | ||
| 63-12 | Fidelio: Act I. No. 10 Finale "O welche Lust" (Prisoners) | — | ||
| 63-13 | Fidelio: Act I. Recitative and Duet "Nun sprecht, wie ging's?" (Leonore, Rocco) | — | ||
| 63-14 | Fidelio: Act I. "Ach! Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) | — | ||
| 63-15 | Fidelio: Act I. "Leb'wohl, du warmes Sonnenlicht" (Prisoners, Marzelline, Leonore, Pizarro, Jaquino, Rocco) | — | ||
| 64-1 | Fidelio: Act II. No. 11 Recitative and Aria "Gott! Welch'dunkel hier!" (Florestan) | — | ||
| 64-2 | Fidelio: Act II. "In des Lebens Frühlingstagen" (Florestan) | — | ||
| 64-3 | Fidelio: Act II. No. 12 Melodrama and Duet "Wie kalt ist es in diesem unterirdischen Gewölbe" (Leonore, Rocco) | — | ||
| 64-4 | Fidelio: Act II. "Nur hurtig fort, nur frisch gegraben" (Leonore, Rocco, Florestan) | — | ||
| 64-5 | Fidelio: Act II. No. 13 Trio "Euch werde Lohn in bessern Welten" (Leonore, Florestan, Rocco, Pizarro) | — | ||
| 64-6 | Fidelio: Act II. No. 14 Quartet "Er sterbe!" (Leonore, Florestan, Pizarro, Rocco) | — | ||
| 64-7 | Fidelio: Act II. No. 15 Duet "O namenlose Freude!" (Leonore, Florestan) | — | ||
| 64-8 | Fidelio: Act II. No. 16 Finale "Heil sei dem Tag!" (People) | — | ||
| 64-9 | Fidelio: Act II. "Des besten Königs Wink und Wille" (Fernando, People, Prisoners, Rocco, Pizarro, Marzelline) | — | ||
| 64-10 | Fidelio: Act II. "Wer ein holdes Weib errungen" (Chorus, Leonore, Florestan) | — | ||
| 65-1 | Egmont, Op. 84: Ouvertüre | — | ||
| 65-2 | Egmont, Op. 84: No. 1 Lied "Die Trommel gerühret!" (Klärchen) | — | ||
| 65-3 | Egmont, Op. 84: No. 2 Zwischenakt I | — | ||
| 65-4 | Egmont, Op. 84: No. 3 Zwischenakt II | — | ||
| 65-5 | Egmont, Op. 84: No. 4 Lied "Freudvoll und Leidvoll" | — | ||
| 65-6 | Egmont, Op. 84: No. 5 Zwischenakt III | — | ||
| 65-7 | Egmont, Op. 84: No. 6 Zwischenakt IV | — | ||
| 65-8 | Egmont, Op. 84: Monolog "Alter Freund!" (Egmont) | — | ||
| 65-9 | Egmont, Op. 84: No. 7 Musik "Klärchen's Tod bezeichnend" | — | ||
| 65-10 | Egmont, Op. 84: Monolog "Es ist vorbei" (Egmont) | — | ||
| 65-11 | Egmont, Op. 84: No. 8 Melodram "Süsser Schlaf" (Egmont) | — | ||
| 65-12 | Egmont, Op. 84: Monolog "Verschwunden ist der Kranz" (Egmont) | — | ||
| 65-13 | Egmont, Op. 84: No. 9 "Siegessymphonie" | — | ||
| 66-1 | Die Geschöpfe des Prometheus, Op. 43: Ouverture. Adagio - Allegro molto con brio / Introduction. Allegro non troppo | — | ||
| 66-2 | Die Geschöpfe des Prometheus, Op. 43: Adagio - Allegro con brio - Allegro vivace | — | ||
| 66-3 | Die Geschöpfe des Prometheus, Op. 43: Maestoso andante - Adagio - Andante quasi allegretto | — | ||
| 66-4 | Die Geschöpfe des Prometheus, Op. 43: Allegro con brio - Presto | — | ||
| 66-5 | Die Geschöpfe des Prometheus, Op. 43: Adagio - Adagio - Allegro molto | — | ||
| 66-6 | Die Geschöpfe des Prometheus, Op. 43: Pastorale. Allegro | — | ||
| 66-7 | Die Geschöpfe des Prometheus, Op. 43: Maestoso - Allegro (Solo di Gioia) | — | ||
| 66-8 | Die Geschöpfe des Prometheus, Op. 43: Allegro | — | ||
| 66-9 | Die Geschöpfe des Prometheus, Op. 43: Andante - Adagio - Allegro - Allegretto (Solo della Cassentini) | — | ||
| 66-10 | Die Geschöpfe des Prometheus, Op. 43: Andantino - Adagio - Allegro (Solo di Vigano) | — | ||
| 66-11 | Die Geschöpfe des Prometheus, Op. 43: Finale. Allegretto - Allegro molto presto | — | ||
| 66-12 | Musik zu einem Ritterballett, WoO 1: I. Marsch | — | ||
| 66-13 | Musik zu einem Ritterballett, WoO 1: II. Deutscher Gesang. Allegro moderato | — | ||
| 66-14 | Musik zu einem Ritterballett, WoO 1: III. Jagdlied. Allegretto | — | ||
| 66-15 | Musik zu einem Ritterballett, WoO 1: IV. Romanze. Andantino | — | ||
| 66-16 | Musik zu einem Ritterballett, WoO 1: V. Kriegslied. Allegro assai con brio | — | ||
| 66-17 | Musik zu einem Ritterballett, WoO 1: VI. Trinklied. Allegro con brio | — | ||
| 66-18 | Musik zu einem Ritterballett, WoO 1: VII. Deutscher Tanz. Walzer | — | ||
| 66-19 | Musik zu einem Ritterballett, WoO 1: VIII. Coda. Allegro vivace - Andantino - Tempo I | — | ||
| 67-1 | Die Ruinen von Athen, Op. 113: I. Overtüre | — | ||
| 67-2 | Die Ruinen von Athen, Op. 113: II. Chor "Tochter des mächtigen Zeus" | — | ||
| 67-3 | Die Ruinen von Athen, Op. 113: III. Duett "Ohne Verschulden Knechtschaft dulden" | — | ||
| 67-4 | Die Ruinen von Athen, Op. 113: IV. Chor der Derwische "Du hast in deines Ärmels Falten" | — | ||
| 67-5 | Die Ruinen von Athen, Op. 113: V. Marcia alla turca | — | ||
| 67-6 | Die Ruinen von Athen, Op. 113: VI. March "Schmückt die Altare" | — | ||
| 67-7 | Die Ruinen von Athen, Op. 113: VII. Chor und Arie "Wir tragen empfängliche Herzen in Busen" | — | ||
| 67-8 | Die Ruinen von Athen, Op. 113: VIII. Chor "Heil unserm König! Heil!" | — | ||
| 67-9 | König Stephan, Op. 117: I. Overtüre | — | ||
| 67-10 | König Stephan, Op. 117: II. Männerchor "Ruhend von seinem Thaten" | — | ||
| 67-11 | König Stephan, Op. 117: III. Männerchor "Auf dunkelm in finstern Hainen Wandelten" | — | ||
| 67-12 | König Stephan, Op. 117: IV. Siegesmarsch | — | ||
| 67-13 | König Stephan, Op. 117: V. Frauenchor "Wo die Unschuld Blumen streute" | — | ||
| 67-14 | König Stephan, Op. 117: VI. Chor "Eine neue strahlende Sonne" | — | ||
| 67-15 | König Stephan, Op. 117: VII. Chor "Heil! Heil unserm Enkeln" | — | ||
| 67-16 | Aria with Chorus in B-flat major, WoO 94 "Germania" | — | ||
| 67-17 | Chor auf die verbündeten Fürsten. WoO 95 "Ihr weisen Gründer" | — | ||
| 68-1 | Aria, Op. 65 "Ah! Perfido" | — | ||
| 68-2 | Aria for Soprano and Orchestra, WoO 92 - "Primo Amore" | — | ||
| 68-3 | Aria for Soprano and Strings, WoO 92a "No, non turbati" | — | ||
| 68-4 | Duet for Soprano, Tenor and Orchestra, WoO 93 "Nei giorni tuoi felice" | — | ||
| 68-5 | Trio for Soprano, Bass and Orchestra, Op. 116 "Tremate, empi, tremate" | — | ||
| 68-6 | Aria for Bass and Orchestra, WoO 89 "Prüfung des Küssens" | — | ||
| 68-7 | Aria for Bass and Orchestra, WoO 90 "Mit Mädeln sich vertragen" | — | ||
| 68-8 | Aria from "Die schöne Schüsterin" for Tenor and Orchestra, WoO 91 No. 1 "O welch ein Leben!" | — | ||
| 68-9 | Aria from "Die schöne Schüsterin" for Soprano and Orchestra, WoO 91 No. 2 "Soll ein Schuh nicht drücken" | — | ||
| 69-1 | Cantata on the Death of Emperor Joseph II, WoO 87: I. Chorus "Tot! Tot, stöhnt es durch die öde Nacht" (solo quartet) | — | ||
| 69-2 | Cantata on the Death of Emperor Joseph II, WoO 87: II. Recitative "Ein Ungeheuer, sein Name Fanatismus" (bass) | — | ||
| 69-3 | Cantata on the Death of Emperor Joseph II, WoO 87: III. Aria "Da kam Joseph" (bass) | — | ||
| 69-4 | Cantata on the Death of Emperor Joseph II, WoO 87: IV. Aria & Chorus "Da stiegen die Menschen ans Licht" (soprano) | — | ||
| 69-5 | Cantata on the Death of Emperor Joseph II, WoO 87: V. Recitative "Er schläft" (soprano) | — | ||
| 69-6 | Cantata on the Death of Emperor Joseph II, WoO 87: VI. Aria "Hier schlummert seinen stillen Frieden" (soprano) | — | ||
| 69-7 | Cantata on the Death of Emperor Joseph II, WoO 87: VII. Chorus "Tot, stöhnt es durch die öde Nacht" (solo quartet) | — | ||
| 69-8 | Cantata on the Accession of Emperor Leopold II, WoO 88: I. Recitative & Chorus "Er schlummert, laßt sanft den großen Fürsten ruhen!" (soprano) | — | ||
| 69-9 | Cantata on the Accession of Emperor Leopold II, WoO 88: II. Aria "Fließe, Wonnezähren, fließe!" (soprano) | — | ||
| 69-10 | Cantata on the Accession of Emperor Leopold II, WoO 88: III. Recitative "Ihr staunt, Völker der Erde!" (bass) | — | ||
| 69-11 | Cantata on the Accession of Emperor Leopold II, WoO 88: IV. Recitative "Wie bebt mein Herz vor Wonne!" (tenor) | — | ||
| 69-12 | Cantata on the Accession of Emperor Leopold II, WoO 88: V. Chorus "Heil! Stürzet nieder, Millionen" (solo quartet) | — | ||
| 70-1 | Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa Stet!" | — | ||
| 70-2 | Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!" | — | ||
| 70-3 | Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna) | — | ||
| 70-4 | Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin) | — | ||
| 70-5 | Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin) | — | ||
| 70-6 | Cantata for 4 Solo Voices, Chous, and Orchestra, Op. 136 "The Moment of Glory": VI. Choir "Es treten vor die Scharen der Frauen" | — | ||
| 70-7 | Mehrstimmige italienische Gesänge, WoO 99: Bei labbri che amore (Soprano, Tenor) | — | ||
| 70-8 | Mehrstimmige italienische Gesänge, WoO 99: Sei mio ben (Soprano, Tenor) | — | ||
| 70-9 | Mehrstimmige italienische Gesänge, WoO 99: Scrivo in te (Soprano, Tenor) | — | ||
| 70-10 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Tenor, Bass) | — | ||
| 70-11 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Tenor, Bass) | — | ||
| 70-12 | Mehrstimmige italienische Gesänge, WoO 99: Salvo tu voi lo sposo? (Soprano, Tenor) | — | ||
| 70-13 | Mehrstimmige italienische Gesänge, WoO 99: Ma tu tremi (Soprano, Alto, Tenor) | — | ||
| 70-14 | Mehrstimmige italienische Gesänge, WoO 99: Giura il nocchier (Soprano, Alto, Bass) | — | ||
| 70-15 | Mehrstimmige italienische Gesänge, WoO 99: Per te d'amico aprile (Soprano, Alto, Bass) | — | ||
| 70-16 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Soprano, Alto, Tenor) | — | ||
| 70-17 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Soprano, Alto, Tenor) | — | ||
| 70-18 | Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei (Soprano, Tenor, Bass) | — | ||
| 70-19 | Mehrstimmige italienische Gesänge, WoO 99: Chi mai di questo (Soprano, Tenor, Bass) | — | ||
| 70-20 | Mehrstimmige italienische Gesänge, WoO 99: Gia la notte (Alto, Tenor, Bass) | — | ||
| 70-21 | Mehrstimmige italienische Gesänge, WoO 99: Nei Campi e nelle selve I (Soprano, Alto, Tenor, Bass) | — | ||
| 70-22 | Mehrstimmige italienische Gesänge, WoO 99: Nei Campi e nelle selve II (Soprano, Alto, Tenor, Bass) | — | ||
| 70-23 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Soprano, Alto, Tenor, Bass) | — | ||
| 70-24 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Soprano, Alto, Tenor, Bass) | — | ||
| 70-25 | Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei, in G major (Soprano, Alto, Tenor, Bass) | — | ||
| 70-26 | Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei, in F major (Soprano, Alto, Tenor, Bass) | — | ||
| 70-27 | Mehrstimmige italienische Gesänge, WoO 99: Guira il nocchier, in C major (Soprano, Alto, Tenor, Bass) | — | ||
| 70-28 | Mehrstimmige italienische Gesänge, WoO 99: Guira il nocchier, in B flat major (Soprano, Alto, Tenor, Bass) | — | ||
| 70-29 | Mehrstimmige italienische Gesänge, WoO 99: Gia la notte (Soprano, Alto, Tenor, Bass) | — | ||
| 70-30 | Mehrstimmige italienische Gesänge, WoO 99: E pur fra le tempeste (Tenor, Piano) | — | ||
| 71-1 | Cantata for Mixed Chorus and Orchestra, Op. 112 "Meeresstille und glückliche Fahrt" | — | ||
| 71-2 | Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy" | — | ||
| 71-3 | Elegiac Song for Choir and Orchestra, Op. 118 | — | ||
| 71-4 | Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122 | — | ||
| 71-5 | Rural Cantata for 4 Voices accopmanied by Piano, WoO 103 | — | ||
| 71-6 | Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106 | — | ||
| 71-7 | 3 Voice Canon in F major, WoO 166: "Kurz ist der Schmerz" | — | ||
| 71-8 | Hess 91 - Opferlied (piano arrangement from Op. 121b) | — | ||
| 71-9 | Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105 | — | ||
| 71-10 | "Abschiedsgesang an Wiens Bürger", WoO 121 | — | ||
| 71-11 | Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122 | — | ||
| 71-12 | "Opferlied", WoO 126 | — | ||
| 71-13 | "Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto | — | ||
| 71-14 | Sacrificial Song for Soprano accompanied by Choir and Orchestra, Op. 121b | — | ||
| 72-1 | Christus am Ölberg, op. 85: No. 1 Rezitativ und Arie (Jesus) | — | ||
| 72-2 | Christus am Ölberg, op. 85: No. 2 Rezitativ und Arie (Seraph) | — | ||
| 72-3 | Christus am Ölberg, op. 85: No. 3 Rezitativ und Duett (Serapj, Jesus) | — | ||
| 72-4 | Christus am Ölberg, op. 85: No. 4 Rezitativ (Jesus und Chor der Krieger) | — | ||
| 72-5 | Christus am Ölberg, op. 85: No. 5 Rezitativ (Jesus, Chor der Jünger, Chor der Krieger) | — | ||
| 72-6 | Christus am Ölberg, op. 85: No. 6 Rezitativ (Jesus, Petrus), Terzett (Seraph, Jesus, Petrus), Chor der Jünger, Chor der Krieger | — | ||
| 73-1 | Missa solemnis, Op. 123: Kyrie | — | ||
| 73-2 | Missa solemnis, Op. 123: Gloria in excelsis Deo | — | ||
| 73-3 | Missa solemnis, Op. 123: Qui tollis peccata mundi | — | ||
| 73-4 | Missa solemnis, Op. 123: Quoniam tu solus sanctus | — | ||
| 73-5 | Missa solemnis, Op. 123: Credo in unum Deum | — | ||
| 73-6 | Missa solemnis, Op. 123: Et incarnatus est | — | ||
| 73-7 | Missa solemnis, Op. 123: Et ascendit in cœlum | — | ||
| 73-8 | Missa solemnis, Op. 123: Sanctus Dominus Deus Sabaoth | — | ||
| 73-9 | Missa solemnis, Op. 123: Preludium-Benedictus | — | ||
| 74-1 | Missa solemnis, Op. 123: Agnus Dei | — | ||
| 74-2 | Missa solemnis, Op. 123: Dona nobis pacem | — | ||
| 74-3 | Missa solemnis, Op. 123: Agnus Dei | — | ||
| 74-4 | Mass in C major, Op. 86: Kyrie | — | ||
| 74-5 | Mass in C major, Op. 86: Gloria in excelsis Deo | — | ||
| 74-6 | Mass in C major, Op. 86: Qui tollis peccata mundi | — | ||
| 74-7 | Mass in C major, Op. 86: Quoniam tu solus sanctus | — | ||
| 74-8 | Mass in C major, Op. 86: Credo in unum Deum | — | ||
| 74-9 | Mass in C major, Op. 86: Et incarnatus est | — | ||
| 74-10 | Mass in C major, Op. 86: Sanctus Dominus Deus Sabaoth | — | ||
| 74-11 | Mass in C major, Op. 86: Benedictus | — |
