UPC · Release
Masses/Messen
Palestrina, Pro Cantione Antiqua
Last verified:
5028421942667 is the Universal Product Code (UPC barcode) for the release “Masses/Messen” by Palestrina, Pro Cantione Antiqua, released 2015-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 82 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (82)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Missa l’homme armé 5vv: I. Introitus: Ecce advenit dominator Dominus | — | ||
| 2 | Missa l’homme armé 5vv: II. Kyrie | — | ||
| 3 | Missa l’homme armé 5vv: III. Gloria | — | ||
| 4 | Missa l’homme armé 5vv: IV. Graduale: Omnes de Saba venient | — | ||
| 5 | Missa l’homme armé 5vv: V. Credo | — | ||
| 6 | Missa l’homme armé 5vv: VI. Offertorium: Reges Tharsis | — | ||
| 7 | Missa l’homme armé 5vv: VII. Sanctus & Benedictus | — | ||
| 8 | Missa l’homme armé 5vv: VIII. Communio: Vidimus stellam | — | ||
| 9 | Missa l’homme armé 5vv: IX. Agnus Dei | — | ||
| 10 | Missa assumpta est Maria: I. Introitus: Gaudeamus omnes in Domino | — | ||
| 11 | Missa assumpta est Maria: II. Kyrie | — | ||
| 12 | Missa assumpta est Maria: III. Gloria | — | ||
| 13 | Missa assumpta est Maria: IV. Graduale: Propter veritatem | — | ||
| 14 | Missa assumpta est Maria: V. Credo | — | ||
| 15 | Missa assumpta est Maria: VI. Offertorium: Assumpta est Maria | — | ||
| 16 | Missa assumpta est Maria: VII. Sanctus & Benedictus | — | ||
| 17 | Missa assumpta est Maria: VIII. Communio: Optimum partem | — | ||
| 18 | Missa assumpta est Maria: IX. Agnus Dei | — | ||
| 2-1 | Feria V in coena Domini: I. Lectio I | — | ||
| 2-2 | Feria V in coena Domini: II. Lectio II | — | ||
| 2-3 | Feria V in coena Domini: III. Lectio III | — | ||
| 2-4 | Feria VI in Parasceve: I. Lectio I | — | ||
| 2-5 | Feria VI in Parasceve: II. Lectio II | — | ||
| 2-6 | Feria VI in Parasceve: III. Lectio III | — | ||
| 2-7 | Sabbato sancto: I. Lectio I | — | ||
| 2-8 | Sabbato sancto: II. Lectio II | — | ||
| 2-9 | Sabbato sancto: III. Lectio III | — | ||
| 3-1 | Missa brevis: I. Introitus: Puer natus est nobis | — | ||
| 3-2 | Missa brevis: II. Kyrie | — | ||
| 3-3 | Missa brevis: III. Gloria | — | ||
| 3-4 | Missa brevis: IV. Graduale: Viderunt omnes | — | ||
| 3-5 | Missa brevis: V. Credo | — | ||
| 3-6 | Missa brevis: VI. Offertorium: Tui sunt coeli | — | ||
| 3-7 | Missa brevis: VII. Sanctus | — | ||
| 3-8 | Missa brevis: VIII. Benedictus | — | ||
| 3-9 | Missa brevis: IX. Communio: Viderunt omnes | — | ||
| 3-10 | Missa brevis: X. Agnus Dei | — | ||
| 3-11 | Missa lauda Sion: I. Introitus: Cibavit eos | — | ||
| 3-12 | Missa lauda Sion: II. Kyrie | — | ||
| 3-13 | Missa lauda Sion: III. Gloria | — | ||
| 3-14 | Missa lauda Sion: IV. Graduale: Oculi omnium | — | ||
| 3-15 | Missa lauda Sion: V. Credo | — | ||
| 3-16 | Missa lauda Sion: VI. Offertorium: Sacerdotes Domini | — | ||
| 3-17 | Missa lauda Sion: VII. Sanctus | — | ||
| 3-18 | Missa lauda Sion: VIII. Benedictus | — | ||
| 3-19 | Missa lauda Sion: IX. Communio: Quotiescumque manducabitis | — | ||
| 3-20 | Missa lauda Sion: X. Agnus Dei | — | ||
| 3-21 | Super flumina Babylonis | — | ||
| 3-22 | Sicut cervus | — | ||
| 4-1 | Hymn: Aeterna Christi munera | — | ||
| 4-2 | Missa aeterna Christi munera: I. Introitus: Mihi autem | — | ||
| 4-3 | Missa aeterna Christi munera: II. Kyrie | — | ||
| 4-4 | Missa aeterna Christi munera: III. Gloria | — | ||
| 4-5 | Missa aeterna Christi munera: IV. Graduale: Constitues eos principes | — | ||
| 4-6 | Missa aeterna Christi munera: V. Credo | — | ||
| 4-7 | Missa aeterna Christi munera: VI. Offertorium: Mihi autem | — | ||
| 4-8 | Missa aeterna Christi munera: VII. Sanctus | — | ||
| 4-9 | Missa aeterna Christi munera: VIII. Benedictus | — | ||
| 4-10 | Missa aeterna Christi munera: IX. Communio: Venite post me | — | ||
| 4-11 | Missa aeterna Christi munera: X. Agnus Dei | — | ||
| 4-12 | Missa l’homme armé: I. Introitus: In virtute tua | — | ||
| 4-13 | Missa l’homme armé: II. Kyrie | — | ||
| 4-14 | Missa l’homme armé: III. Gloria | — | ||
| 4-15 | Missa l’homme armé: IV. Graduale: Beatus vir | — | ||
| 4-16 | Missa l’homme armé: V. Credo | — | ||
| 4-17 | Missa l’homme armé: VI. Offertorium: Gloria et honore | — | ||
| 4-18 | Missa l’homme armé: VII. Sanctus | — | ||
| 4-19 | Missa l’homme armé: VIII. Benedictus | — | ||
| 4-20 | Missa l’homme armé: IX. Communio: Qui vult venire post me | — | ||
| 4-21 | Missa l’homme armé: X. Agnus Dei | — | ||
| 5-1 | Missa papae Marcelli: I. Introitus: Gaudeamus omnes in Domino | — | ||
| 5-2 | Missa papae Marcelli: II. Kyrie | — | ||
| 5-3 | Missa papae Marcelli: III. Gloria | — | ||
| 5-4 | Missa papae Marcelli: IV. Graduale / Alleluia: Propter veritatem | — | ||
| 5-5 | Missa papae Marcelli: V. Credo | — | ||
| 5-6 | Missa papae Marcelli: VI. Offertorium: Assumpta est Maria | — | ||
| 5-7 | Missa papae Marcelli: VII. Sanctus | — | ||
| 5-8 | Missa papae Marcelli: VIII. Benedictus | — | ||
| 5-9 | Missa papae Marcelli: IX. Agnus Dei I | — | ||
| 5-10 | Missa papae Marcelli: X. Agnus Dei II | — | ||
| 5-11 | Missa papae Marcelli: XI. Communio: Optimam partem | — | ||
| 5-12 | Stabat mater | — |
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What is UPC 5028421942667?
5028421942667 is a Universal Product Code (UPC) assigned to Masses/Messen by Palestrina, Pro Cantione Antiqua. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 82 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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