UPC · Release
Tárrega: Guitar Edition
Giulio Tampalini
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5028421943367 is the Universal Product Code (UPC barcode) for the release “Tárrega: Guitar Edition” by Giulio Tampalini, released 2015-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 110 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (110)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Capricho árabe | — | ||
| 2 | La alborada | — | ||
| 3 | Marieta (Mazurka) | — | ||
| 4 | Pavane | — | ||
| 5 | Maria | — | ||
| 6 | Isabel (Waltz) | — | ||
| 7 | La Cartagenera | — | ||
| 8 | Adelita (Mazurka) | — | ||
| 9 | Rosita | — | ||
| 10 | El Columpio | — | ||
| 11 | Danza Mora | — | ||
| 12 | Grand vals | — | ||
| 13 | Malagueña facil | — | ||
| 14 | Recuerdos de la Alhambra | — | ||
| 15 | Mazurka in G | — | ||
| 16 | Las dos hermanitas (Waltz) | — | ||
| 17 | Minueto | — | ||
| 18 | Paquito (Waltz) | — | ||
| 19 | Pepita (Polka) | — | ||
| 20 | Danza Odalisca | — | ||
| 21 | Sueño, (Mazurka) | — | ||
| 22 | Vals in D | — | ||
| 23 | Variaciones sobres "El Carnaval de Venecia" de Paganini | — | ||
| 2-1 | Prelude No. 1 in D minor | — | ||
| 2-2 | Prelude No. 2 in A minor | — | ||
| 2-3 | Prelude No. 3 in G | — | ||
| 2-4 | Prelude No. 4 in E | — | ||
| 2-5 | Prelude No. 5 in E | — | ||
| 2-6 | Prelude No. 6 in B minor | — | ||
| 2-7 | Prelude No. 7 in A | — | ||
| 2-8 | Prelude No. 8 in A | — | ||
| 2-9 | Prelude No. 9 in A | — | ||
| 2-10 | Prelude No. 10 in D | — | ||
| 2-11 | Prelude in D | — | ||
| 2-12 | Prelude in A minor | — | ||
| 2-13 | Prelude in D | — | ||
| 2-14 | "Lágrima" | — | ||
| 2-15 | Prelude in G | — | ||
| 2-16 | Prelude in C | — | ||
| 2-17 | "Endecha" | — | ||
| 2-18 | "Oremus" | — | ||
| 2-19 | Prelude in A minor | — | ||
| 2-20 | Prelude in D | — | ||
| 2-21 | Prelude in A | — | ||
| 2-22 | Estudio en forma de minuetto | — | ||
| 2-23 | Estudio sobre un estudio de Cramer | — | ||
| 2-24 | Sueño | — | ||
| 2-25 | Estudio sobre una sonatina de Alard | — | ||
| 2-26 | Estudio de velocidad | — | ||
| 2-27 | Estudio sobre un tema de "La Traviata" de Verdi | — | ||
| 2-28 | La Mariposa | — | ||
| 2-29 | Estudio sobre 'Andante en etude' de Emile Prudent | — | ||
| 2-30 | Estudio sobre un fragmento de Schumann | — | ||
| 2-31 | Fantasia sobre motivos de "La Traviata" de Verdi | — | ||
| 2-32 | Gran jota de concierto | — | ||
| 3-1 | Nocturne in E Flat Op.9 No.2 | — | ||
| 3-2 | Mazurka in G sharp minor Op.33 No.1 | — | ||
| 3-3 | Mazurka in B minor op.33 No.4 | — | ||
| 3-4 | Mazurka in A minor Op.67 No.4 | — | ||
| 3-5 | Waltz in A minor Op.34 No.2 | — | ||
| 3-6 | Prelude in E minor Op.28 No.4 | — | ||
| 3-7 | Prelude in B minor Op.28 No.6 | — | ||
| 3-8 | Prelude in A Op.28 No.7 | — | ||
| 3-9 | Prelude in D flat Op.28 No.15 | — | ||
| 3-10 | Prelude in C Minor Op.28 No.20 | — | ||
| 3-11 | Fantasiestucke Op.12 No.1 'Des Abends' | — | ||
| 3-12 | Albumblatter Op.124 No.16 'Schlummerliad' | — | ||
| 3-13 | Bunte Blatter Op.99 Albumblatter | — | ||
| 3-14 | Bunte Blatter Op.99 No.1 'Nicht schnell, mit Innigkeit' | — | ||
| 3-15 | Album fur die Jugend Op.68 No.12 'Knecht Ruprecht' | — | ||
| 3-16 | Novelletten Op.21 No.1 'Romanza' (Tarregas Title) | — | ||
| 3-17 | Kinderszenen Op.15 No.7 'Traumerei' | — | ||
| 3-18 | Minuet WoO10 No.3 | — | ||
| 3-19 | Piano Sonata No.8 'Pathetique' Op.13 - II. Adagio cantabile | — | ||
| 3-20 | Symphony No.7 Op.92 II. Allegretto (fragment) | — | ||
| 3-21 | Sonata No.2 Op.2 - III. Scherzo | — | ||
| 3-22 | Sonata No.4 Op.7 - II. Largo | — | ||
| 3-23 | Septer Op.20 - IV. Andante (1st Variation) | — | ||
| 3-24 | Sonata No.14 'Moonlight' Op.27 No.2 - I. Adagio | — | ||
| 3-25 | Sonata No.18 D894 - Minuet | — | ||
| 3-26 | La damnation de Faust - Ballet des Sylphes | — | ||
| 3-27 | Lyric Pieces Op.43 No.2 'Solitary traveller' | — | ||
| 3-28 | Norwegian Folk Songs Op.66 No.13 'A little grey man' | — | ||
| 3-29 | Peer Gynt Op.23 - The Death of Ase | — | ||
| 3-30 | Nach Osten | — | ||
| 4-1 | Sonata No.1 for Solo Violin BWV1001 - II. Fugue | — | ||
| 4-2 | Sonata No.3 for Solo Cello BWV1009 - V. Bouree I - IV - Bourree II | — | ||
| 4-3 | Partita No.1 for Solo Violin BWV1002 - VII. Tempo di bourree | — | ||
| 4-4 | String Quintet No.5 K593 - III. Minuet | — | ||
| 4-5 | String Quintet No.15 K421 - III. Minuet | — | ||
| 4-6 | String Quartet Hob.III:74 - II. Largo assai | — | ||
| 4-7 | Keyboard Sonata Hob.XVI:33 - III. Tempo de minuetto | — | ||
| 4-8 | Baryton Trio Hob.XI:87 - III. Minuet | — | ||
| 4-9 | 'Ox Minuet' Hob.IX:27 | — | ||
| 4-10 | Chorale | — | ||
| 4-11 | Samson HWV57 - Minuet | — | ||
| 4-12 | L'Arlesienne - No.19 Melodrame: Adagio | — | ||
| 4-13 | Tannhauser - March | — | ||
| 4-14 | Mefistofele | — | ||
| 4-15 | L'Africane - Morceau d'ensemble et Finale | — | ||
| 4-16 | Lieder ohne Worte Op.30 No.6 Venetianisches Gondellied | — | ||
| 4-17 | Lieder ohne Worte Op.19b No.6 Venetianisches Gondellied | — | ||
| 4-18 | Estudio (Suspiro de amor) | — | ||
| 4-19 | String Quartet in B flat - Minuet | — | ||
| 4-20 | El raton (Tango) | — | ||
| 4-21 | O sole mio | — | ||
| 4-22 | El pobre Valbuena (Polka) | — | ||
| 4-23 | Tango | — | ||
| 4-24 | La Poloma (Habanera) | — | ||
| 4-25 | Suite espanola Op.47 - No.5 Sevilla | — |
Credits Graph
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What is UPC 5028421943367?
5028421943367 is a Universal Product Code (UPC) assigned to Tárrega: Guitar Edition by Giulio Tampalini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 110 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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