UPC · Release
Ludwig van Beethoven
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5028421946306 is the Universal Product Code (UPC barcode) for the release “Complete Edition” by Ludwig van Beethoven, released 2013-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 28 tracks, each with its own ISRC. Tracks include GBCRW9955101, GBCRW9955102, GBCRW9955103.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 16-1 | March and Trio in F major for wind ensemble, WoO 18 "For the Bohemian Ward" | Ottetto Italiano | — | |
| 16-2 | March and Trio in C major for wind ensemble, WoO 20 "Zapfenstreich" | Ottetto Italiano | — | |
| 16-3 | March and Trio in F major for military band, WoO 19 | Ottetto Italiano | — | |
| 16-4 | Polonaise in D major for military band, WoO 21 | Ottetto Italiano | — | |
| 16-5 | Ecossaise in D major for military band, WoO 22 | Ottetto Italiano | — | |
| 16-6 | March for 2 clarinets, 2 horns and 2 bassoons in B-flat major, WoO 29 | Ottetto Italiano | — | |
| 16-7 | Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: I. Allegro | Ottetto Italiano | — | |
| 16-8 | Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: II. Adagio maestoso | Ottetto Italiano | — | |
| 16-9 | Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: III. Minuetto | Ottetto Italiano | — | |
| 16-10 | Adagio for 3 horns in F major | Ottetto Italiano | — | |
| 16-11 | Equale for 4 trombones, WoO 30: I. Andante | Ottetto Italiano | — | |
| 16-12 | Equale for 4 trombones, WoO 30: II. Poco adagio | Ottetto Italiano | — | |
| 16-13 | Equale for 4 trombones, WoO 30: III. Poco sostenuto | Ottetto Italiano | — | |
| 16-14 | Trio for 2 oboes and english horn in C major, Op. 87: I. Allegro | Ottetto Italiano | — | |
| 16-15 | Trio for 2 oboes and english horn in C major, Op. 87: II. Adagio | Ottetto Italiano | — | |
| 16-16 | Trio for 2 oboes and english horn in C major, Op. 87: III. Minuetto | Ottetto Italiano | — | |
| 16-17 | Trio for 2 oboes and english horn in C major, Op. 87: IV. Finale | Ottetto Italiano | — | |
| 16-18 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: I. Theme | Ottetto Italiano | — | |
| 16-19 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: II. Var1 | Ottetto Italiano | — | |
| 16-20 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: III. Var 2 | Ottetto Italiano | — | |
| 16-21 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IV. Var 3 | Ottetto Italiano | — | |
| 16-22 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: V. Var 4 & 5 | Ottetto Italiano | — | |
| 16-23 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VI. Var 6 | Ottetto Italiano | — | |
| 16-24 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VII. Var 7 | Ottetto Italiano | — | |
| 16-25 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VIII. Var 8 | Ottetto Italiano | — | |
| 16-26 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IX. Coda | Ottetto Italiano | — | |
| 16-27 | Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio | Ottetto Italiano | — | |
| 16-28 | Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto | Ottetto Italiano | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| String Quartet no. 3 in D major, op. 18 no. 3: II. Andante con moto | Suske-Quartett | — |
| Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 2 in D major, op. 36: II. Larghetto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 2 in D major, op. 36: IV. Allegro molto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T0014443174 |
| Symphony no. 4 in B-flat major, op. 60: II. Adagio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T0014443174 |
| Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T0014443174 |
| Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T0014443174 |
| Symphonie no. 5 in C minor, op. 67: I. Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphonie no. 5 in C minor, op. 67: II. Andante con moto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphonie no. 5 in C minor, op. 67: III. Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphonie no. 5 in C minor, op. 67: IV. Allegro - Presto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphonie no. 6 in F major, op. 68 "Pastorale": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphonie no. 6 in F major, op. 68 "Pastorale": II. Szene am Bach: Andante molto mosso | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphonie no. 6 in F major, op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute: Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphonie no. 6 in F major, op. 68 "Pastorale": IV. Gewitter, Sturm: Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphonie no. 6 in F major, op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 7 in A major, op. 92: II. Allegretto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T3146383004 |
| Symphony no. 7 in A major, op. 92: III. Presto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T9098217993 |
| Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 9 in D minor, op. 125: II. Molto vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Symphony no. 9 in D minor, op. 125: IV. Presto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — |
| Fidelio: Act I, Scene II. "O welche Lust!" | London Symphony Orchestra, Sir Colin Davis | — |
| Wellington's Victory or the Battle of Vittoria, op, 91: British Entrance | London Symphony Orchestra, Rafael Frühbeck de Burgos | — |
| Wellington's Victory or the Battle of Vittoria, op, 91: French Entrance | London Symphony Orchestra, Rafael Frühbeck de Burgos | — |
| Wellington's Victory or the Battle of Vittoria, op, 91: Battle: Allegro | London Symphony Orchestra, Rafael Frühbeck de Burgos | — |
| Wellington's Victory or the Battle of Vittoria, op, 91: March: Allegro assai | London Symphony Orchestra, Rafael Frühbeck de Burgos | — |
| Wellington's Victory or the Battle of Vittoria, op, 91: Victory: Allegro con brio | London Symphony Orchestra, Rafael Frühbeck de Burgos | — |
| Violin Sonata no. 1 in D major, op. 12 no. 1: I. Allegro con brio | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 1 in D major, op. 12 no. 1: II. Tema con variazioni | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 1 in D major, op. 12 no. 1: III. Rondo. Allegro | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 2 in A major, op. 12 no. 2: I. Allegro vivace | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 2 in A major, op. 12 no. 2: II. Andante, più tosto allegretto | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacevole | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 3 in E-flat major, op. 12 no. 3: I. Allegro con spirito | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 3 in E-flat major, op. 12 no. 3: II. Adagio con molt’espressione | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 3 in E-flat major, op. 12 no. 3: III. Rondo. Allegro molto | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 4 in A minor, op. 23: I. Presto | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 4 in A minor, op. 23: II. Andante scherzoso, più allegretto | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 4 in A minor, op. 23: III. Allegro molto | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 5 in F, op. 24 “Spring”: I. Allegro | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 5 in F, op. 24 “Spring”: II. Adagio molto espressivo | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 5 in F, op. 24 “Spring”: III. Scherzo. Allegro molto | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 5 in F, op. 24 “Spring”: IV. Rondo. Allegro ma non troppo | Kristóf Baráti, Klára Würtz | T9095732835 |
| Violin Sonata no. 6 in A major, op. 30 no. 1: I. Allegro | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 6 in A major, op. 30 no. 1: II. Adagio molto espressivo | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 6 in A major, op. 30 no. 1: III. Allegretto con variazioni | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 7 in C minor, op. 30 no. 2: I. Allegro con brio | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 7 in C minor, op. 30 no. 2: II. Adagio cantabile | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 7 in C minor, op. 30 no. 2: III. Scherzo. Allegro | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 7 in C minor, op. 30 no. 2: IV. Finale. Allegro | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 8 in G major, op. 30 no. 3: I. Allegro assai | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 8 in G major, op. 30 no. 3: II. Tempo di menuetto | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 8 in G major, op. 30 no. 3: III. Allegro vivace | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: II. Andante con variazioni | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: III. Finale. Presto | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 10 in G major, op. 96: I. Allegro moderato | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 10 in G major, op. 96: II. Adagio espressivo | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 10 in G major, op. 96: III. Scherzo. Allegro | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 10 in G major, op. 96: IV. Poco allegretto | Kristóf Baráti, Klára Würtz | — |
| Piano Trio in G Major, Op. 1 No. 2: I. Adagio – Allegro vivace | Trio Élégiaque | — |
| Piano Trio in G Major, Op. 1 No. 2: II. Largo con espressione | Trio Élégiaque | — |
| Piano Trio in G Major, Op. 1 No. 2: III. Scherzo. Allegro | Trio Élégiaque | — |
| Piano Trio in G Major, Op. 1 No. 2:. IV. Finale. Presto | Trio Élégiaque | T0030558678 |
| Piano Trio in D Major, Op. 70 No. 1 ‘Ghost’: I. Allegro vivace | Trio Élégiaque | — |
| Piano Trio in D Major, Op. 70 No. 1 ‘Ghost’: II. Largo assai ed espressivo | Trio Élégiaque | — |
| Piano Trio in D Major, Op. 70 No. 1 ‘Ghost’: III. Presto | Trio Élégiaque | — |
| Piano Trio in E-Flat, WoO 38: I. Allegro moderato | Trio Élégiaque | — |
| Piano Trio in E-Flat, WoO 38: II. Scherzo. Allegro ma non troppo | Trio Élégiaque | — |
| Piano Trio in E-Flat, WoO 38: III. Rondo. Allegretto | Trio Élégiaque | — |
| Piano Trio in C Minor, Op. 1 No. 3: I. Allegro con brio | Trio Élégiaque | — |
| Piano Trio in C Minor, Op. 1 No. 3: II. Andante cantabile con variazioni | Trio Élégiaque | — |
| Piano Trio in C Minor, Op. 1 No. 3: III. Menuetto. Quasi allegro – Trio | Trio Élégiaque | — |
| Piano Trio in C Minor, Op. 1 No. 3: IV. Finale. Prestissimo | Trio Élégiaque | — |
| Piano Trio in E-Flat, Op. 70 No. 2: I. Poco sostenuto – Allegro ma non troppo | Trio Élégiaque | — |
| Piano Trio in E-Flat, Op. 70 No. 2: II. Allegretto | Trio Élégiaque | — |
| Piano Trio in E-Flat, Op. 70 No. 2: III. Allegretto ma non troppo | Trio Élégiaque | — |
| Piano Trio in E-Flat, Op. 70 No. 2: IV. Finale. Allegro | Trio Élégiaque | T0030558678 |
| Piano Trio in E-Flat, Op. 44: 14 Variations on an original theme. Tema (Andante) con variazioni | Trio Élégiaque | — |
| Piano Trio in E-Flat, Op. 1 No. 1: I. Allegro | Trio Élégiaque | — |
| Piano Trio in E-Flat, Op. 1 No. 1: II. Adagio cantabile | Trio Élégiaque | — |
| Piano Trio in E-Flat, Op. 1 No. 1: III. Scherzo. Allegro assai | Trio Élégiaque | — |
| Piano Trio in E-Flat, Op. 1 No. 1: IV. Finale. Presto | Trio Élégiaque | T0030558678 |
| Piano Trio in D Major, after Symphony No. 2: I. Adagio – Allegro con brio | Trio Élégiaque | — |
| Piano Trio in D Major, after Symphony No. 2: II. Larghetto quasi andante | Trio Élégiaque | — |
| Piano Trio in D Major, after Symphony No. 2: III. Scherzo | Trio Élégiaque | — |
| Piano Trio in D Major, After Symphony No. 2: IV. Allegro molto | Trio Élégiaque | — |
| Triosatz in E-Flat: Allegretto | Trio Élégiaque | — |
| Piano Trio in B-Flat Major, Op. 97 ‘Archduke’: I. Allegro moderato | Trio Élégiaque | — |
| Piano Trio in B-Flat Major, Op. 97 ‘Archduke’: II. Scherzo. Allegro | Trio Élégiaque | — |
| Piano Trio in B-Flat Major, Op. 97 ‘Archduke’: III. Andante cantabile, ma però con moto – Poco più adagio | Trio Élégiaque | — |
| Piano Trio in B-Flat Major, Op. 97 ‘Archduke’: IV. Allegro moderato | Trio Élégiaque | — |
| Piano Trio in B-Flat Major, WoO 39: Allegretto | Trio Élégiaque | — |
| Piano Trio in E-Flat Major, Op. 63, After the String Quintet, Op. 4: I. Allegro con brio | Trio Élégiaque | — |
| Piano Trio in E-Flat Major, Op. 63, After the String Quintet, Op. 4: II. Andante | Trio Élégiaque | — |
| Piano Trio in E-Flat Major, Op. 63, After the String Quintet, Op. 4: III. Menuetto – Trio | Trio Élégiaque | — |
| Piano Trio in E-Flat Major, Op. 63, After the String Quintet, Op. 4: IV. Finale. Presto | Trio Élégiaque | T0030558678 |
| Piano Trio in B-Flat Major, Op. 11 ‘Gassenhauer’: I. Allegro con brio | Trio Élégiaque | — |
| Piano Trio in B-Flat Major, Op. 11 ‘Gassenhauer’: II. Adagio | Trio Élégiaque | — |
| Piano Trio in B-Flat Major, Op. 11 ‘Gassenhauer’: III. Tema. Pria ch'io l'impegno allegretto con variazioni | Trio Élégiaque | — |
| Piano Trio in G Major, Op. 121a: Introduzione. Adagio assai – Tema. Allegretto con variazioni | Trio Élégiaque | — |
| Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: I. Adagio – Allegro con brio | Trio Élégiaque | — |
| Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: II. Adagio cantabile | Trio Élégiaque | — |
| Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: III. Tempo di menuetto | Trio Élégiaque | — |
| Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: IV. Andante con variazioni | Trio Élégiaque | — |
| Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: V. Scherzo. Allegro molto e vivace | Trio Élégiaque | — |
| Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: VI. Andante con moto alla marcia – Presto | Trio Élégiaque | — |
| Leonore, Hess 109: Overture "Leonore II" | Staatskapelle Dresden, Herbert Blomstedt | T9095743785 |
| Leonore: Act I. "Fidelio kommt nicht zurück!" (Marzelline) | Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. No. 1 Aria "O wär'ich schon mit dir vereint" (Marzelline) | Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. "Wenn ich diese Tür nicht" (Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. No. 2 Duet "Jetzt, Schätzchen" (Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. "Höre, Jaquino" (Marzelline, Jaquino, Rocco) | Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. No. 3 Trio "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. "Ist Fidelio noch nich nach Hause gekommen?" (Rocco, Marzelline, Jaquino, Leonore) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. No. 4 Canon "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. "Höre, Fidelio" (Rocco, Marzelline, Leonore) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. No. 5 Aria "Hat man nich auch Gold beineben" (Rocco) | Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline) | Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act I. No. 6 Trio "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline) | Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. No. 7 March | Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. "Drei Schildwachten auf den Wall" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco) | Theo Adam, MDR Rundfunkchor Leipzig, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. "Rocco!" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. No. 9 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. "Nun ist es endlich entschieden" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. No. 10 Duet "Im in der Ehe froh zu leben" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. "Sie doch, wie du so schnell" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. No. 11 Recitative and Aria "Ach, brich noch nicht" (Leonore) | Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. No. 12 Finale "O welche Lust!" (Chorus of the Prisoners) | Richard Cassilly, Reiner Goldberg, Siegfried Lorenz, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. "Entfernt euch jetzt!" (Rocco, Leonore) | Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore, Marzelline, Pizarro) | Theo Adam, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act II. "Auf euch nur will ich bauen" (Pizarro, Chorus) | Theo Adam, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. No. 13 Recitative and Aria "Gott! Welch dunkel hier!" (Florestan) | Richard Cassilly, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. No. 14 Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco) | Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. "Er erwacht!" (Leonore, Rocco, Florestan) | Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. No. 15 Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) | Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. "Alles ist bereit" (Rocco, Leonore, Pizarro) | Theo Adam, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. No. 16 Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) | Theo Adam, Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. "Die Waffe hab'ich mir" (Leonore) | Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. No. 17 Recitative and Duet "Ich kann mich noch nicht fassen" (Florestan, Leonore) | Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. "O Leonore, sprich!" (Florestan, Leonore) | Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. No. 18 Finale "Zur Rache" (Chorus, Leonore, Florestan, Rocco, Don Fernando) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. "O Gott! O welch ein Augenblick!" (Leonore, Marzelline, Florestan, Don Fernando, Rocco, Chorus) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. "Wie lange habt Ihr sie getragen?" (Don Fernando, Florestan, Rocco, Chorus, Leonore, Marzelline, Jaquino) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. "Preist mit hoher Freude Glut" (Chorus) | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — |
| Leonore: Act III. "Wer ein solches Weib errungen" (Florestan, Marzelline, Jaquino, Rocco, Don Fernando, Chorus) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — |
| Gratulationsmenuett, WoO 3 | Minnesota Orchestra, Stanisław Skrowaczewski | — |
| Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): I. Allegro moderato | Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte | — |
| Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): II. Larghetto | Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte | — |
| Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): III. Rondo. Allegretto (cadenza: Willy Hess) | Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte | — |
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Creative Contributors (ISNI)
Identifier Graph
5028421946306 is a Universal Product Code (UPC) assigned to Complete Edition by Ludwig van Beethoven. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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