UPC · Release
Complete Edition
Ludwig van Beethoven
5028421946306
998 tracksReleased 2013-01-01Brilliant Classics
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5028421946306 is the Universal Product Code (UPC barcode) for the release “Complete Edition” by Ludwig van Beethoven, released 2013-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 998 tracks, each with its own ISRC. Tracks include DES382025101, DES382025102, DES382025103.
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8421Company prefix
94630Product
6Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
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- Product:
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Credit Chain
UPCComplete Edition
ISRC115 recordings
ISWC5 works
IPI1 songwriter
Track List (998)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4 | Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 6 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 7 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 8 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-5 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-001.444.317-4 | |
| 2-6 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-001.444.317-4 | |
| 2-7 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-001.444.317-4 | |
| 2-8 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-001.444.317-4 | |
| 3-1 | Symphonie no. 5 in C minor, op. 67: I. Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-2 | Symphonie no. 5 in C minor, op. 67: II. Andante con moto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-3 | Symphonie no. 5 in C minor, op. 67: III. Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-4 | Symphonie no. 5 in C minor, op. 67: IV. Allegro - Presto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-5 | Symphonie no. 6 in F major, op. 68 "Pastorale": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-6 | Symphonie no. 6 in F major, op. 68 "Pastorale": II. Szene am Bach: Andante molto mosso | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-7 | Symphonie no. 6 in F major, op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute: Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-8 | Symphonie no. 6 in F major, op. 68 "Pastorale": IV. Gewitter, Sturm: Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-9 | Symphonie no. 6 in F major, op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-314.638.300-4 | |
| 4-3 | Symphony no. 7 in A major, op. 92: III. Presto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-909.821.799-3 | |
| 4-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-1 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-3 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125: IV. Presto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 6-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 6-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 6-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo: allegro scherzando | — | ||
| 6-4 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 6-5 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 6-6 | Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo: molto allegro | — | ||
| 7-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 7-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 7-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo: Allegro | — | ||
| 7-4 | Piano Concerto no. 5 in E-flat major, op. 73: I. Allegro | — | ||
| 7-5 | Piano Concerto no. 5 in E-flat major, op. 73: II. Adagio un poco mosso | — | ||
| 7-6 | Piano Concerto no. 5 in E-flat major, op. 73: III. Rondo: Allegro | — | ||
| 8-1 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 8-2 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 8-3 | Piano Concerto no. 4 in G major, op. 58: III. Rondo: Vivace | — | ||
| 8-4 | Piano Concerto in D major, op. 61a: I. Allegro ma non troppo | — | ||
| 8-5 | Piano Concerto in D major, op. 61a: II. Larghetto | — | ||
| 8-6 | Piano Concerto in D major, op. 61a: III. Rondo: Allegro | — | ||
| 9-1 | Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | — | ||
| 9-2 | Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | — | ||
| 9-3 | Concerto for Violin and Orchestra in D major, op. 61: III. Rondo | — | ||
| 9-4 | Romance for Violin no. 1 in G major, op. 40: Adagio - Allegro con brio | — | ||
| 9-5 | Romance for Violin no. 2 in F major, op. 50: Adagio cantabile | — | ||
| 10-1 | Triple Concerto in C major, op. 56: I. Allegro | — | ||
| 10-2 | Triple Concerto in C major, op. 56: II. Largo - | — | ||
| 10-3 | Triple Concerto in C major, op. 56: III. Rondo alla Polacca | — | ||
| 10-4 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): I. Allegro moderato | Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte | — | |
| 10-5 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): II. Larghetto | Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte | — | |
| 10-6 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): III. Rondo. Allegretto (cadenza: Willy Hess) | Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte | — | |
| 10-7 | Rondo for Piano and Orchestra in B-flat major, WoO 6: Allegro | — | ||
| 11-1 | Leonore Overture no. 1, op. 138 | — | ||
| 11-2 | Leonore Overture no. 2, op. 72 | — | ||
| 11-3 | Leonore Overture no. 3, op. 72a | — | ||
| 11-4 | Fidelio Overture, op. 72b | — | ||
| 11-5 | Funeral March from Leonore Prohaska, WoO 96 | — | ||
| 11-6 | Die Weihe des Hauses: Overture, op. 124 | — | ||
| 11-7 | Die Weihe des Hauses: Chorus with soprano solo, WoO 98 ''Wo sich die Pulse'' | — | ||
| 12-1 | Coriolan, op. 62: Overture | — | ||
| 12-2 | Namensfeier Overture, op. 115 | — | ||
| 12-3 | Gratulationsmenuett, WoO 3 | Minnesota Orchestra, Stanisław Skrowaczewski | — | |
| 12-4 | Triumphal March from Tarpeja, WoO 2 | — | ||
| 12-5 | Fugue for Organ in D major, WoO 31 | — | ||
| 12-6 | Stücke für Flötenuhr, WoO 33: Allegro non più molto | — | ||
| 12-7 | Stücke für Flötenuhr, WoO 33: Allegretto | — | ||
| 12-8 | Stücke für Flötenuhr, WoO 33: Adagio assai | — | ||
| 12-9 | Stücke für Flötenuhr, WoO 33: Scherzo. Allegro | — | ||
| 12-10 | Stücke für Flötenuhr, WoO 33: Allegro | — | ||
| 12-11 | Grenadiermarsch, Hess 107 | — | ||
| 12-12 | Wellington's Victory or the Battle of Vittoria, op, 91: British Entrance | London Symphony Orchestra, Rafael Frühbeck de Burgos | — | |
| 12-13 | Wellington's Victory or the Battle of Vittoria, op, 91: French Entrance | London Symphony Orchestra, Rafael Frühbeck de Burgos | — | |
| 12-14 | Wellington's Victory or the Battle of Vittoria, op, 91: Battle: Allegro | London Symphony Orchestra, Rafael Frühbeck de Burgos | — | |
| 12-15 | Wellington's Victory or the Battle of Vittoria, op, 91: March: Allegro assai | London Symphony Orchestra, Rafael Frühbeck de Burgos | — | |
| 12-16 | Wellington's Victory or the Battle of Vittoria, op, 91: Victory: Allegro con brio | London Symphony Orchestra, Rafael Frühbeck de Burgos | — | |
| 13-1 | 12 Contredanses for Small Orchestra WoO 14 No. 1 in C major | — | ||
| 13-2 | 12 Contredanses for Small Orchestra WoO 14 No. 2 in A major | — | ||
| 13-3 | 12 Contredanses for Small Orchestra WoO 14 No. 3 in D major | — | ||
| 13-4 | 12 Contredanses for Small Orchestra WoO 14 No. 4 in B-flat major | — | ||
| 13-5 | 12 Contredanses for Small Orchestra WoO 14 No. 5 in E-flat major | — | ||
| 13-6 | 12 Contredanses for Small Orchestra WoO 14 No. 6 in C major | — | ||
| 13-7 | 12 Contredanses for Small Orchestra WoO 14 No. 7 in E-flat major | — | ||
| 13-8 | 12 Contredanses for Small Orchestra WoO 14 No. 8 in C major | — | ||
| 13-9 | 12 Contredanses for Small Orchestra WoO 14 No. 9 in A major | — | ||
| 13-10 | 12 Contredanses for Small Orchestra WoO 14 No. 10 in C major | — | ||
| 13-11 | 12 Contredanses for Small Orchestra WoO 14 No. 11 in G major | — | ||
| 13-12 | Contredanses for Small Orchestra WoO 14 No. 12 in E-flat major | — | ||
| 13-13 | 6 Minuets for Two Violins and Violoncello WoO 9 No. 1 in E-flat major | — | ||
| 13-14 | 6 Minuets for Two Violins and Violoncello WoO 9 No. 2 in G major | — | ||
| 13-15 | 6 Minuets for Two Violins and Violoncello WoO 9 No. 3 in C major | — | ||
| 13-16 | 6 Minuets for Two Violins and Violoncello WoO 9 No. 4 in F major | — | ||
| 13-17 | 6 Minuets for Two Violins and Violoncello WoO 9 No. 5 in D major | — | ||
| 13-18 | 6 Minuets for Two Violins and Violoncello WoO 9 No. 6 in G major | — | ||
| 13-19 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 1: Waltz in E-flat major | — | ||
| 13-20 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 2: Minuet in B-flat major | — | ||
| 13-21 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 3: Waltz in B-flat major | — | ||
| 13-22 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 4: Minuet in E-flat major | — | ||
| 13-23 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 5: Minuet in E-flat major | — | ||
| 13-24 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 6: Ländler in E-flat major | — | ||
| 13-25 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 7: Minuet in B-flat major | — | ||
| 13-26 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 8: Ländler in B-flat major | — | ||
| 13-27 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 9: Minuet in G major | — | ||
| 13-28 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 10: Waltz in D major | — | ||
| 13-29 | 11 Dances for Seven String and Wind Instruments WoO 17 No. 11: Waltz in D major | — | ||
| 13-30 | Six Ländler for 2 Violins and Bass, WoO 15 No. 1 in D major | — | ||
| 13-31 | Six Ländler for 2 Violins and Bass, WoO 15 No. 2 in D major | — | ||
| 13-32 | Six Ländler for 2 Violins and Bass, WoO 15 No. 3 in D major | — | ||
| 13-33 | Six Ländler for 2 Violins and Bass, WoO 15 No. 4 in D minor | — | ||
| 13-34 | Six Ländler for 2 Violins and Bass, WoO 15 No. 5 in D major | — | ||
| 13-35 | Six Ländler for 2 Violins and Bass, WoO 15 No. 6 in D major | — | ||
| 13-36 | 12 German Dances for Orchestra WoO 8 No. 1 in C major | — | ||
| 13-37 | 12 German Dances for Orchestra WoO 8 No. 2 in A major | — | ||
| 13-38 | 12 German Dances for Orchestra WoO 8 No. 3 in F major | — | ||
| 13-39 | 12 German Dances for Orchestra WoO 8 No. 4 in B-flat major | — | ||
| 13-40 | 12 German Dances for Orchestra WoO 8 No. 5 in E-flat major | — | ||
| 13-41 | 12 German Dances for Orchestra WoO 8 No. 6 in G major | — | ||
| 13-42 | 12 German Dances for Orchestra WoO 8 No. 7 in C major | — | ||
| 13-43 | 12 German Dances for Orchestra WoO 8 No. 8 in A major | — | ||
| 13-44 | 12 German Dances for Orchestra WoO 8 No. 9 in F major | — | ||
| 13-45 | 12 German Dances for Orchestra WoO 8 No. 10 in D major | — | ||
| 13-46 | 12 German Dances for Orchestra WoO 8 No. 11 in G major | — | ||
| 13-47 | 12 German Dances for Orchestra WoO 8 No. 12 in C major | — | ||
| 14-1 | 12 Menuets for Orchestra WoO 7 No. 1 in D major | — | ||
| 14-2 | 12 Menuets for Orchestra WoO 7 No. 2 in B-flat major | — | ||
| 14-3 | 12 Menuets for Orchestra WoO 7 No. 3 G major | — | ||
| 14-4 | 12 Menuets for Orchestra WoO 7 No. 4 in E-flat major | — | ||
| 14-5 | 12 Menuets for Orchestra WoO 7 No. 5 in C major | — | ||
| 14-6 | 12 Menuets for Orchestra WoO 7 No. 6 in A major | — | ||
| 14-7 | 12 Menuets for Orchestra WoO 7 No. 7 in D major | — | ||
| 14-8 | 12 Menuets for Orchestra WoO 7 No. 8 in B-flat major | — | ||
| 14-9 | 12 Menuets for Orchestra WoO 7 No. 9 in G major | — | ||
| 14-10 | 12 Menuets for Orchestra WoO 7 No. 10 in E-flat major | — | ||
| 14-11 | 12 Menuets for Orchestra WoO 7 No. 11 in C major | — | ||
| 14-12 | 12 Menuets for Orchestra WoO 7 No. 12 in F major | — | ||
| 14-13 | Military March in D major WoO 24 | — | ||
| 14-14 | 6 Menuets for Orchestra WoO 10 No. 1 in C major | — | ||
| 14-15 | 6 Menuets for Orchestra WoO 10 No. 2 in G major | — | ||
| 14-16 | 6 Menuets for Orchestra WoO 10 No. 3 in E-flat major | — | ||
| 14-17 | 6 Menuets for Orchestra WoO 10 No. 4 in B-flat major | — | ||
| 14-18 | 6 Menuets for Orchestra WoO 10 No. 5 in D major | — | ||
| 14-19 | 6 Menuets for Orchestra WoO 10 No. 6 in C major | — | ||
| 14-20 | 6 Deutsche Tänze WoO 42 | — | ||
| 14-21 | 6 Ecossaises in E-flat major WoO 83 No. 1 | — | ||
| 14-22 | 6 Ecossaises in E-flat major WoO 83 No. 2 | — | ||
| 14-23 | 6 Ecossaises in E-flat major WoO 83 No. 3 | — | ||
| 14-24 | 6 Ecossaises in E-flat major WoO 83 No. 4 | — | ||
| 14-25 | 6 Ecossaises in E-flat major WoO 83 No. 5 | — | ||
| 14-26 | 6 Ecossaises in E-flat major WoO 83 No. 6 | — | ||
| 14-27 | Ecossaise in G major WoO 23 | — | ||
| 14-28 | 7 Ländler in D major WoO 11 No. 1 | — | ||
| 14-29 | 7 Ländler in D major WoO 11 No. 2 | — | ||
| 14-30 | 7 Ländler in D major WoO 11 No. 3 | — | ||
| 14-31 | 7 Ländler in D major WoO 11 No. 4 | — | ||
| 14-32 | 7 Ländler in D major WoO 11 No. 5 | — | ||
| 14-33 | 7 Ländler in D major WoO 11 No. 6 | — | ||
| 14-34 | 7 Ländler in D major WoO 11 No. 7 | — | ||
| 14-35 | 12 Deutsche Tänze WoO 13 No. 1 in D major | — | ||
| 14-36 | 12 Deutsche Tänze WoO 13 No. 2 in B-flat major | — | ||
| 14-37 | 12 Deutsche Tänze WoO 13 No. 3 in G major | — | ||
| 14-38 | 12 Deutsche Tänze WoO 13 No. 4 in D major | — | ||
| 14-39 | 12 Deutsche Tänze WoO 13 No. 5 in F major | — | ||
| 14-40 | 12 Deutsche Tänze WoO 13 No. 6 in B-flat major | — | ||
| 14-41 | 12 Deutsche Tänze WoO 13 No. 7 in D major | — | ||
| 14-42 | 12 Deutsche Tänze WoO 13 No. 8 in G major | — | ||
| 14-43 | 12 Deutsche Tänze WoO 13 No. 9 in E-flat major | — | ||
| 14-44 | 12 Deutsche Tänze WoO 13 No. 10 in C major | — | ||
| 14-45 | 12 Deutsche Tänze WoO 13 No. 11 in A major | — | ||
| 14-46 | 12 Deutsche Tänze WoO 13 No. 12 in D major | — | ||
| 15-1 | Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: I. Allegro | — | ||
| 15-2 | Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: II. Andante | — | ||
| 15-3 | Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: III. Menuetto | — | ||
| 15-4 | Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: IV. Finale. Presto | — | ||
| 15-5 | Rondino for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, WoO 25 | — | ||
| 15-6 | Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: I. Adagio – Allegro | — | ||
| 15-7 | Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: II. Adagio | — | ||
| 15-8 | Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: III. Menuetto. Quasi allegretto | — | ||
| 15-9 | Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: IV. Rondo. Allegro | — | ||
| 15-10 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: I. Allegro comodo | — | ||
| 15-11 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: II. Larghetto sostenuto | — | ||
| 15-12 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: III. Rondo. Allegretto | — | ||
| 15-13 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: I. Allegro affettuoso | — | ||
| 15-14 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: II. Aria. Larghetto | — | ||
| 15-15 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: III. Rondo. allegretto moderato | — | ||
| 15-16 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: I. Allegro sostenuto | — | ||
| 15-17 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: II. Aria con variazioni | — | ||
| 15-18 | 3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: III. Allegro assai | — | ||
| 16-1 | March and Trio in F major for wind ensemble, WoO 18 "For the Bohemian Ward" | Ottetto Italiano | — | |
| 16-2 | March and Trio in C major for wind ensemble, WoO 20 "Zapfenstreich" | Ottetto Italiano | — | |
| 16-3 | March and Trio in F major for military band, WoO 19 | Ottetto Italiano | — | |
| 16-4 | Polonaise in D major for military band, WoO 21 | Ottetto Italiano | — | |
| 16-5 | Ecossaise in D major for military band, WoO 22 | Ottetto Italiano | — | |
| 16-6 | March for 2 clarinets, 2 horns and 2 bassoons in B-flat major, WoO 29 | Ottetto Italiano | — | |
| 16-7 | Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: I. Allegro | Ottetto Italiano | — | |
| 16-8 | Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: II. Adagio maestoso | Ottetto Italiano | — | |
| 16-9 | Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: III. Minuetto | Ottetto Italiano | — | |
| 16-10 | Adagio for 3 horns in F major | Ottetto Italiano | — | |
| 16-11 | Equale for 4 trombones, WoO 30: I. Andante | Ottetto Italiano | — | |
| 16-12 | Equale for 4 trombones, WoO 30: II. Poco adagio | Ottetto Italiano | — | |
| 16-13 | Equale for 4 trombones, WoO 30: III. Poco sostenuto | Ottetto Italiano | — | |
| 16-14 | Trio for 2 oboes and english horn in C major, Op. 87: I. Allegro | Ottetto Italiano | — | |
| 16-15 | Trio for 2 oboes and english horn in C major, Op. 87: II. Adagio | Ottetto Italiano | — | |
| 16-16 | Trio for 2 oboes and english horn in C major, Op. 87: III. Minuetto | Ottetto Italiano | — | |
| 16-17 | Trio for 2 oboes and english horn in C major, Op. 87: IV. Finale | Ottetto Italiano | — | |
| 16-18 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: I. Theme | Ottetto Italiano | — | |
| 16-19 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: II. Var1 | Ottetto Italiano | — | |
| 16-20 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: III. Var 2 | Ottetto Italiano | — | |
| 16-21 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IV. Var 3 | Ottetto Italiano | — | |
| 16-22 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: V. Var 4 & 5 | Ottetto Italiano | — | |
| 16-23 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VI. Var 6 | Ottetto Italiano | — | |
| 16-24 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VII. Var 7 | Ottetto Italiano | — | |
| 16-25 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VIII. Var 8 | Ottetto Italiano | — | |
| 16-26 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IX. Coda | Ottetto Italiano | — | |
| 16-27 | Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio | Ottetto Italiano | — | |
| 16-28 | Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto | Ottetto Italiano | — | |
| 17-1 | Serenade for Flute and Piano, Op. 41: I. Entrata - Allegro | — | ||
| 17-2 | Serenade for Flute and Piano, Op. 41: II. Tempo Ordinario D'Un Menuetto | — | ||
| 17-3 | Serenade for Flute and Piano, Op. 41: III. Molto allegro | — | ||
| 17-4 | Serenade for Flute and Piano, Op. 41: IV. Andante con variazioni | — | ||
| 17-5 | Serenade for Flute and Piano, Op. 41: V. Allegro, scherzo e vivace | — | ||
| 17-6 | Serenade for Flute and Piano, Op. 41: VI. Adagio | — | ||
| 17-7 | Serenade for Flute and Piano, Op. 41: VII. Allegro vivace e disinvolto | — | ||
| 17-8 | Six Themes and Variations for Flute and Piano, Op. 105 No. 1: Scottish Air in G major | — | ||
| 17-9 | Six Themes and Variations for Flute and Piano, Op. 105 No. 2: Scottish Air in C minor | — | ||
| 17-10 | Six Themes and Variations for Flute and Piano, Op. 105 No. 3: Austrian Air in C major | — | ||
| 17-11 | Six Themes and Variations for Flute and Piano, Op. 105 No. 4: Scottish Air in E-flat | — | ||
| 17-12 | Six Themes and Variations for Flute and Piano, Op. 105 No. 5: Scottish Air in E-flat | — | ||
| 17-13 | Six Themes and Variations for Flute and Piano, Op. 105 No. 6: Scottish Air in D major | — | ||
| 17-14 | Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio | — | ||
| 17-15 | Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto | — | ||
| 17-16 | Trio for Flute, Bassoon, and Piano in G major, WoO 37: I. Allegro | — | ||
| 17-17 | Trio for Flute, Bassoon, and Piano in G major, WoO 37: II. Adagio | — | ||
| 17-18 | Trio for Flute, Bassoon, and Piano in G major, WoO 37: III. Thema andante con variazioni | — | ||
| 18-1 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 1:Tyrolian Air in E-flat | — | ||
| 18-2 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 2: Scottish Air in F major | — | ||
| 18-3 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 3: Russian Air in G major | — | ||
| 18-4 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 4: Scottish Air in F major | — | ||
| 18-5 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 5: Tyrolian Air in F major | — | ||
| 18-6 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 6: Scottish Air in E-flat major | — | ||
| 18-7 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 7: Russian Air in A minor | — | ||
| 18-8 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 8: Scottish Air in D major | — | ||
| 18-9 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 9: Scottish Air E-flat major | — | ||
| 18-10 | Ten Themes and Variations for Flute and Piano, Op. 107 No. 10: Scottish Air G minor | — | ||
| 18-11 | Trio for three flutes in G major (spurious): I. Allegro | — | ||
| 18-12 | Trio for three flutes in G major (spurious): II. Andante | — | ||
| 18-13 | Trio for three flutes in G major (spurious): III. Rondo, allegretto | — | ||
| 18-14 | Sonate for Flute and Piano in B-flat major, Anh. 4: I. Allegro moderato | — | ||
| 18-15 | Sonate for Flute and Piano in B-flat major, Anh. 4: II. Polonaise | — | ||
| 18-16 | Sonate for Flute and Piano in B-flat major, Anh. 4: III. Largo | — | ||
| 18-17 | Sonate for Flute and Piano in B-flat major, Anh. 4: IV. Allegretto tema con variazione | — | ||
| 19-1 | Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: I. Adagio – Allegro con brio | — | ||
| 19-2 | Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: II. Adagio cantabile | — | ||
| 19-3 | Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: III. Tempo di menuetto | — | ||
| 19-4 | Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: IV. Tema con variazioni. Andante | — | ||
| 19-5 | Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace | — | ||
| 19-6 | Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: VI. Andante con moto alla marcia – Presto | — | ||
| 19-7 | Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: I. Allegro con brio | — | ||
| 19-8 | Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: II. Adagio | — | ||
| 19-9 | Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: III. Rondo. Allegro | — | ||
| 20-1 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: I. Grave – Allegro ma non troppo | — | ||
| 20-2 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: II. Andante cantabile | — | ||
| 20-3 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo | — | ||
| 20-4 | Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: I. Allegro con brio | — | ||
| 20-5 | Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: II. Adagio | — | ||
| 20-6 | Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: III. Allegretto. Variations on ''Pria ch'io l'impegno'' | — | ||
| 20-7 | Sonata for Horn and Piano in F major, Op. 17: I. Allegro moderato | — | ||
| 20-8 | Sonata for Horn and Piano in F major, Op. 17: II. Poco adagio, quasi andante | — | ||
| 20-9 | Sonata for Horn and Piano in F major, Op. 17: III. Rondo. Allegro moderato | — | ||
| 21-1 | Trio for Piano, Violin and Cello in E-flat major, Op. 38: I. Adagio – Allegro con brio | — | ||
| 21-2 | Trio for Piano, Violin and Cello in E-flat major, Op. 38: II. Adagio cantabile | — | ||
| 21-3 | Trio for Piano, Violin and Cello in E-flat major, Op. 38: III. Tempo di minuetto | — | ||
| 21-4 | Trio for Piano, Violin and Cello in E-flat major, Op. 38: IV. Tema con variazioni. Andante | — | ||
| 21-5 | Trio for Piano, Violin and Cello in E-flat major, Op. 38: V. Scherzo. Allegro molto e vivace | — | ||
| 21-6 | Trio for Piano, Violin and Cello in E-flat major, Op. 38: VI. Andante con moto alla marcia – Presto | — | ||
| 21-7 | 12 Variations for Violin and Piano on "Se vuol ballare" from Mozart's "Le nozze di Figaro", WoO 40 | — | ||
| 37-1 | String Quartet No. 1 in F Major, Op. 18 No. 1: I. Allegro con brio | — | ||
| 37-2 | String Quartet No. 1 in F Major, Op. 18 No. 1: II. Adagio affettuoso ed appassionato | — | ||
| 37-3 | String Quartet No. 1 in F Major, Op. 18 No. 1: III. Scherzo. Allegro molto – Trio | — | ||
| 37-4 | String Quartet No. 1 in F Major, Op. 18 No. 1: IV. Allegro | — | ||
| 37-5 | String Quartet No. 2 in G Major, Op. 18 No. 2: I. Allegro | — | ||
| 37-6 | String Quartet No. 2 in G Major, Op. 18 No. 2: II. Adagio cantabile – Allegro – Tempo I | — | ||
| 37-7 | String Quartet No. 2 in G Major, Op. 18 No. 2: III. Scherzo. Allegro – Trio | — | ||
| 37-8 | String Quartet No. 2 in G Major, Op. 18 No. 2: IV. Allegro molto, quasi presto | — | ||
| 37-9 | String Quartet No. 3 in D Major, Op. 18 No. 3: I. Allegro | — | ||
| 37-10 | String Quartet no. 3 in D major, op. 18 no. 3: II. Andante con moto | Suske-Quartett | — | |
| 37-11 | String Quartet No. 3 in D Major, Op. 18 No. 3: III. Allegro | — | ||
| 37-12 | String Quartet No. 3 in D Major, Op. 18 No. 3: IV. Presto | — | ||
| 38-1 | String Quartet No. 4 in C Minor, Op. 18 No. 4: I. Allegro ma non tanto | — | ||
| 38-2 | String Quartet No. 4 in C Minor, Op. 18 No. 4: II. Scherzo. Andante scherzo, quasi allegretto | — | ||
| 38-3 | String Quartet No. 4 in C Minor, Op. 18 No. 4: III. Menuetto. Allegretto – Trio | — | ||
| 38-4 | String Quartet No. 4 in C Minor, Op. 18 No. 4: IV. Allegro | — | ||
| 38-5 | String Quartet No. 5 in A Major, Op. 18 No. 5: I. Allegro | — | ||
| 38-6 | String Quartet No. 5 in A Major, Op. 18 No. 5: II. Menuetto – Trio | — | ||
| 38-7 | String Quartet No. 5 in A Major, Op. 18 No. 5: III. Andante cantabile | — | ||
| 38-8 | String Quartet No. 5 in A Major, Op. 18 No. 5: IV. Allegro | — | ||
| 38-9 | String Quartet No. 6 in B-Flat Major, Op. 18 No. 6: I. Allegro con brio | — | ||
| 38-10 | String Quartet No. 6 in B-Flat Major, Op. 18 No. 6: II. Adagio ma non troppo | — | ||
| 38-11 | String Quartet No. 6 in B-Flat Major, Op. 18 No. 6: III. Scherzo. Allegro – Trio | — | ||
| 38-12 | String Quartet No. 6 in B-Flat Major, Op. 18 No. 6: IV. Adagio (La Malinconia) – Allegretto, quasi allegro | — | ||
| 38-13 | Minuet in A-Flat Major, Hess 33 | — | ||
| 39-1 | String Quartet No. 7 in F Major, Op. 59 No. 1 ‘Rasumovsky’: I. Allegro | — | ||
| 39-2 | String Quartet No. 7 in F Major, Op. 59 No. 1 ‘Rasumovsky’: II. Allegretto vivace e sempre scherzando | — | ||
| 39-3 | String Quartet No. 7 in F Major, Op. 59 No. 1 ‘Rasumovsky’: III. Adagio molto e mesto | — | ||
| 39-4 | String Quartet No. 7 in F Major, Op. 59 No. 1 ‘Rasumovsky’: IV. Allegro (Thème russe) | — | ||
| 39-5 | String Quartet No. 8 in E Minor, Op. 59 No. 2 ‘Rasumovsky’: I. Allegro | — | ||
| 39-6 | String Quartet No. 8 in E Minor, Op. 59 No. 2 ‘Rasumovsky’: II. Molto adagio | — | ||
| 39-7 | String Quartet No. 8 in E Minor, Op. 59 No. 2 ‘Rasumovsky’: III. Allegretto | — | ||
| 39-8 | String Quartet No. 8 in E Minor, Op. 59 No. 2 ‘Rasumovsky’: IV. Finale. Presto | — | ||
| 46-1 | Piano Sonata no. 29 in B-flat, op. 106 ‘Hammerklavier’: I. Allegro | — | ||
| 46-2 | Piano Sonata no. 29 in B-flat, op. 106 ‘Hammerklavier’: II. Scherzo: Assai vivace | — | ||
| 46-3 | Piano Sonata no. 29 in B-flat, op. 106 ‘Hammerklavier’: III. Adagio sostenuto | — | ||
| 46-4 | Piano Sonata no. 29 in B-flat, op. 106 ‘Hammerklavier’: IV. Largo-allegro risoluto | — | ||
| 46-5 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio e appassionato | — | ||
| 46-6 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto, semplice e cantabile | — | ||
| 47-1 | Piano Sonata no. 28 in A, op. 101: I. Allegretto ma non troppo | — | ||
| 47-2 | Piano Sonata no. 28 in A, op. 101: II. Vivace alla marcia | — | ||
| 47-3 | Piano Sonata no. 28 in A, op. 101: III. Adagio ma non troppo con affetto - Presto | — | ||
| 47-4 | Piano Sonata no. 30 in E, op. 109: I. Vivace ma non troppo - adagio espressivo | — | ||
| 47-5 | Piano Sonata no. 30 in E, op. 109: II. Prestissimo | — | ||
| 47-6 | Piano Sonata no. 30 in E, op. 109: III. Tema con variazioni | — | ||
| 47-7 | Piano Sonata no. 31 in A-flat, op. 110: I. Moderato cantabile, molto espressivo | — | ||
| 47-8 | Piano Sonata no. 31 in A-flat, op. 110: II. Allegro molto / III. Adagio ma non troppo | — | ||
| 47-9 | Piano Sonata no. 31 in A-flat, op. 110: Fuga. Allegro ma non troppo | — | ||
| 47-10 | Piano Sonata no. 27 in E minor, op. 90: I. Mit lebhaftigkeit und durchaus mit empfindung und ausdruck | — | ||
| 47-11 | Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | — | ||
| 48-1 | Piano Sonata no. 23 in F minor, op. 57 ‘Appassionata’: I. Allegro assai | — | ||
| 48-2 | Piano Sonata no. 23 in F minor, op. 57 ‘Appassionata’: II. Andante con moto | — | ||
| 48-3 | Piano Sonata no. 23 in F minor, op. 57 ‘Appassionata’: III. Allegro ma non troppo | — | ||
| 48-4 | Piano Sonata no. 22 in F, op. 54: I. In tempo d’un menuetto | — | ||
| 48-5 | Piano Sonata no. 22 in F, op. 54: II. Allegretto | — | ||
| 48-6 | Piano Sonata no. 26 in E-flat, op. 81a ‘Les Adieux’: I. Les adieux: Adagio – allegro | — | ||
| 48-7 | Piano Sonata no. 26 in E-flat, op. 81a ‘Les Adieux’: II. L’absence: Andante espressivo | — | ||
| 48-8 | Piano Sonata no. 26 in E-flat, op. 81a ‘Les Adieux’: III. Le retour: Vivacissimamente | — | ||
| 48-9 | Piano Sonata no. 16 in G, op. 31 no. 1: I. Allegro vivace | — | ||
| 48-10 | Piano Sonata no. 16 in G, op. 31 no. 1: II. Adagio grazioso | — | ||
| 48-11 | Piano Sonata no. 16 in G, op. 31 no. 1: III. Rondo: Allegretto | — | ||
| 49-1 | Piano Sonata no. 17 in D minor, op. 31 no. 2 ‘Tempest’: I. Largo – allegro – adagio | — | ||
| 49-2 | Piano Sonata no. 17 in D minor, op. 31 no. 2 ‘Tempest’: II. Adagio | — | ||
| 49-3 | Piano Sonata no. 17 in D minor, op. 31 no. 2 ‘Tempest’: III. Allegretto | — | ||
| 49-4 | Piano Sonata no. 18 in E-flat, op. 31 no. 3: I. Allegro | — | ||
| 49-5 | Piano Sonata no. 18 in E-flat, op. 31 no. 3: II. Scherzo: Allegretto vivace | — | ||
| 49-6 | Piano Sonata no. 18 in E-flat, op. 31 no. 3: III. Menuetto: Moderato e grazioso | — | ||
| 49-7 | Piano Sonata no. 18 in E-flat, op. 31 no. 3: IV. Presto con fuoco | — | ||
| 49-8 | Piano Sonata no. 21 in C, op. 53 ‘Waldstein’: I. Allegro con brio | — | ||
| 49-9 | Piano Sonata no. 21 in C, op. 53 ‘Waldstein’: II. Introduzione: Adagio molto | — | ||
| 49-10 | Piano Sonata no. 21 in C, op. 53 ‘Waldstein’: III. Rondo: Allegretto moderato – prestissimo | — | ||
| 49-11 | Piano sonata no. 19 in G minor, op. 49 no. 1: I. Andante | — | ||
| 49-12 | Piano sonata no. 19 in G minor, op. 49 no. 1: II. Rondo: Allegro | — | ||
| 50-1 | Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | — | ||
| 50-2 | Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | — | ||
| 50-3 | Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto: Allegretto – trio | — | ||
| 50-4 | Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | — | ||
| 50-5 | Piano Sonata no. 25 in G, op. 79: I. Presto alla tedesca | — | ||
| 50-6 | Piano Sonata no. 25 in G, op. 79: II. Andante | — | ||
| 50-7 | Piano Sonata no. 25 in G, op. 79: III. Vivace | — | ||
| 50-8 | Piano Sonata no. 5 in C minor op. 10 no. 1: I. Allegro molto e con brio | — | ||
| 50-9 | Piano Sonata no. 5 in C minor op. 10 no. 1: II. Adagio molto | — | ||
| 50-10 | Piano Sonata no. 5 in C minor op. 10 no. 1: III. Finale: Prestissimo | — | ||
| 50-11 | Piano Sonata no. 6 in F, op. 10 no. 2: I. Allegro | — | ||
| 50-12 | Piano Sonata no. 6 in F, op. 10 no. 2: II. Allegretto | — | ||
| 50-13 | Piano Sonata no. 6 in F, op. 10 no. 2: III. Presto | — | ||
| 50-14 | Piano Sonata no. 9 in E, op. 14 no. 1: I. Allegro | — | ||
| 50-15 | Piano Sonata no. 9 in E, op. 14 no. 1: II. Allegretto | — | ||
| 50-16 | Piano Sonata no. 9 in E, op. 14 no. 1: III. Rondo: Allegro comodo | — | ||
| 51-1 | Piano Sonata no. 10 in G, op. 14 no. 2: I. Allegro | — | ||
| 51-2 | Piano Sonata no. 10 in G, op. 14 no. 2: II. Andante | — | ||
| 51-3 | Piano Sonata no. 10 in G, op. 14 no. 2: III. Scherzo: Allegro assai | — | ||
| 51-4 | Piano Sonata no. 13 in E-flat, op. 27 no. 1: I. Andante - Allegro - Andante | — | ||
| 51-5 | Piano Sonata no. 13 in E-flat, op. 27 no. 1: II. Allegro molto e vivace | — | ||
| 51-6 | Piano Sonata no. 13 in E-flat, op. 27 no. 1: III. Adagio con espressione | — | ||
| 51-7 | Piano Sonata no. 13 in E-flat, op. 27 no. 1: IV. Finale: Allegro vivace | — | ||
| 51-8 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 ‘Moonlight’: I. Adagio sostenuto | — | ||
| 51-9 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 ‘Moonlight’: II. Allegretto | — | ||
| 51-10 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 ‘Moonlight’: III. Presto agitato | — | ||
| 51-11 | Piano Sonata no. 15 in D, op. 28 ‘Pastoral’: I. Allegro | — | ||
| 51-12 | Piano Sonata no. 15 in D, op. 28 ‘Pastoral’: II. Andante | — | ||
| 51-13 | Piano Sonata no. 15 in D, op. 28 ‘Pastoral’: III. Scherzo: Allegro vivace - Trio / IV. Rondo: Allegro ma non troppo | — | ||
| 52-1 | Piano Sonata no. 7 in D, op.10 no. 3: I. Presto | — | ||
| 52-2 | Piano Sonata no. 7 in D, op.10 no. 3: II. Largo e mesto | — | ||
| 52-3 | Piano Sonata no. 7 in D, op.10 no. 3: III. Menuetto: Allegro | — | ||
| 52-4 | Piano Sonata no. 7 in D, op.10 no. 3: IV. Rondo: Allegro | — | ||
| 52-5 | Piano Sonata no. 2 in A op. 2 no. 2: I. Allegro vivace | — | ||
| 52-6 | Piano Sonata no. 2 in A op. 2 no. 2: II. Largo appassionato | — | ||
| 52-7 | Piano Sonata no. 2 in A op. 2 no. 2: III. Scherzo: Allegretto - Trio | — | ||
| 52-8 | Piano Sonata no. 2 in A op. 2 no. 2: IV. Rondo: Grazioso | — | ||
| 52-9 | Piano Sonata no. 3 in C op. 2 no. 3: I. Allegro con brio | — | ||
| 52-10 | Piano Sonata no. 3 in C op. 2 no. 3: II. Adagio | — | ||
| 52-11 | Piano Sonata no. 3 in C op. 2 no. 3: III. Scherzo: Allegro - Trio | — | ||
| 52-12 | Piano Sonata no. 3 in C op. 2 no. 3: IV. Allegro assai | — | ||
| 53-1 | Piano Sonata no. 8 in C minor, op. 13 ‘Pathétique’: I. Grave - Allegro di molto e con brio | — | ||
| 53-2 | Piano Sonata no. 8 in C minor, op. 13 ‘Pathétique’: II. Adagio cantabile | — | ||
| 53-3 | Piano Sonata no. 8 in C minor, op. 13 ‘Pathétique’: III. Rondo: Allegro | — | ||
| 53-4 | Piano Sonata no. 11 in B-flat, op. 22: I. Allegro con brio | — | ||
| 53-5 | Piano Sonata no. 11 in B-flat, op. 22: II. Adagio con molto espressione | — | ||
| 53-6 | Piano Sonata no. 11 in B-flat, op. 22: III. Menuetto | — | ||
| 53-7 | Piano Sonata no. 11 in B-flat, op. 22: IV. Rondo: Allegretto | — | ||
| 53-8 | Piano Sonata no. 12 in A-flat, op. 26 ‘Funeral March’: I. Andante con variazioni | — | ||
| 53-9 | Piano Sonata no. 12 in A-flat, op. 26 ‘Funeral March’: II. Scherzo: Allegro molto-trio | — | ||
| 53-10 | Piano Sonata no. 12 in A-flat, op. 26 ‘Funeral March’: III. Maestoso andante ‘Marcia funebre sulla morte d’une eroe’ | — | ||
| 53-11 | Piano Sonata no. 12 in A-flat, op. 26 ‘Funeral March’: IV. Allegro | — | ||
| 53-12 | Piano Sonata no. 24 in F-sharp, op. 78: I. Adagio cantabile - Allegro ma non troppo | — | ||
| 53-13 | Piano Sonata no. 24 in F-sharp, op. 78: II. Allegro vivace | — | ||
| 54-1 | Piano Sonata no. 4 in E-flat, op. 7: I. Allegro molto e con brio | — | ||
| 54-2 | Piano Sonata no. 4 in E-flat, op. 7: II. Largo con gran espressione | — | ||
| 54-3 | Piano Sonata no. 4 in E-flat, op. 7: III. Allegro | — | ||
| 54-4 | Piano Sonata no. 4 in E-flat, op. 7: V. Rondo: Poco allegretto e grazioso | — | ||
| 54-5 | Piano Sonata no. 20 in G, op. 49 no. 2: I. Allegro ma non troppo | — | ||
| 54-6 | Piano Sonata no. 20 in G, op. 49 no. 2: II. Tempo di menuetto | — | ||
| 58-1 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Tema. Vivace | — | ||
| 58-2 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. I. Alla marcia maestoso | — | ||
| 58-3 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. II. Poco allegro | — | ||
| 58-4 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. III. L'istesso tempo | — | ||
| 58-5 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. IV. Un poco più vivace | — | ||
| 58-6 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. V. Allegro vivace | — | ||
| 58-7 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VI. Allegro ma non troppo e serioso | — | ||
| 58-8 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VII. Un poco più allegro | — | ||
| 58-9 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VIII. Poco vivace | — | ||
| 58-10 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. IX. Allegro pesante e risoluto | — | ||
| 58-11 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. X. Presto | — | ||
| 58-12 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XI. Allegretto | — | ||
| 58-13 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XII. Un poco più moto | — | ||
| 58-14 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIII. Vivace | — | ||
| 58-15 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIV. Grave e maestoso | — | ||
| 58-16 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XV. Presto scherzando | — | ||
| 58-17 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVI. Allegro | — | ||
| 58-18 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVII. Allegro | — | ||
| 58-19 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVIII. Poco moderato | — | ||
| 58-20 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIX. Presto | — | ||
| 58-21 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XX. Andante | — | ||
| 58-22 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXI. Allegro con brio | — | ||
| 58-23 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXII. Allegro molto | — | ||
| 58-24 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIII. Allegro assai | — | ||
| 58-25 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIV. Fughetta. Andante | — | ||
| 58-26 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXV. Allegro | — | ||
| 58-27 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVI. Allegro | — | ||
| 58-28 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVII. Vivace | — | ||
| 58-29 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVIII. Allegro | — | ||
| 59-1 | Bagatelle for Piano, Op. 126 No. 1 in G major: Andante con moto cantabile e compiacevole | — | ||
| 59-2 | Bagatelle for Piano, Op. 126 No. 2 in G minor: Allegro | — | ||
| 59-3 | Bagatelle for Piano, Op. 126 No. 3 in E-flat major: Andante cantabile e grazioso | — | ||
| 59-4 | Bagatelle for Piano, Op. 126 No. 4 in B minor: Presto | — | ||
| 59-5 | Bagatelle for Piano, Op. 126 No. 5 in G major: Quasi allegretto | — | ||
| 59-6 | Bagatelle for Piano, Op. 126 No. 6 in E-flat major: Presto - Andante amabile e con moto - Tempo | — | ||
| 59-7 | Rondo a Capriccio for Piano in G major, Op. 129 "The Rage Over the Lost Penny": Allegro vivace | — | ||
| 59-8 | Rondo for Piano in C major, Op. 51 No. 1: Moderato e grazioso | — | ||
| 59-9 | Bagatelle for Piano, Op. 33 No. 1 in E-flat major: Andante grazioso quasi allegretto | — | ||
| 59-10 | Bagatelle for Piano, Op. 33 No. 2 in C major: Scherzo. Allegro | — | ||
| 59-11 | Bagatelle for Piano, Op. 33 No. 3 in F major: Allegretto | — | ||
| 59-12 | Bagatelle for Piano, Op. 33 No. 4 in A major: Andante | — | ||
| 59-13 | Bagatelle for Piano, Op. 33 No. 5 in C major: Allegro ma non troppo | — | ||
| 59-14 | Bagatelle for Piano, Op. 33 No. 6 in D major: Allegretto quasi andante | — | ||
| 59-15 | Bagatelle for Piano, Op. 33 No. 7 in A-flat major: Presto | — | ||
| 59-16 | Andante for Piano in F major, WoO 57 "Andante favori". Andante grazioso con moto | — | ||
| 59-17 | Ziemlich lebhaft for Piano in B-flat major, WoO 60 | — | ||
| 60-1 | Bagatelle for Piano in C minor, WoO 52 | — | ||
| 60-2 | Allegretto for Piano in C minor, Hess 69 | — | ||
| 60-3 | Bagatelle for Piano in C major, WoO 54 “Lustig-Traurig” | — | ||
| 60-4 | Rondo for Piano in C major, WoO 48 | — | ||
| 60-5 | Rondo in A major, WoO 49 | — | ||
| 60-6 | Sonata in F major, WoO 50: I | — | ||
| 60-7 | Sonata for Piano in F major, WoO 50: II | — | ||
| 60-8 | Allemande for Piano in A major, WoO 81 | — | ||
| 60-9 | Anglaise in D major, H. 61 | — | ||
| 60-10 | Prelude for Piano in F minor, WoO 55 | — | ||
| 60-11 | Fantasia for Piano in G minor, Op. 77 | — | ||
| 60-12 | Allegretto for Piano in B minor, WoO 61 | — | ||
| 60-13 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Thema. Maestoso | — | ||
| 60-14 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 1 | — | ||
| 60-15 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 2 | — | ||
| 60-16 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 3 | — | ||
| 60-17 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 4 | — | ||
| 60-18 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 5 | — | ||
| 60-19 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 6 | — | ||
| 60-20 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 7 | — | ||
| 60-21 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 8 | — | ||
| 60-22 | 9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 9 | — | ||
| 60-23 | Prelude for Piano, Op. 39 No. 1 | — | ||
| 60-24 | Prelude for Piano, Op. 39 No. 2 | — | ||
| 60-25 | Fugue for Piano in C major, Hess 64 | — | ||
| 60-26 | Minuet for Piano in E-flat major, WoO 82 | — | ||
| 60-27 | Bagatelle for Piano in C major, WoO 56 | — | ||
| 60-28 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Thema. Allegretto | — | ||
| 60-29 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 1 | — | ||
| 60-30 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 2 | — | ||
| 60-31 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 3 | — | ||
| 60-32 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 4 | — | ||
| 60-33 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 5 | — | ||
| 60-34 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 6 | — | ||
| 60-35 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 7 | — | ||
| 60-36 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 8 | — | ||
| 60-37 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 9 | — | ||
| 60-38 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 10 | — | ||
| 60-39 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 11 | — | ||
| 60-40 | 12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 12 | — | ||
| 60-41 | Waltz for Piano in E-flat major, WoO 84 | — | ||
| 60-42 | Allegretto quasi andante for Piano, WoO 61a | — | ||
| 60-43 | Waltz for Piano in D major, WoO 85 | — | ||
| 60-44 | Écossaise for Piano in E-flat major, WoO 86 | — | ||
| 61-1 | Sonata for 2 Pianos in D major, Op. 6: I. Allegro molto | — | ||
| 61-2 | Sonata for 2 Pianos in D major, Op. 6: II. Rondo | — | ||
| 61-3 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Thema | — | ||
| 61-4 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 1 | — | ||
| 61-5 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 2 | — | ||
| 61-6 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 3 | — | ||
| 61-7 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 4 | — | ||
| 61-8 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 5 | — | ||
| 61-9 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 6 | — | ||
| 61-10 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 7 | — | ||
| 61-11 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 8 | — | ||
| 61-12 | 3 Marches for 2 Pianos, Op. 45 No. 1 in C major: Allegro ma non troppo | — | ||
| 61-13 | 3 Marches for 2 Pianos, Op. 45 No. 2 in E-flat major: Vivace | — | ||
| 61-14 | 3 Marches for 2 Pianos, Op. 45 No. 3 in D major: Vivace | — | ||
| 61-15 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Thema | — | ||
| 61-16 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 1 | — | ||
| 61-17 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 2 | — | ||
| 61-18 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 3 | — | ||
| 61-19 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 4 | — | ||
| 61-20 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 5 | — | ||
| 61-21 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 6 | — | ||
| 61-22 | Große Fugue for 2 Pianos, Op. 134: I. Overture. Allegro | — | ||
| 61-23 | Große Fugue for 2 Pianos, Op. 134: II. Fuga. Allegro | — | ||
| 61-24 | Große Fugue for 2 Pianos, Op. 134: III. Meno mosso e moderato | — | ||
| 61-25 | Große Fugue for 2 Pianos, Op. 134: IV. Allegro | — | ||
| 61-26 | Große Fugue for 2 Pianos, Op. 134: V. Allegro molto e con brio | — | ||
| 61-27 | Große Fugue for 2 Pianos, Op. 134: VI. Allegro molto e con brio | — | ||
| 61-28 | Sonata for Piano in D major, WoO 47 No. 3 “Kurfürsten”: I. Allegro | — | ||
| 61-29 | Sonata for Piano in D major, WoO 47 No. 3 “Kurfürsten”: II. Menuetto | — | ||
| 61-30 | Sonata for Piano in D major, WoO 47 No. 3 “Kurfürsten”: III. Scherzando | — | ||
| 62-1 | Leonore, Hess 109: Overture "Leonore II" | Staatskapelle Dresden, Herbert Blomstedt | T-909.574.378-5 | |
| 62-2 | Leonore: Act I. "Fidelio kommt nicht zurück!" (Marzelline) | Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-3 | Leonore: Act I. No. 1 Aria "O wär'ich schon mit dir vereint" (Marzelline) | Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-4 | Leonore: Act I. "Wenn ich diese Tür nicht" (Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-5 | Leonore: Act I. No. 2 Duet "Jetzt, Schätzchen" (Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-6 | Leonore: Act I. "Höre, Jaquino" (Marzelline, Jaquino, Rocco) | Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-7 | Leonore: Act I. No. 3 Trio "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-8 | Leonore: Act I. "Ist Fidelio noch nich nach Hause gekommen?" (Rocco, Marzelline, Jaquino, Leonore) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-9 | Leonore: Act I. No. 4 Canon "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-10 | Leonore: Act I. "Höre, Fidelio" (Rocco, Marzelline, Leonore) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-11 | Leonore: Act I. No. 5 Aria "Hat man nich auch Gold beineben" (Rocco) | Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-12 | Leonore: Act I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline) | Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-13 | Leonore: Act I. No. 6 Trio "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline) | Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-14 | Leonore: Act II. No. 7 March | Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-15 | Leonore: Act II. "Drei Schildwachten auf den Wall" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-16 | Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco) | Theo Adam, MDR Rundfunkchor Leipzig, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-17 | Leonore: Act II. "Rocco!" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-18 | Leonore: Act II. No. 9 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-19 | Leonore: Act II. "Nun ist es endlich entschieden" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-20 | Leonore: Act II. No. 10 Duet "Im in der Ehe froh zu leben" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-21 | Leonore: Act II. "Sie doch, wie du so schnell" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-22 | Leonore: Act II. No. 11 Recitative and Aria "Ach, brich noch nicht" (Leonore) | Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-1 | Leonore: Act II. No. 12 Finale "O welche Lust!" (Chorus of the Prisoners) | Richard Cassilly, Reiner Goldberg, Siegfried Lorenz, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-2 | Leonore: Act II. "Entfernt euch jetzt!" (Rocco, Leonore) | Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-3 | Leonore: Act II. "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore, Marzelline, Pizarro) | Theo Adam, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-4 | Leonore: Act II. "Auf euch nur will ich bauen" (Pizarro, Chorus) | Theo Adam, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-5 | Leonore: Act III. No. 13 Recitative and Aria "Gott! Welch dunkel hier!" (Florestan) | Richard Cassilly, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-6 | Leonore: Act III. No. 14 Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco) | Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-7 | Leonore: Act III. "Er erwacht!" (Leonore, Rocco, Florestan) | Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-8 | Leonore: Act III. No. 15 Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) | Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-9 | Leonore: Act III. "Alles ist bereit" (Rocco, Leonore, Pizarro) | Theo Adam, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-10 | Leonore: Act III. No. 16 Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) | Theo Adam, Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-11 | Leonore: Act III. "Die Waffe hab'ich mir" (Leonore) | Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-12 | Leonore: Act III. No. 17 Recitative and Duet "Ich kann mich noch nicht fassen" (Florestan, Leonore) | Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-13 | Leonore: Act III. "O Leonore, sprich!" (Florestan, Leonore) | Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-14 | Leonore: Act III. No. 18 Finale "Zur Rache" (Chorus, Leonore, Florestan, Rocco, Don Fernando) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-15 | Leonore: Act III. "O Gott! O welch ein Augenblick!" (Leonore, Marzelline, Florestan, Don Fernando, Rocco, Chorus) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-16 | Leonore: Act III. "Wie lange habt Ihr sie getragen?" (Don Fernando, Florestan, Rocco, Chorus, Leonore, Marzelline, Jaquino) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-17 | Leonore: Act III. "Preist mit hoher Freude Glut" (Chorus) | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-18 | Leonore: Act III. "Wer ein solches Weib errungen" (Florestan, Marzelline, Jaquino, Rocco, Don Fernando, Chorus) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 66-1 | Egmont, Op. 84: Ouvertüre | — | ||
| 66-2 | Egmont, Op. 84: No. 1 Lied "Die Trommel gerühret!" (Klärchen) | — | ||
| 66-3 | Egmont, Op. 84: No. 2 Zwischenakt I | — | ||
| 66-4 | Egmont, Op. 84: No. 3 Zwischenakt II | — | ||
| 66-5 | Egmont, Op. 84: No. 4 Lied "Freudvoll und Leidvoll" | — | ||
| 66-6 | Egmont, Op. 84: No. 5 Zwischenakt III | — | ||
| 66-7 | Egmont, Op. 84: No. 6 Zwischenakt IV | — | ||
| 66-8 | Egmont, Op. 84: Monolog "Alter Freund!" (Egmont) | — | ||
| 66-9 | Egmont, Op. 84: No. 7 Musik "Klärchen's Tod bezeichnend" | — | ||
| 66-10 | Egmont, Op. 84: Monolog "Es ist vorbei" (Egmont) | — | ||
| 66-11 | Egmont, Op. 84: No. 8 Melodram "Süsser Schlaf" (Egmont) | — | ||
| 66-12 | Egmont, Op. 84: Monolog "Verschwunden ist der Kranz" (Egmont) | — | ||
| 66-13 | Egmont, Op. 84: No. 9 "Siegessymphonie" | — | ||
| 67-1 | Die Geschöpfe des Prometheus, Op. 43: Ouverture. Adagio - Allegro molto con brio / Introduction. Allegro non troppo | — | ||
| 67-2 | Die Geschöpfe des Prometheus, Op. 43: Adagio - Allegro con brio - Allegro vivace | — | ||
| 67-3 | Die Geschöpfe des Prometheus, Op. 43: Maestoso andante - Adagio - Andante quasi allegretto | — | ||
| 67-4 | Die Geschöpfe des Prometheus, Op. 43: Allegro con brio - Presto | — | ||
| 67-5 | Die Geschöpfe des Prometheus, Op. 43: Adagio - Adagio - Allegro molto | — | ||
| 67-6 | Die Geschöpfe des Prometheus, Op. 43: Pastorale. Allegro | — | ||
| 67-7 | Die Geschöpfe des Prometheus, Op. 43: Maestoso - Allegro (Solo di Gioia) | — | ||
| 67-8 | Die Geschöpfe des Prometheus, Op. 43: Allegro | — | ||
| 67-9 | Die Geschöpfe des Prometheus, Op. 43: Andante - Adagio - Allegro - Allegretto (Solo della Cassentini) | — | ||
| 67-10 | Die Geschöpfe des Prometheus, Op. 43: Andantino - Adagio - Allegro (Solo di Vigano) | — | ||
| 67-11 | Die Geschöpfe des Prometheus, Op. 43: Finale. Allegretto - Allegro molto presto | — | ||
| 67-12 | Musik zu einem Ritterballett, WoO 1: I. Marsch | — | ||
| 67-13 | Musik zu einem Ritterballett, WoO 1: II. Deutscher Gesang. Allegro moderato | — | ||
| 67-14 | Musik zu einem Ritterballett, WoO 1: III. Jagdlied. Allegretto | — | ||
| 67-15 | Musik zu einem Ritterballett, WoO 1: IV. Romanze. Andantino | — | ||
| 67-16 | Musik zu einem Ritterballett, WoO 1: V. Kriegslied. Allegro assai con brio | — | ||
| 67-17 | Musik zu einem Ritterballett, WoO 1: VI. Trinklied. Allegro con brio | — | ||
| 67-18 | Musik zu einem Ritterballett, WoO 1: VII. Deutscher Tanz. Walzer | — | ||
| 67-19 | Musik zu einem Ritterballett, WoO 1: VIII. Coda. Allegro vivace - Andantino - Tempo I | — | ||
| 68-1 | Die Ruinen von Athen, Op. 113: I. Overtüre | — | ||
| 68-2 | Die Ruinen von Athen, Op. 113: II. Chor "Tochter des mächtigen Zeus" | — | ||
| 68-3 | Die Ruinen von Athen, Op. 113: III. Duett "Ohne Verschulden Knechtschaft dulden" | — | ||
| 68-4 | Die Ruinen von Athen, Op. 113: IV. Chor der Derwische "Du hast in deines Ärmels Falten" | — | ||
| 68-5 | Die Ruinen von Athen, Op. 113: V. Marcia alla turca | — | ||
| 68-6 | Die Ruinen von Athen, Op. 113: VI. March "Schmückt die Altare" | — | ||
| 68-7 | Die Ruinen von Athen, Op. 113: VII. Chor und Arie "Wir tragen empfängliche Herzen in Busen" | — | ||
| 68-8 | Die Ruinen von Athen, Op. 113: VIII. Chor "Heil unserm König! Heil!" | — | ||
| 68-9 | König Stephan, Op. 117: I. Overtüre | — | ||
| 68-10 | König Stephan, Op. 117: II. Männerchor "Ruhend von seinem Thaten" | — | ||
| 68-11 | König Stephan, Op. 117: III. Männerchor "Auf dunkelm in finstern Hainen Wandelten" | — | ||
| 68-12 | König Stephan, Op. 117: IV. Siegesmarsch | — | ||
| 68-13 | König Stephan, Op. 117: V. Frauenchor "Wo die Unschuld Blumen streute" | — | ||
| 68-14 | König Stephan, Op. 117: VI. Chor "Eine neue strahlende Sonne" | — | ||
| 68-15 | König Stephan, Op. 117: VII. Chor "Heil! Heil unserm Enkeln" | — | ||
| 68-16 | Aria with Chorus in B-flat major, WoO 94 "Germania" | — | ||
| 68-17 | Chor auf die verbündeten Fürsten. WoO 95 "Ihr weisen Gründer" | — | ||
| 69-1 | Aria, Op. 65 "Ah! Perfido" | — | ||
| 69-2 | Aria for Soprano and Orchestra, WoO 92 - "Primo Amore" | — | ||
| 69-3 | Aria for Soprano and Strings, WoO 92a "No, non turbati" | — | ||
| 69-4 | Duet for Soprano, Tenor and Orchestra, WoO 93 "Nei giorni tuoi felice" | — | ||
| 69-5 | Trio for Soprano, Bass and Orchestra, Op. 116 "Tremate, empi, tremate" | — | ||
| 69-6 | Aria for Bass and Orchestra, WoO 89 "Prüfung des Küssens" | — | ||
| 69-7 | Aria for Bass and Orchestra, WoO 90 "Mit Mädeln sich vertragen" | — | ||
| 69-8 | Aria from "Die schöne Schüsterin" for Tenor and Orchestra, WoO 91 No. 1 "O welch ein Leben!" | — | ||
| 69-9 | Aria from "Die schöne Schüsterin" for Soprano and Orchestra, WoO 91 No. 2 "Soll ein Schuh nicht drücken" | — | ||
| 70-1 | Cantata on the Death of Emperor Joseph II, WoO 87: I. Chorus "Tot! Tot, stöhnt es durch die öde Nacht" (solo quartet) | — | ||
| 70-2 | Cantata on the Death of Emperor Joseph II, WoO 87: II. Recitative "Ein Ungeheuer, sein Name Fanatismus" (bass) | — | ||
| 70-3 | Cantata on the Death of Emperor Joseph II, WoO 87: III. Aria "Da kam Joseph" (bass) | — | ||
| 70-4 | Cantata on the Death of Emperor Joseph II, WoO 87: IV. Aria & Chorus "Da stiegen die Menschen ans Licht" (soprano) | — | ||
| 70-5 | Cantata on the Death of Emperor Joseph II, WoO 87: V. Recitative "Er schläft" (soprano) | — | ||
| 70-6 | Cantata on the Death of Emperor Joseph II, WoO 87: VI. Aria "Hier schlummert seinen stillen Frieden" (soprano) | — | ||
| 70-7 | Cantata on the Death of Emperor Joseph II, WoO 87: VII. Chorus "Tot, stöhnt es durch die öde Nacht" (solo quartet) | — | ||
| 70-8 | Cantata on the Accession of Emperor Leopold II, WoO 88: I. Recitative & Chorus "Er schlummert, laßt sanft den großen Fürsten ruhen!" (soprano) | — | ||
| 70-9 | Cantata on the Accession of Emperor Leopold II, WoO 88: II. Aria "Fließe, Wonnezähren, fließe!" (soprano) | — | ||
| 70-10 | Cantata on the Accession of Emperor Leopold II, WoO 88: III. Recitative "Ihr staunt, Völker der Erde!" (bass) | — | ||
| 70-11 | Cantata on the Accession of Emperor Leopold II, WoO 88: IV. Recitative "Wie bebt mein Herz vor Wonne!" (tenor) | — | ||
| 70-12 | Cantata on the Accession of Emperor Leopold II, WoO 88: V. Chorus "Heil! Stürzet nieder, Millionen" (solo quartet) | — | ||
| 71-1 | Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa Stet!" | — | ||
| 71-2 | Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!" | — | ||
| 71-3 | Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna) | — | ||
| 71-4 | Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin) | — | ||
| 71-5 | Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin) | — | ||
| 71-6 | Cantata for 4 Solo Voices, Chous, and Orchestra, Op. 136 "The Moment of Glory": VI. Choir "Es treten vor die Scharen der Frauen" | — | ||
| 71-7 | Mehrstimmige italienische Gesänge, WoO 99: Bei labbri che amore (Soprano, Tenor) | — | ||
| 71-8 | Mehrstimmige italienische Gesänge, WoO 99: Sei mio ben (Soprano, Tenor) | — | ||
| 71-9 | Mehrstimmige italienische Gesänge, WoO 99: Scrivo in te (Soprano, Tenor) | — | ||
| 71-10 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Tenor, Bass) | — | ||
| 71-11 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Tenor, Bass) | — | ||
| 71-12 | Mehrstimmige italienische Gesänge, WoO 99: Salvo tu voi lo sposo? (Soprano, Tenor) | — | ||
| 71-13 | Mehrstimmige italienische Gesänge, WoO 99: Ma tu tremi (Soprano, Alto, Tenor) | — | ||
| 71-14 | Mehrstimmige italienische Gesänge, WoO 99: Giura il nocchier (Soprano, Alto, Bass) | — | ||
| 71-15 | Mehrstimmige italienische Gesänge, WoO 99: Per te d'amico aprile (Soprano, Alto, Bass) | — | ||
| 71-16 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Soprano, Alto, Tenor) | — | ||
| 71-17 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Soprano, Alto, Tenor) | — | ||
| 71-18 | Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei (Soprano, Tenor, Bass) | — | ||
| 71-19 | Mehrstimmige italienische Gesänge, WoO 99: Chi mai di questo (Soprano, Tenor, Bass) | — | ||
| 71-20 | Mehrstimmige italienische Gesänge, WoO 99: Gia la notte (Alto, Tenor, Bass) | — | ||
| 71-21 | Mehrstimmige italienische Gesänge, WoO 99: Nei Campi e nelle selve I (Soprano, Alto, Tenor, Bass) | — | ||
| 71-22 | Mehrstimmige italienische Gesänge, WoO 99: Nei Campi e nelle selve II (Soprano, Alto, Tenor, Bass) | — | ||
| 71-23 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Soprano, Alto, Tenor, Bass) | — | ||
| 71-24 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Soprano, Alto, Tenor, Bass) | — | ||
| 71-25 | Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei, in G major (Soprano, Alto, Tenor, Bass) | — | ||
| 71-26 | Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei, in F major (Soprano, Alto, Tenor, Bass) | — | ||
| 71-27 | Mehrstimmige italienische Gesänge, WoO 99: Guira il nocchier, in C major (Soprano, Alto, Tenor, Bass) | — | ||
| 71-28 | Mehrstimmige italienische Gesänge, WoO 99: Guira il nocchier, in B flat major (Soprano, Alto, Tenor, Bass) | — | ||
| 71-29 | Mehrstimmige italienische Gesänge, WoO 99: Gia la notte (Soprano, Alto, Tenor, Bass) | — | ||
| 71-30 | Mehrstimmige italienische Gesänge, WoO 99: E pur fra le tempeste (Tenor, Piano) | — | ||
| 72-1 | Cantata for Mixed Chorus and Orchestra, Op. 112 "Meeresstille und glückliche Fahrt" | — | ||
| 72-2 | Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy" | — | ||
| 72-3 | Elegiac Song for Choir and Orchestra, Op. 118 | — | ||
| 72-4 | Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122 | — | ||
| 72-5 | Rural Cantata for 4 Voices accopmanied by Piano, WoO 103 | — | ||
| 72-6 | Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106 | — | ||
| 72-7 | 3 Voice Canon in F major, WoO 166: "Kurz ist der Schmerz" | — | ||
| 72-8 | Hess 91 - Opferlied (piano arrangement from Op. 121b) | — | ||
| 72-9 | Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105 | — | ||
| 72-10 | "Abschiedsgesang an Wiens Bürger", WoO 121 | — | ||
| 72-11 | Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122 | — | ||
| 72-12 | "Opferlied", WoO 126 | — | ||
| 72-13 | "Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto | — | ||
| 72-14 | Sacrificial Song for Soprano accompanied by Choir and Orchestra, Op. 121b | — | ||
| 75-1 | Missa Solemnis in D major, Op. 123: I. Kyrie | — | ||
| 75-2 | Missa Solemnis in D major, Op. 123: II. Gloria | — | ||
| 75-3 | Missa Solemnis in D major, Op. 123: III. Credo | — | ||
| 75-4 | Missa Solemnis in D major, Op. 123: IV. Sanctus | — | ||
| 75-5 | Missa Solemnis in D major, Op. 123: V. Agnus Dei | — | ||
| 76-1 | Song for Voice and Piano and A major, Op. 88: Andante quasi allegretto "Das Gluck der Freundschaft: Der lebt ein Leben wonniglich" | — | ||
| 76-2 | Song for Voice and Piano, WoO 118: Seufzer eines Ungeliebten und Gegenliebe | — | ||
| 76-3 | Song for Voice and Piano, WoO 139: "Der Liebende" | — | ||
| 76-4 | Song for Voice and Piano, WoO 147: "Ruf vom Berge" | — | ||
| 76-5 | Song for Voice and Piano in E-flat major, Op. 32 "An die Hoffnung": Poco adagio | — | ||
| 76-6 | Song for Voice and Piano, Op. 94: "An die Hoffnung" | — | ||
| 76-9 | Song for Voice and Piano, WoO 114: Selbstgespräch | — | ||
| 76-10 | Song for 2 Voices and Piano, WoO 130: "Gedenke Mein!" | — | ||
| 76-11 | 6 Variations for Piano in D major on the song "Ich denke dein", WoO 74: Leid. Andantino cantabile | — | ||
| 76-12 | Song for Voice and Piano, Op. 52 No. 6 in F major: Allegretto "Die Liebe: Ohne Liebe lebe wer da kann" | — | ||
| 76-13 | Song for Voice and Piano, Op. 52 No. 8 in G major: Andante "Das Blumchen Wunderhold: Es steht ein Blumchen irgend wo in" | — | ||
| 76-14 | Song for Voice and Piano, WoO 107: "Schilderung eines Mädchens" | — | ||
| 76-15 | Song for Voice and Piano, WoO 115: "An Minna" | — | ||
| 76-16 | Song for Voice and Piano, WoO 135: "Die laute Klage" | — | ||
| 76-17 | Song for Voice and Piano, WoO 132: "Als die Geliebte sich trennen wollte" | — | ||
| 76-18 | Song for Voice and Piano, Op. 52 No. 3 in F major: Adagio "Das Liedchen von der Ruhe: Im Arm der Liebe ruht sich's wohl" | — | ||
| 76-19 | Song for Voice and Piano, WoO 146: "Sehnsucht" | — | ||
| 77-1 | Gesange for Voice and Piano, Op. 75 No. 3 in G minor: Poco Allegretto "Aus Goethe's Faust: Es war einmal ein Konig" | — | ||
| 77-2 | Song for Voice and Piano, Op. 52 No. 1 in A minor: In einer massigen geschwinden Bewegung "Urians Reise um die Welt: Wenn jemand eine Reise thut" | — | ||
| 77-3 | Song for Voice and Piano, WoO 109: "Trinklied" | — | ||
| 77-4 | Song for Voice and Piano, WoO 111: "Punchlied, Scherzlieder" | — | ||
| 77-5 | Gesange for Voice and Piano, Op. 75 No. 6 in A major: Froh und heiter, etwas lebhaft "Der Zufriedene: Zwar schuf das Gluck hienieden" | — | ||
| 77-6 | Aria for Soprano and Piano, Op. 82 No. 1 in A major: Allegro moderato "Hoffnung: Dimmi ben mio - Nimmer den lieben dem Herzen" | — | ||
| 77-7 | Aria for Soprano and Piano, Op. 82 No. 2 in D major: Adagio ma non troppo "Liebsklage: T'indendo, si, mio cor - Den stummen Felsen nur" | — | ||
| 77-8 | Aria for Soprano and Piano, Op. 82 No. 3 in E-flat major: Allegro "Stille Frage: Che fa il mio bene? - Darf nimmer ich dir nahen?" | — | ||
| 77-9 | Aria for Soprano and Piano, Op. 82 No. 4 in B-flat major: Andante con espressione "Liebes-Ungeduld: Che fa il mio bene? - So muss ich ihm entsagen" | — | ||
| 77-10 | Duet for Soprano and Tenor, Op. 82 No. 5 in E major: Andante vivace "Lebens-Genuss: Odi l'aura che dolce sospira - Schnell verbluhen" | — | ||
| 77-11 | Song for Voice and 2 Pianos, WoO 119: "o Care Selve" | — | ||
| 77-12 | Song for Voice and Piano, WoO 124: "La partenza (Der Abschied)" | — | ||
| 77-13 | Song for Voice and Piano, WoO 133: "In questa tomba oscura" | — | ||
| 77-14 | Song for Voice and Piano, WoO 125: "La Tiranna", Canzonetta | — | ||
| 77-15 | Song for Voice and Piano, WoO 116: "Que le temps me dure" | — | ||
| 77-16 | Song for Voice and Piano, WoO 128: "Plaisir d'aimer" | — | ||
| 77-17 | Song for Voice and Piano, WoO 129: "Der Wachtelschlag" | — | ||
| 77-18 | Song for Voice and Piano, WoO 145: "Das Geheimnis" | — | ||
| 77-19 | Song for Voice and Piano, WoO 112: "An Laura" | — | ||
| 77-20 | Song for Voice and Piano, WoO 150: "Abendlied unterm gestirnten Himmel" | — | ||
| 77-21 | Song for Voice and Piano, WoO 113: "Klage" | — | ||
| 77-22 | Song for Voice and Piano, Op. 52 No. 2 in G major: Andante con moto "Feuerfarb': Ich weiss eine Farbe" | — | ||
| 77-23 | Song for Voice and Piano, WoO 110: "Elegie Auf Den Tod Eines Pudels" | — | ||
| 77-24 | Song for Voice and Piano, WoO 148: "So Oder So" | — | ||
| 77-25 | Song for Voice and Piano, WoO 143: "Des Kriegers Abschied" | — | ||
| 77-26 | Song for Voice and Piano, WoO 117: "Der Freie Mann" | — | ||
| 77-27 | Song for Voice and Piano, WoO 126: "Opferlied" | — | ||
| 78-1 | Song for Voice and Piano, WoO 141: "Der Gesang der Nachtigall" (J.G. Herder) | — | ||
| 78-2 | Song for Voice and Piano, WoO 127: "Neue Liebe, neues Leben" (J.W. von Goethe) | — | ||
| 78-3 | Song for Voice and Piano, WoO 118: "Seufzer eines Ungeliebten" und "Gegenliebe" (G.A. Bürger) | — | ||
| 78-4 | Song for Voice and Piano, WoO 142: "Der Bardengeist" (F.R. Hermann) | — | ||
| 78-5 | Song for Voice and Piano, WoO 139: "Der Liebende" (Reissig) | — | ||
| 78-6 | Song for Voice and Piano, WoO 144: "Merkenstein" (J.B. Rupprecht) | — | ||
| 78-7 | Song for Voice and Piano, WoO 120: "Man Strebt, Die Flamme Zu Verhehlen" | — | ||
| 78-8 | Song for Voice and Piano, Op. 52 No. 5 in G major: Adagio con espessione "Molly's Abschied: Lebe wohl, du Mann der Lust" | — | ||
| 78-9 | Song for Voice and Piano, WoO 134: "Sehnsucht" (J.W. Goethe) | — | ||
| 78-10 | Gesange for Voice and Piano, Op. 75 No. 5 in G major: Larghetto "An den fernen Geliebten: Einst wohnten susse Ruh" | — | ||
| 78-11 | Gesange for Voice and Piano, Op. 75 No. 1 in A major: Ziemlich langsam "Mignon: Kennst du das Land" | — | ||
| 78-12 | Gesange for Voice and Piano, Op. 75 No. 4 in A major: Etwas lebhaft "Gretels Warnung: Mit Liebes lick und Spiel und Sang" | — | ||
| 78-13 | Song for Voice and Piano in G major, Op. 99 "Der Mann von Wort: sagtest, Freund, an diesen Ort komm ich zurück" | — | ||
| 78-14 | Song for Voice and Piano, WoO 151: "Der edle Mensche sei hülfreich und gut" (J.W. Goethe) | — | ||
| 78-15 | Song for Voice and Piano, Hess 151: "Traute Henriette" | — | ||
| 78-16 | Song for Voice and Piano in F major, Op. 100 "Merkenstein: Merkenstein! Wo ich wandle denk ich dein": Massig, jdeoch nicht schleppend | — | ||
| 79-1 | An die ferne Geliebte, Op. 98: i "Auf Dem Hügel", ii "Wo Die Berge", iii "Leichte Segler", iv "Diese Wolken", v "Es Kehret Der Maien", vi "Nimm Sie Hin Denn" | — | ||
| 79-2 | Cantata for Voice and Piano in B-flat major, Op. 46: Larghetto "Adelaide: Einsam wandelt dein Freund im Fruhlings Garten" | — | ||
| 79-3 | "Ich liebe dich so wie du mich" (Zärtliche Liebe), WoO 123 | — | ||
| 79-4 | Arietta "Der Kuß", Op. 128 | — | ||
| 79-5 | "Lied aus der Ferne", WoO 137 | — | ||
| 79-6 | "Der Jüngling in der Fremde", WoO 138 | — | ||
| 79-7 | "Resignation", WoO 149 | — | ||
| 79-8 | Andenken, WoO 136 "Ich denke dein" | — | ||
| 79-9 | Song for Voice and Piano, Op. 48 No. 1 in E major: Feierlich und mit Andacht "Bitten: Gott deine Gute reicht so" | — | ||
| 79-10 | Song for Voice and Piano, Op. 48 No. 2 in E-flat major: Lebhaft, doch nicht zu sehr "Die Liebe des Nachsten: So jemand spricht" | — | ||
| 79-11 | Song for Voice and Piano, Op. 48 No. 3 in F-sharp minor: Mussig und eher langsam als geschwind "Vom Tode: Meine Lebenszeit verstreicht" | — | ||
| 79-12 | Song for Voice and Piano, Op. 48 No. 4 in C major: Majestatisch und erhaben "Die Ehre Gottes in der Natur:Die Himmel ruhmen des Ewigen" | — | ||
| 79-13 | Song for Voice and Piano, Op. 48 No. 5 in C major: Mit Kraft and Feuer "Gottes Macht und Vorsehung: Gott ist mein Lied!" | — | ||
| 79-14 | Song for Voice and Piano, Op. 48 No. 6 in A minor: Poco adagio "Busslied: An dir allein, an dir hab' ich gesundigt" | — | ||
| 79-15 | Song for Voice and Piano, Op. 52 No. 4 in A-flat major: Allegro "Mailied: Wie herrlich leuchtet" | — | ||
| 79-16 | Song for Voice and Piano, Op. 52 No. 7 in A minor: Allegretto "Marmotte: Ich komme schon durch manches Land" | — | ||
| 79-17 | Gesange for Voice and Piano, Op. 75 No. 2 in C major: Lebhaft, doch nicht zu sehr "Neue Liebe, neues Leben: Herz, mein Herz, was soll das geben?" | — | ||
| 79-18 | Gesange for Voice and Piano, Op. 83 No. 1 in E major: Andante espressivo "Wonne der Wehmuth: Trocknet nicht" | — | ||
| 79-19 | Gesange for Voice and Piano, Op. 83 No. 2 in B minor: Allegretto "Sehnsucht: Was zieht mir das Herz so?" | — | ||
| 79-20 | Gesange for Voice and Piano, Op. 83 No. 3 in F major: Leichtlich und mit Grazie vorzutragen "Mie einem gemalten Band: Kleine Blumen, kleine Blatter" | — | ||
| 79-21 | Egmont, Op. 84: No. 4 Lied "Freudvoll und Leidvoll" | — | ||
| 80-1 | Musical joke for three voices "Lob auf den Dicken", WoO 100 | — | ||
| 80-2 | Musical joke for three voices and choir "Esel aller Esel, hi ha", Hess 277 | — | ||
| 80-3 | Musical joke "Graf, liebster Graf, liebstes Schaf", WoO 101 | — | ||
| 80-4 | Musical Joke "Herr Graf, ich komme zu fragen", Hess 276 | — | ||
| 80-5 | Canon for 3 "Bester Graf, Sie sind ein Schaf", WoO 183 | — | ||
| 80-6 | Canon for 4 "Es muss sein", WoO 196 | — | ||
| 80-7 | Canon for 2 Instruments in G major, Hess 274 | — | ||
| 80-8 | Joke or Riddle, canon for 4 "Das ist das Werk, sorgt um das Geld!", WoO 197 | — | ||
| 80-9 | Canon for 5 "Glaube und hoffe", WoO 174 | — | ||
| 80-10 | Canonlike movement for 4 "Auf einen, welche Hoffmann geheissen", WoO 180 | — | ||
| 80-11 | Canon for 2, Anglaise in D major for piano, Hess 61 | — | ||
| 80-12 | Canon for 2 "Rasch tritt der Tod den Menschen an", WoO 104 | — | ||
| 80-13 | Song for the Monks from Schiller's "William Tell": "Ich war hier, Doktor, ich war hier", WoO 190 | — | ||
| 80-14 | Riddle Canon for 2 "Signor abate", WoO 178 | — | ||
| 80-15 | Canon for 3 "Kurz ist der Schmerz, und ewig ist die Freude", WoO 163 | — | ||
| 80-16 | Canon for 3 "Hol'euch der Teufel! B'hüt euch Gott!", WoO 173 | — | ||
| 80-17 | Riddle Canon for 2 "Gott ist eine feste Burg", WoO 188 | — | ||
| 80-18 | Riddle Canon for 2 "Sankt Petrus war ein Fels" "Bernardus war ein Sankt", WoO 175 | — | ||
| 80-19 | Riddle Canon for 4 "Tugend ist keinleerer name", WoO 181 No. 3 | — | ||
| 80-20 | Canon for 3 "Edel sei der mensch, hülfreich und gut", WoO 185 | — | ||
| 80-21 | Canon for 6 "Bester Magistrat, Ihr friert", WoO 177 | — | ||
| 80-22 | Canon for 2 Male Voices and 2 Double Basses "Kühl, nicht lau", WoO 191 | — | ||
| 80-23 | Canon for 3 "Wir irren allesamt", WoO 198 | — | ||
| 80-24 | Riddle Canon for 2 "Auf einen, welcher Schwenke geheissen: «Schwenke dich ohne»", WoO 187 | — | ||
| 80-25 | Canon for 4 "Brauchle, Linke", WoO 167 | — | ||
| 80-26 | Canon for 4 "O Tobias!", WoO 182 | — | ||
| 80-27 | Canon for 3 "Gedenket heute an Baden", WoO 181 No. 1 | — | ||
| 80-28 | Canon for 4 "Seiner Kaiserlichen Hoheit... Alles Gute, alles Schöne", WoO 179 | — | ||
| 80-29 | Introduction and Canon for 4 "Glück fehl'dir vor allem", WoO 171 | — | ||
| 80-30 | Canon for 4 "Gehabt euch wohl", WoO 181 No. 2 | — | ||
| 80-31 | Canon for 4 "Freu dich des Lebens", WoO 195 | — | ||
| 80-32 | Canon for 2 "Glück zum neuen Jahr", WoO 165 | — | ||
| 80-33 | Instrumental Canon for 2 in A flat major, Hess 275 | — | ||
| 80-34 | Canon for 4 "Im Arm der Liebe ruht sich's wohl", WoO 159 | — | ||
| 80-35 | Canon for 3 "Ich Küsse Sie", WoO 169 | — | ||
| 80-36 | Riddle Canon for 2 "Languisco e moro", Hess 229 | — | ||
| 80-37 | Canon for 2 "Te solo adoro", WoO 186 | — | ||
| 80-38 | Canon for 2 "Ewig dein", WoO 161 | — | ||
| 80-39 | Canon for 3 "Freundschaft ist der Quell wahrer Glückseligkeit", WoO 164 | — | ||
| 80-40 | Instrumental Canon for 4, WoO 160 No. 2 | — | ||
| 80-41 | Canon for 3 "Ta ta ta, lieber Mälzel", WoO 162 | — | ||
| 80-42 | Canon for 4 "Ich bitt'dich, schreib'mir die Es-Scala auf", WoO 172 | — | ||
| 80-43 | Canon for 3 "Ars longa, vita brevis", WoO 192 | — | ||
| 80-44 | Instrumental Canon for 3, WoO 160 No. 1 | — | ||
| 80-45 | Riddle Canon "Das Schweigen: «Lerne schweigen, o Freund»", WoO 168 No. 1 | — | ||
| 80-46 | Riddle Canon for 3 "Das Reden: «Rede, wenn's um einen Freund dir gilt»", WoO 168 No. 2 | — | ||
| 80-47 | Canon for 3 "Falstafferel", WoO 184 | — | ||
| 80-48 | Duet for 2 Violins in A major, WoO 34 | — | ||
| 80-49 | Canon for 5 "Abschiedsgesang «Die Stunde schlägt»", WoO 102 | — | ||
| 80-50 | 25 Irish Songs WoO 152, No. 2 "Sweet power of song" (duet) | — | ||
| 80-51 | 25 Irish Songs WoO 152, No. 5 "On the massacre of Glencoe" | — | ||
| 80-52 | 25 Irish Songs WoO 152, No. 6 "What shall I do to shew how much I love her?" (duet) | — | ||
| 80-53 | 25 Irish Songs WoO 152, No. 8 "Come draw we round a cheerful ring" | — | ||
| 80-54 | 25 Irish Songs WoO 152, No. 10 "The deserter" | — | ||
| 80-55 | 25 Irish Songs WoO 152, No. 11 "Thou emblem of faith" | — | ||
| 80-56 | 25 Irish Songs WoO 152, No. 13 "Musing on the roaring ocean" | — | ||
| 80-57 | 25 Irish Songs WoO 152, No. 15 "Let brainspinning swains" | — | ||
| 80-58 | 25 Irish Songs WoO 152, No. 17 "In vain to this desert" (duet) | — | ||
| 80-59 | 25 Irish Songs WoO 152, No. 19 "Wife, children and friends" (duet) | — | ||
| 80-60 | 25 Irish Songs WoO 152, No. 20 "Farewell bliss and farewell Nancy" (duet) | — | ||
| 80-61 | 25 Irish Songs WoO 152, No. 21 "Morning a cruel turmoiler is" | — | ||
| 80-62 | 25 Irish Songs WoO 152, No. 23 "The wand'ring gypsy" | — | ||
| 80-63 | 25 Irish Songs WoO 152, No. 24 "The Traugh welcome" | — | ||
| 80-64 | 20 Irish Songs WoO 153, No. 1 "When eve's last rays in twilight" (duet) | — | ||
| 80-65 | 20 Irish Songs WoO 153, No. 4 "Since greybeards inpourm us that youth will decay" | — | ||
| 80-66 | 20 Irish Songs WoO 153, No. 5 "I dream'd I lay where flowers were springing" (duet) | — | ||
| 80-67 | 20 Irish Songs WoO 153, No. 7 "O soothe me, my lyre" | — | ||
| 80-68 | 20 Irish Songs WoO 153, No. 8 "Norah of Balamagairy" | — | ||
| 80-69 | 20 Irish Songs WoO 153, No. 10 "The hapless soldier" (duet) | — | ||
| 80-70 | 20 Irish Songs WoO 153, No. 15 "'t is but in vain, pour nothing thrives" | — | ||
| 80-71 | 20 Irish Songs WoO 153, No. 17 "Come, Darby dear, easy, be easy" | — | ||
| 80-72 | 20 Irish Songs WoO 153, No. 20 "Thy ship must sail, my Henry dear" | — | ||
| 81-1 | 25 Irish Songs WoO 152, No. 1, "The Return to Ulster" | — | ||
| 81-2 | 25 Irish Songs WoO 152, No. 3, "Once More I Hail Thee" | — | ||
| 81-3 | 25 Irish Songs WoO 152, No. 4, "The Morning Air Plays on My Face" | — | ||
| 81-4 | 25 Irish Songs WoO 152, No. 7, "His Boat Comes on the Sunny Tide" | — | ||
| 81-5 | 25 Irish Songs WoO 152, No. 9, "The Soldier's Dream" | — | ||
| 81-6 | 25 Irish Songs WoO 152, No. 12, "English Bulls" | — | ||
| 81-7 | 25 Irish Songs WoO 152, No. 14, "Dermot and Shelah" | — | ||
| 81-8 | 25 Irish Songs WoO 152, No. 16, "Hide Not Thy Anguish" | — | ||
| 81-9 | 25 Irish Songs WoO 152, No. 18, "They Bid Me Slight My Dermot Dear" | — | ||
| 81-10 | 25 Irish Songs WoO 152, No. 22, "From Garyone, My Happy Home" | — | ||
| 81-11 | 25 Irish Songs WoO 152, No. 25, "Oh Harp of Erin" | — | ||
| 81-12 | 20 Irish Songs WoO 153, No. 2, "No Riches From His Scanty Store" | — | ||
| 81-13 | 20 Irish Songs WoO 153, No. 3, "The British Light Dragoons" | — | ||
| 81-14 | 20 Irish Songs WoO 153, No. 6, "Sad and Luckless Was the Season" | — | ||
| 81-15 | 20 Irish Songs WoO 153, No. 9, "The Kiss, Dear Maid, Thy Lip Has Left" | — | ||
| 81-16 | 20 Irish Songs WoO 153, No. 11, "When Far From the Home" | — | ||
| 81-17 | 20 Irish Songs WoO 153, No. 12, "I'll Praise the Saints" | — | ||
| 81-18 | 20 Irish Songs WoO 153, No. 13, "'Tis Sunshine at Last" | — | ||
| 81-19 | 20 Irish Songs WoO 153, No. 14, "Paddy O'Rafferty" | — | ||
| 81-20 | 20 Irish Songs WoO 153, No. 16, "O Might I but My Patrick Love" | — | ||
| 81-21 | 20 Irish Songs WoO 153, No. 18, "No More, My Mary" | — | ||
| 81-22 | 20 Irish Songs WoO 153, No. 19, "Judy, Lovely, Matchless Creature" | — | ||
| 82-1 | 12 Irish Songs WoO 154, No. 1, "The Elfin Fairies" | — | ||
| 82-2 | 12 Irish Songs WoO 154, No. 2, "O Harp of Erin" | — | ||
| 82-3 | 12 Irish Songs WoO 154, No. 3, "The Farewell Song" | — | ||
| 82-4 | 12 Irish Songs WoO 154, No. 4, "The Pulse of an Irishman" | — | ||
| 82-5 | 12 Irish Songs WoO 154, No. 5, "Oh! Who, My Dear Dermot" | — | ||
| 82-6 | 12 Irish Songs WoO 154, No. 6, "Put Round the Bright Wine" | — | ||
| 82-7 | 12 Irish Songs WoO 154, No. 7, "From Garyone, My Happy Home" | — | ||
| 82-8 | 12 Irish Songs WoO 154, No. 8, "Save Me From the Grace and Wise" | — | ||
| 82-9 | 12 Irish Songs WoO 154, No. 9, "Oh! Would I Were but That Sweet Linnet!" | — | ||
| 82-10 | 12 Irish Songs WoO 154, No. 10, "The Hero May Perish" | — | ||
| 82-11 | 12 Irish Songs WoO 154, No. 11, "The Soldier in a Foreign Land" | — | ||
| 82-12 | 12 Irish Songs WoO 154, No. 12, "He Promised Me at Parting" | — | ||
| 83-1 | 26 Welsh Songs WoO 155, No. 1, "Sion, the Son of Evan" | — | ||
| 83-2 | 26 Welsh Songs WoO 155, No. 2, "The Monks of Bangor's March" | — | ||
| 83-3 | 26 Welsh Songs WoO 155, No. 3, "The Cottage Maid" | — | ||
| 83-4 | 26 Welsh Songs WoO 155, No. 4, "Love Without Hope" | — | ||
| 83-5 | 26 Welsh Songs WoO 155, No. 5, "The Golden Robe" | — | ||
| 83-6 | 26 Welsh Songs WoO 155, No. 6, "The Fair Maid of Mona" | — | ||
| 83-7 | 26 Welsh Songs WoO 155, No. 7, "O Let the Night My Blushes Hide" | — | ||
| 83-8 | 26 Welsh Songs WoO 155, No. 8, "Farewell, Thou Noisy Town" | — | ||
| 83-9 | 26 Welsh Songs WoO 155, No. 9, "To the Aeolian Harp" | — | ||
| 83-10 | 26 Welsh Songs WoO 155, No. 10, "Ned Pugh's Farewell" | — | ||
| 83-11 | 26 Welsh Songs WoO 155, No. 11, "Merch Megan, or Peggy's Daughter" | — | ||
| 83-12 | 26 Welsh Songs WoO 155, No. 12, "Waken, Lords and Ladies Gay" | — | ||
| 83-13 | 26 Welsh Songs WoO 155, No. 13, "Helpless Woman" | — | ||
| 83-14 | 26 Welsh Songs WoO 155, No. 14, "The Dream" | — | ||
| 83-15 | 26 Welsh Songs WoO 155, No. 15, "When Mortals All to Rest Retire" | — | ||
| 83-16 | 26 Welsh Songs WoO 155, No. 16, "The Damsels of Cardigan" | — | ||
| 83-17 | 26 Welsh Songs WoO 155, No. 17, "The Dairy House" | — | ||
| 83-18 | 26 Welsh Songs WoO 155, No. 18, "Sweet Richard" | — | ||
| 83-19 | 26 Welsh Songs WoO 155, No. 19, "The Vale of Clwyd" | — | ||
| 83-20 | 26 Welsh Songs WoO 155, No. 20, "To the Blackbird" | — | ||
| 83-21 | 26 Welsh Songs WoO 155, No. 21, "Cupid's Kindness" | — | ||
| 83-22 | 26 Welsh Songs WoO 155, No. 22, "Constancy" | — | ||
| 83-23 | 26 Welsh Songs WoO 155, No. 23, "The Old Strain" | — | ||
| 83-24 | 26 Welsh Songs WoO 155, No. 24, "Three Hundred Pounds" | — | ||
| 83-25 | 26 Welsh Songs WoO 155, No. 25, "The Parting Kiss" | — | ||
| 83-26 | 26 Welsh Songs WoO 155, No. 26, "Good Night" | — | ||
| 84-1 | Twelve Scottish Folksongs, WoO 156, No. 1, "The Banner of Buccleuch" | — | ||
| 84-2 | Twelve Scottish Folksongs, WoO 156, No. 2, "Duncan Cray" | — | ||
| 84-3 | Twelve Scottish Folksongs, WoO 156, No. 3, "Up! Quit Thy Bower" | — | ||
| 84-4 | Twelve Scottish Folksongs, WoO 156, No. 4, "Ye Shepherds of This Pleasant Vale" | — | ||
| 84-5 | Twelve Scottish Folksongs, WoO 156, No. 5, "Cease Your Funning" | — | ||
| 84-6 | Twelve Scottish Folksongs, WoO 156, No. 6, "Highland Harry" | — | ||
| 84-7 | Twelve Scottish Folksongs, WoO 156, No. 7, "Polly Stewart" | — | ||
| 84-8 | Twelve Scottish Folksongs, WoO 156, No. 8, "Womankind" | — | ||
| 84-9 | Twelve Scottish Folksongs, WoO 156, No. 9, "Lochnagar" | — | ||
| 84-10 | Twelve Scottish Folksongs, WoO 156, No. 10, "Glencoe" | — | ||
| 84-11 | Twelve Scottish Folksongs, WoO 156, No. 11, "Auld Lang Syne" | — | ||
| 84-12 | Twelve Scottish Folksongs, WoO 156, No. 12, "The Quaker's Wife" | — | ||
| 84-13 | Twelve Various Folksongs, WoO 157, No. 1, "God Save the King" | — | ||
| 84-14 | Twelve Various Folksongs, WoO 157, No. 2, "The Soldier" | — | ||
| 84-15 | Twelve Various Folksongs, WoO 157, No. 3, "Charlie Is My Darling" | — | ||
| 84-16 | Twelve Various Folksongs, WoO 157, No. 4, "O Sanctissima" | — | ||
| 84-17 | Twelve Various Folksongs, WoO 157, No. 5, "The Miller of Dee" | — | ||
| 84-18 | Twelve Various Folksongs, WoO 157, No. 6, "A Health to the Brave" | — | ||
| 84-19 | Twelve Various Folksongs, WoO 157, No. 7, "Robin Adair" | — | ||
| 84-20 | Twelve Various Folksongs, WoO 157, No. 8, "By the Side of the Shannon" | — | ||
| 84-21 | Twelve Various Folksongs, WoO 157, No. 9, "Highlander's Lament" | — | ||
| 84-22 | Twelve Various Folksongs, WoO 157, No. 10, "Sir Johnnie Cope" | — | ||
| 84-23 | Twelve Various Folksongs, WoO 157, No. 11, "The Wandering Minstrel" | — | ||
| 84-24 | Twelve Various Folksongs, WoO 157, No. 12, "La Gondoletta" | — | ||
| 85-1 | Twenty-Five Scottish Songs, Op. 108, No. 1, "Music, Love and Wine" | — | ||
| 85-2 | Twenty-Five Scottish Songs, Op. 108, No. 2, "Sunset" | — | ||
| 85-3 | Twenty-Five Scottish Songs, Op. 108, No. 3, "O Sweet Were the Hours" | — | ||
| 85-4 | Twenty-Five Scottish Songs, Op. 108, No. 4, "The Maid of Isla" | — | ||
| 85-5 | Twenty-Five Scottish Songs, Op. 108, No. 5, "The Sweetest Lad Was Laimie" | — | ||
| 85-6 | Twenty-Five Scottish Songs, Op. 108, No. 6, "Dim, Dim Is My Eye" | — | ||
| 85-7 | Twenty-Five Scottish Songs, Op. 108, No. 7, "Bonnie, Laddie, Highland Laddie" | — | ||
| 85-8 | Twenty-Five Scottish Songs, Op. 108, No. 8, "The Lovely Lass of Inverness" | — | ||
| 85-9 | Twenty-Five Scottish Songs, Op. 108, No. 9, "Behold My Love How Green the Groves" | — | ||
| 85-10 | Twenty-Five Scottish Songs, Op. 108, No. 10, "Sympathy" | — | ||
| 85-11 | Twenty-Five Scottish Songs, Op. 108, No. 11, "O, Thou Art the Lad of My Heart" | — | ||
| 85-12 | Twenty-Five Scottish Songs, Op. 108, No. 12, "O, Had My Fate Been Join'd With Thine" | — | ||
| 85-13 | Twenty-Five Scottish Songs, Op. 108, No. 13, "Come Fill, Fill, My Good Fellow" | — | ||
| 85-14 | Twenty-Five Scottish Songs, Op. 108, No. 14, "O, How Can I Be Blithe and Glad" | — | ||
| 85-15 | Twenty-Five Scottish Songs, Op. 108, No. 15, "O Cruel Was My Father" | — | ||
| 85-16 | Twenty-Five Scottish Songs, Op. 108, No. 16, "Could This Ill World Have Been Contriv'd" | — | ||
| 85-17 | Twenty-Five Scottish Songs, Op. 108, No. 17, "O Mary, at Thy Window Be" | — | ||
| 85-18 | Twenty-Five Scottish Songs, Op. 108, No. 18, "Enchantress, Farewell" | — | ||
| 85-19 | Twenty-Five Scottish Songs, Op. 108, No. 19, "O Swiftly Glides the Bonny Boat" | — | ||
| 85-20 | Twenty-Five Scottish Songs, Op. 108, No. 20, "Faithfu' Johnie" | — | ||
| 85-21 | Twenty-Five Scottish Songs, Op. 108, No. 21, "Jeanie's Distress" | — | ||
| 85-22 | Twenty-Five Scottish Songs, Op. 108, No. 22, "The Highland Watch" | — | ||
| 85-23 | Twenty-Five Scottish Songs, Op. 108, No. 23, "The Shepherd's Song" | — | ||
| 85-24 | Twenty-Five Scottish Songs, Op. 108, No. 24, "Again, My Dyre" | — | ||
| 85-25 | Twenty-Five Scottish Songs, Op. 108, No. 25, "Sally in Our Alley" | — | ||
| 85-26 | Songs of Different Peoples, WoO 158/1, No. 1, "Ridder Stings Runer (Denmark)" | — | ||
| 85-27 | Songs of Different Peoples, WoO 158/1, No. 4, "Wann I in Der Früh Aufsteh (Tyrol)" | — | ||
| 85-28 | Songs of Different Peoples, WoO 158/1, No. 7, "Wer Solche Buema Afipackt (Tyrol)" | — | ||
| 85-29 | Songs of Different Peoples, WoO 158/1, No. 8, "Ih Mag Di Nit Nehma, Du Töppeter Hecht (Tyrol)" | — | ||
| 85-30 | Songs of Different Peoples, WoO 158/1, No. 9, "Oj, Oj Upilem Sie W Karczmie (Poland)" | — | ||
| 85-31 | Songs of Different Peoples, WoO 158/1, No. 10, "Poszla Baba Po Popiol (Poland)" | — | ||
| 85-32 | Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)" | — | ||
| 85-33 | Songs of Different Peoples, WoO 158/1, No. 13, "Im Walde Sind Viele Mücklein Geboren (Russia)" | — | ||
| 85-34 | Songs of Different Peoples, WoO 158/1, No. 14, "Ach Bächlein, Bächlein, Kühle Wasser (Russia)" | — | ||
| 85-35 | Songs of Different Peoples, WoO 158/1, No. 15, "Unsere Mädchen Gingen in Den Wald (Russia)" | — | ||
| 85-36 | Songs of Different Peoples, WoO 158/1, No. 17, "Vaggvisa (Sweeden)" | — | ||
| 85-37 | Songs of Different Peoples, WoO 158/1, No. 18, "Un Ä Bergli Bin I Gesässe (Switzerland)" | — | ||
| 85-38 | Songs of Different Peoples, WoO 158/1, No. 20, "Bolero a Due - Como La Mariposa (Spain)" | — | ||
| 85-39 | Songs of Different Peoples, WoO 158/1, No. 22, "Magyar Szüretölö Ënek (Hungary)" | — | ||
| 85-40 | Songs of Different Peoples, WoO 158/1, No. 24, "Air De Colin, Le Devin Du Village" | — | ||
| 85-41 | Songs of Different Peoples, WoO 158/1, No. 27, "Air Français (France)" | — | ||
| 86-1 | Twenty-Three Continental Folksongs, WoO 158/a, No. 2, "Horch Auf, Mein Leibchen" (Germany) | — | ||
| 86-2 | Twenty-Three Continental Folksongs, WoO 158/a, No. 3, "Wegen Meiner Bleib d'Fräula" (Germany) | — | ||
| 86-3 | Twenty-Three Continental Folksongs, WoO 158/a, No. 5, "I Bin a Tyroler Bua" (Tyrol) | — | ||
| 86-4 | Twenty-Three Continental Folksongs, WoO 158/a, No. 6, "A Madel, Ja a Madel" (Tyrol) | — | ||
| 86-5 | Twenty-Three Continental Folksongs, WoO 158/a, No. 11, "Yo No Quiero Embarcarme" (Portugal) | — | ||
| 86-6 | Twenty-Three Continental Folksongs, WoO 158/a, No. 16, "Schöne Minka, ich Muss Scheiden" (Ukraine) | — | ||
| 86-7 | Twenty-Three Continental Folksongs, WoO 158/a, No. 19, "Una Paloma Blanca" (Spain) | — | ||
| 86-8 | Twenty-Three Continental Folksongs, WoO 158/a, No. 21, "La Tiranna Se Embarca" (Spain) | — | ||
| 86-9 | Twenty-Three Continental Folksongs, WoO 158/a, No. 23, "Da brava, Catina" (Venetian) | — | ||
| 86-10 | Seven British Folksongs, WoO 158/b, "Adieu, My Lov'd Harp" | — | ||
| 86-11 | Seven British Folksongs, WoO 158/b, "Oh, Ono Chrio (O Was Not I a Weary Wight!)" | — | ||
| 86-12 | Seven British Folksongs, WoO 158/b, "Red Gleam The Sun on Yon Hill Tab" | — | ||
| 86-13 | Seven British Folksongs, WoO 158/b, "Erin! O Erin!" | — | ||
| 86-14 | Seven British Folksongs, WoO 158/b, "O Mary, ye's be clad in silk" | — | ||
| 86-15 | Six Assorted Folksongs, WoO 158/c, "When my Hero in Court Appears" | — | ||
| 86-16 | Six Assorted Folksongs, WoO 158/c, "Air de Colin (Non, non, Colette n'est point trompeuse)" | — | ||
| 86-17 | Six Assorted Folksongs, WoO 158/c, "Mark Yonder Pomp of Costly Fashion" | — | ||
| 86-18 | Six Assorted Folksongs, WoO 158/c, "Bonnie Wee Thing" | — | ||
| 86-19 | Six Assorted Folksongs, WoO 158/c, "From thee, Eliza, I must go" | — |
Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphony no. 2 in D major, op. 36: II. Larghetto
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphony no. 2 in D major, op. 36: IV. Allegro molto
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Sächsische Staatskapelle Dresden, Herbert Blomstedt
Sächsische Staatskapelle Dresden, Herbert Blomstedt
Sächsische Staatskapelle Dresden, Herbert Blomstedt
Sächsische Staatskapelle Dresden, Herbert Blomstedt
Symphonie no. 5 in C minor, op. 67: I. Allegro con brio
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphonie no. 5 in C minor, op. 67: II. Andante con moto
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphonie no. 5 in C minor, op. 67: III. Allegro
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphonie no. 5 in C minor, op. 67: IV. Allegro - Presto
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphonie no. 6 in F major, op. 68 "Pastorale": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphonie no. 6 in F major, op. 68 "Pastorale": II. Szene am Bach: Andante molto mosso
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphonie no. 6 in F major, op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute: Allegro
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphonie no. 6 in F major, op. 68 "Pastorale": IV. Gewitter, Sturm: Allegro
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphonie no. 6 in F major, op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Sächsische Staatskapelle Dresden, Herbert Blomstedt
Symphony no. 7 in A major, op. 92: III. Presto
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphony no. 7 in A major, op. 92: IV. Allegro con brio
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Sächsische Staatskapelle Dresden, Herbert Blomstedt
Symphony no. 8 in F major, op. 93: III. Tempo di menuetto
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphony no. 8 in F major, op. 93: IV. Allegro vivace
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphony no. 9 in D minor, op. 125: II. Molto vivace
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Symphony no. 9 in D minor, op. 125: IV. Presto
Sächsische Staatskapelle Dresden, Herbert Blomstedt
—
Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio
—
Piano Concerto no. 1 in C major, op. 15: II. Largo
—
Piano Concerto no. 1 in C major, op. 15: III. Rondo: allegro scherzando
—
Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio
—
Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio
—
Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo: molto allegro
—
Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio
—
Piano Concerto no. 3 in C minor, op. 37: II. Largo
—
Piano Concerto no. 3 in C minor, op. 37: III. Rondo: Allegro
—
Piano Concerto no. 5 in E-flat major, op. 73: I. Allegro
—
Piano Concerto no. 5 in E-flat major, op. 73: II. Adagio un poco mosso
—
Piano Concerto no. 5 in E-flat major, op. 73: III. Rondo: Allegro
—
Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato
—
Piano Concerto no. 4 in G major, op. 58: II. Andante con moto
—
Piano Concerto no. 4 in G major, op. 58: III. Rondo: Vivace
—
Piano Concerto in D major, op. 61a: I. Allegro ma non troppo
—
Piano Concerto in D major, op. 61a: II. Larghetto
—
Piano Concerto in D major, op. 61a: III. Rondo: Allegro
—
Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo
—
Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto
—
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo
—
Romance for Violin no. 1 in G major, op. 40: Adagio - Allegro con brio
—
Romance for Violin no. 2 in F major, op. 50: Adagio cantabile
—
Triple Concerto in C major, op. 56: I. Allegro
—
Triple Concerto in C major, op. 56: II. Largo -
—
Triple Concerto in C major, op. 56: III. Rondo alla Polacca
—
Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): I. Allegro moderato
Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte
—
Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): II. Larghetto
Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte
—
Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): III. Rondo. Allegretto (cadenza: Willy Hess)
Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte
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Rondo for Piano and Orchestra in B-flat major, WoO 6: Allegro
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Leonore Overture no. 1, op. 138
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Leonore Overture no. 2, op. 72
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Leonore Overture no. 3, op. 72a
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Fidelio Overture, op. 72b
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Funeral March from Leonore Prohaska, WoO 96
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Die Weihe des Hauses: Overture, op. 124
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Die Weihe des Hauses: Chorus with soprano solo, WoO 98 ''Wo sich die Pulse''
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Coriolan, op. 62: Overture
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Namensfeier Overture, op. 115
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Gratulationsmenuett, WoO 3
Minnesota Orchestra, Stanisław Skrowaczewski
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Triumphal March from Tarpeja, WoO 2
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Fugue for Organ in D major, WoO 31
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Stücke für Flötenuhr, WoO 33: Allegro non più molto
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Stücke für Flötenuhr, WoO 33: Allegretto
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Stücke für Flötenuhr, WoO 33: Adagio assai
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Stücke für Flötenuhr, WoO 33: Scherzo. Allegro
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Stücke für Flötenuhr, WoO 33: Allegro
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Grenadiermarsch, Hess 107
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Wellington's Victory or the Battle of Vittoria, op, 91: British Entrance
London Symphony Orchestra, Rafael Frühbeck de Burgos
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Wellington's Victory or the Battle of Vittoria, op, 91: French Entrance
London Symphony Orchestra, Rafael Frühbeck de Burgos
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Wellington's Victory or the Battle of Vittoria, op, 91: Battle: Allegro
London Symphony Orchestra, Rafael Frühbeck de Burgos
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Wellington's Victory or the Battle of Vittoria, op, 91: March: Allegro assai
London Symphony Orchestra, Rafael Frühbeck de Burgos
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Wellington's Victory or the Battle of Vittoria, op, 91: Victory: Allegro con brio
London Symphony Orchestra, Rafael Frühbeck de Burgos
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12 Contredanses for Small Orchestra WoO 14 No. 1 in C major
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12 Contredanses for Small Orchestra WoO 14 No. 2 in A major
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12 Contredanses for Small Orchestra WoO 14 No. 3 in D major
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12 Contredanses for Small Orchestra WoO 14 No. 4 in B-flat major
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12 Contredanses for Small Orchestra WoO 14 No. 5 in E-flat major
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12 Contredanses for Small Orchestra WoO 14 No. 6 in C major
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12 Contredanses for Small Orchestra WoO 14 No. 7 in E-flat major
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12 Contredanses for Small Orchestra WoO 14 No. 8 in C major
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12 Contredanses for Small Orchestra WoO 14 No. 9 in A major
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12 Contredanses for Small Orchestra WoO 14 No. 10 in C major
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12 Contredanses for Small Orchestra WoO 14 No. 11 in G major
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Contredanses for Small Orchestra WoO 14 No. 12 in E-flat major
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6 Minuets for Two Violins and Violoncello WoO 9 No. 1 in E-flat major
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6 Minuets for Two Violins and Violoncello WoO 9 No. 2 in G major
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6 Minuets for Two Violins and Violoncello WoO 9 No. 3 in C major
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6 Minuets for Two Violins and Violoncello WoO 9 No. 4 in F major
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6 Minuets for Two Violins and Violoncello WoO 9 No. 5 in D major
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6 Minuets for Two Violins and Violoncello WoO 9 No. 6 in G major
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11 Dances for Seven String and Wind Instruments WoO 17 No. 1: Waltz in E-flat major
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11 Dances for Seven String and Wind Instruments WoO 17 No. 2: Minuet in B-flat major
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11 Dances for Seven String and Wind Instruments WoO 17 No. 3: Waltz in B-flat major
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11 Dances for Seven String and Wind Instruments WoO 17 No. 4: Minuet in E-flat major
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11 Dances for Seven String and Wind Instruments WoO 17 No. 5: Minuet in E-flat major
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11 Dances for Seven String and Wind Instruments WoO 17 No. 6: Ländler in E-flat major
—
11 Dances for Seven String and Wind Instruments WoO 17 No. 7: Minuet in B-flat major
—
11 Dances for Seven String and Wind Instruments WoO 17 No. 8: Ländler in B-flat major
—
11 Dances for Seven String and Wind Instruments WoO 17 No. 9: Minuet in G major
—
11 Dances for Seven String and Wind Instruments WoO 17 No. 10: Waltz in D major
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11 Dances for Seven String and Wind Instruments WoO 17 No. 11: Waltz in D major
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Six Ländler for 2 Violins and Bass, WoO 15 No. 1 in D major
—
Six Ländler for 2 Violins and Bass, WoO 15 No. 2 in D major
—
Six Ländler for 2 Violins and Bass, WoO 15 No. 3 in D major
—
Six Ländler for 2 Violins and Bass, WoO 15 No. 4 in D minor
—
Six Ländler for 2 Violins and Bass, WoO 15 No. 5 in D major
—
Six Ländler for 2 Violins and Bass, WoO 15 No. 6 in D major
—
12 German Dances for Orchestra WoO 8 No. 1 in C major
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12 German Dances for Orchestra WoO 8 No. 2 in A major
—
12 German Dances for Orchestra WoO 8 No. 3 in F major
—
12 German Dances for Orchestra WoO 8 No. 4 in B-flat major
—
12 German Dances for Orchestra WoO 8 No. 5 in E-flat major
—
12 German Dances for Orchestra WoO 8 No. 6 in G major
—
12 German Dances for Orchestra WoO 8 No. 7 in C major
—
12 German Dances for Orchestra WoO 8 No. 8 in A major
—
12 German Dances for Orchestra WoO 8 No. 9 in F major
—
12 German Dances for Orchestra WoO 8 No. 10 in D major
—
12 German Dances for Orchestra WoO 8 No. 11 in G major
—
12 German Dances for Orchestra WoO 8 No. 12 in C major
—
12 Menuets for Orchestra WoO 7 No. 1 in D major
—
12 Menuets for Orchestra WoO 7 No. 2 in B-flat major
—
12 Menuets for Orchestra WoO 7 No. 3 G major
—
12 Menuets for Orchestra WoO 7 No. 4 in E-flat major
—
12 Menuets for Orchestra WoO 7 No. 5 in C major
—
12 Menuets for Orchestra WoO 7 No. 6 in A major
—
12 Menuets for Orchestra WoO 7 No. 7 in D major
—
12 Menuets for Orchestra WoO 7 No. 8 in B-flat major
—
12 Menuets for Orchestra WoO 7 No. 9 in G major
—
12 Menuets for Orchestra WoO 7 No. 10 in E-flat major
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12 Menuets for Orchestra WoO 7 No. 11 in C major
—
12 Menuets for Orchestra WoO 7 No. 12 in F major
—
Military March in D major WoO 24
—
6 Menuets for Orchestra WoO 10 No. 1 in C major
—
6 Menuets for Orchestra WoO 10 No. 2 in G major
—
6 Menuets for Orchestra WoO 10 No. 3 in E-flat major
—
6 Menuets for Orchestra WoO 10 No. 4 in B-flat major
—
6 Menuets for Orchestra WoO 10 No. 5 in D major
—
6 Menuets for Orchestra WoO 10 No. 6 in C major
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6 Deutsche Tänze WoO 42
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6 Ecossaises in E-flat major WoO 83 No. 1
—
6 Ecossaises in E-flat major WoO 83 No. 2
—
6 Ecossaises in E-flat major WoO 83 No. 3
—
6 Ecossaises in E-flat major WoO 83 No. 4
—
6 Ecossaises in E-flat major WoO 83 No. 5
—
6 Ecossaises in E-flat major WoO 83 No. 6
—
Ecossaise in G major WoO 23
—
7 Ländler in D major WoO 11 No. 1
—
7 Ländler in D major WoO 11 No. 2
—
7 Ländler in D major WoO 11 No. 3
—
7 Ländler in D major WoO 11 No. 4
—
7 Ländler in D major WoO 11 No. 5
—
7 Ländler in D major WoO 11 No. 6
—
7 Ländler in D major WoO 11 No. 7
—
12 Deutsche Tänze WoO 13 No. 1 in D major
—
12 Deutsche Tänze WoO 13 No. 2 in B-flat major
—
12 Deutsche Tänze WoO 13 No. 3 in G major
—
12 Deutsche Tänze WoO 13 No. 4 in D major
—
12 Deutsche Tänze WoO 13 No. 5 in F major
—
12 Deutsche Tänze WoO 13 No. 6 in B-flat major
—
12 Deutsche Tänze WoO 13 No. 7 in D major
—
12 Deutsche Tänze WoO 13 No. 8 in G major
—
12 Deutsche Tänze WoO 13 No. 9 in E-flat major
—
12 Deutsche Tänze WoO 13 No. 10 in C major
—
12 Deutsche Tänze WoO 13 No. 11 in A major
—
12 Deutsche Tänze WoO 13 No. 12 in D major
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Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: I. Allegro
—
Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: II. Andante
—
Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: III. Menuetto
—
Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: IV. Finale. Presto
—
Rondino for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, WoO 25
—
Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: I. Adagio – Allegro
—
Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: II. Adagio
—
Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: III. Menuetto. Quasi allegretto
—
Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: IV. Rondo. Allegro
—
3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: I. Allegro comodo
—
3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: II. Larghetto sostenuto
—
3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: III. Rondo. Allegretto
—
3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: I. Allegro affettuoso
—
3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: II. Aria. Larghetto
—
3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: III. Rondo. allegretto moderato
—
3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: I. Allegro sostenuto
—
3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: II. Aria con variazioni
—
3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: III. Allegro assai
—
March and Trio in F major for wind ensemble, WoO 18 "For the Bohemian Ward"
Ottetto Italiano
—
March and Trio in C major for wind ensemble, WoO 20 "Zapfenstreich"
Ottetto Italiano
—
March and Trio in F major for military band, WoO 19
Ottetto Italiano
—
Polonaise in D major for military band, WoO 21
Ottetto Italiano
—
Ecossaise in D major for military band, WoO 22
Ottetto Italiano
—
March for 2 clarinets, 2 horns and 2 bassoons in B-flat major, WoO 29
Ottetto Italiano
—
Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: I. Allegro
Ottetto Italiano
—
Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: II. Adagio maestoso
Ottetto Italiano
—
Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: III. Minuetto
Ottetto Italiano
—
Adagio for 3 horns in F major
Ottetto Italiano
—
Equale for 4 trombones, WoO 30: I. Andante
Ottetto Italiano
—
Equale for 4 trombones, WoO 30: II. Poco adagio
Ottetto Italiano
—
Equale for 4 trombones, WoO 30: III. Poco sostenuto
Ottetto Italiano
—
Trio for 2 oboes and english horn in C major, Op. 87: I. Allegro
Ottetto Italiano
—
Trio for 2 oboes and english horn in C major, Op. 87: II. Adagio
Ottetto Italiano
—
Trio for 2 oboes and english horn in C major, Op. 87: III. Minuetto
Ottetto Italiano
—
Trio for 2 oboes and english horn in C major, Op. 87: IV. Finale
Ottetto Italiano
—
Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: I. Theme
Ottetto Italiano
—
Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: II. Var1
Ottetto Italiano
—
Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: III. Var 2
Ottetto Italiano
—
Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IV. Var 3
Ottetto Italiano
—
Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: V. Var 4 & 5
Ottetto Italiano
—
Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VI. Var 6
Ottetto Italiano
—
Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VII. Var 7
Ottetto Italiano
—
Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VIII. Var 8
Ottetto Italiano
—
Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IX. Coda
Ottetto Italiano
—
Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio
Ottetto Italiano
—
Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto
Ottetto Italiano
—
Serenade for Flute and Piano, Op. 41: I. Entrata - Allegro
—
Serenade for Flute and Piano, Op. 41: II. Tempo Ordinario D'Un Menuetto
—
Serenade for Flute and Piano, Op. 41: III. Molto allegro
—
Serenade for Flute and Piano, Op. 41: IV. Andante con variazioni
—
Serenade for Flute and Piano, Op. 41: V. Allegro, scherzo e vivace
—
Serenade for Flute and Piano, Op. 41: VI. Adagio
—
Serenade for Flute and Piano, Op. 41: VII. Allegro vivace e disinvolto
—
Six Themes and Variations for Flute and Piano, Op. 105 No. 1: Scottish Air in G major
—
Six Themes and Variations for Flute and Piano, Op. 105 No. 2: Scottish Air in C minor
—
Six Themes and Variations for Flute and Piano, Op. 105 No. 3: Austrian Air in C major
—
Six Themes and Variations for Flute and Piano, Op. 105 No. 4: Scottish Air in E-flat
—
Six Themes and Variations for Flute and Piano, Op. 105 No. 5: Scottish Air in E-flat
—
Six Themes and Variations for Flute and Piano, Op. 105 No. 6: Scottish Air in D major
—
Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio
—
Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto
—
Trio for Flute, Bassoon, and Piano in G major, WoO 37: I. Allegro
—
Trio for Flute, Bassoon, and Piano in G major, WoO 37: II. Adagio
—
Trio for Flute, Bassoon, and Piano in G major, WoO 37: III. Thema andante con variazioni
—
Ten Themes and Variations for Flute and Piano, Op. 107 No. 1:Tyrolian Air in E-flat
—
Ten Themes and Variations for Flute and Piano, Op. 107 No. 2: Scottish Air in F major
—
Ten Themes and Variations for Flute and Piano, Op. 107 No. 3: Russian Air in G major
—
Ten Themes and Variations for Flute and Piano, Op. 107 No. 4: Scottish Air in F major
—
Ten Themes and Variations for Flute and Piano, Op. 107 No. 5: Tyrolian Air in F major
—
Ten Themes and Variations for Flute and Piano, Op. 107 No. 6: Scottish Air in E-flat major
—
Ten Themes and Variations for Flute and Piano, Op. 107 No. 7: Russian Air in A minor
—
Ten Themes and Variations for Flute and Piano, Op. 107 No. 8: Scottish Air in D major
—
Ten Themes and Variations for Flute and Piano, Op. 107 No. 9: Scottish Air E-flat major
—
Ten Themes and Variations for Flute and Piano, Op. 107 No. 10: Scottish Air G minor
—
Trio for three flutes in G major (spurious): I. Allegro
—
Trio for three flutes in G major (spurious): II. Andante
—
Trio for three flutes in G major (spurious): III. Rondo, allegretto
—
Sonate for Flute and Piano in B-flat major, Anh. 4: I. Allegro moderato
—
Sonate for Flute and Piano in B-flat major, Anh. 4: II. Polonaise
—
Sonate for Flute and Piano in B-flat major, Anh. 4: III. Largo
—
Sonate for Flute and Piano in B-flat major, Anh. 4: IV. Allegretto tema con variazione
—
Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: I. Adagio – Allegro con brio
—
Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: II. Adagio cantabile
—
Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: III. Tempo di menuetto
—
Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: IV. Tema con variazioni. Andante
—
Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace
—
Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: VI. Andante con moto alla marcia – Presto
—
Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: I. Allegro con brio
—
Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: II. Adagio
—
Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: III. Rondo. Allegro
—
Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: I. Grave – Allegro ma non troppo
—
Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: II. Andante cantabile
—
Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo
—
Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: I. Allegro con brio
—
Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: II. Adagio
—
Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: III. Allegretto. Variations on ''Pria ch'io l'impegno''
—
Sonata for Horn and Piano in F major, Op. 17: I. Allegro moderato
—
Sonata for Horn and Piano in F major, Op. 17: II. Poco adagio, quasi andante
—
Sonata for Horn and Piano in F major, Op. 17: III. Rondo. Allegro moderato
—
Trio for Piano, Violin and Cello in E-flat major, Op. 38: I. Adagio – Allegro con brio
—
Trio for Piano, Violin and Cello in E-flat major, Op. 38: II. Adagio cantabile
—
Trio for Piano, Violin and Cello in E-flat major, Op. 38: III. Tempo di minuetto
—
Trio for Piano, Violin and Cello in E-flat major, Op. 38: IV. Tema con variazioni. Andante
—
Trio for Piano, Violin and Cello in E-flat major, Op. 38: V. Scherzo. Allegro molto e vivace
—
Trio for Piano, Violin and Cello in E-flat major, Op. 38: VI. Andante con moto alla marcia – Presto
—
12 Variations for Violin and Piano on "Se vuol ballare" from Mozart's "Le nozze di Figaro", WoO 40
—
String Quartet No. 1 in F Major, Op. 18 No. 1: I. Allegro con brio
—
String Quartet No. 1 in F Major, Op. 18 No. 1: II. Adagio affettuoso ed appassionato
—
String Quartet No. 1 in F Major, Op. 18 No. 1: III. Scherzo. Allegro molto – Trio
—
String Quartet No. 1 in F Major, Op. 18 No. 1: IV. Allegro
—
String Quartet No. 2 in G Major, Op. 18 No. 2: I. Allegro
—
String Quartet No. 2 in G Major, Op. 18 No. 2: II. Adagio cantabile – Allegro – Tempo I
—
String Quartet No. 2 in G Major, Op. 18 No. 2: III. Scherzo. Allegro – Trio
—
String Quartet No. 2 in G Major, Op. 18 No. 2: IV. Allegro molto, quasi presto
—
String Quartet No. 3 in D Major, Op. 18 No. 3: I. Allegro
—
String Quartet no. 3 in D major, op. 18 no. 3: II. Andante con moto
Suske-Quartett
—
String Quartet No. 3 in D Major, Op. 18 No. 3: III. Allegro
—
String Quartet No. 3 in D Major, Op. 18 No. 3: IV. Presto
—
String Quartet No. 4 in C Minor, Op. 18 No. 4: I. Allegro ma non tanto
—
String Quartet No. 4 in C Minor, Op. 18 No. 4: II. Scherzo. Andante scherzo, quasi allegretto
—
String Quartet No. 4 in C Minor, Op. 18 No. 4: III. Menuetto. Allegretto – Trio
—
String Quartet No. 4 in C Minor, Op. 18 No. 4: IV. Allegro
—
String Quartet No. 5 in A Major, Op. 18 No. 5: I. Allegro
—
String Quartet No. 5 in A Major, Op. 18 No. 5: II. Menuetto – Trio
—
String Quartet No. 5 in A Major, Op. 18 No. 5: III. Andante cantabile
—
String Quartet No. 5 in A Major, Op. 18 No. 5: IV. Allegro
—
String Quartet No. 6 in B-Flat Major, Op. 18 No. 6: I. Allegro con brio
—
String Quartet No. 6 in B-Flat Major, Op. 18 No. 6: II. Adagio ma non troppo
—
String Quartet No. 6 in B-Flat Major, Op. 18 No. 6: III. Scherzo. Allegro – Trio
—
String Quartet No. 6 in B-Flat Major, Op. 18 No. 6: IV. Adagio (La Malinconia) – Allegretto, quasi allegro
—
Minuet in A-Flat Major, Hess 33
—
String Quartet No. 7 in F Major, Op. 59 No. 1 ‘Rasumovsky’: I. Allegro
—
String Quartet No. 7 in F Major, Op. 59 No. 1 ‘Rasumovsky’: II. Allegretto vivace e sempre scherzando
—
String Quartet No. 7 in F Major, Op. 59 No. 1 ‘Rasumovsky’: III. Adagio molto e mesto
—
String Quartet No. 7 in F Major, Op. 59 No. 1 ‘Rasumovsky’: IV. Allegro (Thème russe)
—
String Quartet No. 8 in E Minor, Op. 59 No. 2 ‘Rasumovsky’: I. Allegro
—
String Quartet No. 8 in E Minor, Op. 59 No. 2 ‘Rasumovsky’: II. Molto adagio
—
String Quartet No. 8 in E Minor, Op. 59 No. 2 ‘Rasumovsky’: III. Allegretto
—
String Quartet No. 8 in E Minor, Op. 59 No. 2 ‘Rasumovsky’: IV. Finale. Presto
—
Piano Sonata no. 29 in B-flat, op. 106 ‘Hammerklavier’: I. Allegro
—
Piano Sonata no. 29 in B-flat, op. 106 ‘Hammerklavier’: II. Scherzo: Assai vivace
—
Piano Sonata no. 29 in B-flat, op. 106 ‘Hammerklavier’: III. Adagio sostenuto
—
Piano Sonata no. 29 in B-flat, op. 106 ‘Hammerklavier’: IV. Largo-allegro risoluto
—
Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio e appassionato
—
Piano Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto, semplice e cantabile
—
Piano Sonata no. 28 in A, op. 101: I. Allegretto ma non troppo
—
Piano Sonata no. 28 in A, op. 101: II. Vivace alla marcia
—
Piano Sonata no. 28 in A, op. 101: III. Adagio ma non troppo con affetto - Presto
—
Piano Sonata no. 30 in E, op. 109: I. Vivace ma non troppo - adagio espressivo
—
Piano Sonata no. 30 in E, op. 109: II. Prestissimo
—
Piano Sonata no. 30 in E, op. 109: III. Tema con variazioni
—
Piano Sonata no. 31 in A-flat, op. 110: I. Moderato cantabile, molto espressivo
—
Piano Sonata no. 31 in A-flat, op. 110: II. Allegro molto / III. Adagio ma non troppo
—
Piano Sonata no. 31 in A-flat, op. 110: Fuga. Allegro ma non troppo
—
Piano Sonata no. 27 in E minor, op. 90: I. Mit lebhaftigkeit und durchaus mit empfindung und ausdruck
—
Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen
—
Piano Sonata no. 23 in F minor, op. 57 ‘Appassionata’: I. Allegro assai
—
Piano Sonata no. 23 in F minor, op. 57 ‘Appassionata’: II. Andante con moto
—
Piano Sonata no. 23 in F minor, op. 57 ‘Appassionata’: III. Allegro ma non troppo
—
Piano Sonata no. 22 in F, op. 54: I. In tempo d’un menuetto
—
Piano Sonata no. 22 in F, op. 54: II. Allegretto
—
Piano Sonata no. 26 in E-flat, op. 81a ‘Les Adieux’: I. Les adieux: Adagio – allegro
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Piano Sonata no. 26 in E-flat, op. 81a ‘Les Adieux’: II. L’absence: Andante espressivo
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Piano Sonata no. 26 in E-flat, op. 81a ‘Les Adieux’: III. Le retour: Vivacissimamente
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Piano Sonata no. 16 in G, op. 31 no. 1: I. Allegro vivace
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Piano Sonata no. 16 in G, op. 31 no. 1: II. Adagio grazioso
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Piano Sonata no. 16 in G, op. 31 no. 1: III. Rondo: Allegretto
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Piano Sonata no. 17 in D minor, op. 31 no. 2 ‘Tempest’: I. Largo – allegro – adagio
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Piano Sonata no. 17 in D minor, op. 31 no. 2 ‘Tempest’: II. Adagio
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Piano Sonata no. 17 in D minor, op. 31 no. 2 ‘Tempest’: III. Allegretto
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Piano Sonata no. 18 in E-flat, op. 31 no. 3: I. Allegro
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Piano Sonata no. 18 in E-flat, op. 31 no. 3: II. Scherzo: Allegretto vivace
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Piano Sonata no. 18 in E-flat, op. 31 no. 3: III. Menuetto: Moderato e grazioso
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Piano Sonata no. 18 in E-flat, op. 31 no. 3: IV. Presto con fuoco
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Piano Sonata no. 21 in C, op. 53 ‘Waldstein’: I. Allegro con brio
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Piano Sonata no. 21 in C, op. 53 ‘Waldstein’: II. Introduzione: Adagio molto
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Piano Sonata no. 21 in C, op. 53 ‘Waldstein’: III. Rondo: Allegretto moderato – prestissimo
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Piano sonata no. 19 in G minor, op. 49 no. 1: I. Andante
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Piano sonata no. 19 in G minor, op. 49 no. 1: II. Rondo: Allegro
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Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro
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Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio
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Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto: Allegretto – trio
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Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo
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Piano Sonata no. 25 in G, op. 79: I. Presto alla tedesca
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Piano Sonata no. 25 in G, op. 79: II. Andante
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Piano Sonata no. 25 in G, op. 79: III. Vivace
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Piano Sonata no. 5 in C minor op. 10 no. 1: I. Allegro molto e con brio
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Piano Sonata no. 5 in C minor op. 10 no. 1: II. Adagio molto
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Piano Sonata no. 5 in C minor op. 10 no. 1: III. Finale: Prestissimo
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Piano Sonata no. 6 in F, op. 10 no. 2: I. Allegro
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Piano Sonata no. 6 in F, op. 10 no. 2: II. Allegretto
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Piano Sonata no. 6 in F, op. 10 no. 2: III. Presto
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Piano Sonata no. 9 in E, op. 14 no. 1: I. Allegro
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Piano Sonata no. 9 in E, op. 14 no. 1: II. Allegretto
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Piano Sonata no. 9 in E, op. 14 no. 1: III. Rondo: Allegro comodo
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Piano Sonata no. 10 in G, op. 14 no. 2: I. Allegro
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Piano Sonata no. 10 in G, op. 14 no. 2: II. Andante
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Piano Sonata no. 10 in G, op. 14 no. 2: III. Scherzo: Allegro assai
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Piano Sonata no. 13 in E-flat, op. 27 no. 1: I. Andante - Allegro - Andante
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Piano Sonata no. 13 in E-flat, op. 27 no. 1: II. Allegro molto e vivace
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Piano Sonata no. 13 in E-flat, op. 27 no. 1: III. Adagio con espressione
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Piano Sonata no. 13 in E-flat, op. 27 no. 1: IV. Finale: Allegro vivace
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Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 ‘Moonlight’: I. Adagio sostenuto
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Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 ‘Moonlight’: II. Allegretto
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Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 ‘Moonlight’: III. Presto agitato
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Piano Sonata no. 15 in D, op. 28 ‘Pastoral’: I. Allegro
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Piano Sonata no. 15 in D, op. 28 ‘Pastoral’: II. Andante
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Piano Sonata no. 15 in D, op. 28 ‘Pastoral’: III. Scherzo: Allegro vivace - Trio / IV. Rondo: Allegro ma non troppo
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Piano Sonata no. 7 in D, op.10 no. 3: I. Presto
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Piano Sonata no. 7 in D, op.10 no. 3: II. Largo e mesto
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Piano Sonata no. 7 in D, op.10 no. 3: III. Menuetto: Allegro
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Piano Sonata no. 7 in D, op.10 no. 3: IV. Rondo: Allegro
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Piano Sonata no. 2 in A op. 2 no. 2: I. Allegro vivace
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Piano Sonata no. 2 in A op. 2 no. 2: II. Largo appassionato
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Piano Sonata no. 2 in A op. 2 no. 2: III. Scherzo: Allegretto - Trio
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Piano Sonata no. 2 in A op. 2 no. 2: IV. Rondo: Grazioso
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Piano Sonata no. 3 in C op. 2 no. 3: I. Allegro con brio
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Piano Sonata no. 3 in C op. 2 no. 3: II. Adagio
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Piano Sonata no. 3 in C op. 2 no. 3: III. Scherzo: Allegro - Trio
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Piano Sonata no. 3 in C op. 2 no. 3: IV. Allegro assai
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Piano Sonata no. 8 in C minor, op. 13 ‘Pathétique’: I. Grave - Allegro di molto e con brio
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Piano Sonata no. 8 in C minor, op. 13 ‘Pathétique’: II. Adagio cantabile
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Piano Sonata no. 8 in C minor, op. 13 ‘Pathétique’: III. Rondo: Allegro
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Piano Sonata no. 11 in B-flat, op. 22: I. Allegro con brio
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Piano Sonata no. 11 in B-flat, op. 22: II. Adagio con molto espressione
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Piano Sonata no. 11 in B-flat, op. 22: III. Menuetto
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Piano Sonata no. 11 in B-flat, op. 22: IV. Rondo: Allegretto
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Piano Sonata no. 12 in A-flat, op. 26 ‘Funeral March’: I. Andante con variazioni
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Piano Sonata no. 12 in A-flat, op. 26 ‘Funeral March’: II. Scherzo: Allegro molto-trio
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Piano Sonata no. 12 in A-flat, op. 26 ‘Funeral March’: III. Maestoso andante ‘Marcia funebre sulla morte d’une eroe’
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Piano Sonata no. 12 in A-flat, op. 26 ‘Funeral March’: IV. Allegro
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Piano Sonata no. 24 in F-sharp, op. 78: I. Adagio cantabile - Allegro ma non troppo
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Piano Sonata no. 24 in F-sharp, op. 78: II. Allegro vivace
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Piano Sonata no. 4 in E-flat, op. 7: I. Allegro molto e con brio
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Piano Sonata no. 4 in E-flat, op. 7: II. Largo con gran espressione
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Piano Sonata no. 4 in E-flat, op. 7: III. Allegro
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Piano Sonata no. 4 in E-flat, op. 7: V. Rondo: Poco allegretto e grazioso
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Piano Sonata no. 20 in G, op. 49 no. 2: I. Allegro ma non troppo
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Piano Sonata no. 20 in G, op. 49 no. 2: II. Tempo di menuetto
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Tema. Vivace
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. I. Alla marcia maestoso
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. II. Poco allegro
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. III. L'istesso tempo
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. IV. Un poco più vivace
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. V. Allegro vivace
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VI. Allegro ma non troppo e serioso
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VII. Un poco più allegro
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VIII. Poco vivace
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. IX. Allegro pesante e risoluto
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. X. Presto
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XI. Allegretto
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XII. Un poco più moto
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIII. Vivace
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIV. Grave e maestoso
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XV. Presto scherzando
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVI. Allegro
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVII. Allegro
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVIII. Poco moderato
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIX. Presto
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XX. Andante
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXI. Allegro con brio
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXII. Allegro molto
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIII. Allegro assai
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIV. Fughetta. Andante
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXV. Allegro
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVI. Allegro
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVII. Vivace
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33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVIII. Allegro
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Bagatelle for Piano, Op. 126 No. 1 in G major: Andante con moto cantabile e compiacevole
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Bagatelle for Piano, Op. 126 No. 2 in G minor: Allegro
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Bagatelle for Piano, Op. 126 No. 3 in E-flat major: Andante cantabile e grazioso
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Bagatelle for Piano, Op. 126 No. 4 in B minor: Presto
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Bagatelle for Piano, Op. 126 No. 5 in G major: Quasi allegretto
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Bagatelle for Piano, Op. 126 No. 6 in E-flat major: Presto - Andante amabile e con moto - Tempo
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Rondo a Capriccio for Piano in G major, Op. 129 "The Rage Over the Lost Penny": Allegro vivace
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Rondo for Piano in C major, Op. 51 No. 1: Moderato e grazioso
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Bagatelle for Piano, Op. 33 No. 1 in E-flat major: Andante grazioso quasi allegretto
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Bagatelle for Piano, Op. 33 No. 2 in C major: Scherzo. Allegro
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Bagatelle for Piano, Op. 33 No. 3 in F major: Allegretto
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Bagatelle for Piano, Op. 33 No. 4 in A major: Andante
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Bagatelle for Piano, Op. 33 No. 5 in C major: Allegro ma non troppo
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Bagatelle for Piano, Op. 33 No. 6 in D major: Allegretto quasi andante
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Bagatelle for Piano, Op. 33 No. 7 in A-flat major: Presto
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Andante for Piano in F major, WoO 57 "Andante favori". Andante grazioso con moto
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Ziemlich lebhaft for Piano in B-flat major, WoO 60
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Bagatelle for Piano in C minor, WoO 52
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Allegretto for Piano in C minor, Hess 69
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Bagatelle for Piano in C major, WoO 54 “Lustig-Traurig”
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Rondo for Piano in C major, WoO 48
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Rondo in A major, WoO 49
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Sonata in F major, WoO 50: I
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Sonata for Piano in F major, WoO 50: II
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Allemande for Piano in A major, WoO 81
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Anglaise in D major, H. 61
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Prelude for Piano in F minor, WoO 55
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Fantasia for Piano in G minor, Op. 77
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Allegretto for Piano in B minor, WoO 61
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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Thema. Maestoso
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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 1
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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 2
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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 3
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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 4
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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 5
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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 6
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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 7
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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 8
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9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 9
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Prelude for Piano, Op. 39 No. 1
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Prelude for Piano, Op. 39 No. 2
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Fugue for Piano in C major, Hess 64
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Minuet for Piano in E-flat major, WoO 82
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Bagatelle for Piano in C major, WoO 56
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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Thema. Allegretto
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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 1
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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 2
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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 3
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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 4
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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 5
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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 6
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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 7
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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 8
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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 9
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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 10
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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 11
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12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 12
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Waltz for Piano in E-flat major, WoO 84
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Allegretto quasi andante for Piano, WoO 61a
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Waltz for Piano in D major, WoO 85
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Écossaise for Piano in E-flat major, WoO 86
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Sonata for 2 Pianos in D major, Op. 6: I. Allegro molto
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Sonata for 2 Pianos in D major, Op. 6: II. Rondo
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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Thema
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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 1
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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 2
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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 3
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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 4
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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 5
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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 6
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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 7
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8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 8
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3 Marches for 2 Pianos, Op. 45 No. 1 in C major: Allegro ma non troppo
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3 Marches for 2 Pianos, Op. 45 No. 2 in E-flat major: Vivace
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3 Marches for 2 Pianos, Op. 45 No. 3 in D major: Vivace
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6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Thema
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6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 1
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6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 2
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6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 3
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6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 4
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6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 5
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6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 6
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Große Fugue for 2 Pianos, Op. 134: I. Overture. Allegro
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Große Fugue for 2 Pianos, Op. 134: II. Fuga. Allegro
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Große Fugue for 2 Pianos, Op. 134: III. Meno mosso e moderato
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Große Fugue for 2 Pianos, Op. 134: IV. Allegro
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Große Fugue for 2 Pianos, Op. 134: V. Allegro molto e con brio
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Große Fugue for 2 Pianos, Op. 134: VI. Allegro molto e con brio
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Sonata for Piano in D major, WoO 47 No. 3 “Kurfürsten”: I. Allegro
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Sonata for Piano in D major, WoO 47 No. 3 “Kurfürsten”: II. Menuetto
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Sonata for Piano in D major, WoO 47 No. 3 “Kurfürsten”: III. Scherzando
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Leonore: Act I. "Fidelio kommt nicht zurück!" (Marzelline)
Helen Donath, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act I. No. 1 Aria "O wär'ich schon mit dir vereint" (Marzelline)
Helen Donath, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act I. "Wenn ich diese Tür nicht" (Jaquino, Marzelline)
Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act I. No. 2 Duet "Jetzt, Schätzchen" (Jaquino, Marzelline)
Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act I. "Höre, Jaquino" (Marzelline, Jaquino, Rocco)
Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act I. No. 3 Trio "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline)
Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act I. "Ist Fidelio noch nich nach Hause gekommen?" (Rocco, Marzelline, Jaquino, Leonore)
Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act I. No. 4 Canon "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act I. "Höre, Fidelio" (Rocco, Marzelline, Leonore)
Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act I. No. 5 Aria "Hat man nich auch Gold beineben" (Rocco)
Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline)
Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act I. No. 6 Trio "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline)
Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act II. No. 7 March
Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act II. "Drei Schildwachten auf den Wall" (Pizarro, Rocco)
Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco)
Theo Adam, MDR Rundfunkchor Leipzig, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act II. "Rocco!" (Pizarro, Rocco)
Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act II. No. 9 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)
Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act II. "Nun ist es endlich entschieden" (Marzelline, Leonore)
Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act II. No. 10 Duet "Im in der Ehe froh zu leben" (Marzelline, Leonore)
Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act II. "Sie doch, wie du so schnell" (Marzelline, Leonore)
Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act II. No. 11 Recitative and Aria "Ach, brich noch nicht" (Leonore)
Edda Moser, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act II. No. 12 Finale "O welche Lust!" (Chorus of the Prisoners)
Richard Cassilly, Reiner Goldberg, Siegfried Lorenz, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act II. "Entfernt euch jetzt!" (Rocco, Leonore)
Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act II. "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore, Marzelline, Pizarro)
Theo Adam, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act II. "Auf euch nur will ich bauen" (Pizarro, Chorus)
Theo Adam, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act III. No. 13 Recitative and Aria "Gott! Welch dunkel hier!" (Florestan)
Richard Cassilly, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act III. No. 14 Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco)
Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act III. "Er erwacht!" (Leonore, Rocco, Florestan)
Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act III. No. 15 Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)
Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act III. "Alles ist bereit" (Rocco, Leonore, Pizarro)
Theo Adam, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act III. No. 16 Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco)
Theo Adam, Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act III. "Die Waffe hab'ich mir" (Leonore)
Edda Moser, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act III. No. 17 Recitative and Duet "Ich kann mich noch nicht fassen" (Florestan, Leonore)
Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act III. "O Leonore, sprich!" (Florestan, Leonore)
Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt
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Leonore: Act III. No. 18 Finale "Zur Rache" (Chorus, Leonore, Florestan, Rocco, Don Fernando)
Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act III. "O Gott! O welch ein Augenblick!" (Leonore, Marzelline, Florestan, Don Fernando, Rocco, Chorus)
Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act III. "Wie lange habt Ihr sie getragen?" (Don Fernando, Florestan, Rocco, Chorus, Leonore, Marzelline, Jaquino)
Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act III. "Preist mit hoher Freude Glut" (Chorus)
MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt
—
Leonore: Act III. "Wer ein solches Weib errungen" (Florestan, Marzelline, Jaquino, Rocco, Don Fernando, Chorus)
Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt
—
Egmont, Op. 84: Ouvertüre
—
Egmont, Op. 84: No. 1 Lied "Die Trommel gerühret!" (Klärchen)
—
Egmont, Op. 84: No. 2 Zwischenakt I
—
Egmont, Op. 84: No. 3 Zwischenakt II
—
Egmont, Op. 84: No. 4 Lied "Freudvoll und Leidvoll"
—
Egmont, Op. 84: No. 5 Zwischenakt III
—
Egmont, Op. 84: No. 6 Zwischenakt IV
—
Egmont, Op. 84: Monolog "Alter Freund!" (Egmont)
—
Egmont, Op. 84: No. 7 Musik "Klärchen's Tod bezeichnend"
—
Egmont, Op. 84: Monolog "Es ist vorbei" (Egmont)
—
Egmont, Op. 84: No. 8 Melodram "Süsser Schlaf" (Egmont)
—
Egmont, Op. 84: Monolog "Verschwunden ist der Kranz" (Egmont)
—
Egmont, Op. 84: No. 9 "Siegessymphonie"
—
Die Geschöpfe des Prometheus, Op. 43: Ouverture. Adagio - Allegro molto con brio / Introduction. Allegro non troppo
—
Die Geschöpfe des Prometheus, Op. 43: Adagio - Allegro con brio - Allegro vivace
—
Die Geschöpfe des Prometheus, Op. 43: Maestoso andante - Adagio - Andante quasi allegretto
—
Die Geschöpfe des Prometheus, Op. 43: Allegro con brio - Presto
—
Die Geschöpfe des Prometheus, Op. 43: Adagio - Adagio - Allegro molto
—
Die Geschöpfe des Prometheus, Op. 43: Pastorale. Allegro
—
Die Geschöpfe des Prometheus, Op. 43: Maestoso - Allegro (Solo di Gioia)
—
Die Geschöpfe des Prometheus, Op. 43: Allegro
—
Die Geschöpfe des Prometheus, Op. 43: Andante - Adagio - Allegro - Allegretto (Solo della Cassentini)
—
Die Geschöpfe des Prometheus, Op. 43: Andantino - Adagio - Allegro (Solo di Vigano)
—
Die Geschöpfe des Prometheus, Op. 43: Finale. Allegretto - Allegro molto presto
—
Musik zu einem Ritterballett, WoO 1: I. Marsch
—
Musik zu einem Ritterballett, WoO 1: II. Deutscher Gesang. Allegro moderato
—
Musik zu einem Ritterballett, WoO 1: III. Jagdlied. Allegretto
—
Musik zu einem Ritterballett, WoO 1: IV. Romanze. Andantino
—
Musik zu einem Ritterballett, WoO 1: V. Kriegslied. Allegro assai con brio
—
Musik zu einem Ritterballett, WoO 1: VI. Trinklied. Allegro con brio
—
Musik zu einem Ritterballett, WoO 1: VII. Deutscher Tanz. Walzer
—
Musik zu einem Ritterballett, WoO 1: VIII. Coda. Allegro vivace - Andantino - Tempo I
—
Die Ruinen von Athen, Op. 113: I. Overtüre
—
Die Ruinen von Athen, Op. 113: II. Chor "Tochter des mächtigen Zeus"
—
Die Ruinen von Athen, Op. 113: III. Duett "Ohne Verschulden Knechtschaft dulden"
—
Die Ruinen von Athen, Op. 113: IV. Chor der Derwische "Du hast in deines Ärmels Falten"
—
Die Ruinen von Athen, Op. 113: V. Marcia alla turca
—
Die Ruinen von Athen, Op. 113: VI. March "Schmückt die Altare"
—
Die Ruinen von Athen, Op. 113: VII. Chor und Arie "Wir tragen empfängliche Herzen in Busen"
—
Die Ruinen von Athen, Op. 113: VIII. Chor "Heil unserm König! Heil!"
—
König Stephan, Op. 117: I. Overtüre
—
König Stephan, Op. 117: II. Männerchor "Ruhend von seinem Thaten"
—
König Stephan, Op. 117: III. Männerchor "Auf dunkelm in finstern Hainen Wandelten"
—
König Stephan, Op. 117: IV. Siegesmarsch
—
König Stephan, Op. 117: V. Frauenchor "Wo die Unschuld Blumen streute"
—
König Stephan, Op. 117: VI. Chor "Eine neue strahlende Sonne"
—
König Stephan, Op. 117: VII. Chor "Heil! Heil unserm Enkeln"
—
Aria with Chorus in B-flat major, WoO 94 "Germania"
—
Chor auf die verbündeten Fürsten. WoO 95 "Ihr weisen Gründer"
—
Aria, Op. 65 "Ah! Perfido"
—
Aria for Soprano and Orchestra, WoO 92 - "Primo Amore"
—
Aria for Soprano and Strings, WoO 92a "No, non turbati"
—
Duet for Soprano, Tenor and Orchestra, WoO 93 "Nei giorni tuoi felice"
—
Trio for Soprano, Bass and Orchestra, Op. 116 "Tremate, empi, tremate"
—
Aria for Bass and Orchestra, WoO 89 "Prüfung des Küssens"
—
Aria for Bass and Orchestra, WoO 90 "Mit Mädeln sich vertragen"
—
Aria from "Die schöne Schüsterin" for Tenor and Orchestra, WoO 91 No. 1 "O welch ein Leben!"
—
Aria from "Die schöne Schüsterin" for Soprano and Orchestra, WoO 91 No. 2 "Soll ein Schuh nicht drücken"
—
Cantata on the Death of Emperor Joseph II, WoO 87: I. Chorus "Tot! Tot, stöhnt es durch die öde Nacht" (solo quartet)
—
Cantata on the Death of Emperor Joseph II, WoO 87: II. Recitative "Ein Ungeheuer, sein Name Fanatismus" (bass)
—
Cantata on the Death of Emperor Joseph II, WoO 87: III. Aria "Da kam Joseph" (bass)
—
Cantata on the Death of Emperor Joseph II, WoO 87: IV. Aria & Chorus "Da stiegen die Menschen ans Licht" (soprano)
—
Cantata on the Death of Emperor Joseph II, WoO 87: V. Recitative "Er schläft" (soprano)
—
Cantata on the Death of Emperor Joseph II, WoO 87: VI. Aria "Hier schlummert seinen stillen Frieden" (soprano)
—
Cantata on the Death of Emperor Joseph II, WoO 87: VII. Chorus "Tot, stöhnt es durch die öde Nacht" (solo quartet)
—
Cantata on the Accession of Emperor Leopold II, WoO 88: I. Recitative & Chorus "Er schlummert, laßt sanft den großen Fürsten ruhen!" (soprano)
—
Cantata on the Accession of Emperor Leopold II, WoO 88: II. Aria "Fließe, Wonnezähren, fließe!" (soprano)
—
Cantata on the Accession of Emperor Leopold II, WoO 88: III. Recitative "Ihr staunt, Völker der Erde!" (bass)
—
Cantata on the Accession of Emperor Leopold II, WoO 88: IV. Recitative "Wie bebt mein Herz vor Wonne!" (tenor)
—
Cantata on the Accession of Emperor Leopold II, WoO 88: V. Chorus "Heil! Stürzet nieder, Millionen" (solo quartet)
—
Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa Stet!"
—
Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!"
—
Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna)
—
Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin)
—
Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin)
—
Cantata for 4 Solo Voices, Chous, and Orchestra, Op. 136 "The Moment of Glory": VI. Choir "Es treten vor die Scharen der Frauen"
—
Mehrstimmige italienische Gesänge, WoO 99: Bei labbri che amore (Soprano, Tenor)
—
Mehrstimmige italienische Gesänge, WoO 99: Sei mio ben (Soprano, Tenor)
—
Mehrstimmige italienische Gesänge, WoO 99: Scrivo in te (Soprano, Tenor)
—
Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Tenor, Bass)
—
Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Tenor, Bass)
—
Mehrstimmige italienische Gesänge, WoO 99: Salvo tu voi lo sposo? (Soprano, Tenor)
—
Mehrstimmige italienische Gesänge, WoO 99: Ma tu tremi (Soprano, Alto, Tenor)
—
Mehrstimmige italienische Gesänge, WoO 99: Giura il nocchier (Soprano, Alto, Bass)
—
Mehrstimmige italienische Gesänge, WoO 99: Per te d'amico aprile (Soprano, Alto, Bass)
—
Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Soprano, Alto, Tenor)
—
Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Soprano, Alto, Tenor)
—
Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei (Soprano, Tenor, Bass)
—
Mehrstimmige italienische Gesänge, WoO 99: Chi mai di questo (Soprano, Tenor, Bass)
—
Mehrstimmige italienische Gesänge, WoO 99: Gia la notte (Alto, Tenor, Bass)
—
Mehrstimmige italienische Gesänge, WoO 99: Nei Campi e nelle selve I (Soprano, Alto, Tenor, Bass)
—
Mehrstimmige italienische Gesänge, WoO 99: Nei Campi e nelle selve II (Soprano, Alto, Tenor, Bass)
—
Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Soprano, Alto, Tenor, Bass)
—
Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Soprano, Alto, Tenor, Bass)
—
Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei, in G major (Soprano, Alto, Tenor, Bass)
—
Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei, in F major (Soprano, Alto, Tenor, Bass)
—
Mehrstimmige italienische Gesänge, WoO 99: Guira il nocchier, in C major (Soprano, Alto, Tenor, Bass)
—
Mehrstimmige italienische Gesänge, WoO 99: Guira il nocchier, in B flat major (Soprano, Alto, Tenor, Bass)
—
Mehrstimmige italienische Gesänge, WoO 99: Gia la notte (Soprano, Alto, Tenor, Bass)
—
Mehrstimmige italienische Gesänge, WoO 99: E pur fra le tempeste (Tenor, Piano)
—
Cantata for Mixed Chorus and Orchestra, Op. 112 "Meeresstille und glückliche Fahrt"
—
Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy"
—
Elegiac Song for Choir and Orchestra, Op. 118
—
Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122
—
Rural Cantata for 4 Voices accopmanied by Piano, WoO 103
—
Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106
—
3 Voice Canon in F major, WoO 166: "Kurz ist der Schmerz"
—
Hess 91 - Opferlied (piano arrangement from Op. 121b)
—
Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105
—
"Abschiedsgesang an Wiens Bürger", WoO 121
—
Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122
—
"Opferlied", WoO 126
—
"Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto
—
Sacrificial Song for Soprano accompanied by Choir and Orchestra, Op. 121b
—
Missa Solemnis in D major, Op. 123: I. Kyrie
—
Missa Solemnis in D major, Op. 123: II. Gloria
—
Missa Solemnis in D major, Op. 123: III. Credo
—
Missa Solemnis in D major, Op. 123: IV. Sanctus
—
Missa Solemnis in D major, Op. 123: V. Agnus Dei
—
Song for Voice and Piano and A major, Op. 88: Andante quasi allegretto "Das Gluck der Freundschaft: Der lebt ein Leben wonniglich"
—
Song for Voice and Piano, WoO 118: Seufzer eines Ungeliebten und Gegenliebe
—
Song for Voice and Piano, WoO 139: "Der Liebende"
—
Song for Voice and Piano, WoO 147: "Ruf vom Berge"
—
Song for Voice and Piano in E-flat major, Op. 32 "An die Hoffnung": Poco adagio
—
Song for Voice and Piano, Op. 94: "An die Hoffnung"
—
Song for Voice and Piano, WoO 114: Selbstgespräch
—
Song for 2 Voices and Piano, WoO 130: "Gedenke Mein!"
—
6 Variations for Piano in D major on the song "Ich denke dein", WoO 74: Leid. Andantino cantabile
—
Song for Voice and Piano, Op. 52 No. 6 in F major: Allegretto "Die Liebe: Ohne Liebe lebe wer da kann"
—
Song for Voice and Piano, Op. 52 No. 8 in G major: Andante "Das Blumchen Wunderhold: Es steht ein Blumchen irgend wo in"
—
Song for Voice and Piano, WoO 107: "Schilderung eines Mädchens"
—
Song for Voice and Piano, WoO 115: "An Minna"
—
Song for Voice and Piano, WoO 135: "Die laute Klage"
—
Song for Voice and Piano, WoO 132: "Als die Geliebte sich trennen wollte"
—
Song for Voice and Piano, Op. 52 No. 3 in F major: Adagio "Das Liedchen von der Ruhe: Im Arm der Liebe ruht sich's wohl"
—
Song for Voice and Piano, WoO 146: "Sehnsucht"
—
Gesange for Voice and Piano, Op. 75 No. 3 in G minor: Poco Allegretto "Aus Goethe's Faust: Es war einmal ein Konig"
—
Song for Voice and Piano, Op. 52 No. 1 in A minor: In einer massigen geschwinden Bewegung "Urians Reise um die Welt: Wenn jemand eine Reise thut"
—
Song for Voice and Piano, WoO 109: "Trinklied"
—
Song for Voice and Piano, WoO 111: "Punchlied, Scherzlieder"
—
Gesange for Voice and Piano, Op. 75 No. 6 in A major: Froh und heiter, etwas lebhaft "Der Zufriedene: Zwar schuf das Gluck hienieden"
—
Aria for Soprano and Piano, Op. 82 No. 1 in A major: Allegro moderato "Hoffnung: Dimmi ben mio - Nimmer den lieben dem Herzen"
—
Aria for Soprano and Piano, Op. 82 No. 2 in D major: Adagio ma non troppo "Liebsklage: T'indendo, si, mio cor - Den stummen Felsen nur"
—
Aria for Soprano and Piano, Op. 82 No. 3 in E-flat major: Allegro "Stille Frage: Che fa il mio bene? - Darf nimmer ich dir nahen?"
—
Aria for Soprano and Piano, Op. 82 No. 4 in B-flat major: Andante con espressione "Liebes-Ungeduld: Che fa il mio bene? - So muss ich ihm entsagen"
—
Duet for Soprano and Tenor, Op. 82 No. 5 in E major: Andante vivace "Lebens-Genuss: Odi l'aura che dolce sospira - Schnell verbluhen"
—
Song for Voice and 2 Pianos, WoO 119: "o Care Selve"
—
Song for Voice and Piano, WoO 124: "La partenza (Der Abschied)"
—
Song for Voice and Piano, WoO 133: "In questa tomba oscura"
—
Song for Voice and Piano, WoO 125: "La Tiranna", Canzonetta
—
Song for Voice and Piano, WoO 116: "Que le temps me dure"
—
Song for Voice and Piano, WoO 128: "Plaisir d'aimer"
—
Song for Voice and Piano, WoO 129: "Der Wachtelschlag"
—
Song for Voice and Piano, WoO 145: "Das Geheimnis"
—
Song for Voice and Piano, WoO 112: "An Laura"
—
Song for Voice and Piano, WoO 150: "Abendlied unterm gestirnten Himmel"
—
Song for Voice and Piano, WoO 113: "Klage"
—
Song for Voice and Piano, Op. 52 No. 2 in G major: Andante con moto "Feuerfarb': Ich weiss eine Farbe"
—
Song for Voice and Piano, WoO 110: "Elegie Auf Den Tod Eines Pudels"
—
Song for Voice and Piano, WoO 148: "So Oder So"
—
Song for Voice and Piano, WoO 143: "Des Kriegers Abschied"
—
Song for Voice and Piano, WoO 117: "Der Freie Mann"
—
Song for Voice and Piano, WoO 126: "Opferlied"
—
Song for Voice and Piano, WoO 141: "Der Gesang der Nachtigall" (J.G. Herder)
—
Song for Voice and Piano, WoO 127: "Neue Liebe, neues Leben" (J.W. von Goethe)
—
Song for Voice and Piano, WoO 118: "Seufzer eines Ungeliebten" und "Gegenliebe" (G.A. Bürger)
—
Song for Voice and Piano, WoO 142: "Der Bardengeist" (F.R. Hermann)
—
Song for Voice and Piano, WoO 139: "Der Liebende" (Reissig)
—
Song for Voice and Piano, WoO 144: "Merkenstein" (J.B. Rupprecht)
—
Song for Voice and Piano, WoO 120: "Man Strebt, Die Flamme Zu Verhehlen"
—
Song for Voice and Piano, Op. 52 No. 5 in G major: Adagio con espessione "Molly's Abschied: Lebe wohl, du Mann der Lust"
—
Song for Voice and Piano, WoO 134: "Sehnsucht" (J.W. Goethe)
—
Gesange for Voice and Piano, Op. 75 No. 5 in G major: Larghetto "An den fernen Geliebten: Einst wohnten susse Ruh"
—
Gesange for Voice and Piano, Op. 75 No. 1 in A major: Ziemlich langsam "Mignon: Kennst du das Land"
—
Gesange for Voice and Piano, Op. 75 No. 4 in A major: Etwas lebhaft "Gretels Warnung: Mit Liebes lick und Spiel und Sang"
—
Song for Voice and Piano in G major, Op. 99 "Der Mann von Wort: sagtest, Freund, an diesen Ort komm ich zurück"
—
Song for Voice and Piano, WoO 151: "Der edle Mensche sei hülfreich und gut" (J.W. Goethe)
—
Song for Voice and Piano, Hess 151: "Traute Henriette"
—
Song for Voice and Piano in F major, Op. 100 "Merkenstein: Merkenstein! Wo ich wandle denk ich dein": Massig, jdeoch nicht schleppend
—
An die ferne Geliebte, Op. 98: i "Auf Dem Hügel", ii "Wo Die Berge", iii "Leichte Segler", iv "Diese Wolken", v "Es Kehret Der Maien", vi "Nimm Sie Hin Denn"
—
Cantata for Voice and Piano in B-flat major, Op. 46: Larghetto "Adelaide: Einsam wandelt dein Freund im Fruhlings Garten"
—
"Ich liebe dich so wie du mich" (Zärtliche Liebe), WoO 123
—
Arietta "Der Kuß", Op. 128
—
"Lied aus der Ferne", WoO 137
—
"Der Jüngling in der Fremde", WoO 138
—
"Resignation", WoO 149
—
Andenken, WoO 136 "Ich denke dein"
—
Song for Voice and Piano, Op. 48 No. 1 in E major: Feierlich und mit Andacht "Bitten: Gott deine Gute reicht so"
—
Song for Voice and Piano, Op. 48 No. 2 in E-flat major: Lebhaft, doch nicht zu sehr "Die Liebe des Nachsten: So jemand spricht"
—
Song for Voice and Piano, Op. 48 No. 3 in F-sharp minor: Mussig und eher langsam als geschwind "Vom Tode: Meine Lebenszeit verstreicht"
—
Song for Voice and Piano, Op. 48 No. 4 in C major: Majestatisch und erhaben "Die Ehre Gottes in der Natur:Die Himmel ruhmen des Ewigen"
—
Song for Voice and Piano, Op. 48 No. 5 in C major: Mit Kraft and Feuer "Gottes Macht und Vorsehung: Gott ist mein Lied!"
—
Song for Voice and Piano, Op. 48 No. 6 in A minor: Poco adagio "Busslied: An dir allein, an dir hab' ich gesundigt"
—
Song for Voice and Piano, Op. 52 No. 4 in A-flat major: Allegro "Mailied: Wie herrlich leuchtet"
—
Song for Voice and Piano, Op. 52 No. 7 in A minor: Allegretto "Marmotte: Ich komme schon durch manches Land"
—
Gesange for Voice and Piano, Op. 75 No. 2 in C major: Lebhaft, doch nicht zu sehr "Neue Liebe, neues Leben: Herz, mein Herz, was soll das geben?"
—
Gesange for Voice and Piano, Op. 83 No. 1 in E major: Andante espressivo "Wonne der Wehmuth: Trocknet nicht"
—
Gesange for Voice and Piano, Op. 83 No. 2 in B minor: Allegretto "Sehnsucht: Was zieht mir das Herz so?"
—
Gesange for Voice and Piano, Op. 83 No. 3 in F major: Leichtlich und mit Grazie vorzutragen "Mie einem gemalten Band: Kleine Blumen, kleine Blatter"
—
Egmont, Op. 84: No. 4 Lied "Freudvoll und Leidvoll"
—
Musical joke for three voices "Lob auf den Dicken", WoO 100
—
Musical joke for three voices and choir "Esel aller Esel, hi ha", Hess 277
—
Musical joke "Graf, liebster Graf, liebstes Schaf", WoO 101
—
Musical Joke "Herr Graf, ich komme zu fragen", Hess 276
—
Canon for 3 "Bester Graf, Sie sind ein Schaf", WoO 183
—
Canon for 4 "Es muss sein", WoO 196
—
Canon for 2 Instruments in G major, Hess 274
—
Joke or Riddle, canon for 4 "Das ist das Werk, sorgt um das Geld!", WoO 197
—
Canon for 5 "Glaube und hoffe", WoO 174
—
Canonlike movement for 4 "Auf einen, welche Hoffmann geheissen", WoO 180
—
Canon for 2, Anglaise in D major for piano, Hess 61
—
Canon for 2 "Rasch tritt der Tod den Menschen an", WoO 104
—
Song for the Monks from Schiller's "William Tell": "Ich war hier, Doktor, ich war hier", WoO 190
—
Riddle Canon for 2 "Signor abate", WoO 178
—
Canon for 3 "Kurz ist der Schmerz, und ewig ist die Freude", WoO 163
—
Canon for 3 "Hol'euch der Teufel! B'hüt euch Gott!", WoO 173
—
Riddle Canon for 2 "Gott ist eine feste Burg", WoO 188
—
Riddle Canon for 2 "Sankt Petrus war ein Fels" "Bernardus war ein Sankt", WoO 175
—
Riddle Canon for 4 "Tugend ist keinleerer name", WoO 181 No. 3
—
Canon for 3 "Edel sei der mensch, hülfreich und gut", WoO 185
—
Canon for 6 "Bester Magistrat, Ihr friert", WoO 177
—
Canon for 2 Male Voices and 2 Double Basses "Kühl, nicht lau", WoO 191
—
Canon for 3 "Wir irren allesamt", WoO 198
—
Riddle Canon for 2 "Auf einen, welcher Schwenke geheissen: «Schwenke dich ohne»", WoO 187
—
Canon for 4 "Brauchle, Linke", WoO 167
—
Canon for 4 "O Tobias!", WoO 182
—
Canon for 3 "Gedenket heute an Baden", WoO 181 No. 1
—
Canon for 4 "Seiner Kaiserlichen Hoheit... Alles Gute, alles Schöne", WoO 179
—
Introduction and Canon for 4 "Glück fehl'dir vor allem", WoO 171
—
Canon for 4 "Gehabt euch wohl", WoO 181 No. 2
—
Canon for 4 "Freu dich des Lebens", WoO 195
—
Canon for 2 "Glück zum neuen Jahr", WoO 165
—
Instrumental Canon for 2 in A flat major, Hess 275
—
Canon for 4 "Im Arm der Liebe ruht sich's wohl", WoO 159
—
Canon for 3 "Ich Küsse Sie", WoO 169
—
Riddle Canon for 2 "Languisco e moro", Hess 229
—
Canon for 2 "Te solo adoro", WoO 186
—
Canon for 2 "Ewig dein", WoO 161
—
Canon for 3 "Freundschaft ist der Quell wahrer Glückseligkeit", WoO 164
—
Instrumental Canon for 4, WoO 160 No. 2
—
Canon for 3 "Ta ta ta, lieber Mälzel", WoO 162
—
Canon for 4 "Ich bitt'dich, schreib'mir die Es-Scala auf", WoO 172
—
Canon for 3 "Ars longa, vita brevis", WoO 192
—
Instrumental Canon for 3, WoO 160 No. 1
—
Riddle Canon "Das Schweigen: «Lerne schweigen, o Freund»", WoO 168 No. 1
—
Riddle Canon for 3 "Das Reden: «Rede, wenn's um einen Freund dir gilt»", WoO 168 No. 2
—
Canon for 3 "Falstafferel", WoO 184
—
Duet for 2 Violins in A major, WoO 34
—
Canon for 5 "Abschiedsgesang «Die Stunde schlägt»", WoO 102
—
25 Irish Songs WoO 152, No. 2 "Sweet power of song" (duet)
—
25 Irish Songs WoO 152, No. 5 "On the massacre of Glencoe"
—
25 Irish Songs WoO 152, No. 6 "What shall I do to shew how much I love her?" (duet)
—
25 Irish Songs WoO 152, No. 8 "Come draw we round a cheerful ring"
—
25 Irish Songs WoO 152, No. 10 "The deserter"
—
25 Irish Songs WoO 152, No. 11 "Thou emblem of faith"
—
25 Irish Songs WoO 152, No. 13 "Musing on the roaring ocean"
—
25 Irish Songs WoO 152, No. 15 "Let brainspinning swains"
—
25 Irish Songs WoO 152, No. 17 "In vain to this desert" (duet)
—
25 Irish Songs WoO 152, No. 19 "Wife, children and friends" (duet)
—
25 Irish Songs WoO 152, No. 20 "Farewell bliss and farewell Nancy" (duet)
—
25 Irish Songs WoO 152, No. 21 "Morning a cruel turmoiler is"
—
25 Irish Songs WoO 152, No. 23 "The wand'ring gypsy"
—
25 Irish Songs WoO 152, No. 24 "The Traugh welcome"
—
20 Irish Songs WoO 153, No. 1 "When eve's last rays in twilight" (duet)
—
20 Irish Songs WoO 153, No. 4 "Since greybeards inpourm us that youth will decay"
—
20 Irish Songs WoO 153, No. 5 "I dream'd I lay where flowers were springing" (duet)
—
20 Irish Songs WoO 153, No. 7 "O soothe me, my lyre"
—
20 Irish Songs WoO 153, No. 8 "Norah of Balamagairy"
—
20 Irish Songs WoO 153, No. 10 "The hapless soldier" (duet)
—
20 Irish Songs WoO 153, No. 15 "'t is but in vain, pour nothing thrives"
—
20 Irish Songs WoO 153, No. 17 "Come, Darby dear, easy, be easy"
—
20 Irish Songs WoO 153, No. 20 "Thy ship must sail, my Henry dear"
—
25 Irish Songs WoO 152, No. 1, "The Return to Ulster"
—
25 Irish Songs WoO 152, No. 3, "Once More I Hail Thee"
—
25 Irish Songs WoO 152, No. 4, "The Morning Air Plays on My Face"
—
25 Irish Songs WoO 152, No. 7, "His Boat Comes on the Sunny Tide"
—
25 Irish Songs WoO 152, No. 9, "The Soldier's Dream"
—
25 Irish Songs WoO 152, No. 12, "English Bulls"
—
25 Irish Songs WoO 152, No. 14, "Dermot and Shelah"
—
25 Irish Songs WoO 152, No. 16, "Hide Not Thy Anguish"
—
25 Irish Songs WoO 152, No. 18, "They Bid Me Slight My Dermot Dear"
—
25 Irish Songs WoO 152, No. 22, "From Garyone, My Happy Home"
—
25 Irish Songs WoO 152, No. 25, "Oh Harp of Erin"
—
20 Irish Songs WoO 153, No. 2, "No Riches From His Scanty Store"
—
20 Irish Songs WoO 153, No. 3, "The British Light Dragoons"
—
20 Irish Songs WoO 153, No. 6, "Sad and Luckless Was the Season"
—
20 Irish Songs WoO 153, No. 9, "The Kiss, Dear Maid, Thy Lip Has Left"
—
20 Irish Songs WoO 153, No. 11, "When Far From the Home"
—
20 Irish Songs WoO 153, No. 12, "I'll Praise the Saints"
—
20 Irish Songs WoO 153, No. 13, "'Tis Sunshine at Last"
—
20 Irish Songs WoO 153, No. 14, "Paddy O'Rafferty"
—
20 Irish Songs WoO 153, No. 16, "O Might I but My Patrick Love"
—
20 Irish Songs WoO 153, No. 18, "No More, My Mary"
—
20 Irish Songs WoO 153, No. 19, "Judy, Lovely, Matchless Creature"
—
12 Irish Songs WoO 154, No. 1, "The Elfin Fairies"
—
12 Irish Songs WoO 154, No. 2, "O Harp of Erin"
—
12 Irish Songs WoO 154, No. 3, "The Farewell Song"
—
12 Irish Songs WoO 154, No. 4, "The Pulse of an Irishman"
—
12 Irish Songs WoO 154, No. 5, "Oh! Who, My Dear Dermot"
—
12 Irish Songs WoO 154, No. 6, "Put Round the Bright Wine"
—
12 Irish Songs WoO 154, No. 7, "From Garyone, My Happy Home"
—
12 Irish Songs WoO 154, No. 8, "Save Me From the Grace and Wise"
—
12 Irish Songs WoO 154, No. 9, "Oh! Would I Were but That Sweet Linnet!"
—
12 Irish Songs WoO 154, No. 10, "The Hero May Perish"
—
12 Irish Songs WoO 154, No. 11, "The Soldier in a Foreign Land"
—
12 Irish Songs WoO 154, No. 12, "He Promised Me at Parting"
—
26 Welsh Songs WoO 155, No. 1, "Sion, the Son of Evan"
—
26 Welsh Songs WoO 155, No. 2, "The Monks of Bangor's March"
—
26 Welsh Songs WoO 155, No. 3, "The Cottage Maid"
—
26 Welsh Songs WoO 155, No. 4, "Love Without Hope"
—
26 Welsh Songs WoO 155, No. 5, "The Golden Robe"
—
26 Welsh Songs WoO 155, No. 6, "The Fair Maid of Mona"
—
26 Welsh Songs WoO 155, No. 7, "O Let the Night My Blushes Hide"
—
26 Welsh Songs WoO 155, No. 8, "Farewell, Thou Noisy Town"
—
26 Welsh Songs WoO 155, No. 9, "To the Aeolian Harp"
—
26 Welsh Songs WoO 155, No. 10, "Ned Pugh's Farewell"
—
26 Welsh Songs WoO 155, No. 11, "Merch Megan, or Peggy's Daughter"
—
26 Welsh Songs WoO 155, No. 12, "Waken, Lords and Ladies Gay"
—
26 Welsh Songs WoO 155, No. 13, "Helpless Woman"
—
26 Welsh Songs WoO 155, No. 14, "The Dream"
—
26 Welsh Songs WoO 155, No. 15, "When Mortals All to Rest Retire"
—
26 Welsh Songs WoO 155, No. 16, "The Damsels of Cardigan"
—
26 Welsh Songs WoO 155, No. 17, "The Dairy House"
—
26 Welsh Songs WoO 155, No. 18, "Sweet Richard"
—
26 Welsh Songs WoO 155, No. 19, "The Vale of Clwyd"
—
26 Welsh Songs WoO 155, No. 20, "To the Blackbird"
—
26 Welsh Songs WoO 155, No. 21, "Cupid's Kindness"
—
26 Welsh Songs WoO 155, No. 22, "Constancy"
—
26 Welsh Songs WoO 155, No. 23, "The Old Strain"
—
26 Welsh Songs WoO 155, No. 24, "Three Hundred Pounds"
—
26 Welsh Songs WoO 155, No. 25, "The Parting Kiss"
—
26 Welsh Songs WoO 155, No. 26, "Good Night"
—
Twelve Scottish Folksongs, WoO 156, No. 1, "The Banner of Buccleuch"
—
Twelve Scottish Folksongs, WoO 156, No. 2, "Duncan Cray"
—
Twelve Scottish Folksongs, WoO 156, No. 3, "Up! Quit Thy Bower"
—
Twelve Scottish Folksongs, WoO 156, No. 4, "Ye Shepherds of This Pleasant Vale"
—
Twelve Scottish Folksongs, WoO 156, No. 5, "Cease Your Funning"
—
Twelve Scottish Folksongs, WoO 156, No. 6, "Highland Harry"
—
Twelve Scottish Folksongs, WoO 156, No. 7, "Polly Stewart"
—
Twelve Scottish Folksongs, WoO 156, No. 8, "Womankind"
—
Twelve Scottish Folksongs, WoO 156, No. 9, "Lochnagar"
—
Twelve Scottish Folksongs, WoO 156, No. 10, "Glencoe"
—
Twelve Scottish Folksongs, WoO 156, No. 11, "Auld Lang Syne"
—
Twelve Scottish Folksongs, WoO 156, No. 12, "The Quaker's Wife"
—
Twelve Various Folksongs, WoO 157, No. 1, "God Save the King"
—
Twelve Various Folksongs, WoO 157, No. 2, "The Soldier"
—
Twelve Various Folksongs, WoO 157, No. 3, "Charlie Is My Darling"
—
Twelve Various Folksongs, WoO 157, No. 4, "O Sanctissima"
—
Twelve Various Folksongs, WoO 157, No. 5, "The Miller of Dee"
—
Twelve Various Folksongs, WoO 157, No. 6, "A Health to the Brave"
—
Twelve Various Folksongs, WoO 157, No. 7, "Robin Adair"
—
Twelve Various Folksongs, WoO 157, No. 8, "By the Side of the Shannon"
—
Twelve Various Folksongs, WoO 157, No. 9, "Highlander's Lament"
—
Twelve Various Folksongs, WoO 157, No. 10, "Sir Johnnie Cope"
—
Twelve Various Folksongs, WoO 157, No. 11, "The Wandering Minstrel"
—
Twelve Various Folksongs, WoO 157, No. 12, "La Gondoletta"
—
Twenty-Five Scottish Songs, Op. 108, No. 1, "Music, Love and Wine"
—
Twenty-Five Scottish Songs, Op. 108, No. 2, "Sunset"
—
Twenty-Five Scottish Songs, Op. 108, No. 3, "O Sweet Were the Hours"
—
Twenty-Five Scottish Songs, Op. 108, No. 4, "The Maid of Isla"
—
Twenty-Five Scottish Songs, Op. 108, No. 5, "The Sweetest Lad Was Laimie"
—
Twenty-Five Scottish Songs, Op. 108, No. 6, "Dim, Dim Is My Eye"
—
Twenty-Five Scottish Songs, Op. 108, No. 7, "Bonnie, Laddie, Highland Laddie"
—
Twenty-Five Scottish Songs, Op. 108, No. 8, "The Lovely Lass of Inverness"
—
Twenty-Five Scottish Songs, Op. 108, No. 9, "Behold My Love How Green the Groves"
—
Twenty-Five Scottish Songs, Op. 108, No. 10, "Sympathy"
—
Twenty-Five Scottish Songs, Op. 108, No. 11, "O, Thou Art the Lad of My Heart"
—
Twenty-Five Scottish Songs, Op. 108, No. 12, "O, Had My Fate Been Join'd With Thine"
—
Twenty-Five Scottish Songs, Op. 108, No. 13, "Come Fill, Fill, My Good Fellow"
—
Twenty-Five Scottish Songs, Op. 108, No. 14, "O, How Can I Be Blithe and Glad"
—
Twenty-Five Scottish Songs, Op. 108, No. 15, "O Cruel Was My Father"
—
Twenty-Five Scottish Songs, Op. 108, No. 16, "Could This Ill World Have Been Contriv'd"
—
Twenty-Five Scottish Songs, Op. 108, No. 17, "O Mary, at Thy Window Be"
—
Twenty-Five Scottish Songs, Op. 108, No. 18, "Enchantress, Farewell"
—
Twenty-Five Scottish Songs, Op. 108, No. 19, "O Swiftly Glides the Bonny Boat"
—
Twenty-Five Scottish Songs, Op. 108, No. 20, "Faithfu' Johnie"
—
Twenty-Five Scottish Songs, Op. 108, No. 21, "Jeanie's Distress"
—
Twenty-Five Scottish Songs, Op. 108, No. 22, "The Highland Watch"
—
Twenty-Five Scottish Songs, Op. 108, No. 23, "The Shepherd's Song"
—
Twenty-Five Scottish Songs, Op. 108, No. 24, "Again, My Dyre"
—
Twenty-Five Scottish Songs, Op. 108, No. 25, "Sally in Our Alley"
—
Songs of Different Peoples, WoO 158/1, No. 1, "Ridder Stings Runer (Denmark)"
—
Songs of Different Peoples, WoO 158/1, No. 4, "Wann I in Der Früh Aufsteh (Tyrol)"
—
Songs of Different Peoples, WoO 158/1, No. 7, "Wer Solche Buema Afipackt (Tyrol)"
—
Songs of Different Peoples, WoO 158/1, No. 8, "Ih Mag Di Nit Nehma, Du Töppeter Hecht (Tyrol)"
—
Songs of Different Peoples, WoO 158/1, No. 9, "Oj, Oj Upilem Sie W Karczmie (Poland)"
—
Songs of Different Peoples, WoO 158/1, No. 10, "Poszla Baba Po Popiol (Poland)"
—
Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)"
—
Songs of Different Peoples, WoO 158/1, No. 13, "Im Walde Sind Viele Mücklein Geboren (Russia)"
—
Songs of Different Peoples, WoO 158/1, No. 14, "Ach Bächlein, Bächlein, Kühle Wasser (Russia)"
—
Songs of Different Peoples, WoO 158/1, No. 15, "Unsere Mädchen Gingen in Den Wald (Russia)"
—
Songs of Different Peoples, WoO 158/1, No. 17, "Vaggvisa (Sweeden)"
—
Songs of Different Peoples, WoO 158/1, No. 18, "Un Ä Bergli Bin I Gesässe (Switzerland)"
—
Songs of Different Peoples, WoO 158/1, No. 20, "Bolero a Due - Como La Mariposa (Spain)"
—
Songs of Different Peoples, WoO 158/1, No. 22, "Magyar Szüretölö Ënek (Hungary)"
—
Songs of Different Peoples, WoO 158/1, No. 24, "Air De Colin, Le Devin Du Village"
—
Songs of Different Peoples, WoO 158/1, No. 27, "Air Français (France)"
—
Twenty-Three Continental Folksongs, WoO 158/a, No. 2, "Horch Auf, Mein Leibchen" (Germany)
—
Twenty-Three Continental Folksongs, WoO 158/a, No. 3, "Wegen Meiner Bleib d'Fräula" (Germany)
—
Twenty-Three Continental Folksongs, WoO 158/a, No. 5, "I Bin a Tyroler Bua" (Tyrol)
—
Twenty-Three Continental Folksongs, WoO 158/a, No. 6, "A Madel, Ja a Madel" (Tyrol)
—
Twenty-Three Continental Folksongs, WoO 158/a, No. 11, "Yo No Quiero Embarcarme" (Portugal)
—
Twenty-Three Continental Folksongs, WoO 158/a, No. 16, "Schöne Minka, ich Muss Scheiden" (Ukraine)
—
Twenty-Three Continental Folksongs, WoO 158/a, No. 19, "Una Paloma Blanca" (Spain)
—
Twenty-Three Continental Folksongs, WoO 158/a, No. 21, "La Tiranna Se Embarca" (Spain)
—
Twenty-Three Continental Folksongs, WoO 158/a, No. 23, "Da brava, Catina" (Venetian)
—
Seven British Folksongs, WoO 158/b, "Adieu, My Lov'd Harp"
—
Seven British Folksongs, WoO 158/b, "Oh, Ono Chrio (O Was Not I a Weary Wight!)"
—
Seven British Folksongs, WoO 158/b, "Red Gleam The Sun on Yon Hill Tab"
—
Seven British Folksongs, WoO 158/b, "Erin! O Erin!"
—
Seven British Folksongs, WoO 158/b, "O Mary, ye's be clad in silk"
—
Six Assorted Folksongs, WoO 158/c, "When my Hero in Court Appears"
—
Six Assorted Folksongs, WoO 158/c, "Air de Colin (Non, non, Colette n'est point trompeuse)"
—
Six Assorted Folksongs, WoO 158/c, "Mark Yonder Pomp of Costly Fashion"
—
Six Assorted Folksongs, WoO 158/c, "Bonnie Wee Thing"
—
Six Assorted Folksongs, WoO 158/c, "From thee, Eliza, I must go"
—
Additional database matches (29)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Fidelio: Act I, Scene II. "O welche Lust!" | London Symphony Orchestra, Sir Colin Davis | — |
| Violin Sonata no. 1 in D major, op. 12 no. 1: I. Allegro con brio | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 1 in D major, op. 12 no. 1: II. Tema con variazioni | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 1 in D major, op. 12 no. 1: III. Rondo. Allegro | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 2 in A major, op. 12 no. 2: I. Allegro vivace | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 2 in A major, op. 12 no. 2: II. Andante, più tosto allegretto | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacevole | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 3 in E-flat major, op. 12 no. 3: I. Allegro con spirito | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 3 in E-flat major, op. 12 no. 3: II. Adagio con molt’espressione | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 3 in E-flat major, op. 12 no. 3: III. Rondo. Allegro molto | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 4 in A minor, op. 23: I. Presto | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 4 in A minor, op. 23: II. Andante scherzoso, più allegretto | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 4 in A minor, op. 23: III. Allegro molto | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 5 in F, op. 24 “Spring”: I. Allegro | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 5 in F, op. 24 “Spring”: II. Adagio molto espressivo | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 5 in F, op. 24 “Spring”: III. Scherzo. Allegro molto | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 5 in F, op. 24 “Spring”: IV. Rondo. Allegro ma non troppo | Kristóf Baráti, Klára Würtz | T-909.573.283-5 |
| Violin Sonata no. 6 in A major, op. 30 no. 1: I. Allegro | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 6 in A major, op. 30 no. 1: II. Adagio molto espressivo | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 6 in A major, op. 30 no. 1: III. Allegretto con variazioni | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 7 in C minor, op. 30 no. 2: I. Allegro con brio | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 7 in C minor, op. 30 no. 2: II. Adagio cantabile | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 7 in C minor, op. 30 no. 2: III. Scherzo. Allegro | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 7 in C minor, op. 30 no. 2: IV. Finale. Allegro | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 8 in G major, op. 30 no. 3: I. Allegro assai | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 8 in G major, op. 30 no. 3: II. Tempo di menuetto | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 8 in G major, op. 30 no. 3: III. Allegro vivace | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto | Kristóf Baráti, Klára Würtz | — |
| Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: II. Andante con variazioni | Kristóf Baráti, Klára Würtz | — |
Fidelio: Act I, Scene II. "O welche Lust!"
London Symphony Orchestra, Sir Colin Davis
—
Violin Sonata no. 1 in D major, op. 12 no. 1: I. Allegro con brio
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 1 in D major, op. 12 no. 1: II. Tema con variazioni
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 1 in D major, op. 12 no. 1: III. Rondo. Allegro
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 2 in A major, op. 12 no. 2: I. Allegro vivace
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 2 in A major, op. 12 no. 2: II. Andante, più tosto allegretto
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacevole
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 3 in E-flat major, op. 12 no. 3: I. Allegro con spirito
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 3 in E-flat major, op. 12 no. 3: II. Adagio con molt’espressione
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 3 in E-flat major, op. 12 no. 3: III. Rondo. Allegro molto
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 4 in A minor, op. 23: I. Presto
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 4 in A minor, op. 23: II. Andante scherzoso, più allegretto
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 4 in A minor, op. 23: III. Allegro molto
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 5 in F, op. 24 “Spring”: I. Allegro
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 5 in F, op. 24 “Spring”: II. Adagio molto espressivo
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 5 in F, op. 24 “Spring”: III. Scherzo. Allegro molto
Kristóf Baráti, Klára Würtz
—
Kristóf Baráti, Klára Würtz
Violin Sonata no. 6 in A major, op. 30 no. 1: I. Allegro
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 6 in A major, op. 30 no. 1: II. Adagio molto espressivo
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 6 in A major, op. 30 no. 1: III. Allegretto con variazioni
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 7 in C minor, op. 30 no. 2: I. Allegro con brio
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 7 in C minor, op. 30 no. 2: II. Adagio cantabile
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 7 in C minor, op. 30 no. 2: III. Scherzo. Allegro
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 7 in C minor, op. 30 no. 2: IV. Finale. Allegro
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 8 in G major, op. 30 no. 3: I. Allegro assai
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 8 in G major, op. 30 no. 3: II. Tempo di menuetto
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 8 in G major, op. 30 no. 3: III. Allegro vivace
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto
Kristóf Baráti, Klára Würtz
—
Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: II. Andante con variazioni
Kristóf Baráti, Klára Würtz
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000000133912X000000004438958100000000454483950000000046311358000000004631143800000000465598550000000047367003000000005085922800000000510206270000000051055379
+20 more
0000000051185579000000005393553X000000005397999700000000540501780000000055129937000000005518666700000000552061110000000055241902000000005525456X0000000055458984000000005549765X000000005552522700000000555784170000000057341755000000005831253400000000588057500000000059349574000000005936788700000000630168280000000063037020
SourcesMusicBrainzDiscogs2 sources
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