UPC · Release
Carl Philipp Emanuel Bach
Last verified:
The UPC for “C.P.E. Bach Edition” by Carl Philipp Emanuel Bach is 5028421946405. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Brilliant Classics. This release contains 436 tracks, each with its own ISRC. Tracks include NLY330903264, NLY330903265, NLY330903266.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony in D, Wq.183:1 (H.663): I. Allegro di molto | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 2 | Symphony in D, Wq.183:1 (H.663): II. Largo | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 3 | Symphony in D, Wq.183:1 (H.663): III. Presto | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 4 | Symphony in E-flat, Wq.183:2 (H.664): I. Allegro di molto | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 5 | Symphony in E-flat, Wq.183:2 (H.664): II. Larghetto | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 6 | Symphony in E-flat, Wq.183:2 (H.664): III. Presto | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 7 | Harpsichord Concerto in C minor, Wq.43:4 (H.474): I. Allegro assai | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 8 | Harpsichord Concerto in C minor, Wq.43:4 (H.474): II. Poco adagio | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 9 | Harpsichord Concerto in C minor, Wq.43:4 (H.474): III. Tempo di menuetto | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 10 | Harpsichord Concerto in C minor, Wq.43:4 (H.474): IV. Allegro assai | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 11 | Symphony in F, Wq.183:3 (H.665): I. Allegro di molto | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 12 | Symphony in F, Wq.183:3 (H.665): II. Larghetto | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 13 | Symphony in F, Wq.183:3 (H.665): III. Presto | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 14 | Symphony in G, Wq.183:4 (H.666): I. Allegro assai | Marek Toporowski, Solamente Naturali, Didier Talpain | T-306.395.786-4 | |
| 15 | Symphony in G, Wq.183:4 (H.666): II. Poco andante | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 16 | Symphony in G, Wq.183:4 (H.666): III. Presto | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 2-1 | Symphony for Oboes, Horns, Strings, and Basso Continuo in E-flat major, Wq 179: I. Prestissimo | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-2 | Symphony for Oboes, Horns, Strings, and Basso Continuo in E-flat major, Wq 179: II. Larghetto | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-3 | Symphony for Oboes, Horns, Strings, and Basso Continuo in E-flat major, Wq 179: III. Presto | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-4 | Symphony for Oboes, Horns, Strings, and Basso Continuo in E-flat major, Wq 181: I. Allegro | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-5 | Symphony for Oboes, Horns, Strings, and Basso Continuo in E-flat major, Wq 181: II. Andante | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-6 | Symphony for Oboes, Horns, Strings, and Basso Continuo in E-flat major, Wq 181: III. Allegro assai | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-7 | Symphony for Flutes Horns, Strings, and Basso Continuo in C major, Wq 174: I. Allegro assai | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-8 | Symphony for Flutes Horns, Strings, and Basso Continuo in C major, Wq 174: II. Andante | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-9 | Symphony for Flutes Horns, Strings, and Basso Continuo in C major, Wq 174: III. Allegro | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-10 | Symphony for Flutes Horns, Strings, and Basso Continuo in F major, Wq 175: I. Allegro assai | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-11 | Symphony for Flutes Horns, Strings, and Basso Continuo in F major, Wq 175: II. Andante | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-12 | Symphony for Flutes Horns, Strings, and Basso Continuo in F major, Wq 175: III. Tempo di Menuetto | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-13 | Symphony for Flutes Horns, Strings, and Basso Continuo in E minor, Wq 178: I. Allegro assai | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-14 | Symphony for Flutes Horns, Strings, and Basso Continuo in E minor, Wq 178: II. Andante moderato | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-15 | Symphony for Flutes Horns, Strings, and Basso Continuo in E minor, Wq 178: III. Allegro | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-1 | Sinfonie G-Dur, Wq 182 No. 1: I. Allegro di molto | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-2 | Sinfonie G-Dur, Wq 182 No. 1: II. Poco adagio | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-3 | Sinfonie G-Dur, Wq 182 No. 1: III. Presto | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-4 | Sinfonie B-Dur, Wq 182 Nr. 2: I. Allegro di molto | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-5 | Sinfonie B-Dur, Wq 182 Nr. 2: II. Poco adagio | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-6 | Sinfonie B-Dur, Wq 182 Nr. 2: III. Presto | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-7 | Sinfonie C-Dur, Wq 182 Nr. 3: I. Allegro assai | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-8 | Sinfonie C-Dur, Wq 182 Nr. 3: II. Adagio | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-9 | Sinfonie C-Dur, Wq 182 Nr. 3: III. Allegretto | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-10 | Sinfonie A-Dur, Wq 182 Nr. 4: I. Allegro ma non troppo | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-11 | Sinfonie A-Dur, Wq 182 Nr. 4: II. Largo ed innocentemente | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-12 | Sinfonie A-Dur, Wq 182 Nr. 4: III. Allegro assai | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-13 | Sinfonie h-moll, Wq 182 Nr. 5: I. Allegretto | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-14 | Sinfonie h-moll, Wq 182 Nr. 5: II. Larghetto | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-15 | Sinfonie h-moll, Wq 182 Nr. 5: III. Presto | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-16 | Sinfonie E-Dur, Wq 182 Nr. 6: I. Allegro di molto | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-17 | Sinfonie E-Dur, Wq 182 Nr. 6: II. Poco andante | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-18 | Sinfonie E-Dur, Wq 182 Nr. 6: III. Allegro spiritoso | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 4-1 | Oboe Concerto in B-flat, Wq.164 (H.466): I. Allegretto | Jörn Boysen, Anna Starr, Musica Poetica | — | |
| 4-2 | Oboe Concerto in B-flat, Wq.164 (H.466): II. Largo e mesto, con sordini | Jörn Boysen, Anna Starr, Musica Poetica | — | |
| 4-3 | Oboe Concerto in B-flat, Wq.164 (H.466): III. Allegro moderato | Jörn Boysen, Anna Starr, Musica Poetica | — | |
| 4-4 | Pastorale in A minor, Wq.deest | Jörn Boysen, Anna Starr, Musica Poetica | T-312.439.105-1 | |
| 4-5 | Oboe Sonata in G minor, Wq.135 (H.549): I. Adagio | Jörn Boysen, Anna Starr, Musica Poetica | — | |
| 4-6 | Oboe Sonata in G minor, Wq.135 (H.549): II. Allegro | Jörn Boysen, Anna Starr, Musica Poetica | — | |
| 4-7 | Oboe Sonata in G minor, Wq.135 (H.549): III. Vivace | Jörn Boysen, Anna Starr, Musica Poetica | — | |
| 4-8 | Oboe Concerto in E-flat, Wq.165 (H.468): I. Allegro | Jörn Boysen, Anna Starr, Musica Poetica | — | |
| 4-9 | Oboe Concerto in E-flat, Wq.165 (H.468): II. Adagio ma non troppo | Jörn Boysen, Anna Starr, Musica Poetica | — | |
| 4-10 | Oboe Concerto in E-flat, Wq.165 (H.468): III. Allegro ma non troppo | Jörn Boysen, Anna Starr, Musica Poetica | — | |
| 5-1 | Flute Concerto in B-flat, Wq.164 (H.466) (orig. Oboe Concerto): I. Allegretto | — | ||
| 5-2 | Flute Concerto in B-flat, Wq.164 (H.466) (orig. Oboe Concerto): II. Largo e mesto | — | ||
| 5-3 | Flute Concerto in B-flat, Wq.164 (H.466) (orig. Oboe Concerto): III. Allegro moderato | — | ||
| 5-4 | Flute Concerto in D minor, H.484.1: I. Allegro | — | ||
| 5-5 | Flute Concerto in D minor, H.484.1: II. Un poco andante | — | ||
| 5-6 | Flute Concerto in D minor, H.484.1: III. Allegro di molto | — | ||
| 5-7 | Flute Concerto in E-flat, Wq.165 (H.468) (orig. Oboe Concerto): I. Allegro | — | ||
| 5-8 | Flute Concerto in E-flat, Wq.165 (H.468) (orig. Oboe Concerto): II. Adagio ma non troppo | — | ||
| 5-9 | Flute Concerto in E-flat, Wq.165 (H.468) (orig. Oboe Concerto): III. Allegro ma non troppo | — | ||
| 6-1 | Flute Concerto in B-flat, Wq.167 (H.435): I. Allegretto | — | ||
| 6-2 | Flute Concerto in B-flat, Wq.167 (H.435): II. Adagio | — | ||
| 6-3 | Flute Concerto in B-flat, Wq.167 (H.435): III. Allegro assai | — | ||
| 6-4 | Flute Concerto in A, Wq.168 (H.438): I. Allegro | — | ||
| 6-5 | Flute Concerto in A, Wq.168 (H.438): II. Largo con sordini, mesto | — | ||
| 6-6 | Flute Concerto in A, Wq.168 (H.438): III. Allegro assai | — | ||
| 6-7 | Flute Concerto in G, Wq.169 (H.445): I. Allegro di molto | — | ||
| 6-8 | Flute Concerto in G, Wq.169 (H.445): II. Largo | — | ||
| 6-9 | Flute Concerto in G, Wq.169 (H.445): III. Presto | — | ||
| 7-1 | Konzert für Orgel, Streicher und Basso Continuo G-Dur, Wq 34: I. Allegro di molto (cadenza: Roland Münch) | Klaus Kirbach, Roland Münch, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 7-2 | Konzert für Orgel, Streicher und Basso Continuo G-Dur, Wq 34: II. Largo | Klaus Kirbach, Roland Münch, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 7-3 | Konzert für Orgel, Streicher und Basso Continuo G-Dur, Wq 34: III. Presto | Klaus Kirbach, Roland Münch, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 7-4 | Präludium D-Dur, Wq 70 | Roland Münch, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 7-5 | Konzert für Orgel, Streicher, Zwei Hörner und Basso Continuo Es-Dur, Wq 35: I. Allegro moderato | Klaus Kirbach, Roland Münch, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 7-6 | Konzert für Orgel, Streicher, Zwei Hörner und Basso Continuo Es-Dur, Wq 35: II. Adagio | Klaus Kirbach, Roland Münch, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 7-7 | Konzert für Orgel, Streicher, Zwei Hörner und Basso Continuo Es-Dur, Wq 35: III. Allegro | Klaus Kirbach, Roland Münch, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 7-8 | Fantasie und Fuge c-moll, Wq 119 | Roland Münch, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 8-1 | Cello Concerto in A minor, H.432: I. Allegro assai | Scottish Ensemble, Raphael Wallfisch, Jonathan Morton | T-070.110.014-2 | |
| 8-2 | Cello Concerto in A minor, H.432: II. Andante | Scottish Ensemble, Raphael Wallfisch, Jonathan Morton | — | |
| 8-3 | Cello Concerto in A minor, H.432: III. Allegro assai | Scottish Ensemble, Raphael Wallfisch, Jonathan Morton | T-070.931.563-8 | |
| 8-4 | Cello Concerto in B-flat major, H.436: I. Allegretto | Scottish Ensemble, Raphael Wallfisch, Jonathan Morton | T-070.126.075-4 | |
| 8-5 | Cello Concerto in B-flat major, H.436: II. Adagio | Scottish Ensemble, Raphael Wallfisch, Jonathan Morton | — | |
| 8-6 | Cello Concerto in B-flat major, H.436: III. Allegro assai | Scottish Ensemble, Raphael Wallfisch, Jonathan Morton | — | |
| 8-7 | Cello Concerto in A major, H.439: I. Allegro | Scottish Ensemble, Raphael Wallfisch, Jonathan Morton | — | |
| 8-8 | Cello Concerto in A major, H.439: II. Largo | Scottish Ensemble, Raphael Wallfisch, Jonathan Morton | — | |
| 8-9 | Cello Concerto in A major, H.439: III. Allegro assai | Scottish Ensemble, Raphael Wallfisch, Jonathan Morton | — | |
| 9-1 | Harpsichord Concerto in G, Wq.3 (H.405): I. Allegro di molto | Pieter-Jan Belder, Musica Amphion | — | |
| 9-2 | Harpsichord Concerto in G, Wq.3 (H.405): II. Adagio | Pieter-Jan Belder, Musica Amphion | — | |
| 9-3 | Harpsichord Concerto in G, Wq.3 (H.405): III. Allegro | Pieter-Jan Belder, Musica Amphion | — | |
| 9-4 | Harpsichord Concerto in G minor, Wq.6 (H.409): I. Allegro | Pieter-Jan Belder, Musica Amphion | — | |
| 9-5 | Harpsichord Concerto in G minor, Wq.6 (H.409): II. Largo | Pieter-Jan Belder, Musica Amphion | — | |
| 9-6 | Harpsichord Concerto in G minor, Wq.6 (H.409): III. Allegro di molto | Pieter-Jan Belder, Musica Amphion | — | |
| 9-7 | Harpsichord Concerto in E, Wq.14 (H.417): I. Allegro | Pieter-Jan Belder, Musica Amphion | — | |
| 9-8 | Harpsichord Concerto in E, Wq.14 (H.417): II. Poco adagio | Pieter-Jan Belder, Musica Amphion | — | |
| 9-9 | Harpsichord Concerto in E, Wq.14 (H.417): III. Allegro assai | Pieter-Jan Belder, Musica Amphion | — | |
| 10-1 | Concerto in D minor, H.484.1: I. Allegro | Collegium Pro Musica, Stefano Bagliano | — | |
| 10-2 | Concerto in D minor, H.484.1: II. Un poco andante | Collegium Pro Musica, Stefano Bagliano | — | |
| 10-3 | Concerto in D minor, H.484.1: III. Allegro di molto | Collegium Pro Musica, Stefano Bagliano | — | |
| 10-4 | Concerto (Sonatina) in E-flat, Wq. 108 (H. 462): I. Largo | Collegium Pro Musica, Stefano Bagliano | — | |
| 10-5 | Concerto (Sonatina) in E-flat, Wq. 108 (H. 462): II. Allegro di molto | Collegium Pro Musica, Stefano Bagliano | — | |
| 10-6 | Concerto (Sonatina) in E-flat, Wq. 108 (H. 462): III. Tempo di minuetto | Collegium Pro Musica, Stefano Bagliano | — | |
| 10-7 | Quartet in A minor, Wq. 93 (H. 537): I. Andantino | Collegium Pro Musica, Federico Guglielmo, Stefano Bagliano | — | |
| 10-8 | Quartet in A minor, Wq. 93 (H. 537): II. Largo e sostenuto | Collegium Pro Musica, Federico Guglielmo, Stefano Bagliano | — | |
| 10-9 | Quartet in A minor, Wq. 93 (H. 537): III. Allegro assai | Collegium Pro Musica, Federico Guglielmo, Stefano Bagliano | — | |
| 10-10 | Trio in F, Wq. 163 (H. 588): I. Un poco andante | Lorenzo Cavasanti, Collegium Pro Musica, Simone Laghi, Stefano Bagliano | — | |
| 10-11 | Trio in F, Wq. 163 (H. 588): II. Allegretto | Lorenzo Cavasanti, Collegium Pro Musica, Simone Laghi, Stefano Bagliano | — | |
| 10-12 | Trio in F, Wq. 163 (H. 588): III. Allegro | Lorenzo Cavasanti, Collegium Pro Musica, Simone Laghi, Stefano Bagliano | — | |
| 11-1 | Trio in A minor, Wq.93 (H.537): I. Andantino | Elisa Citterio, Guido Morini, Laura Pontecorvo | — | |
| 11-2 | Trio in A minor, Wq.93 (H.537): II. Largo è sostenuto | Elisa Citterio, Guido Morini, Laura Pontecorvo | — | |
| 11-3 | Trio in A minor, Wq.93 (H.537): III. Allegro assai | Elisa Citterio, Guido Morini, Laura Pontecorvo | — | |
| 11-4 | Trio in D, Wq.94 (H.538): I. Allegretto | Elisa Citterio, Guido Morini, Laura Pontecorvo | — | |
| 11-5 | Trio in D, Wq.94 (H.538): II. Adagio (sehr langsam und ausgehalten) | Elisa Citterio, Guido Morini, Laura Pontecorvo | — | |
| 11-6 | Trio in D, Wq.94 (H.538): III. Allegro di molto | Elisa Citterio, Guido Morini, Laura Pontecorvo | — | |
| 11-7 | Duett für Flöte und Violine e-moll Wq 140: I. Andante | Elisa Citterio, Laura Pontecorvo | — | |
| 11-8 | Duett für Flöte und Violine e-moll Wq 140: II. Allegro | Elisa Citterio, Laura Pontecorvo | — | |
| 11-9 | Duett für Flöte und Violine e-moll Wq 140: III. Allegretto | Elisa Citterio, Laura Pontecorvo | — | |
| 11-10 | Trio in G, Wq.95 (H.539): I. Allegretto | Elisa Citterio, Guido Morini, Laura Pontecorvo | — | |
| 11-11 | Trio in G, Wq.95 (H.539): II. Adagio | Elisa Citterio, Guido Morini, Laura Pontecorvo | — | |
| 11-12 | Trio in G, Wq.95 (H.539): III. Presto | Elisa Citterio, Guido Morini, Laura Pontecorvo | — | |
| 11-13 | Triosonate für Flöte, Violine, Violoncello und Cembalo A-Dur Wq 146: I. Allegretto | Elisa Citterio, Francesco Galligioni, Guido Morini, Laura Pontecorvo | — | |
| 11-14 | Triosonate für Flöte, Violine, Violoncello und Cembalo A-Dur Wq 146: II. Andante | Elisa Citterio, Francesco Galligioni, Guido Morini, Laura Pontecorvo | — | |
| 11-15 | Triosonate für Flöte, Violine, Violoncello und Cembalo A-Dur Wq 146: III. Vivace | Elisa Citterio, Francesco Galligioni, Guido Morini, Laura Pontecorvo | — | |
| 12-1 | Flute Sonata in G, Wq.127 (H.554): I. Adagio | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-2 | Flute Sonata in G, Wq.127 (H.554): II. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-3 | Flute Sonata in G, Wq.127 (H.554): III. Vivace | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-4 | Flute Sonata in E minor, Wq.124 (H.551): I. Adagio | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-5 | Flute Sonata in E minor, Wq.124 (H.551): II. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-6 | Flute Sonata in E minor, Wq.124 (H.551): III. Minuetto | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-7 | Flute Sonata in G, Wq.123 (H.550): I. Andante | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-8 | Flute Sonata in G, Wq.123 (H.550): II. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-9 | Flute Sonata in G, Wq.123 (H.550): III. Tempo di menuetto | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-10 | Flute Sonata in B-flat, Wq.125 (H.552): I. Adagio | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-11 | Flute Sonata in B-flat, Wq.125 (H.552): II. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-12 | Flute Sonata in B-flat, Wq.125 (H.552): III. Vivace | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-13 | Flute Sonata in D, Wq.126 (H.553): I. Largo | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-14 | Flute Sonata in D, Wq.126 (H.553): II. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-15 | Flute Sonata in D, Wq.126 (H.553): III. Vivace | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-16 | Flute Sonata in B-flat, Wq.130 (H.560): I. Largo | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-17 | Flute Sonata in B-flat, Wq.130 (H.560): II. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-18 | Flute Sonata in B-flat, Wq.130 (H.560): III. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-1 | Flute Sonata in D, Wq.129 (H.556): I. Adagio | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-2 | Flute Sonata in D, Wq.129 (H.556): II. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-3 | Flute Sonata in D, Wq.129 (H.556): III. Vivace | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-4 | Flute Sonata in A minor, Wq.128 (H.555): I. Andante | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-5 | Flute Sonata in A minor, Wq.128 (H.555): II. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-6 | Flute Sonata in A minor, Wq.128 (H.555): III. Vivace | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-7 | Flute Sonata in G, Wq.134 (H.548): I. Adagio | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-8 | Flute Sonata in G, Wq.134 (H.548): II. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-9 | Flute Sonata in G, Wq.134 (H.548): III. Vivace | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-10 | Flute Sonata in D, Wq.131 (H.561): I. Andante | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-11 | Flute Sonata in D, Wq.131 (H.561): II. Allegretto | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-12 | Flute Sonata in D, Wq.131 (H.561): III. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-13 | Flute Sonata in G, Wq.133 (H.564): I. Allegretto | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-14 | Flute Sonata in G, Wq.133 (H.564): II. Rondo presto | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 14-1 | Sonata in D for Viola da Gamba and Basso Continuo, Wq.137 (H.559): I. Adagio ma non tanto | — | ||
| 14-2 | Sonata in D for Viola da Gamba and Basso Continuo, Wq.137 (H.559): II. Allegro di molto | — | ||
| 14-3 | Sonata in D for Viola da Gamba and Basso Continuo, Wq.137 (H.559): III. Arioso | — | ||
| 14-4 | Sonata in C for Viola da Gamba and Basso Continuo, Wq.136 (H.558): I. Andante | — | ||
| 14-5 | Sonata in C for Viola da Gamba and Basso Continuo, Wq.136 (H.558): II. Allegretto | — | ||
| 14-6 | Sonata in C for Viola da Gamba and Basso Continuo, Wq.136 (H.558): III. Arioso | — | ||
| 14-7 | Trio in G minor for Viola da Gamba and Obbligato Harpsichord, Wq.88 (H.510): I. Allegro moderato | — | ||
| 14-8 | Trio in G minor for Viola da Gamba and Obbligato Harpsichord, Wq.88 (H.510): II. Larghetto | — | ||
| 14-9 | Trio in G minor for Viola da Gamba and Obbligato Harpsichord, Wq.88 (H.510): III. Allegro assai | — | ||
| 15-1 | Sonate für Cembalo und Violine D-Dur Wq 71: I. Adagio ma non molto | Federico Guglielmo, Roberto Loreggian | — | |
| 15-2 | Sonate für Cembalo und Violine D-Dur Wq 71: II. Allegro | Federico Guglielmo, Roberto Loreggian | — | |
| 15-3 | Sonate für Cembalo und Violine D-Dur Wq 71: III. Adagio | Federico Guglielmo, Roberto Loreggian | — | |
| 15-4 | Sonate für Cembalo und Violine D-Dur Wq 71: IV. Menuet - Menuet | Federico Guglielmo, Roberto Loreggian | — | |
| 15-5 | Sonate für Cembalo und Violine d-Moll Wq 72: I. Adagio ma non troppo | Federico Guglielmo, Roberto Loreggian | — | |
| 15-6 | Sonate für Cembalo und Violine d-Moll Wq 72: II. Allegro | Federico Guglielmo, Roberto Loreggian | — | |
| 15-7 | Sonate für Cembalo und Violine d-Moll Wq 72: III. Allegro | Federico Guglielmo, Roberto Loreggian | — | |
| 15-8 | Sonate für Cembalo und Violine C-Dur Wq 73: I. Allegro di molto | Federico Guglielmo, Roberto Loreggian | — | |
| 15-9 | Sonate für Cembalo und Violine C-Dur Wq 73: II. Andante | Federico Guglielmo, Roberto Loreggian | — | |
| 15-10 | Sonate für Cembalo und Violine C-Dur Wq 73: III. Allegretto | Federico Guglielmo, Roberto Loreggian | — | |
| 15-11 | Sinfonie für Cembalo und Violine C-Dur Wq 74: I. Allegro | Federico Guglielmo, Roberto Loreggian | T-306.395.786-4 | |
| 15-12 | Sinfonie für Cembalo und Violine C-Dur Wq 74: II. Andante | Federico Guglielmo, Roberto Loreggian | — | |
| 15-13 | Sinfonie für Cembalo und Violine C-Dur Wq 74: III. Tempo di minuetto | Federico Guglielmo, Roberto Loreggian | — | |
| 15-14 | Sonate für Cembalo und Violine h-moll Wq 76: I. Allegro moderato | Federico Guglielmo, Roberto Loreggian | — | |
| 15-15 | Sonate für Cembalo und Violine h-moll Wq 76: II. Poco andante | Federico Guglielmo, Roberto Loreggian | — | |
| 15-16 | Sonate für Cembalo und Violine h-moll Wq 76: III. Allegretto siciliano | Federico Guglielmo, Roberto Loreggian | — | |
| 15-17 | Sonate für Cembalo und Violine g-moll H 542.5: I. Ohne Satzbezeichnung | Federico Guglielmo, Roberto Loreggian | — | |
| 15-18 | Sonate für Cembalo und Violine g-moll H 542.5: II. Adagio | Federico Guglielmo, Roberto Loreggian | — | |
| 15-19 | Sonate für Cembalo und Violine g-moll H 542.5: III. Allegro | Federico Guglielmo, Roberto Loreggian | — | |
| 16-1 | Sonata no. 1 in F, Wq48/1: I. Poco allegro | Pieter-Jan Belder | — | |
| 16-2 | Sonata no. 1 in F, Wq48/1: II. Andante | Pieter-Jan Belder | — | |
| 16-3 | Sonata no. 1 in F, Wq48/1: III. Vivace | Pieter-Jan Belder | — | |
| 16-4 | Sonata no. 2 in B-flat, Wq48/2: I. Vivace | Pieter-Jan Belder | — | |
| 16-5 | Sonata no. 2 in B-flat, Wq48/2: II. Adagio | Pieter-Jan Belder | — | |
| 16-6 | Sonata no. 2 in B-flat, Wq48/2: III. Allegro assai | Pieter-Jan Belder | — | |
| 16-7 | Sonata no. 3 in E, Wq48/3: I. Poco allegro | Pieter-Jan Belder | — | |
| 16-8 | Sonata no. 3 in E, Wq48/3: II. Adagio | Pieter-Jan Belder | — | |
| 16-9 | Sonata no. 3 in E, Wq48/3: III. Presto | Pieter-Jan Belder | — | |
| 16-10 | Sonata no. 4 in C minor, Wq48/4: I. Allegro | Pieter-Jan Belder | — | |
| 16-11 | Sonata no. 4 in C minor, Wq48/4: II. Adagio | Pieter-Jan Belder | — | |
| 16-12 | Sonata no. 4 in C minor, Wq48/4: III. Presto | Pieter-Jan Belder | — | |
| 16-13 | Sonata no. 5 in C, Wq48/5: I. Poco allegro | Pieter-Jan Belder | — | |
| 16-14 | Sonata no. 5 in C, Wq48/5: II. Andante | Pieter-Jan Belder | — | |
| 16-15 | Sonata no. 5 in C, Wq48/5: III. Allegro assai | Pieter-Jan Belder | — | |
| 16-16 | Sonata no. 6 in A, Wq48/6: I. Allegro | Pieter-Jan Belder | — | |
| 16-17 | Sonata no. 6 in A, Wq48/6: II. Adagio | Pieter-Jan Belder | — | |
| 16-18 | Sonata no. 6 in A, Wq48/6: III. Allegro | Pieter-Jan Belder | — | |
| 17-1 | Sonata no. 1 in A minor, Wq49/1: I. Moderato | Pieter-Jan Belder | — | |
| 17-2 | Sonata no. 1 in A minor, Wq49/1: II. Andante | Pieter-Jan Belder | — | |
| 17-3 | Sonata no. 1 in A minor, Wq49/1: III. Allegro assai | Pieter-Jan Belder | — | |
| 17-4 | Sonata no. 2 in A-flat, Wq49/2: I. Un poco allegro | Pieter-Jan Belder | — | |
| 17-5 | Sonata no. 2 in A-flat, Wq49/2: II. Adagio | Pieter-Jan Belder | — | |
| 17-6 | Sonata no. 2 in A-flat, Wq49/2: III. Allegro | Pieter-Jan Belder | — | |
| 17-7 | Sonata no. 3 in E minor, Wq49/3: I. Allegro | Pieter-Jan Belder | — | |
| 17-8 | Sonata no. 3 in E minor, Wq49/3: II. Adagio | Pieter-Jan Belder | — | |
| 17-9 | Sonata no. 3 in E minor, Wq49/3: III. Vivace | Pieter-Jan Belder | — | |
| 18-1 | Sonata no. 4 in B-flat, Wq49/4: I. Un poco allegro | Pieter-Jan Belder | — | |
| 18-2 | Sonata no. 4 in B-flat, Wq49/4: II. Andante | Pieter-Jan Belder | — | |
| 18-3 | Sonata no. 4 in B-flat, Wq49/4: III. Allegro | Pieter-Jan Belder | — | |
| 18-4 | Sonata no. 5 in E-flat, Wq49/5: I. Allegro | Pieter-Jan Belder | — | |
| 18-5 | Sonata no. 5 in E-flat, Wq49/5: II. Adagio | Pieter-Jan Belder | — | |
| 18-6 | Sonata no. 5 in E-flat, Wq49/5: III. Allegro assai | Pieter-Jan Belder | — | |
| 18-7 | Sonata no. 6 in B minor, Wq49/6: I. Moderato | Pieter-Jan Belder | — | |
| 18-8 | Sonata no. 6 in B minor, Wq49/6: II. Adagio non molto | Pieter-Jan Belder | — | |
| 18-9 | Sonata no. 6 in B minor, Wq49/6: III. Allegro | Pieter-Jan Belder | — | |
| 19-1 | Sonata, Wq55 no. 1 in C: I. Prestissimo | Pieter-Jan Belder | — | |
| 19-2 | Sonata, Wq55 no. 1 in C: II. Andante | Pieter-Jan Belder | — | |
| 19-3 | Sonata, Wq55 no. 1 in C: III. Allegretto | Pieter-Jan Belder | — | |
| 19-4 | Sonata, Wq55 no. 2 in F: I. Andante | Pieter-Jan Belder | — | |
| 19-5 | Sonata, Wq55 no. 2 in F: II. Larghetto | Pieter-Jan Belder | — | |
| 19-6 | Sonata, Wq55 no. 2 in F: III. Allegro assai | Pieter-Jan Belder | — | |
| 19-7 | Sonata, Wq55 no. 3 in B minor: I. Allegretto | Pieter-Jan Belder | — | |
| 19-8 | Sonata, Wq55 no. 3 in B minor: II. Andante | Pieter-Jan Belder | — | |
| 19-9 | Sonata, Wq55 no. 3 in B minor: III. Cantabile | Pieter-Jan Belder | — | |
| 19-10 | Sonata, Wq55 no. 4 in A: I. Allegro assai | Pieter-Jan Belder | — | |
| 19-11 | Sonata, Wq55 no. 4 in A: II. Poco adagio | Pieter-Jan Belder | — | |
| 19-12 | Sonata, Wq55 no. 4 in A: III. Allegro | Pieter-Jan Belder | — | |
| 19-13 | Sonata, Wq55 no. 5 in F: I. Allegro | Pieter-Jan Belder | — | |
| 19-14 | Sonata, Wq55 no. 5 in F: II. Adagio mesto | Pieter-Jan Belder | — | |
| 19-15 | Sonata, Wq55 no. 5 in F: III. Allegretto | Pieter-Jan Belder | — | |
| 20-1 | Sonata, Wq55 no. 6 in G: I. Allegretto | Pieter-Jan Belder | — | |
| 20-2 | Sonata, Wq55 no. 6 in G: II. Andante | Pieter-Jan Belder | — | |
| 20-3 | Sonata, Wq55 no. 6 in G: III. Allegro di molto | Pieter-Jan Belder | — | |
| 20-4 | Rondo, Wq56 no. 1 in C | Pieter-Jan Belder | — | |
| 20-5 | Sonata, Wq56 no. 1 in G: I. Allegretto | Pieter-Jan Belder | — | |
| 20-6 | Sonata, Wq56 no. 1 in G: II. Larghetto | Pieter-Jan Belder | — | |
| 20-7 | Sonata, Wq56 no. 1 in G: III. Allegro | Pieter-Jan Belder | — | |
| 20-8 | Rondo, Wq56 no. 2 in D | Pieter-Jan Belder | — | |
| 20-9 | Sonata, Wq56 no. 2 in F: I. Andantino | Pieter-Jan Belder | — | |
| 20-10 | Sonata, Wq56 no. 2 in F: II. Presto | Pieter-Jan Belder | — | |
| 20-11 | Rondo, Wq56 no. 3 in A minor | Pieter-Jan Belder | — | |
| 20-12 | Sonata, Wq56 no. 3 in A: I. Allegretto | Pieter-Jan Belder | — | |
| 20-13 | Sonata, Wq56 no. 3 in A: II. [Allegretto]] | Pieter-Jan Belder | — | |
| 21-1 | Rondo, Wq57 no. 1 in E | Pieter-Jan Belder | — | |
| 21-2 | Sonata, Wq57 no. 1 in A minor: I. Allegro | Pieter-Jan Belder | — | |
| 21-3 | Sonata, Wq57 no. 1 in A minor: II. Andante | Pieter-Jan Belder | — | |
| 21-4 | Sonata, Wq57 no. 1 in A minor: III. Allegro di molto | Pieter-Jan Belder | — | |
| 21-5 | Rondo, Wq57 no. 2 in G | Pieter-Jan Belder | — | |
| 21-6 | Sonata, Wq57 no. 2 in D minor: I. Allegro moderato | Pieter-Jan Belder | — | |
| 21-7 | Sonata, Wq57 no. 2 in D minor: II. Cantabile e mesto | Pieter-Jan Belder | — | |
| 21-8 | Sonata, Wq57 no. 2 in D minor: III. Allegro | Pieter-Jan Belder | — | |
| 21-9 | Rondo, Wq57 no. 3 in F | Pieter-Jan Belder | — | |
| 21-10 | Sonata, Wq57 no. 3 in F minor: I. Allegro assai | Pieter-Jan Belder | — | |
| 21-11 | Sonata, Wq57 no. 3 in F minor: II. Andante | Pieter-Jan Belder | — | |
| 21-12 | Sonata, Wq57 no. 3 in F minor: III. Andantino grazioso | Pieter-Jan Belder | — | |
| 21-13 | Rondo, Wq58 no. 1 in A | Pieter-Jan Belder | — | |
| 21-14 | Sonata, Wq58 no. 1 in G: I. Grazioso | Pieter-Jan Belder | — | |
| 21-15 | Sonata, Wq58 no. 1 in G: II. Larghetto e sostenuto | Pieter-Jan Belder | — | |
| 21-16 | Sonata, Wq58 no. 1 in G: III. Allegretto | Pieter-Jan Belder | — | |
| 22-1 | Rondo, Wq58 no. 2 in E | Pieter-Jan Belder | — | |
| 22-2 | Sonata, Wq58 no. 2 in E minor: I. Allegretto | Pieter-Jan Belder | — | |
| 22-3 | Sonata, Wq58 no. 2 in E minor: II. Andantino | Pieter-Jan Belder | — | |
| 22-4 | Sonata, Wq58 no. 2 in E minor: III. Allegro assai | Pieter-Jan Belder | — | |
| 22-5 | Rondo, Wq58 no. 3 in B-flat | Pieter-Jan Belder | — | |
| 22-6 | Fantasia, Wq58 no. 1 in E-flat | Pieter-Jan Belder | — | |
| 22-7 | Fantasia, Wq58 no. 2 in A | Pieter-Jan Belder | — | |
| 22-8 | Sonata, Wq59 no. 1 in E minor: I. Presto | Pieter-Jan Belder | — | |
| 22-9 | Sonata, Wq59 no. 1 in E minor: II. Adagio | Pieter-Jan Belder | — | |
| 22-10 | Sonata, Wq59 no. 1 in E minor: III. Andantino | Pieter-Jan Belder | — | |
| 22-11 | Rondo, Wq59 no. 1 in G | Pieter-Jan Belder | — | |
| 23-1 | Sonata, Wq59 no. 2 in B-flat: I. Allegro un poco | Pieter-Jan Belder | — | |
| 23-2 | Sonata, Wq59 no. 2 in B-flat: II. Largo | Pieter-Jan Belder | — | |
| 23-3 | Sonata, Wq59 no. 2 in B-flat: III. Andantino grazioso | Pieter-Jan Belder | — | |
| 23-4 | Rondo, Wq59 no. 2 in C minor | Pieter-Jan Belder | — | |
| 23-5 | Fantasia, Wq59 no. 1 in F | Pieter-Jan Belder | — | |
| 23-6 | Fantasia, Wq59 no. 2 in C | Pieter-Jan Belder | — | |
| 23-7 | Rondo, Wq61 no. 1 in E-flat | Pieter-Jan Belder | — | |
| 23-8 | Sonata, Wq61 no. 1 in D: I. Allegro di molto | Pieter-Jan Belder | — | |
| 23-9 | Sonata, Wq61 no. 1 in D: II. Allegretto | Pieter-Jan Belder | — | |
| 23-10 | Sonata, Wq61 no. 1 in D: III. Presto di molto | Pieter-Jan Belder | — | |
| 23-11 | Fantasia, Wq61 no. 1 in B-flat | Pieter-Jan Belder | — | |
| 23-12 | Rondo, Wq61 no. 2 in D minor | Pieter-Jan Belder | — | |
| 23-13 | Sonata, Wq61 no. 2 in E minor: I. Allegretto | Pieter-Jan Belder | — | |
| 23-14 | Sonata, Wq61 no. 2 in E minor: II. Andante | Pieter-Jan Belder | — | |
| 23-15 | Sonata, Wq61 no. 2 in E minor: III. Allegretto | Pieter-Jan Belder | — | |
| 23-16 | Fantasia, Wq61 no. 2 in C | Pieter-Jan Belder | — | |
| 24-1 | Symphony in G, Wq. 122 no. 1: I. Allegro assai | Andrea Chezzi | T-306.395.786-4 | |
| 24-2 | Symphony in G, Wq. 122 no. 1: II. Andante | Andrea Chezzi | — | |
| 24-3 | Symphony in G, Wq. 122 no. 1: III. Allegretto | Andrea Chezzi | — | |
| 24-4 | Symphony in F, Wq. 122 no. 2: I. Allegro assai | Andrea Chezzi | — | |
| 24-5 | Symphony in F, Wq. 122 no. 2: II. Andante | Andrea Chezzi | — | |
| 24-6 | Symphony in F, Wq. 122 no. 2: III. Tempo di minuetto | Andrea Chezzi | — | |
| 24-7 | Symphony in D: I. Allegro | Andrea Chezzi | — | |
| 24-8 | Symphony in D: II. Andante | Andrea Chezzi | — | |
| 24-9 | Symphony in D: III. Presto | Andrea Chezzi | — | |
| 24-10 | Symphony in E minor, Wq. 122 no. 3: I. Allegro assai | Andrea Chezzi | — | |
| 24-11 | Symphony in E minor, Wq. 122 no. 3: II. Andante | Andrea Chezzi | — | |
| 24-12 | Symphony in E minor, Wq. 122 no. 3: III. Allegro | Andrea Chezzi | — | |
| 25-1 | Die Ehre Gottes aus der Natur, Wq.194:18 (H.686:18) | Julian Redlin, Jörn Boysen | — | |
| 25-2 | Betrachtung des Todes, Wq.194:26 (H.686:26) | Julian Redlin, Jörn Boysen | — | |
| 25-3 | Die Zufriedenheit in Gott, Wq.195:6 (H.696:6) | Julian Redlin, Jörn Boysen | — | |
| 25-4 | Prüfung am Abend, Wq.194:7 (H.686:7) | Julian Redlin, Jörn Boysen | — | |
| 25-5 | Osterlied, Wq.194:10 (H.686:10) | Julian Redlin, Jörn Boysen | — | |
| 25-6 | Der Unbeständige, Wq.202c:1 (H.709) | Julian Redlin, Jörn Boysen | — | |
| 25-7 | Der 8. Psalm, Wq.196:4 (H.733:4) | Julian Redlin, Jörn Boysen | — | |
| 25-8 | Der 23. Psalm, Wq.196:8 (H.733:8) | Julian Redlin, Jörn Boysen | — | |
| 25-9 | Der 86. Psalm, Wq.196:19 (H.733:19) | Julian Redlin, Jörn Boysen | — | |
| 25-10 | Der 67. Psalm, Wq.196:18 (H.733:18) | Julian Redlin, Jörn Boysen | — | |
| 25-11 | Das Privilegium, Wq.202b:1 (H.693) | Julian Redlin, Jörn Boysen | — | |
| 25-12 | Der Tag des Weltgerichts, Wq.197:13 (H.749:13) | Julian Redlin, Jörn Boysen | — | |
| 25-13 | Der Frühling, Wq.197:14 (H.749:14) | Julian Redlin, Jörn Boysen | — | |
| 25-14 | Die Fortdauer der Lehre Jesu, Wq.197:21 (H.749:21) | Julian Redlin, Jörn Boysen | — | |
| 25-15 | Andenken an den Tod, Wq.198:12 (H.752:12) | Julian Redlin, Jörn Boysen | — | |
| 25-16 | Die Küsse, Wq.199:4 (H.673) | Julian Redlin, Jörn Boysen | — | |
| 25-17 | Belinde, Wq.202b:3 (H.695) | Julian Redlin, Jörn Boysen | — | |
| 26-1 | Symphony in G, Wq.173 (H.648): I. Allegro assai | — | ||
| 26-2 | Symphony in G, Wq.173 (H.648): II. Andante | — | ||
| 26-3 | Symphony in G, Wq.173 (H.648): III. Allegretto | — | ||
| 26-4 | Symphony in G, Wq.180 (H.655): I. Allegro di molto | — | ||
| 26-5 | Symphony in G, Wq.180 (H.655): II. Largo | — | ||
| 26-6 | Symphony in G, Wq.180 (H.655): III. Allegro assai | — | ||
| 26-7 | Magnificat in D, Wq.215 (H.772): I. Magnificat (chorus) | — | ||
| 26-8 | Magnificat in D, Wq.215 (H.772): II. Aria "Quia respexit" (soprano) | — | ||
| 26-9 | Magnificat in D, Wq.215 (H.772): III. Aria "Quia fecit" (tenor) | — | ||
| 26-10 | Magnificat in D, Wq.215 (H.772): IV. Et misericordia eius (chorus) | — | ||
| 26-11 | Magnificat in D, Wq.215 (H.772): V. Aria "Fecit potentiam" (baritone) | — | ||
| 26-12 | Magnificat in D, Wq.215 (H.772): VI. Duet "Deposuit potentes" (contralto, tenor) | — | ||
| 26-13 | Magnificat in D, Wq.215 (H.772): VII. Aria "Suscepit Israel" (contralto) | — | ||
| 26-14 | Magnificat in D, Wq.215 (H.772): VIII. Gloria (chorus) | — | ||
| 26-15 | Magnificat in D, Wq.215 (H.772): IX. Sicut erat (chorus) | — | ||
| 27-1 | Klopstocks Morgengesang am Schöpfungsfeste, Wq 239: "Noch kommt sie nicht, die Sonne" (Sopran I) | Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 27-2 | Klopstocks Morgengesang am Schöpfungsfeste, Wq 239: "Heiliger! Hocherhabener! Erster!" (Sopran II) | Johanna Koslowsky, Das Kleine Konzert, Hermann Max | — | |
| 27-3 | Klopstocks Morgengesang am Schöpfungsfeste, Wq 239: "Schon wehen und säuseln" (Sopran I) | Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 27-4 | Klopstocks Morgengesang am Schöpfungsfeste, Wq 239: "Herr! Gott! barmherzig und gnädig" (Sopran I, Sopran II) | Johanna Koslowsky, Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 27-5 | Klopstocks Morgengesang am Schöpfungsfeste, Wq 239: "Herr! Gott! barmherzig und gnädig" (Chor) | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 27-6 | Klopstocks Morgengesang am Schöpfungsfeste, Wq 239: "Halleluja! seht ihr die Stahlende, Göttliche kommen?" (Sopran I, Sopran II) | Johanna Koslowsky, Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 27-7 | Klopstocks Morgengesang am Schöpfungsfeste, Wq 239: "O der Sonne Gottes!" (Sopran I) | Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 27-8 | Klopstocks Morgengesang am Schöpfungsfeste, Wq 239: "Und du solltest nicht auferwecken?" (Sopran II) | Johanna Koslowsky, Das Kleine Konzert, Hermann Max | — | |
| 27-9 | Klopstocks Morgengesang am Schöpfungsfeste, Wq 239: "Halleluja! seht ihr die Stahlende, Göttliche kommen?" (Chor) | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 27-10 | Auf, schicke dich recht feierlich, Wq 249: Choral "Auf, schicke dich recht feierlich" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 27-11 | Auf, schicke dich recht feierlich, Wq 249: Aria "Groß ist der Herr, sein weites Heiligtum schallt überall" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 27-12 | Auf, schicke dich recht feierlich, Wq 249: Recitativ "Wohin mein Auge blickt" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 27-13 | Auf, schicke dich recht feierlich, Wq 249: Aria "Groß ist der Herr, ihm laßt uns singen" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 27-14 | Auf, schicke dich recht feierlich, Wq 249: Chor "Ihr Völker, hört's und kniet im Staube nieder" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 27-15 | Auf, schicke dich recht feierlich, Wq 249: Chor "Ihr Himmel, tönt von Pol zu Pole wider" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 27-16 | Auf, schicke dich recht feierlich, Wq 249: Recitativ "Welch ein Gesang voll Jubel steiget zu Gottes Thron empor?" (Sopran, Baß) | Barbara Schlick, Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 27-17 | Auf, schicke dich recht feierlich, Wq 249: Duetto "Also hat Gott die Welt geliebet" (Sopran, Alt) | Hilke Helling, Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 27-18 | Auf, schicke dich recht feierlich, Wq 249: Accompagnato "Du bist gekommen, du heiligster Sohn Gottes" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 27-19 | Auf, schicke dich recht feierlich, Wq 249: Recitativ "Gott, dessen Liebe" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 27-20 | Auf, schicke dich recht feierlich, Wq 249: Arie "Seid mir gesegnet, meine Brüder" (Tenor) - "Ich will entzückt die süßen Lehren" (Alt) - "Oft, wenn ich, Gott, dich dachte" (Sopran) - "Nun mischt in deines Vokes Chöre" (Baß) | Hilke Helling, Wilfried Jochens, Barbara Schlick, Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 27-21 | Auf, schicke dich recht feierlich, Wq 249: Chor "Stets soll mein Herz voll deiner Ehre" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 27-22 | Auf, schicke dich recht feierlich, Wq 249: Chor "Rat, Kraft Und Held" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 27-23 | Anbetung dem Erbarmer, Wq 243: Chor "Anbetung dem Erbarmer" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 27-24 | Anbetung dem Erbarmer, Wq 243: Accompagnato "Wir standen weinend tief in Schmerz verloren" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 27-25 | Anbetung dem Erbarmer, Wq 243: Aria "Ach! ach! als in siebenfalt'ge Nacht sein Haupt dahinsank" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 27-26 | Anbetung dem Erbarmer, Wq 243: Accompagnato "Doch nun verwandelt sich der schüchterne Gesang der Trauigkeit" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 27-27 | Anbetung dem Erbarmer, Wq 243: Aria "Sei gegrüßet, Fürst des Lebens" (Sopran) | Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 27-28 | Anbetung dem Erbarmer, Wq 243: Recitativ "Die ihr ihn fürchtet, zaget nicht!" (Alt) | Hilke Helling, Das Kleine Konzert, Hermann Max | — | |
| 27-29 | Anbetung dem Erbarmer, Wq 243: Chor "Herr, es ist dir keiner gleich" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 27-30 | Anbetung dem Erbarmer, Wq 243: Choral "Dank sei dir, o du Friedefürst" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 27-31 | Heilig, Wq 217: Ariette "Herr, wert daß Scharen der Engel dir dienen" (Contralto) | Hilke Helling, Das Kleine Konzert, Hermann Max | — | |
| 27-32 | Heilig, Wq 217: Chor "Heilig ist Gott, der Herr Zebaoth" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 28-1 | Zur Einführung des H. P. Gasie, Wq 250: No. 1 Chor "Gnädig und barmherzig ist der Herr" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 28-2 | Zur Einführung des H. P. Gasie, Wq 250: No. 2 Recitativ "So weit der Himmel gehet" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 28-3 | Zur Einführung des H. P. Gasie, Wq 250: No. 3 Arie "Wenn Menschen dein vergaßen" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 28-4 | Zur Einführung des H. P. Gasie, Wq 250: No. 4 Recitativ "Drum sorget nicht: Was wird uns kleiden" (Alt) | Hilke Helling, Das Kleine Konzert, Hermann Max | — | |
| 28-5 | Zur Einführung des H. P. Gasie, Wq 250: No. 5 Arie "O seht, wie so harmlos" (Sopran) | Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 28-6 | Zur Einführung des H. P. Gasie, Wq 250: No. 6 Recitativ "Blickt auf die Fluren hin!" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 28-7 | Zur Einführung des H. P. Gasie, Wq 250: No. 7 Arie "Abgehärmter Wangen Tränen" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 28-8 | Zur Einführung des H. P. Gasie, Wq 250: No. 8 Chor "Trachtet am ersten nach dem Reiche Gottes" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 28-9 | Zur Einführung des H. P. Gasie, Wq 250: No. 9 Accompagnato "Lagert sich um deine Pfade" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 28-10 | Zur Einführung des H. P. Gasie, Wq 250: No. 10 Choral "Ich will mit deinem Willen" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 28-11 | Zur Einführung des H. P. Gasie, Wq 250: No. 11 Recitativ "Liebst du mich?" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 28-12 | Zur Einführung des H. P. Gasie, Wq 250: No. 12 Arioso "Herr, du weißest alle Dige" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 28-13 | Zur Einführung des H. P. Gasie, Wq 250: No. 13 Recitativ "Freu dich des Herrn" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 28-14 | Zur Einführung des H. P. Gasie, Wq 250: No. 14 Accompagnato "Hier ruhet er dem Gerbentag entegen" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 28-15 | Zur Einführung des H. P. Gasie, Wq 250: No. 15 Arioso "Da geht er schon zur heil'gen Stätte" (Alt) | Hilke Helling, Das Kleine Konzert, Hermann Max | — | |
| 28-16 | Zur Einführung des H. P. Gasie, Wq 250: No. 16 Choral "Dir, Gott: Messias, singen wir" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 28-17 | Wer ist so würdig als du, Wq 222 | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 28-18 | Der Herr lebt, Wq 251: No. 1 Chor "Der Herr lebet" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 28-19 | Der Herr lebt, Wq 251: No. 2 Recitativ "Von deinen Wundern rings umgeben" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 28-20 | Der Herr lebt, Wq 251: No. 3 Aria "Erhebe dich in lauten Jubelchören" (Sopran) | Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 28-21 | Der Herr lebt, Wq 251: No. 4 Recitativ "Allein, was wärest du" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 28-22 | Der Herr lebt, Wq 251: No. 5 Aria "Umsonst empören sich die Spötter" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 28-23 | Der Herr lebt, Wq 251: No. 6 Recitativ "Gesegnet sei uns denn der Mann" (Sopran, Alt) | Hilke Helling, Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 28-24 | Der Herr lebt, Wq 251: No. 7 Aria "Ruhe sanft, verklärter Lehrer" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 28-25 | Der Herr lebt, Wq 251: No. 8 Recitativ "Dann wollen wir, vereint mit dir, das Lob des Ewigen besingen" (Sopran) | Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 28-26 | Der Herr lebt, Wq 251: No. 9 Choral "Heilig ist unser Gott" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 28-27 | Der Herr lebt, Wq 251: No. 10 Recitativ "Die frohe Hoffnung hemme deine Klage" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 28-28 | Der Herr lebt, Wq 251: No. 11 Choral "Es danke Gott und lobe dich" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 28-29 | Der Herr lebt, Wq 251: No. 12 Aria "Dein Wort, o Herr, ist Geist und Leben" (Sopran) | Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 28-30 | Der Herr lebt, Wq 251: No. 13 Recitativ "Wer dieses helle Licht verkennt" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 28-31 | Der Herr lebt, Wq 251: No. 14 Aria "Das Wort des Höchsten stärkt" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 28-32 | Der Herr lebt, Wq 251: No. 15 Choral "Herr, unser Hort!" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 28-33 | Der Herr lebt, Wq 251: No. 16 Recitativ "Laß uns dies Wort" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 28-34 | Der Herr lebt, Wq 251: No. 17 Aria "Nun, so tritt mit heiterm Sinn" (Alt) | Hilke Helling, Das Kleine Konzert, Hermann Max | — | |
| 28-35 | Der Herr lebt, Wq 251: No. 18 Choral "Lob, Ehr und Preis sei Gott" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 29-1 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 1 Einleitung | Das Kleine Konzert, Hermann Max | — | |
| 29-2 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 2 Chor "Du wirst seine Seele nicht in die Hölle lassen" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 29-3 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 3 Recitativ "Judäa zittert!" (Baß) | Stephen Varcoe, Das Kleine Konzert, Hermann Max | — | |
| 29-4 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 4 Arie "Mein Geist, voll Furcht und Freude, bebet!" (Baß) | Stephen Varcoe, Das Kleine Konzert, Hermann Max | — | |
| 29-5 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 5 Chor 'Triumph! Triumph! Des Herrn Gesalbter sieget" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 29-6 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 6 Recitativ "Die frommen Töchter Zions" (Tenor) | Christoph Prégardien, Das Kleine Konzert, Hermann Max | — | |
| 29-7 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 7 Arie "Wie bang hat dich mein Lied beweint" (Sopran) | Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 29-8 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 8 Recitativ "Wer ist die Sionitinn" (Baß) | Stephen Varcoe, Das Kleine Konzert, Hermann Max | — | |
| 29-9 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 9 Duett "Vater deiner schwachen Kinder" (Sopran, Tenor) | Christoph Prégardien, Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 29-10 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 10 Recitativ "Freundinnen Jesu! sagt" (Tenor) | Christoph Prégardien, Das Kleine Konzert, Hermann Max | — | |
| 29-11 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 11 Arie "Ich folge dir, verklärter Held!" (Tenor) | Christoph Prégardien, Das Kleine Konzert, Hermann Max | — | |
| 29-12 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 12 Chor "Tod! wo ist dein Stachel?" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 29-13 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 13 Einleitung | Das Kleine Konzert, Hermann Max | — | |
| 29-14 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 14 Recitativ "Dort seh ich aus den Thoren" (Baß) | Stephen Varcoe, Das Kleine Konzert, Hermann Max | — | |
| 29-15 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 15 Arie "Willkommen, Heiland! freut euch, Väter!" (Baß) | Stephen Varcoe, Das Kleine Konzert, Hermann Max | — | |
| 29-16 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 16 Chor "Triumph! Triumph! der Fürst des Lebens sieget!" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 30-1 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 17 Recitativ "Elf auserwählte Jünger" (Tenor) | Christoph Prégardien, Das Kleine Konzert, Hermann Max | — | |
| 30-2 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 18 Arie "Mein Herr! Mein Gott!" (Tenor) | Christoph Prégardien, Das Kleine Konzert, Hermann Max | — | |
| 30-3 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 19 Chor "Triumph! Triumph! der Sohn des Höchsten siegt!" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 30-4 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 20 Recitativ "Auf einem Hügel" (Tenor) | Christoph Prégardien, Das Kleine Konzert, Hermann Max | — | |
| 30-5 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 21 Arie "Ihr Throne Gottes, öffnet euch!" (Baß) | Stephen Varcoe, Das Kleine Konzert, Hermann Max | — | |
| 30-6 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 22 Chor "Gott fähret auf mit Jauchzen" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 30-7 | Gott hat den Herrn auferwecket, Wq 244: No. 1 Chor "Gott hat den Herrn auferwecket" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 30-8 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 2 Recitativ accompagnato "So wird mein Heiland nun erhöht" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 30-9 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 3 Arie "Dir sing ich froh" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 30-10 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 4 Recitativ & Arioso "So sag nun, Seele, sag erfreut" (Sopran, Tenor) | Paul Elliott, Martina Lins, Das Kleine Konzert, Hermann Max | — | |
| 30-11 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 5 Arie "Wie freudig seh ich dir entgegen" (Sopran) | Martina Lins, Das Kleine Konzert, Hermann Max | — | |
| 30-12 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 6 Choral "O süßer Herr Jesu Christ" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5028421946405 is a Universal Product Code (UPC) assigned to C.P.E. Bach Edition by Carl Philipp Emanuel Bach. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 436 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Creative Contributors (ISNI)
The UPC for “C.P.E. Bach Edition” by Carl Philipp Emanuel Bach is 5028421946405. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Brilliant Classics. This release contains 436 tracks, each with its own ISRC. Tracks include NLY330903264, NLY330903265, NLY330903266.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony in D, Wq.183:1 (H.663): I. Allegro di molto | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 2 | Symphony in D, Wq.183:1 (H.663): II. Largo | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 3 | Symphony in D, Wq.183:1 (H.663): III. Presto | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 4 | Symphony in E-flat, Wq.183:2 (H.664): I. Allegro di molto | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 5 | Symphony in E-flat, Wq.183:2 (H.664): II. Larghetto | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 6 | Symphony in E-flat, Wq.183:2 (H.664): III. Presto | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 7 | Harpsichord Concerto in C minor, Wq.43:4 (H.474): I. Allegro assai | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 8 | Harpsichord Concerto in C minor, Wq.43:4 (H.474): II. Poco adagio | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 9 | Harpsichord Concerto in C minor, Wq.43:4 (H.474): III. Tempo di menuetto | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 10 | Harpsichord Concerto in C minor, Wq.43:4 (H.474): IV. Allegro assai | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 11 | Symphony in F, Wq.183:3 (H.665): I. Allegro di molto | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 12 | Symphony in F, Wq.183:3 (H.665): II. Larghetto | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 13 | Symphony in F, Wq.183:3 (H.665): III. Presto | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 14 | Symphony in G, Wq.183:4 (H.666): I. Allegro assai | Marek Toporowski, Solamente Naturali, Didier Talpain | T-306.395.786-4 | |
| 15 | Symphony in G, Wq.183:4 (H.666): II. Poco andante | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 16 | Symphony in G, Wq.183:4 (H.666): III. Presto | Marek Toporowski, Solamente Naturali, Didier Talpain | — | |
| 2-1 | Symphony for Oboes, Horns, Strings, and Basso Continuo in E-flat major, Wq 179: I. Prestissimo | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-2 | Symphony for Oboes, Horns, Strings, and Basso Continuo in E-flat major, Wq 179: II. Larghetto | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-3 | Symphony for Oboes, Horns, Strings, and Basso Continuo in E-flat major, Wq 179: III. Presto | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-4 | Symphony for Oboes, Horns, Strings, and Basso Continuo in E-flat major, Wq 181: I. Allegro | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-5 | Symphony for Oboes, Horns, Strings, and Basso Continuo in E-flat major, Wq 181: II. Andante | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-6 | Symphony for Oboes, Horns, Strings, and Basso Continuo in E-flat major, Wq 181: III. Allegro assai | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-7 | Symphony for Flutes Horns, Strings, and Basso Continuo in C major, Wq 174: I. Allegro assai | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-8 | Symphony for Flutes Horns, Strings, and Basso Continuo in C major, Wq 174: II. Andante | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-9 | Symphony for Flutes Horns, Strings, and Basso Continuo in C major, Wq 174: III. Allegro | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-10 | Symphony for Flutes Horns, Strings, and Basso Continuo in F major, Wq 175: I. Allegro assai | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-11 | Symphony for Flutes Horns, Strings, and Basso Continuo in F major, Wq 175: II. Andante | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-12 | Symphony for Flutes Horns, Strings, and Basso Continuo in F major, Wq 175: III. Tempo di Menuetto | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-13 | Symphony for Flutes Horns, Strings, and Basso Continuo in E minor, Wq 178: I. Allegro assai | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-14 | Symphony for Flutes Horns, Strings, and Basso Continuo in E minor, Wq 178: II. Andante moderato | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 2-15 | Symphony for Flutes Horns, Strings, and Basso Continuo in E minor, Wq 178: III. Allegro | Klaus Kirbach, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-1 | Sinfonie G-Dur, Wq 182 No. 1: I. Allegro di molto | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-2 | Sinfonie G-Dur, Wq 182 No. 1: II. Poco adagio | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-3 | Sinfonie G-Dur, Wq 182 No. 1: III. Presto | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-4 | Sinfonie B-Dur, Wq 182 Nr. 2: I. Allegro di molto | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-5 | Sinfonie B-Dur, Wq 182 Nr. 2: II. Poco adagio | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-6 | Sinfonie B-Dur, Wq 182 Nr. 2: III. Presto | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-7 | Sinfonie C-Dur, Wq 182 Nr. 3: I. Allegro assai | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-8 | Sinfonie C-Dur, Wq 182 Nr. 3: II. Adagio | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-9 | Sinfonie C-Dur, Wq 182 Nr. 3: III. Allegretto | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-10 | Sinfonie A-Dur, Wq 182 Nr. 4: I. Allegro ma non troppo | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-11 | Sinfonie A-Dur, Wq 182 Nr. 4: II. Largo ed innocentemente | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-12 | Sinfonie A-Dur, Wq 182 Nr. 4: III. Allegro assai | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-13 | Sinfonie h-moll, Wq 182 Nr. 5: I. Allegretto | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-14 | Sinfonie h-moll, Wq 182 Nr. 5: II. Larghetto | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-15 | Sinfonie h-moll, Wq 182 Nr. 5: III. Presto | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-16 | Sinfonie E-Dur, Wq 182 Nr. 6: I. Allegro di molto | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-17 | Sinfonie E-Dur, Wq 182 Nr. 6: II. Poco andante | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 3-18 | Sinfonie E-Dur, Wq 182 Nr. 6: III. Allegro spiritoso | Michael-Christfried Winkler, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 4-1 | Oboe Concerto in B-flat, Wq.164 (H.466): I. Allegretto | Jörn Boysen, Anna Starr, Musica Poetica | — | |
| 4-2 | Oboe Concerto in B-flat, Wq.164 (H.466): II. Largo e mesto, con sordini | Jörn Boysen, Anna Starr, Musica Poetica | — | |
| 4-3 | Oboe Concerto in B-flat, Wq.164 (H.466): III. Allegro moderato | Jörn Boysen, Anna Starr, Musica Poetica | — | |
| 4-4 | Pastorale in A minor, Wq.deest | Jörn Boysen, Anna Starr, Musica Poetica | T-312.439.105-1 | |
| 4-5 | Oboe Sonata in G minor, Wq.135 (H.549): I. Adagio | Jörn Boysen, Anna Starr, Musica Poetica | — | |
| 4-6 | Oboe Sonata in G minor, Wq.135 (H.549): II. Allegro | Jörn Boysen, Anna Starr, Musica Poetica | — | |
| 4-7 | Oboe Sonata in G minor, Wq.135 (H.549): III. Vivace | Jörn Boysen, Anna Starr, Musica Poetica | — | |
| 4-8 | Oboe Concerto in E-flat, Wq.165 (H.468): I. Allegro | Jörn Boysen, Anna Starr, Musica Poetica | — | |
| 4-9 | Oboe Concerto in E-flat, Wq.165 (H.468): II. Adagio ma non troppo | Jörn Boysen, Anna Starr, Musica Poetica | — | |
| 4-10 | Oboe Concerto in E-flat, Wq.165 (H.468): III. Allegro ma non troppo | Jörn Boysen, Anna Starr, Musica Poetica | — | |
| 5-1 | Flute Concerto in B-flat, Wq.164 (H.466) (orig. Oboe Concerto): I. Allegretto | — | ||
| 5-2 | Flute Concerto in B-flat, Wq.164 (H.466) (orig. Oboe Concerto): II. Largo e mesto | — | ||
| 5-3 | Flute Concerto in B-flat, Wq.164 (H.466) (orig. Oboe Concerto): III. Allegro moderato | — | ||
| 5-4 | Flute Concerto in D minor, H.484.1: I. Allegro | — | ||
| 5-5 | Flute Concerto in D minor, H.484.1: II. Un poco andante | — | ||
| 5-6 | Flute Concerto in D minor, H.484.1: III. Allegro di molto | — | ||
| 5-7 | Flute Concerto in E-flat, Wq.165 (H.468) (orig. Oboe Concerto): I. Allegro | — | ||
| 5-8 | Flute Concerto in E-flat, Wq.165 (H.468) (orig. Oboe Concerto): II. Adagio ma non troppo | — | ||
| 5-9 | Flute Concerto in E-flat, Wq.165 (H.468) (orig. Oboe Concerto): III. Allegro ma non troppo | — | ||
| 6-1 | Flute Concerto in B-flat, Wq.167 (H.435): I. Allegretto | — | ||
| 6-2 | Flute Concerto in B-flat, Wq.167 (H.435): II. Adagio | — | ||
| 6-3 | Flute Concerto in B-flat, Wq.167 (H.435): III. Allegro assai | — | ||
| 6-4 | Flute Concerto in A, Wq.168 (H.438): I. Allegro | — | ||
| 6-5 | Flute Concerto in A, Wq.168 (H.438): II. Largo con sordini, mesto | — | ||
| 6-6 | Flute Concerto in A, Wq.168 (H.438): III. Allegro assai | — | ||
| 6-7 | Flute Concerto in G, Wq.169 (H.445): I. Allegro di molto | — | ||
| 6-8 | Flute Concerto in G, Wq.169 (H.445): II. Largo | — | ||
| 6-9 | Flute Concerto in G, Wq.169 (H.445): III. Presto | — | ||
| 7-1 | Konzert für Orgel, Streicher und Basso Continuo G-Dur, Wq 34: I. Allegro di molto (cadenza: Roland Münch) | Klaus Kirbach, Roland Münch, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 7-2 | Konzert für Orgel, Streicher und Basso Continuo G-Dur, Wq 34: II. Largo | Klaus Kirbach, Roland Münch, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 7-3 | Konzert für Orgel, Streicher und Basso Continuo G-Dur, Wq 34: III. Presto | Klaus Kirbach, Roland Münch, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 7-4 | Präludium D-Dur, Wq 70 | Roland Münch, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 7-5 | Konzert für Orgel, Streicher, Zwei Hörner und Basso Continuo Es-Dur, Wq 35: I. Allegro moderato | Klaus Kirbach, Roland Münch, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 7-6 | Konzert für Orgel, Streicher, Zwei Hörner und Basso Continuo Es-Dur, Wq 35: II. Adagio | Klaus Kirbach, Roland Münch, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 7-7 | Konzert für Orgel, Streicher, Zwei Hörner und Basso Continuo Es-Dur, Wq 35: III. Allegro | Klaus Kirbach, Roland Münch, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 7-8 | Fantasie und Fuge c-moll, Wq 119 | Roland Münch, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — | |
| 8-1 | Cello Concerto in A minor, H.432: I. Allegro assai | Scottish Ensemble, Raphael Wallfisch, Jonathan Morton | T-070.110.014-2 | |
| 8-2 | Cello Concerto in A minor, H.432: II. Andante | Scottish Ensemble, Raphael Wallfisch, Jonathan Morton | — | |
| 8-3 | Cello Concerto in A minor, H.432: III. Allegro assai | Scottish Ensemble, Raphael Wallfisch, Jonathan Morton | T-070.931.563-8 | |
| 8-4 | Cello Concerto in B-flat major, H.436: I. Allegretto | Scottish Ensemble, Raphael Wallfisch, Jonathan Morton | T-070.126.075-4 | |
| 8-5 | Cello Concerto in B-flat major, H.436: II. Adagio | Scottish Ensemble, Raphael Wallfisch, Jonathan Morton | — | |
| 8-6 | Cello Concerto in B-flat major, H.436: III. Allegro assai | Scottish Ensemble, Raphael Wallfisch, Jonathan Morton | — | |
| 8-7 | Cello Concerto in A major, H.439: I. Allegro | Scottish Ensemble, Raphael Wallfisch, Jonathan Morton | — | |
| 8-8 | Cello Concerto in A major, H.439: II. Largo | Scottish Ensemble, Raphael Wallfisch, Jonathan Morton | — | |
| 8-9 | Cello Concerto in A major, H.439: III. Allegro assai | Scottish Ensemble, Raphael Wallfisch, Jonathan Morton | — | |
| 9-1 | Harpsichord Concerto in G, Wq.3 (H.405): I. Allegro di molto | Pieter-Jan Belder, Musica Amphion | — | |
| 9-2 | Harpsichord Concerto in G, Wq.3 (H.405): II. Adagio | Pieter-Jan Belder, Musica Amphion | — | |
| 9-3 | Harpsichord Concerto in G, Wq.3 (H.405): III. Allegro | Pieter-Jan Belder, Musica Amphion | — | |
| 9-4 | Harpsichord Concerto in G minor, Wq.6 (H.409): I. Allegro | Pieter-Jan Belder, Musica Amphion | — | |
| 9-5 | Harpsichord Concerto in G minor, Wq.6 (H.409): II. Largo | Pieter-Jan Belder, Musica Amphion | — | |
| 9-6 | Harpsichord Concerto in G minor, Wq.6 (H.409): III. Allegro di molto | Pieter-Jan Belder, Musica Amphion | — | |
| 9-7 | Harpsichord Concerto in E, Wq.14 (H.417): I. Allegro | Pieter-Jan Belder, Musica Amphion | — | |
| 9-8 | Harpsichord Concerto in E, Wq.14 (H.417): II. Poco adagio | Pieter-Jan Belder, Musica Amphion | — | |
| 9-9 | Harpsichord Concerto in E, Wq.14 (H.417): III. Allegro assai | Pieter-Jan Belder, Musica Amphion | — | |
| 10-1 | Concerto in D minor, H.484.1: I. Allegro | Collegium Pro Musica, Stefano Bagliano | — | |
| 10-2 | Concerto in D minor, H.484.1: II. Un poco andante | Collegium Pro Musica, Stefano Bagliano | — | |
| 10-3 | Concerto in D minor, H.484.1: III. Allegro di molto | Collegium Pro Musica, Stefano Bagliano | — | |
| 10-4 | Concerto (Sonatina) in E-flat, Wq. 108 (H. 462): I. Largo | Collegium Pro Musica, Stefano Bagliano | — | |
| 10-5 | Concerto (Sonatina) in E-flat, Wq. 108 (H. 462): II. Allegro di molto | Collegium Pro Musica, Stefano Bagliano | — | |
| 10-6 | Concerto (Sonatina) in E-flat, Wq. 108 (H. 462): III. Tempo di minuetto | Collegium Pro Musica, Stefano Bagliano | — | |
| 10-7 | Quartet in A minor, Wq. 93 (H. 537): I. Andantino | Collegium Pro Musica, Federico Guglielmo, Stefano Bagliano | — | |
| 10-8 | Quartet in A minor, Wq. 93 (H. 537): II. Largo e sostenuto | Collegium Pro Musica, Federico Guglielmo, Stefano Bagliano | — | |
| 10-9 | Quartet in A minor, Wq. 93 (H. 537): III. Allegro assai | Collegium Pro Musica, Federico Guglielmo, Stefano Bagliano | — | |
| 10-10 | Trio in F, Wq. 163 (H. 588): I. Un poco andante | Lorenzo Cavasanti, Collegium Pro Musica, Simone Laghi, Stefano Bagliano | — | |
| 10-11 | Trio in F, Wq. 163 (H. 588): II. Allegretto | Lorenzo Cavasanti, Collegium Pro Musica, Simone Laghi, Stefano Bagliano | — | |
| 10-12 | Trio in F, Wq. 163 (H. 588): III. Allegro | Lorenzo Cavasanti, Collegium Pro Musica, Simone Laghi, Stefano Bagliano | — | |
| 11-1 | Trio in A minor, Wq.93 (H.537): I. Andantino | Elisa Citterio, Guido Morini, Laura Pontecorvo | — | |
| 11-2 | Trio in A minor, Wq.93 (H.537): II. Largo è sostenuto | Elisa Citterio, Guido Morini, Laura Pontecorvo | — | |
| 11-3 | Trio in A minor, Wq.93 (H.537): III. Allegro assai | Elisa Citterio, Guido Morini, Laura Pontecorvo | — | |
| 11-4 | Trio in D, Wq.94 (H.538): I. Allegretto | Elisa Citterio, Guido Morini, Laura Pontecorvo | — | |
| 11-5 | Trio in D, Wq.94 (H.538): II. Adagio (sehr langsam und ausgehalten) | Elisa Citterio, Guido Morini, Laura Pontecorvo | — | |
| 11-6 | Trio in D, Wq.94 (H.538): III. Allegro di molto | Elisa Citterio, Guido Morini, Laura Pontecorvo | — | |
| 11-7 | Duett für Flöte und Violine e-moll Wq 140: I. Andante | Elisa Citterio, Laura Pontecorvo | — | |
| 11-8 | Duett für Flöte und Violine e-moll Wq 140: II. Allegro | Elisa Citterio, Laura Pontecorvo | — | |
| 11-9 | Duett für Flöte und Violine e-moll Wq 140: III. Allegretto | Elisa Citterio, Laura Pontecorvo | — | |
| 11-10 | Trio in G, Wq.95 (H.539): I. Allegretto | Elisa Citterio, Guido Morini, Laura Pontecorvo | — | |
| 11-11 | Trio in G, Wq.95 (H.539): II. Adagio | Elisa Citterio, Guido Morini, Laura Pontecorvo | — | |
| 11-12 | Trio in G, Wq.95 (H.539): III. Presto | Elisa Citterio, Guido Morini, Laura Pontecorvo | — | |
| 11-13 | Triosonate für Flöte, Violine, Violoncello und Cembalo A-Dur Wq 146: I. Allegretto | Elisa Citterio, Francesco Galligioni, Guido Morini, Laura Pontecorvo | — | |
| 11-14 | Triosonate für Flöte, Violine, Violoncello und Cembalo A-Dur Wq 146: II. Andante | Elisa Citterio, Francesco Galligioni, Guido Morini, Laura Pontecorvo | — | |
| 11-15 | Triosonate für Flöte, Violine, Violoncello und Cembalo A-Dur Wq 146: III. Vivace | Elisa Citterio, Francesco Galligioni, Guido Morini, Laura Pontecorvo | — | |
| 12-1 | Flute Sonata in G, Wq.127 (H.554): I. Adagio | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-2 | Flute Sonata in G, Wq.127 (H.554): II. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-3 | Flute Sonata in G, Wq.127 (H.554): III. Vivace | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-4 | Flute Sonata in E minor, Wq.124 (H.551): I. Adagio | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-5 | Flute Sonata in E minor, Wq.124 (H.551): II. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-6 | Flute Sonata in E minor, Wq.124 (H.551): III. Minuetto | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-7 | Flute Sonata in G, Wq.123 (H.550): I. Andante | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-8 | Flute Sonata in G, Wq.123 (H.550): II. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-9 | Flute Sonata in G, Wq.123 (H.550): III. Tempo di menuetto | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-10 | Flute Sonata in B-flat, Wq.125 (H.552): I. Adagio | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-11 | Flute Sonata in B-flat, Wq.125 (H.552): II. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-12 | Flute Sonata in B-flat, Wq.125 (H.552): III. Vivace | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-13 | Flute Sonata in D, Wq.126 (H.553): I. Largo | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-14 | Flute Sonata in D, Wq.126 (H.553): II. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-15 | Flute Sonata in D, Wq.126 (H.553): III. Vivace | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-16 | Flute Sonata in B-flat, Wq.130 (H.560): I. Largo | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-17 | Flute Sonata in B-flat, Wq.130 (H.560): II. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 12-18 | Flute Sonata in B-flat, Wq.130 (H.560): III. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-1 | Flute Sonata in D, Wq.129 (H.556): I. Adagio | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-2 | Flute Sonata in D, Wq.129 (H.556): II. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-3 | Flute Sonata in D, Wq.129 (H.556): III. Vivace | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-4 | Flute Sonata in A minor, Wq.128 (H.555): I. Andante | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-5 | Flute Sonata in A minor, Wq.128 (H.555): II. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-6 | Flute Sonata in A minor, Wq.128 (H.555): III. Vivace | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-7 | Flute Sonata in G, Wq.134 (H.548): I. Adagio | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-8 | Flute Sonata in G, Wq.134 (H.548): II. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-9 | Flute Sonata in G, Wq.134 (H.548): III. Vivace | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-10 | Flute Sonata in D, Wq.131 (H.561): I. Andante | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-11 | Flute Sonata in D, Wq.131 (H.561): II. Allegretto | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-12 | Flute Sonata in D, Wq.131 (H.561): III. Allegro | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-13 | Flute Sonata in G, Wq.133 (H.564): I. Allegretto | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 13-14 | Flute Sonata in G, Wq.133 (H.564): II. Rondo presto | Michael Borgstede, Job ter Haar, Jed Wentz | — | |
| 14-1 | Sonata in D for Viola da Gamba and Basso Continuo, Wq.137 (H.559): I. Adagio ma non tanto | — | ||
| 14-2 | Sonata in D for Viola da Gamba and Basso Continuo, Wq.137 (H.559): II. Allegro di molto | — | ||
| 14-3 | Sonata in D for Viola da Gamba and Basso Continuo, Wq.137 (H.559): III. Arioso | — | ||
| 14-4 | Sonata in C for Viola da Gamba and Basso Continuo, Wq.136 (H.558): I. Andante | — | ||
| 14-5 | Sonata in C for Viola da Gamba and Basso Continuo, Wq.136 (H.558): II. Allegretto | — | ||
| 14-6 | Sonata in C for Viola da Gamba and Basso Continuo, Wq.136 (H.558): III. Arioso | — | ||
| 14-7 | Trio in G minor for Viola da Gamba and Obbligato Harpsichord, Wq.88 (H.510): I. Allegro moderato | — | ||
| 14-8 | Trio in G minor for Viola da Gamba and Obbligato Harpsichord, Wq.88 (H.510): II. Larghetto | — | ||
| 14-9 | Trio in G minor for Viola da Gamba and Obbligato Harpsichord, Wq.88 (H.510): III. Allegro assai | — | ||
| 15-1 | Sonate für Cembalo und Violine D-Dur Wq 71: I. Adagio ma non molto | Federico Guglielmo, Roberto Loreggian | — | |
| 15-2 | Sonate für Cembalo und Violine D-Dur Wq 71: II. Allegro | Federico Guglielmo, Roberto Loreggian | — | |
| 15-3 | Sonate für Cembalo und Violine D-Dur Wq 71: III. Adagio | Federico Guglielmo, Roberto Loreggian | — | |
| 15-4 | Sonate für Cembalo und Violine D-Dur Wq 71: IV. Menuet - Menuet | Federico Guglielmo, Roberto Loreggian | — | |
| 15-5 | Sonate für Cembalo und Violine d-Moll Wq 72: I. Adagio ma non troppo | Federico Guglielmo, Roberto Loreggian | — | |
| 15-6 | Sonate für Cembalo und Violine d-Moll Wq 72: II. Allegro | Federico Guglielmo, Roberto Loreggian | — | |
| 15-7 | Sonate für Cembalo und Violine d-Moll Wq 72: III. Allegro | Federico Guglielmo, Roberto Loreggian | — | |
| 15-8 | Sonate für Cembalo und Violine C-Dur Wq 73: I. Allegro di molto | Federico Guglielmo, Roberto Loreggian | — | |
| 15-9 | Sonate für Cembalo und Violine C-Dur Wq 73: II. Andante | Federico Guglielmo, Roberto Loreggian | — | |
| 15-10 | Sonate für Cembalo und Violine C-Dur Wq 73: III. Allegretto | Federico Guglielmo, Roberto Loreggian | — | |
| 15-11 | Sinfonie für Cembalo und Violine C-Dur Wq 74: I. Allegro | Federico Guglielmo, Roberto Loreggian | T-306.395.786-4 | |
| 15-12 | Sinfonie für Cembalo und Violine C-Dur Wq 74: II. Andante | Federico Guglielmo, Roberto Loreggian | — | |
| 15-13 | Sinfonie für Cembalo und Violine C-Dur Wq 74: III. Tempo di minuetto | Federico Guglielmo, Roberto Loreggian | — | |
| 15-14 | Sonate für Cembalo und Violine h-moll Wq 76: I. Allegro moderato | Federico Guglielmo, Roberto Loreggian | — | |
| 15-15 | Sonate für Cembalo und Violine h-moll Wq 76: II. Poco andante | Federico Guglielmo, Roberto Loreggian | — | |
| 15-16 | Sonate für Cembalo und Violine h-moll Wq 76: III. Allegretto siciliano | Federico Guglielmo, Roberto Loreggian | — | |
| 15-17 | Sonate für Cembalo und Violine g-moll H 542.5: I. Ohne Satzbezeichnung | Federico Guglielmo, Roberto Loreggian | — | |
| 15-18 | Sonate für Cembalo und Violine g-moll H 542.5: II. Adagio | Federico Guglielmo, Roberto Loreggian | — | |
| 15-19 | Sonate für Cembalo und Violine g-moll H 542.5: III. Allegro | Federico Guglielmo, Roberto Loreggian | — | |
| 16-1 | Sonata no. 1 in F, Wq48/1: I. Poco allegro | Pieter-Jan Belder | — | |
| 16-2 | Sonata no. 1 in F, Wq48/1: II. Andante | Pieter-Jan Belder | — | |
| 16-3 | Sonata no. 1 in F, Wq48/1: III. Vivace | Pieter-Jan Belder | — | |
| 16-4 | Sonata no. 2 in B-flat, Wq48/2: I. Vivace | Pieter-Jan Belder | — | |
| 16-5 | Sonata no. 2 in B-flat, Wq48/2: II. Adagio | Pieter-Jan Belder | — | |
| 16-6 | Sonata no. 2 in B-flat, Wq48/2: III. Allegro assai | Pieter-Jan Belder | — | |
| 16-7 | Sonata no. 3 in E, Wq48/3: I. Poco allegro | Pieter-Jan Belder | — | |
| 16-8 | Sonata no. 3 in E, Wq48/3: II. Adagio | Pieter-Jan Belder | — | |
| 16-9 | Sonata no. 3 in E, Wq48/3: III. Presto | Pieter-Jan Belder | — | |
| 16-10 | Sonata no. 4 in C minor, Wq48/4: I. Allegro | Pieter-Jan Belder | — | |
| 16-11 | Sonata no. 4 in C minor, Wq48/4: II. Adagio | Pieter-Jan Belder | — | |
| 16-12 | Sonata no. 4 in C minor, Wq48/4: III. Presto | Pieter-Jan Belder | — | |
| 16-13 | Sonata no. 5 in C, Wq48/5: I. Poco allegro | Pieter-Jan Belder | — | |
| 16-14 | Sonata no. 5 in C, Wq48/5: II. Andante | Pieter-Jan Belder | — | |
| 16-15 | Sonata no. 5 in C, Wq48/5: III. Allegro assai | Pieter-Jan Belder | — | |
| 16-16 | Sonata no. 6 in A, Wq48/6: I. Allegro | Pieter-Jan Belder | — | |
| 16-17 | Sonata no. 6 in A, Wq48/6: II. Adagio | Pieter-Jan Belder | — | |
| 16-18 | Sonata no. 6 in A, Wq48/6: III. Allegro | Pieter-Jan Belder | — | |
| 17-1 | Sonata no. 1 in A minor, Wq49/1: I. Moderato | Pieter-Jan Belder | — | |
| 17-2 | Sonata no. 1 in A minor, Wq49/1: II. Andante | Pieter-Jan Belder | — | |
| 17-3 | Sonata no. 1 in A minor, Wq49/1: III. Allegro assai | Pieter-Jan Belder | — | |
| 17-4 | Sonata no. 2 in A-flat, Wq49/2: I. Un poco allegro | Pieter-Jan Belder | — | |
| 17-5 | Sonata no. 2 in A-flat, Wq49/2: II. Adagio | Pieter-Jan Belder | — | |
| 17-6 | Sonata no. 2 in A-flat, Wq49/2: III. Allegro | Pieter-Jan Belder | — | |
| 17-7 | Sonata no. 3 in E minor, Wq49/3: I. Allegro | Pieter-Jan Belder | — | |
| 17-8 | Sonata no. 3 in E minor, Wq49/3: II. Adagio | Pieter-Jan Belder | — | |
| 17-9 | Sonata no. 3 in E minor, Wq49/3: III. Vivace | Pieter-Jan Belder | — | |
| 18-1 | Sonata no. 4 in B-flat, Wq49/4: I. Un poco allegro | Pieter-Jan Belder | — | |
| 18-2 | Sonata no. 4 in B-flat, Wq49/4: II. Andante | Pieter-Jan Belder | — | |
| 18-3 | Sonata no. 4 in B-flat, Wq49/4: III. Allegro | Pieter-Jan Belder | — | |
| 18-4 | Sonata no. 5 in E-flat, Wq49/5: I. Allegro | Pieter-Jan Belder | — | |
| 18-5 | Sonata no. 5 in E-flat, Wq49/5: II. Adagio | Pieter-Jan Belder | — | |
| 18-6 | Sonata no. 5 in E-flat, Wq49/5: III. Allegro assai | Pieter-Jan Belder | — | |
| 18-7 | Sonata no. 6 in B minor, Wq49/6: I. Moderato | Pieter-Jan Belder | — | |
| 18-8 | Sonata no. 6 in B minor, Wq49/6: II. Adagio non molto | Pieter-Jan Belder | — | |
| 18-9 | Sonata no. 6 in B minor, Wq49/6: III. Allegro | Pieter-Jan Belder | — | |
| 19-1 | Sonata, Wq55 no. 1 in C: I. Prestissimo | Pieter-Jan Belder | — | |
| 19-2 | Sonata, Wq55 no. 1 in C: II. Andante | Pieter-Jan Belder | — | |
| 19-3 | Sonata, Wq55 no. 1 in C: III. Allegretto | Pieter-Jan Belder | — | |
| 19-4 | Sonata, Wq55 no. 2 in F: I. Andante | Pieter-Jan Belder | — | |
| 19-5 | Sonata, Wq55 no. 2 in F: II. Larghetto | Pieter-Jan Belder | — | |
| 19-6 | Sonata, Wq55 no. 2 in F: III. Allegro assai | Pieter-Jan Belder | — | |
| 19-7 | Sonata, Wq55 no. 3 in B minor: I. Allegretto | Pieter-Jan Belder | — | |
| 19-8 | Sonata, Wq55 no. 3 in B minor: II. Andante | Pieter-Jan Belder | — | |
| 19-9 | Sonata, Wq55 no. 3 in B minor: III. Cantabile | Pieter-Jan Belder | — | |
| 19-10 | Sonata, Wq55 no. 4 in A: I. Allegro assai | Pieter-Jan Belder | — | |
| 19-11 | Sonata, Wq55 no. 4 in A: II. Poco adagio | Pieter-Jan Belder | — | |
| 19-12 | Sonata, Wq55 no. 4 in A: III. Allegro | Pieter-Jan Belder | — | |
| 19-13 | Sonata, Wq55 no. 5 in F: I. Allegro | Pieter-Jan Belder | — | |
| 19-14 | Sonata, Wq55 no. 5 in F: II. Adagio mesto | Pieter-Jan Belder | — | |
| 19-15 | Sonata, Wq55 no. 5 in F: III. Allegretto | Pieter-Jan Belder | — | |
| 20-1 | Sonata, Wq55 no. 6 in G: I. Allegretto | Pieter-Jan Belder | — | |
| 20-2 | Sonata, Wq55 no. 6 in G: II. Andante | Pieter-Jan Belder | — | |
| 20-3 | Sonata, Wq55 no. 6 in G: III. Allegro di molto | Pieter-Jan Belder | — | |
| 20-4 | Rondo, Wq56 no. 1 in C | Pieter-Jan Belder | — | |
| 20-5 | Sonata, Wq56 no. 1 in G: I. Allegretto | Pieter-Jan Belder | — | |
| 20-6 | Sonata, Wq56 no. 1 in G: II. Larghetto | Pieter-Jan Belder | — | |
| 20-7 | Sonata, Wq56 no. 1 in G: III. Allegro | Pieter-Jan Belder | — | |
| 20-8 | Rondo, Wq56 no. 2 in D | Pieter-Jan Belder | — | |
| 20-9 | Sonata, Wq56 no. 2 in F: I. Andantino | Pieter-Jan Belder | — | |
| 20-10 | Sonata, Wq56 no. 2 in F: II. Presto | Pieter-Jan Belder | — | |
| 20-11 | Rondo, Wq56 no. 3 in A minor | Pieter-Jan Belder | — | |
| 20-12 | Sonata, Wq56 no. 3 in A: I. Allegretto | Pieter-Jan Belder | — | |
| 20-13 | Sonata, Wq56 no. 3 in A: II. [Allegretto]] | Pieter-Jan Belder | — | |
| 21-1 | Rondo, Wq57 no. 1 in E | Pieter-Jan Belder | — | |
| 21-2 | Sonata, Wq57 no. 1 in A minor: I. Allegro | Pieter-Jan Belder | — | |
| 21-3 | Sonata, Wq57 no. 1 in A minor: II. Andante | Pieter-Jan Belder | — | |
| 21-4 | Sonata, Wq57 no. 1 in A minor: III. Allegro di molto | Pieter-Jan Belder | — | |
| 21-5 | Rondo, Wq57 no. 2 in G | Pieter-Jan Belder | — | |
| 21-6 | Sonata, Wq57 no. 2 in D minor: I. Allegro moderato | Pieter-Jan Belder | — | |
| 21-7 | Sonata, Wq57 no. 2 in D minor: II. Cantabile e mesto | Pieter-Jan Belder | — | |
| 21-8 | Sonata, Wq57 no. 2 in D minor: III. Allegro | Pieter-Jan Belder | — | |
| 21-9 | Rondo, Wq57 no. 3 in F | Pieter-Jan Belder | — | |
| 21-10 | Sonata, Wq57 no. 3 in F minor: I. Allegro assai | Pieter-Jan Belder | — | |
| 21-11 | Sonata, Wq57 no. 3 in F minor: II. Andante | Pieter-Jan Belder | — | |
| 21-12 | Sonata, Wq57 no. 3 in F minor: III. Andantino grazioso | Pieter-Jan Belder | — | |
| 21-13 | Rondo, Wq58 no. 1 in A | Pieter-Jan Belder | — | |
| 21-14 | Sonata, Wq58 no. 1 in G: I. Grazioso | Pieter-Jan Belder | — | |
| 21-15 | Sonata, Wq58 no. 1 in G: II. Larghetto e sostenuto | Pieter-Jan Belder | — | |
| 21-16 | Sonata, Wq58 no. 1 in G: III. Allegretto | Pieter-Jan Belder | — | |
| 22-1 | Rondo, Wq58 no. 2 in E | Pieter-Jan Belder | — | |
| 22-2 | Sonata, Wq58 no. 2 in E minor: I. Allegretto | Pieter-Jan Belder | — | |
| 22-3 | Sonata, Wq58 no. 2 in E minor: II. Andantino | Pieter-Jan Belder | — | |
| 22-4 | Sonata, Wq58 no. 2 in E minor: III. Allegro assai | Pieter-Jan Belder | — | |
| 22-5 | Rondo, Wq58 no. 3 in B-flat | Pieter-Jan Belder | — | |
| 22-6 | Fantasia, Wq58 no. 1 in E-flat | Pieter-Jan Belder | — | |
| 22-7 | Fantasia, Wq58 no. 2 in A | Pieter-Jan Belder | — | |
| 22-8 | Sonata, Wq59 no. 1 in E minor: I. Presto | Pieter-Jan Belder | — | |
| 22-9 | Sonata, Wq59 no. 1 in E minor: II. Adagio | Pieter-Jan Belder | — | |
| 22-10 | Sonata, Wq59 no. 1 in E minor: III. Andantino | Pieter-Jan Belder | — | |
| 22-11 | Rondo, Wq59 no. 1 in G | Pieter-Jan Belder | — | |
| 23-1 | Sonata, Wq59 no. 2 in B-flat: I. Allegro un poco | Pieter-Jan Belder | — | |
| 23-2 | Sonata, Wq59 no. 2 in B-flat: II. Largo | Pieter-Jan Belder | — | |
| 23-3 | Sonata, Wq59 no. 2 in B-flat: III. Andantino grazioso | Pieter-Jan Belder | — | |
| 23-4 | Rondo, Wq59 no. 2 in C minor | Pieter-Jan Belder | — | |
| 23-5 | Fantasia, Wq59 no. 1 in F | Pieter-Jan Belder | — | |
| 23-6 | Fantasia, Wq59 no. 2 in C | Pieter-Jan Belder | — | |
| 23-7 | Rondo, Wq61 no. 1 in E-flat | Pieter-Jan Belder | — | |
| 23-8 | Sonata, Wq61 no. 1 in D: I. Allegro di molto | Pieter-Jan Belder | — | |
| 23-9 | Sonata, Wq61 no. 1 in D: II. Allegretto | Pieter-Jan Belder | — | |
| 23-10 | Sonata, Wq61 no. 1 in D: III. Presto di molto | Pieter-Jan Belder | — | |
| 23-11 | Fantasia, Wq61 no. 1 in B-flat | Pieter-Jan Belder | — | |
| 23-12 | Rondo, Wq61 no. 2 in D minor | Pieter-Jan Belder | — | |
| 23-13 | Sonata, Wq61 no. 2 in E minor: I. Allegretto | Pieter-Jan Belder | — | |
| 23-14 | Sonata, Wq61 no. 2 in E minor: II. Andante | Pieter-Jan Belder | — | |
| 23-15 | Sonata, Wq61 no. 2 in E minor: III. Allegretto | Pieter-Jan Belder | — | |
| 23-16 | Fantasia, Wq61 no. 2 in C | Pieter-Jan Belder | — | |
| 24-1 | Symphony in G, Wq. 122 no. 1: I. Allegro assai | Andrea Chezzi | T-306.395.786-4 | |
| 24-2 | Symphony in G, Wq. 122 no. 1: II. Andante | Andrea Chezzi | — | |
| 24-3 | Symphony in G, Wq. 122 no. 1: III. Allegretto | Andrea Chezzi | — | |
| 24-4 | Symphony in F, Wq. 122 no. 2: I. Allegro assai | Andrea Chezzi | — | |
| 24-5 | Symphony in F, Wq. 122 no. 2: II. Andante | Andrea Chezzi | — | |
| 24-6 | Symphony in F, Wq. 122 no. 2: III. Tempo di minuetto | Andrea Chezzi | — | |
| 24-7 | Symphony in D: I. Allegro | Andrea Chezzi | — | |
| 24-8 | Symphony in D: II. Andante | Andrea Chezzi | — | |
| 24-9 | Symphony in D: III. Presto | Andrea Chezzi | — | |
| 24-10 | Symphony in E minor, Wq. 122 no. 3: I. Allegro assai | Andrea Chezzi | — | |
| 24-11 | Symphony in E minor, Wq. 122 no. 3: II. Andante | Andrea Chezzi | — | |
| 24-12 | Symphony in E minor, Wq. 122 no. 3: III. Allegro | Andrea Chezzi | — | |
| 25-1 | Die Ehre Gottes aus der Natur, Wq.194:18 (H.686:18) | Julian Redlin, Jörn Boysen | — | |
| 25-2 | Betrachtung des Todes, Wq.194:26 (H.686:26) | Julian Redlin, Jörn Boysen | — | |
| 25-3 | Die Zufriedenheit in Gott, Wq.195:6 (H.696:6) | Julian Redlin, Jörn Boysen | — | |
| 25-4 | Prüfung am Abend, Wq.194:7 (H.686:7) | Julian Redlin, Jörn Boysen | — | |
| 25-5 | Osterlied, Wq.194:10 (H.686:10) | Julian Redlin, Jörn Boysen | — | |
| 25-6 | Der Unbeständige, Wq.202c:1 (H.709) | Julian Redlin, Jörn Boysen | — | |
| 25-7 | Der 8. Psalm, Wq.196:4 (H.733:4) | Julian Redlin, Jörn Boysen | — | |
| 25-8 | Der 23. Psalm, Wq.196:8 (H.733:8) | Julian Redlin, Jörn Boysen | — | |
| 25-9 | Der 86. Psalm, Wq.196:19 (H.733:19) | Julian Redlin, Jörn Boysen | — | |
| 25-10 | Der 67. Psalm, Wq.196:18 (H.733:18) | Julian Redlin, Jörn Boysen | — | |
| 25-11 | Das Privilegium, Wq.202b:1 (H.693) | Julian Redlin, Jörn Boysen | — | |
| 25-12 | Der Tag des Weltgerichts, Wq.197:13 (H.749:13) | Julian Redlin, Jörn Boysen | — | |
| 25-13 | Der Frühling, Wq.197:14 (H.749:14) | Julian Redlin, Jörn Boysen | — | |
| 25-14 | Die Fortdauer der Lehre Jesu, Wq.197:21 (H.749:21) | Julian Redlin, Jörn Boysen | — | |
| 25-15 | Andenken an den Tod, Wq.198:12 (H.752:12) | Julian Redlin, Jörn Boysen | — | |
| 25-16 | Die Küsse, Wq.199:4 (H.673) | Julian Redlin, Jörn Boysen | — | |
| 25-17 | Belinde, Wq.202b:3 (H.695) | Julian Redlin, Jörn Boysen | — | |
| 26-1 | Symphony in G, Wq.173 (H.648): I. Allegro assai | — | ||
| 26-2 | Symphony in G, Wq.173 (H.648): II. Andante | — | ||
| 26-3 | Symphony in G, Wq.173 (H.648): III. Allegretto | — | ||
| 26-4 | Symphony in G, Wq.180 (H.655): I. Allegro di molto | — | ||
| 26-5 | Symphony in G, Wq.180 (H.655): II. Largo | — | ||
| 26-6 | Symphony in G, Wq.180 (H.655): III. Allegro assai | — | ||
| 26-7 | Magnificat in D, Wq.215 (H.772): I. Magnificat (chorus) | — | ||
| 26-8 | Magnificat in D, Wq.215 (H.772): II. Aria "Quia respexit" (soprano) | — | ||
| 26-9 | Magnificat in D, Wq.215 (H.772): III. Aria "Quia fecit" (tenor) | — | ||
| 26-10 | Magnificat in D, Wq.215 (H.772): IV. Et misericordia eius (chorus) | — | ||
| 26-11 | Magnificat in D, Wq.215 (H.772): V. Aria "Fecit potentiam" (baritone) | — | ||
| 26-12 | Magnificat in D, Wq.215 (H.772): VI. Duet "Deposuit potentes" (contralto, tenor) | — | ||
| 26-13 | Magnificat in D, Wq.215 (H.772): VII. Aria "Suscepit Israel" (contralto) | — | ||
| 26-14 | Magnificat in D, Wq.215 (H.772): VIII. Gloria (chorus) | — | ||
| 26-15 | Magnificat in D, Wq.215 (H.772): IX. Sicut erat (chorus) | — | ||
| 27-1 | Klopstocks Morgengesang am Schöpfungsfeste, Wq 239: "Noch kommt sie nicht, die Sonne" (Sopran I) | Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 27-2 | Klopstocks Morgengesang am Schöpfungsfeste, Wq 239: "Heiliger! Hocherhabener! Erster!" (Sopran II) | Johanna Koslowsky, Das Kleine Konzert, Hermann Max | — | |
| 27-3 | Klopstocks Morgengesang am Schöpfungsfeste, Wq 239: "Schon wehen und säuseln" (Sopran I) | Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 27-4 | Klopstocks Morgengesang am Schöpfungsfeste, Wq 239: "Herr! Gott! barmherzig und gnädig" (Sopran I, Sopran II) | Johanna Koslowsky, Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 27-5 | Klopstocks Morgengesang am Schöpfungsfeste, Wq 239: "Herr! Gott! barmherzig und gnädig" (Chor) | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 27-6 | Klopstocks Morgengesang am Schöpfungsfeste, Wq 239: "Halleluja! seht ihr die Stahlende, Göttliche kommen?" (Sopran I, Sopran II) | Johanna Koslowsky, Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 27-7 | Klopstocks Morgengesang am Schöpfungsfeste, Wq 239: "O der Sonne Gottes!" (Sopran I) | Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 27-8 | Klopstocks Morgengesang am Schöpfungsfeste, Wq 239: "Und du solltest nicht auferwecken?" (Sopran II) | Johanna Koslowsky, Das Kleine Konzert, Hermann Max | — | |
| 27-9 | Klopstocks Morgengesang am Schöpfungsfeste, Wq 239: "Halleluja! seht ihr die Stahlende, Göttliche kommen?" (Chor) | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 27-10 | Auf, schicke dich recht feierlich, Wq 249: Choral "Auf, schicke dich recht feierlich" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 27-11 | Auf, schicke dich recht feierlich, Wq 249: Aria "Groß ist der Herr, sein weites Heiligtum schallt überall" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 27-12 | Auf, schicke dich recht feierlich, Wq 249: Recitativ "Wohin mein Auge blickt" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 27-13 | Auf, schicke dich recht feierlich, Wq 249: Aria "Groß ist der Herr, ihm laßt uns singen" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 27-14 | Auf, schicke dich recht feierlich, Wq 249: Chor "Ihr Völker, hört's und kniet im Staube nieder" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 27-15 | Auf, schicke dich recht feierlich, Wq 249: Chor "Ihr Himmel, tönt von Pol zu Pole wider" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 27-16 | Auf, schicke dich recht feierlich, Wq 249: Recitativ "Welch ein Gesang voll Jubel steiget zu Gottes Thron empor?" (Sopran, Baß) | Barbara Schlick, Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 27-17 | Auf, schicke dich recht feierlich, Wq 249: Duetto "Also hat Gott die Welt geliebet" (Sopran, Alt) | Hilke Helling, Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 27-18 | Auf, schicke dich recht feierlich, Wq 249: Accompagnato "Du bist gekommen, du heiligster Sohn Gottes" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 27-19 | Auf, schicke dich recht feierlich, Wq 249: Recitativ "Gott, dessen Liebe" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 27-20 | Auf, schicke dich recht feierlich, Wq 249: Arie "Seid mir gesegnet, meine Brüder" (Tenor) - "Ich will entzückt die süßen Lehren" (Alt) - "Oft, wenn ich, Gott, dich dachte" (Sopran) - "Nun mischt in deines Vokes Chöre" (Baß) | Hilke Helling, Wilfried Jochens, Barbara Schlick, Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 27-21 | Auf, schicke dich recht feierlich, Wq 249: Chor "Stets soll mein Herz voll deiner Ehre" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 27-22 | Auf, schicke dich recht feierlich, Wq 249: Chor "Rat, Kraft Und Held" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 27-23 | Anbetung dem Erbarmer, Wq 243: Chor "Anbetung dem Erbarmer" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 27-24 | Anbetung dem Erbarmer, Wq 243: Accompagnato "Wir standen weinend tief in Schmerz verloren" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 27-25 | Anbetung dem Erbarmer, Wq 243: Aria "Ach! ach! als in siebenfalt'ge Nacht sein Haupt dahinsank" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 27-26 | Anbetung dem Erbarmer, Wq 243: Accompagnato "Doch nun verwandelt sich der schüchterne Gesang der Trauigkeit" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 27-27 | Anbetung dem Erbarmer, Wq 243: Aria "Sei gegrüßet, Fürst des Lebens" (Sopran) | Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 27-28 | Anbetung dem Erbarmer, Wq 243: Recitativ "Die ihr ihn fürchtet, zaget nicht!" (Alt) | Hilke Helling, Das Kleine Konzert, Hermann Max | — | |
| 27-29 | Anbetung dem Erbarmer, Wq 243: Chor "Herr, es ist dir keiner gleich" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 27-30 | Anbetung dem Erbarmer, Wq 243: Choral "Dank sei dir, o du Friedefürst" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 27-31 | Heilig, Wq 217: Ariette "Herr, wert daß Scharen der Engel dir dienen" (Contralto) | Hilke Helling, Das Kleine Konzert, Hermann Max | — | |
| 27-32 | Heilig, Wq 217: Chor "Heilig ist Gott, der Herr Zebaoth" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 28-1 | Zur Einführung des H. P. Gasie, Wq 250: No. 1 Chor "Gnädig und barmherzig ist der Herr" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 28-2 | Zur Einführung des H. P. Gasie, Wq 250: No. 2 Recitativ "So weit der Himmel gehet" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 28-3 | Zur Einführung des H. P. Gasie, Wq 250: No. 3 Arie "Wenn Menschen dein vergaßen" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 28-4 | Zur Einführung des H. P. Gasie, Wq 250: No. 4 Recitativ "Drum sorget nicht: Was wird uns kleiden" (Alt) | Hilke Helling, Das Kleine Konzert, Hermann Max | — | |
| 28-5 | Zur Einführung des H. P. Gasie, Wq 250: No. 5 Arie "O seht, wie so harmlos" (Sopran) | Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 28-6 | Zur Einführung des H. P. Gasie, Wq 250: No. 6 Recitativ "Blickt auf die Fluren hin!" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 28-7 | Zur Einführung des H. P. Gasie, Wq 250: No. 7 Arie "Abgehärmter Wangen Tränen" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 28-8 | Zur Einführung des H. P. Gasie, Wq 250: No. 8 Chor "Trachtet am ersten nach dem Reiche Gottes" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 28-9 | Zur Einführung des H. P. Gasie, Wq 250: No. 9 Accompagnato "Lagert sich um deine Pfade" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 28-10 | Zur Einführung des H. P. Gasie, Wq 250: No. 10 Choral "Ich will mit deinem Willen" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 28-11 | Zur Einführung des H. P. Gasie, Wq 250: No. 11 Recitativ "Liebst du mich?" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 28-12 | Zur Einführung des H. P. Gasie, Wq 250: No. 12 Arioso "Herr, du weißest alle Dige" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 28-13 | Zur Einführung des H. P. Gasie, Wq 250: No. 13 Recitativ "Freu dich des Herrn" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 28-14 | Zur Einführung des H. P. Gasie, Wq 250: No. 14 Accompagnato "Hier ruhet er dem Gerbentag entegen" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 28-15 | Zur Einführung des H. P. Gasie, Wq 250: No. 15 Arioso "Da geht er schon zur heil'gen Stätte" (Alt) | Hilke Helling, Das Kleine Konzert, Hermann Max | — | |
| 28-16 | Zur Einführung des H. P. Gasie, Wq 250: No. 16 Choral "Dir, Gott: Messias, singen wir" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 28-17 | Wer ist so würdig als du, Wq 222 | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 28-18 | Der Herr lebt, Wq 251: No. 1 Chor "Der Herr lebet" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 28-19 | Der Herr lebt, Wq 251: No. 2 Recitativ "Von deinen Wundern rings umgeben" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 28-20 | Der Herr lebt, Wq 251: No. 3 Aria "Erhebe dich in lauten Jubelchören" (Sopran) | Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 28-21 | Der Herr lebt, Wq 251: No. 4 Recitativ "Allein, was wärest du" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 28-22 | Der Herr lebt, Wq 251: No. 5 Aria "Umsonst empören sich die Spötter" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 28-23 | Der Herr lebt, Wq 251: No. 6 Recitativ "Gesegnet sei uns denn der Mann" (Sopran, Alt) | Hilke Helling, Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 28-24 | Der Herr lebt, Wq 251: No. 7 Aria "Ruhe sanft, verklärter Lehrer" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 28-25 | Der Herr lebt, Wq 251: No. 8 Recitativ "Dann wollen wir, vereint mit dir, das Lob des Ewigen besingen" (Sopran) | Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 28-26 | Der Herr lebt, Wq 251: No. 9 Choral "Heilig ist unser Gott" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 28-27 | Der Herr lebt, Wq 251: No. 10 Recitativ "Die frohe Hoffnung hemme deine Klage" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 28-28 | Der Herr lebt, Wq 251: No. 11 Choral "Es danke Gott und lobe dich" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 28-29 | Der Herr lebt, Wq 251: No. 12 Aria "Dein Wort, o Herr, ist Geist und Leben" (Sopran) | Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 28-30 | Der Herr lebt, Wq 251: No. 13 Recitativ "Wer dieses helle Licht verkennt" (Tenor) | Wilfried Jochens, Das Kleine Konzert, Hermann Max | — | |
| 28-31 | Der Herr lebt, Wq 251: No. 14 Aria "Das Wort des Höchsten stärkt" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 28-32 | Der Herr lebt, Wq 251: No. 15 Choral "Herr, unser Hort!" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 28-33 | Der Herr lebt, Wq 251: No. 16 Recitativ "Laß uns dies Wort" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 28-34 | Der Herr lebt, Wq 251: No. 17 Aria "Nun, so tritt mit heiterm Sinn" (Alt) | Hilke Helling, Das Kleine Konzert, Hermann Max | — | |
| 28-35 | Der Herr lebt, Wq 251: No. 18 Choral "Lob, Ehr und Preis sei Gott" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 29-1 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 1 Einleitung | Das Kleine Konzert, Hermann Max | — | |
| 29-2 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 2 Chor "Du wirst seine Seele nicht in die Hölle lassen" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 29-3 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 3 Recitativ "Judäa zittert!" (Baß) | Stephen Varcoe, Das Kleine Konzert, Hermann Max | — | |
| 29-4 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 4 Arie "Mein Geist, voll Furcht und Freude, bebet!" (Baß) | Stephen Varcoe, Das Kleine Konzert, Hermann Max | — | |
| 29-5 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 5 Chor 'Triumph! Triumph! Des Herrn Gesalbter sieget" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 29-6 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 6 Recitativ "Die frommen Töchter Zions" (Tenor) | Christoph Prégardien, Das Kleine Konzert, Hermann Max | — | |
| 29-7 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 7 Arie "Wie bang hat dich mein Lied beweint" (Sopran) | Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 29-8 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 8 Recitativ "Wer ist die Sionitinn" (Baß) | Stephen Varcoe, Das Kleine Konzert, Hermann Max | — | |
| 29-9 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 9 Duett "Vater deiner schwachen Kinder" (Sopran, Tenor) | Christoph Prégardien, Barbara Schlick, Das Kleine Konzert, Hermann Max | — | |
| 29-10 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 10 Recitativ "Freundinnen Jesu! sagt" (Tenor) | Christoph Prégardien, Das Kleine Konzert, Hermann Max | — | |
| 29-11 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 11 Arie "Ich folge dir, verklärter Held!" (Tenor) | Christoph Prégardien, Das Kleine Konzert, Hermann Max | — | |
| 29-12 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 12 Chor "Tod! wo ist dein Stachel?" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 29-13 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 13 Einleitung | Das Kleine Konzert, Hermann Max | — | |
| 29-14 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 14 Recitativ "Dort seh ich aus den Thoren" (Baß) | Stephen Varcoe, Das Kleine Konzert, Hermann Max | — | |
| 29-15 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 15 Arie "Willkommen, Heiland! freut euch, Väter!" (Baß) | Stephen Varcoe, Das Kleine Konzert, Hermann Max | — | |
| 29-16 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 16 Chor "Triumph! Triumph! der Fürst des Lebens sieget!" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 30-1 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 17 Recitativ "Elf auserwählte Jünger" (Tenor) | Christoph Prégardien, Das Kleine Konzert, Hermann Max | — | |
| 30-2 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 18 Arie "Mein Herr! Mein Gott!" (Tenor) | Christoph Prégardien, Das Kleine Konzert, Hermann Max | — | |
| 30-3 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 19 Chor "Triumph! Triumph! der Sohn des Höchsten siegt!" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 30-4 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 20 Recitativ "Auf einem Hügel" (Tenor) | Christoph Prégardien, Das Kleine Konzert, Hermann Max | — | |
| 30-5 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 21 Arie "Ihr Throne Gottes, öffnet euch!" (Baß) | Stephen Varcoe, Das Kleine Konzert, Hermann Max | — | |
| 30-6 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 22 Chor "Gott fähret auf mit Jauchzen" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 30-7 | Gott hat den Herrn auferwecket, Wq 244: No. 1 Chor "Gott hat den Herrn auferwecket" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — | |
| 30-8 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 2 Recitativ accompagnato "So wird mein Heiland nun erhöht" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 30-9 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 3 Arie "Dir sing ich froh" (Baß) | Gotthold Schwarz, Das Kleine Konzert, Hermann Max | — | |
| 30-10 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 4 Recitativ & Arioso "So sag nun, Seele, sag erfreut" (Sopran, Tenor) | Paul Elliott, Martina Lins, Das Kleine Konzert, Hermann Max | — | |
| 30-11 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 5 Arie "Wie freudig seh ich dir entgegen" (Sopran) | Martina Lins, Das Kleine Konzert, Hermann Max | — | |
| 30-12 | Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 6 Choral "O süßer Herr Jesu Christ" | Rheinische Kantorei, Das Kleine Konzert, Hermann Max | — |
