UPC · Release
Tchaikovsky Edition
Pyotr Ilyich Tchaikovsky
5028421946504
749 tracksReleased 2014-01-01Brilliant Classics
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5028421946504 is the Universal Product Code (UPC barcode) for the release “Tchaikovsky Edition” by Pyotr Ilyich Tchaikovsky, released 2014-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 749 tracks, each with its own ISRC. Tracks include GBGRH0900159, GBGRH0900160, GBGRH0900161.
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UPCTchaikovsky Edition
ISRC112 recordings
ISWC5 works
IPI1 songwriter
Track List (749)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": I. Daydreams of a Winter Journey: Allegro tranquillo | — | ||
| 2 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": II. Land of Gloom, Land of Mist: Adagio cantabile ma non tanto | — | ||
| 3 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": III. Scherzo: Allegro scherzando giocoso | — | ||
| 4 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": IV. Finale: Andante lugubre - Allegro moderato | — | ||
| 5 | 1812 Ouverture: Festival Overture in E-flat, op. 49 | — | ||
| 2-1 | Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo | — | ||
| 2-2 | Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale - quasi moderato | — | ||
| 2-3 | Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo: Allegro molto vivace | — | ||
| 2-4 | Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale: Moderato assai | — | ||
| 2-5 | Francesca da Rimini: Symphonic Fantasia in E minor after Dante | — | ||
| 3-1 | Symphony no. 3 in D, op. 29 "Polish": I. Introduzione e allegro - Moderato assai (Tempo di marcia funebre) - Allegro brillante | — | ||
| 3-2 | Symphony no. 3 in D, op. 29 "Polish": II. Alla tedesca - Allegro moderato e semplice | — | ||
| 3-3 | Symphony no. 3 in D, op. 29 "Polish": III. Andante elegiaco | — | ||
| 3-4 | Symphony no. 3 in D, op. 29 "Polish": IV. Scherzo: Allegro vivo | — | ||
| 3-5 | Symphony no. 3 in D, op. 29 "Polish": V. Finale: Allegro con fuoco (Tempo di Polacca) | — | ||
| 3-6 | Hamlet: Fantasy Overture for Orchestra in F minor, op. 67a | — | ||
| 4-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima | — | ||
| 4-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona | — | ||
| 4-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato | — | ||
| 4-4 | Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco | — | ||
| 4-5 | March Slave, op. 31 | — | ||
| 5-1 | Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima | — | ||
| 5-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile con alcuna licenza - Moderato con anima | — | ||
| 5-3 | Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato | — | ||
| 5-4 | Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace | — | ||
| 5-5 | Capriccio Italien, op. 45 | — | ||
| 6-1 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo | — | ||
| 6-2 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | — | ||
| 6-3 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace | — | ||
| 6-4 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso - Andante | — | ||
| 6-5 | Overture: The Storm | — | ||
| 7-1 | Manfred Symphony in B minor, op. 58: I. Lento lugubre | — | ||
| 7-2 | Manfred Symphony in B minor, op. 58: II. Vivace con spirito | — | ||
| 7-3 | Manfred Symphony in B minor, op. 58: III. Andante con moto | — | ||
| 7-4 | Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco | — | ||
| 7-5 | Romeo and Juliet: Fantasy Overture after Shakespeare | — | ||
| 8-1 | Festival Overture on the Danish National Hymn, op. 15 | — | ||
| 8-2 | Hamlet, op. 67bis: Overture | — | ||
| 8-3 | Hamlet, op. 67bis: Act I, Scene 1. Melodrama: Moderato assai | — | ||
| 8-4 | Hamlet, op. 67bis: Act I, Scene 4. Fanfare: Allegro vivo | — | ||
| 8-5 | Hamlet, op. 67bis: Act I, Scene 4. Melodrama: Moderato assai | — | ||
| 8-6 | Hamlet, op. 67bis: Act I, Scene 5. Melodrama: Allegro giusto ed agitato | — | ||
| 8-7 | Hamlet, op. 67bis: Act II, Entr'acte. Allegro semplice | — | ||
| 8-8 | Hamlet, op. 67bis: Act II, Scene 2. Fanfare | — | ||
| 8-9 | Hamlet, op. 67bis: Act III, Entr'acte. Andante quasi allegretto | — | ||
| 8-10 | Hamlet, op. 67bis: Act III, Scene 2. Fanfare | — | ||
| 8-11 | Hamlet, op. 67bis: Act III, Scene 2. Fanfare | — | ||
| 8-12 | Hamlet, op. 67bis: Act III, Scene 2. Melodrama: Allegro giusto ed agitato | — | ||
| 8-13 | Hamlet, op. 67bis: Act IV, Entr'acte. Andante non troppo ("Elegy for Strings") | — | ||
| 8-14 | Hamlet, op. 67bis: Act IV, Scene 5. Ophelia's scene: Andantino | — | ||
| 8-15 | Hamlet, op. 67bis: Act IV, Scene 5. Ophelia's second scene: Moderato | — | ||
| 8-16 | Hamlet, op. 67bis: Act V, Entr'acte. March: Moderato assai | — | ||
| 8-17 | Hamlet, op. 67bis: Act V, Scene 1. Dead man's song: Andantino | — | ||
| 8-18 | Hamlet, op. 67bis: Act V, Scene 1. Funeral march: Moderato assai | — | ||
| 8-19 | Hamlet, op. 67bis: Act V, Scene 2. Fanfare: Allegro giusto | — | ||
| 8-20 | Hamlet, op. 67bis: Act V, Scene 2. Final march: Allegro risoluto ma non troppo | — | ||
| 9-1 | The Snow Maiden: Introduction | — | ||
| 9-2 | The Snow Maiden: Dance and Choruses of the Birds | — | ||
| 9-3 | The Snow Maiden: Winter's Monologue | — | ||
| 9-4 | The Snow Maiden: Carnival Procession | — | ||
| 9-5 | The Snow Maiden: Melodrama | — | ||
| 9-6 | The Snow Maiden: Interlude | — | ||
| 9-7 | The Snow Maiden: Lehl's First Song | — | ||
| 9-8 | The Snow Maiden: Lehl's Second Song | — | ||
| 9-9 | The Snow Maiden: Interlude | — | ||
| 9-10 | The Snow Maiden: Chant of the Blind Bards | — | ||
| 9-11 | The Snow Maiden: Melodrama | — | ||
| 9-12 | The Snow Maiden: Chorus of the people and the courtiers | — | ||
| 9-13 | The Snow Maiden: Round of the Young Maidens | — | ||
| 9-14 | The Snow Maiden: Dance of the Tumblers | — | ||
| 9-15 | The Snow Maiden: Lehl's Third Song | — | ||
| 9-16 | The Snow Maiden: Brussila's song | — | ||
| 9-17 | The Snow Maiden: Apparation of the Spirit of the Wood | — | ||
| 9-18 | The Snow Maiden: Interlude - The Spring Fairy | — | ||
| 9-19 | The Snow Maiden: Tsar Berendey's March and Chorus | — | ||
| 9-20 | The Snow Maiden: Final Chorus | — | ||
| 10-1 | Orchestral Suite no. 1 in D minor, op. 43: I. Introduzione e Fuga | — | ||
| 10-2 | Orchestral Suite no. 1 in D minor, op. 43: II. Divertimento | — | ||
| 10-3 | Orchestral Suite no. 1 in D minor, op. 43: III. Intermezzo | — | ||
| 10-4 | Orchestral Suite no. 1 in D minor, op. 43: IV. Marche miniature | — | ||
| 10-5 | Orchestral Suite no. 1 in D minor, op. 43: V. Scherzo | — | ||
| 10-6 | Orchestral Suite no. 1 in D minor, op. 43: VI. Gavotte | — | ||
| 10-7 | Orchestral Suite no. 2 in C, op. 53 "Suite caractéristique": I. Jeu de sons | — | ||
| 10-8 | Orchestral Suite no. 2 in C, op. 53 "Suite caractéristique": II. Valse | — | ||
| 10-9 | Orchestral Suite no. 2 in C, op. 53 "Suite caractéristique": III. Scherzo burlesque | — | ||
| 10-10 | Orchestral Suite no. 2 in C, op. 53 "Suite caractéristique": IV. Rêves d'enfant | — | ||
| 10-11 | Orchestral Suite no. 2 in C, op. 53 "Suite caractéristique": V. Danse baroque | — | ||
| 11-1 | Orchestral Suite no. 3 in G, op. 55: I. Élégie: Andante molto cantabile | — | ||
| 11-2 | Orchestral Suite no. 3 in G, op. 55: II. Valse mélancolique: Allegro moderato | — | ||
| 11-3 | Orchestral Suite no. 3 in G, op. 55: III. Scherzo: Molto vivace | — | ||
| 11-4 | Orchestral Suite no. 3 in G, op. 55: IV. Tema con variazioni: Andante con moto | — | ||
| 11-5 | Orchestral Suite no. 4 in G "Mozartiana": I. Gigue: Allegro (Gigue, K. 574) | — | ||
| 11-6 | Orchestral Suite no. 4 in G "Mozartiana": II. Menuet: Moderato (Minuet, K. 355) | — | ||
| 11-7 | Orchestral Suite no. 4 in G "Mozartiana": III. Preghiera: Andante non tanto (Ave verum corpus, K. 618) | — | ||
| 11-8 | Orchestral Suite no. 4 in G "Mozartiana": IV. Théme et Variations: Allegro giusto (Unser dummer Pöbel meint, K. 455) | — | ||
| 12-1 | Swan Lake, op. 20: Act I: Introduction: Moderato assai, Allegro ma non troppo | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-2 | Swan Lake, op. 20: Act I, no. 1: Scene: Allegro giusto | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-3 | Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-4 | Swan Lake, op. 20: Act I, no. 3: Scene: Allegro moderato | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-5 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: I. Intrada: Allegro | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-6 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: II. Adagio: Andante sostenuto | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-7 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: III. Allegro semplice | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-8 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: IV. Moderato | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-9 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: V. Allegro | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-10 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: VI. Coda: Allegro vivace | Royal Philharmonic Orchestra, Nicolae Moldoveanu | T-041.662.096-6 | |
| 12-11 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: I. Tempo di valse ma non troppo Vivo, Quasi moderato | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-12 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: II. Andante - Allegro | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-13 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: III. Tempo di valse | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-14 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: IV. Coda: Allegro molto vivace | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-15 | Swan Lake, op. 20: Act I, no. 6: Pas d'Action: Andantino quasi moderato - Allegro | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-16 | Swan Lake, op. 20: Act I, no. 7: Sujet | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-17 | Swan Lake, op. 20: Act I, no. 8: Danse des Coupes: Tempo di polacca | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-18 | Swan Lake, op. 20: Act I, no. 9: Finale: Andante | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-19 | Swan Lake, op. 20: Act II, no. 10: Scene: Moderato | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-20 | Swan Lake, op. 20: Act II, no. 11: Scene: Allegro moderato - Allegro vivo | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-21 | Swan Lake, op. 20: Act II: Danses des cygnes | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-22 | Swan Lake, op. 20: Act II: Danses des petites cygnes | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-23 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: V. Pas d'Action (Odette et le Prince): Andante - Andante non troppo - Allegro | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-24 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VI. Tempo di valse (Tout le monde danse) | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 12-25 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VII. Coda: Allegro vivo | Royal Philharmonic Orchestra, Nicolae Moldoveanu | T-041.662.096-6 | |
| 13-1 | Swan Lake, op. 20: Act II: Scene finale – Swan theme (Moderato) | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 13-2 | Swan Lake, op. 20: Act III: Scene – Danse de fançailles (Allegro giusto) | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 13-3 | Swan Lake, op. 20: Act III, no. 17: Scène: La Sortie des invités et Valse | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 13-4 | Swan Lake, op. 20: Act III, no. 18: Scène: Allegro: Allegro giusto | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 13-5 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Intrada: Moderato assai | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 13-6 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation I: Allegro | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 13-7 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation II: Andante con moto | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 13-8 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation III: Moderato | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 13-9 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation IV: Allegro | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 13-10 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation V: Moderato - Allegro semplice | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 13-11 | Swan Lake, op. 20: Act III, no. 20: Danse hongroise: Czárdás: Moderato assai - Allegro moderato: Vivace | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 13-12 | Swan Lake, op. 20: Act III, Appendix 2: Danse russe: Moderato: Andante semplice - Allegro vivo | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 13-13 | Swan Lake, op. 20: Act III, no. 21: Danse espagnole: Allegro non troppo (Tempo di bolero) | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 13-14 | Swan Lake, op. 20: Act III, no. 22: Danse napolitaine: Allegro moderato - Andantino quasi moderato: Presto | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 13-15 | Swan Lake, op. 20: Act III, no. 23: Mazurka (Solistes et corps de ballet): Tempo di Mazurka | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 13-16 | Swan Lake, op. 20: Act III, no. 24: Scène: Allegro: Valse: Allegro vivo | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 13-17 | Swan Lake, op. 20: Act IV, no. 25: Entr'acte: Moderato | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 13-18 | Swan Lake, op. 20: Act IV, no. 26: Scène: Allegro ma non troppo | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 13-19 | Swan Lake, op. 20: Act IV, no. 27: Danse des petits cygnes: Moderato | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 13-20 | Swan Lake, op. 20: Act IV, no. 28: Scène: Allegro agitato: Molto meno mosso: Allegro vivace | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 13-21 | Swan Lake, op. 20: Act IV, no. 29: Scene finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso | Royal Philharmonic Orchestra, Nicolae Moldoveanu | — | |
| 14-1 | Sleeping Beauty, op. 66: Introduction | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 14-2 | Sleeping Beauty, op. 66: Prologue. March | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 14-3 | Sleeping Beauty, op. 66: Prologue. Scène dansante | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 14-4 | Sleeping Beauty, op. 66: Prologue. Pas de six: Entrée | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 14-5 | Sleeping Beauty, op. 66: Prologue. Pas de six: Adagio | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 14-6 | Sleeping Beauty, op. 66: Prologue. Pas de six: Variation 1 (Candide) | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 14-7 | Sleeping Beauty, op. 66: Prologue. Pas de six: Variation 2 (Coulante. Fleur de Farine) | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 14-8 | Sleeping Beauty, op. 66: Prologue. Pas de six: Variation 3 (Miettes qui tombent) | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 14-9 | Sleeping Beauty, op. 66: Prologue. Pas de six: Variation 4 (Canari qui chante) | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 14-10 | Sleeping Beauty, op. 66: Prologue. Pas de six: Variation 5 (Violente) | Royal Philharmonic Orchestra, Barry Wordsworth | T-924.392.154-2 | |
| 14-11 | Sleeping Beauty, op. 66: Prologue. Pas de six: Variation 6 (La Fée des Lilas) | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 14-12 | Sleeping Beauty, op. 66: Prologue. Pas de six: Code | Royal Philharmonic Orchestra, Barry Wordsworth | T-925.165.723-5 | |
| 14-13 | Sleeping Beauty, op. 66: Prologue. Finale | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 14-14 | Sleeping Beauty, op. 66: Act I. Scène | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 14-15 | Sleeping Beauty, op. 66: Act I. Valse | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 14-16 | Sleeping Beauty, op. 66: Act I. Entrée d'Aurore | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 14-17 | Sleeping Beauty, op. 66: Act I. Pas d'action: Rose Adage | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 14-18 | Sleeping Beauty, op. 66: Act I. Pas d'action: Variation d'Aurore | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 14-19 | Sleeping Beauty, op. 66: Act I. Pas d'action: Coda | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 14-20 | Sleeping Beauty, op. 66: Act I. Finale | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 15-1 | Sleeping Beauty, op. 66: Act II. Entr'acte et scène | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 15-2 | Sleeping Beauty, op. 66: Act II. Colin-maillard | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 15-3 | Sleeping Beauty, op. 66: Act II. Scène | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 15-4 | Sleeping Beauty, op. 66: Act II. Pas d'action | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 15-5 | Sleeping Beauty, op. 66: Act II. Variation d'Aurore | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 15-6 | Sleeping Beauty, op. 66: Act II. Panorama | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 15-7 | Sleeping Beauty, op. 66: Act II. Entr'acte | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 15-8 | Sleeping Beauty, op. 66: Act II. Entr'acte symphonique (Le sommeil) et scène | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 15-9 | Sleeping Beauty, op. 66: Act II. Finale | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 15-10 | Sleeping Beauty, op. 66: Act III. Marche | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 15-11 | Sleeping Beauty, op. 66: Act III. Pas de caractère (Le chat botté et la chatte blanche) | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 15-12 | Sleeping Beauty, op. 66: Act III. Pas de quatre | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 15-13 | Sleeping Beauty, op. 66: Act III. Pas de deux: Entrée | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 15-14 | Sleeping Beauty, op. 66: Act III. Pas de deux: Adagio | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 15-15 | Sleeping Beauty, op. 66: Act III. Pas de deux: Variation 1 | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 15-16 | Sleeping Beauty, op. 66: Act III. Pas de deux: Variation 2 | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 15-17 | Sleeping Beauty, op. 66: Act III. Pas de deux: Coda | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 15-18 | Sleeping Beauty, op. 66: Act III. Polacca | Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 16-1 | The Nutcracker, op. 71: Overture | — | ||
| 16-2 | The Nutcracker, op. 71: Act I, First tableau, Scene 1. The Christmas Tree | — | ||
| 16-3 | The Nutcracker, op. 71: Act I, First tableau, Scene 2. March | — | ||
| 16-4 | The Nutcracker, op. 71: Act I, First tableau, Scene 3. Children's Galop & Arrival of the Guests | — | ||
| 16-5 | The Nutcracker, op. 71: Act I, First tableau, Scene 4. Dance Scene & Arrival of Drosselmeyer | — | ||
| 16-6 | The Nutcracker, op. 71: Act I, First tableau, Scene 5. Scene & Grandfather's Dance | — | ||
| 16-7 | The Nutcracker, op. 71: Act I, First tableau, Scene 6. The Magic Spell Begins | — | ||
| 16-8 | The Nutcracker, op. 71: Act I, First tableau, Scene 7. The Battle Between the Nutcracker & the Mouse King | — | ||
| 16-9 | The Nutcracker, op. 71: Act I, Second tableau, Scene 8. Scene in the Pine Forest (Journey through the Snow) | — | ||
| 16-10 | The Nutcracker, op. 71: Act I, Second tableau, Scene 9. Waltz of the Snowflakes | — | ||
| 17-1 | The Nutcracker, op. 71: Act II, Scene 10. The Magic Castle | — | ||
| 17-2 | The Nutcracker, op. 71: Act II, Scene 11. Clara & the Prince - Scene 12: Divertissement | — | ||
| 17-3 | The Nutcracker, op. 71: Act II, Scene 12. Chocolate: Spanish Dance | — | ||
| 17-4 | The Nutcracker, op. 71: Act II, Scene 12. Coffee: Arabian Dance | — | ||
| 17-5 | The Nutcracker, op. 71: Act II, Scene 12. Tea: Chinese Dance | — | ||
| 17-6 | The Nutcracker, op. 71: Act II, Scene 12. Trepak | — | ||
| 17-7 | The Nutcracker, op. 71: Act II, Scene 12. Dance of the Mirlitons | — | ||
| 17-8 | The Nutcracker, op. 71: Act II, Scene 12. Mother Gigogne & the Clowns | — | ||
| 17-9 | The Nutcracker, op. 71: Act II, Scene 13. Waltz of the Flowers | — | ||
| 17-10 | The Nutcracker, op. 71: Act II, Scene 14. Pas de Deux: Dance of the Prince & the Sugar-Plum Fairy | — | ||
| 17-11 | The Nutcracker, op. 71: Act II, Scene 14. Variation 1: Tarantella | — | ||
| 17-12 | The Nutcracker, op. 71: Act II, Scene 14. Variation 2: Dance of the Sugar-Plum Fairy | — | ||
| 17-13 | The Nutcracker, op. 71: Act II, Scene 14. Coda | — | ||
| 17-14 | The Nutcracker, op. 71: Act II, Scene 15. Final: Final Waltz & Apotheosis | — | ||
| 18-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 18-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andante semplice - Prestissimo | — | ||
| 18-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 18-4 | Piano Concerto no. 2 in G, op. 44: I. Allegro brilliante | — | ||
| 18-5 | Piano Concerto no. 2 in G, op. 44: II. Andante non troppo | — | ||
| 18-6 | Piano Concerto no. 2 in G, op. 44: Allegro con fuoco | — | ||
| 19-1 | Piano Concerto no. 3 in E-flat, op. 75/79: I. Allegro brillante | — | ||
| 19-2 | Piano Concerto no. 3 in E-flat, op. 75/79: II. Andante | — | ||
| 19-3 | Piano Concerto no. 3 in E-flat, op. 75/79: III. Finale: Allegro maestoso | — | ||
| 19-4 | Concert Fantasy, op. 56: I. Quasi rondo: Andante mosso | — | ||
| 19-5 | Concert Fantasy, op. 56: II. Contrastes: Andante cantabile | — | ||
| 20-1 | Violin Concerto in D, op. 35: I. Allegro moderato | — | ||
| 20-2 | Violin Concerto in D, op. 35: II. Andante | — | ||
| 20-3 | Violin Concerto in D, op. 35: III. Allegro vivacissimo | — | ||
| 20-4 | Sérénade mélancolique, op. 26 | — | ||
| 20-5 | Valse-scherzo, op. 34 | — | ||
| 20-6 | Souvenir d'un lieu cher, op. 42: I. Méditation | — | ||
| 20-7 | Souvenir d'un lieu cher, op. 42: II. Scherzo | — | ||
| 20-8 | Souvenir d'un lieu cher, op. 42: III. Mélodie | — | ||
| 21-1 | Variations on Rococo Theme, op. 33 (Original version) | Александр Израилевич Рудин, Ensemble Instrumental Musica Viva, Николай Геннадьевич Алексеев | — | |
| 21-2 | Nocturne (Adapted from 6 Piano Pieces, op. 19) | Александр Израилевич Рудин, Ensemble Instrumental Musica Viva, Николай Геннадьевич Алексеев | — | |
| 21-3 | Andante cantabile (Adapted from String Quartet no. 1, op. 11) | Александр Израилевич Рудин, Ensemble Instrumental Musica Viva, Николай Геннадьевич Алексеев | — | |
| 21-4 | Pezzo capriccioso, op. 62 | Александр Израилевич Рудин, Ensemble Instrumental Musica Viva, Николай Геннадьевич Алексеев | — | |
| 21-5 | Andante cantabile (Adapted from Sleeping Beauty, op. 66) | Александр Израилевич Рудин, Ensemble Instrumental Musica Viva, Николай Геннадьевич Алексеев | — | |
| 21-6 | Serenade for Strings in C, op. 48: I. Pezzo in forma di sonatina; Andante non troppo - Allegro moderato | Ensemble Instrumental Musica Viva, Александр Израилевич Рудин | — | |
| 21-7 | Serenade for Strings in C, op. 48: II. Valse: Moderato (Tempo di valse) | Ensemble Instrumental Musica Viva, Александр Израилевич Рудин | — | |
| 21-8 | Serenade for Strings in C, op. 48: III. Elégie: Larghetto elegiaco | Ensemble Instrumental Musica Viva, Александр Израилевич Рудин | — | |
| 21-9 | Serenade for Strings in C, op. 48: IV. Finale (Tema russo): Andante - Allegro con spirito | Ensemble Instrumental Musica Viva, Александр Израилевич Рудин | T-318.676.528-2 | |
| 22-1 | Liturgy of St John Chrysostom, op. 41: I. Lord, have mercy | — | ||
| 22-2 | Liturgy of St John Chrysostom, op. 41: II. Glory be to the Father | — | ||
| 22-3 | Liturgy of St John Chrysostom, op. 41: III. O come, let us worship | — | ||
| 22-4 | Liturgy of St John Chrysostom, op. 41: IV. Alleluia | — | ||
| 22-5 | Liturgy of St John Chrysostom, op. 41: V. Glory be to Thee | — | ||
| 22-6 | Liturgy of St John Chrysostom, op. 41: VI. Hymn of the Cherubim | — | ||
| 22-7 | Liturgy of St John Chrysostom, op. 41: VII. Lord, have Mercy | — | ||
| 22-8 | Liturgy of St John Chrysostom, op. 41: VIII. The Creed | — | ||
| 22-9 | Liturgy of St John Chrysostom, op. 41: IX. The mercy of peace | — | ||
| 22-10 | Liturgy of St John Chrysostom, op. 41: X. We sing Thee | — | ||
| 22-11 | Liturgy of St John Chrysostom, op. 41: XI. It is meet | — | ||
| 22-12 | Liturgy of St John Chrysostom, op. 41: XII. Amen, and with Thy Spirit | — | ||
| 22-13 | Liturgy of St John Chrysostom, op. 41: XIII. Our Father | — | ||
| 22-14 | Liturgy of St John Chrysostom, op. 41: XIV. Praise ye the Lord from the Heavens | — | ||
| 22-15 | Liturgy of St John Chrysostom, op. 41: XV. Blessed be he that cometh in the name of the Lord | — | ||
| 23-1 | Evening | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-2 | Autumn | Andrei Azovski, Moscow Choral Academy, Виктор Сергеевич Попов | T-900.124.104-9 | |
| 23-3 | Child's Song | Dimitri Kortchak, Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-4 | Blessed Is He Who Smiles | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-5 | Why Does the Sound of the Revels Grow Silent? | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-6 | Much Too Soon in the Season | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-7 | Old French Air | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-8 | Dawn | Moscow Choral Academy, Tamara Kravtchenko, Виктор Сергеевич Попов | — | |
| 23-9 | Nature and Love | Anetta Michina, Moscow Choral Academy, Tamara Kravtchenko, Виктор Сергеевич Попов | — | |
| 23-10 | Before Sleep | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-11 | A Golden Cloud Slumbered | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-12 | A Greeting to Anton Rubinstein | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-13 | The Nightingale | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-14 | It's Not the Cuckoo | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-15 | Night | Moscow Choral Academy, Tamara Kravtchenko, Виктор Сергеевич Попов | — | |
| 23-16 | Hymn to Cyril and Methodius | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-17 | A Legend | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 23-18 | Neopolitan Air (Adaptation for Chorus by Klimov) | Moscow Choral Academy, Виктор Сергеевич Попов | — | |
| 24-1 | Piano Trio in A minor, op. 50 "In Memory of a Great Artist": I. Méditation | — | ||
| 24-2 | Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Scherzo | — | ||
| 24-3 | Piano Trio in A minor, op. 50 "In Memory of a Great Artist": III. Mélodie | — | ||
| 25-1 | String Quartet no. 1 in D, op. 11: I. Moderato e semplice | — | ||
| 25-2 | String Quartet no. 1 in D, op. 11: II. Andante cantabile | — | ||
| 25-3 | String Quartet no. 1 in D, op. 11: III. Scherzo: Allegro non tanto e con fuoco | — | ||
| 25-4 | String Quartet no. 1 in D, op. 11: IV. Finale: Allegro giusto - Allegro vivace | — | ||
| 25-5 | String Quartet no. 3 in E-flat minor, op. 30: I. Andante sostenuto | — | ||
| 25-6 | String Quartet no. 3 in E-flat minor, op. 30: II. Allegretto vivo e scherzando | — | ||
| 25-7 | String Quartet no. 3 in E-flat minor, op. 30: III. Andante funebre e doloroso ma con moto | — | ||
| 25-8 | String Quartet no. 3 in E-flat minor, op. 30: IV. Finale: Allegro non troppo e risoluto | — | ||
| 26-1 | String Quartet no. 2 in F, op. 22: Adagio | — | ||
| 26-2 | String Quartet no. 2 in F, op. 22: Scherzo: Allegro giusto | — | ||
| 26-3 | String Quartet no. 2 in F, op. 22: Andante ma non tanto | — | ||
| 26-4 | String Quartet no. 2 in F, op. 22: Finale: Allegro con moto | — | ||
| 26-5 | Adagio and Allegro in B-flat | — | ||
| 26-6 | Allegretto in E-flat | — | ||
| 26-7 | Andante molto in G | — | ||
| 26-8 | Allegro vivace in B-flat | — | ||
| 27-1 | The Seasons, op. 37a: I. January | — | ||
| 27-2 | The Seasons, op. 37a: II. February | — | ||
| 27-3 | The Seasons, op. 37a: III. March | — | ||
| 27-4 | The Seasons, op. 37a: IV. April | — | ||
| 27-5 | The Seasons, op. 37a: V. May | — | ||
| 27-6 | The Seasons, op. 37a: VI. June | — | ||
| 27-7 | The Seasons, op. 37a: VII. July | — | ||
| 27-8 | The Seasons, op. 37a: VIII. August | — | ||
| 27-9 | The Seasons, op. 37a: IX. September | — | ||
| 27-10 | The Seasons, op. 37a: X. October | — | ||
| 27-11 | The Seasons, op. 37a: XI. November | — | ||
| 27-12 | The Seasons, op. 37a: XII. December | — | ||
| 27-13 | 6 Pieces for Piano, op. 51: Valse de salon | — | ||
| 27-14 | 6 Pieces for Piano, op. 51: Polka peu dansante | — | ||
| 27-15 | 6 Pieces for Piano, op. 51: Menuetto scherzoso | — | ||
| 27-16 | 6 Pieces for Piano, op. 51: Natha Valse | — | ||
| 27-17 | 6 Pieces for Piano, op. 51: Romance | — | ||
| 27-18 | 6 Pieces for Piano, op. 51: Valse sentimentale | — | ||
| 27-19 | Album for the Young, op. 39: Morning Prayer | — | ||
| 27-20 | Album for the Young, op. 39: Winter Morning | — | ||
| 27-21 | Album for the Young, op. 39: Little Horseman | — | ||
| 27-22 | Album for the Young, op. 39: Mama | — | ||
| 27-23 | Album for the Young, op. 39: March of the Wooden Soldiers | — | ||
| 27-24 | Album for the Young, op. 39: The Sick Doll | — | ||
| 27-25 | Album for the Young, op. 39: Dolly's Funeral | — | ||
| 27-26 | Album for the Young, op. 39: Waltz | — | ||
| 27-27 | Album for the Young, op. 39: The New Doll | — | ||
| 27-28 | Album for the Young, op. 39: Mazurka | — | ||
| 27-29 | Album for the Young, op. 39: Russian Folksong | — | ||
| 27-30 | Album for the Young, op. 39: Peasant's Song | — | ||
| 27-31 | Album for the Young, op. 39: Russian Dance | — | ||
| 27-32 | Album for the Young, op. 39: Polka | — | ||
| 27-33 | Album for the Young, op. 39: Italian Ditty | — | ||
| 27-34 | Album for the Young, op. 39: Old French Melody | — | ||
| 27-35 | Album for the Young, op. 39: German Song | — | ||
| 27-36 | Album for the Young, op. 39: Neopolitan Dance Tune | — | ||
| 27-37 | Album for the Young, op. 39: Old Nurse's Song | — | ||
| 27-38 | Album for the Young, op. 39: Witch | — | ||
| 27-39 | Album for the Young, op. 39: Sweet Dreams | — | ||
| 27-40 | Album for the Young, op. 39: Song of the Lark | — | ||
| 27-41 | Album for the Young, op. 39: The Organ Grinder | — | ||
| 27-42 | Album for the Young, op. 39: In Church | — | ||
| 28-1 | Piano Sonata in C-sharp minor, op. 80: I. Allegro con fuoco | — | ||
| 28-2 | Piano Sonata in C-sharp minor, op. 80: II. Andante | — | ||
| 28-3 | Piano Sonata in C-sharp minor, op. 80: III. Allegro vivo | — | ||
| 28-4 | Piano Sonata in C-sharp minor, op. 80: IV. Allegro vivo | — | ||
| 28-5 | 18 Piano Pieces, op. 72: Impromptu | — | ||
| 28-6 | 18 Piano Pieces, op. 72: Berceuse | — | ||
| 28-7 | 18 Piano Pieces, op. 72: Tender Reproaches | — | ||
| 28-8 | 18 Piano Pieces, op. 72: Danse caractéristique | — | ||
| 28-9 | 18 Piano Pieces, op. 72: Méditation | — | ||
| 28-10 | 18 Piano Pieces, op. 72: Mazurka pour danser | — | ||
| 28-11 | 18 Piano Pieces, op. 72: Concert polonaise | — | ||
| 28-12 | 18 Piano Pieces, op. 72: Dialogue | — | ||
| 28-13 | 18 Piano Pieces, op. 72: Un poco di Schumann | — | ||
| 28-14 | 18 Piano Pieces, op. 72: Scherzo-Fantasie | — | ||
| 28-15 | 18 Piano Pieces, op. 72: Valse bluette | — | ||
| 28-16 | 18 Piano Pieces, op. 72: L'espiègle | — | ||
| 28-17 | 18 Piano Pieces, op. 72: Echo rustique | — | ||
| 28-18 | 18 Piano Pieces, op. 72: Chant élégiaque | — | ||
| 28-19 | 18 Piano Pieces, op. 72: Un poco di Chopin | — | ||
| 28-20 | 18 Piano Pieces, op. 72: Valse à cinq temps | — | ||
| 28-21 | 18 Piano Pieces, op. 72: Distant Past | — | ||
| 28-22 | 18 Piano Pieces, op. 72: Scène dansante | — | ||
| 29-1 | Scherzo á la russe, op. 1 no. 1 | — | ||
| 29-2 | Impromptu, op. 1 no. 2 | — | ||
| 29-3 | Ruines d'un Chateau, op. 2 no. 1 | — | ||
| 29-4 | Scherzo, op. 2 no. 2 | — | ||
| 29-5 | Song Without Words, op. 2 no. 3 | — | ||
| 29-6 | Valse Caprice, op. 4 | — | ||
| 29-7 | Romanze, op. 5 | — | ||
| 29-8 | Capriccio, op. 8 | — | ||
| 29-9 | Rêverie, op. 9 no. 1 | — | ||
| 29-10 | Polka de salon, op. 9 no. 2 | — | ||
| 29-11 | Mazurka de salon, op. 3 no. 3 | — | ||
| 29-12 | Nocturne, op. 10 no. 1 | — | ||
| 29-13 | Humeresque, op. 10 no. 2 | — | ||
| 29-14 | Dumka, op. 59 | — | ||
| 29-15 | Impromptu | — | ||
| 29-16 | Impromptu-Caprice | — | ||
| 29-17 | Valse-Scherzo | — | ||
| 29-18 | Impromptu-Moderato | — | ||
| 29-19 | Aveu passionne | — | ||
| 29-20 | Valse Scherzo, op. 7 | — | ||
| 29-21 | Abend-Träumerei, op. 19 no. 1 | — | ||
| 29-22 | Scherzo humoristique, op. 19 no. 2 | — | ||
| 30-1 | Feuillet d'album, op. 19 no. 3 | — | ||
| 30-2 | Nocturne, op. 19 no. 4 | — | ||
| 30-3 | Capriccioso, op. 19 no. 5 | — | ||
| 30-4 | Theme and Variations, op. 19 no. 6 | — | ||
| 30-5 | Six Pieces on a Single Theme, op. 21: I. Praeludium | — | ||
| 30-6 | Six Pieces on a Single Theme, op. 21: II. Fugue | — | ||
| 30-7 | Six Pieces on a Single Theme, op. 21: III. Impromptu | — | ||
| 30-8 | Six Pieces on a Single Theme, op. 21: IV. Trauermarsch | — | ||
| 30-9 | Six Pieces on a Single Theme, op. 21: V. Mazurka | — | ||
| 30-10 | Six Pieces on a Single Theme, op. 21: VI. Scherzo | — | ||
| 30-11 | Piano Sonata in G minor, op. 37: I. Moderato e risoluto | — | ||
| 30-12 | Piano Sonata in G minor, op. 37: II. Andante non troppo quasi moderato | — | ||
| 30-13 | Piano Sonata in G minor, op. 37: III. Scherzo: Allegro giocoso | — | ||
| 30-14 | Piano Sonata in G minor, op. 37: IV. Finale: Allegro vivace | — | ||
| 31-1 | 12 Pieces, op. 40: I. Etude | — | ||
| 31-2 | 12 Pieces, op. 40: II. Chanson | — | ||
| 31-3 | 12 Pieces, op. 40: III. Marche | — | ||
| 31-4 | 12 Pieces, op. 40: IV. Mazurka in C | — | ||
| 31-5 | 12 Pieces, op. 40: V. Mazurka in D | — | ||
| 31-6 | 12 Pieces, op. 40: VI. Chant | — | ||
| 31-7 | 12 Pieces, op. 40: VII. Au village | — | ||
| 31-8 | 12 Pieces, op. 40: VIII. Walzer | — | ||
| 31-9 | 12 Pieces, op. 40: IX. Walzer | — | ||
| 31-10 | 12 Pieces, op. 40: X. Danse russe | — | ||
| 31-11 | 12 Pieces, op. 40: XI. Scherzo | — | ||
| 31-12 | 12 Pieces, op. 40: XII. Réverie | — | ||
| 31-13 | Violin Concerto in D, op. 35: I. Allegro moderato | Aaron Rosand, Orchestre symphonique de Radio Télé Luxembourg, Louis de Froment | — | |
| 31-14 | Violin Concerto in D, op. 35: II. Canzonetta: Andante | — | ||
| 31-15 | Violin Concerto in D, op. 35: III. Finale: Allegro vivacissimo | — | ||
| 32-1 | Zemphira's Song | — | ||
| 32-2 | Midnight | — | ||
| 32-3 | To Forget So Soon | — | ||
| 32-4 | Lullaby, op. 16 no. 1 | — | ||
| 32-5 | Wait!, op. 16 no. 2 | — | ||
| 32-6 | Carry My Heart Away | — | ||
| 32-7 | As When Upon Hot Ashes, op. 25 no. 2 | — | ||
| 32-8 | Do Not Leave Me, op. 27 no. 3 | — | ||
| 32-9 | He Loved Me So, op. 28 no. 4 | — | ||
| 32-10 | If I Had Known, op. 47 no. 1 | — | ||
| 32-11 | A Soul Floated Gently Up to Heaven, op. 47 no. 2 | — | ||
| 32-12 | Darkness Has Fallen Over the Earth, op. 47 no. 3 | — | ||
| 32-13 | Whether in the Realm of Day?, op. 47 no. 6 | — | ||
| 32-14 | Was I Not a Blade of Grass?, op. 47 no. 7 | — | ||
| 32-15 | Wild Nights, op. 60 no. 6 | — | ||
| 32-16 | Gypsy's Song, op. 60 no. 7 | — | ||
| 32-17 | Gentle Stars Shone for Us, op. 60 no. 12 | — | ||
| 33-1 | Children's Songs, op. 54: Grandmother and Grandson | — | ||
| 33-2 | Children's Songs, op. 54: The Little Bird | — | ||
| 33-3 | Children's Songs, op. 54: Spring | — | ||
| 33-4 | Children's Songs, op. 54: My Little Garden | — | ||
| 33-5 | Children's Songs, op. 54: A Legend | — | ||
| 33-6 | Children's Songs, op. 54: On the River-Bank | — | ||
| 33-7 | Children's Songs, op. 54: A Winter's Evening | — | ||
| 33-8 | Children's Songs, op. 54: The Cuckoo | — | ||
| 33-9 | Children's Songs, op. 54: Spring | — | ||
| 33-10 | Children's Songs, op. 54: Lullaby in a Storm | — | ||
| 33-11 | Children's Songs, op. 54: The Flower | — | ||
| 33-12 | Children's Songs, op. 54: Winter | — | ||
| 33-13 | Children's Songs, op. 54: Spring Song | — | ||
| 33-14 | Children's Songs, op. 54: Autumn | — | ||
| 33-15 | Children's Songs, op. 54: The Swallow | — | ||
| 33-16 | Children's Songs, op. 54: A Little Children's Song | — | ||
| 33-17 | Six Romances, op. 73: We Sat Together | — | ||
| 33-18 | Six Romances, op. 73: Night | — | ||
| 33-19 | Six Romances, op. 73: This Moonlit Night | — | ||
| 33-20 | Six Romances, op. 73: The Sun Has Set | — | ||
| 33-21 | Six Romances, op. 73: On Gloomy Day | — | ||
| 33-22 | Six Romances, op. 73: Once More, As Before | — | ||
| 34-1 | Both Painfully and Sweetly, op. 6 no. 3 | — | ||
| 34-2 | My Genius, My Angel | — | ||
| 34-3 | Only You Alone, op. 57 no. 6 | — | ||
| 34-4 | Do Not Ask, op. 57 no. 3 | — | ||
| 34-5 | Death, op. 57 no. 5 | — | ||
| 34-6 | No, Only He Who Has Known, op. 6 no. 6 | — | ||
| 34-7 | Why?, op. 6 no. 5 | — | ||
| 34-8 | The First Meeting, op. 63 no. 4 | — | ||
| 34-9 | Now a Word, O My Friend, op. 6 no. 2 | — | ||
| 34-10 | Pimpinella, op. 38 no. 6 | — | ||
| 34-11 | Sleep, Poor Friend, op. 47 no. 4 | — | ||
| 34-12 | I Opened the Window, op. 63 no. 2 | — | ||
| 34-13 | The Fires in the Room Were Already Out, op. 63 no. 5 | — | ||
| 34-14 | Serenade, op. 63 no. 6 | — | ||
| 34-15 | Why Did I Dream of You?, op. 28 no. 3 | — | ||
| 34-16 | I Do Not Please You, op. 63 no. 3 | — | ||
| 34-17 | Do Not Believe, My Friend, op. 6 no. 1 | — | ||
| 34-18 | The Fearful Minute, op. 28 no. 6 | — | ||
| 34-19 | Sleep, op. 57 no. 4 | — | ||
| 34-20 | I Did Not Love You at the First, op. 63 no. 1 | — | ||
| 34-21 | On the Golden Cornfields, op. 57 no. 2 | — | ||
| 35-1 | They Said: You Fool Do Not Go, op. 25 no. 6 | — | ||
| 35-2 | No Time to Take a Walk | — | ||
| 35-3 | Last Night, op. 60 no. 1 | — | ||
| 35-4 | I Don't Tell You Anything, op. 60 no. 2 | — | ||
| 35-5 | Excuse Me, op. 60 no. 8 | — | ||
| 35-6 | In the Shadow Outside the Window, op. 60 no. 10 | — | ||
| 35-7 | Night, op. 60 no. 9 | — | ||
| 35-8 | Nightingale, op. 60 no. 4 | — | ||
| 35-9 | Simple Words, op. 60 no. 5 | — | ||
| 35-10 | For One Simple Word | — | ||
| 35-11 | Canary, op. 25 no. 4 | — | ||
| 35-12 | The Eyes of Spring Are Blue | — | ||
| 35-13 | So What Can I Say?, op. 16 no. 5 | — | ||
| 35-14 | Oh, If Only You Knew, op. 60 no. 3 | — | ||
| 35-15 | Oh, Sing That Song, op. 16 no. 4 | — | ||
| 35-16 | Reconcilation, op. 25 no. 1 | — | ||
| 35-17 | I Bless You, Woods, op. 47 no. 5 | — | ||
| 35-18 | Evening, op. 27 no. 4 | — | ||
| 35-19 | It Was in Early Spring, op. 38 no. 2 | — | ||
| 35-20 | Arnid the Din of the Ball, op. 38 no. 3 | — | ||
| 35-21 | The Exploit, op. 60 no. 11 | — | ||
| 35-22 | Mignon's Song, op. 25 no. 3 (On a theme from "Ruins of Athens") | — | ||
| 36-1 | I Will Never Name Her, op. 28 no. 1 | — | ||
| 36-2 | Six French Songs, op. 65: No. 1. Serenade | — | ||
| 36-3 | Six French Songs, op. 65: No. 2. Disillusionment | — | ||
| 36-4 | Six French Songs, op. 65: No. 3. Serenade | — | ||
| 36-5 | Six French Songs, op. 65: No. 4. Let The Winter... | — | ||
| 36-6 | Six French Songs, op. 65: No. 5. Tears | — | ||
| 36-7 | Six French Songs, op. 65: No. 6. Enchantress | — | ||
| 36-8 | Oh, If You Could, op. 38 no. 4 | — | ||
| 36-9 | No Reply, No Word, No Greeting, op. 28 no. 5 | — | ||
| 36-10 | New Greek Song, op. 16 no. 6 | — | ||
| 36-11 | My Mischief, op. 27 no. 6 | — | ||
| 36-12 | Love of a Dead Man, op. 38 no. 5 | — | ||
| 36-13 | You Were in My Dream | — | ||
| 36-14 | Oh No, Do Not Leave Me for My Beauty | — | ||
| 36-15 | Hamlet, op. 67: I. Ophelia's First Scene | — | ||
| 36-16 | Hamlet, op. 67: II. Ophelia's Second Scene | — | ||
| 36-17 | Hamlet, op. 67: III. Grave-digger's Song | — | ||
| 36-18 | Hear at Least Once, op. 16 no. 3 | — | ||
| 36-19 | I Never Spoke To Her, op. 25 no. 5 | — | ||
| 36-20 | Before Sleep, op. 27 no. 1 | — | ||
| 36-21 | Look: There is a Silver Cloud, op. 27 no. 2 | — | ||
| 36-22 | Had My Mother Borne Me, op. 27 no. 5 | — | ||
| 36-23 | A String of Corals, op. 28 no. 2 | — | ||
| 36-24 | Don Juan's Serenade, op. 38 no. 1 | — | ||
| 37-1 | The Oprichnik: Introduction | — | ||
| 37-2 | The Oprichnik: Act I. "Come in, do us the honour" (Zemchuznyj) | — | ||
| 37-3 | The Oprichnik: Act I. "A duckling was swimming in the sea" (Chorus of Girls) | — | ||
| 37-4 | The Oprichnik: Act I. "How wearisome it is to spend" | — | ||
| 37-5 | The Oprichnik: Act I. "A nightingale chirps on leafy fronds" (Natal'ja) | — | ||
| 37-6 | The Oprichnik: Act I. "See here if one should get sad over such a song!" (Zachar'evna) | — | ||
| 37-7 | The Oprichnik: Act I. "Don't worry, dear Andrej, step forward" (Basmanov) | — | ||
| 37-8 | The Oprichnik: Act I. "Tell me, have you taken a decision?" (Basmanov) | — | ||
| 37-9 | The Oprichnik: Act I. "No, my friend" (Andrej) | — | ||
| 37-10 | The Oprichnik: Act I. "I thought I heard some voices" (Natal'ja) | — | ||
| 37-11 | The Oprichnik: Act I. "Here you are then!" (Zachar'evna) | — | ||
| 37-12 | The Oprichnik: Act II. Introduction | — | ||
| 37-13 | The Oprichnik: Act II. "Much as one tries, life never changes" (Morozova) | — | ||
| 37-14 | The Oprichnik: Act II. "No more worries, mother, let the wind" (Andrej) | — | ||
| 37-15 | The Oprichnik: Act II. "But you, son, keep purer than the snow (Morozova) | — | ||
| 37-16 | The Oprichnik: Act II. "Basmanov likes wine and pleasures (Andrej) | — | ||
| 37-17 | The Oprichnik: Act II. "Dear son, do not abandon me" (Morozova) | — | ||
| 37-18 | The Oprichnik: Act II. "I leave, mother, but I won't be away for long" (Andrej) | — | ||
| 38-1 | The Oprichnik: Act II. Introduction | — | ||
| 38-2 | The Oprichnik: Act II. "What refuge shall I find from my sins?" (Chorus of Oprichniks) | — | ||
| 38-3 | The Oprichnik: Act II. "Brothers, stop being engrossed in godly things!" (Vjaz'minskij) | — | ||
| 38-4 | The Oprichnik: Act II. "No, stay, I come from the Czar" (Basmanov) | — | ||
| 38-5 | The Oprichnik: Act II. "Have you made this choice freely" (Vjaz'minskij) | — | ||
| 38-6 | The Oprichnik: Act II. "Before you, like before God" (Andrej) | — | ||
| 38-7 | The Oprichnik: Act II. "Are you ready, then, to take the sacred oath? (Vjaz'minskij) | — | ||
| 38-8 | The Oprichnik: Act II. "O Natal'ja, O mother! (Andrej) | — | ||
| 38-9 | The Oprichnik: Act II. "In the name of the almighty God (Vjaz'minskij, Chorus of Oprichniks) | — | ||
| 38-10 | The Oprichnik: Act II. "As glorious as the sun in a clear day" (Vjaz'minskij, Chorus of Oprichniks) | — | ||
| 38-11 | The Oprichnik: Act III. Introduction | — | ||
| 38-12 | The Oprichnik: Act III. "Dark times are looming on us" (Chorus of People) | — | ||
| 38-13 | The Oprichnik: Act III. "Oh, how lonely I already feel!" | — | ||
| 38-14 | The Oprichnik: Act III. "Filthy bitch, dirty broom" (Chorus of Boys) | — | ||
| 38-15 | The Oprichnik: Act III. "I run to you dear mother" (Natal'ja) | — | ||
| 39-1 | The Oprichnik: Act III. "Let's run away, come, let's flee somewhere" (Natal'ja) | — | ||
| 39-2 | The Oprichnik: Act III. "I am before you and before the Lord" (Natal'ja) | — | ||
| 39-3 | The Oprichnik: Act III. "Go, princess (Zemchuznyj) | — | ||
| 39-4 | The Oprichnik: Act III. "I deny you, off with you, Praetorian" (Morozova) | — | ||
| 39-5 | The Oprichnik: Act III. "Alas, I cannot fully grasp" (Andrej) | — | ||
| 39-6 | The Oprichnik: Act III. "Take heart, brother in faith" (Basmanov) | — | ||
| 39-7 | The Oprichnik: Act IV. "Honour and glory to the fine, courageous lad" (Wedding Chorus) | — | ||
| 39-8 | The Oprichnik: Act IV. Dances of Oprichniks and women | — | ||
| 39-9 | The Oprichnik: Act IV. Friends, this day is both joyful and sad (Andrej) | — | ||
| 39-10 | The Oprichnik: Act IV. Oh, if only this banquet would end! (Natal'ja) | — | ||
| 39-11 | The Oprichnik: Act IV. "You are my light, my life" (Natal'ja) | — | ||
| 39-12 | The Oprichnik: Act IV. "Oh, may they never age" (Wedding Chorus) | — | ||
| 39-13 | The Oprichnik: Act IV. "My respects to the noble congregation" (Vjaz'minskij) | — | ||
| 39-14 | The Oprichnik: Act IV. "Look, a frightening storm threatens" (Vjaz'minskij) | — | ||
| 39-15 | The Oprichnik: Act IV. "And so, my dove, do you know who is calling you?" (Vjaz'minskij) | — | ||
| 40-1 | Evgeny Onegin: Act I, Scene 1: Prelude | — | ||
| 40-2 | Evgeny Onegin: Act I, Scene 1, no. 1. Duet and Quartet | — | ||
| 40-3 | Evgeny Onegin: Act I, Scene 1, no. 2. Peasant's Chorus and Dance | — | ||
| 40-4 | Evgeny Onegin: Act I, Scene 1, no. 3. Scene and Arioso (Olga) | — | ||
| 40-5 | Evgeny Onegin: Act I, Scene 1, no. 4. Scene | — | ||
| 40-6 | Evgeny Onegin: Act I, Scene 1, no. 5. Scene and Quartet | — | ||
| 40-7 | Evgeny Onegin: Act I, Scene 1, no. 6. Scene and Arioso (Lensky) | — | ||
| 40-8 | Evgeny Onegin: Act I, Scene 1, no. 7. Closing Scene | — | ||
| 40-9 | Evgeny Onegin: Act I, Scene 2, no. 8. Introduction and Scene | — | ||
| 40-10 | Evgeny Onegin: Act I, Scene 2, no. 9. Letter Scene | — | ||
| 40-11 | Evgeny Onegin: Act I, Scene 2, no. 10. Scene and Duet | — | ||
| 40-12 | Evgeny Onegin: Act I, Scene 3, no. 11. Servant Girls' Chorus | — | ||
| 40-13 | Evgeny Onegin: Act I, Scene 3, no. 12. Scene and Aria (Onegin) | — | ||
| 40-14 | Evgeny Onegin: Act II, Scene 1, no. 13. Entr'acte and Waltz - Scene and Chorus | — | ||
| 40-15 | Evgeny Onegin: Act II, Scene 1, no. 14. Scene and Couplets (Triquet) | — | ||
| 41-1 | Evgeny Onegin: Act II, Scene 1, no. 15. Mazurka and Scene | — | ||
| 41-2 | Evgeny Onegin: Act II, Scene 1, no. 16. Finale | — | ||
| 41-3 | Evgeny Onegin: Act II, Scene 2, no. 17. Introduction, Scene and Aria (Lensky) | — | ||
| 41-4 | Evgeny Onegin: Act II, Scene 2, no. 18. Duel Scene | — | ||
| 41-5 | Evgeny Onegin: Act III, Scene 1, no. 19. Polonaise | — | ||
| 41-6 | Evgeny Onegin: Act III, Scene 1, no. 20. Scene | — | ||
| 41-7 | Evgeny Onegin: Act III, Scene 1. Écossaise I | — | ||
| 41-8 | Evgeny Onegin: Act III, Scene 1. Scene (continued) | — | ||
| 41-9 | Evgeny Onegin: Act III, Scene 1, no. 20a. Aria (Prince Gremin) | — | ||
| 41-10 | Evgeny Onegin: Act III, Scene 1, no. 21. Scene and Arioso (Onegin) | — | ||
| 41-11 | Evgeny Onegin: Act III, Scene 1. Écossaise II | — | ||
| 41-12 | Evgeny Onegin: Act III, Scene 2, no. 22. Closing Scene (Tatiana and Onegin) | — | ||
| 42-1 | The Maid of Orleans: Introduction | — | ||
| 42-2 | The Maid of Orleans: Act I. "Les us all gather here" (Chorus) | — | ||
| 42-3 | The Maid of Orleans: Act I. "I do not enjoy your songs and games" (Thibaut, Raymond, Joan) | — | ||
| 42-4 | The Maid of Orleans: Act I. "Answer, Joan, will you obey my wishes?" (Thibaut, Joan, Raymond) | — | ||
| 42-5 | The Maid of Orleans: Act I. "A distant fire..." (Raymond, Thibaut, Chorus, Bertrand) | — | ||
| 42-6 | The Maid of Orleans: Act I. "Brothers and friends, dry your tears!" (Joan, Chorus, Soldier, Thibaut) | — | ||
| 42-7 | The Maid of Orleans: Act I. "Almighty God" (Joan, Raymond, Bertrand, Chorus) | — | ||
| 42-8 | The Maid of Orleans: Act I. "Yes, the time has come!" (Joan) | — | ||
| 42-9 | The Maid of Orleans: Act I. "Farewell hills, dear fields" (Joan) | — | ||
| 42-10 | The Maid of Orleans: Act I. "But will I have the strength" (Joan, Chorus) | — | ||
| 42-11 | The Maid of Orleans: Act I. Entr'acte | — | ||
| 42-12 | The Maid of Orleans: Act II. "Days and years hurry by" (Minstrel) | — | ||
| 42-13 | The Maid of Orleans: Act II. "Oh! Agnes!" (King) | — | ||
| 42-14 | The Maid of Orleans: Act II. Ballet | — | ||
| 42-15 | The Maid of Orleans: Act II. "I am well pleased!" (King, Dunois, Agnes) | — | ||
| 42-16 | The Maid of Orleans: Act II. "I beg of you, hurry now" (Dunois, King) | — | ||
| 42-17 | The Maid of Orleans: Act II. "Grief! Grief!" (Lore, King, Dunois) | — | ||
| 43-1 | The Maid of Orleans: Act II. "A terrible fate is upon us..." (King, Agnes) | — | ||
| 43-2 | The Maid of Orleans: Act II. "If you have not been given the strength" (Agnes) | — | ||
| 43-3 | The Maid of Orleans: Act II. "If it were not for you, my angel" (King, Agnes) | — | ||
| 43-4 | The Maid of Orleans: Act II. "Glory, glory to our rescuer, our maiden!" (Chorus, Agnes, Dunois, King, Cardinal) | — | ||
| 43-5 | The Maid of Orleans: Act II. "So you are a saint?" (Duois, Joan, King, Cardinal) | — | ||
| 43-6 | The Maid of Orleans: Act II. "Holy father, my name is Joan" (Joan) | — | ||
| 43-7 | The Maid of Orleans: Act II. "I must be silent before Cardinal" (King, Agnes, Chorus, Joan) | — | ||
| 43-8 | The Maid of Orleans: Act III. "Halt, halt, you are dead!" (Joan, Lionel) | — | ||
| 43-9 | The Maid of Orleans: Act III. "Who do you hesitate?" (Lionel, Joan) | — | ||
| 43-10 | The Maid of Orleans: Act III. "I feel sorry for your beauty" (Lionel, Joan) | — | ||
| 43-11 | The Maid of Orleans: Act III. "I surrender to you!" (Lionel, Dunois, Joan) | — | ||
| 43-12 | The Maid of Orleans: Act III. "Glory to the King!" (Chorus) | — | ||
| 43-13 | The Maid of Orleans: Act III. "Let us return, dear Thibaut" (Raymond, Thibaut) | — | ||
| 43-14 | The Maid of Orleans: Act III. "Glory to the Almighty" (Chorus) | — | ||
| 43-15 | The Maid of Orleans: Act III. "Glory, glory to the King!" (Chorus, King) | — | ||
| 43-16 | The Maid of Orleans: Act III. "Oh God! My father!" (Joan, Chorus, Thibaut, King) | — | ||
| 43-17 | The Maid of Orleans: Act III. "She bends her head..." (All) | — | ||
| 43-18 | The Maid of Orleans: Act III. "Why are you afraid?" (All) | — | ||
| 43-19 | The Maid of Orleans: Act III. "Joan, take advantage of this moment" (Lionel, Joan) | — | ||
| 44-1 | The Maid of Orleans: Act IV. Introduction | — | ||
| 44-2 | The Maid of Orleans: Act IV. "How I resist this love?" (Joan) | — | ||
| 44-3 | The Maid of Orleans: Act IV. "Oh wonderful, sweet dream!" (Lionel, Joan) | — | ||
| 44-4 | The Maid of Orleans: Act IV. "You have disobeyed the will of heaven" (Chorus, Lionel, Joan) | — | ||
| 44-5 | The Maid of Orleans: Act IV. "Look, they are bringing her" (Chorus) | — | ||
| 44-6 | The Maid of Orleans: Act IV. "Holy father! Help me, I am afraid!" (Joan, Chorus) | — | ||
| 44-7 | Pique Dame: Act II. Scene of the Countess | — | ||
| 44-8 | Iolanta: Overture | — | ||
| 44-9 | Iolanta: "Iolanta, my little one, are you tired?" | — | ||
| 44-10 | Iolanta: "That's enough, dear, no more now" | — | ||
| 44-11 | Iolanta: "Brigitta, is that you?" | — | ||
| 44-12 | Iolanta: "A bugle call" | — | ||
| 45-1 | Iolanta: "The expression you wear" | — | ||
| 45-2 | Iolanta: "Hurry not, it is so dark here" | — | ||
| 45-3 | Iolanta: "No, the charming attentions" | — | ||
| 45-4 | Iolanta: "But where on earth are we?" | — | ||
| 45-5 | Iolanta: "Iolanta! Where are you?" | — | ||
| 45-6 | Iolanta: "Please forgive me" | — | ||
| 46-1 | Mazeppa: Introduction | — | ||
| 46-2 | Mazeppa: Act I, Scene I. Girls' Chorus and Scene "I weave my fragant garland" | — | ||
| 46-3 | Mazeppa: Act I, Scene I. Arioso and Duet "You love the songs, dear companions" | — | ||
| 46-4 | Mazeppa: Act I, Scene I. Scene "Well, Vasily, you honour me wonderfully" | — | ||
| 46-5 | Mazeppa: Act I, Scene I. Chorus and Dance "There is no bridge here" | — | ||
| 46-6 | Mazeppa: Act I, Scene I. Hopak | — | ||
| 46-7 | Mazeppa: Act I, Scene I. Scene and Arioso "That's fine, I like that!" | — | ||
| 46-8 | Mazeppa: Act I, Scene I. Quarrel Scene "Mazeppa, I'm distressed by what you say" | — | ||
| 46-9 | Mazeppa: Act I, Scene II. Chorus and Mother's Lament "As the storm brings clouds over the sky" | — | ||
| 46-10 | Mazeppa: Act I, Scene II. Finale "Abandon your grief, Kochubey" | — | ||
| 46-11 | Mazeppa: Act II, Scene I. Prison Scene "So this is the reward for my information" | — | ||
| 46-12 | Mazeppa: Act II, Scene I. Mazeppa's Monologue and Scene with Orlik "How still is the Ukranian night" | — | ||
| 47-1 | Mazeppa: Act II, Scene II. Mazeppa's Arioso "O Maria, Maria!" | — | ||
| 47-2 | Mazeppa: Act II, Scene II. Mazeppa's Scene with Maria "My dearest love" | — | ||
| 47-3 | Mazeppa: Act II, Scene II. Scene between Maria and her Mother "How the stars twinkle in the sky" | — | ||
| 47-4 | Mazeppa: Act II, Scene III. Crowd Scene "Will it be soon?" | — | ||
| 47-5 | Mazeppa: Act II, Scene III. Finale "Hey ho, fiddle-de-dee" | — | ||
| 47-6 | Mazeppa: Act II, Scene III. The Battle of Poltava (Symphonic sketch) | — | ||
| 47-7 | Mazeppa: Act III. Scene and Andrey's Aria "In bloody battle, on the field of honour" | — | ||
| 47-8 | Mazeppa: Act III. Scene and Duet "I hear in the distance the clatter of horses' hooves" | — | ||
| 47-9 | Mazeppa: Act III. Appearance of the demented Maria "Unhappy man! God knows" | — | ||
| 47-10 | Mazeppa: Act III. Finale "The old man's gone, how my heart beats" | — | ||
| 48-1 | Cherevichki: Overture | — | ||
| 48-2 | Cherevichki: "Ah, how silvery the moon shines" (Solocha) | — | ||
| 48-3 | Cherevichki: "She's got really warmed up" (Bes) | — | ||
| 48-4 | Cherevichki: "Just look at the snowstorm" (Oksana) | — | ||
| 48-5 | Cherevichki: "A little apple tree was blossoming in the garden" (Oksana) | — | ||
| 48-6 | Cherevichki: "She never takes her eyes off herself" (Vakula) | — | ||
| 48-7 | Cherevichki: "Look at the way you are!" (Oksana) | — | ||
| 48-8 | Cherevichki: "What's all this noise?" (Oksana) | — | ||
| 48-9 | Cherevichki: "If only people were a bit more intelligent" (Oksana) | — | ||
| 49-1 | Cherevichki: Intermezzo | — | ||
| 49-2 | Cherevichki: "The storm has swept my broomstick away" (Solocha) | — | ||
| 49-3 | Cherevichki: "Now that's what I call now" (Golova) | — | ||
| 49-4 | Cherevichki: "Is anyone in?" (Schoolmaster) | — | ||
| 49-5 | Cherevichki: "A woman runs after the devil" (Schoolmaster) | — | ||
| 49-6 | Cherevichki: "Greetings!" (Cub) | — | ||
| 49-7 | Cherevichki: "I don't feel well..." (Schoolmaster) | — | ||
| 49-8 | Cherevichki: "A year has gone by..." (Vakula) | — | ||
| 49-9 | Cherevichki: "Good evening!" (Chorus) | — | ||
| 49-10 | Cherevichki: "Oksana, why are you so late?" (Chorus) | — | ||
| 49-11 | Cherevichki: "My shoes aren't very big" (Oksana) | — | ||
| 49-12 | Cherevichki: "Ah, Vakula, you're here again" (Oksana) | — | ||
| 50-1 | Cherevichki: Intermezzo | — | ||
| 50-2 | Cherevichki: "It's dark, too dark" (Chorus of Undines) | — | ||
| 50-3 | Cherevichki: "Where have I come to?" (Vakula) | — | ||
| 50-4 | Cherevichki: "Who knows, my girl, if your heart can feel may pain" (Vakula) | — | ||
| 50-5 | Cherevichki: "We are there" (Bes) | — | ||
| 50-6 | Cherevichki: "Before we start the dances" (His Serene Highness) | — | ||
| 50-7 | Cherevichki: "Did you have a good journey?" (His Serene Highness) | — | ||
| 50-8 | Cherevichki: Russian dance | — | ||
| 50-9 | Cherevichki: Cossack dance | — | ||
| 50-10 | Cherevichki: "In the Czarina's family theatre" (Master of Ceremonies) | — | ||
| 50-11 | Cherevichki: "Some say he threw himself into the river!" (Solocha) | — | ||
| 50-12 | Cherevichki: "We invite you to our house" (Chorus of women) | — | ||
| 50-13 | Cherevichki: "If you want to drink honey" (Chorus) | — | ||
| 50-14 | Cherevichki: "Strong winds, do not blow in the thick woods" (Chorus) | — | ||
| 51-1 | Charodeika: Overture | — | ||
| 51-2 | Charodeika: No. 1. Group scene | — | ||
| 51-3 | Charodeika: No. 2. Group scene | — | ||
| 51-4 | Charodeika: No. 3. Chorus of Visiting Guest and Scene | — | ||
| 51-5 | Charodeika: No. 4. Scene and Arioso | — | ||
| 51-6 | Charodeika: No. 5. Chorus and Scene | — | ||
| 51-7 | Charodeika: No. 6. Scene | — | ||
| 51-8 | Charodeika: No. 7. Finale | — | ||
| 51-9 | Charodeika: No. 8. Scene and Arioso | — | ||
| 51-10 | Charodeika: No. 9. Scene and Duet | — | ||
| 51-11 | Charodeika: No. 10. Scene | — | ||
| 52-1 | Charodeika: No. 11. Scene and Arioso | — | ||
| 52-2 | Charodeika: No. 12. Scene | — | ||
| 52-3 | Charodeika: No. 13. Group Scene | — | ||
| 52-4 | Charodeika: No. 14. Finale | — | ||
| 52-5 | Charodeika: No. 15. Scene and Duet | — | ||
| 52-6 | Charodeika: No. 16. Scene | — | ||
| 52-7 | Charodeika: No. 17. Scene and Duet | — | ||
| 53-1 | Charodeika: No. 18. Scene with Chorus | — | ||
| 53-2 | Charodeika: No. 19. Scene and Duet | — | ||
| 53-3 | Charodeika: No. 20. Scene and Arioso | — | ||
| 53-4 | Charodeika: No. 21. Scene and Duet | — | ||
| 53-5 | Charodeika: No. 22. Scene and Quartet | — | ||
| 53-6 | Charodeika: No. 23. Finale | — | ||
| 53-7 | Toropka's Three Songs: I. | — | ||
| 53-8 | Toropka's Three Songs: II. | — | ||
| 53-9 | Toropka's Three Songs: III. | — | ||
| 53-10 | Ruslan and Ludmilla: Scene of the Finn and Ruslan | — | ||
| 53-11 | Pique Dame: "Her name is unknown to me" | — | ||
| 53-12 | Pique Dame: "Forgive me, bright celestial visions" | — | ||
| 53-13 | Pique Dame: "What is our life?" | — | ||
| 54-1 | Pique Dame: Introduction | — | ||
| 54-2 | Pique Dame: "Burn, burn bright" | — | ||
| 54-3 | Pique Dame: "How did the game end last night?" | — | ||
| 54-4 | Pique Dame: "Finally God has sent us a sunny little day!" | — | ||
| 54-5 | Pique Dame: "I am frightened" | — | ||
| 54-6 | Pique Dame: "What a witch that Countess is!" | — | ||
| 54-7 | Pique Dame: "Se non e vero, e ben trovato" | — | ||
| 54-8 | Pique Dame: "Evening already" | — | ||
| 54-9 | Pique Dame: "Bewitching! Enchanting" | — | ||
| 54-10 | Pique Dame: "Mesdemoiselles, What's this noise?" | — | ||
| 54-11 | Pique Dame: "It's time now to be breaking up" | — | ||
| 54-12 | Pique Dame: "Happily and merrily on this day" | — | ||
| 54-13 | Pique Dame: "The master asks his dear quests to come and see" | — | ||
| 54-14 | Pique Dame: "Stay for one moment" | — | ||
| 54-15 | Pique Dame: "I would like to see her right now" | — | ||
| 54-16 | Pique Dame: "Under the thick shade near the calm brook" | — | ||
| 55-1 | Pique Dame: "My darling little friend" | — | ||
| 55-2 | Pique Dame: "Who, ardently and passionately loving!" | — | ||
| 55-3 | Pique Dame: "Everything is as she told me" | — | ||
| 55-4 | Pique Dame: "That's not enough talk from you!" | — | ||
| 55-5 | Pique Dame: "Don't be frightened!" | — | ||
| 55-6 | Pique Dame: "I do not believe that you wanted the Countess's death" | — | ||
| 55-7 | Pique Dame: "I am frightened!" | — | ||
| 55-8 | Pique Dame: "Midnight is already nearing" | — | ||
| 55-9 | Pique Dame: "But if the clock strikes out in reply to me" | — | ||
| 55-10 | Pique Dame: "We will drink and be merry" | — | ||
| 55-11 | Pique Dame: "If darling girls could fly like birds" | — | ||
| 55-12 | Pique Dame: "To business, gentleman, to cards!" | — |
Symphony no. 1 in G minor, op. 13 "Winter Dreams": I. Daydreams of a Winter Journey: Allegro tranquillo
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Symphony no. 1 in G minor, op. 13 "Winter Dreams": II. Land of Gloom, Land of Mist: Adagio cantabile ma non tanto
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Symphony no. 1 in G minor, op. 13 "Winter Dreams": III. Scherzo: Allegro scherzando giocoso
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Symphony no. 1 in G minor, op. 13 "Winter Dreams": IV. Finale: Andante lugubre - Allegro moderato
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1812 Ouverture: Festival Overture in E-flat, op. 49
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Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo
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Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale - quasi moderato
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Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo: Allegro molto vivace
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Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale: Moderato assai
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Francesca da Rimini: Symphonic Fantasia in E minor after Dante
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Symphony no. 3 in D, op. 29 "Polish": I. Introduzione e allegro - Moderato assai (Tempo di marcia funebre) - Allegro brillante
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Symphony no. 3 in D, op. 29 "Polish": II. Alla tedesca - Allegro moderato e semplice
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Symphony no. 3 in D, op. 29 "Polish": III. Andante elegiaco
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Symphony no. 3 in D, op. 29 "Polish": IV. Scherzo: Allegro vivo
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Symphony no. 3 in D, op. 29 "Polish": V. Finale: Allegro con fuoco (Tempo di Polacca)
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Hamlet: Fantasy Overture for Orchestra in F minor, op. 67a
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Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima
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Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona
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Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato
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Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco
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March Slave, op. 31
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Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima
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Symphony no. 5 in E minor, op. 64: II. Andante cantabile con alcuna licenza - Moderato con anima
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Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato
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Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace
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Capriccio Italien, op. 45
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Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo
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Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia
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Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace
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Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso - Andante
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Overture: The Storm
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Manfred Symphony in B minor, op. 58: I. Lento lugubre
—
Manfred Symphony in B minor, op. 58: II. Vivace con spirito
—
Manfred Symphony in B minor, op. 58: III. Andante con moto
—
Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco
—
Romeo and Juliet: Fantasy Overture after Shakespeare
—
Festival Overture on the Danish National Hymn, op. 15
—
Hamlet, op. 67bis: Overture
—
Hamlet, op. 67bis: Act I, Scene 1. Melodrama: Moderato assai
—
Hamlet, op. 67bis: Act I, Scene 4. Fanfare: Allegro vivo
—
Hamlet, op. 67bis: Act I, Scene 4. Melodrama: Moderato assai
—
Hamlet, op. 67bis: Act I, Scene 5. Melodrama: Allegro giusto ed agitato
—
Hamlet, op. 67bis: Act II, Entr'acte. Allegro semplice
—
Hamlet, op. 67bis: Act II, Scene 2. Fanfare
—
Hamlet, op. 67bis: Act III, Entr'acte. Andante quasi allegretto
—
Hamlet, op. 67bis: Act III, Scene 2. Fanfare
—
Hamlet, op. 67bis: Act III, Scene 2. Fanfare
—
Hamlet, op. 67bis: Act III, Scene 2. Melodrama: Allegro giusto ed agitato
—
Hamlet, op. 67bis: Act IV, Entr'acte. Andante non troppo ("Elegy for Strings")
—
Hamlet, op. 67bis: Act IV, Scene 5. Ophelia's scene: Andantino
—
Hamlet, op. 67bis: Act IV, Scene 5. Ophelia's second scene: Moderato
—
Hamlet, op. 67bis: Act V, Entr'acte. March: Moderato assai
—
Hamlet, op. 67bis: Act V, Scene 1. Dead man's song: Andantino
—
Hamlet, op. 67bis: Act V, Scene 1. Funeral march: Moderato assai
—
Hamlet, op. 67bis: Act V, Scene 2. Fanfare: Allegro giusto
—
Hamlet, op. 67bis: Act V, Scene 2. Final march: Allegro risoluto ma non troppo
—
The Snow Maiden: Introduction
—
The Snow Maiden: Dance and Choruses of the Birds
—
The Snow Maiden: Winter's Monologue
—
The Snow Maiden: Carnival Procession
—
The Snow Maiden: Melodrama
—
The Snow Maiden: Interlude
—
The Snow Maiden: Lehl's First Song
—
The Snow Maiden: Lehl's Second Song
—
The Snow Maiden: Interlude
—
The Snow Maiden: Chant of the Blind Bards
—
The Snow Maiden: Melodrama
—
The Snow Maiden: Chorus of the people and the courtiers
—
The Snow Maiden: Round of the Young Maidens
—
The Snow Maiden: Dance of the Tumblers
—
The Snow Maiden: Lehl's Third Song
—
The Snow Maiden: Brussila's song
—
The Snow Maiden: Apparation of the Spirit of the Wood
—
The Snow Maiden: Interlude - The Spring Fairy
—
The Snow Maiden: Tsar Berendey's March and Chorus
—
The Snow Maiden: Final Chorus
—
Orchestral Suite no. 1 in D minor, op. 43: I. Introduzione e Fuga
—
Orchestral Suite no. 1 in D minor, op. 43: II. Divertimento
—
Orchestral Suite no. 1 in D minor, op. 43: III. Intermezzo
—
Orchestral Suite no. 1 in D minor, op. 43: IV. Marche miniature
—
Orchestral Suite no. 1 in D minor, op. 43: V. Scherzo
—
Orchestral Suite no. 1 in D minor, op. 43: VI. Gavotte
—
Orchestral Suite no. 2 in C, op. 53 "Suite caractéristique": I. Jeu de sons
—
Orchestral Suite no. 2 in C, op. 53 "Suite caractéristique": II. Valse
—
Orchestral Suite no. 2 in C, op. 53 "Suite caractéristique": III. Scherzo burlesque
—
Orchestral Suite no. 2 in C, op. 53 "Suite caractéristique": IV. Rêves d'enfant
—
Orchestral Suite no. 2 in C, op. 53 "Suite caractéristique": V. Danse baroque
—
Orchestral Suite no. 3 in G, op. 55: I. Élégie: Andante molto cantabile
—
Orchestral Suite no. 3 in G, op. 55: II. Valse mélancolique: Allegro moderato
—
Orchestral Suite no. 3 in G, op. 55: III. Scherzo: Molto vivace
—
Orchestral Suite no. 3 in G, op. 55: IV. Tema con variazioni: Andante con moto
—
Orchestral Suite no. 4 in G "Mozartiana": I. Gigue: Allegro (Gigue, K. 574)
—
Orchestral Suite no. 4 in G "Mozartiana": II. Menuet: Moderato (Minuet, K. 355)
—
Orchestral Suite no. 4 in G "Mozartiana": III. Preghiera: Andante non tanto (Ave verum corpus, K. 618)
—
Orchestral Suite no. 4 in G "Mozartiana": IV. Théme et Variations: Allegro giusto (Unser dummer Pöbel meint, K. 455)
—
Swan Lake, op. 20: Act I: Introduction: Moderato assai, Allegro ma non troppo
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act I, no. 1: Scene: Allegro giusto
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act I, no. 3: Scene: Allegro moderato
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act I, no. 4: Pas de trois: I. Intrada: Allegro
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act I, no. 4: Pas de trois: II. Adagio: Andante sostenuto
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act I, no. 4: Pas de trois: III. Allegro semplice
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act I, no. 4: Pas de trois: IV. Moderato
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act I, no. 4: Pas de trois: V. Allegro
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Royal Philharmonic Orchestra, Nicolae Moldoveanu
Swan Lake, op. 20: Act I, no. 5: Pas de deux: I. Tempo di valse ma non troppo Vivo, Quasi moderato
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act I, no. 5: Pas de deux: II. Andante - Allegro
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act I, no. 5: Pas de deux: III. Tempo di valse
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act I, no. 5: Pas de deux: IV. Coda: Allegro molto vivace
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act I, no. 6: Pas d'Action: Andantino quasi moderato - Allegro
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act I, no. 7: Sujet
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act I, no. 8: Danse des Coupes: Tempo di polacca
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act I, no. 9: Finale: Andante
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act II, no. 11: Scene: Allegro moderato - Allegro vivo
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act II: Danses des cygnes
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act II: Danses des petites cygnes
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: V. Pas d'Action (Odette et le Prince): Andante - Andante non troppo - Allegro
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VI. Tempo di valse (Tout le monde danse)
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Royal Philharmonic Orchestra, Nicolae Moldoveanu
Swan Lake, op. 20: Act II: Scene finale – Swan theme (Moderato)
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act III: Scene – Danse de fançailles (Allegro giusto)
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act III, no. 17: Scène: La Sortie des invités et Valse
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act III, no. 18: Scène: Allegro: Allegro giusto
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act III, no. 19: Pas de six: Intrada: Moderato assai
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation I: Allegro
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation II: Andante con moto
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation III: Moderato
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation IV: Allegro
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation V: Moderato - Allegro semplice
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act III, no. 20: Danse hongroise: Czárdás: Moderato assai - Allegro moderato: Vivace
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act III, Appendix 2: Danse russe: Moderato: Andante semplice - Allegro vivo
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act III, no. 21: Danse espagnole: Allegro non troppo (Tempo di bolero)
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act III, no. 22: Danse napolitaine: Allegro moderato - Andantino quasi moderato: Presto
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act III, no. 23: Mazurka (Solistes et corps de ballet): Tempo di Mazurka
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act III, no. 24: Scène: Allegro: Valse: Allegro vivo
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act IV, no. 25: Entr'acte: Moderato
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act IV, no. 26: Scène: Allegro ma non troppo
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act IV, no. 27: Danse des petits cygnes: Moderato
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act IV, no. 28: Scène: Allegro agitato: Molto meno mosso: Allegro vivace
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Swan Lake, op. 20: Act IV, no. 29: Scene finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso
Royal Philharmonic Orchestra, Nicolae Moldoveanu
—
Sleeping Beauty, op. 66: Introduction
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Prologue. March
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Prologue. Scène dansante
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Prologue. Pas de six: Entrée
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Prologue. Pas de six: Adagio
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Prologue. Pas de six: Variation 1 (Candide)
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Prologue. Pas de six: Variation 2 (Coulante. Fleur de Farine)
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Prologue. Pas de six: Variation 3 (Miettes qui tombent)
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Prologue. Pas de six: Variation 4 (Canari qui chante)
Royal Philharmonic Orchestra, Barry Wordsworth
—
Royal Philharmonic Orchestra, Barry Wordsworth
Sleeping Beauty, op. 66: Prologue. Pas de six: Variation 6 (La Fée des Lilas)
Royal Philharmonic Orchestra, Barry Wordsworth
—
Royal Philharmonic Orchestra, Barry Wordsworth
Sleeping Beauty, op. 66: Prologue. Finale
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act I. Scène
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act I. Valse
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act I. Entrée d'Aurore
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act I. Pas d'action: Rose Adage
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act I. Pas d'action: Variation d'Aurore
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act I. Pas d'action: Coda
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act I. Finale
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act II. Entr'acte et scène
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act II. Colin-maillard
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act II. Scène
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act II. Pas d'action
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act II. Variation d'Aurore
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act II. Panorama
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act II. Entr'acte
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act II. Entr'acte symphonique (Le sommeil) et scène
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act II. Finale
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act III. Marche
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act III. Pas de caractère (Le chat botté et la chatte blanche)
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act III. Pas de quatre
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act III. Pas de deux: Entrée
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act III. Pas de deux: Adagio
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act III. Pas de deux: Variation 1
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act III. Pas de deux: Variation 2
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act III. Pas de deux: Coda
Royal Philharmonic Orchestra, Barry Wordsworth
—
Sleeping Beauty, op. 66: Act III. Polacca
Royal Philharmonic Orchestra, Barry Wordsworth
—
The Nutcracker, op. 71: Overture
—
The Nutcracker, op. 71: Act I, First tableau, Scene 1. The Christmas Tree
—
The Nutcracker, op. 71: Act I, First tableau, Scene 2. March
—
The Nutcracker, op. 71: Act I, First tableau, Scene 3. Children's Galop & Arrival of the Guests
—
The Nutcracker, op. 71: Act I, First tableau, Scene 4. Dance Scene & Arrival of Drosselmeyer
—
The Nutcracker, op. 71: Act I, First tableau, Scene 5. Scene & Grandfather's Dance
—
The Nutcracker, op. 71: Act I, First tableau, Scene 6. The Magic Spell Begins
—
The Nutcracker, op. 71: Act I, First tableau, Scene 7. The Battle Between the Nutcracker & the Mouse King
—
The Nutcracker, op. 71: Act I, Second tableau, Scene 8. Scene in the Pine Forest (Journey through the Snow)
—
The Nutcracker, op. 71: Act I, Second tableau, Scene 9. Waltz of the Snowflakes
—
The Nutcracker, op. 71: Act II, Scene 10. The Magic Castle
—
The Nutcracker, op. 71: Act II, Scene 11. Clara & the Prince - Scene 12: Divertissement
—
The Nutcracker, op. 71: Act II, Scene 12. Chocolate: Spanish Dance
—
The Nutcracker, op. 71: Act II, Scene 12. Coffee: Arabian Dance
—
The Nutcracker, op. 71: Act II, Scene 12. Tea: Chinese Dance
—
The Nutcracker, op. 71: Act II, Scene 12. Trepak
—
The Nutcracker, op. 71: Act II, Scene 12. Dance of the Mirlitons
—
The Nutcracker, op. 71: Act II, Scene 12. Mother Gigogne & the Clowns
—
The Nutcracker, op. 71: Act II, Scene 13. Waltz of the Flowers
—
The Nutcracker, op. 71: Act II, Scene 14. Pas de Deux: Dance of the Prince & the Sugar-Plum Fairy
—
The Nutcracker, op. 71: Act II, Scene 14. Variation 1: Tarantella
—
The Nutcracker, op. 71: Act II, Scene 14. Variation 2: Dance of the Sugar-Plum Fairy
—
The Nutcracker, op. 71: Act II, Scene 14. Coda
—
The Nutcracker, op. 71: Act II, Scene 15. Final: Final Waltz & Apotheosis
—
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito
—
Piano Concerto no. 1 in B-flat minor, op. 23: II. Andante semplice - Prestissimo
—
Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
—
Piano Concerto no. 2 in G, op. 44: I. Allegro brilliante
—
Piano Concerto no. 2 in G, op. 44: II. Andante non troppo
—
Piano Concerto no. 2 in G, op. 44: Allegro con fuoco
—
Piano Concerto no. 3 in E-flat, op. 75/79: I. Allegro brillante
—
Piano Concerto no. 3 in E-flat, op. 75/79: II. Andante
—
Piano Concerto no. 3 in E-flat, op. 75/79: III. Finale: Allegro maestoso
—
Concert Fantasy, op. 56: I. Quasi rondo: Andante mosso
—
Concert Fantasy, op. 56: II. Contrastes: Andante cantabile
—
Violin Concerto in D, op. 35: I. Allegro moderato
—
Violin Concerto in D, op. 35: II. Andante
—
Violin Concerto in D, op. 35: III. Allegro vivacissimo
—
Sérénade mélancolique, op. 26
—
Valse-scherzo, op. 34
—
Souvenir d'un lieu cher, op. 42: I. Méditation
—
Souvenir d'un lieu cher, op. 42: II. Scherzo
—
Souvenir d'un lieu cher, op. 42: III. Mélodie
—
Variations on Rococo Theme, op. 33 (Original version)
Александр Израилевич Рудин, Ensemble Instrumental Musica Viva, Николай Геннадьевич Алексеев
—
Nocturne (Adapted from 6 Piano Pieces, op. 19)
Александр Израилевич Рудин, Ensemble Instrumental Musica Viva, Николай Геннадьевич Алексеев
—
Andante cantabile (Adapted from String Quartet no. 1, op. 11)
Александр Израилевич Рудин, Ensemble Instrumental Musica Viva, Николай Геннадьевич Алексеев
—
Pezzo capriccioso, op. 62
Александр Израилевич Рудин, Ensemble Instrumental Musica Viva, Николай Геннадьевич Алексеев
—
Andante cantabile (Adapted from Sleeping Beauty, op. 66)
Александр Израилевич Рудин, Ensemble Instrumental Musica Viva, Николай Геннадьевич Алексеев
—
Serenade for Strings in C, op. 48: I. Pezzo in forma di sonatina; Andante non troppo - Allegro moderato
Ensemble Instrumental Musica Viva, Александр Израилевич Рудин
—
Serenade for Strings in C, op. 48: II. Valse: Moderato (Tempo di valse)
Ensemble Instrumental Musica Viva, Александр Израилевич Рудин
—
Serenade for Strings in C, op. 48: III. Elégie: Larghetto elegiaco
Ensemble Instrumental Musica Viva, Александр Израилевич Рудин
—
Ensemble Instrumental Musica Viva, Александр Израилевич Рудин
Liturgy of St John Chrysostom, op. 41: I. Lord, have mercy
—
Liturgy of St John Chrysostom, op. 41: II. Glory be to the Father
—
Liturgy of St John Chrysostom, op. 41: III. O come, let us worship
—
Liturgy of St John Chrysostom, op. 41: IV. Alleluia
—
Liturgy of St John Chrysostom, op. 41: V. Glory be to Thee
—
Liturgy of St John Chrysostom, op. 41: VI. Hymn of the Cherubim
—
Liturgy of St John Chrysostom, op. 41: VII. Lord, have Mercy
—
Liturgy of St John Chrysostom, op. 41: VIII. The Creed
—
Liturgy of St John Chrysostom, op. 41: IX. The mercy of peace
—
Liturgy of St John Chrysostom, op. 41: X. We sing Thee
—
Liturgy of St John Chrysostom, op. 41: XI. It is meet
—
Liturgy of St John Chrysostom, op. 41: XII. Amen, and with Thy Spirit
—
Liturgy of St John Chrysostom, op. 41: XIII. Our Father
—
Liturgy of St John Chrysostom, op. 41: XIV. Praise ye the Lord from the Heavens
—
Liturgy of St John Chrysostom, op. 41: XV. Blessed be he that cometh in the name of the Lord
—
Evening
Moscow Choral Academy, Виктор Сергеевич Попов
—
Child's Song
Dimitri Kortchak, Moscow Choral Academy, Виктор Сергеевич Попов
—
Blessed Is He Who Smiles
Moscow Choral Academy, Виктор Сергеевич Попов
—
Why Does the Sound of the Revels Grow Silent?
Moscow Choral Academy, Виктор Сергеевич Попов
—
Much Too Soon in the Season
Moscow Choral Academy, Виктор Сергеевич Попов
—
Old French Air
Moscow Choral Academy, Виктор Сергеевич Попов
—
Dawn
Moscow Choral Academy, Tamara Kravtchenko, Виктор Сергеевич Попов
—
Nature and Love
Anetta Michina, Moscow Choral Academy, Tamara Kravtchenko, Виктор Сергеевич Попов
—
Before Sleep
Moscow Choral Academy, Виктор Сергеевич Попов
—
A Golden Cloud Slumbered
Moscow Choral Academy, Виктор Сергеевич Попов
—
A Greeting to Anton Rubinstein
Moscow Choral Academy, Виктор Сергеевич Попов
—
The Nightingale
Moscow Choral Academy, Виктор Сергеевич Попов
—
It's Not the Cuckoo
Moscow Choral Academy, Виктор Сергеевич Попов
—
Night
Moscow Choral Academy, Tamara Kravtchenko, Виктор Сергеевич Попов
—
Hymn to Cyril and Methodius
Moscow Choral Academy, Виктор Сергеевич Попов
—
A Legend
Moscow Choral Academy, Виктор Сергеевич Попов
—
Neopolitan Air (Adaptation for Chorus by Klimov)
Moscow Choral Academy, Виктор Сергеевич Попов
—
Piano Trio in A minor, op. 50 "In Memory of a Great Artist": I. Méditation
—
Piano Trio in A minor, op. 50 "In Memory of a Great Artist": II. Scherzo
—
Piano Trio in A minor, op. 50 "In Memory of a Great Artist": III. Mélodie
—
String Quartet no. 1 in D, op. 11: I. Moderato e semplice
—
String Quartet no. 1 in D, op. 11: II. Andante cantabile
—
String Quartet no. 1 in D, op. 11: III. Scherzo: Allegro non tanto e con fuoco
—
String Quartet no. 1 in D, op. 11: IV. Finale: Allegro giusto - Allegro vivace
—
String Quartet no. 3 in E-flat minor, op. 30: I. Andante sostenuto
—
String Quartet no. 3 in E-flat minor, op. 30: II. Allegretto vivo e scherzando
—
String Quartet no. 3 in E-flat minor, op. 30: III. Andante funebre e doloroso ma con moto
—
String Quartet no. 3 in E-flat minor, op. 30: IV. Finale: Allegro non troppo e risoluto
—
String Quartet no. 2 in F, op. 22: Adagio
—
String Quartet no. 2 in F, op. 22: Scherzo: Allegro giusto
—
String Quartet no. 2 in F, op. 22: Andante ma non tanto
—
String Quartet no. 2 in F, op. 22: Finale: Allegro con moto
—
Adagio and Allegro in B-flat
—
Allegretto in E-flat
—
Andante molto in G
—
Allegro vivace in B-flat
—
The Seasons, op. 37a: I. January
—
The Seasons, op. 37a: II. February
—
The Seasons, op. 37a: III. March
—
The Seasons, op. 37a: IV. April
—
The Seasons, op. 37a: V. May
—
The Seasons, op. 37a: VI. June
—
The Seasons, op. 37a: VII. July
—
The Seasons, op. 37a: VIII. August
—
The Seasons, op. 37a: IX. September
—
The Seasons, op. 37a: X. October
—
The Seasons, op. 37a: XI. November
—
The Seasons, op. 37a: XII. December
—
6 Pieces for Piano, op. 51: Valse de salon
—
6 Pieces for Piano, op. 51: Polka peu dansante
—
6 Pieces for Piano, op. 51: Menuetto scherzoso
—
6 Pieces for Piano, op. 51: Natha Valse
—
6 Pieces for Piano, op. 51: Romance
—
6 Pieces for Piano, op. 51: Valse sentimentale
—
Album for the Young, op. 39: Morning Prayer
—
Album for the Young, op. 39: Winter Morning
—
Album for the Young, op. 39: Little Horseman
—
Album for the Young, op. 39: Mama
—
Album for the Young, op. 39: March of the Wooden Soldiers
—
Album for the Young, op. 39: The Sick Doll
—
Album for the Young, op. 39: Dolly's Funeral
—
Album for the Young, op. 39: Waltz
—
Album for the Young, op. 39: The New Doll
—
Album for the Young, op. 39: Mazurka
—
Album for the Young, op. 39: Russian Folksong
—
Album for the Young, op. 39: Peasant's Song
—
Album for the Young, op. 39: Russian Dance
—
Album for the Young, op. 39: Polka
—
Album for the Young, op. 39: Italian Ditty
—
Album for the Young, op. 39: Old French Melody
—
Album for the Young, op. 39: German Song
—
Album for the Young, op. 39: Neopolitan Dance Tune
—
Album for the Young, op. 39: Old Nurse's Song
—
Album for the Young, op. 39: Witch
—
Album for the Young, op. 39: Sweet Dreams
—
Album for the Young, op. 39: Song of the Lark
—
Album for the Young, op. 39: The Organ Grinder
—
Album for the Young, op. 39: In Church
—
Piano Sonata in C-sharp minor, op. 80: I. Allegro con fuoco
—
Piano Sonata in C-sharp minor, op. 80: II. Andante
—
Piano Sonata in C-sharp minor, op. 80: III. Allegro vivo
—
Piano Sonata in C-sharp minor, op. 80: IV. Allegro vivo
—
18 Piano Pieces, op. 72: Impromptu
—
18 Piano Pieces, op. 72: Berceuse
—
18 Piano Pieces, op. 72: Tender Reproaches
—
18 Piano Pieces, op. 72: Danse caractéristique
—
18 Piano Pieces, op. 72: Méditation
—
18 Piano Pieces, op. 72: Mazurka pour danser
—
18 Piano Pieces, op. 72: Concert polonaise
—
18 Piano Pieces, op. 72: Dialogue
—
18 Piano Pieces, op. 72: Un poco di Schumann
—
18 Piano Pieces, op. 72: Scherzo-Fantasie
—
18 Piano Pieces, op. 72: Valse bluette
—
18 Piano Pieces, op. 72: L'espiègle
—
18 Piano Pieces, op. 72: Echo rustique
—
18 Piano Pieces, op. 72: Chant élégiaque
—
18 Piano Pieces, op. 72: Un poco di Chopin
—
18 Piano Pieces, op. 72: Valse à cinq temps
—
18 Piano Pieces, op. 72: Distant Past
—
18 Piano Pieces, op. 72: Scène dansante
—
Scherzo á la russe, op. 1 no. 1
—
Impromptu, op. 1 no. 2
—
Ruines d'un Chateau, op. 2 no. 1
—
Scherzo, op. 2 no. 2
—
Song Without Words, op. 2 no. 3
—
Valse Caprice, op. 4
—
Romanze, op. 5
—
Capriccio, op. 8
—
Rêverie, op. 9 no. 1
—
Polka de salon, op. 9 no. 2
—
Mazurka de salon, op. 3 no. 3
—
Nocturne, op. 10 no. 1
—
Humeresque, op. 10 no. 2
—
Dumka, op. 59
—
Impromptu
—
Impromptu-Caprice
—
Valse-Scherzo
—
Impromptu-Moderato
—
Aveu passionne
—
Valse Scherzo, op. 7
—
Abend-Träumerei, op. 19 no. 1
—
Scherzo humoristique, op. 19 no. 2
—
Feuillet d'album, op. 19 no. 3
—
Nocturne, op. 19 no. 4
—
Capriccioso, op. 19 no. 5
—
Theme and Variations, op. 19 no. 6
—
Six Pieces on a Single Theme, op. 21: I. Praeludium
—
Six Pieces on a Single Theme, op. 21: II. Fugue
—
Six Pieces on a Single Theme, op. 21: III. Impromptu
—
Six Pieces on a Single Theme, op. 21: IV. Trauermarsch
—
Six Pieces on a Single Theme, op. 21: V. Mazurka
—
Six Pieces on a Single Theme, op. 21: VI. Scherzo
—
Piano Sonata in G minor, op. 37: I. Moderato e risoluto
—
Piano Sonata in G minor, op. 37: II. Andante non troppo quasi moderato
—
Piano Sonata in G minor, op. 37: III. Scherzo: Allegro giocoso
—
Piano Sonata in G minor, op. 37: IV. Finale: Allegro vivace
—
12 Pieces, op. 40: I. Etude
—
12 Pieces, op. 40: II. Chanson
—
12 Pieces, op. 40: III. Marche
—
12 Pieces, op. 40: IV. Mazurka in C
—
12 Pieces, op. 40: V. Mazurka in D
—
12 Pieces, op. 40: VI. Chant
—
12 Pieces, op. 40: VII. Au village
—
12 Pieces, op. 40: VIII. Walzer
—
12 Pieces, op. 40: IX. Walzer
—
12 Pieces, op. 40: X. Danse russe
—
12 Pieces, op. 40: XI. Scherzo
—
12 Pieces, op. 40: XII. Réverie
—
Violin Concerto in D, op. 35: I. Allegro moderato
Aaron Rosand, Orchestre symphonique de Radio Télé Luxembourg, Louis de Froment
—
Violin Concerto in D, op. 35: II. Canzonetta: Andante
—
Violin Concerto in D, op. 35: III. Finale: Allegro vivacissimo
—
Zemphira's Song
—
Midnight
—
To Forget So Soon
—
Lullaby, op. 16 no. 1
—
Wait!, op. 16 no. 2
—
Carry My Heart Away
—
As When Upon Hot Ashes, op. 25 no. 2
—
Do Not Leave Me, op. 27 no. 3
—
He Loved Me So, op. 28 no. 4
—
If I Had Known, op. 47 no. 1
—
A Soul Floated Gently Up to Heaven, op. 47 no. 2
—
Darkness Has Fallen Over the Earth, op. 47 no. 3
—
Whether in the Realm of Day?, op. 47 no. 6
—
Was I Not a Blade of Grass?, op. 47 no. 7
—
Wild Nights, op. 60 no. 6
—
Gypsy's Song, op. 60 no. 7
—
Gentle Stars Shone for Us, op. 60 no. 12
—
Children's Songs, op. 54: Grandmother and Grandson
—
Children's Songs, op. 54: The Little Bird
—
Children's Songs, op. 54: Spring
—
Children's Songs, op. 54: My Little Garden
—
Children's Songs, op. 54: A Legend
—
Children's Songs, op. 54: On the River-Bank
—
Children's Songs, op. 54: A Winter's Evening
—
Children's Songs, op. 54: The Cuckoo
—
Children's Songs, op. 54: Spring
—
Children's Songs, op. 54: Lullaby in a Storm
—
Children's Songs, op. 54: The Flower
—
Children's Songs, op. 54: Winter
—
Children's Songs, op. 54: Spring Song
—
Children's Songs, op. 54: Autumn
—
Children's Songs, op. 54: The Swallow
—
Children's Songs, op. 54: A Little Children's Song
—
Six Romances, op. 73: We Sat Together
—
Six Romances, op. 73: Night
—
Six Romances, op. 73: This Moonlit Night
—
Six Romances, op. 73: The Sun Has Set
—
Six Romances, op. 73: On Gloomy Day
—
Six Romances, op. 73: Once More, As Before
—
Both Painfully and Sweetly, op. 6 no. 3
—
My Genius, My Angel
—
Only You Alone, op. 57 no. 6
—
Do Not Ask, op. 57 no. 3
—
Death, op. 57 no. 5
—
No, Only He Who Has Known, op. 6 no. 6
—
Why?, op. 6 no. 5
—
The First Meeting, op. 63 no. 4
—
Now a Word, O My Friend, op. 6 no. 2
—
Pimpinella, op. 38 no. 6
—
Sleep, Poor Friend, op. 47 no. 4
—
I Opened the Window, op. 63 no. 2
—
The Fires in the Room Were Already Out, op. 63 no. 5
—
Serenade, op. 63 no. 6
—
Why Did I Dream of You?, op. 28 no. 3
—
I Do Not Please You, op. 63 no. 3
—
Do Not Believe, My Friend, op. 6 no. 1
—
The Fearful Minute, op. 28 no. 6
—
Sleep, op. 57 no. 4
—
I Did Not Love You at the First, op. 63 no. 1
—
On the Golden Cornfields, op. 57 no. 2
—
They Said: You Fool Do Not Go, op. 25 no. 6
—
No Time to Take a Walk
—
Last Night, op. 60 no. 1
—
I Don't Tell You Anything, op. 60 no. 2
—
Excuse Me, op. 60 no. 8
—
In the Shadow Outside the Window, op. 60 no. 10
—
Night, op. 60 no. 9
—
Nightingale, op. 60 no. 4
—
Simple Words, op. 60 no. 5
—
For One Simple Word
—
Canary, op. 25 no. 4
—
The Eyes of Spring Are Blue
—
So What Can I Say?, op. 16 no. 5
—
Oh, If Only You Knew, op. 60 no. 3
—
Oh, Sing That Song, op. 16 no. 4
—
Reconcilation, op. 25 no. 1
—
I Bless You, Woods, op. 47 no. 5
—
Evening, op. 27 no. 4
—
It Was in Early Spring, op. 38 no. 2
—
Arnid the Din of the Ball, op. 38 no. 3
—
The Exploit, op. 60 no. 11
—
Mignon's Song, op. 25 no. 3 (On a theme from "Ruins of Athens")
—
I Will Never Name Her, op. 28 no. 1
—
Six French Songs, op. 65: No. 1. Serenade
—
Six French Songs, op. 65: No. 2. Disillusionment
—
Six French Songs, op. 65: No. 3. Serenade
—
Six French Songs, op. 65: No. 4. Let The Winter...
—
Six French Songs, op. 65: No. 5. Tears
—
Six French Songs, op. 65: No. 6. Enchantress
—
Oh, If You Could, op. 38 no. 4
—
No Reply, No Word, No Greeting, op. 28 no. 5
—
New Greek Song, op. 16 no. 6
—
My Mischief, op. 27 no. 6
—
Love of a Dead Man, op. 38 no. 5
—
You Were in My Dream
—
Oh No, Do Not Leave Me for My Beauty
—
Hamlet, op. 67: I. Ophelia's First Scene
—
Hamlet, op. 67: II. Ophelia's Second Scene
—
Hamlet, op. 67: III. Grave-digger's Song
—
Hear at Least Once, op. 16 no. 3
—
I Never Spoke To Her, op. 25 no. 5
—
Before Sleep, op. 27 no. 1
—
Look: There is a Silver Cloud, op. 27 no. 2
—
Had My Mother Borne Me, op. 27 no. 5
—
A String of Corals, op. 28 no. 2
—
Don Juan's Serenade, op. 38 no. 1
—
The Oprichnik: Introduction
—
The Oprichnik: Act I. "Come in, do us the honour" (Zemchuznyj)
—
The Oprichnik: Act I. "A duckling was swimming in the sea" (Chorus of Girls)
—
The Oprichnik: Act I. "How wearisome it is to spend"
—
The Oprichnik: Act I. "A nightingale chirps on leafy fronds" (Natal'ja)
—
The Oprichnik: Act I. "See here if one should get sad over such a song!" (Zachar'evna)
—
The Oprichnik: Act I. "Don't worry, dear Andrej, step forward" (Basmanov)
—
The Oprichnik: Act I. "Tell me, have you taken a decision?" (Basmanov)
—
The Oprichnik: Act I. "No, my friend" (Andrej)
—
The Oprichnik: Act I. "I thought I heard some voices" (Natal'ja)
—
The Oprichnik: Act I. "Here you are then!" (Zachar'evna)
—
The Oprichnik: Act II. Introduction
—
The Oprichnik: Act II. "Much as one tries, life never changes" (Morozova)
—
The Oprichnik: Act II. "No more worries, mother, let the wind" (Andrej)
—
The Oprichnik: Act II. "But you, son, keep purer than the snow (Morozova)
—
The Oprichnik: Act II. "Basmanov likes wine and pleasures (Andrej)
—
The Oprichnik: Act II. "Dear son, do not abandon me" (Morozova)
—
The Oprichnik: Act II. "I leave, mother, but I won't be away for long" (Andrej)
—
The Oprichnik: Act II. Introduction
—
The Oprichnik: Act II. "What refuge shall I find from my sins?" (Chorus of Oprichniks)
—
The Oprichnik: Act II. "Brothers, stop being engrossed in godly things!" (Vjaz'minskij)
—
The Oprichnik: Act II. "No, stay, I come from the Czar" (Basmanov)
—
The Oprichnik: Act II. "Have you made this choice freely" (Vjaz'minskij)
—
The Oprichnik: Act II. "Before you, like before God" (Andrej)
—
The Oprichnik: Act II. "Are you ready, then, to take the sacred oath? (Vjaz'minskij)
—
The Oprichnik: Act II. "O Natal'ja, O mother! (Andrej)
—
The Oprichnik: Act II. "In the name of the almighty God (Vjaz'minskij, Chorus of Oprichniks)
—
The Oprichnik: Act II. "As glorious as the sun in a clear day" (Vjaz'minskij, Chorus of Oprichniks)
—
The Oprichnik: Act III. Introduction
—
The Oprichnik: Act III. "Dark times are looming on us" (Chorus of People)
—
The Oprichnik: Act III. "Oh, how lonely I already feel!"
—
The Oprichnik: Act III. "Filthy bitch, dirty broom" (Chorus of Boys)
—
The Oprichnik: Act III. "I run to you dear mother" (Natal'ja)
—
The Oprichnik: Act III. "Let's run away, come, let's flee somewhere" (Natal'ja)
—
The Oprichnik: Act III. "I am before you and before the Lord" (Natal'ja)
—
The Oprichnik: Act III. "Go, princess (Zemchuznyj)
—
The Oprichnik: Act III. "I deny you, off with you, Praetorian" (Morozova)
—
The Oprichnik: Act III. "Alas, I cannot fully grasp" (Andrej)
—
The Oprichnik: Act III. "Take heart, brother in faith" (Basmanov)
—
The Oprichnik: Act IV. "Honour and glory to the fine, courageous lad" (Wedding Chorus)
—
The Oprichnik: Act IV. Dances of Oprichniks and women
—
The Oprichnik: Act IV. Friends, this day is both joyful and sad (Andrej)
—
The Oprichnik: Act IV. Oh, if only this banquet would end! (Natal'ja)
—
The Oprichnik: Act IV. "You are my light, my life" (Natal'ja)
—
The Oprichnik: Act IV. "Oh, may they never age" (Wedding Chorus)
—
The Oprichnik: Act IV. "My respects to the noble congregation" (Vjaz'minskij)
—
The Oprichnik: Act IV. "Look, a frightening storm threatens" (Vjaz'minskij)
—
The Oprichnik: Act IV. "And so, my dove, do you know who is calling you?" (Vjaz'minskij)
—
Evgeny Onegin: Act I, Scene 1: Prelude
—
Evgeny Onegin: Act I, Scene 1, no. 1. Duet and Quartet
—
Evgeny Onegin: Act I, Scene 1, no. 2. Peasant's Chorus and Dance
—
Evgeny Onegin: Act I, Scene 1, no. 3. Scene and Arioso (Olga)
—
Evgeny Onegin: Act I, Scene 1, no. 4. Scene
—
Evgeny Onegin: Act I, Scene 1, no. 5. Scene and Quartet
—
Evgeny Onegin: Act I, Scene 1, no. 6. Scene and Arioso (Lensky)
—
Evgeny Onegin: Act I, Scene 1, no. 7. Closing Scene
—
Evgeny Onegin: Act I, Scene 2, no. 8. Introduction and Scene
—
Evgeny Onegin: Act I, Scene 2, no. 9. Letter Scene
—
Evgeny Onegin: Act I, Scene 2, no. 10. Scene and Duet
—
Evgeny Onegin: Act I, Scene 3, no. 11. Servant Girls' Chorus
—
Evgeny Onegin: Act I, Scene 3, no. 12. Scene and Aria (Onegin)
—
Evgeny Onegin: Act II, Scene 1, no. 13. Entr'acte and Waltz - Scene and Chorus
—
Evgeny Onegin: Act II, Scene 1, no. 14. Scene and Couplets (Triquet)
—
Evgeny Onegin: Act II, Scene 1, no. 15. Mazurka and Scene
—
Evgeny Onegin: Act II, Scene 1, no. 16. Finale
—
Evgeny Onegin: Act II, Scene 2, no. 17. Introduction, Scene and Aria (Lensky)
—
Evgeny Onegin: Act II, Scene 2, no. 18. Duel Scene
—
Evgeny Onegin: Act III, Scene 1, no. 19. Polonaise
—
Evgeny Onegin: Act III, Scene 1, no. 20. Scene
—
Evgeny Onegin: Act III, Scene 1. Écossaise I
—
Evgeny Onegin: Act III, Scene 1. Scene (continued)
—
Evgeny Onegin: Act III, Scene 1, no. 20a. Aria (Prince Gremin)
—
Evgeny Onegin: Act III, Scene 1, no. 21. Scene and Arioso (Onegin)
—
Evgeny Onegin: Act III, Scene 1. Écossaise II
—
Evgeny Onegin: Act III, Scene 2, no. 22. Closing Scene (Tatiana and Onegin)
—
The Maid of Orleans: Introduction
—
The Maid of Orleans: Act I. "Les us all gather here" (Chorus)
—
The Maid of Orleans: Act I. "I do not enjoy your songs and games" (Thibaut, Raymond, Joan)
—
The Maid of Orleans: Act I. "Answer, Joan, will you obey my wishes?" (Thibaut, Joan, Raymond)
—
The Maid of Orleans: Act I. "A distant fire..." (Raymond, Thibaut, Chorus, Bertrand)
—
The Maid of Orleans: Act I. "Brothers and friends, dry your tears!" (Joan, Chorus, Soldier, Thibaut)
—
The Maid of Orleans: Act I. "Almighty God" (Joan, Raymond, Bertrand, Chorus)
—
The Maid of Orleans: Act I. "Yes, the time has come!" (Joan)
—
The Maid of Orleans: Act I. "Farewell hills, dear fields" (Joan)
—
The Maid of Orleans: Act I. "But will I have the strength" (Joan, Chorus)
—
The Maid of Orleans: Act I. Entr'acte
—
The Maid of Orleans: Act II. "Days and years hurry by" (Minstrel)
—
The Maid of Orleans: Act II. "Oh! Agnes!" (King)
—
The Maid of Orleans: Act II. Ballet
—
The Maid of Orleans: Act II. "I am well pleased!" (King, Dunois, Agnes)
—
The Maid of Orleans: Act II. "I beg of you, hurry now" (Dunois, King)
—
The Maid of Orleans: Act II. "Grief! Grief!" (Lore, King, Dunois)
—
The Maid of Orleans: Act II. "A terrible fate is upon us..." (King, Agnes)
—
The Maid of Orleans: Act II. "If you have not been given the strength" (Agnes)
—
The Maid of Orleans: Act II. "If it were not for you, my angel" (King, Agnes)
—
The Maid of Orleans: Act II. "Glory, glory to our rescuer, our maiden!" (Chorus, Agnes, Dunois, King, Cardinal)
—
The Maid of Orleans: Act II. "So you are a saint?" (Duois, Joan, King, Cardinal)
—
The Maid of Orleans: Act II. "Holy father, my name is Joan" (Joan)
—
The Maid of Orleans: Act II. "I must be silent before Cardinal" (King, Agnes, Chorus, Joan)
—
The Maid of Orleans: Act III. "Halt, halt, you are dead!" (Joan, Lionel)
—
The Maid of Orleans: Act III. "Who do you hesitate?" (Lionel, Joan)
—
The Maid of Orleans: Act III. "I feel sorry for your beauty" (Lionel, Joan)
—
The Maid of Orleans: Act III. "I surrender to you!" (Lionel, Dunois, Joan)
—
The Maid of Orleans: Act III. "Glory to the King!" (Chorus)
—
The Maid of Orleans: Act III. "Let us return, dear Thibaut" (Raymond, Thibaut)
—
The Maid of Orleans: Act III. "Glory to the Almighty" (Chorus)
—
The Maid of Orleans: Act III. "Glory, glory to the King!" (Chorus, King)
—
The Maid of Orleans: Act III. "Oh God! My father!" (Joan, Chorus, Thibaut, King)
—
The Maid of Orleans: Act III. "She bends her head..." (All)
—
The Maid of Orleans: Act III. "Why are you afraid?" (All)
—
The Maid of Orleans: Act III. "Joan, take advantage of this moment" (Lionel, Joan)
—
The Maid of Orleans: Act IV. Introduction
—
The Maid of Orleans: Act IV. "How I resist this love?" (Joan)
—
The Maid of Orleans: Act IV. "Oh wonderful, sweet dream!" (Lionel, Joan)
—
The Maid of Orleans: Act IV. "You have disobeyed the will of heaven" (Chorus, Lionel, Joan)
—
The Maid of Orleans: Act IV. "Look, they are bringing her" (Chorus)
—
The Maid of Orleans: Act IV. "Holy father! Help me, I am afraid!" (Joan, Chorus)
—
Pique Dame: Act II. Scene of the Countess
—
Iolanta: Overture
—
Iolanta: "Iolanta, my little one, are you tired?"
—
Iolanta: "That's enough, dear, no more now"
—
Iolanta: "Brigitta, is that you?"
—
Iolanta: "A bugle call"
—
Iolanta: "The expression you wear"
—
Iolanta: "Hurry not, it is so dark here"
—
Iolanta: "No, the charming attentions"
—
Iolanta: "But where on earth are we?"
—
Iolanta: "Iolanta! Where are you?"
—
Iolanta: "Please forgive me"
—
Mazeppa: Introduction
—
Mazeppa: Act I, Scene I. Girls' Chorus and Scene "I weave my fragant garland"
—
Mazeppa: Act I, Scene I. Arioso and Duet "You love the songs, dear companions"
—
Mazeppa: Act I, Scene I. Scene "Well, Vasily, you honour me wonderfully"
—
Mazeppa: Act I, Scene I. Chorus and Dance "There is no bridge here"
—
Mazeppa: Act I, Scene I. Hopak
—
Mazeppa: Act I, Scene I. Scene and Arioso "That's fine, I like that!"
—
Mazeppa: Act I, Scene I. Quarrel Scene "Mazeppa, I'm distressed by what you say"
—
Mazeppa: Act I, Scene II. Chorus and Mother's Lament "As the storm brings clouds over the sky"
—
Mazeppa: Act I, Scene II. Finale "Abandon your grief, Kochubey"
—
Mazeppa: Act II, Scene I. Prison Scene "So this is the reward for my information"
—
Mazeppa: Act II, Scene I. Mazeppa's Monologue and Scene with Orlik "How still is the Ukranian night"
—
Mazeppa: Act II, Scene II. Mazeppa's Arioso "O Maria, Maria!"
—
Mazeppa: Act II, Scene II. Mazeppa's Scene with Maria "My dearest love"
—
Mazeppa: Act II, Scene II. Scene between Maria and her Mother "How the stars twinkle in the sky"
—
Mazeppa: Act II, Scene III. Crowd Scene "Will it be soon?"
—
Mazeppa: Act II, Scene III. Finale "Hey ho, fiddle-de-dee"
—
Mazeppa: Act II, Scene III. The Battle of Poltava (Symphonic sketch)
—
Mazeppa: Act III. Scene and Andrey's Aria "In bloody battle, on the field of honour"
—
Mazeppa: Act III. Scene and Duet "I hear in the distance the clatter of horses' hooves"
—
Mazeppa: Act III. Appearance of the demented Maria "Unhappy man! God knows"
—
Mazeppa: Act III. Finale "The old man's gone, how my heart beats"
—
Cherevichki: Overture
—
Cherevichki: "Ah, how silvery the moon shines" (Solocha)
—
Cherevichki: "She's got really warmed up" (Bes)
—
Cherevichki: "Just look at the snowstorm" (Oksana)
—
Cherevichki: "A little apple tree was blossoming in the garden" (Oksana)
—
Cherevichki: "She never takes her eyes off herself" (Vakula)
—
Cherevichki: "Look at the way you are!" (Oksana)
—
Cherevichki: "What's all this noise?" (Oksana)
—
Cherevichki: "If only people were a bit more intelligent" (Oksana)
—
Cherevichki: Intermezzo
—
Cherevichki: "The storm has swept my broomstick away" (Solocha)
—
Cherevichki: "Now that's what I call now" (Golova)
—
Cherevichki: "Is anyone in?" (Schoolmaster)
—
Cherevichki: "A woman runs after the devil" (Schoolmaster)
—
Cherevichki: "Greetings!" (Cub)
—
Cherevichki: "I don't feel well..." (Schoolmaster)
—
Cherevichki: "A year has gone by..." (Vakula)
—
Cherevichki: "Good evening!" (Chorus)
—
Cherevichki: "Oksana, why are you so late?" (Chorus)
—
Cherevichki: "My shoes aren't very big" (Oksana)
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Cherevichki: "Ah, Vakula, you're here again" (Oksana)
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Cherevichki: Intermezzo
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Cherevichki: "It's dark, too dark" (Chorus of Undines)
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Cherevichki: "Where have I come to?" (Vakula)
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Cherevichki: "Who knows, my girl, if your heart can feel may pain" (Vakula)
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Cherevichki: "We are there" (Bes)
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Cherevichki: "Before we start the dances" (His Serene Highness)
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Cherevichki: "Did you have a good journey?" (His Serene Highness)
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Cherevichki: Russian dance
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Cherevichki: Cossack dance
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Cherevichki: "In the Czarina's family theatre" (Master of Ceremonies)
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Cherevichki: "Some say he threw himself into the river!" (Solocha)
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Cherevichki: "We invite you to our house" (Chorus of women)
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Cherevichki: "If you want to drink honey" (Chorus)
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Cherevichki: "Strong winds, do not blow in the thick woods" (Chorus)
—
Charodeika: Overture
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Charodeika: No. 1. Group scene
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Charodeika: No. 2. Group scene
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Charodeika: No. 3. Chorus of Visiting Guest and Scene
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Charodeika: No. 4. Scene and Arioso
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Charodeika: No. 5. Chorus and Scene
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Charodeika: No. 6. Scene
—
Charodeika: No. 7. Finale
—
Charodeika: No. 8. Scene and Arioso
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Charodeika: No. 9. Scene and Duet
—
Charodeika: No. 10. Scene
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Charodeika: No. 11. Scene and Arioso
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Charodeika: No. 12. Scene
—
Charodeika: No. 13. Group Scene
—
Charodeika: No. 14. Finale
—
Charodeika: No. 15. Scene and Duet
—
Charodeika: No. 16. Scene
—
Charodeika: No. 17. Scene and Duet
—
Charodeika: No. 18. Scene with Chorus
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Charodeika: No. 19. Scene and Duet
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Charodeika: No. 20. Scene and Arioso
—
Charodeika: No. 21. Scene and Duet
—
Charodeika: No. 22. Scene and Quartet
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Charodeika: No. 23. Finale
—
Toropka's Three Songs: I.
—
Toropka's Three Songs: II.
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Toropka's Three Songs: III.
—
Ruslan and Ludmilla: Scene of the Finn and Ruslan
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Pique Dame: "Her name is unknown to me"
—
Pique Dame: "Forgive me, bright celestial visions"
—
Pique Dame: "What is our life?"
—
Pique Dame: Introduction
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Pique Dame: "Burn, burn bright"
—
Pique Dame: "How did the game end last night?"
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Pique Dame: "Finally God has sent us a sunny little day!"
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Pique Dame: "I am frightened"
—
Pique Dame: "What a witch that Countess is!"
—
Pique Dame: "Se non e vero, e ben trovato"
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Pique Dame: "Evening already"
—
Pique Dame: "Bewitching! Enchanting"
—
Pique Dame: "Mesdemoiselles, What's this noise?"
—
Pique Dame: "It's time now to be breaking up"
—
Pique Dame: "Happily and merrily on this day"
—
Pique Dame: "The master asks his dear quests to come and see"
—
Pique Dame: "Stay for one moment"
—
Pique Dame: "I would like to see her right now"
—
Pique Dame: "Under the thick shade near the calm brook"
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Pique Dame: "My darling little friend"
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Pique Dame: "Who, ardently and passionately loving!"
—
Pique Dame: "Everything is as she told me"
—
Pique Dame: "That's not enough talk from you!"
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Pique Dame: "Don't be frightened!"
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Pique Dame: "I do not believe that you wanted the Countess's death"
—
Pique Dame: "I am frightened!"
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Pique Dame: "Midnight is already nearing"
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Pique Dame: "But if the clock strikes out in reply to me"
—
Pique Dame: "We will drink and be merry"
—
Pique Dame: "If darling girls could fly like birds"
—
Pique Dame: "To business, gentleman, to cards!"
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000008808929000000001705830600000000388833130000000041849378000000004187345800000000433697300000000044868910000000005067828300000000551577780000000055158949
+40 more
0000000055171406000000005517543100000000551825190000000055194640000000005541544X000000005550045X0000000055502279000000005551009200000000555696840000000055763727000000005588826300000000561028160000000056168305000000005630571X00000000572579160000000058100881000000005825098600000000583055530000000058315655000000005852910000000000596032610000000063091596000000006310592700000000714325810000000077318405000000007737145X00000000777790760000000078223862000000007841313X0000000080037479000000008084727900000000809695750000000080971595000000008101484200000000810897990000000081138212000000008146550400000000818338800000000081862622000000008188053X
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What is UPC 5028421946504?
5028421946504 is a Universal Product Code (UPC) assigned to Tchaikovsky Edition by Pyotr Ilyich Tchaikovsky. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 749 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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