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Mozart Complete Edition
Wolfgang Amadeus Mozart
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5028421950105 is the Universal Product Code (UPC barcode) for the release “Mozart Complete Edition” by Wolfgang Amadeus Mozart, released 2014-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 27 tracks, each with its own ISRC. Tracks include NLN580506233, NLN580506234, NLN580506235.
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Track List (27)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 27-1 | Concerto for Violin No. 1 in B-flat major, K. 207: I. Allegro moderato | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — | |
| 27-2 | Concerto for Violin No. 1 in B-flat major, K. 207: II. Adagio | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — | |
| 27-3 | Concerto for Violin No. 1 in B-flat major, K. 207: III. Presto | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — | |
| 27-4 | Concerto for Violin No. 2 in D major, K. 211: I. Allegro moderato | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — | |
| 27-5 | Concerto for Violin No. 2 in D major, K. 211: II. Andante | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — | |
| 27-6 | Concerto for Violin No. 2 in D major, K. 211: III. Rondeau. Allegro | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — | |
| 27-7 | Concerto no. 3 in G major for Violin and Orchestra, K. 216: I. Allegro | Emmy Verhey, Royal Concertgebouw Orchestra, Eduardo Marturet | — | |
| 27-8 | Concerto no. 3 in G major for Violin and Orchestra, K. 216: II. Adagio | Emmy Verhey, Royal Concertgebouw Orchestra, Eduardo Marturet | — | |
| 27-9 | Concerto no. 3 in G major for Violin and Orchestra, K. 216: III. Rondeau: Allegro | Emmy Verhey, Royal Concertgebouw Orchestra, Eduardo Marturet | — | |
| 28-1 | Concerto for Violin No. 4 in D major K. 218: I. Allegro | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — | |
| 28-2 | Concerto for Violin No. 4 in D major K. 218: II. Andante cantabile | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — | |
| 28-3 | Concerto for Violin No. 4 in D major K. 218: III. Rondeau. Allegro grazioso - allegro ma non troppo - andante grazioso | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — | |
| 28-4 | Concerto for Violin No. 5 in A major K. 219 "Turkish": I. Allegro aperto | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — | |
| 28-5 | Concerto for Violin No. 5 in A major K. 219 "Turkish": II. Adagio | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | T9025744676 | |
| 28-6 | Concerto for Violin No. 5 in A major K. 219 "Turkish": III. Rondeau. Tempo di menuetto - Allegro | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — | |
| 28-7 | Adagio in E major for Violin and Orchestra, K. 261 | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — | |
| 28-8 | Concerto for Violin & Orchestra in B-flat major, K. 261a/269: Rondo | Emmy Verhey, Concertgebouw Chamber Orchestra, Eduardo Marturet | — | |
| 28-9 | Rondo for Violin & Orchestra in C major, K. 373 | Emmy Verhey, Concertgebouw Orchestra, Eduardo Marturet | — | |
| 71-1 | Quintettes à cordes, KV 516 : Allegro (fragm.) | Orlando String Quartet, Nobuko Imai | — | |
| 71-2 | Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: II. Minuetto. Allegretto & Trio | Orlando String Quartet, Nobuko Imai | T9027744009 | |
| 71-3 | Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: III. Adagio | Orlando String Quartet, Nobuko Imai | — | |
| 71-4 | Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: IV. Adagio ma non troppo | Orlando String Quartet, Nobuko Imai | T-902574467-6 | |
| 71-5 | Quintet for 2 Violins, 2 Violas & Cello No. 5 in G minor, K. 516: V. Allegro | Orlando String Quartet, Nobuko Imai | — | |
| 71-6 | Quintet for 2 Violins, 2 Violas & Cello No. 6 in E-flat major, K. 614: I. Allegro | Orlando String Quartet, Nobuko Imai | — | |
| 71-7 | Quintet for 2 Violins, 2 Violas & Cello No. 6 in E-flat major, K. 614: II. Andante | Orlando String Quartet, Nobuko Imai | — | |
| 71-8 | Quintet for 2 Violins, 2 Violas & Cello No. 6 in E-flat major, K. 614: III. Minuetto | Orlando String Quartet, Nobuko Imai | — | |
| 71-9 | Quintet for 2 Violins, 2 Violas & Cello No. 6 in E-flat major, K. 614: IV. Allegro | Orlando String Quartet, Nobuko Imai | T0030558678 |
Additional database matches (346)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Andante for Piano in B-flat major, K. 15ii/deest "London Sketchbook No. 34" | Bernard Foccroulle | — |
| Piece for Piano in F major, K. 33B/deest | Bernard Foccroulle | — |
| Allegro for Piano in G major, K. 72a/deest (fragment) | Bernard Foccroulle | — |
| Andante for Piano in C major, K. 1a/deest "Notenbuch für Nannerl Mozart No. 53" | Guy Penson | — |
| Allegro for Piano in C major, K. 1b/deest "Notenbuch für Nannerl Mozart No. 54" | Guy Penson | — |
| Allegro for Piano in F major, K. 1c/deest "Notenbuch für Nannerl Mozart No. 55" | Guy Penson | — |
| Minuet for Piano in F major, K. 1d/deest "Notenbuch für Nannerl Mozart No. 56" | Guy Penson | — |
| Minuet for Piano in G major, K. 1e/1 "Notenbuch für Nannerl Mozart No. 62" | Guy Penson | — |
| Minuet for Piano in C major, K. 1f/deest "Notenbuch für Nannerl Mozart No. 63": Minuet & Trio | Guy Penson | — |
| Minuet for Piano in F major, K. 2 "Notenbuch für Nannerl Mozart No. 58" | Guy Penson | — |
| Allegro for Piano in B-flat major, K. 3 "Notenbuch für Nannerl Mozart No. 59" | Guy Penson | — |
| Minuet for Piano in F major, K. 4 "Notenbuch für Nannerl Mozart No. 49" | Guy Penson | — |
| Minuet for Piano in F major, K. 5 | Guy Penson | — |
| Allegro for Piano in C major, K. 5a/(K2) 9a/KV deest "Notenbuch für Nannerl Mozart No. 20" | Guy Penson | — |
| Allegro for Piano in F major, K. 15a/(K2) A109b/1/KV deest "London Sketchbook No. 1" | Guy Penson | — |
| Allegro for Piano in F major, K. 15m/(K2) A109b/4/KV deest "London Sketchbook No. 12" | Guy Penson | — |
| Minuet for Piano (on 2 Flutes & Strings) in C major, K. 61g/2/KV deest | Guy Penson | — |
| Minuet for Piano in D major, K. 73h/94 | Guy Penson | — |
| Minuette for Piano in C major with Trio for Piano in F major, K. 315g/1/(K2) 315a/1/KV deest "8 Minuets for Piano No. 1" / Minuette with Trio for Piano in G major, K. 315g/2/(K2) 315a/2/KV deest "8 Minuets for Piano No. 2" / Minuette for Piano in D major | Guy Penson | — |
| Allegro for Piano in G minor, K. 590d/312 | Guy Penson | — |
| Capriccio for Piano in C major, K. 300g/395 | Guy Penson | — |
| Fugue for Piano in G minor, K. 375e/401 (fragment) | Bernard Foccroulle | — |
| Prelude and Fugue for Piano in C major, K. 383a/394 | Luc Devos | — |
| March for Orchestra in C major, K. 383e/KV 408/1 | Luc Devos | — |
| Fantasia Movement for Violin & Piano in C minor, K. 385f/396 (fragment) | Luc Devos | — |
| Fantasia for Piano in D minor, K. 385g/397 (fragment) | Luc Devos | — |
| Suite for Piano in C major, K. 385i/399 (fragment): I. Overture | Guy Penson | — |
| Suite for Piano in C major, K. 385i/399 (fragment): II. Allemande | Guy Penson | — |
| Suite for Piano in C major, K. 385i/399 (fragment): III. Courante | Guy Penson | — |
| Allegro for Piano in B-flat major, K. 372a/400 (fragment) | Luc Devos | — |
| March for Piano in C minor, K. 453a/deest "Marche funèbre del Sigr Maestro Contrapunto" | Luc Devos | — |
| Fantasia for Piano in C major, K. 475 | Luc Devos | — |
| Rondo for Piano in D major, K. 485 | Luc Devos | T9053121145 |
| Six German Dances, K. 509 | Luc Devos | — |
| Rondo for Piano No. 3 in A minor, K. 511: Andante | Luc Devos | — |
| Adagio for Piano in B minor, K. 540 | Luc Devos | — |
| Sonata for Piano in F major, K. 547a/Anh 135: I. Allegro | Luc Devos | — |
| Sonata for Piano in F major, K. 547a/Anh 135: II. Allegretto | Luc Devos | — |
| Minuet for Piano in D major, K. 576b/355 | Luc Devos | — |
| Andantino for Piano in E-flat major, K. 588b/236 | Luc Devos | — |
| Eine, K. leine Gigue in G major, K. 574 | Bernard Foccroulle | — |
| Andante in F major, K. 616 | Bernard Foccroulle | — |
| Adagio for Glass Armonica in C major, K. 617a/356 | Dennis James | T9157170757 |
| Andante for Flute and Orchestra in C major, K. 315 | Johannes Walter, Staatskapelle Dresden, Herbert Blomstedt | T9115340200 |
| Die Entführung aus dem Serail, K. 384, Pt. 1: I. Overture | Staatskapelle Dresden, Otmar Suitner | T9203632751 |
| Die Entführung aus dem Serail, K. 384, Pt. 1: II. Aria. Hier soll ich dich denn sehen (Belmonte) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 1: III. Song a Duet. Wer ein Liebchen hat gefunden (Osmin, Belmonte) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 1: IV. Nun, wie steht’s, Osmin? (Pedrillo, Osmin) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 1: V. Aria. Solche hergelauf ’ne Laffen (Osmin) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 1: VI. Was bist du für ein G Majorrausamer, K. erl (Pedrillo, Osmin) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 1: VII. Geh nur, verwunschter Aufpasser (Pedrillo, Belmonte) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 1: VIII. Recitative and Aria:, K. onstanze! dich wiederzusehen, dich! (Belmonte) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 1: IX. Chorus. Singt dem Großen Bassa Lieder | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 1: X. Immer noch traurig, geliebte, K. onstanze? (Selim, Konstanze) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 1: XI. Aria. Ach ich liebte, war so glücklich (Konstanze) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 1: XII. Ihr Schmerz, ihre Tränen (Selim, Pedrillo, Belmonte, Osmin) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 1: XIII. Trio. Marsch! Marsch! Marsch! trollt euch fort! (Osmin, Belmonte, Pedrillo) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 2: I. Gift und Dolch (Osmin, Blonde) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 2: II. Aria. Durch Zartlichkeit und Schmeicheln (Blonde) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 2: III. Zartlichkeit? Schmeicheln? (Osmin, Blonde) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 2: IV. Duet. Ich gehe, doch rate ich dir (Osmin, Blonde) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 2: V. Recitative and Aria. Welcher, K. ummer herrscht in meiner Seele (Konstanze) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 2: VI. Nun Konstanze (Selim, Konstanze) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 2: VII. Aria. Martern aller Arten (Konstanze) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 2: VIII. Pst! Pst! Blondchen! (Pedrillo, Blonde) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 2: IX. Aria. Welche Wonne, welche Lust (Blonde, Pedrillo) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 2: X. Aria. Frisch zum Kampfe! (Pedrillo) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 2: XI. Ha! Geht’s hier so lustig zu? (Osmin, Pedrillo) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 2: XII. Duet. Da nimm! a Vivat Bacchus! (Pedrillo, Osmin) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 2: XIII. Das ist wahr (Osmin, Pedrillo) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 2: XIV. Gift und Dolch! (Pedrillo, Belmonte, Konstanze) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 2: XV. Aria. Wenn der Freude Tränen fliessen (Belmonte) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 2: XVI. Quartet. Ach Belmonte! ach, mein Leben! (Konstanze, Belmonte, Blonde, Pedrillo) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 3: I. Pedrillo! So lass sie uns befreien (Belmonte, Pedrillo) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 3: II. Romance. in Mohrenland gefangen war (Pedrillo, Belmonte) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 3: III. Belmonte!, K. onstanze! (Konstanze, Belmonte, Pedrillo, Osmin, Blonde) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 3: IV. Aria. O, wie will ich triumphieren (Osmin) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 3: V. Was gibt's, Osmin? (Selim, Osmin, Konstanze, Belmonte) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 3: VI. Recitative and Duet. Welch ein G Majoreschick! o Qual der Seele! (Belmonte, Konstanze) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 3: VII. Nun, zitterst du? (Selim, Belmonte, Konstanze, Pedrillo, Osmin) | Staatskapelle Dresden, Otmar Suitner | — |
| Die Entführung aus dem Serail, K. 384, Pt. 3: VIII. Finale, Chorus of the Janissaries. Nie werd' ich deine Huld verkennen (Belmonte, Konstanze, Pedrillo, Blonde, Osmin, Chorus) | Staatskapelle Dresden, Otmar Suitner | — |
| Requiem in D minor, KV 626: Introitus: Requiem aeternam | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Kyrie eleison | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Dies irae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T9220615463 |
| Requiem in D minor, KV 626: Tuba mirum | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Rex tremendae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Recordare | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Confutatis | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Lacrimosa | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Domine Jesu | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Hostias | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: I. Kyrie eleison | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: II. Panis vivus | Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: III. Verbum caro factum | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: IV. Hostia sancta | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: VI. Tremendum | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: VII. Dulcissimum convivium | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: VII. Viaticum | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: VIII. Pignus futurae gloriae | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento in E-flat major, KV 243: IX. Agnus dei | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Litaniae Lauretanae in B-flat major, KV 109: I. Kyrie eleison | Chamber Choir of Europe, Nicol Matt | — |
| Litaniae Lauretanae in B-flat major, KV 109: II. Sancta Maria | Chamber Choir of Europe, Nicol Matt | — |
| Litaniae Lauretanae in B-flat major, KV 109: III. Salus infirmorum | Chamber Choir of Europe, Nicol Matt | — |
| Litaniae Lauretanae in B-flat major, KV 109: IV. Regina Angelorum | Chamber Choir of Europe, Nicol Matt | — |
| Litaniae Lauretanae in B-flat major, KV 109: V. Agnus Dei | Chamber Choir of Europe, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: I. "Kyrie eleison" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: II. "Panis vivus" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: III. "Verbum caro factum" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: IV. "Hostia sancta" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: V. "Tremendum" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VI. "Panis omnipotentia" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VII. "Viaticum" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VIII. "Pignus futurae gloriae" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: IX. "Agnus Dei" | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: I. "Kyrie eleison" | Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester, Nicol Matt | — |
| Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: II. "Sancta Maria" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester, Nicol Matt | — |
| Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: III. "Salus infirmorum" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester, Nicol Matt | — |
| Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: IV. "Regina angelorum" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester, Nicol Matt | — |
| Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: V. "Agnus Dei" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester, Nicol Matt | — |
| Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: I. "Dixit dominus" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester, Nicol Matt | — |
| Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: II. "Confitebor" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester, Nicol Matt | — |
| Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: III. "Beatus vir" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: IV. "Laudate pueri" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: V. "Dixit dominus" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: VI. "Magnificat" | Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: I. "Dixit dominus" | Chamber Choir of Europe, Pamela Heuvelmans, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: II. "Confitebor" | Chamber Choir of Europe, Pamela Heuvelmans, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: III. "Beatus vir" | Chamber Choir of Europe, Pamela Heuvelmans, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: IV. "Laudate pueri" | Chamber Choir of Europe, Pamela Heuvelmans, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: V. "Laudate dominum" | Chamber Choir of Europe, Pamela Heuvelmans, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: VI. "Magnificat" | Chamber Choir of Europe, Pamela Heuvelmans, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Sanctus | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Benedictus | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Agnus Dei | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Lux aeterna | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | T-924224927-0 |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVb. Sanctus: "Hosanna" | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus | Chamber Choir of Europe, Valentina Farcas, Christof Fischesser, Annemarie Kremer, Daniel Sans, Jens Wollenschläger, Camerata Würzburg, Nicol Matt | — |
| Kyrie in D minor, KV 341 | Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Missa solemnis in C major, KV 337: I. Kyrie | Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Missa solemnis in C major, KV 337: II. Gloria | Marietta Fischesser, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Missa solemnis in C major, KV 337: III. Credo | Marietta Fischesser, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Missa solemnis in C major, KV 337: IV. Sanctus | Marietta Fischesser, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Missa solemnis in C major, KV 337: V. Benedictus | Marietta Fischesser, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | — |
| Missa solemnis in C major, KV 337: VI. Agnus Dei | Marietta Fischesser, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt | T9220615463 |
| Coronation Mass in C major, KV 317: I. Kyrie | Pamela Heuvelmans, Benoît Haller, Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Coronation Mass in C major, KV 317: II. Gloria | Pamela Heuvelmans, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Coronation Mass in C major, KV 317: III. Credo | Pamela Heuvelmans, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T9158661122 |
| Coronation Mass in C major, KV 317: IV. Sanctus | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Coronation Mass in C major, KV 317: V. Benedictus | Pamela Heuvelmans, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Coronation Mass in C major, KV 317: VI. Agnus Dei | Pamela Heuvelmans, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T9220615463 |
| Apollo et Hyacinthus, K. 38: Actus 1. Intrada | European Chamber Soloists, Nicol Matt | — |
| Apollo et Hyacinthus, K. 38: Actus 1. Recitativo. Amice! iam parata sunt omnia | European Chamber Soloists, Nicol Matt | — |
| Apollo et Hyacinthus, K. 38: Actus 1. No. 1 Chorus. Numen o Latonium…O Apollo | European Chamber Soloists, Nicol Matt | — |
| Apollo et Hyacinthus, K. 38: Actus 1. Recitativo. Heu me! periimus | European Chamber Soloists, Nicol Matt | — |
| Apollo et Hyacinthus, K. 38: Actus 1. No. 2 Aria. Saepe terrent Numina | European Chamber Soloists, Nicol Matt | — |
| Apollo et Hyacinthus, K. 38: Actus 1. Recitativo. Ah nate! vera poqueris | European Chamber Soloists, Nicol Matt | — |
| Apollo et Hyacinthus, K. 38: Actus 1. No. 3 Aria. Iam pastor Apollo | European Chamber Soloists, Nicol Matt | — |
| Apollo et Hyacinthus, K. 38: Actus 2. Recitativo. Amare numquid filia | European Chamber Soloists, Nicol Matt | — |
| Apollo et Hyacinthus, K. 38: Actus 2. No. 4 Aria. Laetari, iocari | European Chamber Soloists, Nicol Matt | — |
| Apollo et Hyacinthus, K. 38: Actus 2. Recitativo. Rex! de salute filii | European Chamber Soloists, Nicol Matt | — |
| Apollo et Hyacinthus, K. 38: Actus 2. No. 5 Aria. En! duos conspicis | European Chamber Soloists, Nicol Matt | — |
| Apollo et Hyacinthus, K. 38: Actus 2. Recitativo. Heu! Numen! Ecce! | European Chamber Soloists, Nicol Matt | — |
| Apollo et Hyacinthus, K. 38: Actus 2. No. 6 Duetto. Discede crudelis! | European Chamber Soloists, Nicol Matt | — |
| Apollo et Hyacinthus, K. 38: Actus 3. Recitativo. Non est…Quis ergo | European Chamber Soloists, Nicol Matt | — |
| Apollo et Hyacinthus, K. 38: Actus 3. No. 7 Aria. Ut navis in A Majorequore luxuriante | European Chamber Soloists, Nicol Matt | — |
| Apollo et Hyacinthus, K. 38: Actus 3. Recitativo. Quocumque me converto | European Chamber Soloists, Nicol Matt | — |
| Apollo et Hyacinthus, K. 38: Actus 3. No. 8 Duetto. Natus cadit, atque Deus | European Chamber Soloists, Nicol Matt | — |
| Apollo et Hyacinthus, K. 38: Actus 3. Recitativo. Rex! me redire cogit | European Chamber Soloists, Nicol Matt | — |
| Apollo et Hyacinthus, K. 38: Actus 3. No. 9 Terzetto. Tandem post purbida fulmina | European Chamber Soloists, Nicol Matt | — |
| Der Schauspieldirektor, K. 486: I. Overture. Presto | European Chamber Soloists, Nicol Matt | T8020850367 |
| Der Schauspieldirektor, K. 486: II. Lustig, Herr Direkteur, wir haben Permission | Günther Kaufmann, Mathieu Carrière | — |
| Der Schauspieldirektor, K. 486: III. Ihr Diener, lieber Frank | Dieter Laser, Mathieu Carrière, Günther Kaufmann | — |
| Der Schauspieldirektor, K. 486: IV. Wie, Herr Frank? | Daniela Ziegler, Dieter Laser, Günther Kaufmann, Mathieu Carrière | — |
| Der Schauspieldirektor, K. 486: V. Madame, K. rone! | Daniela Ziegler, Dieter Laser, Mathieu Carrière, Christine Kaufmann, Günther Kaufmann | — |
| Der Schauspieldirektor, K. 486: VI. Mich freut es recht sehr, Sie kennenzulernen | Mathieu Carrière, Gerd Andresen, Christine Kaufmann, Günther Kaufmann | — |
| Der Schauspieldirektor, K. 486: VII. Ah! Madame Vogelsang! | Günther Kaufmann, Dorette Hugo, Mathieu Carrière, Gerd Andresen | — |
| Der Schauspieldirektor, K. 486: VIII. Scene 7 | Gerd Andresen, Mathieu Carrière | — |
| Der Schauspieldirektor, K. 486: IX. Arietta. Da schlägt die Abschiedsstunde | Catriona Smith, European Chamber Soloists, Nicol Matt | — |
| Der Schauspieldirektor, K. 486: X. Scenes 7a8. Göttlich! Unvergleichlich! | Mathieu Carrière, Gerd Andresen, Günther Kaufmann | — |
| Der Schauspieldirektor, K. 486: XI. Recitative | Ruth Köppler | — |
| Der Schauspieldirektor, K. 486: XII. Rondo. Bester Jüngling! Mit entzücken | Antonia Bourvé, European Chamber Soloists, Nicol Matt | — |
| Der Schauspieldirektor, K. 486: XIII. Scenes 8a9. Bravo! Bravo! | Mathieu Carrière, Ruth Köppler, Günther Kaufmann | — |
| Der Schauspieldirektor, K. 486: XIV. Recitative | Dorette Hugo, Mathieu Carrière, Ruth Köppler, Simone Lehde, Günther Kaufmann | — |
| Der Schauspieldirektor, K. 486: XV. Terzetto. Ich bin D Majorie erste Sängerin | Antonia Bourvé, Catriona Smith, Daniel Sans, European Chamber Soloists, Nicol Matt | — |
| Der Schauspieldirektor, K. 486: XVI. Scenes 9a10. Es lebe die Einigkeit | Daniela Ziegler, Dieter Laser, Mathieu Carrière, Christine Kaufmann, Dorette Hugo, Simone Lehde, Ruth Köppler, Günther Kaufmann | — |
| Der Schauspieldirektor, K. 486: XVII. Finale. Jeder, K. ünstler strebt nach Ehre | Antonia Bourvé, Daniel Sans, Catriona Smith, Florian Prey, European Chamber Soloists, Nicol Matt | — |
| Aria for Soprano & Orchestra in A major, K. 382h/119: "Der Liebe himmlisches Gefühl" | Francine Van der Heijden, European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in A major, K. 418: "Vorrei spiegarvi, oh Dio" | Francine Van der Heijden, European Sinfonietta, Ed Spanjaard | T9242249043 |
| Aria for Soprano, 2 Horns, Violin, Viola & Bass, K. deest: "Cara, se le mie pene" (anonymous, attrbuted to W.A. Mozart) | Francine Van der Heijden, European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in E-flat major, K. 73p/83: "Se tutti i mali miei" | Francine Van der Heijden, European Sinfonietta, Ed Spanjaard | — |
| Recitative and Aria for Soprano & Orchestra in E-flat major, K. 294: "Alcandro, Io confesso… Non só d'onde viene" | Francine Van der Heijden, European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in F major, K. 73o/82: "Se ardire, e speranza" | Francine Van der Heijden, European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in A major, K. 417e/178: "Ah, spiegarti, o Dio" | Francine Van der Heijden, European Sinfonietta, Ed Spanjaard | — |
| Recitative and Aria for Soprano, Piano & Orchestra in E-flat major, K. 505: "Ch'io mi scordi di te… Non temer, amato bene" | Miranda van Kralingen, European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in B-flat major, K. 578: "Alma grande e nobil core" | European Sinfonietta, Ed Spanjaard | — |
| Recitative and Aria for Soprano & Orchestra in E-flat major, K. 374: "A questo seno deh vieni… Or che il cielo" | European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in E-flat major, K. 295a/K(2) 486a: "Basta, vincesti… Ah, non lasciarmi" | European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in F major, K. 577: "Al desio di chi t'adora" | European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in A major, K. 23: "Conservati fedele" | European Sinfonietta, Ed Spanjaard | — |
| Recitative and Aria for Soprano & Orchestra in G major, K. 217: "Voi avete un cor fedele" | European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in B-flat major, K. 73e/77: "Misero me!… Misero pargoletto" | European Sinfonietta, Ed Spanjaard | — |
| Aria for Soprano & Orchestra in G major, K. 383: "Nehmt meinen Dank, ihr holden Gönner" | European Sinfonietta, Ed Spanjaard | — |
| Aria for Tenor & Orchestra in C major, K. 19c/21: "Va, dal furor portata" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Recitative and Aria for Tenor & Orchestra in C major, K. 33i/36: "Or che il dover… Tali e cotanti sono" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Tenor & Orchestra in D major, K. 209: "Si mostra la sorte" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Tenor & Orchestra in C major, K. 210: "Con ossequio, con rispetto" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Tenor & Orchestra in D major, K. 256: "Clarice cara mia sposa" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Tenor & Orchestra in B-flat major, K. 295: "Se al labbro… Il cor dolente" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Tenor & Orchestra in E-flat major, K. 420: "Per pietà, non ricercate" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Recitative and Aria for Tenor & Orchestra in E-flat major, K. 425b/431: "Misero! oh sogno… Aura che intorno spiri" | Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Bass & Orchestra in E-flat major, K. 621a/Anh 245: "Io ti lascio, oh cara, addio" | Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Recitative and Aria for Bass & Orchestra in F minor, K. 421a/432 (fragment): "Così dunque tradisci… Aspri rimorsi atroci" | Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Quartet for Mezzo-Soprano, Tenor, 2 Basses & Orchestra in E-flat major, K. 479: "Dite almeno, in che mancai" | Marcel Reijans, Christian Tchelebiev, Ezio Maria Tisi, Caroline Vitale, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Trio for Mezzo-Soprano, Tenor, Bass & Orchestra in A major, K. 480: "Mandina amabile" | Marcel Reijans, Ezio Maria Tisi, Caroline Vitale, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Recitative and Aria for Bass & Orchestra in F major, K. 512: "Alcandro, Io confesso… Non so d'onde viene" | Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Bass & Orchestra in E-flat major, K. 513: "Mentre ti lascio, oh figlia" | Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Bass & Orchestra in A major, K. 539: "Ich möchte wohl der Kaiser sein" | Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Bass & Orchestra in F major, K. 541: "Un bacio di mano" | Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Bass, Double Bass & Orchestra in D major, K. 612: "Per questa bella mano" | Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Recitative for Soprano & Orchestra in C major, K. 300b/316: I. "Popoli di Tessaglia" | Annemarie Kremer, Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel | — |
| Aria for Soprano & Orchestra in C major, K. 300b/316: II. "Io non chiedo" | Christiane Oelze, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen | — |
| Ah se in ciel, benigne stelle, K. 538 | European Chamber Soloists, Nicol Matt | — |
| Chi sà, chi sà, qual sia, K. 582 | European Chamber Soloists, Nicol Matt | — |
| Vado, ma dove?, K. 583 | European Chamber Soloists, Nicol Matt | — |
| Non più tutto zascoltai, K. 490 | European Chamber Soloists, Nicol Matt | — |
| Aria. Per pietà, bell’idol mio, K. 78 (73b) | European Chamber Soloists, Nicol Matt | — |
| O temerario Arbace!, K. 73d/79 | European Chamber Soloists, Nicol Matt | — |
| Bella mia fiamma, addio!, K. 528 | European Chamber Soloists, Nicol Matt | T9242248993 |
| Ah, lo previdi, K. 272 | European Chamber Soloists, Nicol Matt | — |
| Misera, dove son, K. 369 | European Chamber Soloists, Nicol Matt | — |
| Aria. Mia speranza adorata! a Ah, non sai, qual pena sai il doverti, K. 416 | European Chamber Soloists, Nicol Matt | — |
| Aria. Non curo l’affetto, K. 74b | European Chamber Soloists, Nicol Matt | — |
| Aria. Fra cento affanni, K. 88 | European Chamber Soloists, Nicol Matt | — |
| Aria. A Berenice a Sol nascente, K. 70 | European Chamber Soloists, Nicol Matt | — |
| Aria. Ma, che vi fece, o stelle a Sperai vicino il lido, K. 368 | European Chamber Soloists, Nicol Matt | — |
| Aria. No, no, che non sei capace, K. 419 | European Chamber Soloists, Nicol Matt | — |
| Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso | Klára Würtz | — |
| Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto | Klára Würtz | T-313706466-1 |
| Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Klára Würtz | — |
| Sonata for Piano no. 12 in F major, K. 300k/332: I. Allegro | Klára Würtz | — |
| Sonata for Piano no. 12 in F major, K. 300k/332: II. Adagio | Klára Würtz | T-316577882-1 |
| Sonata for Piano no. 12 in F major, K. 300k/332: III. Allegro assai | Klára Würtz | — |
| Sonata for Piano no. 13 in B-flat major, K. 315c/333: I. Allegro | Klára Würtz | — |
| Sonata for Piano no. 13 in B-flat major, K. 315c/333: II. Andante cantabile | Klára Würtz | — |
| Sonata for Piano no. 13 in B-flat major, K. 315c/333: III. Allegretto | Klára Würtz | — |
| Sonata for Piano no. 14 in C minor, K. 457: I. Allegro molto | Klára Würtz | — |
| Sonata for Piano no. 14 in C minor, K. 457: II. Adagio | Klára Würtz | T9279720886 |
| Sonata for Piano no. 14 in C minor, K. 457: III. Allegro assai | Klára Würtz | — |
| Requiem in D minor, KV 626: Introitus: Requiem aeternam | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Kyrie eleison | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T0700934184 |
| Requiem in D minor, KV 626: Tuba mirum | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Rex tremendae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Recordare | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T9167566725 |
| Requiem in D minor, KV 626: Confutatis | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Lacrimosa | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Domine Jesu | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T9190977425 |
| Requiem in D minor, KV 626: Hostias | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Sanctus | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Benedictus | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T1066428133 |
| Requiem in D minor, KV 626: Agnus Dei | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Lux aeterna | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T9109520618 |
| 9 Variations on Nicolas Dezède: Comedie melée d'Ariettes Julie: "Lison dormait" for Piano in C major, K. 315d/264 | Bart van Oort | — |
| 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353 | Bart van Oort | — |
| 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: "Je suis Lindor" for Piano in E-flat major, K. 299a/354 | Bart van Oort | — |
| 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352 | Bart van Oort | — |
| 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398 | Bart van Oort | — |
| Minuet for Piano in B-flat major, K. Anh 25.05/(K3) 498a/Anh 137 (spurious) [6 Variations on a Theme from an Unidentified Clarinet Quintet] | Bart van Oort | — |
| 10 Variations on Christoph Will: "Unser dummer Pöbel meint' from "La Rencontre imprévue" for Piano in G major, K. 455 | Bart van Oort | — |
| 12 Variations on an Unknown Allegro for Piano in B-flat major, K. 500 | Bart van Oort | — |
| 9 Variations on Jean-Pierre Duport: Minuet for Piano in D major, K. 573 "Duport Variationen" | Bart van Oort | — |
| 8 Variations on Der dumme Gärtn: "Ein Weib ist das herrlichste Ding" for Piano in F major, K. 613 | Bart van Oort | — |
| ADAGIO IN F MAJOR, K. 410 | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 Parts in B-flat major, K. 382d/233: "Leck mir den Arsch fein recht schön sauber" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts in G major, K. 509a/232: "Lieber Freistädtler, lieber Gaulimauli" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 Parts in F major, K. 508a/1/KV deest | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts in F major, K. 560: "O du eselhafter Martin" | Chamber Choir of Europe, Nicol Matt | — |
| BONA NOX, BIST A RECHTA OX, K. 561 | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 Parts in F major, K. 508a/2/KV deest | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 6 Parts in B-flat major, K. 382c/231: "Leck mich im Arsch" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 2 Parts in F major, K. 508a/3/KV deest | Chamber Choir of Europe, Nicol Matt | — |
| KYRIE | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts in C major, K. 553: "Alleluia" | Chamber Choir of Europe, Nicol Matt | — |
| AVE MARIA | Chamber Choir of Europe, Nicol Matt | — |
| Canonical Study in B-flat major, K. deest: "Dona nobis pacem" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 2 parts in F major, K. 508a/4/KV deest | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 parts in F major, K. 507: "Heiterkeit und leichtes" | Chamber Choir of Europe, Nicol Matt | — |
| Canon for 4 Clarinets (retexted on 5 Voices) in A major, K. 73i/(K2) 89aI (spurious retexted version): "G'rectel's enk" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 2 Parts in F major, K. 508a/5/KV deest | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 Parts in G major, K. 382e/234: ""Bei der Hitz im Sommer ess ich"" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 Parts in F major, K. 508: "Auf das Wohl aller Freunde" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 2 Parts in F major, K. 508a/6/KV deest | Chamber Choir of Europe, Nicol Matt | — |
| Puzzle Canon for Chorus No. 1, K. 73r/1/(K2) 89aII/1: "Incipe menalios mecum" | Chamber Choir of Europe, Nicol Matt | — |
| Puzzle Canon for Chorus No. 2, K. 73r/2/(K2) 89aII/2: "Cantata Domino omnis" | Chamber Choir of Europe, Nicol Matt | — |
| Puzzle Canon for Chorus No. 3, K. 73r/3/(K2) 89aII/3: "Confitebor tibi Domine" | Chamber Choir of Europe, Nicol Matt | — |
| Puzzle Canon for Chorus No. 4, K. 73r/4/(K2) 89aII/4: "Tebana bella cantus" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 2 Parts in F major, K. 508a/7/KV deest | Nicol Matt | — |
| Canon in 4 Parts in G major, K. 556: "G'rechtelt's enk" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts in B-flat major, K. 558: ""Gehn wir im Prater, gehn wir in d'Hetz"" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 2 Parts in F major, K. 508a/8/KV deest | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 12 Parts in G major, K. 382g/348 (Maximilian Stadler completion): "V'amo di core teneramente" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts in A minor, K. 555: "Lacrimoso son'io" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 Parts in A major, K. 562: "Caro bell' idol mio" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts in F minor, K. 557: "Nascoso è il mio sol" | Chamber Choir of Europe, Nicol Matt | — |
| DIFFICILE LECTU MIHI MARS | Chamber Choir of Europe, Nicol Matt | T9187017012 |
| CANON, K. 508B | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 3 Parts in C minor, K. 382a/229: "Sie ist dahin" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 2 Parts in C major, K. 382b/230: "Selig, selig alle" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 6 Parts in D major, K. 382f/347: "Laß uns ziehn" | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts for 2 Violins, Viola & Bass in C major, K. 562c/Anh 191 | Chamber Choir of Europe, Nicol Matt | — |
| Canon in 4 Parts in B-flat major, K. 562a/deest | Chamber Choir of Europe, Nicol Matt | — |
| 2 Canons in 4 Parts in F major, K. 515b/2/KV 228: "Lebet wohl" | Chamber Choir of Europe, Nicol Matt | — |
| Canonical Study, K. deest: "Sinkt die Nacht" | Chamber Choir of Europe, Nicol Matt | — |
| Quintet for 2 Violins, 2 Violas & Cello No. 3 in C major, K. 515: I. Allegro | Orlando String Quartet, Nobuko Imai | — |
| Quintet for 2 Violins, 2 Violas & Cello No. 3 in C major, K. 515: II. Andante | Orlando String Quartet, Nobuko Imai | — |
| Quintet for 2 Violins, 2 Violas & Cello No. 3 in C major, K. 515: III. Minuetto. Allegretto | Orlando String Quartet, Nobuko Imai | — |
| Quintet for 2 Violins, 2 Violas & Cello No. 3 in C major, K. 515: IV. Allegro | Orlando String Quartet, Nobuko Imai | — |
| Quintet for 2 Violins, 2 Violas & Cello No. 4 in D major, K. 593: I. Larghetto - allegro | Orlando String Quartet, Nobuko Imai | — |
| Quintet for 2 Violins, 2 Violas & Cello No. 4 in D major, K. 593: II. Adagio | Orlando String Quartet, Nobuko Imai | — |
| Quintet for 2 Violins, 2 Violas & Cello No. 4 in D major, K. 593: III. Minuetto | Orlando String Quartet, Nobuko Imai | T9027744009 |
| Quintet for 2 Violins, 2 Violas & Cello No. 4 in D major, K. 593: IV. Finale. Allegro | Orlando String Quartet, Nobuko Imai | T3186765282 |
| Serenade no. 10 in B-flat major, K. 370a/361 "Gran partita" | Linos Ensemble | — |
| Serenade no. 10 in B-flat major, K. 370a/361 "Gran partita" | Linos Ensemble | — |
| Concerto in E-flat major for 2 Pianos and Orchestra, K. 365: III. Rondo. Allegro | Zoltán Kocsis, Ránki Dezső, Nemzeti Filharmonikus zenekar, János Ferencsik | — |
| Dir, Seele des Weltalls, K. 429 | Franz Ellmer, Wiener Volksopernchor, Orchester der Wiener Volksoper, Peter Maag | T-801.392.981-3 |
| Lied zur Gesellenreise “Die Ihr Einem Neuen Grade”, K. 468 | Kurt Equiluz, Kurt Rapf | — |
| Cantata "Die Maurerfreude", K. 471 | Kurt Equiluz, Chor der Wiener Volksoper, Orchester der Wiener Volksoper, Peter Maag | — |
| Maurerische Trauermusik for Orchestra, K. 477 | Orchester der Wiener Volksoper, Peter Maag | T0113650999 |
| Zerfliesset heut', geliebte Brüder, K. 483 | Kurt Equiluz, Wiener Volksopernchor, Kurt Rapf, Peter Maag | — |
| Lied. Ihr unsre neuen Leiter, K. 484 | Kurt Equiluz, Chor der Wiener Volksoper, Kurt Rapf, Peter Maag | — |
| Adagio and Fugue in C minor for String Quartet, K. 546 | Paul Roczek, Peter Katt, Jürgen Geise, Wilfred Tachezi | — |
| Die ihr des unermesslichen Weltalls Schöpfer ehrt, K. 619 | Kurt Equiluz, Kurt Rapf | — |
| Laut verkünde unsre freude, K. 623 | Kurt Equiluz, Rudolf Resch, Leo Heppe, Chor der Wiener Volksoper, Orchester der Wiener Volksoper, Peter Maag | — |
| Laßt uns mit Geschlungnen Händen, K. 623a Anhang | Kurt Equiluz, Chor der Wiener Volksoper, Kurt Rapf | — |
| Requiem in D minor, KV 626: Dies irae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T9220615463 |
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What is UPC 5028421950105?
5028421950105 is a Universal Product Code (UPC) assigned to Mozart Complete Edition by Wolfgang Amadeus Mozart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 27 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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