UPC · Release
Various Artists
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5028421953717 is the Universal Product Code (UPC barcode) for the release “500 Years of Organ Music, Vol. 2” by Various Artists, released 2016-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 179 tracks, each with its own ISRC. Tracks include NLY331501319, NLY331501320, NLY331501321.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Boasting of Goliath | Stefano Molardi | — | |
| 2 | Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Trembling of the Israelites at the Appearance of the Giant | Stefano Molardi | — | |
| 3 | Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Courage of David | Stefano Molardi | — | |
| 4 | Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Combat Between the Two and Their Struggle | Stefano Molardi | — | |
| 5 | Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Stone Is Thrown From the Slingshot - Goliath Falls | Stefano Molardi | — | |
| 6 | Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Flight of the Philistines, Who Are Pursued and Slain by the Israelites | Stefano Molardi | — | |
| 7 | Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Joy of the Israelites Over Their Victory | Stefano Molardi | — | |
| 8 | Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Musical Concert of the Women in Honor of David | Stefano Molardi | — | |
| 9 | Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The General Rejoicing, and the Dances of Joy of the People | Stefano Molardi | — | |
| 10 | Sonata for Keyboard No. 2 ("Der Von David Vermittelst Der Music Curirte Saul") The Sadness of the King | Stefano Molardi | — | |
| 11 | Sonata for Keyboard no. 2 "Der von David vermittelst der Music curirte Saul": The Restorative Song of David's Harp | Stefano Molardi | — | |
| 12 | Sonata for Keyboard no. 2 "Der von David vermittelst der Music curirte Saul": The Calm and Contented Soul of Saul | Stefano Molardi | — | |
| 13 | Sonata for Keyboard no. 3: "Jobabs Heyrath": The Joy of the Family of Laban | Stefano Molardi | — | |
| 14 | Sonata for Keyboard no. 3: "Jobabs Heyrath": The Servitude of Jacob Is Indeed Laborious, but It Is Lightened Rachel | Stefano Molardi | — | |
| 15 | Sonata for Keyboard no. 3: "Jobabs Heyrath": The Bridal Song Sung by the Companions of Rachel | Stefano Molardi | — | |
| 16 | Sonata for Keyboard no. 3: "Jobabs Heyrath": The Rejoicing for the Wedding, and the Congratulations | Stefano Molardi | — | |
| 17 | Sonata for Keyboard no. 3: "Jobabs Heyrath": The Laban's Trick | Stefano Molardi | — | |
| 18 | Sonata for Keyboard no. 3: "Jobabs Heyrath": The Bridegroom Loving and Content - His Heart Fortells Him Some Ill | Stefano Molardi | — | |
| 19 | Sonata for Keyboard no. 3: "Jobabs Heyrath": Disappointment of Jacob for the Trick | Stefano Molardi | — | |
| 20 | Sonata for Keyboard no. 3: "Jobabs Heyrath": The Rejoicing for the Wedding Is Repeated | Stefano Molardi | — | |
| 21 | Sonata for Keyboard no. 4 "Der todtkrancke und wieder gesunde Hiskias": Hezekiah's Lament for the Death | Stefano Molardi | — | |
| 22 | Sonata for Keyboard no. 4 "Der todtkrancke und wieder gesunde Hiskias": His Confidence in God | Stefano Molardi | — | |
| 23 | Sonata for Keyboard no. 4 "Der todtkrancke und wieder gesunde Hiskias": The Joy of the Convalescent King - He Remembers the Ills That Are Past | Stefano Molardi | — | |
| 24 | Ciacona for Organ in F minor | Stefano Molardi | — | |
| 25 | Prelude for Organ in A minor | Stefano Molardi | — | |
| 26 | Toccata con Fuga in C major: I. Toccata | Simone Stella | — | |
| 27 | Toccata con Fuga in C major: II. Fuga | Simone Stella | — | |
| 28 | Variations Over a Basso Continuo by Signor Corelli in E major, LV 129: Variatio 1 | Simone Stella | — | |
| 29 | Variations Over a Basso Continuo by Signor Corelli in E major, LV 129: Variatio 2 | Simone Stella | — | |
| 30 | Variations Over a Basso Continuo by Signor Corelli in E major, LV 129: Variatio 3 | Simone Stella | — | |
| 31 | Variations Over a Basso Continuo by Signor Corelli in E major, LV 129: Variatio 4 | Simone Stella | — | |
| 32 | Fugue for Organ in F major | Simone Stella | — | |
| 33 | Prelude and Fugue for Keyboard in G major, LV 119: Preludio | Simone Stella | — | |
| 34 | Prelude and Fugue for Keyboard in G major, LV 119: Fuga | Simone Stella | — | |
| 35 | Prelude and Fugue for Keyboard in G major, LV 119: Grave | Simone Stella | — | |
| 36 | Prelude and Fugue for Keyboard in G major, LV 119: Aria a 2 Tastature | Simone Stella | — | |
| 37 | Preludio con Fuga in C major: I. Preludio | Simone Stella | — | |
| 38 | Preludio con Fuga in C major: II. Fuga | Simone Stella | — | |
| 39 | Prelude and Fugue for Organ in D minor: Preludio | Simone Stella | — | |
| 40 | Prelude and Fugue for Organ in D minor: Fuga | Simone Stella | — | |
| 41 | Prelude and Fugue for Keyboard in A major, LV 125: Preludio | Simone Stella | — | |
| 42 | Prelude and Fugue for Keyboard in A major, LV 125: Fuga | Simone Stella | — | |
| 43 | Concerto for Organ in G major: I. Preludio: Adagio - Allegro | Simone Stella | — | |
| 44 | Concerto for Organ in G major: II. Largo | Simone Stella | — | |
| 45 | Concerto for Organ in G major: III. Ritornello: Vivace | Simone Stella | — | |
| 46 | Concerto for Organ in G major: IV. Aria: Largo | Simone Stella | — | |
| 47 | Concerto for Organ in G major: V. Vivace | Simone Stella | — | |
| 48 | Praeludium No. 1 for Organ in D | Manuel Tomadin | — | |
| 49 | Partita No. 4 on "Nun Komm, Der Heiden Heiland" for Organ | Manuel Tomadin | — | |
| 50 | Praeludium No. 2 for Organ in F | Manuel Tomadin | — | |
| 51 | Praeludium No. 3 for Organ in G | Manuel Tomadin | — | |
| 52 | Allein Gott in Der Höh' Sei Ehr', Hymn for Organ | Manuel Tomadin | — | |
| 53 | Aus tiefer Not schrei ich zu Dir | Manuel Tomadin | — | |
| 54 | Gelobet seist du, Jesu Christ | Manuel Tomadin | — | |
| 55 | Prelude for Organ in C major | Manuel Tomadin | — | |
| 56 | Von Gott will ich nicht lassen (6 verses) | Manuel Tomadin | — | |
| 57 | Prelude for Organ in E-flat major | Manuel Tomadin | — | |
| 58 | Wie schön leuchtet der Morgenstern | Manuel Tomadin | — | |
| 59 | Prelude for Organ in B-flat major | Manuel Tomadin | — | |
| 60 | Fantasia on Wo Gott der Herr nicht bei uns halt, BWV 1128 | Manuel Tomadin | — | |
| 61 | Praeludium in C | Simone Stella | — | |
| 62 | Ach wie nichtig, ach wie flüchtig: Part 1 | Simone Stella | — | |
| 63 | Ach wie nichtig, ach wie flüchtig: Part 2 | Simone Stella | — | |
| 64 | Ach wie nichtig, ach wie flüchtig: Part 3 | Simone Stella | — | |
| 65 | Ach wie nichtig, ach wie flüchtig: Part 4 | Simone Stella | — | |
| 66 | Ach wie nichtig, ach wie flüchtig: Part 5 | Simone Stella | — | |
| 67 | Ach wie nichtig, ach wie flüchtig: Part 6 | Simone Stella | — | |
| 68 | Ach wie nichtig, ach wie flüchtig: Part 7 | Simone Stella | — | |
| 69 | Ach wie nichtig, ach wie flüchtig: Part 8 | Simone Stella | — | |
| 70 | Allein Gott in der Höh sei Ehr | Simone Stella | — | |
| 71 | Auf meinem liben Gott: Versus 1 | Simone Stella | — | |
| 72 | Auf meinem liben Gott: Versus 2 | Simone Stella | — | |
| 73 | Auf meinem liben Gott: Versus 3 | Simone Stella | — | |
| 74 | Auf meinem liben Gott: Versus 4 | Simone Stella | — | |
| 75 | Aus tiefer Not schrei ich zu dir: Versus 1 | Simone Stella | — | |
| 76 | Aus tiefer Not schrei ich zu dir: Versus 2 | Simone Stella | — | |
| 77 | Christe der du bist Tag und Licht: Versus 1 | Simone Stella | — | |
| 78 | Christe der du bist Tag und Licht: Versus 2 | Simone Stella | — | |
| 79 | Christe der du bist Tag und Licht: Versus 3 | Simone Stella | — | |
| 80 | Christ lag in Todesbanden I | Simone Stella | T-922.029.386-7 | |
| 81 | Christ lag in Todesbanden II | Simone Stella | T-922.029.386-7 | |
| 82 | Christum wir sollen loben schon | Simone Stella | — | |
| 83 | A second fugue on the Praeludium in A minor | Simone Stella | — | |
| 84 | Erhalt uns, Herr, bei deinem Wort | Simone Stella | — | |
| 85 | Fugue in A minor | Simone Stella | — | |
| 86 | Toccata und Fuge d-Moll, BWV 565: I. Toccata | Stefano Molardi | — | |
| 87 | Toccata und Fuge d-Moll, BWV 565: II. Fugue | Stefano Molardi | — | |
| 88 | Chorale Prelude Gott, durch deine Güte Soder: Gottes Sohn ist kommenT BWV 600 | Stefano Molardi | — | |
| 89 | Chorale Prelude Der Tag, der ist so freudenreich BWV 605 à 2 Clav. e Ped. | Stefano Molardi | — | |
| 90 | Chorale Prelude Vom Himmel kam der Engel Schaar BWV 607 | Stefano Molardi | — | |
| 91 | Chorale Prelude In dulci jubilo BWV 608 | Stefano Molardi | T-900.082.734-9 | |
| 92 | Toccata, Adagio, and Fugue in C major, BWV 564: I. Toccata | Stefano Molardi | — | |
| 93 | Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio | Stefano Molardi | T-307.292.935-8 | |
| 94 | Toccata, Adagio, and Fugue in C major, BWV 564: III. Fugue | Stefano Molardi | — | |
| 95 | Chorale Prelude Herr Ich ruf zu dir, Herr Jesu Christ BWV 639 | Stefano Molardi | — | |
| 96 | Chorale Prelude Herr Wenn wir in höchsten Nöten sein BWV 641 | Stefano Molardi | — | |
| 97 | Concerto in a-Moll nach Antonio Vivaldi, op. 3 no. 8, BWV 593: I. Allegro | Stefano Molardi | T-914.323.771-2 | |
| 98 | Concerto in a-Moll nach Antonio Vivaldi, op. 3 no. 8, BWV 593: II. Recitative: Adagio | Stefano Molardi | — | |
| 99 | Concerto in a-Moll nach Antonio Vivaldi, op. 3 no. 8, BWV 593: III. Allegro | Stefano Molardi | — | |
| 100 | Chorale Prelude Nun komm, der Heiden Heiland BWV 659 à 2 Clav. e Ped. | Stefano Molardi | — | |
| 101 | Trio super Allein Gott in der Höh sei Ehr BWV 664 | Stefano Molardi | — | |
| 102 | Passacaglia in C minor BWV 582 | Stefano Molardi | — | |
| 103 | Fantasie und Fuge g-Moll, BWV 542: I. Fantasia | Stefano Molardi | — | |
| 104 | Fantasie und Fuge g-Moll, BWV 542: II. Fugue | Stefano Molardi | — | |
| 105 | Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 | Stefano Molardi | — | |
| 106 | Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 | Stefano Molardi | — | |
| 107 | Triosonate für Orgel Nr. 5 C-Dur, BWV 529: I. Allegro | Stefano Molardi | T-914.323.771-2 | |
| 108 | Triosonate für Orgel Nr. 5 C-Dur, BWV 529: II. Largo | Stefano Molardi | — | |
| 109 | Triosonate für Orgel Nr. 5 C-Dur, BWV 529: III. Allegro | Stefano Molardi | — | |
| 110 | Chorale Prelude: O Mensch, bewein' dein Sünde groß BWV622 | Stefano Molardi | — | |
| 111 | Chorale Prelude: Hilf, Gott, daß mir's gelinge BWV624 | Stefano Molardi | — | |
| 112 | Toccata and Fugue in D minor "Dorian", BWV 538: I. Toccata | Stefano Molardi | — | |
| 113 | Toccata and Fugue in D minor "Dorian", BWV 538: II. Fugue | Stefano Molardi | — | |
| 114 | Chorale Prelude Christ, unser Herr, zum Jordan kam (I), BWV 684 | Stefano Molardi | — | |
| 115 | Chorale Prelude Schmücke dich, o liebe Seele BWV 654 à 2 Clav. e Ped. | Stefano Molardi | — | |
| 116 | Präludium und Fuge G-Dur, BWV 541: I. Prelude | Stefano Molardi | — | |
| 117 | Präludium und Fuge G-Dur, BWV 541: II. Fugue | Stefano Molardi | — | |
| 118 | Ein feste Burg ist unser Gott: Chorale in contrapunto doppio | Matteo Venturini | — | |
| 119 | Ein feste Burg ist unser Gott: Variation 1. À 2 claviature coppulate, e senza pedale | Matteo Venturini | — | |
| 120 | Ein feste Burg ist unser Gott: Variation 2. À 2 claviature con pedale | Matteo Venturini | — | |
| 121 | Ein feste Burg ist unser Gott: Variation 3. À pedale solo | Matteo Venturini | — | |
| 122 | Ein feste Burg ist unser Gott: Variation 4 | Matteo Venturini | T-003.038.364-2 | |
| 123 | Was Gott tut, das ist wohlgetan: Chorale in fuga | Matteo Venturini | — | |
| 124 | Was Gott tut, das ist wohlgetan: Variation 1. À 2 claviature con pedale | Matteo Venturini | — | |
| 125 | Was Gott tut, das ist wohlgetan: Variation 2 | Matteo Venturini | — | |
| 126 | Was Gott tut, das ist wohlgetan: Variation 3. Senza pedale | Matteo Venturini | — | |
| 127 | Was Gott tut, das ist wohlgetan: Variation 4. À pedale solo | Matteo Venturini | — | |
| 128 | Mitten wir im Leben sind: Chorale in fuga | Matteo Venturini | — | |
| 129 | Mitten wir im Leben sind: Variation 1. À 2 claviature con pedale | Matteo Venturini | — | |
| 130 | Mitten wir im Leben sind: Variation 2 | Matteo Venturini | T-003.038.364-2 | |
| 131 | Mitten wir im Leben sind: Variation 3. Con tremulo | Matteo Venturini | — | |
| 132 | Es wird schier der letzte Tag: Chorale in contrapunto doppio | Matteo Venturini | — | |
| 133 | Es wird schier der letzte Tag: Variation | Matteo Venturini | T-003.038.364-2 | |
| 134 | Es wird schier der letzte Tag: Variation 2. À 2 claviature con pedale | Matteo Venturini | — | |
| 135 | Es wird schier der letzte Tag: Variation 3. À 3 claviature con pedale | Matteo Venturini | — | |
| 136 | Gott hat das Evangelium: Variation 1. Largo e staccato | Matteo Venturini | — | |
| 137 | Gott hat das Evangelium: Variation 2. In doppio contrapunto | Matteo Venturini | — | |
| 138 | Gott hat das Evangelium: Variation 3. Senza pedale | Matteo Venturini | — | |
| 139 | Gott hat das Evangelium: Variation 4. À 3 claviature con pedale | Matteo Venturini | — | |
| 140 | Gott hat das Evangelium: Variation 5 | Matteo Venturini | T-003.038.364-2 | |
| 141 | Fantasy for organ in G minor | Matteo Venturini | — | |
| 142 | Fantasy for organ in E flat major | Matteo Venturini | — | |
| 143 | Fantasy in F major, for organ | Matteo Venturini | — | |
| 144 | Fantasy for organ in E flat major | Matteo Venturini | — | |
| 145 | Unbezeichnetes Stück, for organ in C major | Matteo Venturini | — | |
| 146 | Fugenfantasie, for organ in C major | Matteo Venturini | — | |
| 147 | Durch Adams Fall ist ganz verderbt, for organ | Matteo Venturini | — | |
| 148 | Vater unser im Himmelreich, for organ | Matteo Venturini | — | |
| 149 | Christe, der du bist Tag und Licht, for organ | Matteo Venturini | — | |
| 150 | Herr Christ, der einig Gottessohn, for organ | Matteo Venturini | — | |
| 151 | Jesu, meine Freude, theme & variations for organ: Theme | Matteo Venturini | — | |
| 152 | Jesu, meine Freude, theme & variations for organ: Variation 1 | Matteo Venturini | — | |
| 153 | Jesu, meine Freude, theme & variations for organ: Variation 2 | Matteo Venturini | — | |
| 154 | Jesu, meine Freude, theme & variations for organ: Variation 3 | Matteo Venturini | — | |
| 155 | O Traurigkeit, o Herzeleid | Matteo Venturini | — | |
| 156 | Was mein Gott will, das gescheh allzeit | Matteo Venturini | — | |
| 157 | Herzlich thut mich verlangen | Matteo Venturini | — | |
| 158 | Fantasy for organ in G major | Matteo Venturini | — | |
| 159 | Concerto in G minor, HWV 289: Larghetto e staccato | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 160 | Concerto in G minor, HWV 289: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 161 | Concerto in G minor, HWV 289: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 162 | Concerto in G minor, HWV 289: Andante | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 163 | Concerto in B flat major, HWV 290: A tempo ordinario e staccato | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 164 | Concerto in B flat major, HWV 290: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 165 | Concerto in B flat major, HWV 290: Adagio e staccato | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 166 | Concerto in B flat major, HWV 290: Allegro ma non presto | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 167 | Concerto in G minor, HWV 291: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 168 | Concerto in G minor, HWV 291: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 169 | Concerto in G minor, HWV 291: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 170 | Concerto in G minor, HWV 291: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 171 | Concerto in F major, HWV 292: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 172 | Concerto in F major, HWV 292: Andante | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 173 | Concerto in F major, HWV 292: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 174 | Concerto in F major, HWV 292: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 175 | Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Larghetto | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 176 | Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 177 | Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Organo ad libitum (Fuga, HWV 609) | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 178 | Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Larghetto | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 179 | Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Boasting of Goliath | Stefano Molardi | — |
| Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Trembling of the Israelites at the Appearance of the Giant | Stefano Molardi | — |
| Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Courage of David | Stefano Molardi | — |
| Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Combat Between the Two and Their Struggle | Stefano Molardi | — |
| Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Stone Is Thrown From the Slingshot - Goliath Falls | Stefano Molardi | — |
| Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Flight of the Philistines, Who Are Pursued and Slain by the Israelites | Stefano Molardi | — |
| Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Joy of the Israelites Over Their Victory | Stefano Molardi | — |
| Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Musical Concert of the Women in Honor of David | Stefano Molardi | — |
| Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The General Rejoicing, and the Dances of Joy of the People | Stefano Molardi | — |
| Sonata for Keyboard No. 2 ("Der Von David Vermittelst Der Music Curirte Saul") The Sadness of the King | Stefano Molardi | — |
| Sonata for Keyboard no. 2 "Der von David vermittelst der Music curirte Saul": The Restorative Song of David's Harp | Stefano Molardi | — |
| Sonata for Keyboard no. 2 "Der von David vermittelst der Music curirte Saul": The Calm and Contented Soul of Saul | Stefano Molardi | — |
| Sonata for Keyboard no. 3: "Jobabs Heyrath": The Joy of the Family of Laban | Stefano Molardi | — |
| Sonata for Keyboard no. 3: "Jobabs Heyrath": The Servitude of Jacob Is Indeed Laborious, but It Is Lightened Rachel | Stefano Molardi | — |
| Sonata for Keyboard no. 3: "Jobabs Heyrath": The Bridal Song Sung by the Companions of Rachel | Stefano Molardi | — |
| Sonata for Keyboard no. 3: "Jobabs Heyrath": The Rejoicing for the Wedding, and the Congratulations | Stefano Molardi | — |
| Sonata for Keyboard no. 3: "Jobabs Heyrath": The Laban's Trick | Stefano Molardi | — |
| Sonata for Keyboard no. 3: "Jobabs Heyrath": The Bridegroom Loving and Content - His Heart Fortells Him Some Ill | Stefano Molardi | — |
| Sonata for Keyboard no. 3: "Jobabs Heyrath": Disappointment of Jacob for the Trick | Stefano Molardi | — |
| Sonata for Keyboard no. 3: "Jobabs Heyrath": The Rejoicing for the Wedding Is Repeated | Stefano Molardi | — |
| Sonata for Keyboard no. 4 "Der todtkrancke und wieder gesunde Hiskias": Hezekiah's Lament for the Death | Stefano Molardi | — |
| Sonata for Keyboard no. 4 "Der todtkrancke und wieder gesunde Hiskias": His Confidence in God | Stefano Molardi | — |
| Sonata for Keyboard no. 4 "Der todtkrancke und wieder gesunde Hiskias": The Joy of the Convalescent King - He Remembers the Ills That Are Past | Stefano Molardi | — |
| Ciacona for Organ in F minor | Stefano Molardi | — |
| Prelude for Organ in A minor | Stefano Molardi | — |
| Toccata con Fuga in C major: I. Toccata | Simone Stella | — |
| Toccata con Fuga in C major: II. Fuga | Simone Stella | — |
| Variations Over a Basso Continuo by Signor Corelli in E major, LV 129: Variatio 1 | Simone Stella | — |
| Variations Over a Basso Continuo by Signor Corelli in E major, LV 129: Variatio 2 | Simone Stella | — |
| Variations Over a Basso Continuo by Signor Corelli in E major, LV 129: Variatio 3 | Simone Stella | — |
| Variations Over a Basso Continuo by Signor Corelli in E major, LV 129: Variatio 4 | Simone Stella | — |
| Fugue for Organ in F major | Simone Stella | — |
| Prelude and Fugue for Keyboard in G major, LV 119: Preludio | Simone Stella | — |
| Prelude and Fugue for Keyboard in G major, LV 119: Fuga | Simone Stella | — |
| Prelude and Fugue for Keyboard in G major, LV 119: Grave | Simone Stella | — |
| Prelude and Fugue for Keyboard in G major, LV 119: Aria a 2 Tastature | Simone Stella | — |
| Preludio con Fuga in C major: I. Preludio | Simone Stella | — |
| Preludio con Fuga in C major: II. Fuga | Simone Stella | — |
| Prelude and Fugue for Organ in D minor: Preludio | Simone Stella | — |
| Prelude and Fugue for Organ in D minor: Fuga | Simone Stella | — |
| Prelude and Fugue for Keyboard in A major, LV 125: Preludio | Simone Stella | — |
| Prelude and Fugue for Keyboard in A major, LV 125: Fuga | Simone Stella | — |
| Concerto for Organ in G major: I. Preludio: Adagio - Allegro | Simone Stella | — |
| Concerto for Organ in G major: II. Largo | Simone Stella | — |
| Concerto for Organ in G major: III. Ritornello: Vivace | Simone Stella | — |
| Concerto for Organ in G major: IV. Aria: Largo | Simone Stella | — |
| Concerto for Organ in G major: V. Vivace | Simone Stella | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5028421953717 is a Universal Product Code (UPC) assigned to 500 Years of Organ Music, Vol. 2 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 179 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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5028421953717 is the Universal Product Code (UPC barcode) for the release “500 Years of Organ Music, Vol. 2” by Various Artists, released 2016-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 179 tracks, each with its own ISRC. Tracks include NLY331501319, NLY331501320, NLY331501321.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Boasting of Goliath | Stefano Molardi | — | |
| 2 | Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Trembling of the Israelites at the Appearance of the Giant | Stefano Molardi | — | |
| 3 | Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Courage of David | Stefano Molardi | — | |
| 4 | Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Combat Between the Two and Their Struggle | Stefano Molardi | — | |
| 5 | Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Stone Is Thrown From the Slingshot - Goliath Falls | Stefano Molardi | — | |
| 6 | Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Flight of the Philistines, Who Are Pursued and Slain by the Israelites | Stefano Molardi | — | |
| 7 | Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Joy of the Israelites Over Their Victory | Stefano Molardi | — | |
| 8 | Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Musical Concert of the Women in Honor of David | Stefano Molardi | — | |
| 9 | Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The General Rejoicing, and the Dances of Joy of the People | Stefano Molardi | — | |
| 10 | Sonata for Keyboard No. 2 ("Der Von David Vermittelst Der Music Curirte Saul") The Sadness of the King | Stefano Molardi | — | |
| 11 | Sonata for Keyboard no. 2 "Der von David vermittelst der Music curirte Saul": The Restorative Song of David's Harp | Stefano Molardi | — | |
| 12 | Sonata for Keyboard no. 2 "Der von David vermittelst der Music curirte Saul": The Calm and Contented Soul of Saul | Stefano Molardi | — | |
| 13 | Sonata for Keyboard no. 3: "Jobabs Heyrath": The Joy of the Family of Laban | Stefano Molardi | — | |
| 14 | Sonata for Keyboard no. 3: "Jobabs Heyrath": The Servitude of Jacob Is Indeed Laborious, but It Is Lightened Rachel | Stefano Molardi | — | |
| 15 | Sonata for Keyboard no. 3: "Jobabs Heyrath": The Bridal Song Sung by the Companions of Rachel | Stefano Molardi | — | |
| 16 | Sonata for Keyboard no. 3: "Jobabs Heyrath": The Rejoicing for the Wedding, and the Congratulations | Stefano Molardi | — | |
| 17 | Sonata for Keyboard no. 3: "Jobabs Heyrath": The Laban's Trick | Stefano Molardi | — | |
| 18 | Sonata for Keyboard no. 3: "Jobabs Heyrath": The Bridegroom Loving and Content - His Heart Fortells Him Some Ill | Stefano Molardi | — | |
| 19 | Sonata for Keyboard no. 3: "Jobabs Heyrath": Disappointment of Jacob for the Trick | Stefano Molardi | — | |
| 20 | Sonata for Keyboard no. 3: "Jobabs Heyrath": The Rejoicing for the Wedding Is Repeated | Stefano Molardi | — | |
| 21 | Sonata for Keyboard no. 4 "Der todtkrancke und wieder gesunde Hiskias": Hezekiah's Lament for the Death | Stefano Molardi | — | |
| 22 | Sonata for Keyboard no. 4 "Der todtkrancke und wieder gesunde Hiskias": His Confidence in God | Stefano Molardi | — | |
| 23 | Sonata for Keyboard no. 4 "Der todtkrancke und wieder gesunde Hiskias": The Joy of the Convalescent King - He Remembers the Ills That Are Past | Stefano Molardi | — | |
| 24 | Ciacona for Organ in F minor | Stefano Molardi | — | |
| 25 | Prelude for Organ in A minor | Stefano Molardi | — | |
| 26 | Toccata con Fuga in C major: I. Toccata | Simone Stella | — | |
| 27 | Toccata con Fuga in C major: II. Fuga | Simone Stella | — | |
| 28 | Variations Over a Basso Continuo by Signor Corelli in E major, LV 129: Variatio 1 | Simone Stella | — | |
| 29 | Variations Over a Basso Continuo by Signor Corelli in E major, LV 129: Variatio 2 | Simone Stella | — | |
| 30 | Variations Over a Basso Continuo by Signor Corelli in E major, LV 129: Variatio 3 | Simone Stella | — | |
| 31 | Variations Over a Basso Continuo by Signor Corelli in E major, LV 129: Variatio 4 | Simone Stella | — | |
| 32 | Fugue for Organ in F major | Simone Stella | — | |
| 33 | Prelude and Fugue for Keyboard in G major, LV 119: Preludio | Simone Stella | — | |
| 34 | Prelude and Fugue for Keyboard in G major, LV 119: Fuga | Simone Stella | — | |
| 35 | Prelude and Fugue for Keyboard in G major, LV 119: Grave | Simone Stella | — | |
| 36 | Prelude and Fugue for Keyboard in G major, LV 119: Aria a 2 Tastature | Simone Stella | — | |
| 37 | Preludio con Fuga in C major: I. Preludio | Simone Stella | — | |
| 38 | Preludio con Fuga in C major: II. Fuga | Simone Stella | — | |
| 39 | Prelude and Fugue for Organ in D minor: Preludio | Simone Stella | — | |
| 40 | Prelude and Fugue for Organ in D minor: Fuga | Simone Stella | — | |
| 41 | Prelude and Fugue for Keyboard in A major, LV 125: Preludio | Simone Stella | — | |
| 42 | Prelude and Fugue for Keyboard in A major, LV 125: Fuga | Simone Stella | — | |
| 43 | Concerto for Organ in G major: I. Preludio: Adagio - Allegro | Simone Stella | — | |
| 44 | Concerto for Organ in G major: II. Largo | Simone Stella | — | |
| 45 | Concerto for Organ in G major: III. Ritornello: Vivace | Simone Stella | — | |
| 46 | Concerto for Organ in G major: IV. Aria: Largo | Simone Stella | — | |
| 47 | Concerto for Organ in G major: V. Vivace | Simone Stella | — | |
| 48 | Praeludium No. 1 for Organ in D | Manuel Tomadin | — | |
| 49 | Partita No. 4 on "Nun Komm, Der Heiden Heiland" for Organ | Manuel Tomadin | — | |
| 50 | Praeludium No. 2 for Organ in F | Manuel Tomadin | — | |
| 51 | Praeludium No. 3 for Organ in G | Manuel Tomadin | — | |
| 52 | Allein Gott in Der Höh' Sei Ehr', Hymn for Organ | Manuel Tomadin | — | |
| 53 | Aus tiefer Not schrei ich zu Dir | Manuel Tomadin | — | |
| 54 | Gelobet seist du, Jesu Christ | Manuel Tomadin | — | |
| 55 | Prelude for Organ in C major | Manuel Tomadin | — | |
| 56 | Von Gott will ich nicht lassen (6 verses) | Manuel Tomadin | — | |
| 57 | Prelude for Organ in E-flat major | Manuel Tomadin | — | |
| 58 | Wie schön leuchtet der Morgenstern | Manuel Tomadin | — | |
| 59 | Prelude for Organ in B-flat major | Manuel Tomadin | — | |
| 60 | Fantasia on Wo Gott der Herr nicht bei uns halt, BWV 1128 | Manuel Tomadin | — | |
| 61 | Praeludium in C | Simone Stella | — | |
| 62 | Ach wie nichtig, ach wie flüchtig: Part 1 | Simone Stella | — | |
| 63 | Ach wie nichtig, ach wie flüchtig: Part 2 | Simone Stella | — | |
| 64 | Ach wie nichtig, ach wie flüchtig: Part 3 | Simone Stella | — | |
| 65 | Ach wie nichtig, ach wie flüchtig: Part 4 | Simone Stella | — | |
| 66 | Ach wie nichtig, ach wie flüchtig: Part 5 | Simone Stella | — | |
| 67 | Ach wie nichtig, ach wie flüchtig: Part 6 | Simone Stella | — | |
| 68 | Ach wie nichtig, ach wie flüchtig: Part 7 | Simone Stella | — | |
| 69 | Ach wie nichtig, ach wie flüchtig: Part 8 | Simone Stella | — | |
| 70 | Allein Gott in der Höh sei Ehr | Simone Stella | — | |
| 71 | Auf meinem liben Gott: Versus 1 | Simone Stella | — | |
| 72 | Auf meinem liben Gott: Versus 2 | Simone Stella | — | |
| 73 | Auf meinem liben Gott: Versus 3 | Simone Stella | — | |
| 74 | Auf meinem liben Gott: Versus 4 | Simone Stella | — | |
| 75 | Aus tiefer Not schrei ich zu dir: Versus 1 | Simone Stella | — | |
| 76 | Aus tiefer Not schrei ich zu dir: Versus 2 | Simone Stella | — | |
| 77 | Christe der du bist Tag und Licht: Versus 1 | Simone Stella | — | |
| 78 | Christe der du bist Tag und Licht: Versus 2 | Simone Stella | — | |
| 79 | Christe der du bist Tag und Licht: Versus 3 | Simone Stella | — | |
| 80 | Christ lag in Todesbanden I | Simone Stella | T-922.029.386-7 | |
| 81 | Christ lag in Todesbanden II | Simone Stella | T-922.029.386-7 | |
| 82 | Christum wir sollen loben schon | Simone Stella | — | |
| 83 | A second fugue on the Praeludium in A minor | Simone Stella | — | |
| 84 | Erhalt uns, Herr, bei deinem Wort | Simone Stella | — | |
| 85 | Fugue in A minor | Simone Stella | — | |
| 86 | Toccata und Fuge d-Moll, BWV 565: I. Toccata | Stefano Molardi | — | |
| 87 | Toccata und Fuge d-Moll, BWV 565: II. Fugue | Stefano Molardi | — | |
| 88 | Chorale Prelude Gott, durch deine Güte Soder: Gottes Sohn ist kommenT BWV 600 | Stefano Molardi | — | |
| 89 | Chorale Prelude Der Tag, der ist so freudenreich BWV 605 à 2 Clav. e Ped. | Stefano Molardi | — | |
| 90 | Chorale Prelude Vom Himmel kam der Engel Schaar BWV 607 | Stefano Molardi | — | |
| 91 | Chorale Prelude In dulci jubilo BWV 608 | Stefano Molardi | T-900.082.734-9 | |
| 92 | Toccata, Adagio, and Fugue in C major, BWV 564: I. Toccata | Stefano Molardi | — | |
| 93 | Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio | Stefano Molardi | T-307.292.935-8 | |
| 94 | Toccata, Adagio, and Fugue in C major, BWV 564: III. Fugue | Stefano Molardi | — | |
| 95 | Chorale Prelude Herr Ich ruf zu dir, Herr Jesu Christ BWV 639 | Stefano Molardi | — | |
| 96 | Chorale Prelude Herr Wenn wir in höchsten Nöten sein BWV 641 | Stefano Molardi | — | |
| 97 | Concerto in a-Moll nach Antonio Vivaldi, op. 3 no. 8, BWV 593: I. Allegro | Stefano Molardi | T-914.323.771-2 | |
| 98 | Concerto in a-Moll nach Antonio Vivaldi, op. 3 no. 8, BWV 593: II. Recitative: Adagio | Stefano Molardi | — | |
| 99 | Concerto in a-Moll nach Antonio Vivaldi, op. 3 no. 8, BWV 593: III. Allegro | Stefano Molardi | — | |
| 100 | Chorale Prelude Nun komm, der Heiden Heiland BWV 659 à 2 Clav. e Ped. | Stefano Molardi | — | |
| 101 | Trio super Allein Gott in der Höh sei Ehr BWV 664 | Stefano Molardi | — | |
| 102 | Passacaglia in C minor BWV 582 | Stefano Molardi | — | |
| 103 | Fantasie und Fuge g-Moll, BWV 542: I. Fantasia | Stefano Molardi | — | |
| 104 | Fantasie und Fuge g-Moll, BWV 542: II. Fugue | Stefano Molardi | — | |
| 105 | Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 | Stefano Molardi | — | |
| 106 | Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 | Stefano Molardi | — | |
| 107 | Triosonate für Orgel Nr. 5 C-Dur, BWV 529: I. Allegro | Stefano Molardi | T-914.323.771-2 | |
| 108 | Triosonate für Orgel Nr. 5 C-Dur, BWV 529: II. Largo | Stefano Molardi | — | |
| 109 | Triosonate für Orgel Nr. 5 C-Dur, BWV 529: III. Allegro | Stefano Molardi | — | |
| 110 | Chorale Prelude: O Mensch, bewein' dein Sünde groß BWV622 | Stefano Molardi | — | |
| 111 | Chorale Prelude: Hilf, Gott, daß mir's gelinge BWV624 | Stefano Molardi | — | |
| 112 | Toccata and Fugue in D minor "Dorian", BWV 538: I. Toccata | Stefano Molardi | — | |
| 113 | Toccata and Fugue in D minor "Dorian", BWV 538: II. Fugue | Stefano Molardi | — | |
| 114 | Chorale Prelude Christ, unser Herr, zum Jordan kam (I), BWV 684 | Stefano Molardi | — | |
| 115 | Chorale Prelude Schmücke dich, o liebe Seele BWV 654 à 2 Clav. e Ped. | Stefano Molardi | — | |
| 116 | Präludium und Fuge G-Dur, BWV 541: I. Prelude | Stefano Molardi | — | |
| 117 | Präludium und Fuge G-Dur, BWV 541: II. Fugue | Stefano Molardi | — | |
| 118 | Ein feste Burg ist unser Gott: Chorale in contrapunto doppio | Matteo Venturini | — | |
| 119 | Ein feste Burg ist unser Gott: Variation 1. À 2 claviature coppulate, e senza pedale | Matteo Venturini | — | |
| 120 | Ein feste Burg ist unser Gott: Variation 2. À 2 claviature con pedale | Matteo Venturini | — | |
| 121 | Ein feste Burg ist unser Gott: Variation 3. À pedale solo | Matteo Venturini | — | |
| 122 | Ein feste Burg ist unser Gott: Variation 4 | Matteo Venturini | T-003.038.364-2 | |
| 123 | Was Gott tut, das ist wohlgetan: Chorale in fuga | Matteo Venturini | — | |
| 124 | Was Gott tut, das ist wohlgetan: Variation 1. À 2 claviature con pedale | Matteo Venturini | — | |
| 125 | Was Gott tut, das ist wohlgetan: Variation 2 | Matteo Venturini | — | |
| 126 | Was Gott tut, das ist wohlgetan: Variation 3. Senza pedale | Matteo Venturini | — | |
| 127 | Was Gott tut, das ist wohlgetan: Variation 4. À pedale solo | Matteo Venturini | — | |
| 128 | Mitten wir im Leben sind: Chorale in fuga | Matteo Venturini | — | |
| 129 | Mitten wir im Leben sind: Variation 1. À 2 claviature con pedale | Matteo Venturini | — | |
| 130 | Mitten wir im Leben sind: Variation 2 | Matteo Venturini | T-003.038.364-2 | |
| 131 | Mitten wir im Leben sind: Variation 3. Con tremulo | Matteo Venturini | — | |
| 132 | Es wird schier der letzte Tag: Chorale in contrapunto doppio | Matteo Venturini | — | |
| 133 | Es wird schier der letzte Tag: Variation | Matteo Venturini | T-003.038.364-2 | |
| 134 | Es wird schier der letzte Tag: Variation 2. À 2 claviature con pedale | Matteo Venturini | — | |
| 135 | Es wird schier der letzte Tag: Variation 3. À 3 claviature con pedale | Matteo Venturini | — | |
| 136 | Gott hat das Evangelium: Variation 1. Largo e staccato | Matteo Venturini | — | |
| 137 | Gott hat das Evangelium: Variation 2. In doppio contrapunto | Matteo Venturini | — | |
| 138 | Gott hat das Evangelium: Variation 3. Senza pedale | Matteo Venturini | — | |
| 139 | Gott hat das Evangelium: Variation 4. À 3 claviature con pedale | Matteo Venturini | — | |
| 140 | Gott hat das Evangelium: Variation 5 | Matteo Venturini | T-003.038.364-2 | |
| 141 | Fantasy for organ in G minor | Matteo Venturini | — | |
| 142 | Fantasy for organ in E flat major | Matteo Venturini | — | |
| 143 | Fantasy in F major, for organ | Matteo Venturini | — | |
| 144 | Fantasy for organ in E flat major | Matteo Venturini | — | |
| 145 | Unbezeichnetes Stück, for organ in C major | Matteo Venturini | — | |
| 146 | Fugenfantasie, for organ in C major | Matteo Venturini | — | |
| 147 | Durch Adams Fall ist ganz verderbt, for organ | Matteo Venturini | — | |
| 148 | Vater unser im Himmelreich, for organ | Matteo Venturini | — | |
| 149 | Christe, der du bist Tag und Licht, for organ | Matteo Venturini | — | |
| 150 | Herr Christ, der einig Gottessohn, for organ | Matteo Venturini | — | |
| 151 | Jesu, meine Freude, theme & variations for organ: Theme | Matteo Venturini | — | |
| 152 | Jesu, meine Freude, theme & variations for organ: Variation 1 | Matteo Venturini | — | |
| 153 | Jesu, meine Freude, theme & variations for organ: Variation 2 | Matteo Venturini | — | |
| 154 | Jesu, meine Freude, theme & variations for organ: Variation 3 | Matteo Venturini | — | |
| 155 | O Traurigkeit, o Herzeleid | Matteo Venturini | — | |
| 156 | Was mein Gott will, das gescheh allzeit | Matteo Venturini | — | |
| 157 | Herzlich thut mich verlangen | Matteo Venturini | — | |
| 158 | Fantasy for organ in G major | Matteo Venturini | — | |
| 159 | Concerto in G minor, HWV 289: Larghetto e staccato | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 160 | Concerto in G minor, HWV 289: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 161 | Concerto in G minor, HWV 289: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 162 | Concerto in G minor, HWV 289: Andante | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 163 | Concerto in B flat major, HWV 290: A tempo ordinario e staccato | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 164 | Concerto in B flat major, HWV 290: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 165 | Concerto in B flat major, HWV 290: Adagio e staccato | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 166 | Concerto in B flat major, HWV 290: Allegro ma non presto | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 167 | Concerto in G minor, HWV 291: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 168 | Concerto in G minor, HWV 291: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 169 | Concerto in G minor, HWV 291: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 170 | Concerto in G minor, HWV 291: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 171 | Concerto in F major, HWV 292: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 172 | Concerto in F major, HWV 292: Andante | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 173 | Concerto in F major, HWV 292: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 174 | Concerto in F major, HWV 292: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 175 | Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Larghetto | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 176 | Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 177 | Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Organo ad libitum (Fuga, HWV 609) | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 178 | Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Larghetto | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 179 | Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Boasting of Goliath | Stefano Molardi | — |
| Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Trembling of the Israelites at the Appearance of the Giant | Stefano Molardi | — |
| Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Courage of David | Stefano Molardi | — |
| Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Combat Between the Two and Their Struggle | Stefano Molardi | — |
| Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Stone Is Thrown From the Slingshot - Goliath Falls | Stefano Molardi | — |
| Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Flight of the Philistines, Who Are Pursued and Slain by the Israelites | Stefano Molardi | — |
| Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Joy of the Israelites Over Their Victory | Stefano Molardi | — |
| Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The Musical Concert of the Women in Honor of David | Stefano Molardi | — |
| Sonata for Keyboard no. 1 "Der Streit zwischen David und Goliath": The General Rejoicing, and the Dances of Joy of the People | Stefano Molardi | — |
| Sonata for Keyboard No. 2 ("Der Von David Vermittelst Der Music Curirte Saul") The Sadness of the King | Stefano Molardi | — |
| Sonata for Keyboard no. 2 "Der von David vermittelst der Music curirte Saul": The Restorative Song of David's Harp | Stefano Molardi | — |
| Sonata for Keyboard no. 2 "Der von David vermittelst der Music curirte Saul": The Calm and Contented Soul of Saul | Stefano Molardi | — |
| Sonata for Keyboard no. 3: "Jobabs Heyrath": The Joy of the Family of Laban | Stefano Molardi | — |
| Sonata for Keyboard no. 3: "Jobabs Heyrath": The Servitude of Jacob Is Indeed Laborious, but It Is Lightened Rachel | Stefano Molardi | — |
| Sonata for Keyboard no. 3: "Jobabs Heyrath": The Bridal Song Sung by the Companions of Rachel | Stefano Molardi | — |
| Sonata for Keyboard no. 3: "Jobabs Heyrath": The Rejoicing for the Wedding, and the Congratulations | Stefano Molardi | — |
| Sonata for Keyboard no. 3: "Jobabs Heyrath": The Laban's Trick | Stefano Molardi | — |
| Sonata for Keyboard no. 3: "Jobabs Heyrath": The Bridegroom Loving and Content - His Heart Fortells Him Some Ill | Stefano Molardi | — |
| Sonata for Keyboard no. 3: "Jobabs Heyrath": Disappointment of Jacob for the Trick | Stefano Molardi | — |
| Sonata for Keyboard no. 3: "Jobabs Heyrath": The Rejoicing for the Wedding Is Repeated | Stefano Molardi | — |
| Sonata for Keyboard no. 4 "Der todtkrancke und wieder gesunde Hiskias": Hezekiah's Lament for the Death | Stefano Molardi | — |
| Sonata for Keyboard no. 4 "Der todtkrancke und wieder gesunde Hiskias": His Confidence in God | Stefano Molardi | — |
| Sonata for Keyboard no. 4 "Der todtkrancke und wieder gesunde Hiskias": The Joy of the Convalescent King - He Remembers the Ills That Are Past | Stefano Molardi | — |
| Ciacona for Organ in F minor | Stefano Molardi | — |
| Prelude for Organ in A minor | Stefano Molardi | — |
| Toccata con Fuga in C major: I. Toccata | Simone Stella | — |
| Toccata con Fuga in C major: II. Fuga | Simone Stella | — |
| Variations Over a Basso Continuo by Signor Corelli in E major, LV 129: Variatio 1 | Simone Stella | — |
| Variations Over a Basso Continuo by Signor Corelli in E major, LV 129: Variatio 2 | Simone Stella | — |
| Variations Over a Basso Continuo by Signor Corelli in E major, LV 129: Variatio 3 | Simone Stella | — |
| Variations Over a Basso Continuo by Signor Corelli in E major, LV 129: Variatio 4 | Simone Stella | — |
| Fugue for Organ in F major | Simone Stella | — |
| Prelude and Fugue for Keyboard in G major, LV 119: Preludio | Simone Stella | — |
| Prelude and Fugue for Keyboard in G major, LV 119: Fuga | Simone Stella | — |
| Prelude and Fugue for Keyboard in G major, LV 119: Grave | Simone Stella | — |
| Prelude and Fugue for Keyboard in G major, LV 119: Aria a 2 Tastature | Simone Stella | — |
| Preludio con Fuga in C major: I. Preludio | Simone Stella | — |
| Preludio con Fuga in C major: II. Fuga | Simone Stella | — |
| Prelude and Fugue for Organ in D minor: Preludio | Simone Stella | — |
| Prelude and Fugue for Organ in D minor: Fuga | Simone Stella | — |
| Prelude and Fugue for Keyboard in A major, LV 125: Preludio | Simone Stella | — |
| Prelude and Fugue for Keyboard in A major, LV 125: Fuga | Simone Stella | — |
| Concerto for Organ in G major: I. Preludio: Adagio - Allegro | Simone Stella | — |
| Concerto for Organ in G major: II. Largo | Simone Stella | — |
| Concerto for Organ in G major: III. Ritornello: Vivace | Simone Stella | — |
| Concerto for Organ in G major: IV. Aria: Largo | Simone Stella | — |
| Concerto for Organ in G major: V. Vivace | Simone Stella | — |
