UPC · Release
Sakamoto: For Mr Lawrence Piano Music
坂本龍一, Jeroen van Veen
Last verified:
5028421953892 is the Universal Product Code (UPC barcode) for the release “Sakamoto: For Mr Lawrence Piano Music” by 坂本龍一, Jeroen van Veen, released 2019-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 83 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (83)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Merry Christmas Mr. Lawrence | — | ||
| 2 | Fountain | — | ||
| 3 | Solitude Theme | — | ||
| 4 | Dancing in the Sky | — | ||
| 5 | Asience-fast Piano | — | ||
| 6 | The Sheltering Sky Theme | — | ||
| 7 | Solari | — | ||
| 8 | Gohatto | — | ||
| 9 | Yamazaki 2002 | — | ||
| 10 | Ubi | — | ||
| 11 | Andata | — | ||
| 12 | Aubade | — | ||
| 13 | Silk Endroll | — | ||
| 14 | Koko | — | ||
| 15 | Mizu no naka no bagatelle | — | ||
| 16 | Reversing | — | ||
| 17 | Stepfather | — | ||
| 18 | Shining Boy & Little Randy | — | ||
| 19 | Litany | — | ||
| 2-1 | The Last Emperor, Version 1 | — | ||
| 2-2 | The Last Emperor, Version 2 | — | ||
| 2-3 | Seven Samurai - Ending Theme | — | ||
| 2-4 | High Heels Main Theme | — | ||
| 2-5 | M.A.Y. In the Backyard | — | ||
| 2-6 | Zero Landmine | — | ||
| 2-7 | The Revenant- Main Theme | — | ||
| 2-8 | Tibetan Dance | — | ||
| 2-9 | Behind the Mask | — | ||
| 2-10 | Blu | — | ||
| 2-11 | Rain | — | ||
| 2-12 | The Land Song-Music for Artelligent City | — | ||
| 2-13 | Dear Liz | — | ||
| 3-1 | Thousand Knives | — | ||
| 3-2 | 1919 | — | ||
| 3-3 | Batavia | — | ||
| 3-4 | Germination | — | ||
| 3-5 | A Hearty Breakfast | — | ||
| 3-6 | Before the War | — | ||
| 3-7 | The Seed and The Sower | — | ||
| 3-8 | A Brief Encounter | — | ||
| 3-9 | Ride Ride Ride | — | ||
| 3-10 | The Fight | — | ||
| 3-11 | Dismissed, Assembly | — | ||
| 3-12 | Beyond Reason | — | ||
| 3-13 | Sowing the Seed | — | ||
| 3-14 | Last Regrets | — | ||
| 3-15 | The Seed | — | ||
| 3-16 | Tong Poo | — | ||
| 3-17 | Happy End | — | ||
| 3-18 | Kai Koh | — | ||
| 3-21 | Castalia | — | ||
| 4-1 | Amore | — | ||
| 4-2 | Lost Child | — | ||
| 4-3 | Opus | — | ||
| 4-4 | Sonatine | — | ||
| 4-5 | Intermezzo | — | ||
| 4-6 | Lorentz and Watson | — | ||
| 4-7 | Choral No. 1 | — | ||
| 4-8 | Choral No. 2 | — | ||
| 4-9 | Bachata | — | ||
| 4-10 | Chanson | — | ||
| 4-11 | Distant Echo | — | ||
| 4-12 | Aqua | — | ||
| 4-13 | Energy Flow | — | ||
| 4-14 | Put Your Hands Up | — | ||
| 4-15 | Railroad Man | — | ||
| 5-1 | Eight Themes of Eight | — | ||
| 5-2 | I have to Buy a New Pair of Shoes | — | ||
| 5-3 | On the Boat | — | ||
| 5-4 | Tamago 2004 | — | ||
| 5-5 | Before Long | — | ||
| 5-6 | Loneliness | — | ||
| 5-7 | Perspective | — | ||
| 5-8 | Ex Jazz | — | ||
| 5-9 | Parolibre | — | ||
| 5-10 | Sweet Revenge | — | ||
| 5-11 | Tatorso | — | ||
| 5-12 | Tango | — | ||
| 5-13 | Bibo no Aozora | — | ||
| 5-14 | Floating Along | — | ||
| 5-15 | A Flower is not a Flower | — | ||
| 5-16 | Sayonara | — | ||
| 5-17 | High Tide | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 5028421953892?
5028421953892 is a Universal Product Code (UPC) assigned to Sakamoto: For Mr Lawrence Piano Music by 坂本龍一, Jeroen van Veen. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 83 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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