UPC · Release
Ludwig van Beethoven
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5028421955100 is the Universal Product Code (UPC barcode) for the release “Complete Edition” by Ludwig van Beethoven, released 2017-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 994 tracks, each with its own ISRC. Tracks include DES382025101, DES382025102, DES382025103.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4 | Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 6 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 7 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 8 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-5 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-001.444.317-4 | |
| 2-6 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-001.444.317-4 | |
| 2-7 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-001.444.317-4 | |
| 2-8 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-001.444.317-4 | |
| 3-1 | Symphonie no. 5 in C minor, op. 67: I. Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-2 | Symphonie no. 5 in C minor, op. 67: II. Andante con moto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-3 | Symphonie no. 5 in C minor, op. 67: III. Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-4 | Symphonie no. 5 in C minor, op. 67: IV. Allegro - Presto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-5 | Symphonie no. 6 in F major, op. 68 "Pastorale": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-6 | Symphonie no. 6 in F major, op. 68 "Pastorale": II. Szene am Bach: Andante molto mosso | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-7 | Symphonie no. 6 in F major, op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute: Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-8 | Symphonie no. 6 in F major, op. 68 "Pastorale": IV. Gewitter, Sturm: Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-9 | Symphonie no. 6 in F major, op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-314.638.300-4 | |
| 4-3 | Symphony no. 7 in A major, op. 92: III. Presto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-909.821.799-3 | |
| 4-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-1 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-2 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-3 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125: IV. Presto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 6-1 | Piano Concerto No. 1 in C, Op. 15: I. Allegro con brio | — | ||
| 6-2 | Piano Concerto No. 1 in C, Op. 15: II. Largo | — | ||
| 6-3 | Piano Concerto No. 1 in C, Op. 15: III. Rondo: allegro scherzando | — | ||
| 6-4 | Piano Concerto No. 2 in B-flat, Op. 19: I. Allegro con brio | — | ||
| 6-5 | Piano Concerto No. 2 in B-flat, Op. 19: II. Adagio | — | ||
| 6-6 | Piano Concerto No. 2 in B-flat, Op. 19: III. Rondo: molto allegro | — | ||
| 7-1 | Piano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio | — | ||
| 7-2 | Piano Concerto No. 3 in C minor, Op. 37: II. Largo | — | ||
| 7-3 | Piano Concerto No. 3 in C minor, Op. 37: III. Rondo: Allegro | — | ||
| 7-4 | Piano Concerto No. 5 in E-flat, Op. 73: I. Allegro | — | ||
| 7-5 | Piano Concerto No. 5 in E-flat, Op. 73: II. Adagio un poco mosso | — | ||
| 7-6 | Piano Concerto No. 5 in E-flat, Op. 73: III. Rondo: Allegro | — | ||
| 8-1 | Piano Concerto No. 4 in G, Op. 58: I. Allegro moderato | — | ||
| 8-2 | Piano Concerto No. 4 in G, Op. 58: II. Andante con moto | — | ||
| 8-3 | Piano Concerto No. 4 in G, Op. 58: III. Rondo: Vivace | — | ||
| 8-4 | Piano Concerto in D, Op. 61a: I. Allegro ma non troppo | — | ||
| 8-5 | Piano Concerto in D, Op. 61a: II. Larghetto | — | ||
| 8-6 | Piano Concerto in D, Op. 61a: III. Rondo: Allegro | — | ||
| 9-1 | Violin Concerto in D, Op. 61: I. Allegro ma non troppo | — | ||
| 9-2 | Violin Concerto in D, Op. 61: II. Larghetto | — | ||
| 9-3 | Violin Concerto in D, Op. 61: III. Rondo | — | ||
| 9-4 | Romance for Violin and Orchestra No. 2 in F, Op. 50: Adagio cantabile | — | ||
| 9-5 | Romance for Violin and Orchestra No. 1 in G, Op. 40: Adagio - Allegro con brio | — | ||
| 10-1 | Triple Concerto in C major, op. 56: I. Allegro | Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterházy Sinfonia, Béla Drahos | T-905.049.604-3 | |
| 10-2 | Triple Concerto in C major, op. 56: II. Largo | Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterházy Sinfonia, Béla Drahos | T-900.248.630-8 | |
| 10-3 | Triple Concerto in C major, op. 56: III. Rondo alla Polacca | Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 10-4 | Piano Concerto in E-flat, WoO 4: I. Allegro moderato | — | ||
| 10-5 | Piano Concerto in E-flat, WoO 4: II. Larghetto | — | ||
| 10-6 | Piano Concerto in E-flat, WoO 4: III. Rondo: Allegretto | — | ||
| 10-7 | Rondo for Piano and Orchestra in B-flat, WoO 6 | — | ||
| 11-1 | Leonore Overture No. 1, Op. 138 | — | ||
| 11-2 | Leonore Overture No. 2, Op. 72 | — | ||
| 11-3 | Leonore Overture No. 3, Op. 72a | — | ||
| 11-4 | Fidelio Overture, Op. 72b | — | ||
| 11-5 | Funeral March from Leonore Prohaska, WoO 96 | — | ||
| 11-6 | Die Weihe des Hauses: Overture, Op. 124 | — | ||
| 11-7 | Die Weihe des Hauses: Chorus with soprano solo: "Wo sich die Pulse", WoO 98 | — | ||
| 12-1 | Coriolan - Overture, Op. 62 | — | ||
| 12-2 | Namensfeier - Overture, Op. 115 | — | ||
| 12-3 | Gratulationsmenuett, WoO 3 | Minnesota Orchestra, Stanisław Skrowaczewski | — | |
| 12-4 | Triumphal March from Tarpeja, WoO 2 | — | ||
| 12-5 | Fugue for Organ in D, WoO 31 | — | ||
| 12-6 | Stücke für Flötenuhr, WoO 33: Allegro non più molto | — | ||
| 12-7 | Stücke für Flötenuhr, WoO 33: Allegretto | — | ||
| 12-8 | Stücke für Flötenuhr, WoO 33: Adagio assai | — | ||
| 12-9 | Stücke für Flötenuhr, WoO 33: Scherzo. Allegro | — | ||
| 12-10 | Stücke für Flötenuhr, WoO 33: Allegro | — | ||
| 12-11 | Grenadiermarsch, Hess 107 | — | ||
| 12-12 | Wellington's Victory or the Battle of Vittoria, op, 91: British Entrance | London Symphony Orchestra, Rafael Frühbeck de Burgos | — | |
| 12-13 | Wellington's Victory or the Battle of Vittoria, op, 91: French Entrance | London Symphony Orchestra, Rafael Frühbeck de Burgos | — | |
| 12-14 | Wellington's Victory or the Battle of Vittoria, op, 91: Battle: Allegro | London Symphony Orchestra, Rafael Frühbeck de Burgos | — | |
| 12-15 | Wellington's Victory or the Battle of Vittoria, op, 91: March: Allegro assai | London Symphony Orchestra, Rafael Frühbeck de Burgos | — | |
| 12-16 | Wellington's Victory or the Battle of Vittoria, op, 91: Victory: Allegro con brio | London Symphony Orchestra, Rafael Frühbeck de Burgos | — | |
| 13-1 | 12 Contretänze for Small Orchestra, WoO 14: No. 1 in C | — | ||
| 13-2 | 12 Contretänze for Small Orchestra, WoO 14: No. 2 in A | — | ||
| 13-3 | 12 Contretänze for Small Orchestra, WoO 14: No. 3 in D | — | ||
| 13-4 | 12 Contretänze for Small Orchestra, WoO 14: No. 4 in B-flat | — | ||
| 13-5 | 12 Contretänze for Small Orchestra, WoO 14: No. 5 in E-flat | — | ||
| 13-6 | 12 Contretänze for Small Orchestra, WoO 14: No. 6 in C | — | ||
| 13-7 | 12 Contretänze for Small Orchestra, WoO 14: No. 7 in E-flat | — | ||
| 13-8 | 12 Contretänze for Small Orchestra, WoO 14: No. 8 in C | — | ||
| 13-9 | 12 Contretänze for Small Orchestra, WoO 14: No. 9 in A | — | ||
| 13-10 | 12 Contretänze for Small Orchestra, WoO 14: No. 10 in C | — | ||
| 13-11 | 12 Contretänze for Small Orchestra, WoO 14: No. 11 in G | — | ||
| 13-12 | 12 Contretänze for Small Orchestra, WoO 14: No. 12 in E-flat | — | ||
| 13-13 | 6 Minuets for Two Violins and Cello, WoO 9: No. 1 in E-flat | — | ||
| 13-14 | 6 Minuets for Two Violins and Cello, WoO 9: No. 2 in G | — | ||
| 13-15 | 6 Minuets for Two Violins and Cello, WoO 9: No. 3 in C | — | ||
| 13-16 | 6 Minuets for Two Violins and Cello, WoO 9: No. 4 in F | — | ||
| 13-17 | 6 Minuets for Two Violins and Cello, WoO 9: No. 5 in D | — | ||
| 13-18 | 6 Minuets for Two Violins and Cello, WoO 9: No. 6 in G | — | ||
| 13-19 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 1 Waltz in E-flat | — | ||
| 13-20 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 2 Minuet in B-flat | — | ||
| 13-21 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 3 Waltz in B-flat | — | ||
| 13-22 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 4 Minuet in E-flat | — | ||
| 13-23 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 5 Minuet in E-flat | — | ||
| 13-24 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 6 Ländler in E-flat | — | ||
| 13-25 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 7 Minuet in B-flat | — | ||
| 13-26 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 8 Ländler in B-flat | — | ||
| 13-27 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 9 Minuet in G | — | ||
| 13-28 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 10 Waltz in D | — | ||
| 13-29 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 11 Waltz in D | — | ||
| 13-30 | 6 Ländlerische Tänze for 2 Violins and Bass, WoO 15: No. 1 in D | — | ||
| 13-31 | 6 Ländlerische Tänze for 2 Violins and Bass, WoO 15: No. 2 in D | — | ||
| 13-32 | 6 Ländlerische Tänze for 2 Violins and Bass, WoO 15: No. 3 in D | — | ||
| 13-33 | 6 Ländlerische Tänze for 2 Violins and Bass, WoO 15: No. 4 in D minor | — | ||
| 13-34 | 6 Ländlerische Tänze for 2 Violins and Bass, WoO 15: No. 5 in D | — | ||
| 13-35 | 6 Ländlerische Tänze for 2 Violins and Bass, WoO 15: No. 6 in D | — | ||
| 13-36 | 12 German Dances for Orchestra, WoO 8: No. 1 in C | — | ||
| 13-37 | 12 German Dances for Orchestra, WoO 8: No. 2 in A | — | ||
| 13-38 | 12 German Dances for Orchestra, WoO 8: No. 3 in F | — | ||
| 13-39 | 12 German Dances for Orchestra, WoO 8: No. 4 in B-flat | — | ||
| 13-40 | 12 German Dances for Orchestra, WoO 8: No. 5 in E-flat | — | ||
| 13-41 | 12 German Dances for Orchestra, WoO 8: No. 6 in G | — | ||
| 13-42 | 12 German Dances for Orchestra, WoO 8: No. 7 in C | — | ||
| 13-43 | 12 German Dances for Orchestra, WoO 8: No. 8 in A | — | ||
| 13-44 | 12 German Dances for Orchestra, WoO 8: No. 9 in F | — | ||
| 13-45 | 12 German Dances for Orchestra, WoO 8: No. 10 in D | — | ||
| 13-46 | 12 German Dances for Orchestra, WoO 8: No. 11 in G | — | ||
| 13-47 | 12 German Dances for Orchestra, WoO 8: No. 12 in C | — | ||
| 14-1 | 12 Menuets, WoO 7: No. 1 in D | — | ||
| 14-2 | 12 Menuets, WoO 7: No. 2 in B-flat | — | ||
| 14-3 | 12 Menuets, WoO 7: No. 3 in G | — | ||
| 14-4 | 12 Menuets, WoO 7: No. 4 in E-flat | — | ||
| 14-5 | 12 Menuets, WoO 7: No. 5 in C | — | ||
| 14-6 | 12 Menuets, WoO 7: No. 6 in A | — | ||
| 14-7 | 12 Menuets, WoO 7: No. 7 in D | — | ||
| 14-8 | 12 Menuets, WoO 7: No. 8 in B-flat | — | ||
| 14-9 | 12 Menuets, WoO 7: No. 9 in G | — | ||
| 14-10 | 12 Menuets, WoO 7: No. 10 in E-flat | — | ||
| 14-11 | 12 Menuets, WoO 7: No. 11 in C | — | ||
| 14-12 | 12 Menuets, WoO 7: No. 12 in F | — | ||
| 14-13 | Military March in D, WoO 24 | — | ||
| 14-14 | 6 Menuets for Orchestra, WoO 10: No. 1 in C | — | ||
| 14-15 | 6 Menuets for Orchestra, WoO 10: No. 2 in G | — | ||
| 14-16 | 6 Menuets for Orchestra, WoO 10: No. 3 in E-flat | — | ||
| 14-17 | 6 Menuets for Orchestra, WoO 10: No. 4 in B-flat | — | ||
| 14-18 | 6 Menuets for Orchestra, WoO 10: No. 5 in D | — | ||
| 14-19 | 6 Menuets for Orchestra, WoO 10: No. 6 in C | — | ||
| 14-20 | 6 Deutsche Tänze, WoO 42 | — | ||
| 14-21 | 6 Écossaises in E-flat, WoO 83: No. 1 | — | ||
| 14-22 | 6 Écossaises in E-flat, WoO 83: No. 2 | — | ||
| 14-23 | 6 Écossaises in E-flat, WoO 83: No. 3 | — | ||
| 14-24 | 6 Écossaises in E-flat, WoO 83: No. 4 | — | ||
| 14-25 | 6 Écossaises in E-flat, WoO 83: No. 5 | — | ||
| 14-26 | 6 Écossaises in E-flat, WoO 83: No. 6 | — | ||
| 14-27 | Écossaise in G, WoO 23 | — | ||
| 14-28 | 7 Ländler in D, WoO 11: No. 1 | — | ||
| 14-29 | 7 Ländler in D, WoO 11: No. 2 | — | ||
| 14-30 | 7 Ländler in D, WoO 11: No. 3 | — | ||
| 14-31 | 7 Ländler in D, WoO 11: No. 4 | — | ||
| 14-32 | 7 Ländler in D, WoO 11: No. 5 | — | ||
| 14-33 | 7 Ländler in D, WoO 11: No. 6 | — | ||
| 14-34 | 7 Ländler in D, WoO 11: No. 7 | — | ||
| 14-35 | 12 Deutsche Tänze, WoO 13: No. 1 in D | — | ||
| 14-36 | 12 Deutsche Tänze, WoO 13: No. 2 in B-flat | — | ||
| 14-37 | 12 Deutsche Tänze, WoO 13: No. 3 in G | — | ||
| 14-38 | 12 Deutsche Tänze, WoO 13: No. 4 in D | — | ||
| 14-39 | 12 Deutsche Tänze, WoO 13: No. 5 in F | — | ||
| 14-40 | 12 Deutsche Tänze, WoO 13: No. 6 in B-flat | — | ||
| 14-41 | 12 Deutsche Tänze, WoO 13: No. 7 in D | — | ||
| 14-42 | 12 Deutsche Tänze, WoO 13: No. 8 in G | — | ||
| 14-43 | 12 Deutsche Tänze, WoO 13: No. 9 in E-flat | — | ||
| 14-44 | 12 Deutsche Tänze, WoO 13: No. 10 in C | — | ||
| 14-45 | 12 Deutsche Tänze, WoO 13: No. 11 in A | — | ||
| 14-46 | 12 Deutsche Tänze, WoO 13: No. 12 in D | — | ||
| 15-1 | Octet for 2 Oboes, 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat, Op. 103: I. Allegro | — | ||
| 15-2 | Octet for 2 Oboes, 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat, Op. 103: II. Andante | — | ||
| 15-3 | Octet for 2 Oboes, 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat, Op. 103: III. Menuetto | — | ||
| 15-4 | Octet for 2 Oboes, 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat, Op. 103: IV. Finale: Presto | — | ||
| 15-5 | Rondino for 2 Oboes, 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat, WoO 25 | — | ||
| 15-6 | Sextet for 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat, Op. 71: I. Adagio – Allegro | — | ||
| 15-7 | Sextet for 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat, Op. 71: II. Adagio | — | ||
| 15-8 | Sextet for 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat, Op. 71: III. Menuetto. Quasi allegretto | — | ||
| 15-9 | Sextet for 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat, Op. 71: IV. Rondo. Allegro | — | ||
| 15-10 | Three Duos for Clarinet and Bassoon No. 1 in C, WoO 27: I. Allegro comodo | — | ||
| 15-11 | Three Duos for Clarinet and Bassoon No. 1 in C, WoO 27: II. Larghetto sostenuto | — | ||
| 15-12 | Three Duos for Clarinet and Bassoon No. 1 in C, WoO 27: III. Rondo. Allegretto | — | ||
| 15-13 | Three Duos for Clarinet and Bassoon No. 2 in F, WoO 27: I. Allegro affettuoso | — | ||
| 15-14 | Three Duos for Clarinet and Bassoon No. 2 in F, WoO 27: II. Aria. Larghetto | — | ||
| 15-15 | Three Duos for Clarinet and Bassoon No. 2 in F, WoO 27: III. Rondo. allegretto moderato | — | ||
| 15-16 | Three Duos for Clarinet and Bassoon No. 3 in B-flat, WoO 27: I. Allegro sostenuto | — | ||
| 15-17 | Three Duos for Clarinet and Bassoon No. 3 in B-flat, WoO 27: II. Aria con variazioni | — | ||
| 15-18 | Three Duos for Clarinet and Bassoon No. 3 in B-flat, WoO 27: III. Allegro assai | — | ||
| 16-1 | March and Trio in F major for wind ensemble, WoO 18 "For the Bohemian Ward" | Ottetto Italiano | — | |
| 16-2 | March and Trio in C major for wind ensemble, WoO 20 "Zapfenstreich" | Ottetto Italiano | — | |
| 16-3 | March and Trio in F major for military band, WoO 19 | Ottetto Italiano | — | |
| 16-4 | Polonaise in D major for military band, WoO 21 | Ottetto Italiano | — | |
| 16-5 | Ecossaise in D major for military band, WoO 22 | Ottetto Italiano | — | |
| 16-6 | March for 2 clarinets, 2 horns and 2 bassoons in B-flat major, WoO 29 | Ottetto Italiano | — | |
| 16-7 | Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: I. Allegro | Ottetto Italiano | — | |
| 16-8 | Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: II. Adagio maestoso | Ottetto Italiano | — | |
| 16-9 | Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: III. Minuetto | Ottetto Italiano | — | |
| 16-10 | Adagio for 3 horns in F major | Ottetto Italiano | — | |
| 16-11 | Equale for 4 trombones, WoO 30: I. Andante | Ottetto Italiano | — | |
| 16-12 | Equale for 4 trombones, WoO 30: II. Poco adagio | Ottetto Italiano | — | |
| 16-13 | Equale for 4 trombones, WoO 30: III. Poco sostenuto | Ottetto Italiano | — | |
| 16-14 | Trio for 2 oboes and english horn in C major, Op. 87: I. Allegro | Ottetto Italiano | — | |
| 16-15 | Trio for 2 oboes and english horn in C major, Op. 87: II. Adagio | Ottetto Italiano | — | |
| 16-16 | Trio for 2 oboes and english horn in C major, Op. 87: III. Minuetto | Ottetto Italiano | — | |
| 16-17 | Trio for 2 oboes and english horn in C major, Op. 87: IV. Finale | Ottetto Italiano | — | |
| 16-18 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: I. Theme | Ottetto Italiano | — | |
| 16-19 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: II. Var1 | Ottetto Italiano | — | |
| 16-20 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: III. Var 2 | Ottetto Italiano | — | |
| 16-21 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IV. Var 3 | Ottetto Italiano | — | |
| 16-22 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: V. Var 4 & 5 | Ottetto Italiano | — | |
| 16-23 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VI. Var 6 | Ottetto Italiano | — | |
| 16-24 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VII. Var 7 | Ottetto Italiano | — | |
| 16-25 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VIII. Var 8 | Ottetto Italiano | — | |
| 16-26 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IX. Coda | Ottetto Italiano | — | |
| 16-27 | Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio | Ottetto Italiano | — | |
| 16-28 | Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto | Ottetto Italiano | — | |
| 17-1 | Serenade for Flute and Piano, Op. 41: I. Entrata - Allegro | — | ||
| 17-2 | Serenade for Flute and Piano, Op. 41: II. Tempo ordinario d'un Menuetto | — | ||
| 17-3 | Serenade for Flute and Piano, Op. 41: III. Molto allegro | — | ||
| 17-4 | Serenade for Flute and Piano, Op. 41: IV. Andante con variazioni | — | ||
| 17-5 | Serenade for Flute and Piano, Op. 41: V. Allegro scherzando e vivace | — | ||
| 17-6 | Serenade for Flute and Piano, Op. 41: VI. Adagio | — | ||
| 17-7 | Serenade for Flute and Piano, Op. 41: VII. Allegro vivace | — | ||
| 17-8 | 6 Themes and Variations for Flute and Piano, Op. 105: Scottish Air in G | — | ||
| 17-9 | 6 Themes and Variations for Flute and Piano, Op. 105: Scottish Air in C minor | — | ||
| 17-10 | 6 Themes and Variations for Flute and Piano, Op. 105: Austrian Air in C | — | ||
| 17-11 | 6 Themes and Variations for Flute and Piano, Op. 105: Scottish Air in E-flat | — | ||
| 17-12 | 6 Themes and Variations for Flute and Piano, Op. 105: Scottish Air in E-flat | — | ||
| 17-13 | 6 Themes and Variations for Flute and Piano, Op. 105: Scottish Air in D | — | ||
| 17-14 | Allegro and Minuet in G for 2 Flutes, WoO 26: I. Allegro con brio | — | ||
| 17-15 | Allegro and Minuet in G for 2 Flutes, WoO 26: II. Minuetto: Quasi allegro | — | ||
| 17-16 | Trio for Flute, Bassoon, and Piano in G, WoO 37: I. Allegro | — | ||
| 17-17 | Trio for Flute, Bassoon, and Piano in G, WoO 37: II. Adagio | — | ||
| 17-18 | Trio for Flute, Bassoon, and Piano in G, WoO 37: III. Thema (Andante) con variazioni | — | ||
| 18-1 | 10 Themes and Variations for Flute and Piano, Op. 107: Tyrolian Air in E-flat | — | ||
| 18-2 | 10 Themes and Variations for Flute and Piano, Op. 107: Scottish Air in F | — | ||
| 18-3 | 10 Themes and Variations for Flute and Piano, Op. 107: Russian Air in G | — | ||
| 18-4 | 10 Themes and Variations for Flute and Piano, Op. 107: Scottish Air in F | — | ||
| 18-5 | 10 Themes and Variations for Flute and Piano, Op. 107: Tyrolian Air in F | — | ||
| 18-6 | 10 Themes and Variations for Flute and Piano, Op. 107: Scottish Air in E-flat | — | ||
| 18-7 | 10 Themes and Variations for Flute and Piano, Op. 107: Russian Air in A minor | — | ||
| 18-8 | 10 Themes and Variations for Flute and Piano, Op. 107: Scottish Air in D | — | ||
| 18-9 | 10 Themes and Variations for Flute and Piano, Op. 107: Scottish Air E-flat | — | ||
| 18-10 | 10 Themes and Variations for Flute and Piano, Op. 107: Scottish Air G minor | — | ||
| 18-11 | Trio for 3 Flutes in G (spurious): I. Allegro | — | ||
| 18-12 | Trio for 3 Flutes in G (spurious): II. Andante | — | ||
| 18-13 | Trio for Flutes in G (spurious): III. Rondo: Allegretto | — | ||
| 18-14 | Sonata for Flute and Piano in B-flat, Anh. 4: I. Allegro moderato | — | ||
| 18-15 | Sonata for Flute and Piano in B-flat, Anh. 4: II. Polonaise | — | ||
| 18-16 | Sonata for Flute and Piano in B-flat, Anh. 4: III. Largo | — | ||
| 18-17 | Sonata for Flute and Piano in B-flat, Anh. 4: IV. Tema (Allegretto) con variazione | — | ||
| 19-7 | Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat, Op. 81b: I. Allegro con brio | — | ||
| 19-8 | Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat, Op. 81b: II. Adagio | — | ||
| 19-9 | Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat, Op. 81b: III. Rondo: Allegro | — | ||
| 20-1 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat, Op. 16: I. Grave – Allegro ma non troppo | — | ||
| 20-2 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat, Op. 16: II. Andante cantabile | — | ||
| 20-3 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat, Op. 16: III. Rondo: Allegro ma non troppo | — | ||
| 20-4 | Trio for Clarinet, Cello, and Piano in B-flat, Op. 11: I. Allegro con brio | — | ||
| 20-5 | Trio for Clarinet, Cello, and Piano in B-flat, Op. 11: II. Adagio | — | ||
| 20-6 | Trio for Clarinet, Cello, and Piano in B-flat, Op. 11: III. Allegretto: Variations on "Pria ch'io l'impegno" | — | ||
| 20-7 | Horn Sonata in F, Op. 17: I. Allegro moderato | — | ||
| 20-8 | Horn Sonata in F, Op. 17: II. Poco adagio, quasi andante | — | ||
| 20-9 | Horn Sonata in F, Op. 17: III. Rondo: Allegro moderato | — | ||
| 21-1 | Serenade for Flute, Violin, and Viola in D, Op. 25: I. Entrata: Allegro | — | ||
| 21-2 | Serenade for Flute, Violin, and Viola in D, Op. 25: II. Tempo ordinario d"un Menuetto | — | ||
| 21-3 | Serenade for Flute, Violin, and Viola in D, Op. 25: III. Allegro molto | — | ||
| 21-4 | Serenade for Flute, Violin, and Viola in D, Op. 25: IV. Andante con variazioni | — | ||
| 21-5 | Serenade for Flute, Violin, and Viola in D, Op. 25: V. Allegro scherzando e vivace | — | ||
| 21-6 | Serenade for Flute, Violin and Viola in D, Op. 25: VI. Adagio – Allegro vivace disinvolto | — | ||
| 21-7 | Rondo for Violin and Piano in G, WoO 41 | — | ||
| 21-8 | Trio for Violin, Cello, and Piano in E-flat, Hess 48 | — | ||
| 21-9 | Adagio for Mandolin and Piano in E-flat, WoO 43b | — | ||
| 21-10 | Sonatina for Mandolin and Piano in C, WoO 44a | — | ||
| 21-11 | Andante and Variations for Mandolin and Piano in D, WoO 44b | — | ||
| 21-12 | 12 Variations for Violin and Piano in F on "Se vuol ballare" from Mozart's "Le Nozze di Figaro", WoO 40 | — | ||
| 22-1 | Piano Quartet in C, WoO 36 No. 3: I. Allegro vivace | — | ||
| 22-2 | Piano Quartet in C, WoO 36 No. 3: II. Adagio con espressione | — | ||
| 22-3 | Piano Quartet in C, WoO 36 No. 3: III. Rondo: Allegro | — | ||
| 22-4 | Piano Quartet in E-flat, WoO 36 No. 1: I. Adagio assai – Allegro con spirito | — | ||
| 22-5 | Piano Quartet in E-flat, WoO 36 No. 1: II. Tema con variazioni | — | ||
| 22-6 | Piano Quartet in D, WoO 36 No. 2: I. Allegro moderato | — | ||
| 22-7 | Piano Quartet in D, WoO 36 No. 2: II. Andante con moto | — | ||
| 22-8 | Piano Quartet in D, WoO 36 No. 2: III. Rondo: Allegro | — | ||
| 23-1 | Piano Trio in G Major, Op. 1 No. 2: I. Adagio – Allegro vivace | Trio Élégiaque | — | |
| 23-2 | Piano Trio in G Major, Op. 1 No. 2: II. Largo con espressione | Trio Élégiaque | — | |
| 23-3 | Piano Trio in G Major, Op. 1 No. 2: III. Scherzo. Allegro | Trio Élégiaque | — | |
| 23-4 | Piano Trio in G Major, Op. 1 No. 2:. IV. Finale. Presto | Trio Élégiaque | T-003.055.867-8 | |
| 23-5 | Piano Trio in D Major, Op. 70 No. 1 ‘Ghost’: I. Allegro vivace | Trio Élégiaque | — | |
| 23-6 | Piano Trio in D Major, Op. 70 No. 1 ‘Ghost’: II. Largo assai ed espressivo | Trio Élégiaque | — | |
| 23-7 | Piano Trio in D Major, Op. 70 No. 1 ‘Ghost’: III. Presto | Trio Élégiaque | — | |
| 23-8 | Piano Trio in E-Flat, WoO 38: I. Allegro moderato | Trio Élégiaque | — | |
| 23-9 | Piano Trio in E-Flat, WoO 38: II. Scherzo. Allegro ma non troppo | Trio Élégiaque | — | |
| 23-10 | Piano Trio in E-Flat, WoO 38: III. Rondo. Allegretto | Trio Élégiaque | — | |
| 24-1 | Piano Trio in C Minor, Op. 1 No. 3: I. Allegro con brio | Trio Élégiaque | — | |
| 24-2 | Piano Trio in C Minor, Op. 1 No. 3: II. Andante cantabile con variazioni | Trio Élégiaque | — | |
| 24-3 | Piano Trio in C Minor, Op. 1 No. 3: III. Menuetto. Quasi allegro – Trio | Trio Élégiaque | — | |
| 24-4 | Piano Trio in C Minor, Op. 1 No. 3: IV. Finale. Prestissimo | Trio Élégiaque | — | |
| 24-5 | Piano Trio in E-Flat, Op. 70 No. 2: I. Poco sostenuto – Allegro ma non troppo | Trio Élégiaque | — | |
| 24-6 | Piano Trio in E-Flat, Op. 70 No. 2: II. Allegretto | Trio Élégiaque | — | |
| 24-7 | Piano Trio in E-Flat, Op. 70 No. 2: III. Allegretto ma non troppo | Trio Élégiaque | — | |
| 24-8 | Piano Trio in E-Flat, Op. 70 No. 2: IV. Finale. Allegro | Trio Élégiaque | T-003.055.867-8 | |
| 24-9 | Piano Trio in E-Flat, Op. 44: 14 Variations on an original theme. Tema (Andante) con variazioni | Trio Élégiaque | — | |
| 25-1 | Piano Trio in E-Flat, Op. 1 No. 1: I. Allegro | Trio Élégiaque | — | |
| 25-2 | Piano Trio in E-Flat, Op. 1 No. 1: II. Adagio cantabile | Trio Élégiaque | — | |
| 25-3 | Piano Trio in E-Flat, Op. 1 No. 1: III. Scherzo. Allegro assai | Trio Élégiaque | — | |
| 25-4 | Piano Trio in E-Flat, Op. 1 No. 1: IV. Finale. Presto | Trio Élégiaque | T-003.055.867-8 | |
| 25-5 | Piano Trio in D Major, after Symphony No. 2: I. Adagio – Allegro con brio | Trio Élégiaque | — | |
| 25-6 | Piano Trio in D Major, after Symphony No. 2: II. Larghetto quasi andante | Trio Élégiaque | — | |
| 25-7 | Piano Trio in D Major, after Symphony No. 2: III. Scherzo | Trio Élégiaque | — | |
| 25-8 | Piano Trio in D Major, After Symphony No. 2: IV. Allegro molto | Trio Élégiaque | — | |
| 25-9 | Triosatz in E-Flat: Allegretto | Trio Élégiaque | — | |
| 26-1 | Piano Trio in B-Flat Major, Op. 97 ‘Archduke’: I. Allegro moderato | Trio Élégiaque | — | |
| 26-2 | Piano Trio in B-Flat Major, Op. 97 ‘Archduke’: II. Scherzo. Allegro | Trio Élégiaque | — | |
| 26-3 | Piano Trio in B-Flat Major, Op. 97 ‘Archduke’: III. Andante cantabile, ma però con moto – Poco più adagio | Trio Élégiaque | — | |
| 26-4 | Piano Trio in B-Flat Major, Op. 97 ‘Archduke’: IV. Allegro moderato | Trio Élégiaque | — | |
| 26-5 | Piano Trio in B-Flat Major, WoO 39: Allegretto | Trio Élégiaque | — | |
| 26-6 | Piano Trio in E-Flat Major, Op. 63, After the String Quintet, Op. 4: I. Allegro con brio | Trio Élégiaque | — | |
| 26-7 | Piano Trio in E-Flat Major, Op. 63, After the String Quintet, Op. 4: II. Andante | Trio Élégiaque | — | |
| 26-8 | Piano Trio in E-Flat Major, Op. 63, After the String Quintet, Op. 4: III. Menuetto – Trio | Trio Élégiaque | — | |
| 26-9 | Piano Trio in E-Flat Major, Op. 63, After the String Quintet, Op. 4: IV. Finale. Presto | Trio Élégiaque | T-003.055.867-8 | |
| 27-1 | Piano Trio in B-Flat Major, Op. 11 ‘Gassenhauer’: I. Allegro con brio | Trio Élégiaque | — | |
| 27-2 | Piano Trio in B-Flat Major, Op. 11 ‘Gassenhauer’: II. Adagio | Trio Élégiaque | — | |
| 27-3 | Piano Trio in B-Flat Major, Op. 11 ‘Gassenhauer’: III. Tema. Pria ch'io l'impegno allegretto con variazioni | Trio Élégiaque | — | |
| 27-4 | Piano Trio in G Major, Op. 121a: Introduzione. Adagio assai – Tema. Allegretto con variazioni | Trio Élégiaque | — | |
| 27-5 | Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: I. Adagio – Allegro con brio | Trio Élégiaque | — | |
| 27-6 | Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: II. Adagio cantabile | Trio Élégiaque | — | |
| 27-7 | Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: III. Tempo di menuetto | Trio Élégiaque | — | |
| 27-8 | Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: IV. Andante con variazioni | Trio Élégiaque | — | |
| 27-9 | Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: V. Scherzo. Allegro molto e vivace | Trio Élégiaque | — | |
| 27-10 | Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: VI. Andante con moto alla marcia – Presto | Trio Élégiaque | — | |
| 28-1 | Cello Sonata in F, Op. 5 No. 1: I. Adagio sostenuto - Allegro | — | ||
| 28-2 | Cello Sonata in F, Op. 5 No. 1: II. Rondo: Allegro vivace | — | ||
| 28-3 | Cello Sonata in G minor, Op. 5 No. 2: I. Adagio sostenuto ed espressivo | — | ||
| 28-4 | Cello Sonata in G minor, Op. 5 No. 2: I. Allegro molto più tosto presto | — | ||
| 28-5 | Cello Sonata in G minor, Op. 5 No. 2: II. Rondo: Allegro | — | ||
| 28-6 | Cello Sonata in A, Op. 69: I. Allegro ma non tanto | — | ||
| 28-7 | Cello Sonata in A, Op. 69: II. Scherzo: Allegro molto | — | ||
| 28-8 | Cello Sonata in A, Op. 69: III. Adagio cantabile - Allegro vivace | — | ||
| 29-1 | Cello Sonata in C, Op. 102 No. 1: I. Adagio - Allegro vivace | — | ||
| 29-2 | Cello Sonata in C, Op. 102 No. 1: II. Adagio - Tempo d"andante - Allegro vivace | — | ||
| 29-3 | Cello Sonata in D, Op. 102 No. 2 I. Allegro con brio | — | ||
| 29-4 | Cello Sonata in D, Op. 102 No. 2: II. Adagio con molto sentimento d"affetto | — | ||
| 29-5 | Cello Sonata in D, Op. 102 No. 2: III. Allegro - Allegro fugato | — | ||
| 29-6 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Thema: Allegretto | — | ||
| 29-7 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 1 | — | ||
| 29-8 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 2 | — | ||
| 29-9 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 3 | — | ||
| 29-10 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 4 | — | ||
| 29-11 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 5 | — | ||
| 29-12 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 6 | — | ||
| 29-13 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 7 | — | ||
| 29-14 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 8 | — | ||
| 29-15 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 9 | — | ||
| 29-16 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 10 | — | ||
| 29-17 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 11: Adagio | — | ||
| 29-18 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 12: Allegro | — | ||
| 29-19 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Thema: Allegretto | — | ||
| 29-20 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 1 | — | ||
| 29-21 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 2 | — | ||
| 29-22 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 3 | — | ||
| 29-23 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 4 | — | ||
| 29-24 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 5 | — | ||
| 29-25 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 6 | — | ||
| 29-26 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 7 | — | ||
| 29-27 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 8 | — | ||
| 29-28 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 9 | — | ||
| 29-29 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 10: Adagio | — | ||
| 29-30 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 11: Poco adagio, quasi andante | — | ||
| 29-31 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 12: Allegro | — | ||
| 29-32 | 7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart"s "Die Zauberflöte", WoO 46: Thema: Andante | — | ||
| 29-33 | 7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart"s "Die Zauberflöte", WoO 46: Variation 1 | — | ||
| 29-34 | 7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart"s "Die Zauberflöte", WoO 46: Variation 2 | — | ||
| 29-35 | 7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart"s "Die Zauberflöte", WoO 46: Variation 3 | — | ||
| 29-36 | 7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart"s "Die Zauberflöte", WoO 46: Variation 4 | — | ||
| 29-37 | 7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart"s "Die Zauberflöte", WoO 46: Variation 5: Si prenda il tempo un poco | — | ||
| 29-38 | 7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart"s "Die Zauberflöte", WoO 46: Variation 6: Adagio | — | ||
| 29-39 | 7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart"s "Die Zauberflöte", WoO 46: Variation 7: Allegro ma non troppo | — | ||
| 30-1 | Violin Sonata no. 1 in D major, op. 12 no. 1: I. Allegro con brio | Kristóf Baráti, Klára Würtz | — | |
| 30-2 | Violin Sonata no. 1 in D major, op. 12 no. 1: II. Tema con variazioni | Kristóf Baráti, Klára Würtz | — | |
| 30-3 | Violin Sonata no. 1 in D major, op. 12 no. 1: III. Rondo. Allegro | Kristóf Baráti, Klára Würtz | — | |
| 30-4 | Violin Sonata no. 2 in A major, op. 12 no. 2: I. Allegro vivace | Kristóf Baráti, Klára Würtz | — | |
| 30-5 | Violin Sonata no. 2 in A major, op. 12 no. 2: II. Andante, più tosto allegretto | Kristóf Baráti, Klára Würtz | — | |
| 30-6 | Violin Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacevole | Kristóf Baráti, Klára Würtz | — | |
| 30-7 | Violin Sonata no. 3 in E-flat major, op. 12 no. 3: I. Allegro con spirito | Kristóf Baráti, Klára Würtz | — | |
| 30-8 | Violin Sonata no. 3 in E-flat major, op. 12 no. 3: II. Adagio con molt’espressione | Kristóf Baráti, Klára Würtz | — | |
| 30-9 | Violin Sonata no. 3 in E-flat major, op. 12 no. 3: III. Rondo. Allegro molto | Kristóf Baráti, Klára Würtz | — | |
| 31-1 | Violin Sonata no. 4 in A minor, op. 23: I. Presto | Kristóf Baráti, Klára Würtz | — | |
| 31-2 | Violin Sonata no. 4 in A minor, op. 23: II. Andante scherzoso, più allegretto | Kristóf Baráti, Klára Würtz | — | |
| 31-3 | Violin Sonata no. 4 in A minor, op. 23: III. Allegro molto | Kristóf Baráti, Klára Würtz | — | |
| 31-4 | Violin Sonata no. 5 in F, op. 24 “Spring”: I. Allegro | Kristóf Baráti, Klára Würtz | — | |
| 31-5 | Violin Sonata no. 5 in F, op. 24 “Spring”: II. Adagio molto espressivo | Kristóf Baráti, Klára Würtz | — | |
| 31-6 | Violin Sonata no. 5 in F, op. 24 “Spring”: III. Scherzo. Allegro molto | Kristóf Baráti, Klára Würtz | — | |
| 31-7 | Violin Sonata no. 5 in F, op. 24 “Spring”: IV. Rondo. Allegro ma non troppo | Kristóf Baráti, Klára Würtz | T-909.573.283-5 | |
| 32-1 | Violin Sonata no. 6 in A major, op. 30 no. 1: I. Allegro | Kristóf Baráti, Klára Würtz | — | |
| 32-2 | Violin Sonata no. 6 in A major, op. 30 no. 1: II. Adagio molto espressivo | Kristóf Baráti, Klára Würtz | — | |
| 32-3 | Violin Sonata no. 6 in A major, op. 30 no. 1: III. Allegretto con variazioni | Kristóf Baráti, Klára Würtz | — | |
| 32-4 | Violin Sonata no. 7 in C minor, op. 30 no. 2: I. Allegro con brio | Kristóf Baráti, Klára Würtz | — | |
| 32-5 | Violin Sonata no. 7 in C minor, op. 30 no. 2: II. Adagio cantabile | Kristóf Baráti, Klára Würtz | — | |
| 32-6 | Violin Sonata no. 7 in C minor, op. 30 no. 2: III. Scherzo. Allegro | Kristóf Baráti, Klára Würtz | — | |
| 32-7 | Violin Sonata no. 7 in C minor, op. 30 no. 2: IV. Finale. Allegro | Kristóf Baráti, Klára Würtz | — | |
| 32-8 | Violin Sonata no. 8 in G major, op. 30 no. 3: I. Allegro assai | Kristóf Baráti, Klára Würtz | — | |
| 32-9 | Violin Sonata no. 8 in G major, op. 30 no. 3: II. Tempo di menuetto | Kristóf Baráti, Klára Würtz | — | |
| 32-10 | Violin Sonata no. 8 in G major, op. 30 no. 3: III. Allegro vivace | Kristóf Baráti, Klára Würtz | — | |
| 33-1 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto | Kristóf Baráti, Klára Würtz | — | |
| 33-2 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: II. Andante con variazioni | Kristóf Baráti, Klára Würtz | — | |
| 33-3 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: III. Finale. Presto | Kristóf Baráti, Klára Würtz | — | |
| 33-4 | Violin Sonata no. 10 in G major, op. 96: I. Allegro moderato | Kristóf Baráti, Klára Würtz | — | |
| 33-5 | Violin Sonata no. 10 in G major, op. 96: II. Adagio espressivo | Kristóf Baráti, Klára Würtz | — | |
| 33-6 | Violin Sonata no. 10 in G major, op. 96: III. Scherzo. Allegro | Kristóf Baráti, Klára Würtz | — | |
| 33-7 | Violin Sonata no. 10 in G major, op. 96: IV. Poco allegretto | Kristóf Baráti, Klára Würtz | — | |
| 34-1 | String Trio in E-flat, Op. 3: I. Allegro con brio | — | ||
| 34-2 | String Trio in E-flat, Op. 3: II. Andante | — | ||
| 34-3 | String Trio in E-flat, Op. 3: III. Menuetto: Allegro | — | ||
| 34-4 | String Trio in E-flat, Op. 3: IV. Adagio | — | ||
| 34-5 | String Trio in E-flat, Op. 3: V. Menuetto: Moderato | — | ||
| 34-6 | String Trio in E-flat, Op. 3: VI. Finale: Allegro | — | ||
| 34-7 | Serenade in D for String Trio, Op. 8: I. Marcia Allegro | — | ||
| 34-8 | Serenade in D for String Trio, Op. 8: II. Adagio | — | ||
| 34-9 | Serenade in D for String Trio, Op. 8: III. Menuetto: Allegretto | — | ||
| 34-10 | Serenade in D for String Trio, Op. 8: IV. Adagio – Scherzo: Allegro | — | ||
| 34-11 | Serenade in D for String Trio, Op. 8: V. Allegretto alla Polacca | — | ||
| 34-12 | Serenade in D for String Trio, Op. 8: VI. Andante quasi allegretto – Variations 1–4 – Allegro | — | ||
| 34-13 | Serenade in D for String Trio, Op. 8: VII. Marcia: Allegro | — | ||
| 35-1 | String Trio in G, Op. 9 No. 1: I. Adagio – Allegro con brio | — | ||
| 35-2 | String Trio in G, Op. 9 No. 1: II. Adagio ma non tanto e cantabile | — | ||
| 35-3 | String Trio in G, Op. 9 No. 1: III. Scherzo: Allegro | — | ||
| 35-4 | String Trio in G, Op. 9 No. 1: IV. Presto | — | ||
| 35-5 | String Trio in D, Op. 9 No. 2: I. Allegretto | — | ||
| 35-6 | String Trio in D, Op. 9 No. 2: II. Andante quasi allegretto | — | ||
| 35-7 | String Trio in D, Op. 9 No. 2: III. Menuetto: Allegro | — | ||
| 35-8 | String Trio in D, Op. 9 No. 2: IV. Rondo: Allegro | — | ||
| 35-9 | String Trio in C minor, Op. 9 No. 3: I. Allegro con spirito | — | ||
| 35-10 | String Trio in C minor, Op. 9 No. 3: II. Adagio con espressione | — | ||
| 35-11 | String Trio in C minor, Op. 9 No. 3: III. Scherzo: Allegro molto e vivace | — | ||
| 35-12 | String Trio in C minor, Op. 9 No. 3: IV. Finale: Presto | — | ||
| 36-1 | String Quartet No. 1 in F, Op. 18 No. 1: I. Allegro con brio | — | ||
| 36-2 | String Quartet No. 1 in F, Op. 18 No. 1: II. Adagio affettuoso ed appassionato | — | ||
| 36-3 | String Quartet No. 1 in F, Op. 18 No. 1: III. Scherzo: Allegro molto – Trio | — | ||
| 36-4 | String Quartet No. 1 in F, Op. 18 No. 1: IV. Allegro | — | ||
| 36-5 | String Quartet No. 2 in G, Op. 18 No. 2: I. Allegro | — | ||
| 36-6 | String Quartet No. 2 in G, Op. 18 No. 2: II. Adagio cantabile – Allegro – Tempo I | — | ||
| 36-7 | String Quartet No. 2 in G, Op. 18 No. 2: III. Scherzo: Allegro – Trio | — | ||
| 36-8 | String Quartet No. 2 in G, Op. 18 No. 2: IV. Allegro molto, quasi presto | — | ||
| 36-9 | String Quartet No. 3 in D, Op. 18 No. 3: I. Allegro | — | ||
| 36-10 | String Quartet no. 3 in D major, op. 18 no. 3: II. Andante con moto | Suske-Quartett | — | |
| 36-11 | String Quartet No. 3 in D, Op. 18 No. 3: III. Allegro | — | ||
| 36-12 | String Quartet No. 3 in D, Op. 18 No. 3: IV. Presto | — | ||
| 37-1 | String Quartet No. 4 in C minor, Op. 18 No. 4: I. Allegro ma non tanto | — | ||
| 37-2 | String Quartet No. 4 in C minor, Op. 18 No. 4: II. Scherzo: Andante scherzo, quasi allegretto | — | ||
| 37-3 | String Quartet No. 4 in C minor, Op. 18 No. 4: III. Menuetto: Allegretto – Trio | — | ||
| 37-4 | String Quartet No. 4 in C minor, Op. 18 No. 4: IV. Allegro | — | ||
| 37-5 | String Quartet No. 5 in A, Op. 18 No. 5: I. Allegro | — | ||
| 37-6 | String Quartet No. 5 in A, Op. 18 No. 5: II. Menuetto – Trio | — | ||
| 37-7 | String Quartet No. 5 in A, Op. 18 No. 5: III. Andante cantabile | — | ||
| 37-8 | String Quartet No. 5 in A, Op. 18 No. 5: IV. Allegro | — | ||
| 37-9 | String Quartet No. 6 in B-flat, Op. 18 No. 6: I. Allegro con brio | — | ||
| 37-10 | String Quartet No. 6 in B-flat, Op. 18 No. 6: II. Adagio ma non troppo | — | ||
| 37-11 | String Quartet No. 6 in B-flat, Op. 18 No. 6: III. Scherzo: Allegro – Trio | — | ||
| 37-12 | String Quartet No. 6 in B-flat, Op. 18 No. 6: IV. Adagio (La Malinconia) – Allegretto, quasi allegro | — | ||
| 37-13 | Minuet in A-flat, Hess 33 | — | ||
| 38-1 | String Quartet No. 7 in F, Op. 59 No. 1 "Rasumovsky": I. Allegro | — | ||
| 38-2 | String Quartet No. 7 in F, Op. 59 No. 1 "Rasumovsky": II. Allegretto vivace e sempre scherzando | — | ||
| 38-3 | String Quartet No. 7 in F, Op. 59 No. 1 "Rasumovsky": III. Adagio molto e mesto | — | ||
| 38-4 | String Quartet No. 7 in F, Op. 59 No. 1 "Rasumovsky": IV. Allegro (Thème russe) | — | ||
| 38-5 | String Quartet No. 8 in E minor, Op. 59 No. 2 "Rasumovsky": I. Allegro | — | ||
| 38-6 | String Quartet No. 8 in E minor, Op. 59 No. 2 "Rasumovsky": II. Molto adagio | — | ||
| 38-7 | String Quartet No. 8 in E minor, Op. 59 No. 2 "Rasumovsky": III. Allegretto | — | ||
| 38-8 | String Quartet No. 8 in E minor, Op. 59 No. 2 "Rasumovsky": IV. Finale: Presto | — | ||
| 39-1 | String Quartet No. 9 in C, Op. 59 No. 3 "Rasumovsky": I. Introduzione: Andante con moto – Allegro vivace | — | ||
| 39-2 | String Quartet No. 9 in C, Op. 59 No. 3 "Rasumovsky": II. Andante con moto, quasi allegretto | — | ||
| 39-3 | String Quartet No. 9 in C, Op. 59 No. 3 "Rasumovsky": III. Menuetto: Grazioso – Trio | — | ||
| 39-4 | String Quartet No. 9 in C, Op. 59 No. 3 "Rasumovsky": IV. Allegro molto | — | ||
| 39-5 | String Quartet No. 10 in E-flat, Op. 74 "Harp": I. Poco adagio – Allegro | — | ||
| 39-6 | String Quartet No. 10 in E-flat, Op. 74 "Harp": II. Adagio ma non troppo | — | ||
| 39-7 | String Quartet No. 10 in E-flat, Op. 74 "Harp": III. Presto | — | ||
| 39-8 | String Quartet No. 10 in E-flat, Op. 74 "Harp": IV. Allegretto con variazioni | — | ||
| 40-1 | String Quartet No. 11 in F minor, Op. 95 "Quartetto serioso": I. Allegro con brio | — | ||
| 40-2 | String Quartet No. 11 in F minor, Op. 95 "Quartetto serioso": II. Allegretto ma non troppo | — | ||
| 40-3 | String Quartet No. 11 in F minor, Op. 95 "Quartetto serioso": III. Allegro assai vivace, ma serioso | — | ||
| 40-4 | String Quartet No. 11 in F minor, Op. 95 "Quartetto serioso": IV. Larghetto espressivo – Allegretto agitato – Allegro | — | ||
| 40-5 | String Quartet No. 13 in B-flat, Op. 130: I. Adagio ma non troppo – Allegro | — | ||
| 40-6 | String Quartet No. 13 in B-flat, Op. 130: II. Presto | — | ||
| 40-7 | String Quartet No. 13 in B-flat, Op. 130: III. Andante con moto, ma non troppo | — | ||
| 40-8 | String Quartet No. 13 in B-flat, Op. 130: IV. Alla danza tedesca: Allegro assai | — | ||
| 40-9 | String Quartet No. 13 in B-flat, Op. 130: V. Cavatina: Adagio molto espressivo | — | ||
| 40-10 | String Quartet No. 13 in B-flat, Op. 130: VI. Finale: Allegro | — | ||
| 40-11 | Große Fuge in B-flat, Op. 133 | — | ||
| 41-1 | String Quartet No. 12 in E-flat, Op. 127: I. Maestoso – Allegro | — | ||
| 41-2 | String Quartet No. 12 in E-flat, Op. 127: II. Adagio ma non troppo e molto cantabile | — | ||
| 41-3 | String Quartet No. 12 in E-flat, Op. 127: III. Scherzando vivace | — | ||
| 41-4 | String Quartet No. 12 in E-flat, Op. 127: IV. Finale | — | ||
| 41-5 | String Quartet No. 14 in C-sharp minor, Op. 131: I. Adagio ma non troppo e molto espressivo | — | ||
| 41-6 | String Quartet No. 14 in C-sharp minor, Op. 131: II. Allegro molto vivace | — | ||
| 41-7 | String Quartet No. 14 in C-sharp minor, Op. 131: III. Allegro molto moderato – Adagio – Più vivace | — | ||
| 41-8 | String Quartet No. 14 in C-sharp minor, Op. 131: IV. Andante ma non troppo e molto cantabile | — | ||
| 41-9 | String Quartet No. 14 in C-sharp minor, Op. 131: V. Presto | — | ||
| 41-10 | String Quartet No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante | — | ||
| 41-11 | String Quartet No. 14 in C-sharp minor, Op. 131: VII. Allegro | — | ||
| 42-1 | String Quartet No. 15 in A minor, Op. 132: I. Assai sostenuto – Allegro | — | ||
| 42-2 | String Quartet No. 15 in A minor, Op. 132: II. Allegro ma non troppo | — | ||
| 42-3 | String Quartet No. 15 in A minor, Op. 132: III. Molto adagio: Heiliger Dankgesang eines Genesenen an die Gottheit in der lydischen Tonart | — | ||
| 42-4 | String Quartet No. 15 in A minor, Op. 132: IV. Alla marcia, assai vivace | — | ||
| 42-5 | String Quartet No. 15 in A minor, Op. 132: V. Finale: Allegro appassionato | — | ||
| 42-6 | String Quartet No. 16 in F, Op. 135: I. Allegretto | — | ||
| 42-7 | String Quartet No. 16 in F, Op. 135: II. Vivace | — | ||
| 42-8 | String Quartet No. 16 in F, Op. 135: III. Lento assai, cantante e tranquillo | — | ||
| 42-9 | String Quartet No. 16 in F, Op. 135: IV. Grave ma non troppo tratto – Allegro | — | ||
| 43-1 | String Quintet in C, Op. 29: I. Allegro moderato | — | ||
| 43-2 | String Quintet in C, Op. 29: II. Adagio molto espressivo | — | ||
| 43-3 | String Quintet in C, Op. 29: III. Scherzo: Allegro | — | ||
| 43-4 | String Quintet in C, Op. 29: IV. Presto | — | ||
| 43-5 | String Quintet in C minor, Op. 104 arrangement of Piano Trio, Op. 1 No. 3: I. Allegro con brio | — | ||
| 43-6 | String Quintet in C minor, Op. 104 arrangement of Piano Trio, Op. 1 No. 3: II. Andante cantabile con variazioni | — | ||
| 43-7 | String Quintet in C minor, Op. 104 arrangement of Piano Trio, Op. 1 No. 3: III. Menuetto. Quasi allegro | — | ||
| 43-8 | String Quintet in C minor, Op. 104: IV. Finale. Presto | — | ||
| 43-9 | String Quartet in F after Piano Sonata in E, Op. 14 No. 1: I. Allegro moderato | — | ||
| 43-10 | String Quartet in F after Piano Sonata in E, Op. 14 No. 1: II. Allegretto | — | ||
| 43-11 | String Quartet in F after Piano Sonata in E, Op. 14 No. 1: III. Allegro | — | ||
| 44-1 | String Quintet in E-flat, Op. 4: I. Allegro con brio | — | ||
| 44-2 | String Quintet in E-flat, Op. 4: II. Andante | — | ||
| 44-3 | String Quintet in E-flat, Op. 4: III. Menuetto | — | ||
| 44-4 | String Quintet in E-flat, Op. 4: IV. Finale: Presto | — | ||
| 44-5 | Fugue for String Quintet in D, Op. 137 | — | ||
| 44-6 | Duet for Viola and Cello in E-flat, WoO 32 “mit zwei obligaten Augengläsern”: I. - | — | ||
| 44-7 | Duet for Viola and Cello in E-flat, WoO 32 “mit zwei obligaten Augengläsern”: II. Minuetto | — | ||
| 44-8 | 6 ländlerische Tänze for 2 Violins, Cello, and Double Bass, WoO 15 | — | ||
| 44-9 | Prelude and Fugue for 2 Violins and Cello in E minor, Hess 29 | — | ||
| 44-10 | Prelude and Fugue for String Quartet in F, Hess 30 | — | ||
| 44-11 | Prelude and Fugue for String Quartet in C, Hess 31 | — | ||
| 44-12 | Minuet for String Quartet, Hess 33 | — | ||
| 44-13 | Prelude for String Quintet, Hess 40 | — | ||
| 45-1 | Piano Sonata No. 29 in B-flat, Op. 106 "Hammerklavier": I. Allegro | — | ||
| 45-2 | Piano Sonata No. 29 in B-flat, Op. 106 "Hammerklavier": II. Scherzo: Assai vivace | — | ||
| 45-3 | Piano Sonata No. 29 in B-flat, Op. 106 "Hammerklavier": III. Adagio sostenuto | — | ||
| 45-4 | Piano Sonata No. 29 in B-flat, Op. 106 "Hammerklavier": IV. Largo - Allegro risoluto | — | ||
| 45-5 | Piano Sonata No. 32 in C minor, Op. 111: I. Maestoso - Allegro con brio e appassionato | — | ||
| 45-6 | Piano Sonata No. 32 in C minor, Op. 111: II. Arietta: Adagio molto, semplice e cantabile | — | ||
| 46-1 | Piano Sonata No. 28 in A, Op. 101: I. Allegretto ma non troppo | — | ||
| 46-2 | Piano Sonata No. 28 in A, Op. 101: II. Vivace alla marcia | — | ||
| 46-3 | Piano Sonata No. 28 in A, Op. 101: III. Adagio ma non troppo con affetto - Presto | — | ||
| 46-4 | Piano Sonata No. 30 in E, Op. 109: I. Vivace ma non troppo - adagio espressivo | — | ||
| 46-5 | Piano Sonata No. 30 in E, Op. 109: II. Prestissimo | — | ||
| 46-6 | Piano Sonata No. 30 in E, Op. 109: III. Tema con variazioni | — | ||
| 46-7 | Piano Sonata No. 31 in A-flat, Op. 110: I. Moderato cantabile, molto espressivo | — | ||
| 46-8 | Piano Sonata No. 31 in A-flat, Op. 110: II. Allegro molto / III. Adagio ma non troppo | — | ||
| 46-9 | Piano Sonata No. 31 in A-flat, Op. 110: Fuga: Allegro ma non troppo | — | ||
| 46-10 | Piano Sonata No. 27 in E minor, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 46-11 | Piano Sonata No. 27 in E minor, Op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | — | ||
| 47-1 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai | — | ||
| 47-2 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto | — | ||
| 47-3 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 47-4 | Piano Sonata No. 22 in F, Op. 54: I. In tempo d'un menuetto | — | ||
| 47-5 | Piano Sonata No. 22 in F, Op. 54: II. Allegretto | — | ||
| 47-6 | Piano Sonata No. 26 in E-flat, Op. 81a "Les Adieux": I. Les Adieux: Adagio – allegro | — | ||
| 47-7 | Piano Sonata No. 26 in E-flat, Op. 81a "Les Adieux": II. L'Absence: Andante espressivo | — | ||
| 47-8 | Piano Sonata No. 26 in E-flat, Op. 81a "Les Adieux": III. Le Retour: Vivacissimamente | — | ||
| 47-9 | Piano Sonata No. 16 in G, Op. 31 No. 1: I. Allegro vivace | — | ||
| 47-10 | Piano Sonata No. 16 in G, Op. 31 No. 1: II. Adagio grazioso | — | ||
| 47-11 | Piano Sonata No. 16 in G, Op. 31 No. 1: III. Rondo: Allegretto | — | ||
| 48-1 | Piano Sonata No. 17 in D minor, Op. 31 No. 2 "Tempest": I. Largo – Allegro – Adagio | — | ||
| 48-2 | Piano Sonata No. 17 in D minor, Op. 31 No. 2 "Tempest": II. Adagio | — | ||
| 48-3 | Piano Sonata No. 17 in D minor, Op. 31 No. 2 "Tempest": III. Allegretto | — | ||
| 48-4 | Piano Sonata No. 18 in E-flat, Op. 31 No. 3: I. Allegro | — | ||
| 48-5 | Piano Sonata No. 18 in E-flat, Op. 31 No. 3: II. Scherzo: Allegretto vivace | — | ||
| 48-6 | Piano Sonata No. 18 in E-flat, Op. 31 No. 3: III. Menuetto: Moderato e grazioso | — | ||
| 48-7 | Piano Sonata No. 18 in E-flat, Op. 31 No. 3: IV. Presto con fuoco | — | ||
| 48-8 | Piano Sonata No. 21 in C, Op. 53 "Waldstein": I. Allegro con brio | — | ||
| 48-9 | Piano Sonata No. 21 in C, Op. 53 "Waldstein": II. Introduzione: Adagio molto | — | ||
| 48-10 | Piano Sonata No. 21 in C, Op. 53 "Waldstein": III. Rondo: Allegretto moderato – Prestissimo | — | ||
| 48-11 | Piano sonata No. 19 in G minor, Op. 49 No. 1: I. Andante | — | ||
| 48-12 | Piano sonata No. 19 in G minor, Op. 49 No. 1: II. Rondo: Allegro | — | ||
| 49-1 | Piano Sonata No. 1 in F minor, Op. 2 No. 1: I. Allegro | — | ||
| 49-2 | Piano Sonata No. 1 in F minor, Op. 2 No. 1: II. Adagio | — | ||
| 49-3 | Piano Sonata No. 1 in F minor, Op. 2 No. 1: III. Menuetto: Allegretto – Trio | — | ||
| 49-4 | Piano Sonata No. 1 in F minor, Op. 2 No. 1: IV. Prestissimo | — | ||
| 49-5 | Piano Sonata No. 25 in G, Op. 79: I. Presto alla tedesca | — | ||
| 49-6 | Piano Sonata No. 25 in G, Op. 79: II. Andante | — | ||
| 49-7 | Piano Sonata No. 25 in G, Op. 79: III. Vivace | — | ||
| 49-8 | Piano Sonata No. 5 in C minor Op. 10 No. 1: I. Allegro molto e con brio | — | ||
| 49-9 | Piano Sonata No. 5 in C minor Op. 10 No. 1: II. Adagio molto | — | ||
| 49-10 | Piano Sonata No. 5 in C minor Op. 10 No. 1: III. Finale: Prestissimo | — | ||
| 49-11 | Piano Sonata No. 6 in F, Op. 10 No. 2: I. Allegro | — | ||
| 49-12 | Piano Sonata No. 6 in F, Op. 10 No. 2: II. Allegretto | — | ||
| 49-13 | Piano Sonata No. 6 in F, Op. 10 No. 2: III. Presto | — | ||
| 49-14 | Piano Sonata No. 9 in E, Op. 14 No. 1: I. Allegro | — | ||
| 49-15 | Piano Sonata No. 9 in E, Op. 14 No. 1: II. Allegretto | — | ||
| 49-16 | Piano Sonata No. 9 in E, Op. 14 No. 1: III. Rondo: Allegro comodo | — | ||
| 50-1 | Piano Sonata No. 10 in G, Op. 14 No. 2: I. Allegro | — | ||
| 50-2 | Piano Sonata No. 10 in G, Op. 14 No. 2: II. Andante | — | ||
| 50-3 | Piano Sonata No. 10 in G, Op. 14 No. 2: III. Scherzo: Allegro assai | — | ||
| 50-4 | Piano Sonata No. 13 in E-flat, Op. 27 No. 1: I. Andante - Allegro - Andante | — | ||
| 50-5 | Piano Sonata No. 13 in E-flat, Op. 27 No. 1: II. Allegro molto e vivace | — | ||
| 50-6 | Piano Sonata No. 13 in E-flat, Op. 27 No. 1: III. Adagio con espressione | — | ||
| 50-7 | Piano Sonata No. 13 in E-flat, Op. 27 No. 1: IV. Finale: Allegro vivace | — | ||
| 50-8 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | — | ||
| 50-9 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto | — | ||
| 50-10 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato | — | ||
| 50-11 | Piano Sonata No. 15 in D, Op. 28 "Pastoral": I. Allegro | — | ||
| 50-12 | Piano Sonata No. 15 in D, Op. 28 "Pastoral": II. Andante | — | ||
| 50-13 | Piano Sonata No. 15 in D, Op. 28 "Pastoral": III. Scherzo: Allegro vivace - Trio / IV. Rondo: Allegro ma non troppo | — | ||
| 51-1 | Piano Sonata No. 7 in D, Op. 10 No. 3: I. Presto | — | ||
| 51-2 | Piano Sonata No. 7 in D, Op. 10 No. 3: II. Largo e mesto | — | ||
| 51-3 | Piano Sonata No. 7 in D, Op. 10 No. 3: III. Menuetto: Allegro | — | ||
| 51-4 | Piano Sonata No. 7 in D, Op. 10 No. 3: IV. Rondo: Allegro | — | ||
| 51-5 | Piano Sonata No. 2 in A, Op. 2 No. 2: I. Allegro vivace | — | ||
| 51-6 | Piano Sonata No. 2 in A, Op. 2 No. 2: II. Largo appassionato | — | ||
| 51-7 | Piano Sonata No. 2 in A, Op. 2 No. 2: III. Scherzo: Allegretto - Trio | — | ||
| 51-8 | Piano Sonata No. 2 in A, Op. 2 No. 2: IV. Rondo: Grazioso | — | ||
| 51-9 | Piano Sonata No. 3 in C, Op. 2 No. 3: I. Allegro con brio | — | ||
| 51-10 | Piano Sonata No. 3 in C, Op. 2 No. 3: II. Adagio | — | ||
| 51-11 | Piano Sonata No. 3 in C, Op. 2 No. 3: III. Scherzo: Allegro - Trio | — | ||
| 51-12 | Piano Sonata No. 3 in C, Op. 2 No. 3: IV. Allegro assai | — | ||
| 52-1 | Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | — | ||
| 52-2 | Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile | — | ||
| 52-3 | Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo: Allegro | — | ||
| 52-4 | Piano Sonata No. 11 in B-flat, Op. 22: I. Allegro con brio | — | ||
| 52-5 | Piano Sonata No. 11 in B-flat, Op. 22: II. Adagio con molto espressione | — | ||
| 52-6 | Piano Sonata No. 11 in B-flat, Op. 22: III. Menuetto | — | ||
| 52-7 | Piano Sonata No. 11 in B-flat, Op. 22: IV. Rondo: Allegretto | — | ||
| 52-8 | Piano Sonata No. 12 in A-flat, Op. 26 "Funeral March: I. Andante con variazioni | — | ||
| 52-9 | Piano Sonata No. 12 in A-flat, Op. 26 "Funeral March": II. Scherzo: Allegro molto - Trio | — | ||
| 52-10 | Piano Sonata No. 12 in A-flat, Op. 26 "Funeral March": III. Maestoso andante "Marcia funebre sulla morte d'une Eroe" | — | ||
| 52-11 | Piano Sonata No. 12 in A-flat, Op. 26 "Funeral March": IV. Allegro | — | ||
| 52-12 | Piano Sonata No. 24 in F-sharp, Op. 78: I. Adagio cantabile - Allegro ma non troppo | — | ||
| 52-13 | Piano Sonata No. 24 in F-sharp, Op. 78: II. Allegro vivace | — | ||
| 53-1 | Piano Sonata No. 4 in E-flat, Op. 7: I. Allegro molto e con brio | — | ||
| 53-2 | Piano Sonata No. 4 in E-flat, Op. 7: II. Largo con gran espressione | — | ||
| 53-3 | Piano Sonata No. 4 in E-flat, Op. 7: III. Allegro | — | ||
| 53-4 | Piano Sonata No. 4 in E-flat, Op. 7: V. Rondo: Poco allegretto e grazioso | — | ||
| 53-5 | Piano Sonata No. 20 in G, Op. 49 No. 2: I. Allegro ma non troppo | — | ||
| 53-6 | Piano Sonata No. 20 in G, Op. 49 No. 2: II. Tempo di menuetto | — | ||
| 53-7 | 15 Variations in E-flat, Op. 35 "Eroica" on a theme from "The Creatures of Prometheus" | — | ||
| 53-8 | 6 Variations in G, Op. 34 on an original theme | — | ||
| 53-9 | 6 Variations in D, Op. 76 on a theme from "Ruins of Athens" | — | ||
| 54-1 | 32 Variations in C minor on an original theme, WoO 80 | — | ||
| 54-2 | 5 Variations in D on "Rule Britannia", WoO 79 | — | ||
| 54-3 | 7 Variations in D on "God Save the King", WoO 78 | — | ||
| 54-4 | 6 Variations in G on an original theme, WoO 77 | — | ||
| 54-5 | 8 Variations in F on Süssmayr's theme "Tändeln und Scherzen", WoO 76 | — | ||
| 54-6 | 7 Variations in F from Winter's opera "Das unterbrochene Opferfest", WoO 75 | — | ||
| 54-7 | "Ich Denke Dein" Song with 6 Variations for piano four hands, WoO 74 | — | ||
| 55-1 | 10 Variations in B-flat on Salieri's air "La stesa la stesissima", WoO 73 | — | ||
| 55-2 | 8 Variations in C on Grétry's air "Un fievre brûlante", WoO 72 | — | ||
| 55-3 | 12 Variations in A on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen", WoO 71 | — | ||
| 55-4 | 6 Variations in G on the duet from Paisello's "La molinara", WoO 70 | — | ||
| 55-5 | 9 Variations in A on Paisello's air "Quant'è più bello", WoO 69 | — | ||
| 55-6 | 12 Variations in C on the "Menuet à la Viganò" from Haibel's ballet "La nozza disturbate", WoO 68 | — | ||
| 56-1 | 8 Variations in C on a theme by Count Waldstein for piano four hands, WoO 67 | — | ||
| 56-2 | 13 Variations in A on Dittersdorf's air "Es war einmal ein alter Mann", WoO 66 | — | ||
| 56-3 | 24 Variations in D on Righini's air "Venni amore", WoO 65 | — | ||
| 56-4 | 6 Easy Variations in F on a Swiss air, WoO 64 | — | ||
| 56-5 | 9 Variations on a march by Dressler, WoO 63 | — | ||
| 57-1 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Theme | — | ||
| 57-2 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. I. Alla Marcia | — | ||
| 57-3 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. II. Poco allegro | — | ||
| 57-4 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. III. L'istesso tempo | — | ||
| 57-5 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. IV. Un poco più vivace | — | ||
| 57-6 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. V. Allegro vivace | — | ||
| 57-7 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. VI. Allegro ma non troppo e serioso | — | ||
| 57-8 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. VII. Poco più allegro | — | ||
| 57-9 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. VIII. Poco vivace | — | ||
| 57-10 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. IX. Allegro pesante | — | ||
| 57-11 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. X. Presto | — | ||
| 57-12 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XI. Allegretto | — | ||
| 57-13 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XII. Poco più moto | — | ||
| 57-14 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XIII. Vivace | — | ||
| 57-15 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XIV. Grave | — | ||
| 57-16 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XV. Presto scherzando | — | ||
| 57-17 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XVI. Allegro | — | ||
| 57-18 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XVII. Variation | — | ||
| 57-19 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XVIII. Moderato | — | ||
| 57-20 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XIX. Presto | — | ||
| 57-21 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XX. Andante | — | ||
| 57-22 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXI. Allegro con brio | — | ||
| 57-23 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXII. Molto allegro | — | ||
| 57-24 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXIII. Assai allegro | — | ||
| 57-25 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXIV. Fughetta | — | ||
| 57-26 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXV. Allegro | — | ||
| 57-27 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXVI. Variation | — | ||
| 57-28 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXVII. Vivace | — | ||
| 57-29 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXVIII. Allegro | — | ||
| 57-30 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXIX. Adagio ma non troppo | — | ||
| 57-31 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXX. Andante sempre | — | ||
| 57-32 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXXI. Largo | — | ||
| 57-33 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXXII. Fuga: Allegro | — | ||
| 57-34 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXXIII. Tempo di Menuetto | — | ||
| 57-35 | 11 Bagatelles, Op. 119: Allegretto in G | — | ||
| 57-36 | 11 Bagatelles, Op. 119: Andante con moto in C | — | ||
| 57-37 | 11 Bagatelles, Op. 119: Allemande in D | — | ||
| 57-38 | 11 Bagatelles, Op. 119: Andante cantabile in A | — | ||
| 57-39 | 11 Bagatelles, Op. 119: Risoluto in C minor | — | ||
| 57-40 | 11 Bagatelles, Op. 119: Andante in G | — | ||
| 57-41 | 11 Bagatelles, Op. 119: Allegro ma non troppo in C | — | ||
| 57-42 | 11 Bagatelles, Op. 119: Moderato cantabile in C | — | ||
| 57-43 | 11 Bagatelles, Op. 119: Vivace moderato in A minor | — | ||
| 57-44 | 11 Bagatelles, Op. 119: Allegramente in A | — | ||
| 57-45 | 11 Bagatelles, Op. 119: Andante ma non troppo in B-flat | — | ||
| 57-46 | Rondo in G, Op. 51 No. 2 | — | ||
| 58-1 | 6 Bagatelles, Op. 126: Andante in G | — | ||
| 58-2 | 6 Bagatelles, Op. 126: Allegro in G minor | — | ||
| 58-3 | 6 Bagatelles, Op. 126: Andante in E-flat | — | ||
| 58-4 | 6 Bagatelles, Op. 126: Presto in B minor | — | ||
| 58-5 | 6 Bagatelles, Op. 126: Quasi allegretto in G | — | ||
| 58-6 | 6 Bagatelles, Op. 126: Presto - Andante in E-flat | — | ||
| 58-7 | Rondo a Capriccio for Piano in G, Op. 129 "Die Wut über den Verlorenen Groschen" | — | ||
| 58-8 | Rondo for Piano in C, Op. 51 No. 1 | — | ||
| 58-9 | 7 Bagatelles, Op. 33: Andante, quasi allegretto in E-flat | — | ||
| 58-10 | 7 Bagatelles, Op. 33: Scherzo: Allegro in C | — | ||
| 58-11 | 7 Bagatelles, Op. 33: Allegretto in F | — | ||
| 58-12 | 7 Bagatelles, Op. 33: Andante in A | — | ||
| 58-13 | 7 Bagatelles, Op. 33: Allegro ma non troppo in C | — | ||
| 58-14 | 7 Bagatelles, Op. 33: Allegretto in C | — | ||
| 58-15 | 7 Bagatelles, Op. 33: Presto in D | — | ||
| 58-16 | Andante favori in F, WoO 57 | — | ||
| 58-17 | Ziemlich lebhaft in B-flat, WoO 60 | — | ||
| 58-18 | Allegretto in C minor, WoO 53 | — | ||
| 58-19 | 6 Écossaises, WoO 83 | — | ||
| 58-20 | Bagatelle in A minor, WoO 59 "Für Elise" | — | ||
| 58-21 | Polonaise in C, Op. 89 | — | ||
| 59-1 | Presto in C minor, WoO 52 | — | ||
| 59-2 | Allegretto in C minor, Hess 69 | — | ||
| 59-3 | Bagatelle: "Lustig-Traurig", WoO 54 | — | ||
| 59-4 | Rondo in C, WoO 48 | — | ||
| 59-5 | Rondo in A, WoO 49 | — | ||
| 59-6 | Two Movements of a Sonatina in F, WoO 50: I | — | ||
| 59-7 | Two Movements of a Sonatina in F, WoO 50: II | — | ||
| 59-8 | Allemande in A, WoO 81 | — | ||
| 59-9 | Anglaise in D, Hess 61 | — | ||
| 59-10 | Prelude in F minor, WoO 55 | — | ||
| 59-11 | Fantasia in G minor, Op. 77 | — | ||
| 59-12 | Allegretto in B minor, WoO 61 | — | ||
| 59-13 | 2 Preludes, Op. 39: Prelude No. 1 | — | ||
| 59-14 | 2 Preludes, Op. 39: Prelude No. 2 | — | ||
| 59-15 | Fugue in C, Hess 64 | — | ||
| 59-16 | Minuet in E-flat, WoO 82 | — | ||
| 59-17 | Allegretto in C, WoO 56 | — | ||
| 59-18 | Waltz in E-flat, WoO 84 | — | ||
| 59-19 | Allegretto quasi andante, WoO 61a | — | ||
| 59-20 | Waltz in D, WoO 85 | — | ||
| 59-21 | Écossaise in E-flat, WoO 86 | — | ||
| 59-22 | Piano Sonata in E-flat, WoO 47 No. 1 "Kurfürstensonate": I. Allegro cantabile | — | ||
| 59-23 | Piano Sonata in E-flat, WoO 47 No. 1 "Kurfürstensonate": II. Andante | — | ||
| 59-24 | Piano Sonata in E-flat, WoO 47 No. 1 "Kurfürstensonate": III. Rondo: Vivace | — | ||
| 59-25 | Piano Sonata in F minor, WoO 47 No. 2 "Kurfürstensonate": I. Larghetto maestoso | — | ||
| 59-26 | Piano Sonata in F minor, WoO 47 No. 2 "Kurfürstensonate": II. Andante | — | ||
| 59-27 | Piano Sonata in F minor, WoO 47 No. 2 "Kurfürstensonate": III. Presto | — | ||
| 60-1 | Sonata in D for piano four hands, Op. 6: I. Allegro molto | — | ||
| 60-2 | Sonata in D for piano four hands, Op. 6: II. Rondo | — | ||
| 60-3 | 8 Variations in C on a theme by Count Waldstein for piano four hands, WoO 67: Thema | — | ||
| 60-4 | 8 Variations in C on a theme by Count Waldstein for piano four hands, WoO 67: Var. 1 | — | ||
| 60-5 | 8 Variations in C on a theme by Count Waldstein for piano four hands, WoO 67: Var. 2 | — | ||
| 60-6 | 8 Variations in C on a theme by Count Waldstein for piano four hands, WoO 67: Var. 3 | — | ||
| 60-7 | 8 Variations in C on a theme by Count Waldstein for piano four hands, WoO 67: Var. 4 | — | ||
| 60-8 | 8 Variations in C on a theme by Count Waldstein for piano four hands, WoO 67: Var. 5 | — | ||
| 60-9 | 8 Variations in C on a theme by Count Waldstein for piano four hands, WoO 67: Var. 6 | — | ||
| 60-10 | 8 Variations in C on a theme by Count Waldstein for piano four hands, WoO 67: Var. 7 | — | ||
| 60-11 | 8 Variations in C on a theme by Count Waldstein for piano four hands, WoO 67: Var. 8 | — | ||
| 60-12 | 3 Marches for piano four hands, Op. 45 No. 1 in C: Allegro ma non troppo | — | ||
| 60-13 | 3 Marches for piano four hands, Op. 45 No. 2 in E-flat: Vivace | — | ||
| 60-14 | 3 Marches for piano four hands, Op. 45 No. 3 in D: Vivace | — | ||
| 60-15 | 6 Variations in D on “Ich denke dein” for piano four hands, WoO 74: Thema | — | ||
| 60-16 | 6 Variations in D on “Ich denke dein” for piano four hands, WoO 74: Var. 1 | — | ||
| 60-17 | 6 Variations in D on “Ich denke dein” for piano four hands, WoO 74: Var. 2 | — | ||
| 60-18 | 6 Variations in D on “Ich denke dein” for piano four hands, WoO 74: Var. 3 | — | ||
| 60-19 | 6 Variations in D on “Ich denke dein” for piano four hands, WoO 74: Var. 4 | — | ||
| 60-20 | 6 Variations in D on “Ich denke dein” for piano four hands, WoO 74: Var. 5 | — | ||
| 60-21 | 6 Variations in D on “Ich denke dein” for piano four hands, WoO 74: Var. 6 | — | ||
| 60-22 | Große Fugue for piano four hands, Op. 134: Overturas: Allegro | — | ||
| 60-23 | Große Fugue for piano four hands, Op. 134: Fuga: Allegro | — | ||
| 60-24 | Große Fugue for piano four hands, Op. 134: Meno mosso e moderato | — | ||
| 60-25 | Große Fugue for piano four hands, Op. 134: Allegro | — | ||
| 60-26 | Große Fugue for piano four hands, Op. 134: Allegro molto e con brio | — | ||
| 60-27 | Große Fugue for piano four hands, Op. 134: Allegro molto e con brio | — | ||
| 60-28 | Sonata for Piano in D, WoO 47 No. 3 "Kurfürstensonate": I. Allegro | — | ||
| 60-29 | Sonata for Piano in D, WoO 47 No. 3 "Kurfürstensonate": II. Menuetto | — | ||
| 60-30 | Sonata for Piano in D, WoO 47 No. 3 "Kurfürstensonate": III. Scherzando | — | ||
| 61-1 | Leonore, Hess 109: Overture "Leonore II" | Staatskapelle Dresden, Herbert Blomstedt | T-909.574.378-5 | |
| 61-2 | Leonore: Act I. "Fidelio kommt nicht zurück!" (Marzelline) | Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-3 | Leonore: Act I. No. 1 Aria "O wär'ich schon mit dir vereint" (Marzelline) | Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-4 | Leonore: Act I. "Wenn ich diese Tür nicht" (Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-5 | Leonore: Act I. No. 2 Duet "Jetzt, Schätzchen" (Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-6 | Leonore: Act I. "Höre, Jaquino" (Marzelline, Jaquino, Rocco) | Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-7 | Leonore: Act I. No. 3 Trio "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-8 | Leonore: Act I. "Ist Fidelio noch nich nach Hause gekommen?" (Rocco, Marzelline, Jaquino, Leonore) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-9 | Leonore: Act I. No. 4 Canon "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-10 | Leonore: Act I. "Höre, Fidelio" (Rocco, Marzelline, Leonore) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-11 | Leonore: Act I. No. 5 Aria "Hat man nich auch Gold beineben" (Rocco) | Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-12 | Leonore: Act I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline) | Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-13 | Leonore: Act I. No. 6 Trio "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline) | Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-14 | Leonore: Act II. No. 7 March | Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-15 | Leonore: Act II. "Drei Schildwachten auf den Wall" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-16 | Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco) | Theo Adam, MDR Rundfunkchor Leipzig, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-17 | Leonore: Act II. "Rocco!" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-18 | Leonore: Act II. No. 9 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-19 | Leonore: Act II. "Nun ist es endlich entschieden" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-20 | Leonore: Act II. No. 10 Duet "Im in der Ehe froh zu leben" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-21 | Leonore: Act II. "Sie doch, wie du so schnell" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-22 | Leonore: Act II. No. 11 Recitative and Aria "Ach, brich noch nicht" (Leonore) | Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-1 | Leonore: Act II. No. 12 Finale "O welche Lust!" (Chorus of the Prisoners) | Richard Cassilly, Reiner Goldberg, Siegfried Lorenz, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-2 | Leonore: Act II. "Entfernt euch jetzt!" (Rocco, Leonore) | Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-3 | Leonore: Act II. "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore, Marzelline, Pizarro) | Theo Adam, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-4 | Leonore: Act II. "Auf euch nur will ich bauen" (Pizarro, Chorus) | Theo Adam, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-5 | Leonore: Act III. No. 13 Recitative and Aria "Gott! Welch dunkel hier!" (Florestan) | Richard Cassilly, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-6 | Leonore: Act III. No. 14 Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco) | Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-7 | Leonore: Act III. "Er erwacht!" (Leonore, Rocco, Florestan) | Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-8 | Leonore: Act III. No. 15 Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) | Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-9 | Leonore: Act III. "Alles ist bereit" (Rocco, Leonore, Pizarro) | Theo Adam, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-10 | Leonore: Act III. No. 16 Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) | Theo Adam, Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-11 | Leonore: Act III. "Die Waffe hab'ich mir" (Leonore) | Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-12 | Leonore: Act III. No. 17 Recitative and Duet "Ich kann mich noch nicht fassen" (Florestan, Leonore) | Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-13 | Leonore: Act III. "O Leonore, sprich!" (Florestan, Leonore) | Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-14 | Leonore: Act III. No. 18 Finale "Zur Rache" (Chorus, Leonore, Florestan, Rocco, Don Fernando) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-15 | Leonore: Act III. "O Gott! O welch ein Augenblick!" (Leonore, Marzelline, Florestan, Don Fernando, Rocco, Chorus) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-16 | Leonore: Act III. "Wie lange habt Ihr sie getragen?" (Don Fernando, Florestan, Rocco, Chorus, Leonore, Marzelline, Jaquino) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-17 | Leonore: Act III. "Preist mit hoher Freude Glut" (Chorus) | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-18 | Leonore: Act III. "Wer ein solches Weib errungen" (Florestan, Marzelline, Jaquino, Rocco, Don Fernando, Chorus) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-1 | Fidelio: Ouvertüre | — | ||
| 63-2 | Fidelio: Act I, Scene I. "Jetzt, Schätzchen" (Jaquino, Marzelline) | — | ||
| 63-3 | Fidelio: Act I, Scene I. "Der arme Jaquino" (Marzelline) | — | ||
| 63-4 | Fidelio: Act I, Scene I. "O wär' ich schon mit dir vereint" (Marzelline) | — | ||
| 63-5 | Fidelio: Act I, Scene I. "Ist Fidelio noch nicht zurück gekommen?" (Rocco, Marzelline, Leonore) | — | ||
| 63-6 | Fidelio: Act I, Scene I. "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | — | ||
| 63-7 | Fidelio: Act I, Scene I. "Höre, Fidelio" (Rocco, Marzelline, Leonore) | — | ||
| 63-8 | Fidelio: Act I, Scene I. "Hat man nicht auch Gold beineben" (Rocco) | — | ||
| 63-9 | Fidelio: Act I, Scene I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline) | — | ||
| 63-10 | Fidelio: Act I, Scene I. "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) | — | ||
| 63-11 | Fidelio: Act I, Scene II. March | — | ||
| 63-12 | Fidelio: Act I, Scene II. "Drei Schildwachen auf den Wall" (Pizarro, Chorus) | — | ||
| 63-13 | Fidelio: Act I, Scene II. "Ha! Welch' ein Augenblick!" (Pizarro, Chorus) | — | ||
| 63-14 | Fidelio: Act I, Scene II. "Hauptmann" (Pizarro) | — | ||
| 63-15 | Fidelio: Act I, Scene II. "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco) | — | ||
| 63-16 | Fidelio: Act I, Scene II. "Abscheulicher! Wo eilst du hin?" (Leonore) | — | ||
| 63-17 | Fidelio: Act I, Scene II. "Rocco, ich ersuchte euch schon" (Leonore, Rocco, Marzelline) | — | ||
| 63-18 | Fidelio: Act I, Scene II. "O welche Lust!" | London Symphony Orchestra, Sir Colin Davis | — | |
| 63-19 | Fidelio: Act I, Scene II. "Nun sprecht, wie ging's?" (Leonore, Rocco, Marzelline, Jaquino, Pizarro) | — | ||
| 63-20 | Fidelio: Act I, Scene II. "Leb wohl, du warmes Sonnenlicht" (Chorus, Marzelline, Leonore, Jaquino, Pizarro, Rocco) | — | ||
| 64-1 | Fidelio: Act 2, Scene 1. Introduction | — | ||
| 64-2 | Fidelio: Act 2, Scene 1. “Gott! Welch Dunkel hier!” (Florestan) | — | ||
| 64-3 | Fidelio: Act 2, Scene 1. “Wie kalt ist es” (Leonore, Rocco) | — | ||
| 64-4 | Fidelio: Act 2, Scene 1. “Er erwacht!” (Leonore, Rocco, Florestan) | — | ||
| 64-5 | Fidelio: Act 2, Scene 1. “Euch werde Lohn in besser’n Welten” (Florestan, Rocco, Leonore) | — | ||
| 64-6 | Fidelio: Act 2, Scene 1. “Alles ist bereit” (Rocco, Florestan, Leonore, Pizarro) | — | ||
| 64-7 | Fidelio: Act 2, Scene 1. “Er sterbe!” (Pizarro, Florestan, Leonore, Rocco, Jaquino) | — | ||
| 64-8 | Fidelio: Act 2, Scene 1. “O, meine Leonore” (Florestan, Leonore) | — | ||
| 64-9 | Fidelio: Act 2, Scene 1. “O namenlose Freude!” (Leonore, Florestan) | — | ||
| 64-10 | Fidelio: Act 2, Scene 2. “Wer ein holdes Weib errungen” (Chorus, Leonore, Florestan) | — | ||
| 64-11 | Fidelio: Act 2, Scene 2. “O Gott!” (Leonore, Florestan, Don Fernando, Marzelline, Rocco, Chorus) | — | ||
| 64-12 | Fidelio: Act 2, Scene 2. “Wer ein holdes Weib errungen” (Chorus, Florestan, Leonore, Marzelline, Jaquino, Don Fernando, Rocco) | — | ||
| 65-1 | Egmont, Op. 84: Ouvertüre | — | ||
| 65-2 | Egmont, Op. 84: No. 1 Lied: "Die Trommel gerühret!" (Klärchen) | — | ||
| 65-3 | Egmont, Op. 84: No. 2: Zwischenakt I | — | ||
| 65-4 | Egmont, Op. 84: No. 3: Zwischenakt II | — | ||
| 65-5 | Egmont, Op. 84: No. 4 Lied: "Freudvoll und Leidvoll" | — | ||
| 65-6 | Egmont, Op. 84: No. 5: Zwischenakt III | — | ||
| 65-7 | Egmont, Op. 84: No. 6: Zwischenakt IV | — | ||
| 65-8 | Egmont, Op. 84: Monolog: "Alter Freund!" (Egmont) | — | ||
| 65-9 | Egmont, Op. 84: No. 7 Musik, Klärchen's Tod bezeichnend | — | ||
| 65-10 | Egmont, Op. 84: Monolog: "Es ist vorbei" (Egmont) | — | ||
| 65-11 | Egmont, Op. 84: No. 8 Melodram: "Süsser Schlaf" (Egmont) | — | ||
| 65-12 | Egmont, Op. 84: Monolog: "Verschwunden ist der Kranz" (Egmont) | — | ||
| 65-13 | Egmont, Op. 84: No. 9 Siegessymphonie | — | ||
| 66-1 | The Creatures of Prometheus, Op. 43: Ouverture: Adagio - Allegro molto con brio / Introduction: Allegro non troppo | — | ||
| 66-2 | The Creatures of Prometheus, Op. 43: Adagio - Allegro con brio - Allegro vivace | — | ||
| 66-3 | The Creatures of Prometheus, Op. 43: Maestoso andante - Adagio - Andante quasi allegretto | — | ||
| 66-4 | The Creatures of Prometheus, Op. 43: Allegro con brio - Presto | — | ||
| 66-5 | The Creatures of Prometheus, Op. 43: Adagio - Adagio - Allegro molto | — | ||
| 66-6 | The Creatures of Prometheus, Op. 43: Pastorale: Allegro | — | ||
| 66-7 | The Creatures of Prometheus, Op. 43: Maestoso - Allegro (Solo di Gioia) | — | ||
| 66-8 | The Creatures of Prometheus, Op. 43: Allegro | — | ||
| 66-9 | The Creatures of Prometheus, Op. 43: Andante - Adagio - Allegro - Allegretto (Solo della Cassentini) | — | ||
| 66-10 | The Creatures of Prometheus, Op. 43: Andantino - Adagio - Allegro (Solo di Viganò) | — | ||
| 66-11 | The Creatures of Prometheus, Op. 43: Finale: Allegretto - Allegro molto - Presto | — | ||
| 66-12 | Musik zu einem Ritterballett, WoO 1: Marsch | — | ||
| 66-13 | Musik zu einem Ritterballett, WoO 1: Deutscher Gesang: Allegro moderato | — | ||
| 66-14 | Musik zu einem Ritterballett, WoO 1: Jagdlied: Allegretto | — | ||
| 66-15 | Musik zu einem Ritterballett, WoO 1: Romanze: Andantino | — | ||
| 66-16 | Musik zu einem Ritterballett, WoO 1: Kriegslied: Allegro assai con brio | — | ||
| 66-17 | Musik zu einem Ritterballett, WoO 1: Trinklied: Allegro con brio | — | ||
| 66-18 | Musik zu einem Ritterballett, WoO 1: Deutscher Tanz: Walzer | — | ||
| 66-19 | Musik zu einem Ritterballett, WoO 1: Coda: Allegro vivace - Andantino - Tempo I | — | ||
| 67-1 | Die Ruinen von Athen - Singspiel, Op. 113: Overture | — | ||
| 67-2 | Die Ruinen von Athen - Singspiel, Op. 113: Chor: "Tochter des mächtigen Zeus" | — | ||
| 67-3 | Die Ruinen von Athen - Singspiel, Op. 113: Duet: "Ohne Verschulden" | — | ||
| 67-4 | Die Ruinen von Athen - Singspiel, Op. 113: Chor der Derwische | — | ||
| 67-5 | Die Ruinen von Athen - Singspiel, Op. 113: Marcia alla Turca | — | ||
| 67-6 | Die Ruinen von Athen - Singspiel, Op. 113: Marsch: "Schmückt die Altare" | — | ||
| 67-7 | Die Ruinen von Athen - Singspiel, Op. 113: Chor und Arie: "Wir tragen empfängliche Herzen" | — | ||
| 67-8 | Die Ruinen von Athen - Singspiel, Op. 113: Chor: "Heil unserm König" | — | ||
| 67-9 | König Stephan - Singspiel, Op. 117: I. Overture | — | ||
| 67-10 | König Stephan - Singspiel, Op. 117: II. Männerchor: "Ruhend von seinem Thaten" | — | ||
| 67-11 | König Stephan - Singspiel, Op. 117: III. Männerchor: "Auf dunkelm in finstern Hainen Wandelten" | — | ||
| 67-12 | König Stephan - Singspiel, Op. 117: IV. Siegesmarsch | — | ||
| 67-13 | König Stephan - Singspiel, Op. 117: V. Frauenchor: "Wo die Unschuld Blumen streute" | — | ||
| 67-14 | König Stephan - Singspiel, Op. 117: VI. Chor: "Eine neue strahlende Sonne" | — | ||
| 67-15 | König Stephan - Singspiel, Op. 117: VII. Chor: "Heil, Heil, Heil" | — | ||
| 67-16 | Germania Aria with Chorus in B-flat, WoO 94 | — | ||
| 67-17 | Chor auf die verbündeten Fürsten: "Ihr weisen Gründer", WoO 95 | — | ||
| 68-1 | Arias: "Ah! Perfido", Op. 65 | — | ||
| 68-2 | Arias: "Primo amore", WoO 92 (scene and aria for soprano and orchestra) | — | ||
| 68-3 | Arias: "No, non turbati", WoO 92a (Scene and aria for soprano and strings) | — | ||
| 68-4 | Arias: "Ne' giorni tuoi felici". WoO 93 (Duet for soprano, tenor, and orchestra) | — | ||
| 68-5 | Arias: "Tremate, empi, tremate", Op. 116 (Trio for soprano, bass, and orchestra) | — | ||
| 68-6 | Singpiel Arias: "Prüfung des Küssens", WoO 89 (Aria for bass and orchestra) | — | ||
| 68-7 | Singpiel Arias: "Mit Mädeln sich vertragen", WoO 90 (Aria for bass and orchestra) | — | ||
| 68-8 | Singpiel Arias: "O welch ein Leben!", WoO 91 No. 1 (from "Die schöne Schüsterin" for tenor and orchestra) | — | ||
| 68-9 | Singpiel Arias: "Soll ein Schuh nicht drücken", WoO 91 No. 2 (from "Die schöne Schüsterin" for soprano and orchestra) | — | ||
| 69-1 | Cantata on the Death of Emperor Joseph II, WoO 87: Chorus and solo quartet: "Tot! Tot, stöhnt es durch die öde Nacht" | — | ||
| 69-2 | Cantata on the Death of Emperor Joseph II, WoO 87: Bass recitative: "Ein Ungeheuer, sein Name Fanatismus" | — | ||
| 69-3 | Cantata on the Death of Emperor Joseph II, WoO 87: Bass aria: "Da kam Joseph" | — | ||
| 69-4 | Cantata on the Death of Emperor Joseph II, WoO 87: Soprano aria and chorus: "Da stiegen die Menschen ans Licht" | — | ||
| 69-5 | Cantata on the Death of Emperor Joseph II, WoO 87: Soprano recitative: "Er schläft" | — | ||
| 69-6 | Cantata on the Death of Emperor Joseph II, WoO 87: Soprano aria: "Hier schlummert seinen stillen Frieden" | — | ||
| 69-7 | Cantata on the Death of Emperor Joseph II, WoO 87: Chorus and solo quartet: "Tot! Tot, stöhnt es durch die öde Nacht" | — | ||
| 69-8 | Cantata on the Accession of Emperor Leopold II, WoO 88: Soprano recitative and chorus: "Er schlummert, lasst sanft den großen Fürsten ruhen!" | — | ||
| 69-9 | Cantata on the Accession of Emperor Leopold II, WoO 88: Soprano aria: "Fließe, Wonnezähren, fließe!" | — | ||
| 69-10 | Cantata on the Accession of Emperor Leopold II, WoO 88: Bass recitative: "Ihr staunt, Völker der Erde!" | — | ||
| 69-11 | Cantata on the Accession of Emperor Leopold II, WoO 88: Tenor recitative "Wie bebt mein Herz vor Wonne!" | — | ||
| 69-12 | Cantata on the Accession of Emperor Leopold II, WoO 88: Chorus and solo quartet: "Heil! Stürzet nieder, Millionen" | — | ||
| 70-1 | Der glorreiche Augenblick, Op. 136: Chorus: "Europa steht!" | — | ||
| 70-2 | Der glorreiche Augenblick, Op. 136: Recitativo: "O seht sie nah und näher treten!" / Choir: "Vienna, Vienna, Vienna!" | — | ||
| 70-3 | Der glorreiche Augenblick, Op. 136: Aria with chorus: "Alle die Herrscher darf ich grüssen" | — | ||
| 70-4 | Der glorreiche Augenblick, Op. 136: Recitativo: "Das Auge schaut" (Seherin) / Cavatine with Duetto: "Dem die erste Zähre" | — | ||
| 70-5 | Der glorreiche Augenblick, Op. 136: Recitativo and quartet: "Der den Bund im Sturme festgehalten" / Quartet: "In meinen Mauern bauen sich neue Zeiten auf" | — | ||
| 70-6 | Der glorreiche Augenblick, Op. 136: Chorus: "Es treten vor die Scharen der Frauen" | — | ||
| 70-7 | Mehrstimmige italienische Gesänge, WoO 99: Bei labbri che amore (Soprano, Tenor) | — | ||
| 70-8 | Mehrstimmige italienische Gesänge, WoO 99: Sei mio ben (Soprano, Tenor) | — | ||
| 70-9 | Mehrstimmige italienische Gesänge, WoO 99: Scrivo in te (Soprano, Tenor) | — | ||
| 70-10 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Tenor, Bass) | — | ||
| 70-11 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Tenor, Bass) | — | ||
| 70-12 | Mehrstimmige italienische Gesänge, WoO 99: Salvo tu voi lo sposo? (Soprano, Tenor) | — | ||
| 70-13 | Mehrstimmige italienische Gesänge, WoO 99: Ma tu tremi (Soprano, Alto, Tenor) | — | ||
| 70-14 | Mehrstimmige italienische Gesänge, WoO 99: Giura il nocchier (Soprano, Alto, Bass) | — | ||
| 70-15 | Mehrstimmige italienische Gesänge, WoO 99: Per te d'amico aprile (Soprano, Alto, Bass) | — | ||
| 70-16 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Soprano, Alto, Tenor) | — | ||
| 70-17 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Soprano, Alto, Tenor) | — | ||
| 70-18 | Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei (Soprano, Tenor, Bass) | — | ||
| 70-19 | Mehrstimmige italienische Gesänge, WoO 99: Chi mai di questo (Soprano, Tenor, Bass) | — | ||
| 70-20 | Mehrstimmige italienische Gesänge, WoO 99: Gia la notte (Alto, Tenor, Bass) | — | ||
| 70-21 | Mehrstimmige italienische Gesänge, WoO 99: Nei Campi e nelle selve I (Soprano, Alto, Tenor, Bass) | — | ||
| 70-22 | Mehrstimmige italienische Gesänge, WoO 99: Nei Campi e nelle selve II (Soprano, Alto, Tenor, Bass) | — | ||
| 70-23 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Soprano, Alto, Tenor, Bass) | — | ||
| 70-24 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Soprano, Alto, Tenor, Bass) | — | ||
| 70-25 | Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei, in G (Soprano, Alto, Tenor, Bass) | — | ||
| 70-26 | Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei, in F (Soprano, Alto, Tenor, Bass) | — | ||
| 70-27 | Mehrstimmige italienische Gesänge, WoO 99: Guira il nocchier, in C (Soprano, Alto, Tenor, Bass) | — | ||
| 70-28 | Mehrstimmige italienische Gesänge, WoO 99: Guira il nocchier, in B flat (Soprano, Alto, Tenor, Bass) | — | ||
| 70-29 | Mehrstimmige italienische Gesänge, WoO 99: Gia la notte (Soprano, Alto, Tenor, Bass) | — | ||
| 70-30 | Mehrstimmige italienische Gesänge, WoO 99: E pur fra le tempeste (Tenor, Piano) | — | ||
| 71-1 | "Meeresstille und glückliche Fahrt", Cantata Op. 112 | — | ||
| 71-2 | Chorfantasie for piano, choir, and orchestra in C minor, Op. 80 | — | ||
| 71-3 | Elegischer Gesang, Op. 118 | — | ||
| 71-4 | Bundeslied "In allen guten Stunden", Op. 122 | — | ||
| 71-5 | Cantanta campestre "Un lieto brindisi", WoO 103 | — | ||
| 71-6 | Birthday Cantata for Prince Lobkowitz "Es lebe unser theurer Fürst", WoO 106 | — | ||
| 71-7 | "Kurz ist der Schmerz", für Louis Spohr (canon), WoO 166 | — | ||
| 71-8 | Opferlied, Hess 91 | — | ||
| 71-9 | Hochzeitslied, WoO 105 | — | ||
| 71-10 | "Abschiedsgesang an Wiens Bürger", WoO 121 | — | ||
| 71-11 | Kriegslied der Österreicher, WoO 122 | — | ||
| 71-12 | Opferlied, WoO 126 | — | ||
| 71-13 | "Es ist vollbracht" - Final song from the Singspiel "Die Ehrenpforten" of F. Treitschke, WoO 97 | — | ||
| 71-14 | Opferlied, Op. 121b | — | ||
| 72-1 | Christus am Ölberg, Op. 85: "Jehova, du mein Vater" / "Meine Seele ist erschüttert" | — | ||
| 72-2 | Christus am Ölberg, Op. 85: "Erzitt're, Erde, Jehovas Sogn liegt hier" / "Preist des Erlösers" / O Heil euch, irh Erlösten" | — | ||
| 72-3 | Christus am Ölberg, Op. 85: "Verkündet, Seraph, mir dein Mund Erbarmen" / "So ruhe denn mit ganzer Schwere" | — | ||
| 72-4 | Christus am Ölberg, Op. 85: "Wilkommen, Tod, den ich am Kreuze" / "Wir haben irn gesehen" | — | ||
| 72-5 | Christus am Ölberg, Op. 85: "Die mich zu fangen ausgezogen sind" / "Hier is er, der Verbannte" | — | ||
| 72-6 | Christus am Ölberg, Op. 85: "Nicht ungestraft soll der Verweg'nen Schar" / "In meinen Adernwühlen gerechter Zorn und Wut" / "Auf, aug! Ergreifet und Ehre" / "Preiset ihn, ihr Engelchöre" | — | ||
| 73-1 | Mass in C, Op. 86: Kyrie | — | ||
| 73-2 | Mass in C, Op. 86: Gloria: Gloria in excelsis Deo | — | ||
| 73-3 | Mass in C, Op. 86: Gloria: Qui tollis peccata mundi | — | ||
| 73-4 | Mass in C, Op. 86: Gloria: Quoniam tu solus Sanctus | — | ||
| 73-5 | Mass in C, Op. 86: Credo: Credo in unum Deum | — | ||
| 73-6 | Mass in C, Op. 86: Credo: Et incarnatus est | — | ||
| 73-7 | Mass in C, Op. 86: Credo: Et resurrexit tertia die | — | ||
| 73-8 | Mass in C, Op. 86: Credo: Et in Spiritum Sanctum | — | ||
| 73-9 | Mass in C, Op. 86: Credo: Et vitam venturi saeculi | — | ||
| 73-10 | Mass in C, Op. 86: Sanctus: Sanctus, Sanctus, Sanctus | — | ||
| 73-11 | Mass in C, Op. 86: Pleni sunt coeli et terra | — | ||
| 73-12 | Mass in C, Op. 86: Osanna in excelsis | — | ||
| 73-13 | Mass in C, Op. 86: Benedictus: Benedictus qui venit | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5028421955100 is a Universal Product Code (UPC) assigned to Complete Edition by Ludwig van Beethoven. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 994 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5028421955100 is the Universal Product Code (UPC barcode) for the release “Complete Edition” by Ludwig van Beethoven, released 2017-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 994 tracks, each with its own ISRC. Tracks include DES382025101, DES382025102, DES382025103.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4 | Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 6 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 7 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 8 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-5 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-001.444.317-4 | |
| 2-6 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-001.444.317-4 | |
| 2-7 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-001.444.317-4 | |
| 2-8 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-001.444.317-4 | |
| 3-1 | Symphonie no. 5 in C minor, op. 67: I. Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-2 | Symphonie no. 5 in C minor, op. 67: II. Andante con moto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-3 | Symphonie no. 5 in C minor, op. 67: III. Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-4 | Symphonie no. 5 in C minor, op. 67: IV. Allegro - Presto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-5 | Symphonie no. 6 in F major, op. 68 "Pastorale": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-6 | Symphonie no. 6 in F major, op. 68 "Pastorale": II. Szene am Bach: Andante molto mosso | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-7 | Symphonie no. 6 in F major, op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute: Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-8 | Symphonie no. 6 in F major, op. 68 "Pastorale": IV. Gewitter, Sturm: Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-9 | Symphonie no. 6 in F major, op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-314.638.300-4 | |
| 4-3 | Symphony no. 7 in A major, op. 92: III. Presto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Sächsische Staatskapelle Dresden, Herbert Blomstedt | T-909.821.799-3 | |
| 4-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-1 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-2 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-3 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125: IV. Presto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 6-1 | Piano Concerto No. 1 in C, Op. 15: I. Allegro con brio | — | ||
| 6-2 | Piano Concerto No. 1 in C, Op. 15: II. Largo | — | ||
| 6-3 | Piano Concerto No. 1 in C, Op. 15: III. Rondo: allegro scherzando | — | ||
| 6-4 | Piano Concerto No. 2 in B-flat, Op. 19: I. Allegro con brio | — | ||
| 6-5 | Piano Concerto No. 2 in B-flat, Op. 19: II. Adagio | — | ||
| 6-6 | Piano Concerto No. 2 in B-flat, Op. 19: III. Rondo: molto allegro | — | ||
| 7-1 | Piano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio | — | ||
| 7-2 | Piano Concerto No. 3 in C minor, Op. 37: II. Largo | — | ||
| 7-3 | Piano Concerto No. 3 in C minor, Op. 37: III. Rondo: Allegro | — | ||
| 7-4 | Piano Concerto No. 5 in E-flat, Op. 73: I. Allegro | — | ||
| 7-5 | Piano Concerto No. 5 in E-flat, Op. 73: II. Adagio un poco mosso | — | ||
| 7-6 | Piano Concerto No. 5 in E-flat, Op. 73: III. Rondo: Allegro | — | ||
| 8-1 | Piano Concerto No. 4 in G, Op. 58: I. Allegro moderato | — | ||
| 8-2 | Piano Concerto No. 4 in G, Op. 58: II. Andante con moto | — | ||
| 8-3 | Piano Concerto No. 4 in G, Op. 58: III. Rondo: Vivace | — | ||
| 8-4 | Piano Concerto in D, Op. 61a: I. Allegro ma non troppo | — | ||
| 8-5 | Piano Concerto in D, Op. 61a: II. Larghetto | — | ||
| 8-6 | Piano Concerto in D, Op. 61a: III. Rondo: Allegro | — | ||
| 9-1 | Violin Concerto in D, Op. 61: I. Allegro ma non troppo | — | ||
| 9-2 | Violin Concerto in D, Op. 61: II. Larghetto | — | ||
| 9-3 | Violin Concerto in D, Op. 61: III. Rondo | — | ||
| 9-4 | Romance for Violin and Orchestra No. 2 in F, Op. 50: Adagio cantabile | — | ||
| 9-5 | Romance for Violin and Orchestra No. 1 in G, Op. 40: Adagio - Allegro con brio | — | ||
| 10-1 | Triple Concerto in C major, op. 56: I. Allegro | Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterházy Sinfonia, Béla Drahos | T-905.049.604-3 | |
| 10-2 | Triple Concerto in C major, op. 56: II. Largo | Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterházy Sinfonia, Béla Drahos | T-900.248.630-8 | |
| 10-3 | Triple Concerto in C major, op. 56: III. Rondo alla Polacca | Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 10-4 | Piano Concerto in E-flat, WoO 4: I. Allegro moderato | — | ||
| 10-5 | Piano Concerto in E-flat, WoO 4: II. Larghetto | — | ||
| 10-6 | Piano Concerto in E-flat, WoO 4: III. Rondo: Allegretto | — | ||
| 10-7 | Rondo for Piano and Orchestra in B-flat, WoO 6 | — | ||
| 11-1 | Leonore Overture No. 1, Op. 138 | — | ||
| 11-2 | Leonore Overture No. 2, Op. 72 | — | ||
| 11-3 | Leonore Overture No. 3, Op. 72a | — | ||
| 11-4 | Fidelio Overture, Op. 72b | — | ||
| 11-5 | Funeral March from Leonore Prohaska, WoO 96 | — | ||
| 11-6 | Die Weihe des Hauses: Overture, Op. 124 | — | ||
| 11-7 | Die Weihe des Hauses: Chorus with soprano solo: "Wo sich die Pulse", WoO 98 | — | ||
| 12-1 | Coriolan - Overture, Op. 62 | — | ||
| 12-2 | Namensfeier - Overture, Op. 115 | — | ||
| 12-3 | Gratulationsmenuett, WoO 3 | Minnesota Orchestra, Stanisław Skrowaczewski | — | |
| 12-4 | Triumphal March from Tarpeja, WoO 2 | — | ||
| 12-5 | Fugue for Organ in D, WoO 31 | — | ||
| 12-6 | Stücke für Flötenuhr, WoO 33: Allegro non più molto | — | ||
| 12-7 | Stücke für Flötenuhr, WoO 33: Allegretto | — | ||
| 12-8 | Stücke für Flötenuhr, WoO 33: Adagio assai | — | ||
| 12-9 | Stücke für Flötenuhr, WoO 33: Scherzo. Allegro | — | ||
| 12-10 | Stücke für Flötenuhr, WoO 33: Allegro | — | ||
| 12-11 | Grenadiermarsch, Hess 107 | — | ||
| 12-12 | Wellington's Victory or the Battle of Vittoria, op, 91: British Entrance | London Symphony Orchestra, Rafael Frühbeck de Burgos | — | |
| 12-13 | Wellington's Victory or the Battle of Vittoria, op, 91: French Entrance | London Symphony Orchestra, Rafael Frühbeck de Burgos | — | |
| 12-14 | Wellington's Victory or the Battle of Vittoria, op, 91: Battle: Allegro | London Symphony Orchestra, Rafael Frühbeck de Burgos | — | |
| 12-15 | Wellington's Victory or the Battle of Vittoria, op, 91: March: Allegro assai | London Symphony Orchestra, Rafael Frühbeck de Burgos | — | |
| 12-16 | Wellington's Victory or the Battle of Vittoria, op, 91: Victory: Allegro con brio | London Symphony Orchestra, Rafael Frühbeck de Burgos | — | |
| 13-1 | 12 Contretänze for Small Orchestra, WoO 14: No. 1 in C | — | ||
| 13-2 | 12 Contretänze for Small Orchestra, WoO 14: No. 2 in A | — | ||
| 13-3 | 12 Contretänze for Small Orchestra, WoO 14: No. 3 in D | — | ||
| 13-4 | 12 Contretänze for Small Orchestra, WoO 14: No. 4 in B-flat | — | ||
| 13-5 | 12 Contretänze for Small Orchestra, WoO 14: No. 5 in E-flat | — | ||
| 13-6 | 12 Contretänze for Small Orchestra, WoO 14: No. 6 in C | — | ||
| 13-7 | 12 Contretänze for Small Orchestra, WoO 14: No. 7 in E-flat | — | ||
| 13-8 | 12 Contretänze for Small Orchestra, WoO 14: No. 8 in C | — | ||
| 13-9 | 12 Contretänze for Small Orchestra, WoO 14: No. 9 in A | — | ||
| 13-10 | 12 Contretänze for Small Orchestra, WoO 14: No. 10 in C | — | ||
| 13-11 | 12 Contretänze for Small Orchestra, WoO 14: No. 11 in G | — | ||
| 13-12 | 12 Contretänze for Small Orchestra, WoO 14: No. 12 in E-flat | — | ||
| 13-13 | 6 Minuets for Two Violins and Cello, WoO 9: No. 1 in E-flat | — | ||
| 13-14 | 6 Minuets for Two Violins and Cello, WoO 9: No. 2 in G | — | ||
| 13-15 | 6 Minuets for Two Violins and Cello, WoO 9: No. 3 in C | — | ||
| 13-16 | 6 Minuets for Two Violins and Cello, WoO 9: No. 4 in F | — | ||
| 13-17 | 6 Minuets for Two Violins and Cello, WoO 9: No. 5 in D | — | ||
| 13-18 | 6 Minuets for Two Violins and Cello, WoO 9: No. 6 in G | — | ||
| 13-19 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 1 Waltz in E-flat | — | ||
| 13-20 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 2 Minuet in B-flat | — | ||
| 13-21 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 3 Waltz in B-flat | — | ||
| 13-22 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 4 Minuet in E-flat | — | ||
| 13-23 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 5 Minuet in E-flat | — | ||
| 13-24 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 6 Ländler in E-flat | — | ||
| 13-25 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 7 Minuet in B-flat | — | ||
| 13-26 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 8 Ländler in B-flat | — | ||
| 13-27 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 9 Minuet in G | — | ||
| 13-28 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 10 Waltz in D | — | ||
| 13-29 | 11 Dances for Seven String and Wind Instruments "Mödlinger Tänze", WoO 17: No. 11 Waltz in D | — | ||
| 13-30 | 6 Ländlerische Tänze for 2 Violins and Bass, WoO 15: No. 1 in D | — | ||
| 13-31 | 6 Ländlerische Tänze for 2 Violins and Bass, WoO 15: No. 2 in D | — | ||
| 13-32 | 6 Ländlerische Tänze for 2 Violins and Bass, WoO 15: No. 3 in D | — | ||
| 13-33 | 6 Ländlerische Tänze for 2 Violins and Bass, WoO 15: No. 4 in D minor | — | ||
| 13-34 | 6 Ländlerische Tänze for 2 Violins and Bass, WoO 15: No. 5 in D | — | ||
| 13-35 | 6 Ländlerische Tänze for 2 Violins and Bass, WoO 15: No. 6 in D | — | ||
| 13-36 | 12 German Dances for Orchestra, WoO 8: No. 1 in C | — | ||
| 13-37 | 12 German Dances for Orchestra, WoO 8: No. 2 in A | — | ||
| 13-38 | 12 German Dances for Orchestra, WoO 8: No. 3 in F | — | ||
| 13-39 | 12 German Dances for Orchestra, WoO 8: No. 4 in B-flat | — | ||
| 13-40 | 12 German Dances for Orchestra, WoO 8: No. 5 in E-flat | — | ||
| 13-41 | 12 German Dances for Orchestra, WoO 8: No. 6 in G | — | ||
| 13-42 | 12 German Dances for Orchestra, WoO 8: No. 7 in C | — | ||
| 13-43 | 12 German Dances for Orchestra, WoO 8: No. 8 in A | — | ||
| 13-44 | 12 German Dances for Orchestra, WoO 8: No. 9 in F | — | ||
| 13-45 | 12 German Dances for Orchestra, WoO 8: No. 10 in D | — | ||
| 13-46 | 12 German Dances for Orchestra, WoO 8: No. 11 in G | — | ||
| 13-47 | 12 German Dances for Orchestra, WoO 8: No. 12 in C | — | ||
| 14-1 | 12 Menuets, WoO 7: No. 1 in D | — | ||
| 14-2 | 12 Menuets, WoO 7: No. 2 in B-flat | — | ||
| 14-3 | 12 Menuets, WoO 7: No. 3 in G | — | ||
| 14-4 | 12 Menuets, WoO 7: No. 4 in E-flat | — | ||
| 14-5 | 12 Menuets, WoO 7: No. 5 in C | — | ||
| 14-6 | 12 Menuets, WoO 7: No. 6 in A | — | ||
| 14-7 | 12 Menuets, WoO 7: No. 7 in D | — | ||
| 14-8 | 12 Menuets, WoO 7: No. 8 in B-flat | — | ||
| 14-9 | 12 Menuets, WoO 7: No. 9 in G | — | ||
| 14-10 | 12 Menuets, WoO 7: No. 10 in E-flat | — | ||
| 14-11 | 12 Menuets, WoO 7: No. 11 in C | — | ||
| 14-12 | 12 Menuets, WoO 7: No. 12 in F | — | ||
| 14-13 | Military March in D, WoO 24 | — | ||
| 14-14 | 6 Menuets for Orchestra, WoO 10: No. 1 in C | — | ||
| 14-15 | 6 Menuets for Orchestra, WoO 10: No. 2 in G | — | ||
| 14-16 | 6 Menuets for Orchestra, WoO 10: No. 3 in E-flat | — | ||
| 14-17 | 6 Menuets for Orchestra, WoO 10: No. 4 in B-flat | — | ||
| 14-18 | 6 Menuets for Orchestra, WoO 10: No. 5 in D | — | ||
| 14-19 | 6 Menuets for Orchestra, WoO 10: No. 6 in C | — | ||
| 14-20 | 6 Deutsche Tänze, WoO 42 | — | ||
| 14-21 | 6 Écossaises in E-flat, WoO 83: No. 1 | — | ||
| 14-22 | 6 Écossaises in E-flat, WoO 83: No. 2 | — | ||
| 14-23 | 6 Écossaises in E-flat, WoO 83: No. 3 | — | ||
| 14-24 | 6 Écossaises in E-flat, WoO 83: No. 4 | — | ||
| 14-25 | 6 Écossaises in E-flat, WoO 83: No. 5 | — | ||
| 14-26 | 6 Écossaises in E-flat, WoO 83: No. 6 | — | ||
| 14-27 | Écossaise in G, WoO 23 | — | ||
| 14-28 | 7 Ländler in D, WoO 11: No. 1 | — | ||
| 14-29 | 7 Ländler in D, WoO 11: No. 2 | — | ||
| 14-30 | 7 Ländler in D, WoO 11: No. 3 | — | ||
| 14-31 | 7 Ländler in D, WoO 11: No. 4 | — | ||
| 14-32 | 7 Ländler in D, WoO 11: No. 5 | — | ||
| 14-33 | 7 Ländler in D, WoO 11: No. 6 | — | ||
| 14-34 | 7 Ländler in D, WoO 11: No. 7 | — | ||
| 14-35 | 12 Deutsche Tänze, WoO 13: No. 1 in D | — | ||
| 14-36 | 12 Deutsche Tänze, WoO 13: No. 2 in B-flat | — | ||
| 14-37 | 12 Deutsche Tänze, WoO 13: No. 3 in G | — | ||
| 14-38 | 12 Deutsche Tänze, WoO 13: No. 4 in D | — | ||
| 14-39 | 12 Deutsche Tänze, WoO 13: No. 5 in F | — | ||
| 14-40 | 12 Deutsche Tänze, WoO 13: No. 6 in B-flat | — | ||
| 14-41 | 12 Deutsche Tänze, WoO 13: No. 7 in D | — | ||
| 14-42 | 12 Deutsche Tänze, WoO 13: No. 8 in G | — | ||
| 14-43 | 12 Deutsche Tänze, WoO 13: No. 9 in E-flat | — | ||
| 14-44 | 12 Deutsche Tänze, WoO 13: No. 10 in C | — | ||
| 14-45 | 12 Deutsche Tänze, WoO 13: No. 11 in A | — | ||
| 14-46 | 12 Deutsche Tänze, WoO 13: No. 12 in D | — | ||
| 15-1 | Octet for 2 Oboes, 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat, Op. 103: I. Allegro | — | ||
| 15-2 | Octet for 2 Oboes, 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat, Op. 103: II. Andante | — | ||
| 15-3 | Octet for 2 Oboes, 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat, Op. 103: III. Menuetto | — | ||
| 15-4 | Octet for 2 Oboes, 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat, Op. 103: IV. Finale: Presto | — | ||
| 15-5 | Rondino for 2 Oboes, 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat, WoO 25 | — | ||
| 15-6 | Sextet for 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat, Op. 71: I. Adagio – Allegro | — | ||
| 15-7 | Sextet for 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat, Op. 71: II. Adagio | — | ||
| 15-8 | Sextet for 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat, Op. 71: III. Menuetto. Quasi allegretto | — | ||
| 15-9 | Sextet for 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat, Op. 71: IV. Rondo. Allegro | — | ||
| 15-10 | Three Duos for Clarinet and Bassoon No. 1 in C, WoO 27: I. Allegro comodo | — | ||
| 15-11 | Three Duos for Clarinet and Bassoon No. 1 in C, WoO 27: II. Larghetto sostenuto | — | ||
| 15-12 | Three Duos for Clarinet and Bassoon No. 1 in C, WoO 27: III. Rondo. Allegretto | — | ||
| 15-13 | Three Duos for Clarinet and Bassoon No. 2 in F, WoO 27: I. Allegro affettuoso | — | ||
| 15-14 | Three Duos for Clarinet and Bassoon No. 2 in F, WoO 27: II. Aria. Larghetto | — | ||
| 15-15 | Three Duos for Clarinet and Bassoon No. 2 in F, WoO 27: III. Rondo. allegretto moderato | — | ||
| 15-16 | Three Duos for Clarinet and Bassoon No. 3 in B-flat, WoO 27: I. Allegro sostenuto | — | ||
| 15-17 | Three Duos for Clarinet and Bassoon No. 3 in B-flat, WoO 27: II. Aria con variazioni | — | ||
| 15-18 | Three Duos for Clarinet and Bassoon No. 3 in B-flat, WoO 27: III. Allegro assai | — | ||
| 16-1 | March and Trio in F major for wind ensemble, WoO 18 "For the Bohemian Ward" | Ottetto Italiano | — | |
| 16-2 | March and Trio in C major for wind ensemble, WoO 20 "Zapfenstreich" | Ottetto Italiano | — | |
| 16-3 | March and Trio in F major for military band, WoO 19 | Ottetto Italiano | — | |
| 16-4 | Polonaise in D major for military band, WoO 21 | Ottetto Italiano | — | |
| 16-5 | Ecossaise in D major for military band, WoO 22 | Ottetto Italiano | — | |
| 16-6 | March for 2 clarinets, 2 horns and 2 bassoons in B-flat major, WoO 29 | Ottetto Italiano | — | |
| 16-7 | Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: I. Allegro | Ottetto Italiano | — | |
| 16-8 | Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: II. Adagio maestoso | Ottetto Italiano | — | |
| 16-9 | Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: III. Minuetto | Ottetto Italiano | — | |
| 16-10 | Adagio for 3 horns in F major | Ottetto Italiano | — | |
| 16-11 | Equale for 4 trombones, WoO 30: I. Andante | Ottetto Italiano | — | |
| 16-12 | Equale for 4 trombones, WoO 30: II. Poco adagio | Ottetto Italiano | — | |
| 16-13 | Equale for 4 trombones, WoO 30: III. Poco sostenuto | Ottetto Italiano | — | |
| 16-14 | Trio for 2 oboes and english horn in C major, Op. 87: I. Allegro | Ottetto Italiano | — | |
| 16-15 | Trio for 2 oboes and english horn in C major, Op. 87: II. Adagio | Ottetto Italiano | — | |
| 16-16 | Trio for 2 oboes and english horn in C major, Op. 87: III. Minuetto | Ottetto Italiano | — | |
| 16-17 | Trio for 2 oboes and english horn in C major, Op. 87: IV. Finale | Ottetto Italiano | — | |
| 16-18 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: I. Theme | Ottetto Italiano | — | |
| 16-19 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: II. Var1 | Ottetto Italiano | — | |
| 16-20 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: III. Var 2 | Ottetto Italiano | — | |
| 16-21 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IV. Var 3 | Ottetto Italiano | — | |
| 16-22 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: V. Var 4 & 5 | Ottetto Italiano | — | |
| 16-23 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VI. Var 6 | Ottetto Italiano | — | |
| 16-24 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VII. Var 7 | Ottetto Italiano | — | |
| 16-25 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VIII. Var 8 | Ottetto Italiano | — | |
| 16-26 | Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IX. Coda | Ottetto Italiano | — | |
| 16-27 | Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio | Ottetto Italiano | — | |
| 16-28 | Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto | Ottetto Italiano | — | |
| 17-1 | Serenade for Flute and Piano, Op. 41: I. Entrata - Allegro | — | ||
| 17-2 | Serenade for Flute and Piano, Op. 41: II. Tempo ordinario d'un Menuetto | — | ||
| 17-3 | Serenade for Flute and Piano, Op. 41: III. Molto allegro | — | ||
| 17-4 | Serenade for Flute and Piano, Op. 41: IV. Andante con variazioni | — | ||
| 17-5 | Serenade for Flute and Piano, Op. 41: V. Allegro scherzando e vivace | — | ||
| 17-6 | Serenade for Flute and Piano, Op. 41: VI. Adagio | — | ||
| 17-7 | Serenade for Flute and Piano, Op. 41: VII. Allegro vivace | — | ||
| 17-8 | 6 Themes and Variations for Flute and Piano, Op. 105: Scottish Air in G | — | ||
| 17-9 | 6 Themes and Variations for Flute and Piano, Op. 105: Scottish Air in C minor | — | ||
| 17-10 | 6 Themes and Variations for Flute and Piano, Op. 105: Austrian Air in C | — | ||
| 17-11 | 6 Themes and Variations for Flute and Piano, Op. 105: Scottish Air in E-flat | — | ||
| 17-12 | 6 Themes and Variations for Flute and Piano, Op. 105: Scottish Air in E-flat | — | ||
| 17-13 | 6 Themes and Variations for Flute and Piano, Op. 105: Scottish Air in D | — | ||
| 17-14 | Allegro and Minuet in G for 2 Flutes, WoO 26: I. Allegro con brio | — | ||
| 17-15 | Allegro and Minuet in G for 2 Flutes, WoO 26: II. Minuetto: Quasi allegro | — | ||
| 17-16 | Trio for Flute, Bassoon, and Piano in G, WoO 37: I. Allegro | — | ||
| 17-17 | Trio for Flute, Bassoon, and Piano in G, WoO 37: II. Adagio | — | ||
| 17-18 | Trio for Flute, Bassoon, and Piano in G, WoO 37: III. Thema (Andante) con variazioni | — | ||
| 18-1 | 10 Themes and Variations for Flute and Piano, Op. 107: Tyrolian Air in E-flat | — | ||
| 18-2 | 10 Themes and Variations for Flute and Piano, Op. 107: Scottish Air in F | — | ||
| 18-3 | 10 Themes and Variations for Flute and Piano, Op. 107: Russian Air in G | — | ||
| 18-4 | 10 Themes and Variations for Flute and Piano, Op. 107: Scottish Air in F | — | ||
| 18-5 | 10 Themes and Variations for Flute and Piano, Op. 107: Tyrolian Air in F | — | ||
| 18-6 | 10 Themes and Variations for Flute and Piano, Op. 107: Scottish Air in E-flat | — | ||
| 18-7 | 10 Themes and Variations for Flute and Piano, Op. 107: Russian Air in A minor | — | ||
| 18-8 | 10 Themes and Variations for Flute and Piano, Op. 107: Scottish Air in D | — | ||
| 18-9 | 10 Themes and Variations for Flute and Piano, Op. 107: Scottish Air E-flat | — | ||
| 18-10 | 10 Themes and Variations for Flute and Piano, Op. 107: Scottish Air G minor | — | ||
| 18-11 | Trio for 3 Flutes in G (spurious): I. Allegro | — | ||
| 18-12 | Trio for 3 Flutes in G (spurious): II. Andante | — | ||
| 18-13 | Trio for Flutes in G (spurious): III. Rondo: Allegretto | — | ||
| 18-14 | Sonata for Flute and Piano in B-flat, Anh. 4: I. Allegro moderato | — | ||
| 18-15 | Sonata for Flute and Piano in B-flat, Anh. 4: II. Polonaise | — | ||
| 18-16 | Sonata for Flute and Piano in B-flat, Anh. 4: III. Largo | — | ||
| 18-17 | Sonata for Flute and Piano in B-flat, Anh. 4: IV. Tema (Allegretto) con variazione | — | ||
| 19-7 | Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat, Op. 81b: I. Allegro con brio | — | ||
| 19-8 | Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat, Op. 81b: II. Adagio | — | ||
| 19-9 | Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat, Op. 81b: III. Rondo: Allegro | — | ||
| 20-1 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat, Op. 16: I. Grave – Allegro ma non troppo | — | ||
| 20-2 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat, Op. 16: II. Andante cantabile | — | ||
| 20-3 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat, Op. 16: III. Rondo: Allegro ma non troppo | — | ||
| 20-4 | Trio for Clarinet, Cello, and Piano in B-flat, Op. 11: I. Allegro con brio | — | ||
| 20-5 | Trio for Clarinet, Cello, and Piano in B-flat, Op. 11: II. Adagio | — | ||
| 20-6 | Trio for Clarinet, Cello, and Piano in B-flat, Op. 11: III. Allegretto: Variations on "Pria ch'io l'impegno" | — | ||
| 20-7 | Horn Sonata in F, Op. 17: I. Allegro moderato | — | ||
| 20-8 | Horn Sonata in F, Op. 17: II. Poco adagio, quasi andante | — | ||
| 20-9 | Horn Sonata in F, Op. 17: III. Rondo: Allegro moderato | — | ||
| 21-1 | Serenade for Flute, Violin, and Viola in D, Op. 25: I. Entrata: Allegro | — | ||
| 21-2 | Serenade for Flute, Violin, and Viola in D, Op. 25: II. Tempo ordinario d"un Menuetto | — | ||
| 21-3 | Serenade for Flute, Violin, and Viola in D, Op. 25: III. Allegro molto | — | ||
| 21-4 | Serenade for Flute, Violin, and Viola in D, Op. 25: IV. Andante con variazioni | — | ||
| 21-5 | Serenade for Flute, Violin, and Viola in D, Op. 25: V. Allegro scherzando e vivace | — | ||
| 21-6 | Serenade for Flute, Violin and Viola in D, Op. 25: VI. Adagio – Allegro vivace disinvolto | — | ||
| 21-7 | Rondo for Violin and Piano in G, WoO 41 | — | ||
| 21-8 | Trio for Violin, Cello, and Piano in E-flat, Hess 48 | — | ||
| 21-9 | Adagio for Mandolin and Piano in E-flat, WoO 43b | — | ||
| 21-10 | Sonatina for Mandolin and Piano in C, WoO 44a | — | ||
| 21-11 | Andante and Variations for Mandolin and Piano in D, WoO 44b | — | ||
| 21-12 | 12 Variations for Violin and Piano in F on "Se vuol ballare" from Mozart's "Le Nozze di Figaro", WoO 40 | — | ||
| 22-1 | Piano Quartet in C, WoO 36 No. 3: I. Allegro vivace | — | ||
| 22-2 | Piano Quartet in C, WoO 36 No. 3: II. Adagio con espressione | — | ||
| 22-3 | Piano Quartet in C, WoO 36 No. 3: III. Rondo: Allegro | — | ||
| 22-4 | Piano Quartet in E-flat, WoO 36 No. 1: I. Adagio assai – Allegro con spirito | — | ||
| 22-5 | Piano Quartet in E-flat, WoO 36 No. 1: II. Tema con variazioni | — | ||
| 22-6 | Piano Quartet in D, WoO 36 No. 2: I. Allegro moderato | — | ||
| 22-7 | Piano Quartet in D, WoO 36 No. 2: II. Andante con moto | — | ||
| 22-8 | Piano Quartet in D, WoO 36 No. 2: III. Rondo: Allegro | — | ||
| 23-1 | Piano Trio in G Major, Op. 1 No. 2: I. Adagio – Allegro vivace | Trio Élégiaque | — | |
| 23-2 | Piano Trio in G Major, Op. 1 No. 2: II. Largo con espressione | Trio Élégiaque | — | |
| 23-3 | Piano Trio in G Major, Op. 1 No. 2: III. Scherzo. Allegro | Trio Élégiaque | — | |
| 23-4 | Piano Trio in G Major, Op. 1 No. 2:. IV. Finale. Presto | Trio Élégiaque | T-003.055.867-8 | |
| 23-5 | Piano Trio in D Major, Op. 70 No. 1 ‘Ghost’: I. Allegro vivace | Trio Élégiaque | — | |
| 23-6 | Piano Trio in D Major, Op. 70 No. 1 ‘Ghost’: II. Largo assai ed espressivo | Trio Élégiaque | — | |
| 23-7 | Piano Trio in D Major, Op. 70 No. 1 ‘Ghost’: III. Presto | Trio Élégiaque | — | |
| 23-8 | Piano Trio in E-Flat, WoO 38: I. Allegro moderato | Trio Élégiaque | — | |
| 23-9 | Piano Trio in E-Flat, WoO 38: II. Scherzo. Allegro ma non troppo | Trio Élégiaque | — | |
| 23-10 | Piano Trio in E-Flat, WoO 38: III. Rondo. Allegretto | Trio Élégiaque | — | |
| 24-1 | Piano Trio in C Minor, Op. 1 No. 3: I. Allegro con brio | Trio Élégiaque | — | |
| 24-2 | Piano Trio in C Minor, Op. 1 No. 3: II. Andante cantabile con variazioni | Trio Élégiaque | — | |
| 24-3 | Piano Trio in C Minor, Op. 1 No. 3: III. Menuetto. Quasi allegro – Trio | Trio Élégiaque | — | |
| 24-4 | Piano Trio in C Minor, Op. 1 No. 3: IV. Finale. Prestissimo | Trio Élégiaque | — | |
| 24-5 | Piano Trio in E-Flat, Op. 70 No. 2: I. Poco sostenuto – Allegro ma non troppo | Trio Élégiaque | — | |
| 24-6 | Piano Trio in E-Flat, Op. 70 No. 2: II. Allegretto | Trio Élégiaque | — | |
| 24-7 | Piano Trio in E-Flat, Op. 70 No. 2: III. Allegretto ma non troppo | Trio Élégiaque | — | |
| 24-8 | Piano Trio in E-Flat, Op. 70 No. 2: IV. Finale. Allegro | Trio Élégiaque | T-003.055.867-8 | |
| 24-9 | Piano Trio in E-Flat, Op. 44: 14 Variations on an original theme. Tema (Andante) con variazioni | Trio Élégiaque | — | |
| 25-1 | Piano Trio in E-Flat, Op. 1 No. 1: I. Allegro | Trio Élégiaque | — | |
| 25-2 | Piano Trio in E-Flat, Op. 1 No. 1: II. Adagio cantabile | Trio Élégiaque | — | |
| 25-3 | Piano Trio in E-Flat, Op. 1 No. 1: III. Scherzo. Allegro assai | Trio Élégiaque | — | |
| 25-4 | Piano Trio in E-Flat, Op. 1 No. 1: IV. Finale. Presto | Trio Élégiaque | T-003.055.867-8 | |
| 25-5 | Piano Trio in D Major, after Symphony No. 2: I. Adagio – Allegro con brio | Trio Élégiaque | — | |
| 25-6 | Piano Trio in D Major, after Symphony No. 2: II. Larghetto quasi andante | Trio Élégiaque | — | |
| 25-7 | Piano Trio in D Major, after Symphony No. 2: III. Scherzo | Trio Élégiaque | — | |
| 25-8 | Piano Trio in D Major, After Symphony No. 2: IV. Allegro molto | Trio Élégiaque | — | |
| 25-9 | Triosatz in E-Flat: Allegretto | Trio Élégiaque | — | |
| 26-1 | Piano Trio in B-Flat Major, Op. 97 ‘Archduke’: I. Allegro moderato | Trio Élégiaque | — | |
| 26-2 | Piano Trio in B-Flat Major, Op. 97 ‘Archduke’: II. Scherzo. Allegro | Trio Élégiaque | — | |
| 26-3 | Piano Trio in B-Flat Major, Op. 97 ‘Archduke’: III. Andante cantabile, ma però con moto – Poco più adagio | Trio Élégiaque | — | |
| 26-4 | Piano Trio in B-Flat Major, Op. 97 ‘Archduke’: IV. Allegro moderato | Trio Élégiaque | — | |
| 26-5 | Piano Trio in B-Flat Major, WoO 39: Allegretto | Trio Élégiaque | — | |
| 26-6 | Piano Trio in E-Flat Major, Op. 63, After the String Quintet, Op. 4: I. Allegro con brio | Trio Élégiaque | — | |
| 26-7 | Piano Trio in E-Flat Major, Op. 63, After the String Quintet, Op. 4: II. Andante | Trio Élégiaque | — | |
| 26-8 | Piano Trio in E-Flat Major, Op. 63, After the String Quintet, Op. 4: III. Menuetto – Trio | Trio Élégiaque | — | |
| 26-9 | Piano Trio in E-Flat Major, Op. 63, After the String Quintet, Op. 4: IV. Finale. Presto | Trio Élégiaque | T-003.055.867-8 | |
| 27-1 | Piano Trio in B-Flat Major, Op. 11 ‘Gassenhauer’: I. Allegro con brio | Trio Élégiaque | — | |
| 27-2 | Piano Trio in B-Flat Major, Op. 11 ‘Gassenhauer’: II. Adagio | Trio Élégiaque | — | |
| 27-3 | Piano Trio in B-Flat Major, Op. 11 ‘Gassenhauer’: III. Tema. Pria ch'io l'impegno allegretto con variazioni | Trio Élégiaque | — | |
| 27-4 | Piano Trio in G Major, Op. 121a: Introduzione. Adagio assai – Tema. Allegretto con variazioni | Trio Élégiaque | — | |
| 27-5 | Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: I. Adagio – Allegro con brio | Trio Élégiaque | — | |
| 27-6 | Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: II. Adagio cantabile | Trio Élégiaque | — | |
| 27-7 | Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: III. Tempo di menuetto | Trio Élégiaque | — | |
| 27-8 | Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: IV. Andante con variazioni | Trio Élégiaque | — | |
| 27-9 | Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: V. Scherzo. Allegro molto e vivace | Trio Élégiaque | — | |
| 27-10 | Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: VI. Andante con moto alla marcia – Presto | Trio Élégiaque | — | |
| 28-1 | Cello Sonata in F, Op. 5 No. 1: I. Adagio sostenuto - Allegro | — | ||
| 28-2 | Cello Sonata in F, Op. 5 No. 1: II. Rondo: Allegro vivace | — | ||
| 28-3 | Cello Sonata in G minor, Op. 5 No. 2: I. Adagio sostenuto ed espressivo | — | ||
| 28-4 | Cello Sonata in G minor, Op. 5 No. 2: I. Allegro molto più tosto presto | — | ||
| 28-5 | Cello Sonata in G minor, Op. 5 No. 2: II. Rondo: Allegro | — | ||
| 28-6 | Cello Sonata in A, Op. 69: I. Allegro ma non tanto | — | ||
| 28-7 | Cello Sonata in A, Op. 69: II. Scherzo: Allegro molto | — | ||
| 28-8 | Cello Sonata in A, Op. 69: III. Adagio cantabile - Allegro vivace | — | ||
| 29-1 | Cello Sonata in C, Op. 102 No. 1: I. Adagio - Allegro vivace | — | ||
| 29-2 | Cello Sonata in C, Op. 102 No. 1: II. Adagio - Tempo d"andante - Allegro vivace | — | ||
| 29-3 | Cello Sonata in D, Op. 102 No. 2 I. Allegro con brio | — | ||
| 29-4 | Cello Sonata in D, Op. 102 No. 2: II. Adagio con molto sentimento d"affetto | — | ||
| 29-5 | Cello Sonata in D, Op. 102 No. 2: III. Allegro - Allegro fugato | — | ||
| 29-6 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Thema: Allegretto | — | ||
| 29-7 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 1 | — | ||
| 29-8 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 2 | — | ||
| 29-9 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 3 | — | ||
| 29-10 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 4 | — | ||
| 29-11 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 5 | — | ||
| 29-12 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 6 | — | ||
| 29-13 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 7 | — | ||
| 29-14 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 8 | — | ||
| 29-15 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 9 | — | ||
| 29-16 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 10 | — | ||
| 29-17 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 11: Adagio | — | ||
| 29-18 | 12 Variations on "See the Conqu"ring Hero Comes" from Handel"s "Judas Maccabeus", WoO 45: Variation 12: Allegro | — | ||
| 29-19 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Thema: Allegretto | — | ||
| 29-20 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 1 | — | ||
| 29-21 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 2 | — | ||
| 29-22 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 3 | — | ||
| 29-23 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 4 | — | ||
| 29-24 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 5 | — | ||
| 29-25 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 6 | — | ||
| 29-26 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 7 | — | ||
| 29-27 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 8 | — | ||
| 29-28 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 9 | — | ||
| 29-29 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 10: Adagio | — | ||
| 29-30 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 11: Poco adagio, quasi andante | — | ||
| 29-31 | 12 Variations on "Ein Mädchen oder Weibchen" from Mozart"s "Die Zauberflöte", Op. 66: Variation 12: Allegro | — | ||
| 29-32 | 7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart"s "Die Zauberflöte", WoO 46: Thema: Andante | — | ||
| 29-33 | 7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart"s "Die Zauberflöte", WoO 46: Variation 1 | — | ||
| 29-34 | 7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart"s "Die Zauberflöte", WoO 46: Variation 2 | — | ||
| 29-35 | 7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart"s "Die Zauberflöte", WoO 46: Variation 3 | — | ||
| 29-36 | 7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart"s "Die Zauberflöte", WoO 46: Variation 4 | — | ||
| 29-37 | 7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart"s "Die Zauberflöte", WoO 46: Variation 5: Si prenda il tempo un poco | — | ||
| 29-38 | 7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart"s "Die Zauberflöte", WoO 46: Variation 6: Adagio | — | ||
| 29-39 | 7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart"s "Die Zauberflöte", WoO 46: Variation 7: Allegro ma non troppo | — | ||
| 30-1 | Violin Sonata no. 1 in D major, op. 12 no. 1: I. Allegro con brio | Kristóf Baráti, Klára Würtz | — | |
| 30-2 | Violin Sonata no. 1 in D major, op. 12 no. 1: II. Tema con variazioni | Kristóf Baráti, Klára Würtz | — | |
| 30-3 | Violin Sonata no. 1 in D major, op. 12 no. 1: III. Rondo. Allegro | Kristóf Baráti, Klára Würtz | — | |
| 30-4 | Violin Sonata no. 2 in A major, op. 12 no. 2: I. Allegro vivace | Kristóf Baráti, Klára Würtz | — | |
| 30-5 | Violin Sonata no. 2 in A major, op. 12 no. 2: II. Andante, più tosto allegretto | Kristóf Baráti, Klára Würtz | — | |
| 30-6 | Violin Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacevole | Kristóf Baráti, Klára Würtz | — | |
| 30-7 | Violin Sonata no. 3 in E-flat major, op. 12 no. 3: I. Allegro con spirito | Kristóf Baráti, Klára Würtz | — | |
| 30-8 | Violin Sonata no. 3 in E-flat major, op. 12 no. 3: II. Adagio con molt’espressione | Kristóf Baráti, Klára Würtz | — | |
| 30-9 | Violin Sonata no. 3 in E-flat major, op. 12 no. 3: III. Rondo. Allegro molto | Kristóf Baráti, Klára Würtz | — | |
| 31-1 | Violin Sonata no. 4 in A minor, op. 23: I. Presto | Kristóf Baráti, Klára Würtz | — | |
| 31-2 | Violin Sonata no. 4 in A minor, op. 23: II. Andante scherzoso, più allegretto | Kristóf Baráti, Klára Würtz | — | |
| 31-3 | Violin Sonata no. 4 in A minor, op. 23: III. Allegro molto | Kristóf Baráti, Klára Würtz | — | |
| 31-4 | Violin Sonata no. 5 in F, op. 24 “Spring”: I. Allegro | Kristóf Baráti, Klára Würtz | — | |
| 31-5 | Violin Sonata no. 5 in F, op. 24 “Spring”: II. Adagio molto espressivo | Kristóf Baráti, Klára Würtz | — | |
| 31-6 | Violin Sonata no. 5 in F, op. 24 “Spring”: III. Scherzo. Allegro molto | Kristóf Baráti, Klára Würtz | — | |
| 31-7 | Violin Sonata no. 5 in F, op. 24 “Spring”: IV. Rondo. Allegro ma non troppo | Kristóf Baráti, Klára Würtz | T-909.573.283-5 | |
| 32-1 | Violin Sonata no. 6 in A major, op. 30 no. 1: I. Allegro | Kristóf Baráti, Klára Würtz | — | |
| 32-2 | Violin Sonata no. 6 in A major, op. 30 no. 1: II. Adagio molto espressivo | Kristóf Baráti, Klára Würtz | — | |
| 32-3 | Violin Sonata no. 6 in A major, op. 30 no. 1: III. Allegretto con variazioni | Kristóf Baráti, Klára Würtz | — | |
| 32-4 | Violin Sonata no. 7 in C minor, op. 30 no. 2: I. Allegro con brio | Kristóf Baráti, Klára Würtz | — | |
| 32-5 | Violin Sonata no. 7 in C minor, op. 30 no. 2: II. Adagio cantabile | Kristóf Baráti, Klára Würtz | — | |
| 32-6 | Violin Sonata no. 7 in C minor, op. 30 no. 2: III. Scherzo. Allegro | Kristóf Baráti, Klára Würtz | — | |
| 32-7 | Violin Sonata no. 7 in C minor, op. 30 no. 2: IV. Finale. Allegro | Kristóf Baráti, Klára Würtz | — | |
| 32-8 | Violin Sonata no. 8 in G major, op. 30 no. 3: I. Allegro assai | Kristóf Baráti, Klára Würtz | — | |
| 32-9 | Violin Sonata no. 8 in G major, op. 30 no. 3: II. Tempo di menuetto | Kristóf Baráti, Klára Würtz | — | |
| 32-10 | Violin Sonata no. 8 in G major, op. 30 no. 3: III. Allegro vivace | Kristóf Baráti, Klára Würtz | — | |
| 33-1 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto | Kristóf Baráti, Klára Würtz | — | |
| 33-2 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: II. Andante con variazioni | Kristóf Baráti, Klára Würtz | — | |
| 33-3 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: III. Finale. Presto | Kristóf Baráti, Klára Würtz | — | |
| 33-4 | Violin Sonata no. 10 in G major, op. 96: I. Allegro moderato | Kristóf Baráti, Klára Würtz | — | |
| 33-5 | Violin Sonata no. 10 in G major, op. 96: II. Adagio espressivo | Kristóf Baráti, Klára Würtz | — | |
| 33-6 | Violin Sonata no. 10 in G major, op. 96: III. Scherzo. Allegro | Kristóf Baráti, Klára Würtz | — | |
| 33-7 | Violin Sonata no. 10 in G major, op. 96: IV. Poco allegretto | Kristóf Baráti, Klára Würtz | — | |
| 34-1 | String Trio in E-flat, Op. 3: I. Allegro con brio | — | ||
| 34-2 | String Trio in E-flat, Op. 3: II. Andante | — | ||
| 34-3 | String Trio in E-flat, Op. 3: III. Menuetto: Allegro | — | ||
| 34-4 | String Trio in E-flat, Op. 3: IV. Adagio | — | ||
| 34-5 | String Trio in E-flat, Op. 3: V. Menuetto: Moderato | — | ||
| 34-6 | String Trio in E-flat, Op. 3: VI. Finale: Allegro | — | ||
| 34-7 | Serenade in D for String Trio, Op. 8: I. Marcia Allegro | — | ||
| 34-8 | Serenade in D for String Trio, Op. 8: II. Adagio | — | ||
| 34-9 | Serenade in D for String Trio, Op. 8: III. Menuetto: Allegretto | — | ||
| 34-10 | Serenade in D for String Trio, Op. 8: IV. Adagio – Scherzo: Allegro | — | ||
| 34-11 | Serenade in D for String Trio, Op. 8: V. Allegretto alla Polacca | — | ||
| 34-12 | Serenade in D for String Trio, Op. 8: VI. Andante quasi allegretto – Variations 1–4 – Allegro | — | ||
| 34-13 | Serenade in D for String Trio, Op. 8: VII. Marcia: Allegro | — | ||
| 35-1 | String Trio in G, Op. 9 No. 1: I. Adagio – Allegro con brio | — | ||
| 35-2 | String Trio in G, Op. 9 No. 1: II. Adagio ma non tanto e cantabile | — | ||
| 35-3 | String Trio in G, Op. 9 No. 1: III. Scherzo: Allegro | — | ||
| 35-4 | String Trio in G, Op. 9 No. 1: IV. Presto | — | ||
| 35-5 | String Trio in D, Op. 9 No. 2: I. Allegretto | — | ||
| 35-6 | String Trio in D, Op. 9 No. 2: II. Andante quasi allegretto | — | ||
| 35-7 | String Trio in D, Op. 9 No. 2: III. Menuetto: Allegro | — | ||
| 35-8 | String Trio in D, Op. 9 No. 2: IV. Rondo: Allegro | — | ||
| 35-9 | String Trio in C minor, Op. 9 No. 3: I. Allegro con spirito | — | ||
| 35-10 | String Trio in C minor, Op. 9 No. 3: II. Adagio con espressione | — | ||
| 35-11 | String Trio in C minor, Op. 9 No. 3: III. Scherzo: Allegro molto e vivace | — | ||
| 35-12 | String Trio in C minor, Op. 9 No. 3: IV. Finale: Presto | — | ||
| 36-1 | String Quartet No. 1 in F, Op. 18 No. 1: I. Allegro con brio | — | ||
| 36-2 | String Quartet No. 1 in F, Op. 18 No. 1: II. Adagio affettuoso ed appassionato | — | ||
| 36-3 | String Quartet No. 1 in F, Op. 18 No. 1: III. Scherzo: Allegro molto – Trio | — | ||
| 36-4 | String Quartet No. 1 in F, Op. 18 No. 1: IV. Allegro | — | ||
| 36-5 | String Quartet No. 2 in G, Op. 18 No. 2: I. Allegro | — | ||
| 36-6 | String Quartet No. 2 in G, Op. 18 No. 2: II. Adagio cantabile – Allegro – Tempo I | — | ||
| 36-7 | String Quartet No. 2 in G, Op. 18 No. 2: III. Scherzo: Allegro – Trio | — | ||
| 36-8 | String Quartet No. 2 in G, Op. 18 No. 2: IV. Allegro molto, quasi presto | — | ||
| 36-9 | String Quartet No. 3 in D, Op. 18 No. 3: I. Allegro | — | ||
| 36-10 | String Quartet no. 3 in D major, op. 18 no. 3: II. Andante con moto | Suske-Quartett | — | |
| 36-11 | String Quartet No. 3 in D, Op. 18 No. 3: III. Allegro | — | ||
| 36-12 | String Quartet No. 3 in D, Op. 18 No. 3: IV. Presto | — | ||
| 37-1 | String Quartet No. 4 in C minor, Op. 18 No. 4: I. Allegro ma non tanto | — | ||
| 37-2 | String Quartet No. 4 in C minor, Op. 18 No. 4: II. Scherzo: Andante scherzo, quasi allegretto | — | ||
| 37-3 | String Quartet No. 4 in C minor, Op. 18 No. 4: III. Menuetto: Allegretto – Trio | — | ||
| 37-4 | String Quartet No. 4 in C minor, Op. 18 No. 4: IV. Allegro | — | ||
| 37-5 | String Quartet No. 5 in A, Op. 18 No. 5: I. Allegro | — | ||
| 37-6 | String Quartet No. 5 in A, Op. 18 No. 5: II. Menuetto – Trio | — | ||
| 37-7 | String Quartet No. 5 in A, Op. 18 No. 5: III. Andante cantabile | — | ||
| 37-8 | String Quartet No. 5 in A, Op. 18 No. 5: IV. Allegro | — | ||
| 37-9 | String Quartet No. 6 in B-flat, Op. 18 No. 6: I. Allegro con brio | — | ||
| 37-10 | String Quartet No. 6 in B-flat, Op. 18 No. 6: II. Adagio ma non troppo | — | ||
| 37-11 | String Quartet No. 6 in B-flat, Op. 18 No. 6: III. Scherzo: Allegro – Trio | — | ||
| 37-12 | String Quartet No. 6 in B-flat, Op. 18 No. 6: IV. Adagio (La Malinconia) – Allegretto, quasi allegro | — | ||
| 37-13 | Minuet in A-flat, Hess 33 | — | ||
| 38-1 | String Quartet No. 7 in F, Op. 59 No. 1 "Rasumovsky": I. Allegro | — | ||
| 38-2 | String Quartet No. 7 in F, Op. 59 No. 1 "Rasumovsky": II. Allegretto vivace e sempre scherzando | — | ||
| 38-3 | String Quartet No. 7 in F, Op. 59 No. 1 "Rasumovsky": III. Adagio molto e mesto | — | ||
| 38-4 | String Quartet No. 7 in F, Op. 59 No. 1 "Rasumovsky": IV. Allegro (Thème russe) | — | ||
| 38-5 | String Quartet No. 8 in E minor, Op. 59 No. 2 "Rasumovsky": I. Allegro | — | ||
| 38-6 | String Quartet No. 8 in E minor, Op. 59 No. 2 "Rasumovsky": II. Molto adagio | — | ||
| 38-7 | String Quartet No. 8 in E minor, Op. 59 No. 2 "Rasumovsky": III. Allegretto | — | ||
| 38-8 | String Quartet No. 8 in E minor, Op. 59 No. 2 "Rasumovsky": IV. Finale: Presto | — | ||
| 39-1 | String Quartet No. 9 in C, Op. 59 No. 3 "Rasumovsky": I. Introduzione: Andante con moto – Allegro vivace | — | ||
| 39-2 | String Quartet No. 9 in C, Op. 59 No. 3 "Rasumovsky": II. Andante con moto, quasi allegretto | — | ||
| 39-3 | String Quartet No. 9 in C, Op. 59 No. 3 "Rasumovsky": III. Menuetto: Grazioso – Trio | — | ||
| 39-4 | String Quartet No. 9 in C, Op. 59 No. 3 "Rasumovsky": IV. Allegro molto | — | ||
| 39-5 | String Quartet No. 10 in E-flat, Op. 74 "Harp": I. Poco adagio – Allegro | — | ||
| 39-6 | String Quartet No. 10 in E-flat, Op. 74 "Harp": II. Adagio ma non troppo | — | ||
| 39-7 | String Quartet No. 10 in E-flat, Op. 74 "Harp": III. Presto | — | ||
| 39-8 | String Quartet No. 10 in E-flat, Op. 74 "Harp": IV. Allegretto con variazioni | — | ||
| 40-1 | String Quartet No. 11 in F minor, Op. 95 "Quartetto serioso": I. Allegro con brio | — | ||
| 40-2 | String Quartet No. 11 in F minor, Op. 95 "Quartetto serioso": II. Allegretto ma non troppo | — | ||
| 40-3 | String Quartet No. 11 in F minor, Op. 95 "Quartetto serioso": III. Allegro assai vivace, ma serioso | — | ||
| 40-4 | String Quartet No. 11 in F minor, Op. 95 "Quartetto serioso": IV. Larghetto espressivo – Allegretto agitato – Allegro | — | ||
| 40-5 | String Quartet No. 13 in B-flat, Op. 130: I. Adagio ma non troppo – Allegro | — | ||
| 40-6 | String Quartet No. 13 in B-flat, Op. 130: II. Presto | — | ||
| 40-7 | String Quartet No. 13 in B-flat, Op. 130: III. Andante con moto, ma non troppo | — | ||
| 40-8 | String Quartet No. 13 in B-flat, Op. 130: IV. Alla danza tedesca: Allegro assai | — | ||
| 40-9 | String Quartet No. 13 in B-flat, Op. 130: V. Cavatina: Adagio molto espressivo | — | ||
| 40-10 | String Quartet No. 13 in B-flat, Op. 130: VI. Finale: Allegro | — | ||
| 40-11 | Große Fuge in B-flat, Op. 133 | — | ||
| 41-1 | String Quartet No. 12 in E-flat, Op. 127: I. Maestoso – Allegro | — | ||
| 41-2 | String Quartet No. 12 in E-flat, Op. 127: II. Adagio ma non troppo e molto cantabile | — | ||
| 41-3 | String Quartet No. 12 in E-flat, Op. 127: III. Scherzando vivace | — | ||
| 41-4 | String Quartet No. 12 in E-flat, Op. 127: IV. Finale | — | ||
| 41-5 | String Quartet No. 14 in C-sharp minor, Op. 131: I. Adagio ma non troppo e molto espressivo | — | ||
| 41-6 | String Quartet No. 14 in C-sharp minor, Op. 131: II. Allegro molto vivace | — | ||
| 41-7 | String Quartet No. 14 in C-sharp minor, Op. 131: III. Allegro molto moderato – Adagio – Più vivace | — | ||
| 41-8 | String Quartet No. 14 in C-sharp minor, Op. 131: IV. Andante ma non troppo e molto cantabile | — | ||
| 41-9 | String Quartet No. 14 in C-sharp minor, Op. 131: V. Presto | — | ||
| 41-10 | String Quartet No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante | — | ||
| 41-11 | String Quartet No. 14 in C-sharp minor, Op. 131: VII. Allegro | — | ||
| 42-1 | String Quartet No. 15 in A minor, Op. 132: I. Assai sostenuto – Allegro | — | ||
| 42-2 | String Quartet No. 15 in A minor, Op. 132: II. Allegro ma non troppo | — | ||
| 42-3 | String Quartet No. 15 in A minor, Op. 132: III. Molto adagio: Heiliger Dankgesang eines Genesenen an die Gottheit in der lydischen Tonart | — | ||
| 42-4 | String Quartet No. 15 in A minor, Op. 132: IV. Alla marcia, assai vivace | — | ||
| 42-5 | String Quartet No. 15 in A minor, Op. 132: V. Finale: Allegro appassionato | — | ||
| 42-6 | String Quartet No. 16 in F, Op. 135: I. Allegretto | — | ||
| 42-7 | String Quartet No. 16 in F, Op. 135: II. Vivace | — | ||
| 42-8 | String Quartet No. 16 in F, Op. 135: III. Lento assai, cantante e tranquillo | — | ||
| 42-9 | String Quartet No. 16 in F, Op. 135: IV. Grave ma non troppo tratto – Allegro | — | ||
| 43-1 | String Quintet in C, Op. 29: I. Allegro moderato | — | ||
| 43-2 | String Quintet in C, Op. 29: II. Adagio molto espressivo | — | ||
| 43-3 | String Quintet in C, Op. 29: III. Scherzo: Allegro | — | ||
| 43-4 | String Quintet in C, Op. 29: IV. Presto | — | ||
| 43-5 | String Quintet in C minor, Op. 104 arrangement of Piano Trio, Op. 1 No. 3: I. Allegro con brio | — | ||
| 43-6 | String Quintet in C minor, Op. 104 arrangement of Piano Trio, Op. 1 No. 3: II. Andante cantabile con variazioni | — | ||
| 43-7 | String Quintet in C minor, Op. 104 arrangement of Piano Trio, Op. 1 No. 3: III. Menuetto. Quasi allegro | — | ||
| 43-8 | String Quintet in C minor, Op. 104: IV. Finale. Presto | — | ||
| 43-9 | String Quartet in F after Piano Sonata in E, Op. 14 No. 1: I. Allegro moderato | — | ||
| 43-10 | String Quartet in F after Piano Sonata in E, Op. 14 No. 1: II. Allegretto | — | ||
| 43-11 | String Quartet in F after Piano Sonata in E, Op. 14 No. 1: III. Allegro | — | ||
| 44-1 | String Quintet in E-flat, Op. 4: I. Allegro con brio | — | ||
| 44-2 | String Quintet in E-flat, Op. 4: II. Andante | — | ||
| 44-3 | String Quintet in E-flat, Op. 4: III. Menuetto | — | ||
| 44-4 | String Quintet in E-flat, Op. 4: IV. Finale: Presto | — | ||
| 44-5 | Fugue for String Quintet in D, Op. 137 | — | ||
| 44-6 | Duet for Viola and Cello in E-flat, WoO 32 “mit zwei obligaten Augengläsern”: I. - | — | ||
| 44-7 | Duet for Viola and Cello in E-flat, WoO 32 “mit zwei obligaten Augengläsern”: II. Minuetto | — | ||
| 44-8 | 6 ländlerische Tänze for 2 Violins, Cello, and Double Bass, WoO 15 | — | ||
| 44-9 | Prelude and Fugue for 2 Violins and Cello in E minor, Hess 29 | — | ||
| 44-10 | Prelude and Fugue for String Quartet in F, Hess 30 | — | ||
| 44-11 | Prelude and Fugue for String Quartet in C, Hess 31 | — | ||
| 44-12 | Minuet for String Quartet, Hess 33 | — | ||
| 44-13 | Prelude for String Quintet, Hess 40 | — | ||
| 45-1 | Piano Sonata No. 29 in B-flat, Op. 106 "Hammerklavier": I. Allegro | — | ||
| 45-2 | Piano Sonata No. 29 in B-flat, Op. 106 "Hammerklavier": II. Scherzo: Assai vivace | — | ||
| 45-3 | Piano Sonata No. 29 in B-flat, Op. 106 "Hammerklavier": III. Adagio sostenuto | — | ||
| 45-4 | Piano Sonata No. 29 in B-flat, Op. 106 "Hammerklavier": IV. Largo - Allegro risoluto | — | ||
| 45-5 | Piano Sonata No. 32 in C minor, Op. 111: I. Maestoso - Allegro con brio e appassionato | — | ||
| 45-6 | Piano Sonata No. 32 in C minor, Op. 111: II. Arietta: Adagio molto, semplice e cantabile | — | ||
| 46-1 | Piano Sonata No. 28 in A, Op. 101: I. Allegretto ma non troppo | — | ||
| 46-2 | Piano Sonata No. 28 in A, Op. 101: II. Vivace alla marcia | — | ||
| 46-3 | Piano Sonata No. 28 in A, Op. 101: III. Adagio ma non troppo con affetto - Presto | — | ||
| 46-4 | Piano Sonata No. 30 in E, Op. 109: I. Vivace ma non troppo - adagio espressivo | — | ||
| 46-5 | Piano Sonata No. 30 in E, Op. 109: II. Prestissimo | — | ||
| 46-6 | Piano Sonata No. 30 in E, Op. 109: III. Tema con variazioni | — | ||
| 46-7 | Piano Sonata No. 31 in A-flat, Op. 110: I. Moderato cantabile, molto espressivo | — | ||
| 46-8 | Piano Sonata No. 31 in A-flat, Op. 110: II. Allegro molto / III. Adagio ma non troppo | — | ||
| 46-9 | Piano Sonata No. 31 in A-flat, Op. 110: Fuga: Allegro ma non troppo | — | ||
| 46-10 | Piano Sonata No. 27 in E minor, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 46-11 | Piano Sonata No. 27 in E minor, Op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | — | ||
| 47-1 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai | — | ||
| 47-2 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto | — | ||
| 47-3 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 47-4 | Piano Sonata No. 22 in F, Op. 54: I. In tempo d'un menuetto | — | ||
| 47-5 | Piano Sonata No. 22 in F, Op. 54: II. Allegretto | — | ||
| 47-6 | Piano Sonata No. 26 in E-flat, Op. 81a "Les Adieux": I. Les Adieux: Adagio – allegro | — | ||
| 47-7 | Piano Sonata No. 26 in E-flat, Op. 81a "Les Adieux": II. L'Absence: Andante espressivo | — | ||
| 47-8 | Piano Sonata No. 26 in E-flat, Op. 81a "Les Adieux": III. Le Retour: Vivacissimamente | — | ||
| 47-9 | Piano Sonata No. 16 in G, Op. 31 No. 1: I. Allegro vivace | — | ||
| 47-10 | Piano Sonata No. 16 in G, Op. 31 No. 1: II. Adagio grazioso | — | ||
| 47-11 | Piano Sonata No. 16 in G, Op. 31 No. 1: III. Rondo: Allegretto | — | ||
| 48-1 | Piano Sonata No. 17 in D minor, Op. 31 No. 2 "Tempest": I. Largo – Allegro – Adagio | — | ||
| 48-2 | Piano Sonata No. 17 in D minor, Op. 31 No. 2 "Tempest": II. Adagio | — | ||
| 48-3 | Piano Sonata No. 17 in D minor, Op. 31 No. 2 "Tempest": III. Allegretto | — | ||
| 48-4 | Piano Sonata No. 18 in E-flat, Op. 31 No. 3: I. Allegro | — | ||
| 48-5 | Piano Sonata No. 18 in E-flat, Op. 31 No. 3: II. Scherzo: Allegretto vivace | — | ||
| 48-6 | Piano Sonata No. 18 in E-flat, Op. 31 No. 3: III. Menuetto: Moderato e grazioso | — | ||
| 48-7 | Piano Sonata No. 18 in E-flat, Op. 31 No. 3: IV. Presto con fuoco | — | ||
| 48-8 | Piano Sonata No. 21 in C, Op. 53 "Waldstein": I. Allegro con brio | — | ||
| 48-9 | Piano Sonata No. 21 in C, Op. 53 "Waldstein": II. Introduzione: Adagio molto | — | ||
| 48-10 | Piano Sonata No. 21 in C, Op. 53 "Waldstein": III. Rondo: Allegretto moderato – Prestissimo | — | ||
| 48-11 | Piano sonata No. 19 in G minor, Op. 49 No. 1: I. Andante | — | ||
| 48-12 | Piano sonata No. 19 in G minor, Op. 49 No. 1: II. Rondo: Allegro | — | ||
| 49-1 | Piano Sonata No. 1 in F minor, Op. 2 No. 1: I. Allegro | — | ||
| 49-2 | Piano Sonata No. 1 in F minor, Op. 2 No. 1: II. Adagio | — | ||
| 49-3 | Piano Sonata No. 1 in F minor, Op. 2 No. 1: III. Menuetto: Allegretto – Trio | — | ||
| 49-4 | Piano Sonata No. 1 in F minor, Op. 2 No. 1: IV. Prestissimo | — | ||
| 49-5 | Piano Sonata No. 25 in G, Op. 79: I. Presto alla tedesca | — | ||
| 49-6 | Piano Sonata No. 25 in G, Op. 79: II. Andante | — | ||
| 49-7 | Piano Sonata No. 25 in G, Op. 79: III. Vivace | — | ||
| 49-8 | Piano Sonata No. 5 in C minor Op. 10 No. 1: I. Allegro molto e con brio | — | ||
| 49-9 | Piano Sonata No. 5 in C minor Op. 10 No. 1: II. Adagio molto | — | ||
| 49-10 | Piano Sonata No. 5 in C minor Op. 10 No. 1: III. Finale: Prestissimo | — | ||
| 49-11 | Piano Sonata No. 6 in F, Op. 10 No. 2: I. Allegro | — | ||
| 49-12 | Piano Sonata No. 6 in F, Op. 10 No. 2: II. Allegretto | — | ||
| 49-13 | Piano Sonata No. 6 in F, Op. 10 No. 2: III. Presto | — | ||
| 49-14 | Piano Sonata No. 9 in E, Op. 14 No. 1: I. Allegro | — | ||
| 49-15 | Piano Sonata No. 9 in E, Op. 14 No. 1: II. Allegretto | — | ||
| 49-16 | Piano Sonata No. 9 in E, Op. 14 No. 1: III. Rondo: Allegro comodo | — | ||
| 50-1 | Piano Sonata No. 10 in G, Op. 14 No. 2: I. Allegro | — | ||
| 50-2 | Piano Sonata No. 10 in G, Op. 14 No. 2: II. Andante | — | ||
| 50-3 | Piano Sonata No. 10 in G, Op. 14 No. 2: III. Scherzo: Allegro assai | — | ||
| 50-4 | Piano Sonata No. 13 in E-flat, Op. 27 No. 1: I. Andante - Allegro - Andante | — | ||
| 50-5 | Piano Sonata No. 13 in E-flat, Op. 27 No. 1: II. Allegro molto e vivace | — | ||
| 50-6 | Piano Sonata No. 13 in E-flat, Op. 27 No. 1: III. Adagio con espressione | — | ||
| 50-7 | Piano Sonata No. 13 in E-flat, Op. 27 No. 1: IV. Finale: Allegro vivace | — | ||
| 50-8 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | — | ||
| 50-9 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto | — | ||
| 50-10 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato | — | ||
| 50-11 | Piano Sonata No. 15 in D, Op. 28 "Pastoral": I. Allegro | — | ||
| 50-12 | Piano Sonata No. 15 in D, Op. 28 "Pastoral": II. Andante | — | ||
| 50-13 | Piano Sonata No. 15 in D, Op. 28 "Pastoral": III. Scherzo: Allegro vivace - Trio / IV. Rondo: Allegro ma non troppo | — | ||
| 51-1 | Piano Sonata No. 7 in D, Op. 10 No. 3: I. Presto | — | ||
| 51-2 | Piano Sonata No. 7 in D, Op. 10 No. 3: II. Largo e mesto | — | ||
| 51-3 | Piano Sonata No. 7 in D, Op. 10 No. 3: III. Menuetto: Allegro | — | ||
| 51-4 | Piano Sonata No. 7 in D, Op. 10 No. 3: IV. Rondo: Allegro | — | ||
| 51-5 | Piano Sonata No. 2 in A, Op. 2 No. 2: I. Allegro vivace | — | ||
| 51-6 | Piano Sonata No. 2 in A, Op. 2 No. 2: II. Largo appassionato | — | ||
| 51-7 | Piano Sonata No. 2 in A, Op. 2 No. 2: III. Scherzo: Allegretto - Trio | — | ||
| 51-8 | Piano Sonata No. 2 in A, Op. 2 No. 2: IV. Rondo: Grazioso | — | ||
| 51-9 | Piano Sonata No. 3 in C, Op. 2 No. 3: I. Allegro con brio | — | ||
| 51-10 | Piano Sonata No. 3 in C, Op. 2 No. 3: II. Adagio | — | ||
| 51-11 | Piano Sonata No. 3 in C, Op. 2 No. 3: III. Scherzo: Allegro - Trio | — | ||
| 51-12 | Piano Sonata No. 3 in C, Op. 2 No. 3: IV. Allegro assai | — | ||
| 52-1 | Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | — | ||
| 52-2 | Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile | — | ||
| 52-3 | Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo: Allegro | — | ||
| 52-4 | Piano Sonata No. 11 in B-flat, Op. 22: I. Allegro con brio | — | ||
| 52-5 | Piano Sonata No. 11 in B-flat, Op. 22: II. Adagio con molto espressione | — | ||
| 52-6 | Piano Sonata No. 11 in B-flat, Op. 22: III. Menuetto | — | ||
| 52-7 | Piano Sonata No. 11 in B-flat, Op. 22: IV. Rondo: Allegretto | — | ||
| 52-8 | Piano Sonata No. 12 in A-flat, Op. 26 "Funeral March: I. Andante con variazioni | — | ||
| 52-9 | Piano Sonata No. 12 in A-flat, Op. 26 "Funeral March": II. Scherzo: Allegro molto - Trio | — | ||
| 52-10 | Piano Sonata No. 12 in A-flat, Op. 26 "Funeral March": III. Maestoso andante "Marcia funebre sulla morte d'une Eroe" | — | ||
| 52-11 | Piano Sonata No. 12 in A-flat, Op. 26 "Funeral March": IV. Allegro | — | ||
| 52-12 | Piano Sonata No. 24 in F-sharp, Op. 78: I. Adagio cantabile - Allegro ma non troppo | — | ||
| 52-13 | Piano Sonata No. 24 in F-sharp, Op. 78: II. Allegro vivace | — | ||
| 53-1 | Piano Sonata No. 4 in E-flat, Op. 7: I. Allegro molto e con brio | — | ||
| 53-2 | Piano Sonata No. 4 in E-flat, Op. 7: II. Largo con gran espressione | — | ||
| 53-3 | Piano Sonata No. 4 in E-flat, Op. 7: III. Allegro | — | ||
| 53-4 | Piano Sonata No. 4 in E-flat, Op. 7: V. Rondo: Poco allegretto e grazioso | — | ||
| 53-5 | Piano Sonata No. 20 in G, Op. 49 No. 2: I. Allegro ma non troppo | — | ||
| 53-6 | Piano Sonata No. 20 in G, Op. 49 No. 2: II. Tempo di menuetto | — | ||
| 53-7 | 15 Variations in E-flat, Op. 35 "Eroica" on a theme from "The Creatures of Prometheus" | — | ||
| 53-8 | 6 Variations in G, Op. 34 on an original theme | — | ||
| 53-9 | 6 Variations in D, Op. 76 on a theme from "Ruins of Athens" | — | ||
| 54-1 | 32 Variations in C minor on an original theme, WoO 80 | — | ||
| 54-2 | 5 Variations in D on "Rule Britannia", WoO 79 | — | ||
| 54-3 | 7 Variations in D on "God Save the King", WoO 78 | — | ||
| 54-4 | 6 Variations in G on an original theme, WoO 77 | — | ||
| 54-5 | 8 Variations in F on Süssmayr's theme "Tändeln und Scherzen", WoO 76 | — | ||
| 54-6 | 7 Variations in F from Winter's opera "Das unterbrochene Opferfest", WoO 75 | — | ||
| 54-7 | "Ich Denke Dein" Song with 6 Variations for piano four hands, WoO 74 | — | ||
| 55-1 | 10 Variations in B-flat on Salieri's air "La stesa la stesissima", WoO 73 | — | ||
| 55-2 | 8 Variations in C on Grétry's air "Un fievre brûlante", WoO 72 | — | ||
| 55-3 | 12 Variations in A on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen", WoO 71 | — | ||
| 55-4 | 6 Variations in G on the duet from Paisello's "La molinara", WoO 70 | — | ||
| 55-5 | 9 Variations in A on Paisello's air "Quant'è più bello", WoO 69 | — | ||
| 55-6 | 12 Variations in C on the "Menuet à la Viganò" from Haibel's ballet "La nozza disturbate", WoO 68 | — | ||
| 56-1 | 8 Variations in C on a theme by Count Waldstein for piano four hands, WoO 67 | — | ||
| 56-2 | 13 Variations in A on Dittersdorf's air "Es war einmal ein alter Mann", WoO 66 | — | ||
| 56-3 | 24 Variations in D on Righini's air "Venni amore", WoO 65 | — | ||
| 56-4 | 6 Easy Variations in F on a Swiss air, WoO 64 | — | ||
| 56-5 | 9 Variations on a march by Dressler, WoO 63 | — | ||
| 57-1 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Theme | — | ||
| 57-2 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. I. Alla Marcia | — | ||
| 57-3 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. II. Poco allegro | — | ||
| 57-4 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. III. L'istesso tempo | — | ||
| 57-5 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. IV. Un poco più vivace | — | ||
| 57-6 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. V. Allegro vivace | — | ||
| 57-7 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. VI. Allegro ma non troppo e serioso | — | ||
| 57-8 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. VII. Poco più allegro | — | ||
| 57-9 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. VIII. Poco vivace | — | ||
| 57-10 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. IX. Allegro pesante | — | ||
| 57-11 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. X. Presto | — | ||
| 57-12 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XI. Allegretto | — | ||
| 57-13 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XII. Poco più moto | — | ||
| 57-14 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XIII. Vivace | — | ||
| 57-15 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XIV. Grave | — | ||
| 57-16 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XV. Presto scherzando | — | ||
| 57-17 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XVI. Allegro | — | ||
| 57-18 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XVII. Variation | — | ||
| 57-19 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XVIII. Moderato | — | ||
| 57-20 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XIX. Presto | — | ||
| 57-21 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XX. Andante | — | ||
| 57-22 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXI. Allegro con brio | — | ||
| 57-23 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXII. Molto allegro | — | ||
| 57-24 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXIII. Assai allegro | — | ||
| 57-25 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXIV. Fughetta | — | ||
| 57-26 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXV. Allegro | — | ||
| 57-27 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXVI. Variation | — | ||
| 57-28 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXVII. Vivace | — | ||
| 57-29 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXVIII. Allegro | — | ||
| 57-30 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXIX. Adagio ma non troppo | — | ||
| 57-31 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXX. Andante sempre | — | ||
| 57-32 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXXI. Largo | — | ||
| 57-33 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXXII. Fuga: Allegro | — | ||
| 57-34 | 33 Variations for Piano in C on a Waltz by Anton Diabelli, Op. 120: Var. XXXIII. Tempo di Menuetto | — | ||
| 57-35 | 11 Bagatelles, Op. 119: Allegretto in G | — | ||
| 57-36 | 11 Bagatelles, Op. 119: Andante con moto in C | — | ||
| 57-37 | 11 Bagatelles, Op. 119: Allemande in D | — | ||
| 57-38 | 11 Bagatelles, Op. 119: Andante cantabile in A | — | ||
| 57-39 | 11 Bagatelles, Op. 119: Risoluto in C minor | — | ||
| 57-40 | 11 Bagatelles, Op. 119: Andante in G | — | ||
| 57-41 | 11 Bagatelles, Op. 119: Allegro ma non troppo in C | — | ||
| 57-42 | 11 Bagatelles, Op. 119: Moderato cantabile in C | — | ||
| 57-43 | 11 Bagatelles, Op. 119: Vivace moderato in A minor | — | ||
| 57-44 | 11 Bagatelles, Op. 119: Allegramente in A | — | ||
| 57-45 | 11 Bagatelles, Op. 119: Andante ma non troppo in B-flat | — | ||
| 57-46 | Rondo in G, Op. 51 No. 2 | — | ||
| 58-1 | 6 Bagatelles, Op. 126: Andante in G | — | ||
| 58-2 | 6 Bagatelles, Op. 126: Allegro in G minor | — | ||
| 58-3 | 6 Bagatelles, Op. 126: Andante in E-flat | — | ||
| 58-4 | 6 Bagatelles, Op. 126: Presto in B minor | — | ||
| 58-5 | 6 Bagatelles, Op. 126: Quasi allegretto in G | — | ||
| 58-6 | 6 Bagatelles, Op. 126: Presto - Andante in E-flat | — | ||
| 58-7 | Rondo a Capriccio for Piano in G, Op. 129 "Die Wut über den Verlorenen Groschen" | — | ||
| 58-8 | Rondo for Piano in C, Op. 51 No. 1 | — | ||
| 58-9 | 7 Bagatelles, Op. 33: Andante, quasi allegretto in E-flat | — | ||
| 58-10 | 7 Bagatelles, Op. 33: Scherzo: Allegro in C | — | ||
| 58-11 | 7 Bagatelles, Op. 33: Allegretto in F | — | ||
| 58-12 | 7 Bagatelles, Op. 33: Andante in A | — | ||
| 58-13 | 7 Bagatelles, Op. 33: Allegro ma non troppo in C | — | ||
| 58-14 | 7 Bagatelles, Op. 33: Allegretto in C | — | ||
| 58-15 | 7 Bagatelles, Op. 33: Presto in D | — | ||
| 58-16 | Andante favori in F, WoO 57 | — | ||
| 58-17 | Ziemlich lebhaft in B-flat, WoO 60 | — | ||
| 58-18 | Allegretto in C minor, WoO 53 | — | ||
| 58-19 | 6 Écossaises, WoO 83 | — | ||
| 58-20 | Bagatelle in A minor, WoO 59 "Für Elise" | — | ||
| 58-21 | Polonaise in C, Op. 89 | — | ||
| 59-1 | Presto in C minor, WoO 52 | — | ||
| 59-2 | Allegretto in C minor, Hess 69 | — | ||
| 59-3 | Bagatelle: "Lustig-Traurig", WoO 54 | — | ||
| 59-4 | Rondo in C, WoO 48 | — | ||
| 59-5 | Rondo in A, WoO 49 | — | ||
| 59-6 | Two Movements of a Sonatina in F, WoO 50: I | — | ||
| 59-7 | Two Movements of a Sonatina in F, WoO 50: II | — | ||
| 59-8 | Allemande in A, WoO 81 | — | ||
| 59-9 | Anglaise in D, Hess 61 | — | ||
| 59-10 | Prelude in F minor, WoO 55 | — | ||
| 59-11 | Fantasia in G minor, Op. 77 | — | ||
| 59-12 | Allegretto in B minor, WoO 61 | — | ||
| 59-13 | 2 Preludes, Op. 39: Prelude No. 1 | — | ||
| 59-14 | 2 Preludes, Op. 39: Prelude No. 2 | — | ||
| 59-15 | Fugue in C, Hess 64 | — | ||
| 59-16 | Minuet in E-flat, WoO 82 | — | ||
| 59-17 | Allegretto in C, WoO 56 | — | ||
| 59-18 | Waltz in E-flat, WoO 84 | — | ||
| 59-19 | Allegretto quasi andante, WoO 61a | — | ||
| 59-20 | Waltz in D, WoO 85 | — | ||
| 59-21 | Écossaise in E-flat, WoO 86 | — | ||
| 59-22 | Piano Sonata in E-flat, WoO 47 No. 1 "Kurfürstensonate": I. Allegro cantabile | — | ||
| 59-23 | Piano Sonata in E-flat, WoO 47 No. 1 "Kurfürstensonate": II. Andante | — | ||
| 59-24 | Piano Sonata in E-flat, WoO 47 No. 1 "Kurfürstensonate": III. Rondo: Vivace | — | ||
| 59-25 | Piano Sonata in F minor, WoO 47 No. 2 "Kurfürstensonate": I. Larghetto maestoso | — | ||
| 59-26 | Piano Sonata in F minor, WoO 47 No. 2 "Kurfürstensonate": II. Andante | — | ||
| 59-27 | Piano Sonata in F minor, WoO 47 No. 2 "Kurfürstensonate": III. Presto | — | ||
| 60-1 | Sonata in D for piano four hands, Op. 6: I. Allegro molto | — | ||
| 60-2 | Sonata in D for piano four hands, Op. 6: II. Rondo | — | ||
| 60-3 | 8 Variations in C on a theme by Count Waldstein for piano four hands, WoO 67: Thema | — | ||
| 60-4 | 8 Variations in C on a theme by Count Waldstein for piano four hands, WoO 67: Var. 1 | — | ||
| 60-5 | 8 Variations in C on a theme by Count Waldstein for piano four hands, WoO 67: Var. 2 | — | ||
| 60-6 | 8 Variations in C on a theme by Count Waldstein for piano four hands, WoO 67: Var. 3 | — | ||
| 60-7 | 8 Variations in C on a theme by Count Waldstein for piano four hands, WoO 67: Var. 4 | — | ||
| 60-8 | 8 Variations in C on a theme by Count Waldstein for piano four hands, WoO 67: Var. 5 | — | ||
| 60-9 | 8 Variations in C on a theme by Count Waldstein for piano four hands, WoO 67: Var. 6 | — | ||
| 60-10 | 8 Variations in C on a theme by Count Waldstein for piano four hands, WoO 67: Var. 7 | — | ||
| 60-11 | 8 Variations in C on a theme by Count Waldstein for piano four hands, WoO 67: Var. 8 | — | ||
| 60-12 | 3 Marches for piano four hands, Op. 45 No. 1 in C: Allegro ma non troppo | — | ||
| 60-13 | 3 Marches for piano four hands, Op. 45 No. 2 in E-flat: Vivace | — | ||
| 60-14 | 3 Marches for piano four hands, Op. 45 No. 3 in D: Vivace | — | ||
| 60-15 | 6 Variations in D on “Ich denke dein” for piano four hands, WoO 74: Thema | — | ||
| 60-16 | 6 Variations in D on “Ich denke dein” for piano four hands, WoO 74: Var. 1 | — | ||
| 60-17 | 6 Variations in D on “Ich denke dein” for piano four hands, WoO 74: Var. 2 | — | ||
| 60-18 | 6 Variations in D on “Ich denke dein” for piano four hands, WoO 74: Var. 3 | — | ||
| 60-19 | 6 Variations in D on “Ich denke dein” for piano four hands, WoO 74: Var. 4 | — | ||
| 60-20 | 6 Variations in D on “Ich denke dein” for piano four hands, WoO 74: Var. 5 | — | ||
| 60-21 | 6 Variations in D on “Ich denke dein” for piano four hands, WoO 74: Var. 6 | — | ||
| 60-22 | Große Fugue for piano four hands, Op. 134: Overturas: Allegro | — | ||
| 60-23 | Große Fugue for piano four hands, Op. 134: Fuga: Allegro | — | ||
| 60-24 | Große Fugue for piano four hands, Op. 134: Meno mosso e moderato | — | ||
| 60-25 | Große Fugue for piano four hands, Op. 134: Allegro | — | ||
| 60-26 | Große Fugue for piano four hands, Op. 134: Allegro molto e con brio | — | ||
| 60-27 | Große Fugue for piano four hands, Op. 134: Allegro molto e con brio | — | ||
| 60-28 | Sonata for Piano in D, WoO 47 No. 3 "Kurfürstensonate": I. Allegro | — | ||
| 60-29 | Sonata for Piano in D, WoO 47 No. 3 "Kurfürstensonate": II. Menuetto | — | ||
| 60-30 | Sonata for Piano in D, WoO 47 No. 3 "Kurfürstensonate": III. Scherzando | — | ||
| 61-1 | Leonore, Hess 109: Overture "Leonore II" | Staatskapelle Dresden, Herbert Blomstedt | T-909.574.378-5 | |
| 61-2 | Leonore: Act I. "Fidelio kommt nicht zurück!" (Marzelline) | Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-3 | Leonore: Act I. No. 1 Aria "O wär'ich schon mit dir vereint" (Marzelline) | Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-4 | Leonore: Act I. "Wenn ich diese Tür nicht" (Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-5 | Leonore: Act I. No. 2 Duet "Jetzt, Schätzchen" (Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-6 | Leonore: Act I. "Höre, Jaquino" (Marzelline, Jaquino, Rocco) | Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-7 | Leonore: Act I. No. 3 Trio "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-8 | Leonore: Act I. "Ist Fidelio noch nich nach Hause gekommen?" (Rocco, Marzelline, Jaquino, Leonore) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-9 | Leonore: Act I. No. 4 Canon "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-10 | Leonore: Act I. "Höre, Fidelio" (Rocco, Marzelline, Leonore) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-11 | Leonore: Act I. No. 5 Aria "Hat man nich auch Gold beineben" (Rocco) | Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-12 | Leonore: Act I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline) | Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-13 | Leonore: Act I. No. 6 Trio "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline) | Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-14 | Leonore: Act II. No. 7 March | Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-15 | Leonore: Act II. "Drei Schildwachten auf den Wall" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-16 | Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco) | Theo Adam, MDR Rundfunkchor Leipzig, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-17 | Leonore: Act II. "Rocco!" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-18 | Leonore: Act II. No. 9 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-19 | Leonore: Act II. "Nun ist es endlich entschieden" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-20 | Leonore: Act II. No. 10 Duet "Im in der Ehe froh zu leben" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-21 | Leonore: Act II. "Sie doch, wie du so schnell" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 61-22 | Leonore: Act II. No. 11 Recitative and Aria "Ach, brich noch nicht" (Leonore) | Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-1 | Leonore: Act II. No. 12 Finale "O welche Lust!" (Chorus of the Prisoners) | Richard Cassilly, Reiner Goldberg, Siegfried Lorenz, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-2 | Leonore: Act II. "Entfernt euch jetzt!" (Rocco, Leonore) | Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-3 | Leonore: Act II. "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore, Marzelline, Pizarro) | Theo Adam, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-4 | Leonore: Act II. "Auf euch nur will ich bauen" (Pizarro, Chorus) | Theo Adam, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-5 | Leonore: Act III. No. 13 Recitative and Aria "Gott! Welch dunkel hier!" (Florestan) | Richard Cassilly, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-6 | Leonore: Act III. No. 14 Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco) | Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-7 | Leonore: Act III. "Er erwacht!" (Leonore, Rocco, Florestan) | Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-8 | Leonore: Act III. No. 15 Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) | Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-9 | Leonore: Act III. "Alles ist bereit" (Rocco, Leonore, Pizarro) | Theo Adam, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-10 | Leonore: Act III. No. 16 Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) | Theo Adam, Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-11 | Leonore: Act III. "Die Waffe hab'ich mir" (Leonore) | Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-12 | Leonore: Act III. No. 17 Recitative and Duet "Ich kann mich noch nicht fassen" (Florestan, Leonore) | Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-13 | Leonore: Act III. "O Leonore, sprich!" (Florestan, Leonore) | Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-14 | Leonore: Act III. No. 18 Finale "Zur Rache" (Chorus, Leonore, Florestan, Rocco, Don Fernando) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-15 | Leonore: Act III. "O Gott! O welch ein Augenblick!" (Leonore, Marzelline, Florestan, Don Fernando, Rocco, Chorus) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-16 | Leonore: Act III. "Wie lange habt Ihr sie getragen?" (Don Fernando, Florestan, Rocco, Chorus, Leonore, Marzelline, Jaquino) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-17 | Leonore: Act III. "Preist mit hoher Freude Glut" (Chorus) | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 62-18 | Leonore: Act III. "Wer ein solches Weib errungen" (Florestan, Marzelline, Jaquino, Rocco, Don Fernando, Chorus) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 63-1 | Fidelio: Ouvertüre | — | ||
| 63-2 | Fidelio: Act I, Scene I. "Jetzt, Schätzchen" (Jaquino, Marzelline) | — | ||
| 63-3 | Fidelio: Act I, Scene I. "Der arme Jaquino" (Marzelline) | — | ||
| 63-4 | Fidelio: Act I, Scene I. "O wär' ich schon mit dir vereint" (Marzelline) | — | ||
| 63-5 | Fidelio: Act I, Scene I. "Ist Fidelio noch nicht zurück gekommen?" (Rocco, Marzelline, Leonore) | — | ||
| 63-6 | Fidelio: Act I, Scene I. "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | — | ||
| 63-7 | Fidelio: Act I, Scene I. "Höre, Fidelio" (Rocco, Marzelline, Leonore) | — | ||
| 63-8 | Fidelio: Act I, Scene I. "Hat man nicht auch Gold beineben" (Rocco) | — | ||
| 63-9 | Fidelio: Act I, Scene I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline) | — | ||
| 63-10 | Fidelio: Act I, Scene I. "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) | — | ||
| 63-11 | Fidelio: Act I, Scene II. March | — | ||
| 63-12 | Fidelio: Act I, Scene II. "Drei Schildwachen auf den Wall" (Pizarro, Chorus) | — | ||
| 63-13 | Fidelio: Act I, Scene II. "Ha! Welch' ein Augenblick!" (Pizarro, Chorus) | — | ||
| 63-14 | Fidelio: Act I, Scene II. "Hauptmann" (Pizarro) | — | ||
| 63-15 | Fidelio: Act I, Scene II. "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco) | — | ||
| 63-16 | Fidelio: Act I, Scene II. "Abscheulicher! Wo eilst du hin?" (Leonore) | — | ||
| 63-17 | Fidelio: Act I, Scene II. "Rocco, ich ersuchte euch schon" (Leonore, Rocco, Marzelline) | — | ||
| 63-18 | Fidelio: Act I, Scene II. "O welche Lust!" | London Symphony Orchestra, Sir Colin Davis | — | |
| 63-19 | Fidelio: Act I, Scene II. "Nun sprecht, wie ging's?" (Leonore, Rocco, Marzelline, Jaquino, Pizarro) | — | ||
| 63-20 | Fidelio: Act I, Scene II. "Leb wohl, du warmes Sonnenlicht" (Chorus, Marzelline, Leonore, Jaquino, Pizarro, Rocco) | — | ||
| 64-1 | Fidelio: Act 2, Scene 1. Introduction | — | ||
| 64-2 | Fidelio: Act 2, Scene 1. “Gott! Welch Dunkel hier!” (Florestan) | — | ||
| 64-3 | Fidelio: Act 2, Scene 1. “Wie kalt ist es” (Leonore, Rocco) | — | ||
| 64-4 | Fidelio: Act 2, Scene 1. “Er erwacht!” (Leonore, Rocco, Florestan) | — | ||
| 64-5 | Fidelio: Act 2, Scene 1. “Euch werde Lohn in besser’n Welten” (Florestan, Rocco, Leonore) | — | ||
| 64-6 | Fidelio: Act 2, Scene 1. “Alles ist bereit” (Rocco, Florestan, Leonore, Pizarro) | — | ||
| 64-7 | Fidelio: Act 2, Scene 1. “Er sterbe!” (Pizarro, Florestan, Leonore, Rocco, Jaquino) | — | ||
| 64-8 | Fidelio: Act 2, Scene 1. “O, meine Leonore” (Florestan, Leonore) | — | ||
| 64-9 | Fidelio: Act 2, Scene 1. “O namenlose Freude!” (Leonore, Florestan) | — | ||
| 64-10 | Fidelio: Act 2, Scene 2. “Wer ein holdes Weib errungen” (Chorus, Leonore, Florestan) | — | ||
| 64-11 | Fidelio: Act 2, Scene 2. “O Gott!” (Leonore, Florestan, Don Fernando, Marzelline, Rocco, Chorus) | — | ||
| 64-12 | Fidelio: Act 2, Scene 2. “Wer ein holdes Weib errungen” (Chorus, Florestan, Leonore, Marzelline, Jaquino, Don Fernando, Rocco) | — | ||
| 65-1 | Egmont, Op. 84: Ouvertüre | — | ||
| 65-2 | Egmont, Op. 84: No. 1 Lied: "Die Trommel gerühret!" (Klärchen) | — | ||
| 65-3 | Egmont, Op. 84: No. 2: Zwischenakt I | — | ||
| 65-4 | Egmont, Op. 84: No. 3: Zwischenakt II | — | ||
| 65-5 | Egmont, Op. 84: No. 4 Lied: "Freudvoll und Leidvoll" | — | ||
| 65-6 | Egmont, Op. 84: No. 5: Zwischenakt III | — | ||
| 65-7 | Egmont, Op. 84: No. 6: Zwischenakt IV | — | ||
| 65-8 | Egmont, Op. 84: Monolog: "Alter Freund!" (Egmont) | — | ||
| 65-9 | Egmont, Op. 84: No. 7 Musik, Klärchen's Tod bezeichnend | — | ||
| 65-10 | Egmont, Op. 84: Monolog: "Es ist vorbei" (Egmont) | — | ||
| 65-11 | Egmont, Op. 84: No. 8 Melodram: "Süsser Schlaf" (Egmont) | — | ||
| 65-12 | Egmont, Op. 84: Monolog: "Verschwunden ist der Kranz" (Egmont) | — | ||
| 65-13 | Egmont, Op. 84: No. 9 Siegessymphonie | — | ||
| 66-1 | The Creatures of Prometheus, Op. 43: Ouverture: Adagio - Allegro molto con brio / Introduction: Allegro non troppo | — | ||
| 66-2 | The Creatures of Prometheus, Op. 43: Adagio - Allegro con brio - Allegro vivace | — | ||
| 66-3 | The Creatures of Prometheus, Op. 43: Maestoso andante - Adagio - Andante quasi allegretto | — | ||
| 66-4 | The Creatures of Prometheus, Op. 43: Allegro con brio - Presto | — | ||
| 66-5 | The Creatures of Prometheus, Op. 43: Adagio - Adagio - Allegro molto | — | ||
| 66-6 | The Creatures of Prometheus, Op. 43: Pastorale: Allegro | — | ||
| 66-7 | The Creatures of Prometheus, Op. 43: Maestoso - Allegro (Solo di Gioia) | — | ||
| 66-8 | The Creatures of Prometheus, Op. 43: Allegro | — | ||
| 66-9 | The Creatures of Prometheus, Op. 43: Andante - Adagio - Allegro - Allegretto (Solo della Cassentini) | — | ||
| 66-10 | The Creatures of Prometheus, Op. 43: Andantino - Adagio - Allegro (Solo di Viganò) | — | ||
| 66-11 | The Creatures of Prometheus, Op. 43: Finale: Allegretto - Allegro molto - Presto | — | ||
| 66-12 | Musik zu einem Ritterballett, WoO 1: Marsch | — | ||
| 66-13 | Musik zu einem Ritterballett, WoO 1: Deutscher Gesang: Allegro moderato | — | ||
| 66-14 | Musik zu einem Ritterballett, WoO 1: Jagdlied: Allegretto | — | ||
| 66-15 | Musik zu einem Ritterballett, WoO 1: Romanze: Andantino | — | ||
| 66-16 | Musik zu einem Ritterballett, WoO 1: Kriegslied: Allegro assai con brio | — | ||
| 66-17 | Musik zu einem Ritterballett, WoO 1: Trinklied: Allegro con brio | — | ||
| 66-18 | Musik zu einem Ritterballett, WoO 1: Deutscher Tanz: Walzer | — | ||
| 66-19 | Musik zu einem Ritterballett, WoO 1: Coda: Allegro vivace - Andantino - Tempo I | — | ||
| 67-1 | Die Ruinen von Athen - Singspiel, Op. 113: Overture | — | ||
| 67-2 | Die Ruinen von Athen - Singspiel, Op. 113: Chor: "Tochter des mächtigen Zeus" | — | ||
| 67-3 | Die Ruinen von Athen - Singspiel, Op. 113: Duet: "Ohne Verschulden" | — | ||
| 67-4 | Die Ruinen von Athen - Singspiel, Op. 113: Chor der Derwische | — | ||
| 67-5 | Die Ruinen von Athen - Singspiel, Op. 113: Marcia alla Turca | — | ||
| 67-6 | Die Ruinen von Athen - Singspiel, Op. 113: Marsch: "Schmückt die Altare" | — | ||
| 67-7 | Die Ruinen von Athen - Singspiel, Op. 113: Chor und Arie: "Wir tragen empfängliche Herzen" | — | ||
| 67-8 | Die Ruinen von Athen - Singspiel, Op. 113: Chor: "Heil unserm König" | — | ||
| 67-9 | König Stephan - Singspiel, Op. 117: I. Overture | — | ||
| 67-10 | König Stephan - Singspiel, Op. 117: II. Männerchor: "Ruhend von seinem Thaten" | — | ||
| 67-11 | König Stephan - Singspiel, Op. 117: III. Männerchor: "Auf dunkelm in finstern Hainen Wandelten" | — | ||
| 67-12 | König Stephan - Singspiel, Op. 117: IV. Siegesmarsch | — | ||
| 67-13 | König Stephan - Singspiel, Op. 117: V. Frauenchor: "Wo die Unschuld Blumen streute" | — | ||
| 67-14 | König Stephan - Singspiel, Op. 117: VI. Chor: "Eine neue strahlende Sonne" | — | ||
| 67-15 | König Stephan - Singspiel, Op. 117: VII. Chor: "Heil, Heil, Heil" | — | ||
| 67-16 | Germania Aria with Chorus in B-flat, WoO 94 | — | ||
| 67-17 | Chor auf die verbündeten Fürsten: "Ihr weisen Gründer", WoO 95 | — | ||
| 68-1 | Arias: "Ah! Perfido", Op. 65 | — | ||
| 68-2 | Arias: "Primo amore", WoO 92 (scene and aria for soprano and orchestra) | — | ||
| 68-3 | Arias: "No, non turbati", WoO 92a (Scene and aria for soprano and strings) | — | ||
| 68-4 | Arias: "Ne' giorni tuoi felici". WoO 93 (Duet for soprano, tenor, and orchestra) | — | ||
| 68-5 | Arias: "Tremate, empi, tremate", Op. 116 (Trio for soprano, bass, and orchestra) | — | ||
| 68-6 | Singpiel Arias: "Prüfung des Küssens", WoO 89 (Aria for bass and orchestra) | — | ||
| 68-7 | Singpiel Arias: "Mit Mädeln sich vertragen", WoO 90 (Aria for bass and orchestra) | — | ||
| 68-8 | Singpiel Arias: "O welch ein Leben!", WoO 91 No. 1 (from "Die schöne Schüsterin" for tenor and orchestra) | — | ||
| 68-9 | Singpiel Arias: "Soll ein Schuh nicht drücken", WoO 91 No. 2 (from "Die schöne Schüsterin" for soprano and orchestra) | — | ||
| 69-1 | Cantata on the Death of Emperor Joseph II, WoO 87: Chorus and solo quartet: "Tot! Tot, stöhnt es durch die öde Nacht" | — | ||
| 69-2 | Cantata on the Death of Emperor Joseph II, WoO 87: Bass recitative: "Ein Ungeheuer, sein Name Fanatismus" | — | ||
| 69-3 | Cantata on the Death of Emperor Joseph II, WoO 87: Bass aria: "Da kam Joseph" | — | ||
| 69-4 | Cantata on the Death of Emperor Joseph II, WoO 87: Soprano aria and chorus: "Da stiegen die Menschen ans Licht" | — | ||
| 69-5 | Cantata on the Death of Emperor Joseph II, WoO 87: Soprano recitative: "Er schläft" | — | ||
| 69-6 | Cantata on the Death of Emperor Joseph II, WoO 87: Soprano aria: "Hier schlummert seinen stillen Frieden" | — | ||
| 69-7 | Cantata on the Death of Emperor Joseph II, WoO 87: Chorus and solo quartet: "Tot! Tot, stöhnt es durch die öde Nacht" | — | ||
| 69-8 | Cantata on the Accession of Emperor Leopold II, WoO 88: Soprano recitative and chorus: "Er schlummert, lasst sanft den großen Fürsten ruhen!" | — | ||
| 69-9 | Cantata on the Accession of Emperor Leopold II, WoO 88: Soprano aria: "Fließe, Wonnezähren, fließe!" | — | ||
| 69-10 | Cantata on the Accession of Emperor Leopold II, WoO 88: Bass recitative: "Ihr staunt, Völker der Erde!" | — | ||
| 69-11 | Cantata on the Accession of Emperor Leopold II, WoO 88: Tenor recitative "Wie bebt mein Herz vor Wonne!" | — | ||
| 69-12 | Cantata on the Accession of Emperor Leopold II, WoO 88: Chorus and solo quartet: "Heil! Stürzet nieder, Millionen" | — | ||
| 70-1 | Der glorreiche Augenblick, Op. 136: Chorus: "Europa steht!" | — | ||
| 70-2 | Der glorreiche Augenblick, Op. 136: Recitativo: "O seht sie nah und näher treten!" / Choir: "Vienna, Vienna, Vienna!" | — | ||
| 70-3 | Der glorreiche Augenblick, Op. 136: Aria with chorus: "Alle die Herrscher darf ich grüssen" | — | ||
| 70-4 | Der glorreiche Augenblick, Op. 136: Recitativo: "Das Auge schaut" (Seherin) / Cavatine with Duetto: "Dem die erste Zähre" | — | ||
| 70-5 | Der glorreiche Augenblick, Op. 136: Recitativo and quartet: "Der den Bund im Sturme festgehalten" / Quartet: "In meinen Mauern bauen sich neue Zeiten auf" | — | ||
| 70-6 | Der glorreiche Augenblick, Op. 136: Chorus: "Es treten vor die Scharen der Frauen" | — | ||
| 70-7 | Mehrstimmige italienische Gesänge, WoO 99: Bei labbri che amore (Soprano, Tenor) | — | ||
| 70-8 | Mehrstimmige italienische Gesänge, WoO 99: Sei mio ben (Soprano, Tenor) | — | ||
| 70-9 | Mehrstimmige italienische Gesänge, WoO 99: Scrivo in te (Soprano, Tenor) | — | ||
| 70-10 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Tenor, Bass) | — | ||
| 70-11 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Tenor, Bass) | — | ||
| 70-12 | Mehrstimmige italienische Gesänge, WoO 99: Salvo tu voi lo sposo? (Soprano, Tenor) | — | ||
| 70-13 | Mehrstimmige italienische Gesänge, WoO 99: Ma tu tremi (Soprano, Alto, Tenor) | — | ||
| 70-14 | Mehrstimmige italienische Gesänge, WoO 99: Giura il nocchier (Soprano, Alto, Bass) | — | ||
| 70-15 | Mehrstimmige italienische Gesänge, WoO 99: Per te d'amico aprile (Soprano, Alto, Bass) | — | ||
| 70-16 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Soprano, Alto, Tenor) | — | ||
| 70-17 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Soprano, Alto, Tenor) | — | ||
| 70-18 | Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei (Soprano, Tenor, Bass) | — | ||
| 70-19 | Mehrstimmige italienische Gesänge, WoO 99: Chi mai di questo (Soprano, Tenor, Bass) | — | ||
| 70-20 | Mehrstimmige italienische Gesänge, WoO 99: Gia la notte (Alto, Tenor, Bass) | — | ||
| 70-21 | Mehrstimmige italienische Gesänge, WoO 99: Nei Campi e nelle selve I (Soprano, Alto, Tenor, Bass) | — | ||
| 70-22 | Mehrstimmige italienische Gesänge, WoO 99: Nei Campi e nelle selve II (Soprano, Alto, Tenor, Bass) | — | ||
| 70-23 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Soprano, Alto, Tenor, Bass) | — | ||
| 70-24 | Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Soprano, Alto, Tenor, Bass) | — | ||
| 70-25 | Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei, in G (Soprano, Alto, Tenor, Bass) | — | ||
| 70-26 | Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei, in F (Soprano, Alto, Tenor, Bass) | — | ||
| 70-27 | Mehrstimmige italienische Gesänge, WoO 99: Guira il nocchier, in C (Soprano, Alto, Tenor, Bass) | — | ||
| 70-28 | Mehrstimmige italienische Gesänge, WoO 99: Guira il nocchier, in B flat (Soprano, Alto, Tenor, Bass) | — | ||
| 70-29 | Mehrstimmige italienische Gesänge, WoO 99: Gia la notte (Soprano, Alto, Tenor, Bass) | — | ||
| 70-30 | Mehrstimmige italienische Gesänge, WoO 99: E pur fra le tempeste (Tenor, Piano) | — | ||
| 71-1 | "Meeresstille und glückliche Fahrt", Cantata Op. 112 | — | ||
| 71-2 | Chorfantasie for piano, choir, and orchestra in C minor, Op. 80 | — | ||
| 71-3 | Elegischer Gesang, Op. 118 | — | ||
| 71-4 | Bundeslied "In allen guten Stunden", Op. 122 | — | ||
| 71-5 | Cantanta campestre "Un lieto brindisi", WoO 103 | — | ||
| 71-6 | Birthday Cantata for Prince Lobkowitz "Es lebe unser theurer Fürst", WoO 106 | — | ||
| 71-7 | "Kurz ist der Schmerz", für Louis Spohr (canon), WoO 166 | — | ||
| 71-8 | Opferlied, Hess 91 | — | ||
| 71-9 | Hochzeitslied, WoO 105 | — | ||
| 71-10 | "Abschiedsgesang an Wiens Bürger", WoO 121 | — | ||
| 71-11 | Kriegslied der Österreicher, WoO 122 | — | ||
| 71-12 | Opferlied, WoO 126 | — | ||
| 71-13 | "Es ist vollbracht" - Final song from the Singspiel "Die Ehrenpforten" of F. Treitschke, WoO 97 | — | ||
| 71-14 | Opferlied, Op. 121b | — | ||
| 72-1 | Christus am Ölberg, Op. 85: "Jehova, du mein Vater" / "Meine Seele ist erschüttert" | — | ||
| 72-2 | Christus am Ölberg, Op. 85: "Erzitt're, Erde, Jehovas Sogn liegt hier" / "Preist des Erlösers" / O Heil euch, irh Erlösten" | — | ||
| 72-3 | Christus am Ölberg, Op. 85: "Verkündet, Seraph, mir dein Mund Erbarmen" / "So ruhe denn mit ganzer Schwere" | — | ||
| 72-4 | Christus am Ölberg, Op. 85: "Wilkommen, Tod, den ich am Kreuze" / "Wir haben irn gesehen" | — | ||
| 72-5 | Christus am Ölberg, Op. 85: "Die mich zu fangen ausgezogen sind" / "Hier is er, der Verbannte" | — | ||
| 72-6 | Christus am Ölberg, Op. 85: "Nicht ungestraft soll der Verweg'nen Schar" / "In meinen Adernwühlen gerechter Zorn und Wut" / "Auf, aug! Ergreifet und Ehre" / "Preiset ihn, ihr Engelchöre" | — | ||
| 73-1 | Mass in C, Op. 86: Kyrie | — | ||
| 73-2 | Mass in C, Op. 86: Gloria: Gloria in excelsis Deo | — | ||
| 73-3 | Mass in C, Op. 86: Gloria: Qui tollis peccata mundi | — | ||
| 73-4 | Mass in C, Op. 86: Gloria: Quoniam tu solus Sanctus | — | ||
| 73-5 | Mass in C, Op. 86: Credo: Credo in unum Deum | — | ||
| 73-6 | Mass in C, Op. 86: Credo: Et incarnatus est | — | ||
| 73-7 | Mass in C, Op. 86: Credo: Et resurrexit tertia die | — | ||
| 73-8 | Mass in C, Op. 86: Credo: Et in Spiritum Sanctum | — | ||
| 73-9 | Mass in C, Op. 86: Credo: Et vitam venturi saeculi | — | ||
| 73-10 | Mass in C, Op. 86: Sanctus: Sanctus, Sanctus, Sanctus | — | ||
| 73-11 | Mass in C, Op. 86: Pleni sunt coeli et terra | — | ||
| 73-12 | Mass in C, Op. 86: Osanna in excelsis | — | ||
| 73-13 | Mass in C, Op. 86: Benedictus: Benedictus qui venit | — |
