UPC · Release
Franz Liszt, Various Artists
Last verified:
The UPC for “The Great Piano Works” by Franz Liszt, Various Artists is 5028421955643. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Brilliant Classics. This release contains 124 tracks, each with its own ISRC. Tracks include NLY331705194, NLY331705195, NLY331705196.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hungarian Rhapsody no. 1 in C-sharp minor, S.244/1 | Vincenzo Maltempo | — | |
| 2 | Hungarian Rhapsody no. 2 in C-sharp minor, S.244/2 | Vincenzo Maltempo | T-900.009.052-8 | |
| 3 | Hungarian Rhapsody no. 3 in B-flat minor, S.244/3 | Vincenzo Maltempo | — | |
| 4 | Hungarian Rhapsody no. 4 in E-flat major, S.244/4 | Vincenzo Maltempo | T-306.229.929-6 | |
| 5 | Hungarian Rhapsody no. 5 in E minor, S.244/5 | Vincenzo Maltempo | — | |
| 6 | Hungarian Rhapsody no. 6 in D-flat major, S.244/6 | Vincenzo Maltempo | — | |
| 7 | Hungarian Rhapsody no. 7 in D minor, S.244/7 | Vincenzo Maltempo | — | |
| 8 | Hungarian Rhapsody no. 8 in F-sharp minor, S.244/8 | Vincenzo Maltempo | — | |
| 9 | Hungarian Rhapsody no. 9 in E-flat major, S.244/9 | Vincenzo Maltempo | — | |
| 10 | Hungarian Rhapsody no. 10 in E major, S.244/10 | Vincenzo Maltempo | — | |
| 11 | Hungarian Rhapsody no. 11 in A minor, S.244/11 | Vincenzo Maltempo | — | |
| 12 | Hungarian Rhapsody no. 12 in C-sharp minor, S.244/12 | Vincenzo Maltempo | — | |
| 13 | Hungarian Rhapsody no. 13 in A minor, S.244/13 | Vincenzo Maltempo | — | |
| 14 | Hungarian Rhapsody no. 14 in F minor, S.244/14 | Vincenzo Maltempo | T-306.229.931-0 | |
| 15 | Hungarian Rhapsody no. 15 in A minor, S.244/15 | Vincenzo Maltempo | — | |
| 16 | Hungarian Rhapsody no. 16 in A minor, S.244/16 | Vincenzo Maltempo | — | |
| 17 | Hungarian Rhapsody no. 17 in D minor, S.244/17 | Vincenzo Maltempo | — | |
| 18 | Hungarian Rhapsody no. 18 in F-sharp minor, S.244/18 | Vincenzo Maltempo | — | |
| 19 | Hungarian Rhapsody no. 19 in D minor, S.244/19 | Vincenzo Maltempo | — | |
| 20 | Années de pèlerinage, Book I, S. 160: I. Chapelle de Guillaume Tell | Enrico Pace | — | |
| 21 | Années de pèlerinage, Book I, S. 160: II. Au lac de Wallenstadt | Enrico Pace | — | |
| 22 | Années de pèlerinage, Book I, S. 160: III. Pastorale | Enrico Pace | — | |
| 23 | Années de pèlerinage, Book I, S. 160: IV. Au bord d'une source | Enrico Pace | — | |
| 24 | Années de pèlerinage, Book I, S. 160: V. Orage | Enrico Pace | — | |
| 25 | Années de pèlerinage, Book I, S. 160: VI. Vallée d'Obermann | Enrico Pace | — | |
| 26 | Années de pèlerinage, Book I, S. 160: VII. Eglogue | Enrico Pace | — | |
| 27 | Années de pèlerinage, Book I, S. 160: VIII. Le mal du pays | Enrico Pace | — | |
| 28 | Années de pèlerinage, Book I, S. 160: IX. Les cloches de Genève | Enrico Pace | — | |
| 29 | Années de pèlerinage, Book II, S. 161: I. Sposalizio | Enrico Pace | — | |
| 30 | Années de pèlerinage, Book II, S. 161: II. Il penseroso | Enrico Pace | — | |
| 31 | Années de pèlerinage, Book II, S. 161: III. Canzonetta del Salvator Rosa | Enrico Pace | — | |
| 32 | Années de pèlerinage, Book II, S. 161: IV. Sonetto 47 del Petrarca | Enrico Pace | — | |
| 33 | Années de pèlerinage, Book II, S. 161: V. Sonetto 104 del Petrarca | Enrico Pace | — | |
| 34 | Années de pèlerinage, Book II, S. 161: VI. Sonetto 123 del Petrarca | Enrico Pace | — | |
| 35 | Années de pèlerinage, Book II, S. 161: VII. Après une lecture de Dante | Enrico Pace | — | |
| 36 | Piano Sonata in B minor, S. 178 | Philipp Kopachevsky | — | |
| 37 | Soirées de Vienne, S. 427: VI. Allegro con strepito in A minor | Philipp Kopachevsky | — | |
| 38 | En rêve, S. 207 | Philipp Kopachevsky | — | |
| 39 | Mephisto Waltz No. 3, S. 216 | Philipp Kopachevsky | — | |
| 40 | Bagatelle sans tonalité, S. 216a | Philipp Kopachevsky | — | |
| 41 | Trübe Wolken, S. 199 | Philipp Kopachevsky | — | |
| 42 | Études d'exécution transcendante, S. 139: No. 1. Preludio in C major | Mariangela Vacatello | — | |
| 43 | Études d'exécution transcendante, S. 139: No. 2. Molto vivace in A minor | Mariangela Vacatello | — | |
| 44 | Études d'exécution transcendante, S. 139: No. 3. Paysage in F major | Mariangela Vacatello | — | |
| 45 | Études d'exécution transcendante, S. 139: No. 4. Mazeppa in D minor | Mariangela Vacatello | — | |
| 46 | Études d'exécution transcendante, S. 139: No. 5. Feux Follets in B-flat major | Mariangela Vacatello | — | |
| 47 | Études d'exécution transcendante, S. 139: No. 6. Vision in G minor | Mariangela Vacatello | — | |
| 48 | Études d'exécution transcendante, S. 139: No. 7. Eroica in E-flat major | Mariangela Vacatello | — | |
| 49 | Études d'exécution transcendante, S. 139: No. 8. Wilde Jagd in C minor | Mariangela Vacatello | — | |
| 50 | Études d'exécution transcendante, S. 139: No. 9. Ricordanza in A-flat major | Mariangela Vacatello | — | |
| 51 | Études d'exécution transcendante, S. 139: No. 10. Allegro agitato molto in F minor | Mariangela Vacatello | — | |
| 52 | Études d'exécution transcendante, S. 139: No. 11. Harmonies du soir in D-flat major | Mariangela Vacatello | — | |
| 53 | Études d'exécution transcendante, S. 139: No. 12. Chasse-neige in B-flat minor | Mariangela Vacatello | — | |
| 54 | Grandes études de Paganini, S141/R3b: Preludio: Andante – Etude no. 1 in G minor, “Tremolo”: Non troppo lento | Goran Filipec | — | |
| 55 | Grandes études de Paganini, S141/R3b: Etude no. 2 in E‐flat major, “Octave”: Andante – Andantino capriccioso | Goran Filipec | — | |
| 56 | Grandes études de Paganini, S141/R3b: Etude no. 3 in G‐sharp minor, “La campanella”: Allegretto | Goran Filipec | — | |
| 57 | Grandes études de Paganini, S141/R3b: Etude no. 4 in E major, “Arpeggio”: Vivo | Goran Filipec | — | |
| 58 | Grandes études de Paganini, S141/R3b: Etude no. 5 in E major, “La chasse”: Allegretto | Goran Filipec | — | |
| 59 | Grandes études de Paganini, S141/R3b: Etude no. 6 in A minor, “Thème et variations”: Quasi presto | Goran Filipec | — | |
| 60 | Deux Polonaises, S223/R44: Polonaise mélancolique in C minor | Jean Dubé | — | |
| 61 | Deux Polonaises, S223/R44: Polonaise in E major | Jean Dubé | — | |
| 62 | Ballade no. 1 in D-flat major "Le Chant du croisé", S170/R15 | Jean Dubé | — | |
| 63 | Ballade no. 2 in B minor, S171/R16 | Jean Dubé | — | |
| 64 | Consolation No. 3 in D-flat major, S. 172/3 | Alexander Gavrylyuk | T-306.229.968-3 | |
| 65 | Mephisto Waltz No. 1, S. 514 | Alexander Gavrylyuk | — | |
| 66 | Isoldens Liebestod, S. 447 | Alexander Gavrylyuk | — | |
| 67 | Danse macabre, S. 555 | Alexander Gavrylyuk | T-003.008.160-7 | |
| 68 | Tarantella, S. 162/3 | Alexander Gavrylyuk | — | |
| 69 | 2 Konzertetüden, S. 145: I. Waldesrauschen | Klára Würtz | — | |
| 70 | 2 Konzertetüden, S. 145: II. Gnomenreigen | Klára Würtz | — | |
| 71 | Liebestraum No. 3 in A-flat major, S. 541/3 | Klára Würtz | — | |
| 72 | Les jeux d’eaux à la villa d’Este, S. 163/4 | Klára Würtz | — | |
| 73 | Fantasy & Fugue on B-A-C-H, S. 260 | Misha Dacić | — | |
| 74 | Années de pèlerinage I, S. 160: IX. Les cloches de Genève | Misha Dacić | — | |
| 75 | Grosses Konzertsolo, S. 170 | Misha Dacić | — | |
| 76 | Glanes de Woronince, S. 249: I. Ballade Ukraine | Misha Dacić | — | |
| 77 | Années de pèlerinage II, S. 161: VII. Après une lecture du Dante | Misha Dacić | — | |
| 78 | Hungarian Rhapsody No. 9 in E-Flat Major, S. 244 | Misha Dacić | — | |
| 79 | La lugubre gondola No. 1, S. 200 | Misha Dacić | — | |
| 80 | Bénédiction de dieu dans la solitude, S. 173 | Irene Russo | — | |
| 81 | 2 Légendes, S. 175: I. St François d'Assise. La prédication aux oiseaux | Irene Russo | — | |
| 82 | 2 Légendes, S. 175: II. St François de Paule marchant sur les flots | Irene Russo | — | |
| 83 | Valse-Impromptu, S. 213 | Vanessa Benelli Mosell | — | |
| 84 | Études de concert, S. 144: II. La leggierezza | Vanessa Benelli Mosell | — | |
| 85 | Grand galop chromatique, S. 219 | Vanessa Benelli Mosell | — | |
| 86 | Rhapsodie espagnole, S. 254 | Vanessa Benelli Mosell | — | |
| 87 | O du, mein holder Abendstern, S. 444 | François Dumont | — | |
| 88 | Ballade aus Der fliegende Holländer, S. 441 | François Dumont | T-800.607.943-3 | |
| 89 | Elsas Traum aus Lohengrin, S. 446 | François Dumont | — | |
| 90 | Ouvertüre from Tannhäuser, S. 442 | François Dumont | — | |
| 91 | Feierlicher Marsch zum heiligen Gral aus Parsifal, S. 450 | François Dumont | — | |
| 92 | Lohengrins Verweis an Elsa aus Lohengrin, S. 446 | François Dumont | — | |
| 93 | Walhall aus Der Ring des Nibelungen, S. 449 | François Dumont | — | |
| 94 | Elsas Brautzug zum Münster aus Lohengrin, S. 446 | François Dumont | — | |
| 95 | Isoldes Liebestod aus Tristan und Isolde, S. 447 | François Dumont | — | |
| 96 | Marche funèbre de Dom Sébastien de Donizetti, S. 402 | Liszt | — | |
| 97 | Réminiscences de Lucrezia Borgia, S. 400: Trio du second acte | Liszt | — | |
| 98 | Réminiscences de Lucrezia Borgia, S. 400: Chanson à boire – Duo - Finale | Liszt | — | |
| 99 | Réminiscences de Norma, S. 394 | Liszt | — | |
| 100 | Hexaméron, S. 392 | Liszt | — | |
| 101 | Paraphrase de concert on Ernani II, S. 432 | Michele Campanella | — | |
| 102 | Salve Maria de Jérusalem S. 431/2 | Michele Campanella | — | |
| 103 | Miserere from Il trovatore S. 433 | Michele Campanella | — | |
| 104 | Paraphrase de concert on Rigoletto, S. 434 | Michele Campanella | — | |
| 105 | Finale from Don Carlos, S. 435 | Michele Campanella | — | |
| 106 | Agnus Dei from Verdi’s Requiem, S. 437/2 | Michele Campanella | — | |
| 107 | Réminiscences de Boccanegra, S. 438 | Michele Campanella | — | |
| 108 | Danza sacra e duetto finale from Aida, S. 436 | Michele Campanella | — | |
| 109 | Symphony no. 6 in F major, S. 464/6: I. Allegro ma non troppo | Michele Campanella | T-031.682.208-8 | |
| 110 | Symphony no. 6 in F major, S. 464/6: II. Andante molto moto | Michele Campanella | — | |
| 111 | Symphony no. 6 in F major, S. 464/6: III. Allegro | Michele Campanella | — | |
| 112 | Symphony no. 6 in F major, S. 464/6: IV. Allegro - V. Allegretto | Michele Campanella | — | |
| 113 | Piano Concerto no. 1 in E-flat major: I. Allegro | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 114 | Piano Concerto no. 1 in E-flat major: IIa. Quasi adagio | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 115 | Piano Concerto no. 1 in E-flat major: IIb. Allegretto vivace | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 116 | Piano Concerto no. 1 in E-flat major: IIc. Allegro animato | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 117 | Piano Concerto no. 1 in E-flat major: III. Allegro marziale animato | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 118 | Piano Concerto no. 2 in A major: I. Adagio sostenuto assai | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 119 | Piano Concerto no. 2 in A major: II. Allegro agitato assai | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 120 | Piano Concerto no. 2 in A major: III. Allegro moderato | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 121 | Piano Concerto no. 2 in A major: IV. Allegro deciso sempre allegro | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 122 | Piano Concerto no. 2 in A major: V. Marziale, un poco meno allegro | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 123 | Piano Concerto no. 2 in A major: VI. Allegro animato | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 124 | Totentanz, paraphrase on “Dies irae” | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5028421955643 is a Universal Product Code (UPC) assigned to The Great Piano Works by Franz Liszt, Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 124 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Great Piano Works” by Franz Liszt, Various Artists is 5028421955643. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Brilliant Classics. This release contains 124 tracks, each with its own ISRC. Tracks include NLY331705194, NLY331705195, NLY331705196.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hungarian Rhapsody no. 1 in C-sharp minor, S.244/1 | Vincenzo Maltempo | — | |
| 2 | Hungarian Rhapsody no. 2 in C-sharp minor, S.244/2 | Vincenzo Maltempo | T-900.009.052-8 | |
| 3 | Hungarian Rhapsody no. 3 in B-flat minor, S.244/3 | Vincenzo Maltempo | — | |
| 4 | Hungarian Rhapsody no. 4 in E-flat major, S.244/4 | Vincenzo Maltempo | T-306.229.929-6 | |
| 5 | Hungarian Rhapsody no. 5 in E minor, S.244/5 | Vincenzo Maltempo | — | |
| 6 | Hungarian Rhapsody no. 6 in D-flat major, S.244/6 | Vincenzo Maltempo | — | |
| 7 | Hungarian Rhapsody no. 7 in D minor, S.244/7 | Vincenzo Maltempo | — | |
| 8 | Hungarian Rhapsody no. 8 in F-sharp minor, S.244/8 | Vincenzo Maltempo | — | |
| 9 | Hungarian Rhapsody no. 9 in E-flat major, S.244/9 | Vincenzo Maltempo | — | |
| 10 | Hungarian Rhapsody no. 10 in E major, S.244/10 | Vincenzo Maltempo | — | |
| 11 | Hungarian Rhapsody no. 11 in A minor, S.244/11 | Vincenzo Maltempo | — | |
| 12 | Hungarian Rhapsody no. 12 in C-sharp minor, S.244/12 | Vincenzo Maltempo | — | |
| 13 | Hungarian Rhapsody no. 13 in A minor, S.244/13 | Vincenzo Maltempo | — | |
| 14 | Hungarian Rhapsody no. 14 in F minor, S.244/14 | Vincenzo Maltempo | T-306.229.931-0 | |
| 15 | Hungarian Rhapsody no. 15 in A minor, S.244/15 | Vincenzo Maltempo | — | |
| 16 | Hungarian Rhapsody no. 16 in A minor, S.244/16 | Vincenzo Maltempo | — | |
| 17 | Hungarian Rhapsody no. 17 in D minor, S.244/17 | Vincenzo Maltempo | — | |
| 18 | Hungarian Rhapsody no. 18 in F-sharp minor, S.244/18 | Vincenzo Maltempo | — | |
| 19 | Hungarian Rhapsody no. 19 in D minor, S.244/19 | Vincenzo Maltempo | — | |
| 20 | Années de pèlerinage, Book I, S. 160: I. Chapelle de Guillaume Tell | Enrico Pace | — | |
| 21 | Années de pèlerinage, Book I, S. 160: II. Au lac de Wallenstadt | Enrico Pace | — | |
| 22 | Années de pèlerinage, Book I, S. 160: III. Pastorale | Enrico Pace | — | |
| 23 | Années de pèlerinage, Book I, S. 160: IV. Au bord d'une source | Enrico Pace | — | |
| 24 | Années de pèlerinage, Book I, S. 160: V. Orage | Enrico Pace | — | |
| 25 | Années de pèlerinage, Book I, S. 160: VI. Vallée d'Obermann | Enrico Pace | — | |
| 26 | Années de pèlerinage, Book I, S. 160: VII. Eglogue | Enrico Pace | — | |
| 27 | Années de pèlerinage, Book I, S. 160: VIII. Le mal du pays | Enrico Pace | — | |
| 28 | Années de pèlerinage, Book I, S. 160: IX. Les cloches de Genève | Enrico Pace | — | |
| 29 | Années de pèlerinage, Book II, S. 161: I. Sposalizio | Enrico Pace | — | |
| 30 | Années de pèlerinage, Book II, S. 161: II. Il penseroso | Enrico Pace | — | |
| 31 | Années de pèlerinage, Book II, S. 161: III. Canzonetta del Salvator Rosa | Enrico Pace | — | |
| 32 | Années de pèlerinage, Book II, S. 161: IV. Sonetto 47 del Petrarca | Enrico Pace | — | |
| 33 | Années de pèlerinage, Book II, S. 161: V. Sonetto 104 del Petrarca | Enrico Pace | — | |
| 34 | Années de pèlerinage, Book II, S. 161: VI. Sonetto 123 del Petrarca | Enrico Pace | — | |
| 35 | Années de pèlerinage, Book II, S. 161: VII. Après une lecture de Dante | Enrico Pace | — | |
| 36 | Piano Sonata in B minor, S. 178 | Philipp Kopachevsky | — | |
| 37 | Soirées de Vienne, S. 427: VI. Allegro con strepito in A minor | Philipp Kopachevsky | — | |
| 38 | En rêve, S. 207 | Philipp Kopachevsky | — | |
| 39 | Mephisto Waltz No. 3, S. 216 | Philipp Kopachevsky | — | |
| 40 | Bagatelle sans tonalité, S. 216a | Philipp Kopachevsky | — | |
| 41 | Trübe Wolken, S. 199 | Philipp Kopachevsky | — | |
| 42 | Études d'exécution transcendante, S. 139: No. 1. Preludio in C major | Mariangela Vacatello | — | |
| 43 | Études d'exécution transcendante, S. 139: No. 2. Molto vivace in A minor | Mariangela Vacatello | — | |
| 44 | Études d'exécution transcendante, S. 139: No. 3. Paysage in F major | Mariangela Vacatello | — | |
| 45 | Études d'exécution transcendante, S. 139: No. 4. Mazeppa in D minor | Mariangela Vacatello | — | |
| 46 | Études d'exécution transcendante, S. 139: No. 5. Feux Follets in B-flat major | Mariangela Vacatello | — | |
| 47 | Études d'exécution transcendante, S. 139: No. 6. Vision in G minor | Mariangela Vacatello | — | |
| 48 | Études d'exécution transcendante, S. 139: No. 7. Eroica in E-flat major | Mariangela Vacatello | — | |
| 49 | Études d'exécution transcendante, S. 139: No. 8. Wilde Jagd in C minor | Mariangela Vacatello | — | |
| 50 | Études d'exécution transcendante, S. 139: No. 9. Ricordanza in A-flat major | Mariangela Vacatello | — | |
| 51 | Études d'exécution transcendante, S. 139: No. 10. Allegro agitato molto in F minor | Mariangela Vacatello | — | |
| 52 | Études d'exécution transcendante, S. 139: No. 11. Harmonies du soir in D-flat major | Mariangela Vacatello | — | |
| 53 | Études d'exécution transcendante, S. 139: No. 12. Chasse-neige in B-flat minor | Mariangela Vacatello | — | |
| 54 | Grandes études de Paganini, S141/R3b: Preludio: Andante – Etude no. 1 in G minor, “Tremolo”: Non troppo lento | Goran Filipec | — | |
| 55 | Grandes études de Paganini, S141/R3b: Etude no. 2 in E‐flat major, “Octave”: Andante – Andantino capriccioso | Goran Filipec | — | |
| 56 | Grandes études de Paganini, S141/R3b: Etude no. 3 in G‐sharp minor, “La campanella”: Allegretto | Goran Filipec | — | |
| 57 | Grandes études de Paganini, S141/R3b: Etude no. 4 in E major, “Arpeggio”: Vivo | Goran Filipec | — | |
| 58 | Grandes études de Paganini, S141/R3b: Etude no. 5 in E major, “La chasse”: Allegretto | Goran Filipec | — | |
| 59 | Grandes études de Paganini, S141/R3b: Etude no. 6 in A minor, “Thème et variations”: Quasi presto | Goran Filipec | — | |
| 60 | Deux Polonaises, S223/R44: Polonaise mélancolique in C minor | Jean Dubé | — | |
| 61 | Deux Polonaises, S223/R44: Polonaise in E major | Jean Dubé | — | |
| 62 | Ballade no. 1 in D-flat major "Le Chant du croisé", S170/R15 | Jean Dubé | — | |
| 63 | Ballade no. 2 in B minor, S171/R16 | Jean Dubé | — | |
| 64 | Consolation No. 3 in D-flat major, S. 172/3 | Alexander Gavrylyuk | T-306.229.968-3 | |
| 65 | Mephisto Waltz No. 1, S. 514 | Alexander Gavrylyuk | — | |
| 66 | Isoldens Liebestod, S. 447 | Alexander Gavrylyuk | — | |
| 67 | Danse macabre, S. 555 | Alexander Gavrylyuk | T-003.008.160-7 | |
| 68 | Tarantella, S. 162/3 | Alexander Gavrylyuk | — | |
| 69 | 2 Konzertetüden, S. 145: I. Waldesrauschen | Klára Würtz | — | |
| 70 | 2 Konzertetüden, S. 145: II. Gnomenreigen | Klára Würtz | — | |
| 71 | Liebestraum No. 3 in A-flat major, S. 541/3 | Klára Würtz | — | |
| 72 | Les jeux d’eaux à la villa d’Este, S. 163/4 | Klára Würtz | — | |
| 73 | Fantasy & Fugue on B-A-C-H, S. 260 | Misha Dacić | — | |
| 74 | Années de pèlerinage I, S. 160: IX. Les cloches de Genève | Misha Dacić | — | |
| 75 | Grosses Konzertsolo, S. 170 | Misha Dacić | — | |
| 76 | Glanes de Woronince, S. 249: I. Ballade Ukraine | Misha Dacić | — | |
| 77 | Années de pèlerinage II, S. 161: VII. Après une lecture du Dante | Misha Dacić | — | |
| 78 | Hungarian Rhapsody No. 9 in E-Flat Major, S. 244 | Misha Dacić | — | |
| 79 | La lugubre gondola No. 1, S. 200 | Misha Dacić | — | |
| 80 | Bénédiction de dieu dans la solitude, S. 173 | Irene Russo | — | |
| 81 | 2 Légendes, S. 175: I. St François d'Assise. La prédication aux oiseaux | Irene Russo | — | |
| 82 | 2 Légendes, S. 175: II. St François de Paule marchant sur les flots | Irene Russo | — | |
| 83 | Valse-Impromptu, S. 213 | Vanessa Benelli Mosell | — | |
| 84 | Études de concert, S. 144: II. La leggierezza | Vanessa Benelli Mosell | — | |
| 85 | Grand galop chromatique, S. 219 | Vanessa Benelli Mosell | — | |
| 86 | Rhapsodie espagnole, S. 254 | Vanessa Benelli Mosell | — | |
| 87 | O du, mein holder Abendstern, S. 444 | François Dumont | — | |
| 88 | Ballade aus Der fliegende Holländer, S. 441 | François Dumont | T-800.607.943-3 | |
| 89 | Elsas Traum aus Lohengrin, S. 446 | François Dumont | — | |
| 90 | Ouvertüre from Tannhäuser, S. 442 | François Dumont | — | |
| 91 | Feierlicher Marsch zum heiligen Gral aus Parsifal, S. 450 | François Dumont | — | |
| 92 | Lohengrins Verweis an Elsa aus Lohengrin, S. 446 | François Dumont | — | |
| 93 | Walhall aus Der Ring des Nibelungen, S. 449 | François Dumont | — | |
| 94 | Elsas Brautzug zum Münster aus Lohengrin, S. 446 | François Dumont | — | |
| 95 | Isoldes Liebestod aus Tristan und Isolde, S. 447 | François Dumont | — | |
| 96 | Marche funèbre de Dom Sébastien de Donizetti, S. 402 | Liszt | — | |
| 97 | Réminiscences de Lucrezia Borgia, S. 400: Trio du second acte | Liszt | — | |
| 98 | Réminiscences de Lucrezia Borgia, S. 400: Chanson à boire – Duo - Finale | Liszt | — | |
| 99 | Réminiscences de Norma, S. 394 | Liszt | — | |
| 100 | Hexaméron, S. 392 | Liszt | — | |
| 101 | Paraphrase de concert on Ernani II, S. 432 | Michele Campanella | — | |
| 102 | Salve Maria de Jérusalem S. 431/2 | Michele Campanella | — | |
| 103 | Miserere from Il trovatore S. 433 | Michele Campanella | — | |
| 104 | Paraphrase de concert on Rigoletto, S. 434 | Michele Campanella | — | |
| 105 | Finale from Don Carlos, S. 435 | Michele Campanella | — | |
| 106 | Agnus Dei from Verdi’s Requiem, S. 437/2 | Michele Campanella | — | |
| 107 | Réminiscences de Boccanegra, S. 438 | Michele Campanella | — | |
| 108 | Danza sacra e duetto finale from Aida, S. 436 | Michele Campanella | — | |
| 109 | Symphony no. 6 in F major, S. 464/6: I. Allegro ma non troppo | Michele Campanella | T-031.682.208-8 | |
| 110 | Symphony no. 6 in F major, S. 464/6: II. Andante molto moto | Michele Campanella | — | |
| 111 | Symphony no. 6 in F major, S. 464/6: III. Allegro | Michele Campanella | — | |
| 112 | Symphony no. 6 in F major, S. 464/6: IV. Allegro - V. Allegretto | Michele Campanella | — | |
| 113 | Piano Concerto no. 1 in E-flat major: I. Allegro | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 114 | Piano Concerto no. 1 in E-flat major: IIa. Quasi adagio | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 115 | Piano Concerto no. 1 in E-flat major: IIb. Allegretto vivace | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 116 | Piano Concerto no. 1 in E-flat major: IIc. Allegro animato | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 117 | Piano Concerto no. 1 in E-flat major: III. Allegro marziale animato | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 118 | Piano Concerto no. 2 in A major: I. Adagio sostenuto assai | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 119 | Piano Concerto no. 2 in A major: II. Allegro agitato assai | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 120 | Piano Concerto no. 2 in A major: III. Allegro moderato | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 121 | Piano Concerto no. 2 in A major: IV. Allegro deciso sempre allegro | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 122 | Piano Concerto no. 2 in A major: V. Marziale, un poco meno allegro | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 123 | Piano Concerto no. 2 in A major: VI. Allegro animato | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — | |
| 124 | Totentanz, paraphrase on “Dies irae” | Nelson Freire, Dresdner Philharmonic, Michel Plasson | — |
