UPC · Release
César Franck
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5028421957937 is the Universal Product Code (UPC barcode) for the release “César Franck Edition” by César Franck, released 2019-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 260 tracks, each with its own ISRC. Tracks include BER189921306, NLY331904109, NLY331904110.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le Chasseur maudit, FWV 44 | — | ||
| 2 | Symphony in D minor, FWV 48: I. Lento. Allegro non troppo | — | ||
| 3 | Symphony in D minor, FWV 48: II. Allegretto | — | ||
| 4 | Symphony in D minor, FWV 48: III. Finale. Allegro non troppo | — | ||
| 2-1 | Symphonic Variations, FWV 46 | — | ||
| 2-2 | Les Djinns in F-sharp minor, FWV 45 | — | ||
| 2-3 | Piano Concerto no. 2 in B minor, op. 11: I. Allegro maestoso | — | ||
| 2-4 | Piano Concerto no. 2 in B minor, op. 11: II. Adagio | — | ||
| 2-5 | Piano Concerto no. 2 in B minor, op. 11: III. Rondo. Allegro | — | ||
| 3-1 | Les Éolides in A major, FWV 43 | — | ||
| 3-2 | Psyché, FWV 47: I. Le Sommeil de Psyché. Lento | — | ||
| 3-3 | Psyché, FWV 47: II. Psyché enlevée par les Zéphyrs. Allegro vivace | — | ||
| 3-4 | Psyché, FWV 47: III. Les Jardins d’Éros. Poco animato | — | ||
| 3-5 | Psyché, FWV 47: IV. Psyché et Éros. Allegretto modéré | — | ||
| 4-1 | String Quartet in D major, FWV 9: I. Poco lento | — | ||
| 4-2 | String Quartet in D major, FWV 9: II. Scherzo. Vivace | — | ||
| 4-3 | String Quartet in D major, FWV 9: III. Larghetto | — | ||
| 4-4 | String Quartet in D major, FWV 9: IV. Finale. Allegro molto | — | ||
| 5-1 | Piano Quintet in F minor, FWV 7: I. Molto moderato quasi lento | — | ||
| 5-2 | Piano Quintet in F minor, FWV 7: II. Lento, con molto sentiment | — | ||
| 5-3 | Piano Quintet in F minor, FWV 7: III. Allegro non troppo, ma con fuoco | — | ||
| 6-1 | Piano Trio no. 1 in F-sharp minor, FWV 1, op. 1: I. Andante con moto | — | ||
| 6-2 | Piano Trio no. 1 in F-sharp minor, FWV 1, op. 1: II. Allegro molto | — | ||
| 6-3 | Piano Trio no. 1 in F-sharp minor, FWV 1, op. 1: III. Finale. Allegro maestoso | — | ||
| 6-4 | Piano Trio no. 2 in B-flat major, FWV 2, op. 1: I. Allegro moderato | — | ||
| 6-5 | Piano Trio no. 2 in B-flat major, FWV 2, op. 1: II. Andantino | — | ||
| 6-6 | Piano Trio no. 2 in B-flat major, FWV 2, op. 1: III. Minuetto | — | ||
| 6-7 | Piano Trio no. 2 in B-flat major, FWV 2, op. 1: IV. Finale. Allegro molto | — | ||
| 6-8 | Duo concertante in B-flat major, op. 14: I. Maestoso – Allegretto grazioso – Molto più lento – Tempo del maestoso | — | ||
| 6-9 | Andantino quietoso in E-flat major, FWV 5, op. 6 | — | ||
| 7-1 | Piano Trio no. 3 in B minor, FWV 3, op. 1: I. Allegro | — | ||
| 7-2 | Piano Trio no. 3 in B minor, FWV 3, op. 1: II. Adagio. Quasi allegretto – tempo primo | — | ||
| 7-3 | Piano Trio no. 3 in B minor, FWV 3, op. 1: III. Finale. Poco lento — Moderato ma molto energico – Il doppio più lento – Tempo primo | — | ||
| 7-4 | Piano Trio no. 4 in B minor, FWV 4, op. 2: I. Allegro | — | ||
| 7-5 | Violin Sonata in A major, FWV 8: I. Allegretto ben moderato | — | ||
| 7-6 | Violin Sonata in A major, FWV 8: II. Allegro | — | ||
| 7-7 | Violin Sonata in A major, FWV 8: III. Recitativo–Fantasia | — | ||
| 7-8 | Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | — | ||
| 8-1 | Ballade in B major, op. 9 | — | ||
| 8-2 | 4 Schubert Songs op. 8: I. Die junge Nonne | — | ||
| 8-3 | 4 Schubert Songs op. 8: II. Die Forelle | — | ||
| 8-4 | 4 Schubert Songs op. 8: III. Des Mädchens Klage | — | ||
| 8-5 | 4 Schubert Songs op. 8: IV. Das Zügenglöcklein | — | ||
| 8-6 | Fantaisie sur 2 airs polonais, op. 15: I. Andantino | — | ||
| 8-7 | Fantaisie sur 2 airs polonais, op. 15: II. Allegretto | — | ||
| 8-8 | Fantaisie sur 2 airs polonais, op. 15: III. Allegretto non troppo ma giocoso | — | ||
| 8-9 | Souvenirs d’Aix-la-chapelle, FWV 14, op. 7 | — | ||
| 9-1 | Grande fantaisie no. 1, FWV 16, op. 11: I. Andantino | — | ||
| 9-2 | Grande fantaisie no. 1, FWV 16, op. 11: II. Siciliana: Non troppo vivo e grazioso – Moderato: Poco più mosso – Allegro risoluto | — | ||
| 9-3 | Grande Fantaisie no. 2, FWV 17, op. 12: I. Maestoso – Allegretto grazioso | — | ||
| 9-4 | Fantaisie no. 2 in D major: I. Andante | — | ||
| 9-5 | Fantaisie no. 2 in D major: II. Tema. Polacca | — | ||
| 9-6 | Fantaisie no. 2 in D major: III. Variazione. Meno vivo | — | ||
| 9-7 | Fantaisie no. 2 in D major: IV. Andante | — | ||
| 9-8 | Fantaisie no. 2 in D major: V. Finale. Allegro | — | ||
| 9-9 | Fantaisie sur 2 airs polonais, FWV 18, op. 15: I. Andantino | — | ||
| 9-10 | Fantaisie sur 2 airs polonais, FWV 18, op. 15: II. Allegretto | — | ||
| 9-11 | Fantaisie sur 2 airs polonais, FWV 18, op. 15: III. Allegro non troppo, ma giocoso | — | ||
| 9-12 | Grande Fantaisie no. 3: I. Presto — | — | ||
| 9-13 | Grande Fantaisie no. 3: Adagio — | — | ||
| 9-14 | Grande Fantaisie no. 3: Presto | — | ||
| 9-15 | Grande Fantaisie no. 3: II. Tema. Andante — | — | ||
| 9-16 | Grande Fantaisie no. 3: Prima variazione — | — | ||
| 9-17 | Grande Fantaisie no. 3: Seconda variazione – Finale | — | ||
| 10-1 | Prélude, fugue et variation in B minor, FWV 30, op. 18: I. Prélude — | — | ||
| 10-2 | Prélude, fugue et variation in B minor, FWV 30, op. 18: Lento | — | ||
| 10-3 | Prélude, fugue et variation in B minor, FWV 30, op. 18: II. Fugue | — | ||
| 10-4 | Prélude, fugue et variation in B minor, FWV 30, op. 18: III. Variation | — | ||
| 10-5 | Prélude, aria et final in E minor, FWV 23: I. Prélude | — | ||
| 10-6 | Prélude, aria et final in E minor, FWV 23: II. Aria | — | ||
| 10-7 | Prélude, aria et final in E minor, FWV 23: III. Final | — | ||
| 10-8 | Prélude, choral et fugue, FWV 21: I. Prélude | — | ||
| 10-9 | Prélude, choral et fugue, FWV 21: II. Choral — | — | ||
| 10-10 | Prélude, choral et fugue, FWV 21: Poco allegro | — | ||
| 10-11 | Prélude, choral et fugue, FWV 21: III. Fugue | — | ||
| 11-1 | Fantasy in C major, FWV 28, op. 16 | — | ||
| 11-2 | Grande pièce symphonique in F-sharp minor, FWV 29, op. 17 | — | ||
| 11-3 | Prélude, fugue et variation in B minor, FWV 30, op. 18 | — | ||
| 11-4 | Pastorale in E major, FWV 31, op. 19 | — | ||
| 11-5 | Prière in C-sharp minor, FWV 32, op. 20 | — | ||
| 11-6 | Final in B-flat major, FWV 33, op. 21 | — | ||
| 12-1 | Fantasy in A major, FWV 35 | — | ||
| 12-2 | Cantabile in B major, FWV 36 | — | ||
| 12-3 | Pièce héroïque in B minor, FWV 37 | — | ||
| 12-4 | Choral in E major, FWV 38 | — | ||
| 12-5 | Choral in B minor, FWV 39 | — | ||
| 12-6 | Choral in A minor, FWV 40 | — | ||
| 13-1 | 5 Pièces pour harmonium, FWV 26: I. Offertoire in B major | — | ||
| 13-2 | 5 Pièces pour harmonium, FWV 26: II. Petit offertoire in E major | — | ||
| 13-3 | 5 Pièces pour harmonium, FWV 26: III. Premier verset in F minor | — | ||
| 13-4 | 5 Pièces pour harmonium, FWV 26: IV. Deuxième verset in F minor | — | ||
| 13-5 | 5 Pièces pour harmonium, FWV 26: V. Communion in E major | — | ||
| 13-6 | Prélude, fugue, et variations, for piano & harmonium, or 2 pianos in B minor, Op. 18, M. 30a | Joris Verdin, Jos van Immerseel | — | |
| 13-7 | Offertoire in A major | — | ||
| 13-8 | Petit offertoire in C minor, CFF 38 | — | ||
| 13-9 | Quasi marcia in F-sharp minor, FWV 34, op. 22 | — | ||
| 13-10 | Offertoire: I. Maestoso ma non lento | — | ||
| 13-11 | Offertoire sur un Noël bréton in A minor, CFF 34 | — | ||
| 13-12 | Entrée in E major, CFF 37 | — | ||
| 13-13 | Pièce in E-flat major | — | ||
| 13-14 | L’Organiste, CFF 40: I. Poco allegretto | — | ||
| 13-15 | L’Organiste, CFF 40: II. Andantino | — | ||
| 13-16 | L’Organiste, CFF 40: III. Poco lento | — | ||
| 13-17 | L’Organiste, CFF 40: IV. Maestoso | — | ||
| 13-18 | L’Organiste, CFF 40: V. Poco lento | — | ||
| 13-19 | L’Organiste, CFF 40: VI. Poco allegro | — | ||
| 13-20 | L’Organiste, CFF 40: Amen. Moderato | — | ||
| 13-21 | L’Organiste, CFF 40: VII. Offertoire. Andantino | — | ||
| 13-22 | L’Organiste, CFF 41: I. Andante | — | ||
| 13-23 | L’Organiste, CFF 41: II. Andantino | — | ||
| 13-24 | L’Organiste, CFF 41: III. Poco andantino | — | ||
| 13-25 | L’Organiste, CFF 41: IV. Poco allegro | — | ||
| 13-26 | L’Organiste, CFF 41: V. Lento | — | ||
| 13-27 | L’Organiste, CFF 41: VI. Andantino poco mosso | — | ||
| 13-28 | L’Organiste, CFF 41: Amen. Moderato | — | ||
| 13-29 | L’Organiste, CFF 41: VII. Andante | — | ||
| 13-30 | L’Organiste, CFF 42: I. Quasi allegro | — | ||
| 13-31 | L’Organiste, CFF 42: II. Chant de la Creuse. Très lent | — | ||
| 13-32 | L’Organiste, CFF 42: III. Quasi andante | — | ||
| 13-33 | L’Organiste, CFF 42: IV. Vieux Noël. Andantino | — | ||
| 13-34 | L’Organiste, CFF 42: V. Maestoso | — | ||
| 13-35 | L’Organiste, CFF 42: VI. Vieux Noël. Maestoso | — | ||
| 13-36 | L’Organiste, CFF 42: Amen. Moderato | — | ||
| 13-37 | L’Organiste, CFF 42: VIII. Sortie ou offertoire. Allegro | — | ||
| 14-1 | L’Organiste, CFF 43: I. Andantino poco allegretto | — | ||
| 14-2 | L’Organiste, CFF 43: II. Quasi lento | — | ||
| 14-3 | L’Organiste, CFF 43: III. Molto moderato | — | ||
| 14-4 | L’Organiste, CFF 43: IV. Allegretto | — | ||
| 14-5 | L’Organiste, CFF 43: V. Poco allegro | — | ||
| 14-6 | L’Organiste, CFF 43: VI. Andantino | — | ||
| 14-7 | L’Organiste, CFF 43: Amen. Moderato | — | ||
| 14-8 | L’Organiste, CFF 43: VII. Offertoire. Andantino poco allegretto | — | ||
| 14-9 | L’Organiste, CFF 44: I. Andantino quasi allegretto | — | ||
| 14-10 | L’Organiste, CFF 44: II. Moderato | — | ||
| 14-11 | L’Organiste, CFF 44: III. Prière. Quasi lento | — | ||
| 14-12 | L’Organiste, CFF 44: IV. Non troppo lento | — | ||
| 14-13 | L’Organiste, CFF 44: V. Allegretto | — | ||
| 14-14 | L’Organiste, CFF 44: VI. Poco allegretto | — | ||
| 14-15 | L’Organiste, CFF 44: Amen. Moderato | — | ||
| 14-16 | L’Organiste, CFF 44: VII. Offertoire ou communion. Poco lento | — | ||
| 14-17 | L’Organiste, CFF 45: I. Allegretto | — | ||
| 14-18 | L’Organiste, CFF 45: II. Andantino | — | ||
| 14-19 | L’Organiste, CFF 45: III. Lento | — | ||
| 14-20 | L’Organiste, CFF 45: IV. Allegretto | — | ||
| 14-21 | L’Organiste, CFF 45: V. Allegretto | — | ||
| 14-22 | L’Organiste, CFF 45: VI. Poco lento | — | ||
| 14-23 | L’Organiste, CFF 45: Amen. Moderato | — | ||
| 14-24 | L’Organiste, CFF 45: VII. Sortie. Molto moderato | — | ||
| 14-25 | L’Organiste, CFF 46: I. Air béarnais. Andantino | — | ||
| 14-26 | L’Organiste, CFF 46: II. Chant béarnais: Poco allegretto | — | ||
| 14-27 | L’Organiste, CFF 46: III. Andantino | — | ||
| 14-28 | L’Organiste, CFF 46: IV. Poco lento | — | ||
| 14-29 | L’Organiste, CFF 46: V. Poco allegro | — | ||
| 14-30 | L’Organiste, CFF 46: VI. Poco allegretto | — | ||
| 14-31 | L’Organiste, CFF 46: Amen in F-sharp minor. Moderato | — | ||
| 14-32 | L’Organiste, CFF 46: Amen in G-flat major. Moderato | — | ||
| 14-33 | L’Organiste, CFF 46: VII. Offertoire funèbre. Poco lento | — | ||
| 14-34 | L’Organiste, CFF 47: I. Poco allegretto | — | ||
| 14-35 | L’Organiste, CFF 47: II. Vieux Noël. Poco lento | — | ||
| 14-36 | L’Organiste, CFF 47: III. Noël angevin. Allegretto | — | ||
| 14-37 | L’Organiste, CFF 47: IV. Quasi lento | — | ||
| 14-38 | L’Organiste, CFF 47: V. Noël angevin. Quasi allegro | — | ||
| 14-39 | L’Organiste, CFF 47: VI. Allegretto vivo | — | ||
| 14-40 | L’Organiste, CFF 47: Amen. Moderato | — | ||
| 14-41 | L’Organiste, CFF 47: VII. Sortie. Allegro | — | ||
| 14-42 | L’Organiste, CFF 48: I. Poco maestoso | — | ||
| 14-43 | L’Organiste, CFF 48: II. Allegretto amabile | — | ||
| 14-44 | L’Organiste, CFF 48: III. Andantino | — | ||
| 14-45 | L’Organiste, CFF 48: IV. Andantino | — | ||
| 14-46 | L’Organiste, CFF 48: V. Lento | — | ||
| 14-47 | L’Organiste, CFF 48: VI. Andantino | — | ||
| 14-48 | L’Organiste, CFF 48: VII. Sortie. Poco maestoso | — | ||
| 15-1 | Stradella, CFF 229, Pt. 1 : I. Overture | — | ||
| 15-2 | Stradella, CFF 229, Pt. 1 : II. « Nous y voilà Monseigneur, par ici » | — | ||
| 15-3 | Stradella, CFF 229, Pt. 1 : III. « Venise est encore au bal » | — | ||
| 15-4 | Stradella, CFF 229, Pt. 1 : IV. « C’est donc vous Stradella » | — | ||
| 15-5 | Stradella, CFF 229, Pt. 1 : V. « À demain les délices suprêmes » | — | ||
| 15-6 | Stradella, CFF 229, Pt. 1 : VI. « Amis, la place est libre ! » | — | ||
| 15-7 | Stradella, CFF 229, Pt. 2 : I. « Ah ! Ah quel songe affreux » | — | ||
| 15-8 | Stradella, CFF 229, Pt. 2 : II. « Quand celui que j’adore » | — | ||
| 15-9 | Stradella, CFF 229, Pt. 2 : III. « Du bruit ! » | — | ||
| 15-10 | Stradella, CFF 229, Pt. 2 : IV. « C’est nous qui vendons » | — | ||
| 15-11 | Stradella, CFF 229, Pt. 2 : V. « Ah voilà ce chanteur » | — | ||
| 15-12 | Stradella, CFF 229, Pt. 2 : VI. « O mon art ! Art divin ! » | — | ||
| 15-13 | Stradella, CFF 229, Pt. 2 : VII. « Quel coup du ciel ! » | — | ||
| 15-14 | Stradella, CFF 229, Pt. 2 : VIII. « Encore quelques moments, c’est notre délivrance » | — | ||
| 15-15 | Stradella, CFF 229, Pt. 2 : IX. « Je reste aussi » | — | ||
| 16-1 | Stradella, CFF 229, Pt. 2 : X. « Je comprends, les témoins sont de trop » | — | ||
| 16-2 | Stradella, CFF 229, Pt. 3 : I. « Rome ou l’humble artiste » | — | ||
| 16-3 | Stradella, CFF 229, Pt. 3 : II. « À l’heure ou Dieu même » | — | ||
| 16-4 | Stradella, CFF 229, Pt. 3 : III. « J’y suis enfin » | — | ||
| 16-5 | Stradella, CFF 229, Pt. 3 : IV. « Dites‐nous le nom de ce traitre » | — | ||
| 16-6 | Stradella, CFF 229, Pt. 3 : V. « Spadoni, que vois‐je, o terreur ! » | — | ||
| 16-7 | Stradella, CFF 229, Pt. 3 : VI. « Quoi ! Perdrais‐je sans retour » | — | ||
| 16-8 | Stradella, CFF 229, Pt. 3 : VII. « O Dieu tout puissant » | — | ||
| 16-9 | Stradella, CFF 229, Pt. 3 : VIII. « O dévouement divin, sacrifice sublime » | — | ||
| 16-10 | Stradella, CFF 229, Pt. 3 : IX. « Quand Dieu se lèvera pour rendre la justice » | — | ||
| 16-11 | Stradella, CFF 229, Pt. 3 : X. « Gloire à Dieu dans le ciel! » | — | ||
| 16-12 | Stradella, CFF 229, Pt. 3 : XI. « Allons, allons, enfants de Rome » | — | ||
| 17-1 | Les béatitudes, FWV 53: I. Prologue | — | ||
| 17-2 | Les béatitudes, FWV 53: II. Première beatitude | — | ||
| 17-3 | Les béatitudes, FWV 53: III. Deuxième beatitude | — | ||
| 17-4 | Les béatitudes, FWV 53: IV. Troisième beatitude | — | ||
| 17-5 | Les béatitudes, FWV 53: V. Quatrième beatitude | — | ||
| 18-1 | Les béatitudes, FWV 53: VI. Cinquième beatitude | — | ||
| 18-2 | Les béatitudes, FWV 53: VII. Sixtième beatitude | — | ||
| 18-3 | Les béatitudes, FWV 53: VIII. Septième beatitude | — | ||
| 18-4 | Les béatitudes, FWV 53: IX. Huitième beatitude | — | ||
| 19-1 | Rédemption, FWV 52, Pt. 1: I. Introduction | — | ||
| 19-2 | Rédemption, FWV 52, Pt. 1: II. Choeur terrestre | — | ||
| 19-3 | Rédemption, FWV 52, Pt. 1: III. Récit et choeur des anges | — | ||
| 19-4 | Rédemption, FWV 52, Pt. 1: IV. Choeur, récit et air de l’archange. V. Choeur general | — | ||
| 19-5 | Rédemption, FWV 52, Pt. 2: VI. Morceau symphonique | — | ||
| 19-6 | Rédemption, FWV 52, Pt. 2: VII. Choeur d’hommes | — | ||
| 19-7 | Rédemption, FWV 52, Pt. 2: VIII. Choeur des anges | — | ||
| 19-8 | Rédemption, FWV 52, Pt. 2: IX. Air de l’archange | — | ||
| 19-9 | Rédemption, FWV 52, Pt. 2: X. Choeur general | — | ||
| 20-1 | Messe à 3 voix in A Major, FWV 61: I. Kyrie | — | ||
| 20-2 | Messe à 3 voix in A Major, FWV 61: II. Gloria | — | ||
| 20-3 | Messe à 3 voix in A Major, FWV 61: III. Credo | — | ||
| 20-4 | Messe à 3 voix in A Major, FWV 61: IV. Sanctus Benedictus | — | ||
| 20-5 | Messe à 3 voix in A Major, FWV 61: V. Panis angelicus | — | ||
| 20-6 | Messe à 3 voix in A Major, FWV 61: VI. Agnus dei | — | ||
| 20-7 | From 3 Offertoires: I. Quae est ista | — | ||
| 20-8 | From 3 Offertoires: II. Dextera domini | — | ||
| 21-1 | Les sept paroles du Christ sur la croix, CFF 180: I. Prologue. O vos omnes | — | ||
| 21-2 | Les sept paroles du Christ sur la croix, CFF 180: II. 1st Word. Pater, dimitte illis | — | ||
| 21-3 | Les sept paroles du Christ sur la croix, CFF 180: III. 2nd Word. Hodie mecum eris in paradiso | — | ||
| 21-4 | Les sept paroles du Christ sur la croix, CFF 180: IV. 3rd Word. Mulier, ecce filius tuus | — | ||
| 21-5 | Les sept paroles du Christ sur la croix, CFF 180: V. 4th Word. Deus meus, ut quid dereliquisti me? | — | ||
| 21-6 | Les sept paroles du Christ sur la croix, CFF 180: VI. 5th Word. Sitio | — | ||
| 21-7 | Les sept paroles du Christ sur la croix, CFF 180: VII. 6th Word. Consummatum est | — | ||
| 21-8 | Les sept paroles du Christ sur la croix, CFF 180: VIII. 7th Word. Pater, in manus tuas commendo spiritum meum | — | ||
| 21-9 | Fantasy in A Major, FWV 35 | — | ||
| 21-10 | Cantabile in B Major, FWV 36 | — | ||
| 21-11 | Pièce héroïque in B Minor, FWV 37 | — | ||
| 22-1 | Nocturne in F-Sharp Minor, FWV 85 | — | ||
| 22-2 | Ninon in A Major, FWV 71 | — | ||
| 22-3 | Le vase brisé in C Minor, FWV 84 | — | ||
| 22-4 | Lied in F-Sharp Minor, FWV 83 | — | ||
| 22-5 | Le mariage des roses in B Major, FWV 80 | — | ||
| 22-6 | Souvenance in F-Sharp Minor, FWV 70 | — | ||
| 22-7 | Robin Gray in A-Flat Major, FWV 74 | — | ||
| 22-8 | Passez, passez toujours in G Minor, FWV 82 | — | ||
| 22-9 | Roses et papillons in D-Flat Major, FWV 81 | — | ||
| 22-10 | L’ange et l’enfant, FWV 75 | — | ||
| 22-11 | Les cloches du soir, FWV 87 | — | ||
| 22-12 | L’émir de Bengador in F Minor, FWV 72 | — | ||
| 22-13 | S’il est un charmant gazon in E-Flat Major, FWV 78 | — | ||
| 22-14 | À cette terre où l’on ploie sa tente | — | ||
| 22-15 | Aimer in A-Flat Major, FWV 76 | — | ||
| 22-16 | La procession in E Major, FWV 88 | — | ||
| 23-1 | Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | Kristóf Baráti, Klára Würtz | T-312.207.822-8 | |
| 23-2 | Violin Sonata in A Major, FWV 8: II. Allegro | Kristóf Baráti, Klára Würtz | — | |
| 23-3 | Violin Sonata in A Major, FWV 8: III. Recitativo-Fantasia, ben moderato | Kristóf Baráti, Klára Würtz | — | |
| 23-4 | Violin Sonata in A Major, FWV 8: IV. Allegretto poco mosso | Kristóf Baráti, Klára Würtz | — | |
| 23-5 | Transcription for Cello and Piano: I. Allegretto ben moderato | — | ||
| 23-6 | Transcription for Cello and Piano: II. Allegro | — | ||
| 23-7 | Transcription for Cello and Piano: III. Recitativo–Fantasia. Ben moderato | — | ||
| 23-8 | Transcription for Cello and Piano: IV. Allegretto poco mosso | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5028421957937 is a Universal Product Code (UPC) assigned to César Franck Edition by César Franck. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 260 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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5028421957937 is the Universal Product Code (UPC barcode) for the release “César Franck Edition” by César Franck, released 2019-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 260 tracks, each with its own ISRC. Tracks include BER189921306, NLY331904109, NLY331904110.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le Chasseur maudit, FWV 44 | — | ||
| 2 | Symphony in D minor, FWV 48: I. Lento. Allegro non troppo | — | ||
| 3 | Symphony in D minor, FWV 48: II. Allegretto | — | ||
| 4 | Symphony in D minor, FWV 48: III. Finale. Allegro non troppo | — | ||
| 2-1 | Symphonic Variations, FWV 46 | — | ||
| 2-2 | Les Djinns in F-sharp minor, FWV 45 | — | ||
| 2-3 | Piano Concerto no. 2 in B minor, op. 11: I. Allegro maestoso | — | ||
| 2-4 | Piano Concerto no. 2 in B minor, op. 11: II. Adagio | — | ||
| 2-5 | Piano Concerto no. 2 in B minor, op. 11: III. Rondo. Allegro | — | ||
| 3-1 | Les Éolides in A major, FWV 43 | — | ||
| 3-2 | Psyché, FWV 47: I. Le Sommeil de Psyché. Lento | — | ||
| 3-3 | Psyché, FWV 47: II. Psyché enlevée par les Zéphyrs. Allegro vivace | — | ||
| 3-4 | Psyché, FWV 47: III. Les Jardins d’Éros. Poco animato | — | ||
| 3-5 | Psyché, FWV 47: IV. Psyché et Éros. Allegretto modéré | — | ||
| 4-1 | String Quartet in D major, FWV 9: I. Poco lento | — | ||
| 4-2 | String Quartet in D major, FWV 9: II. Scherzo. Vivace | — | ||
| 4-3 | String Quartet in D major, FWV 9: III. Larghetto | — | ||
| 4-4 | String Quartet in D major, FWV 9: IV. Finale. Allegro molto | — | ||
| 5-1 | Piano Quintet in F minor, FWV 7: I. Molto moderato quasi lento | — | ||
| 5-2 | Piano Quintet in F minor, FWV 7: II. Lento, con molto sentiment | — | ||
| 5-3 | Piano Quintet in F minor, FWV 7: III. Allegro non troppo, ma con fuoco | — | ||
| 6-1 | Piano Trio no. 1 in F-sharp minor, FWV 1, op. 1: I. Andante con moto | — | ||
| 6-2 | Piano Trio no. 1 in F-sharp minor, FWV 1, op. 1: II. Allegro molto | — | ||
| 6-3 | Piano Trio no. 1 in F-sharp minor, FWV 1, op. 1: III. Finale. Allegro maestoso | — | ||
| 6-4 | Piano Trio no. 2 in B-flat major, FWV 2, op. 1: I. Allegro moderato | — | ||
| 6-5 | Piano Trio no. 2 in B-flat major, FWV 2, op. 1: II. Andantino | — | ||
| 6-6 | Piano Trio no. 2 in B-flat major, FWV 2, op. 1: III. Minuetto | — | ||
| 6-7 | Piano Trio no. 2 in B-flat major, FWV 2, op. 1: IV. Finale. Allegro molto | — | ||
| 6-8 | Duo concertante in B-flat major, op. 14: I. Maestoso – Allegretto grazioso – Molto più lento – Tempo del maestoso | — | ||
| 6-9 | Andantino quietoso in E-flat major, FWV 5, op. 6 | — | ||
| 7-1 | Piano Trio no. 3 in B minor, FWV 3, op. 1: I. Allegro | — | ||
| 7-2 | Piano Trio no. 3 in B minor, FWV 3, op. 1: II. Adagio. Quasi allegretto – tempo primo | — | ||
| 7-3 | Piano Trio no. 3 in B minor, FWV 3, op. 1: III. Finale. Poco lento — Moderato ma molto energico – Il doppio più lento – Tempo primo | — | ||
| 7-4 | Piano Trio no. 4 in B minor, FWV 4, op. 2: I. Allegro | — | ||
| 7-5 | Violin Sonata in A major, FWV 8: I. Allegretto ben moderato | — | ||
| 7-6 | Violin Sonata in A major, FWV 8: II. Allegro | — | ||
| 7-7 | Violin Sonata in A major, FWV 8: III. Recitativo–Fantasia | — | ||
| 7-8 | Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | — | ||
| 8-1 | Ballade in B major, op. 9 | — | ||
| 8-2 | 4 Schubert Songs op. 8: I. Die junge Nonne | — | ||
| 8-3 | 4 Schubert Songs op. 8: II. Die Forelle | — | ||
| 8-4 | 4 Schubert Songs op. 8: III. Des Mädchens Klage | — | ||
| 8-5 | 4 Schubert Songs op. 8: IV. Das Zügenglöcklein | — | ||
| 8-6 | Fantaisie sur 2 airs polonais, op. 15: I. Andantino | — | ||
| 8-7 | Fantaisie sur 2 airs polonais, op. 15: II. Allegretto | — | ||
| 8-8 | Fantaisie sur 2 airs polonais, op. 15: III. Allegretto non troppo ma giocoso | — | ||
| 8-9 | Souvenirs d’Aix-la-chapelle, FWV 14, op. 7 | — | ||
| 9-1 | Grande fantaisie no. 1, FWV 16, op. 11: I. Andantino | — | ||
| 9-2 | Grande fantaisie no. 1, FWV 16, op. 11: II. Siciliana: Non troppo vivo e grazioso – Moderato: Poco più mosso – Allegro risoluto | — | ||
| 9-3 | Grande Fantaisie no. 2, FWV 17, op. 12: I. Maestoso – Allegretto grazioso | — | ||
| 9-4 | Fantaisie no. 2 in D major: I. Andante | — | ||
| 9-5 | Fantaisie no. 2 in D major: II. Tema. Polacca | — | ||
| 9-6 | Fantaisie no. 2 in D major: III. Variazione. Meno vivo | — | ||
| 9-7 | Fantaisie no. 2 in D major: IV. Andante | — | ||
| 9-8 | Fantaisie no. 2 in D major: V. Finale. Allegro | — | ||
| 9-9 | Fantaisie sur 2 airs polonais, FWV 18, op. 15: I. Andantino | — | ||
| 9-10 | Fantaisie sur 2 airs polonais, FWV 18, op. 15: II. Allegretto | — | ||
| 9-11 | Fantaisie sur 2 airs polonais, FWV 18, op. 15: III. Allegro non troppo, ma giocoso | — | ||
| 9-12 | Grande Fantaisie no. 3: I. Presto — | — | ||
| 9-13 | Grande Fantaisie no. 3: Adagio — | — | ||
| 9-14 | Grande Fantaisie no. 3: Presto | — | ||
| 9-15 | Grande Fantaisie no. 3: II. Tema. Andante — | — | ||
| 9-16 | Grande Fantaisie no. 3: Prima variazione — | — | ||
| 9-17 | Grande Fantaisie no. 3: Seconda variazione – Finale | — | ||
| 10-1 | Prélude, fugue et variation in B minor, FWV 30, op. 18: I. Prélude — | — | ||
| 10-2 | Prélude, fugue et variation in B minor, FWV 30, op. 18: Lento | — | ||
| 10-3 | Prélude, fugue et variation in B minor, FWV 30, op. 18: II. Fugue | — | ||
| 10-4 | Prélude, fugue et variation in B minor, FWV 30, op. 18: III. Variation | — | ||
| 10-5 | Prélude, aria et final in E minor, FWV 23: I. Prélude | — | ||
| 10-6 | Prélude, aria et final in E minor, FWV 23: II. Aria | — | ||
| 10-7 | Prélude, aria et final in E minor, FWV 23: III. Final | — | ||
| 10-8 | Prélude, choral et fugue, FWV 21: I. Prélude | — | ||
| 10-9 | Prélude, choral et fugue, FWV 21: II. Choral — | — | ||
| 10-10 | Prélude, choral et fugue, FWV 21: Poco allegro | — | ||
| 10-11 | Prélude, choral et fugue, FWV 21: III. Fugue | — | ||
| 11-1 | Fantasy in C major, FWV 28, op. 16 | — | ||
| 11-2 | Grande pièce symphonique in F-sharp minor, FWV 29, op. 17 | — | ||
| 11-3 | Prélude, fugue et variation in B minor, FWV 30, op. 18 | — | ||
| 11-4 | Pastorale in E major, FWV 31, op. 19 | — | ||
| 11-5 | Prière in C-sharp minor, FWV 32, op. 20 | — | ||
| 11-6 | Final in B-flat major, FWV 33, op. 21 | — | ||
| 12-1 | Fantasy in A major, FWV 35 | — | ||
| 12-2 | Cantabile in B major, FWV 36 | — | ||
| 12-3 | Pièce héroïque in B minor, FWV 37 | — | ||
| 12-4 | Choral in E major, FWV 38 | — | ||
| 12-5 | Choral in B minor, FWV 39 | — | ||
| 12-6 | Choral in A minor, FWV 40 | — | ||
| 13-1 | 5 Pièces pour harmonium, FWV 26: I. Offertoire in B major | — | ||
| 13-2 | 5 Pièces pour harmonium, FWV 26: II. Petit offertoire in E major | — | ||
| 13-3 | 5 Pièces pour harmonium, FWV 26: III. Premier verset in F minor | — | ||
| 13-4 | 5 Pièces pour harmonium, FWV 26: IV. Deuxième verset in F minor | — | ||
| 13-5 | 5 Pièces pour harmonium, FWV 26: V. Communion in E major | — | ||
| 13-6 | Prélude, fugue, et variations, for piano & harmonium, or 2 pianos in B minor, Op. 18, M. 30a | Joris Verdin, Jos van Immerseel | — | |
| 13-7 | Offertoire in A major | — | ||
| 13-8 | Petit offertoire in C minor, CFF 38 | — | ||
| 13-9 | Quasi marcia in F-sharp minor, FWV 34, op. 22 | — | ||
| 13-10 | Offertoire: I. Maestoso ma non lento | — | ||
| 13-11 | Offertoire sur un Noël bréton in A minor, CFF 34 | — | ||
| 13-12 | Entrée in E major, CFF 37 | — | ||
| 13-13 | Pièce in E-flat major | — | ||
| 13-14 | L’Organiste, CFF 40: I. Poco allegretto | — | ||
| 13-15 | L’Organiste, CFF 40: II. Andantino | — | ||
| 13-16 | L’Organiste, CFF 40: III. Poco lento | — | ||
| 13-17 | L’Organiste, CFF 40: IV. Maestoso | — | ||
| 13-18 | L’Organiste, CFF 40: V. Poco lento | — | ||
| 13-19 | L’Organiste, CFF 40: VI. Poco allegro | — | ||
| 13-20 | L’Organiste, CFF 40: Amen. Moderato | — | ||
| 13-21 | L’Organiste, CFF 40: VII. Offertoire. Andantino | — | ||
| 13-22 | L’Organiste, CFF 41: I. Andante | — | ||
| 13-23 | L’Organiste, CFF 41: II. Andantino | — | ||
| 13-24 | L’Organiste, CFF 41: III. Poco andantino | — | ||
| 13-25 | L’Organiste, CFF 41: IV. Poco allegro | — | ||
| 13-26 | L’Organiste, CFF 41: V. Lento | — | ||
| 13-27 | L’Organiste, CFF 41: VI. Andantino poco mosso | — | ||
| 13-28 | L’Organiste, CFF 41: Amen. Moderato | — | ||
| 13-29 | L’Organiste, CFF 41: VII. Andante | — | ||
| 13-30 | L’Organiste, CFF 42: I. Quasi allegro | — | ||
| 13-31 | L’Organiste, CFF 42: II. Chant de la Creuse. Très lent | — | ||
| 13-32 | L’Organiste, CFF 42: III. Quasi andante | — | ||
| 13-33 | L’Organiste, CFF 42: IV. Vieux Noël. Andantino | — | ||
| 13-34 | L’Organiste, CFF 42: V. Maestoso | — | ||
| 13-35 | L’Organiste, CFF 42: VI. Vieux Noël. Maestoso | — | ||
| 13-36 | L’Organiste, CFF 42: Amen. Moderato | — | ||
| 13-37 | L’Organiste, CFF 42: VIII. Sortie ou offertoire. Allegro | — | ||
| 14-1 | L’Organiste, CFF 43: I. Andantino poco allegretto | — | ||
| 14-2 | L’Organiste, CFF 43: II. Quasi lento | — | ||
| 14-3 | L’Organiste, CFF 43: III. Molto moderato | — | ||
| 14-4 | L’Organiste, CFF 43: IV. Allegretto | — | ||
| 14-5 | L’Organiste, CFF 43: V. Poco allegro | — | ||
| 14-6 | L’Organiste, CFF 43: VI. Andantino | — | ||
| 14-7 | L’Organiste, CFF 43: Amen. Moderato | — | ||
| 14-8 | L’Organiste, CFF 43: VII. Offertoire. Andantino poco allegretto | — | ||
| 14-9 | L’Organiste, CFF 44: I. Andantino quasi allegretto | — | ||
| 14-10 | L’Organiste, CFF 44: II. Moderato | — | ||
| 14-11 | L’Organiste, CFF 44: III. Prière. Quasi lento | — | ||
| 14-12 | L’Organiste, CFF 44: IV. Non troppo lento | — | ||
| 14-13 | L’Organiste, CFF 44: V. Allegretto | — | ||
| 14-14 | L’Organiste, CFF 44: VI. Poco allegretto | — | ||
| 14-15 | L’Organiste, CFF 44: Amen. Moderato | — | ||
| 14-16 | L’Organiste, CFF 44: VII. Offertoire ou communion. Poco lento | — | ||
| 14-17 | L’Organiste, CFF 45: I. Allegretto | — | ||
| 14-18 | L’Organiste, CFF 45: II. Andantino | — | ||
| 14-19 | L’Organiste, CFF 45: III. Lento | — | ||
| 14-20 | L’Organiste, CFF 45: IV. Allegretto | — | ||
| 14-21 | L’Organiste, CFF 45: V. Allegretto | — | ||
| 14-22 | L’Organiste, CFF 45: VI. Poco lento | — | ||
| 14-23 | L’Organiste, CFF 45: Amen. Moderato | — | ||
| 14-24 | L’Organiste, CFF 45: VII. Sortie. Molto moderato | — | ||
| 14-25 | L’Organiste, CFF 46: I. Air béarnais. Andantino | — | ||
| 14-26 | L’Organiste, CFF 46: II. Chant béarnais: Poco allegretto | — | ||
| 14-27 | L’Organiste, CFF 46: III. Andantino | — | ||
| 14-28 | L’Organiste, CFF 46: IV. Poco lento | — | ||
| 14-29 | L’Organiste, CFF 46: V. Poco allegro | — | ||
| 14-30 | L’Organiste, CFF 46: VI. Poco allegretto | — | ||
| 14-31 | L’Organiste, CFF 46: Amen in F-sharp minor. Moderato | — | ||
| 14-32 | L’Organiste, CFF 46: Amen in G-flat major. Moderato | — | ||
| 14-33 | L’Organiste, CFF 46: VII. Offertoire funèbre. Poco lento | — | ||
| 14-34 | L’Organiste, CFF 47: I. Poco allegretto | — | ||
| 14-35 | L’Organiste, CFF 47: II. Vieux Noël. Poco lento | — | ||
| 14-36 | L’Organiste, CFF 47: III. Noël angevin. Allegretto | — | ||
| 14-37 | L’Organiste, CFF 47: IV. Quasi lento | — | ||
| 14-38 | L’Organiste, CFF 47: V. Noël angevin. Quasi allegro | — | ||
| 14-39 | L’Organiste, CFF 47: VI. Allegretto vivo | — | ||
| 14-40 | L’Organiste, CFF 47: Amen. Moderato | — | ||
| 14-41 | L’Organiste, CFF 47: VII. Sortie. Allegro | — | ||
| 14-42 | L’Organiste, CFF 48: I. Poco maestoso | — | ||
| 14-43 | L’Organiste, CFF 48: II. Allegretto amabile | — | ||
| 14-44 | L’Organiste, CFF 48: III. Andantino | — | ||
| 14-45 | L’Organiste, CFF 48: IV. Andantino | — | ||
| 14-46 | L’Organiste, CFF 48: V. Lento | — | ||
| 14-47 | L’Organiste, CFF 48: VI. Andantino | — | ||
| 14-48 | L’Organiste, CFF 48: VII. Sortie. Poco maestoso | — | ||
| 15-1 | Stradella, CFF 229, Pt. 1 : I. Overture | — | ||
| 15-2 | Stradella, CFF 229, Pt. 1 : II. « Nous y voilà Monseigneur, par ici » | — | ||
| 15-3 | Stradella, CFF 229, Pt. 1 : III. « Venise est encore au bal » | — | ||
| 15-4 | Stradella, CFF 229, Pt. 1 : IV. « C’est donc vous Stradella » | — | ||
| 15-5 | Stradella, CFF 229, Pt. 1 : V. « À demain les délices suprêmes » | — | ||
| 15-6 | Stradella, CFF 229, Pt. 1 : VI. « Amis, la place est libre ! » | — | ||
| 15-7 | Stradella, CFF 229, Pt. 2 : I. « Ah ! Ah quel songe affreux » | — | ||
| 15-8 | Stradella, CFF 229, Pt. 2 : II. « Quand celui que j’adore » | — | ||
| 15-9 | Stradella, CFF 229, Pt. 2 : III. « Du bruit ! » | — | ||
| 15-10 | Stradella, CFF 229, Pt. 2 : IV. « C’est nous qui vendons » | — | ||
| 15-11 | Stradella, CFF 229, Pt. 2 : V. « Ah voilà ce chanteur » | — | ||
| 15-12 | Stradella, CFF 229, Pt. 2 : VI. « O mon art ! Art divin ! » | — | ||
| 15-13 | Stradella, CFF 229, Pt. 2 : VII. « Quel coup du ciel ! » | — | ||
| 15-14 | Stradella, CFF 229, Pt. 2 : VIII. « Encore quelques moments, c’est notre délivrance » | — | ||
| 15-15 | Stradella, CFF 229, Pt. 2 : IX. « Je reste aussi » | — | ||
| 16-1 | Stradella, CFF 229, Pt. 2 : X. « Je comprends, les témoins sont de trop » | — | ||
| 16-2 | Stradella, CFF 229, Pt. 3 : I. « Rome ou l’humble artiste » | — | ||
| 16-3 | Stradella, CFF 229, Pt. 3 : II. « À l’heure ou Dieu même » | — | ||
| 16-4 | Stradella, CFF 229, Pt. 3 : III. « J’y suis enfin » | — | ||
| 16-5 | Stradella, CFF 229, Pt. 3 : IV. « Dites‐nous le nom de ce traitre » | — | ||
| 16-6 | Stradella, CFF 229, Pt. 3 : V. « Spadoni, que vois‐je, o terreur ! » | — | ||
| 16-7 | Stradella, CFF 229, Pt. 3 : VI. « Quoi ! Perdrais‐je sans retour » | — | ||
| 16-8 | Stradella, CFF 229, Pt. 3 : VII. « O Dieu tout puissant » | — | ||
| 16-9 | Stradella, CFF 229, Pt. 3 : VIII. « O dévouement divin, sacrifice sublime » | — | ||
| 16-10 | Stradella, CFF 229, Pt. 3 : IX. « Quand Dieu se lèvera pour rendre la justice » | — | ||
| 16-11 | Stradella, CFF 229, Pt. 3 : X. « Gloire à Dieu dans le ciel! » | — | ||
| 16-12 | Stradella, CFF 229, Pt. 3 : XI. « Allons, allons, enfants de Rome » | — | ||
| 17-1 | Les béatitudes, FWV 53: I. Prologue | — | ||
| 17-2 | Les béatitudes, FWV 53: II. Première beatitude | — | ||
| 17-3 | Les béatitudes, FWV 53: III. Deuxième beatitude | — | ||
| 17-4 | Les béatitudes, FWV 53: IV. Troisième beatitude | — | ||
| 17-5 | Les béatitudes, FWV 53: V. Quatrième beatitude | — | ||
| 18-1 | Les béatitudes, FWV 53: VI. Cinquième beatitude | — | ||
| 18-2 | Les béatitudes, FWV 53: VII. Sixtième beatitude | — | ||
| 18-3 | Les béatitudes, FWV 53: VIII. Septième beatitude | — | ||
| 18-4 | Les béatitudes, FWV 53: IX. Huitième beatitude | — | ||
| 19-1 | Rédemption, FWV 52, Pt. 1: I. Introduction | — | ||
| 19-2 | Rédemption, FWV 52, Pt. 1: II. Choeur terrestre | — | ||
| 19-3 | Rédemption, FWV 52, Pt. 1: III. Récit et choeur des anges | — | ||
| 19-4 | Rédemption, FWV 52, Pt. 1: IV. Choeur, récit et air de l’archange. V. Choeur general | — | ||
| 19-5 | Rédemption, FWV 52, Pt. 2: VI. Morceau symphonique | — | ||
| 19-6 | Rédemption, FWV 52, Pt. 2: VII. Choeur d’hommes | — | ||
| 19-7 | Rédemption, FWV 52, Pt. 2: VIII. Choeur des anges | — | ||
| 19-8 | Rédemption, FWV 52, Pt. 2: IX. Air de l’archange | — | ||
| 19-9 | Rédemption, FWV 52, Pt. 2: X. Choeur general | — | ||
| 20-1 | Messe à 3 voix in A Major, FWV 61: I. Kyrie | — | ||
| 20-2 | Messe à 3 voix in A Major, FWV 61: II. Gloria | — | ||
| 20-3 | Messe à 3 voix in A Major, FWV 61: III. Credo | — | ||
| 20-4 | Messe à 3 voix in A Major, FWV 61: IV. Sanctus Benedictus | — | ||
| 20-5 | Messe à 3 voix in A Major, FWV 61: V. Panis angelicus | — | ||
| 20-6 | Messe à 3 voix in A Major, FWV 61: VI. Agnus dei | — | ||
| 20-7 | From 3 Offertoires: I. Quae est ista | — | ||
| 20-8 | From 3 Offertoires: II. Dextera domini | — | ||
| 21-1 | Les sept paroles du Christ sur la croix, CFF 180: I. Prologue. O vos omnes | — | ||
| 21-2 | Les sept paroles du Christ sur la croix, CFF 180: II. 1st Word. Pater, dimitte illis | — | ||
| 21-3 | Les sept paroles du Christ sur la croix, CFF 180: III. 2nd Word. Hodie mecum eris in paradiso | — | ||
| 21-4 | Les sept paroles du Christ sur la croix, CFF 180: IV. 3rd Word. Mulier, ecce filius tuus | — | ||
| 21-5 | Les sept paroles du Christ sur la croix, CFF 180: V. 4th Word. Deus meus, ut quid dereliquisti me? | — | ||
| 21-6 | Les sept paroles du Christ sur la croix, CFF 180: VI. 5th Word. Sitio | — | ||
| 21-7 | Les sept paroles du Christ sur la croix, CFF 180: VII. 6th Word. Consummatum est | — | ||
| 21-8 | Les sept paroles du Christ sur la croix, CFF 180: VIII. 7th Word. Pater, in manus tuas commendo spiritum meum | — | ||
| 21-9 | Fantasy in A Major, FWV 35 | — | ||
| 21-10 | Cantabile in B Major, FWV 36 | — | ||
| 21-11 | Pièce héroïque in B Minor, FWV 37 | — | ||
| 22-1 | Nocturne in F-Sharp Minor, FWV 85 | — | ||
| 22-2 | Ninon in A Major, FWV 71 | — | ||
| 22-3 | Le vase brisé in C Minor, FWV 84 | — | ||
| 22-4 | Lied in F-Sharp Minor, FWV 83 | — | ||
| 22-5 | Le mariage des roses in B Major, FWV 80 | — | ||
| 22-6 | Souvenance in F-Sharp Minor, FWV 70 | — | ||
| 22-7 | Robin Gray in A-Flat Major, FWV 74 | — | ||
| 22-8 | Passez, passez toujours in G Minor, FWV 82 | — | ||
| 22-9 | Roses et papillons in D-Flat Major, FWV 81 | — | ||
| 22-10 | L’ange et l’enfant, FWV 75 | — | ||
| 22-11 | Les cloches du soir, FWV 87 | — | ||
| 22-12 | L’émir de Bengador in F Minor, FWV 72 | — | ||
| 22-13 | S’il est un charmant gazon in E-Flat Major, FWV 78 | — | ||
| 22-14 | À cette terre où l’on ploie sa tente | — | ||
| 22-15 | Aimer in A-Flat Major, FWV 76 | — | ||
| 22-16 | La procession in E Major, FWV 88 | — | ||
| 23-1 | Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | Kristóf Baráti, Klára Würtz | T-312.207.822-8 | |
| 23-2 | Violin Sonata in A Major, FWV 8: II. Allegro | Kristóf Baráti, Klára Würtz | — | |
| 23-3 | Violin Sonata in A Major, FWV 8: III. Recitativo-Fantasia, ben moderato | Kristóf Baráti, Klára Würtz | — | |
| 23-4 | Violin Sonata in A Major, FWV 8: IV. Allegretto poco mosso | Kristóf Baráti, Klára Würtz | — | |
| 23-5 | Transcription for Cello and Piano: I. Allegretto ben moderato | — | ||
| 23-6 | Transcription for Cello and Piano: II. Allegro | — | ||
| 23-7 | Transcription for Cello and Piano: III. Recitativo–Fantasia. Ben moderato | — | ||
| 23-8 | Transcription for Cello and Piano: IV. Allegretto poco mosso | — |
