UPC · Release
500 Years of Organ Music Vol. 2
Various Artists
5028421961392
859 tracksReleased 2020-01-01Brilliant Classics
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5028421961392 is the Universal Product Code (UPC barcode) for the release “500 Years of Organ Music Vol. 2” by Various Artists, released 2020-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 859 tracks, each with its own ISRC.
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502GS1 prefix
8421Company prefix
96139Product
2Check digit
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Credit Chain
UPC500 Years of Organ Music Vol. 2
IPI1 songwriter
Track List (859)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | In diebus illis | — | ||
| 2 | 2 verses of a Magnificat | — | ||
| 3 | Pange Lingua | — | ||
| 4 | Congratulamini Mihi Omnes | — | ||
| 5 | Kyrie eleison de Nuesta Señora | — | ||
| 6 | Unica est columba mea | — | ||
| 7 | Kyrie eleison 4º tono | — | ||
| 8 | Kyrie eleison 8º tono | — | ||
| 9 | Conditor alme siderum | — | ||
| 10 | Clamabat autem mulier cananea | — | ||
| 11 | [untitled] | — | ||
| 12 | Patrem onipotentem | — | ||
| 13 | Jesu nostra redemptio | — | ||
| 14 | Desposuit Potentes | — | ||
| 15 | Si dedero | — | ||
| 16 | Ave maris stella | — | ||
| 17 | Agnus dei (Mass Fa-Re-Mi-Re) | — | ||
| 18 | Kyrie eleison | — | ||
| 19 | Sanctus (Mass So-La-La-Fa-Re) | — | ||
| 20 | Pleni sunt | — | ||
| 21 | Kyrie eleison 6º tono | — | ||
| 22 | Sanctus (canon) | — | ||
| 2-1 | Ricercada - Pavana, Saltarello de la pavana | — | ||
| 2-2 | La Tedeschina - Pavana de la bataglia, Il saltarello de la bataglia - Gazollo - La Delfina | — | ||
| 2-3 | Recercada | — | ||
| 2-4 | Pass'e mezo nuovo - Pass'e mezo nuovo segondo - Pass'e mezo nuovo [terzo] - Gamba Gagliarda | — | ||
| 2-5 | Moneghina Gagliarda - Gonella Gagliarda | — | ||
| 2-6 | Toccata del Secondo Tuono (from Girolamo Diruta, Il Transilvano - Venice, 1593) | — | ||
| 2-7 | Todescha, Balletto | — | ||
| 2-8 | Ballo Ongaro, Il suo Balletto | — | ||
| 2-9 | Canzon sopra la Battaglia (Tabulated by Luca Scandali) | — | ||
| 2-10 | Tenore grande alla napolitana | — | ||
| 2-11 | La romanesca | — | ||
| 2-12 | Ricercar del Secondo Tuono (Tabulated by Luca Scandali) | — | ||
| 2-13 | Canzona Franzesa Prima | — | ||
| 2-14 | Gagliarda Quarta à 5 alla Spagnola | — | ||
| 2-15 | Fuga Secunda à 4 (from Bernhard Schmid, Tabulatur Buch - Strasbourg, 1607) | — | ||
| 2-16 | Ballo della Regina (I, II) - La sua Sarabanda - Ciaccona | — | ||
| 2-17 | Ballo del Gran Duca - Aria di Fiorenza (I, II) - Rotta di Fiorenza | — | ||
| 3-1 | Gentil donna | — | ||
| 3-2 | Gagliarda Comadrina | — | ||
| 3-3 | Gagliarda Lodesana | — | ||
| 3-4 | Gagliarda Chataccio | — | ||
| 3-5 | Canzon francese detta Je n en dirai mot | — | ||
| 3-6 | Canzon francese detta Qui la dira | — | ||
| 3-7 | Canzone ottava detta la Vincenti | — | ||
| 3-8 | Ricercare quarto sopra mi re fa mi | — | ||
| 3-9 | Partite di Bergamasca | — | ||
| 3-10 | Diferencias sobre el canto llano del Caballero | — | ||
| 3-11 | Diferencias sobre la Gallarda Milanesa | — | ||
| 3-12 | Diferencias sobre las Vacas | — | ||
| 3-13 | Tandernack | — | ||
| 3-14 | Galliarda | — | ||
| 3-15 | Alamanda (10 variations) | — | ||
| 3-16 | Uppon la mi re | — | ||
| 3-17 | My Lady Careys dompe | — | ||
| 3-18 | A Hornepype | — | ||
| 3-19 | Pavenne | — | ||
| 3-20 | Gaillarde | — | ||
| 3-21 | Branle | — | ||
| 3-22 | Allemande grave | — | ||
| 4-1 | Toccata del ottavo tono | — | ||
| 4-2 | Ricercar del sesto tono alla terza | — | ||
| 4-3 | Conzone detta la Berenice | — | ||
| 4-4 | Canzon detta la Nora | — | ||
| 4-5 | Canzon detta la Cassiodora | — | ||
| 4-6 | Canzone detta la Barbarina | — | ||
| 4-7 | Canzon detta la l'Archangiola | — | ||
| 4-8 | Toccata del sesto tono | — | ||
| 4-9 | Canzon detta la Serpentina | — | ||
| 4-10 | Canzon detta la Diana | — | ||
| 4-11 | Canzon detta la Serafina | — | ||
| 4-12 | Canzone detta la Gratiosa | — | ||
| 4-13 | Toccata del Primo tono | — | ||
| 4-14 | Ricercar del duodecimo tono | — | ||
| 4-15 | Canzon detta la Capricciosa | — | ||
| 4-16 | Canzon detta la Mariana | — | ||
| 4-17 | Canzone detta la Pellegrina | — | ||
| 4-18 | La Pelegrina | — | ||
| 4-19 | Canzon detta la Gentile | — | ||
| 5-1 | Ricercar del Primo Tono | — | ||
| 5-2 | Canzon [prima] | — | ||
| 5-3 | Ricercar del Secondo Tono | — | ||
| 5-4 | Canzon [seconda] | — | ||
| 5-5 | Ricercar del Terzo Tono | — | ||
| 5-6 | Toccata [del Settimo Tono] | — | ||
| 5-7 | Ricercar del Quarto Tono | — | ||
| 5-8 | Ricercar del Quinto Tono | — | ||
| 5-9 | Ricercar del Sesto Tono | — | ||
| 5-10 | Canzon La Serpentina | — | ||
| 5-11 | Ricercar del Settimo Tono | — | ||
| 5-12 | Ricercar del Ottavo Tono | — | ||
| 5-13 | Ricercar del Nono Tono | — | ||
| 5-14 | Canzon [terza] | — | ||
| 5-15 | Canzon La Ducalina | — | ||
| 5-16 | Ricercar del Decimo Tono | — | ||
| 5-17 | Ricercar del Undecimo Tono | — | ||
| 6-1 | Ricercar del Primo Tuono | — | ||
| 6-2 | Ricercar del Secondo Tuono | — | ||
| 6-3 | Ricercar del Terzo Tuono | — | ||
| 6-4 | Ricercar del Quarto Tuono | — | ||
| 6-5 | Ricercar del Quinto Tuono | — | ||
| 6-6 | Ricercar del Sesto Tuono | — | ||
| 6-7 | Ricercar del Settimo Tuono | — | ||
| 6-8 | Ricercar del Ottavo Tuono | — | ||
| 6-9 | Toccata a 8 'Cleopatra' | — | ||
| 6-10 | Dialogo a 8 'Anime pellegrine' | — | ||
| 6-11 | Canzone Licori | — | ||
| 6-12 | Canzone Arete | — | ||
| 6-13 | Canzone Urania | — | ||
| 6-14 | Canzone Istrina | — | ||
| 6-15 | Canzone Nisa | — | ||
| 6-16 | Canzone Irene | — | ||
| 6-17 | Canzone Artemisia | — | ||
| 6-18 | Canzone Erina | — | ||
| 6-19 | Dialogo A 8 'S'Un Dì, Mosso A Pietà' | — | ||
| 6-20 | Toccata a 8 'Athalanta' | — | ||
| 7-1 | Toccata primi toni C D10 | — | ||
| 7-2 | Intonazione del ottavo tono C246 - Ricercar ottavo tono C215 | — | ||
| 7-3 | Canzon francese C232 | — | ||
| 7-4 | Intonazione del terzo e quarto toni C242 - Fantasia quarti toni C227 | — | ||
| 7-5 | Toccata C D11 | — | ||
| 7-6 | Ricercar C223 | — | ||
| 7-7 | Canzon III C188 | — | ||
| 7-8 | Canzon C231 | — | ||
| 7-9 | Toccata C237 | — | ||
| 7-10 | Canzon C234 | — | ||
| 7-11 | Intonazione del secondo tono C241 - Ricercar C221 | — | ||
| 7-12 | Canzon I La Spiritata C186 | — | ||
| 7-13 | Intonazione del quinto tono C243 - Ricercar C222 | — | ||
| 7-14 | Toccata C D12 | — | ||
| 7-15 | Intonazione del primo tono C240 - Ricercar C217 | — | ||
| 7-16 | Intonazione del duodecimo tono C250 - Canzon IV C189 | — | ||
| 7-17 | Intonazione del nono tono C247 - Ricercar C218 | — | ||
| 7-18 | Toccata C D14 | — | ||
| 8-1 | Segundo tiento de tiple de septimo tono | — | ||
| 8-2 | Tiento y Discurso de segundo tono | — | ||
| 8-3 | Tiento de dos tiples de septimo tono | — | ||
| 8-4 | Segundo tiento de quarto tono a modo de canciòn | — | ||
| 8-5 | Segundo tiento de baxon de septimo tono | — | ||
| 8-6 | Tiento de primero tono | — | ||
| 8-7 | Tercero tiento de tiple de septimo tono | — | ||
| 8-8 | Tiento de sexto tono sobre la Batalla de Morales | — | ||
| 8-9 | Correa de Arauxo Canciòn Gaybergier | — | ||
| 8-10 | Correa de Arauxo Tiento de tiple de septimo tono | — | ||
| 9-1 | Toccata e Canzon (in G) | — | ||
| 9-2 | Passo e Mezzo | — | ||
| 9-3 | Romanesca | — | ||
| 9-4 | Monica | — | ||
| 9-5 | Ballo della Battaglia | — | ||
| 9-6 | Capriccio sopra Ruggiero | — | ||
| 9-7 | Recercar | — | ||
| 9-8 | Ciaccona | — | ||
| 9-9 | Toccata e Canzon (in F) | — | ||
| 9-10 | Recercar di ligature | — | ||
| 9-11 | Pastorale | — | ||
| 10-1 | Magnificat Primi Toni | — | ||
| 10-2 | Magnificat Secundi Toni | — | ||
| 10-3 | Magnificat Tertii Toni | — | ||
| 10-4 | Magnificat Quarti Toni | — | ||
| 10-5 | Magnificat Quinti Toni | — | ||
| 10-6 | Magnificat Sexti Toni | — | ||
| 10-7 | Magnificat Septimi Toni | — | ||
| 10-8 | Magnificat Octavi Toni | — | ||
| 11-1 | Praeambulum in E minor | — | ||
| 11-2 | Erbarm dich mein, o Herre Gott - Versus 1 | — | ||
| 11-3 | Erbarm dich mein, o Herre Gott - Versus 2 | — | ||
| 11-4 | Canzon in G | — | ||
| 11-5 | Vom Himmel hoch - Versus 1 | — | ||
| 11-6 | Vom Himmel hoch - Versus 2 | — | ||
| 11-7 | Vom Himmel hoch - Versus 3 | — | ||
| 11-8 | Praeambulum in G | — | ||
| 11-9 | Toccata in G | — | ||
| 11-10 | Mensch, willst Du leben seliglich - Versus 1 & 2 | — | ||
| 11-11 | Mensch, willst Du leben seliglich - Versus 3 & 4 | — | ||
| 11-12 | Confitemini Domino - Prima pars | — | ||
| 11-13 | Confitemini Domino - Seconda pars | — | ||
| 11-14 | Christ lag in Todesbanden - Versus 1 | — | ||
| 11-15 | Christ lag in Todesbanden - Versus 2 | — | ||
| 11-16 | Christ lag in Todesbanden - Versus 3 | — | ||
| 11-17 | Praeambulum in G minor | — | ||
| 11-18 | Vater unser im Himmelreich | — | ||
| 11-19 | Fantasia in D minor | — | ||
| 11-20 | Jesus Christus, unser Heiland | — | ||
| 12-1 | Præambulum Primi toni a 5 in d | — | ||
| 12-2 | Fantasia Ex D in d | — | ||
| 12-3 | Ach wir armen Sünder - Versus 1 - Choral in Ten | — | ||
| 12-4 | Ach wir armen Sünder - Versus 2 - à 2 Clav. è Ped | — | ||
| 12-5 | Ach wir armen Sünder - Versus 3 - à 2 Clav | — | ||
| 12-6 | Fuga ex D pedaliter primi Toni in d | — | ||
| 12-7 | Gelobet seist du, Jesu Christ (I) - Primus Versus - a 4 | — | ||
| 12-8 | Gelobet seist du, Jesu Christ (I) - Secundus Versus - Auff 2 Clavir | — | ||
| 12-9 | Gelobet seist du, Jesu Christ (I) - Tertius Versus - Auff 2 Clavir à 4 | — | ||
| 12-10 | Gelobet seist du, Jesu Christ (I) - Quartus Versus - á 3 | — | ||
| 12-11 | Toccata Dal 12 Tuono [V] in C | — | ||
| 12-12 | Canzon Dall istesso Tuono [I] in C | — | ||
| 12-13 | Gelobet seist du, Jesu Christ (II) - Primus Versus - á 4 | — | ||
| 12-14 | Gelobet seist du, Jesu Christ (II) - Secundus Versus - 2 mans. | — | ||
| 12-15 | Gelobet seist du, Jesu Christ (II) - Tertius Versus - A 3 voc | — | ||
| 12-16 | Toccata [II] in e | — | ||
| 12-17 | Nun freut euch, lieben Christen gmein - [Primus Versus] | — | ||
| 12-18 | Nun freut euch, lieben Christen gmein - Secundus Versus - 2 mans. | — | ||
| 12-19 | Nun freut euch, lieben Christen gmein - Tertius Versus | — | ||
| 12-20 | Toccata [III] in E Minor | — | ||
| 13-1 | Praeludium in G minor I | — | ||
| 13-2 | In dich hab ich gehoffet, Herr | — | ||
| 13-3 | Auf meinen lieben Gott | — | ||
| 13-4 | Praeludium in F | — | ||
| 13-5 | Herr Gott, dich loben wir | — | ||
| 13-6 | Canzona in G | — | ||
| 13-7 | Christ lag in Todes Banden | — | ||
| 13-8 | Jesus Christus, wahr' Gottes Sohn | — | ||
| 14-1 | Du Friedefürst, Herr Jesu Christ | — | ||
| 14-2 | Gelobet seist du, Jesu Christ | — | ||
| 14-3 | Was fürchtst dus, Feind Herodes sehr | — | ||
| 14-4 | Alle Welt, was lebet und webet | — | ||
| 14-5 | Allein zu dir, Herr Jesu Christ | — | ||
| 14-6 | Meine Seele erhebet den Herren | — | ||
| 14-7 | Wacht auf, ihr Christen alle (Tangermuende organ) | — | ||
| 14-8 | Aus tiefer Not schrei ich zu dir | — | ||
| 14-9 | err Gott, dich loben wir | — | ||
| 14-10 | Capriccio della Chiave di G b. | — | ||
| 14-11 | Capriccio (II) della Chiave di A | — | ||
| 14-12 | Capriccio della Chiave di E | — | ||
| 14-13 | Capriccio della Chiave di F | — | ||
| 14-14 | Capriccio della Chiave di A | — | ||
| 14-15 | Capriccio Primi Tuoni | — | ||
| 14-16 | Ricercar sopra la morte della mia carissima Madre, Catherina Maria Stubenrauren morsa a Brunsviga il 20 d'Agusto a[nn]o 1685 | — | ||
| 14-17 | Capriccio sopra il Corale 'Ich dank Dir schon deinen Sohn' | — | ||
| 15-1 | Magnificat - Versus I | — | ||
| 15-2 | Magnificat - Versus II | — | ||
| 15-3 | Magnificat - Versus III | — | ||
| 15-4 | Magnificat - Versus IV | — | ||
| 15-5 | Dixit Maria ad Angelum | — | ||
| 15-6 | Canzon in F | — | ||
| 15-7 | Dic nobis Maria | — | ||
| 15-8 | Magnificat Primi modi - Versus I | — | ||
| 15-9 | Magnificat Primi modi - Versus II | — | ||
| 15-10 | Magnificat Primi modi - Versus III | — | ||
| 15-11 | Magnificat Primi modi - Versus IV | — | ||
| 15-12 | Magnificat Primi modi - Versus V | — | ||
| 15-13 | Toccata IV in A minor | — | ||
| 15-14 | Magnificat - Meine Seele erhebet den Herren - Versus I | — | ||
| 15-15 | Magnificat - Meine Seele erhebet den Herren - Versus II | — | ||
| 15-16 | Magnificat - Meine Seele erhebet den Herren - Versus III | — | ||
| 15-17 | Magnificat II toni - Versus I | — | ||
| 15-18 | Magnificat II toni - Versus II | — | ||
| 15-19 | Magnificat II toni - Versus III | — | ||
| 15-20 | Magnificat II toni - Versus IV | — | ||
| 16-1 | Toccata in d minor | — | ||
| 16-2 | Versi in d minor | — | ||
| 16-3 | Canzona in d minor | — | ||
| 16-4 | Versi in C major | — | ||
| 16-5 | Canzona in C major | — | ||
| 16-6 | Versi in F major | — | ||
| 16-7 | Canzona in F major | — | ||
| 16-8 | Versi in e minor | — | ||
| 16-9 | Canzona in e minor | — | ||
| 16-10 | Versi in g minor | — | ||
| 16-11 | Canzona in g minor | — | ||
| 16-12 | All'Elevazione [I] in F major | — | ||
| 16-13 | Al Post Comunio in F major | — | ||
| 16-14 | All'Elevazione [II] in C major | — | ||
| 16-15 | All'Offertorio in C major | — | ||
| 16-16 | Pastorale in C major | — | ||
| 16-17 | A.Corelli: Sonata Op. 5 n.7 - Preludio (Vivace) [transc. for organ] | — | ||
| 16-18 | A.Corelli: Sonata Op. 5 n.7 - Corrente (Allegro) [transc. for organ] | — | ||
| 16-19 | A.Corelli: Sonata Op. 5 n.7 - Sarabanda (Adagio) [transc. for organ] | — | ||
| 16-20 | A.Corelli: Sonata Op. 5 n.7 - Giga (Allegro) [transc. for organ] | — | ||
| 17-1 | Preambulum in d - LübWV 11 | — | ||
| 17-2 | Preambulum ex g - LübWV 12 | — | ||
| 17-3 | Chacon - LübWV 20 | — | ||
| 17-4 | Preambulum ex E - LübWV 7 | — | ||
| 17-5 | Ich ruff zu dir Herr Jesu Christ - LübWV 13 | — | ||
| 17-6 | Preambulum ex F - LübWV 8 | — | ||
| 17-7 | Preambulum ex G - LübWV 9 | — | ||
| 17-8 | Nun last uns Gott den Herren- LübWV 15 | — | ||
| 17-9 | Preambulum ex c - LübWV 6 | — | ||
| 17-10 | Ach wir armen Sünder | — | ||
| 17-11 | Preambulum ex C - LübWV 10 | — | ||
| 18-1 | Tocatta & Fugue in A Minor WV411: Toccata | — | ||
| 18-2 | Tocatta & Fugue in A Minor WV411: Fugue | — | ||
| 18-3 | Ach herr mich armen Sünder WV514 | — | ||
| 18-4 | Fantasia in F | — | ||
| 18-5 | Trio in d | — | ||
| 18-6 | Fuga in B flat | — | ||
| 18-7 | Mitten Wir im Leben sind | — | ||
| 18-8 | Warum Betrübst Du Dich, mein Herz | — | ||
| 18-9 | Praeludium in C pro Organo pleno | — | ||
| 18-10 | Trio in A Minor | — | ||
| 18-11 | Fantasia sopra 'Freu Dich sehr, o meine Seele' WV5192 | — | ||
| 18-12 | Trio in E flat | — | ||
| 18-13 | Fuga in E flat | — | ||
| 18-14 | Fantasia à Gusto Italiano in F | — | ||
| 18-15 | Wenn mein Stündlein vorhanden ist | — | ||
| 18-16 | Trio in G | — | ||
| 18-17 | Jesu, der Du Meine Seele | — | ||
| 18-18 | Herzlich lieb hab Ich Dich, o Herr | — | ||
| 19-1 | Prelude in G major P. 409 | — | ||
| 19-2 | Fugue in G major P. 159 | — | ||
| 19-3 | Allein Gott in der Hoeh sei Ehr' P. 10 | — | ||
| 19-4 | Allein Gott in der Hoeh sei Ehr' P. 11 | — | ||
| 19-5 | Auf meinen lieben Gott P. 30 | — | ||
| 19-6 | Christe, der du bist Tag und Licht P. 63 | — | ||
| 19-7 | Christ unser Herr zum Jordan kam P. 61 | — | ||
| 19-8 | Prelude in d minor P. 406 | — | ||
| 19-9 | Magnificat Quinti Toni P. 314-325 - I. Fugue I | — | ||
| 19-10 | Magnificat Quinti Toni P. 314-325 - II. Fugue II | — | ||
| 19-11 | Magnificat Quinti Toni P. 314-325 - III. Fugue III | — | ||
| 19-12 | Magnificat Quinti Toni P. 314-325 - VI. Fugue VI | — | ||
| 19-13 | Magnificat Quinti Toni P. 314-325 - V. Fugue V | — | ||
| 19-15 | Magnificat Quinti Toni P. 314-325 - VII. Fugue VII | — | ||
| 19-16 | Magnificat Quinti Toni P. 314-325 - VIII. Fugue VIII | — | ||
| 19-17 | Magnificat Quinti Toni P. 314-325 - IX. Fugue IX | — | ||
| 19-18 | Magnificat Quinti Toni P. 314-325 - X. Fugue X | — | ||
| 19-19 | Magnificat Quinti Toni P. 314-325 - XI. Fugue XI | — | ||
| 19-20 | Magnificat Quinti Toni P. 314-325 - XII. Fugue XII | — | ||
| 19-21 | Ciacona in F major P. 42 | — | ||
| 19-22 | Fugue in C major 'Nachtigall' P. 131 | — | ||
| 19-23 | Toccata in C major P. 455 | — | ||
| 19-24 | Ach wie elend ist unser Zeit P. 35 | — | ||
| 19-25 | Ach, was soll ich Suender machen P. 7a - I. Choral | — | ||
| 19-26 | Ach, was soll ich Suender machen P. 7a - II. Variatio I | — | ||
| 19-27 | Ach, was soll ich Suender machen P. 7a - III. Variatio II | — | ||
| 19-28 | Ach, was soll ich Suender machen P. 7a - IV. Variatio III | — | ||
| 19-29 | Ach, was soll ich Suender machen P. 7a - V. Variatio IV | — | ||
| 19-30 | Ach, was soll ich Suender machen P. 7a - VI. Variatio V | — | ||
| 19-31 | Ach, was soll ich Suender machen P. 7a - VII. Variatio VI | — | ||
| 19-32 | Da Jesus an dem Kreuze stund P. 70 | — | ||
| 19-33 | Dies sind die heil'gen zehn Gebot' P. 50a | — | ||
| 19-34 | Wo Gott zum Haus nicht giebt sein' Gunst P. 511 | — | ||
| 19-35 | Wo Gott zum Haus nicht giebt sein' Gunst P. 512 | — | ||
| 19-36 | Ciacona in d minor P. 41 | — | ||
| 20-1 | Praeludium in E-flat | — | ||
| 20-2 | Fuga in E-flat | — | ||
| 20-3 | Ach Herr, mich armen Sünder | — | ||
| 20-4 | Ach Herr, mich armen Sünder: Variatio 1 | — | ||
| 20-5 | Ach Herr, mich armen Sünder: Variatio 2 | — | ||
| 20-6 | Nun komm, der Heiden Heiland | — | ||
| 20-7 | Meine Seele erhebt den Herren: Versus 1 | — | ||
| 20-8 | Meine Seele erhebt den Herren: Versus 2 | — | ||
| 20-9 | Herr Christ, der einig Gottes Sohn | — | ||
| 20-10 | Nun freut euch, lieben Christen gmein | — | ||
| 20-11 | Nun freut euch, lieben Christen gmein/Es ist gewißlich and der Zeit | — | ||
| 20-12 | Gott hat das Evangelium (I) | — | ||
| 20-13 | Gott hat das Evangelium (II) | — | ||
| 20-15 | In dulci jubilo | — | ||
| 20-16 | Jesus Christus, unser Heiland, der den Tod überwand | — | ||
| 20-17 | O Herre Gott, Vater in Ewigkeit: Versus 1 | — | ||
| 20-18 | Christe, aller Welt Heiland: Versus 2 | — | ||
| 20-19 | O Gott, heiliger Geist: Versus 3 | — | ||
| 20-20 | Aria Eberliniana: Aria | — | ||
| 20-21 | Aria Eberliniana: Variatio 1 | — | ||
| 20-22 | Aria Eberliniana: Variatio 2 | — | ||
| 20-23 | Aria Eberliniana: Variatio 3 | — | ||
| 20-24 | Aria Eberliniana: Variatio 4 | — | ||
| 20-25 | Aria Eberliniana: Variatio 5 | — | ||
| 20-26 | Aria Eberliniana: Variatio 6 | — | ||
| 20-27 | Aria Eberliniana: Variatio 7 | — | ||
| 20-28 | Aria Eberliniana: Variatio 8 | — | ||
| 20-29 | Aria Eberliniana: Variatio 9 | — | ||
| 20-30 | Aria Eberliniana: Variatio 10 | — | ||
| 20-31 | Aria Eberliniana: Variatio 11 | — | ||
| 20-32 | Aria Eberliniana: Variatio 12 | — | ||
| 20-33 | Aria Eberliniana: Variatio 13 | — | ||
| 20-34 | Aria Eberliniana: Variatio 14 | — | ||
| 20-35 | Aria Eberliniana: Variatio 15 | — | ||
| 20-36 | Ach Gott vom Himmel sieh darein | — | ||
| 20-37 | Helft mir Gottes Güte preisen | — | ||
| 20-38 | Aus tiefer Not | — | ||
| 20-39 | Ein feste Burg | — | ||
| 20-40 | Ich dich hab ich gehoffet Herr | — | ||
| 20-42 | Es woll uns Gott genädig sein | — | ||
| 20-43 | Allein zu dir Herr Jesu Christ | — | ||
| 20-44 | Wir glauben all an einem Gott | — | ||
| 20-45 | Wir glauden all an einem Gott (II) | — | ||
| 21-1 | Christum Wir sollen loben schon | — | ||
| 21-2 | Es ist Heil Uns kommen lei | — | ||
| 21-4 | Praeludium in D | — | ||
| 21-5 | Ciaccona in D | — | ||
| 21-6 | Concerto in A Allegro | — | ||
| 21-7 | Concerto in A Siciliana | — | ||
| 21-8 | Concerto in A Vivace | — | ||
| 21-9 | Concerto in F Allegro | — | ||
| 21-10 | Concerto in F Adagio | — | ||
| 21-11 | Concerto in F Vivace | — | ||
| 21-12 | Concerto in D Allegro | — | ||
| 21-13 | Concerto in D Largo | — | ||
| 21-14 | Concerto in D Vivace | — | ||
| 21-15 | Concerto in G Allegro | — | ||
| 21-16 | Concerto in G Adagio | — | ||
| 21-19 | Praeludium in B flat | — | ||
| 21-22 | Praeludium in E minor | — | ||
| 22-1 | Fantasie unf Fuge in F:I. Fantasie | — | ||
| 22-2 | Fantasie unf Fuge in F: II. Fuge | — | ||
| 22-3 | Ciacona in G BWV An. 84 | — | ||
| 22-4 | Jesus nichts als Jesus | — | ||
| 22-5 | Du Friedefürst, Herr Jesu Christ: Versus I | — | ||
| 22-6 | Du Friedefürst, Herr Jesu Christ: Versus II | — | ||
| 22-7 | Du Friedefürst, Herr Jesu Christ: Versus III | — | ||
| 22-8 | Du Friedefürst, Herr Jesu Christ: Versus IV | — | ||
| 22-9 | Du Friedefürst, Herr Jesu Christ: Versus V | — | ||
| 22-10 | Vom Himmel hoch, da komm ich her | — | ||
| 22-11 | Bach Nun freut ruch | — | ||
| 22-12 | Helft mir Gottes, Güte preisen | — | ||
| 22-13 | Präludium in D | — | ||
| 22-14 | Fuga in D | — | ||
| 22-15 | Wir glauben all'an einen Gott | — | ||
| 22-16 | Wir glauben all'an einen Gott (2nd version) | — | ||
| 22-17 | Wir glauben all'an einen Gott (3rd version) | — | ||
| 22-18 | Ciacona in A BWV An. 83 | — | ||
| 22-19 | Fuga in g-minor | — | ||
| 22-20 | Da Jesus an dem Kreuze stund | — | ||
| 22-21 | Ciacona in B | — | ||
| 23-1 | J.E. Bach: Fantasie und Fuge in d minor: I. Fantasie | — | ||
| 23-2 | J.E. Bach: Fantasie und Fuge in d minor: I. Fuge | — | ||
| 23-3 | J.H. Bach: Erbarm dch mein | — | ||
| 23-4 | Fantasie und Fuge in a-minor BWV 561: I. Fantasie | — | ||
| 23-5 | Fantasie und Fuge in a-minor BWV 561: II. Fuge | — | ||
| 23-6 | Fuga in C BWV Anh. 90 | — | ||
| 23-7 | Partita: Wenn wir in Höchstens Nöten sein BWV Anh. 78 (7 Versus): Versus I | — | ||
| 23-8 | Partita: Wenn wir in Höchstens Nöten sein BWV Anh. 78 (7 Versus): Versus II | — | ||
| 23-9 | Partita: Wenn wir in Höchstens Nöten sein BWV Anh. 78 (7 Versus): Versus III | — | ||
| 23-10 | Partita: Wenn wir in Höchstens Nöten sein BWV Anh. 78 (7 Versus): Versus IV | — | ||
| 23-11 | Partita: Wenn wir in Höchstens Nöten sein BWV Anh. 78 (7 Versus): Versus V | — | ||
| 23-12 | Partita: Wenn wir in Höchstens Nöten sein BWV Anh. 78 (7 Versus): Versus VI | — | ||
| 23-13 | Partita: Wenn wir in Höchstens Nöten sein BWV Anh. 78 (7 Versus): Versus VII | — | ||
| 23-14 | Christus der uns selig macht BWV 747 | — | ||
| 23-15 | Liebster Jesu, wir sind hier BWV 754 | — | ||
| 23-16 | Lobt Gott, ihr Christen allzugleich BWV deest | — | ||
| 23-17 | Machs mit mir, Gott, nach deiner Güt BWV deest | — | ||
| 23-18 | O Gott, du frommer Gott BWV deest | — | ||
| 23-19 | Wenn ich in Angst und Not BWV deest | — | ||
| 23-20 | Wie Christenheit haben jetzund Freund BWV deest | — | ||
| 23-21 | Partita: Herr Christ, der einig Gottes Sohn BWV Anh. 77 (7 Versus): Choral | — | ||
| 23-22 | Partita: Herr Christ, der einig Gottes Sohn BWV Anh. 77 (7 Versus): Versus I | — | ||
| 23-23 | Partita: Herr Christ, der einig Gottes Sohn BWV Anh. 77 (7 Versus): Versus II | — | ||
| 23-24 | Partita: Herr Christ, der einig Gottes Sohn BWV Anh. 77 (7 Versus): Versus III | — | ||
| 23-25 | Partita: Herr Christ, der einig Gottes Sohn BWV Anh. 77 (7 Versus): Versus IV | — | ||
| 23-26 | Partita: Herr Christ, der einig Gottes Sohn BWV Anh. 77 (7 Versus): Versus V | — | ||
| 23-27 | Partita: Herr Christ, der einig Gottes Sohn BWV Anh. 77 (7 Versus): Versus VI | — | ||
| 23-28 | Partita: Herr Christ, der einig Gottes Sohn BWV Anh. 77 (7 Versus): Versus VII | — | ||
| 24-1 | Sonata I in D minor - I. Largo | — | ||
| 24-2 | Sonata I in D minor - II. Allegro | — | ||
| 24-3 | Sonata I in D minor - III. Presto | — | ||
| 24-4 | Sonata VIII in B flat major - I. Adagio | — | ||
| 24-5 | Sonata VIII in B flat major - II. Vivace | — | ||
| 24-6 | Sonata VIII in B flat major - III. Presto | — | ||
| 24-7 | Sonata VIII in B flat major - IV. Allegro | — | ||
| 24-8 | Sonata IV in G minor - I. Toccata | — | ||
| 24-9 | Sonata IV in G minor - II. Allegro | — | ||
| 24-10 | Sonata IV in G minor - III. Vivace e Presto | — | ||
| 24-11 | Sonata IV in G minor - IV. Giga: Presto | — | ||
| 24-12 | Sonata VI in D minor - I. Allegro | — | ||
| 24-13 | Sonata VI in D minor - II. Presto | — | ||
| 24-14 | Sonata VI in D minor - III. Presto | — | ||
| 24-15 | Sonata IX in A major - I. Largo | — | ||
| 24-16 | Sonata IX in A major - II. Presto | — | ||
| 24-17 | Sonata IX in A major - III. Presto | — | ||
| 24-18 | Sonata IX in A major - IV. Allegro | — | ||
| 24-19 | Sonata X in G minor - I. Allegro | — | ||
| 24-20 | Sonata X in G minor - II. Largo ma vivace | — | ||
| 24-21 | Sonata X in G minor - III. Presto | — | ||
| 25-1 | Sonata IX in G Op.4 No.3 - I. Allegro | — | ||
| 25-2 | Sonata IX in G Op.4 No.3 - II. Andantino | — | ||
| 25-3 | Sonata IX in G Op.4 No.3 - III. Allegro assai | — | ||
| 25-4 | Sonata XII in C Op.4 No.6 - I. Non tanto Allegro | — | ||
| 25-5 | Sonata XII in C Op.4 No.6 - II. Larghetto | — | ||
| 25-6 | Sonata XII in C Op.4 No.6 - III. Polonaise | — | ||
| 25-7 | Sonata XII in C Op.4 No.6 - IV. Allegro | — | ||
| 25-8 | Sonata V in C minor Op.1 No.5 - I. Larghetto e staccato | — | ||
| 25-9 | Sonata V in C minor Op.1 No.5 - II. Non tanto Allegro | — | ||
| 25-10 | Sonata V in C minor Op.1 No.5 - III. Siciliana | — | ||
| 25-11 | Sonata V in C minor Op.1 No.5 - IV. Presto | — | ||
| 25-12 | Sonata X in A minor Op.4 No.4 - I. Allegro | — | ||
| 25-13 | Sonata X in A minor Op.4 No.4 - II. Adagio | — | ||
| 25-14 | Sonata X in A minor Op.4 No.4 - III. Allegro assai | — | ||
| 25-15 | Sonata XIII in F - I. Andantino | — | ||
| 25-16 | Sonata XIII in F - II. Allegro | — | ||
| 25-17 | Sonata XIII in F - III. Menuet | — | ||
| 25-18 | Sonata XIII in F - IV. Presto | — | ||
| 26-1 | Concerto in A minor, BWV593 - I. Allegro | — | ||
| 26-2 | Concerto in A minor, BWV593 - II. Adagio cantabile | — | ||
| 26-3 | Concerto in A minor, BWV593 - III. Allegro | — | ||
| 26-4 | Concerto in D minor BWV596 - I. Allegro | — | ||
| 26-5 | Concerto in D minor BWV596 - II. Largo e spiccato | — | ||
| 26-6 | Concerto in D minor BWV596 - III. Allegro | — | ||
| 26-7 | Concerto in C MWV595 | — | ||
| 26-8 | Concerto in D minor BWV974 - I. Andante | — | ||
| 26-9 | Concerto in D minor BWV974 - II. Adagio | — | ||
| 26-10 | Concerto in D minor BWV974 - III. Presto | — | ||
| 26-11 | Concerto in G BWV 592 - I. Allegro | — | ||
| 26-12 | Concerto in G BWV 592 - II. Grave | — | ||
| 26-13 | Concerto in G BWV 592 - III. Presto | — | ||
| 26-14 | Fugue in D minor BWV539 - II. Fuga | — | ||
| 26-15 | Concerto in C BWV594 - I. Allegro | — | ||
| 26-16 | Concerto in C BWV594 - II. Recitativo | — | ||
| 26-17 | Concerto in C BWV594 - III. Allegro | — | ||
| 27-1 | Ouverture from "The Occasional Oratorio" (Andante Maestoso) | — | ||
| 27-2 | Ouverture from "The Occasional Oratorio" (Largo) | — | ||
| 27-3 | Ouverture from "The Occasional Oratorio" (March) | — | ||
| 27-4 | Prelude and Air and Variations (Prelude) | — | ||
| 27-5 | Prelude and Air and Variations (Allegro Moderato) | — | ||
| 27-6 | Prelude and Air and Variations (Air - five variations) | — | ||
| 27-7 | Largo from "Xerses" | — | ||
| 27-8 | Ouverture to Saul (Allegro) | — | ||
| 27-9 | Ouverture to Saul (Andante) | — | ||
| 27-11 | Ouverture to Saul (Larghetto) | — | ||
| 27-12 | Sinfonia de Saul (Largo) | — | ||
| 27-13 | Sinfonia de Saul (Allegro) | — | ||
| 27-14 | I know that I remised from "Messiah" | — | ||
| 27-15 | Alleluja du Messie | — | ||
| 27-16 | Prélude et Fugue en Fa mineur (Prélude) | — | ||
| 27-17 | Prélude et Fugue en Fa mineur (Fugue) | — | ||
| 27-18 | Coronation Anthem "Zadok the Priest" | — | ||
| 27-19 | Paraphrase sur un Choeur de "Judas Maccabeus" | — | ||
| 27-20 | Marche religieuse sur un motif du choeur "Lift Up Your Heads" | — | ||
| 28-1 | Sonata in G, F 232/K 284 | — | ||
| 28-2 | Sonata in G, F 231/K 283 | — | ||
| 28-3 | Sonata in e, F 211/K 263 | — | ||
| 28-4 | Sonata (Pastorale) in C, F 457/K 513 | — | ||
| 28-5 | Sonata in F, F 224/K 276 | — | ||
| 28-6 | Sonata in f, F 133/K 183 | — | ||
| 28-7 | Sonata (fuga) in c, F 16/K 58 | — | ||
| 28-8 | Sonata in f, F 29/ K 69 | — | ||
| 28-9 | Sonata (fuga) in F, F 43/K 82 | — | ||
| 28-10 | Sonata in d, F 54/K 92 | — | ||
| 28-11 | Sonata in d, F 242/K 294 | — | ||
| 28-12 | Sonata (fuga) in g, F 55/K 93 | — | ||
| 28-13 | Sonata in G, F 276/K 328 | — | ||
| 28-14 | Sonata in D, F 235//K 287 | — | ||
| 28-15 | Sonata in D, F 236/K 288 | — | ||
| 28-16 | Sonata in D, F 229/K 281 | — | ||
| 28-17 | Sonata in h, F 48/K 87 | — | ||
| 28-18 | Sonata (Pastorale) in D, F 361/K 415 | — | ||
| 28-19 | Sonata (fuga) in d, F 363/K 417 | — | ||
| 29-1 | 3 Fugues for Organ with pedal - Fugue in D | — | ||
| 29-2 | 3 Fugues for Organ with pedal - Fugue in C minor | — | ||
| 29-3 | 3 Fugues for Organ with pedal - Fugue in G minor F37 | — | ||
| 29-4 | 7 Chorale Preludes F.38 - I. Nun komm der Heiden Heiland | — | ||
| 29-5 | 7 Chorale Preludes F.38 - II. Christe, der du bist Tag und Licht | — | ||
| 29-6 | 7 Chorale Preludes F.38 - III. Jesu, meine Freude | — | ||
| 29-7 | 7 Chorale Preludes F.38 - IV. Durch Adams Fall is ganz verderbt | — | ||
| 29-8 | 7 Chorale Preludes F.38 - V. Wir danken dir, Herr Jesu Christ | — | ||
| 29-9 | 7 Chorale Preludes F.38 - VI. Wir Christenleut han jetzund Freud | — | ||
| 29-10 | 7 Chorale Preludes F.38 - VII. Was mein Gott will,das g'scheh allzeit | — | ||
| 29-11 | 4 Fugues for organ with two manuals and pedal - Fugue in A minor | — | ||
| 29-12 | 4 Fugues for organ with two manuals and pedal - Fugue in C minor | — | ||
| 29-13 | 4 Fugues for organ with two manuals and pedal - Fugue in B flat | — | ||
| 29-14 | 4 Fugues for organ with two manuals and pedal - Fugue in F | — | ||
| 30-1 | Sonata No.1 in E - I. Adagio | — | ||
| 30-2 | Sonata No.1 in E - II. Allegro | — | ||
| 30-3 | Sonata No.1 in E - III. Menuett | — | ||
| 30-4 | Sonata No.2 in D - I. Andante | — | ||
| 30-5 | Sonata No.2 in D - II. Adagio | — | ||
| 30-6 | Sonata No.2 in D - III. Allegro | — | ||
| 30-7 | Sonata No.2 in D - IV. Giga | — | ||
| 30-8 | Sonata No.3 in G minor - I. Presto | — | ||
| 30-9 | Sonata No.3 in G minor - II. A Tempo Giusto | — | ||
| 30-10 | Sonata No.3 in G minor - III. Allegro | — | ||
| 30-11 | Sonata No.4 in A - I. Adagio | — | ||
| 30-12 | Sonata No.4 in A - II. Allegro | — | ||
| 30-13 | Sonata No.4 in A - III. Con Spirito | — | ||
| 30-14 | Sonata No.5 in C minor - I. [Primo tempo] | — | ||
| 30-15 | Sonata No.5 in C minor - II. Allegro | — | ||
| 30-16 | Sonata No.5 in C minor - III. Presto | — | ||
| 30-17 | Sonata No.5 in C minor - IV. Tempo Giusto | — | ||
| 30-18 | Sonata No.6 in D minor - I. Andante | — | ||
| 30-19 | Sonata No.6 in D minor - II. Spiritoso | — | ||
| 30-20 | Sonata No.7 in G - I. Spiritoso | — | ||
| 30-21 | Sonata No.7 in G - II. Allegro | — | ||
| 30-22 | Sonata No.7 in G - III. Presto | — | ||
| 30-23 | Sonata No.8 in C - I. Con Spirito | — | ||
| 30-24 | Sonata No.8 in C - II. Adagio | — | ||
| 30-25 | Sonata No.8 in C - III. Tempo Giusto | — | ||
| 30-26 | Sonata No.8 in C - IV. Allegro | — | ||
| 30-27 | Sonata No.9 in G minor - I. Allegro | — | ||
| 30-28 | Sonata No.9 in G minor - II. Spiritoso | — | ||
| 31-1 | Nouveau livre de Noëls - I. Noël "À la venuë de Noël" | — | ||
| 31-2 | Nouveau livre de Noëls - II. Noël "Or nous dites Marie" | — | ||
| 31-3 | Nouveau livre de Noëls - III. Noël "Une bergère jolie" | — | ||
| 31-4 | Nouveau livre de Noëls - IV. Noël "Noël, cette journéè" | — | ||
| 31-5 | Nouveau livre de Noëls - V. Noël "je me suis levé" or "Ô joue glorieux" | — | ||
| 31-6 | Nouveau livre de Noëls - VI. Noël "Qu'Adam fut un pauvre homme" | — | ||
| 31-7 | Nouveau livre de Noëls - VII. Noël "Chretiéns qui suivez l'Eglise" | — | ||
| 31-8 | Nouveau livre de Noëls - VIII. Noël foreign carol, perhaps Italian | — | ||
| 31-9 | Nouveau livre de Noëls - IX. Noël "Noël pour l'amour de Marie" and "Chantons, je vous prie" | — | ||
| 31-10 | Nouveau livre de Noëls - X. Noël "Quand Dieu nacquit à Noël" or "Bon Joseph,écoutez-moi" | — | ||
| 31-11 | Nouveau livre de Noëls - XI. Noël "Une jeune Pucelle" | — | ||
| 31-12 | Nouveau livre de Noëls - XII. Noël Il est un p'tit l'ange" or "Ô Dieu de clémence" | — | ||
| 32-1 | Six Sonatas Op.1 No.1 - I. Allegro | — | ||
| 32-2 | Six Sonatas Op.1 No.1 - II. Andante sostenuto | — | ||
| 32-3 | Six Sonatas Op.1 No.1 - III. Allegro | — | ||
| 32-4 | Six Sonatas Op.1 No.2 - I. Allegro | — | ||
| 32-5 | Six Sonatas Op.1 No.2 - II. Andantino espressivo | — | ||
| 32-6 | Six Sonatas Op.1 No.2 - III. Allegro brillante | — | ||
| 32-7 | Six Sonatas Op.1 No.3 - I. Allegro | — | ||
| 32-8 | Six Sonatas Op.1 No.3 - II. Rondo andante | — | ||
| 32-9 | Six Sonatas Op.1 No.3 - III. Allegro vivace | — | ||
| 32-10 | Six Sonatas Op.1 No.4 - I. Allegro | — | ||
| 32-11 | Six Sonatas Op.1 No.4 - II. Andantino | — | ||
| 32-12 | Six Sonatas Op.1 No.4 - III. Allegro spiritoso | — | ||
| 32-13 | Six Sonatas Op.1 No.5 - I. Allegro con brio | — | ||
| 32-14 | Six Sonatas Op.1 No.5 - II. Andante grazioso | — | ||
| 32-15 | Six Sonatas Op.1 No.5 - III. Allegro con brio | — | ||
| 32-16 | Six Sonatas Op.1 No.6 - I. Allegro | — | ||
| 32-17 | Six Sonatas Op.1 No.6 - II. Rondo andante | — | ||
| 32-18 | Six Sonatas Op.1 No.6 - III. Allegro | — | ||
| 33-1 | Sonata in do maggiore, Allegro, (C54, F54) | — | ||
| 33-2 | Sonata in la minore, Largo, (C55, F55) | — | ||
| 33-3 | Sonata in do maggiore, Allegro (C50, F50) | — | ||
| 33-4 | Sonata in sol minore, Andantino (C33, F33) | — | ||
| 33-5 | Sonata in sol maggiore, Allegro (C32, F32) | — | ||
| 33-6 | Sonata in re minore, Andante con moto, (C79, F79) | — | ||
| 33-7 | Sonata in re maggiore, Allegretto, C 30 (F30) | — | ||
| 33-8 | Sonata in la maggiore, (Allegro), (C19, F19) | — | ||
| 33-9 | Sonata in la minore, Andantino grazioso (C58, F58) | — | ||
| 33-10 | Sonata in la maggiore, Allegro (C21, F21) | — | ||
| 33-11 | Sonata in re minore, Andantino (C42, F42) | — | ||
| 33-12 | Sonata in fa maggiore (C51, F51; orig. Sol maggiore) | — | ||
| 33-13 | Sonata in sib minore/maggiore, Andantino, Allegro assai (C70, F70) | — | ||
| 33-14 | Sonata in sol minore, Largo (C61, F61) | — | ||
| 33-15 | Sonata in sib maggiore, Allegro (C1, F1) | — | ||
| 33-16 | Sonata in sol minore, Andantino (C52, F52) | — | ||
| 33-17 | Sonata in sol maggiore, Allegro (C53, F53) | — | ||
| 33-18 | Sonata in do minore, Larghetto (C49, F49) | — | ||
| 33-19 | Sonata in do minore, (C28, F28) | — | ||
| 33-20 | Sonata in mib maggiore, Andantino (C37, F37) | — | ||
| 33-21 | Sonata in do minore, Allegro (C68, F68) | — | ||
| 34-1 | Sonata in C R.A.1.1.08 - I. Allegro | — | ||
| 34-2 | Sonata in C R.A.1.1.08 - II. Andantino | — | ||
| 34-3 | Sonata in C R.A.1.1.08 - III. Presto | — | ||
| 34-4 | Sonata in C R.A.1.1.16 - Allegro pieno | — | ||
| 34-5 | Sonata in C R.A.1.1.28 - (Minuetto) | — | ||
| 34-6 | Sonata in G R.A.1.11.03 - I. Larghetto | — | ||
| 34-7 | Sonata in G R.A.1.11.03 - II. Andante | — | ||
| 34-8 | Sonata in G R.A.1.11.28 - I. (Andante) | — | ||
| 34-9 | Sonata in G R.A.1.11.28 - II. (Allegro) | — | ||
| 34-10 | Sonata in G R.A.1.11.28 - III. (Andante) | — | ||
| 34-11 | Sonata in G minor R.A.1.12.05 - (Andante) | — | ||
| 34-12 | Sonata in D minor - I. Allegro | — | ||
| 34-13 | Sonata in D minor - II. Largo | — | ||
| 34-14 | Sonata in D minor - III. Allegro e spirituoso | — | ||
| 34-15 | Sonata in D minor R.A.1.4.03 - I. Andantino | — | ||
| 34-16 | Sonata in D minor R.A.1.4.03 - II. Presto | — | ||
| 34-17 | Sonata in B flat R.A.1.16.10 - Allegro | — | ||
| 34-18 | Sonata in B flat R.A.1.16.06 - I. Andante | — | ||
| 34-19 | Sonata in B flat R.A.1.16.06 - II. (Allegro) | — | ||
| 35-1 | 12 Suonate per l'organo op.1 - Sonata I - Capriccio: Largo - Andante - Adagio | — | ||
| 35-2 | 12 Suonate per l'organo op.1 - Sonata II - Allegretto brillante | — | ||
| 35-3 | 12 Suonate per l'organo op.1 - Sonata III - Rondo: Grazioso | — | ||
| 35-4 | 12 Suonate per l'organo op.1 - Sonata IV - Allego moderato | — | ||
| 35-5 | 12 Suonate per l'organo op.1 - Sonata V - Allegretto grazioso | — | ||
| 35-6 | 12 Suonate per l'organo op.1 - Sonata VI - Siciliana Addagio | — | ||
| 35-7 | 12 Suonate per l'organo op.1 - Sonata VII - Rondo: Gracioso | — | ||
| 35-8 | 12 Suonate per l'organo op.1 - Sonata VIII | — | ||
| 35-9 | 12 Suonate per l'organo op.1 - Sonata IX - Allegro Moderato | — | ||
| 35-10 | 12 Suonate per l'organo op.1 - Sonata X - Cantabile | — | ||
| 35-11 | 12 Suonate per l'organo op.1 - Sonata XI - Moderato | — | ||
| 35-12 | 12 Suonate per l'organo op.1 - Sonata XII - Fuga | — | ||
| 35-13 | Sonata e Versetti - Sonata I in E flat | — | ||
| 35-14 | Sonata e Versetti - Sonata II in C | — | ||
| 35-15 | Sonata e Versetti - Sonata III in C minor | — | ||
| 35-16 | Sonata e Versetti - Sonata IV in C | — | ||
| 35-17 | Sonata e Versetti - Sonata V in F | — | ||
| 35-18 | Sonata e Versetti - Versetto I "Adagio" | — | ||
| 35-19 | Sonata e Versetti - Versetto II "Largo" | — | ||
| 36-1 | Orgelsonate Nr.4 in a-Moll Op.98 - I. Tempo moderato | — | ||
| 36-2 | Orgelsonate Nr.4 in a-Moll Op.98 - II. Intermezzo | — | ||
| 36-3 | Orgelsonate Nr.4 in a-Moll Op.98 - III. Fuga cromatica | — | ||
| 36-4 | Zehn Trios fur Orgel Op.49 - Nr.1 Andante | — | ||
| 36-5 | Zehn Trios fur Orgel Op.49 - Nr.2 Moderato | — | ||
| 36-6 | Zehn Trios fur Orgel Op.49 - Nr.3 Adagio | — | ||
| 36-7 | Zehn Trios fur Orgel Op.49 - Nr.4 Allegretto quasi Andantino | — | ||
| 36-8 | Zehn Trios fur Orgel Op.49 - Nr.5 Con moto | — | ||
| 36-9 | Zehn Trios fur Orgel Op.49 - Nr.6 Alla breve | — | ||
| 36-10 | Zehn Trios fur Orgel Op.49 - Nr.7 Andantino Amabile | — | ||
| 36-11 | Zehn Trios fur Orgel Op.49 - Nr.8 Adagio ma non troppo | — | ||
| 36-12 | Zehn Trios fur Orgel Op.49 - Nr.9 Moderato | — | ||
| 36-13 | Zehn Trios fur Orgel Op.49 - Nr.10 Andante molto | — | ||
| 36-14 | Passacaglia e-moll Op.132 (aus der 8 Orgelsonate) | — | ||
| 37-1 | Praeludium und Fugue in D minor Op.37 No.3 - I. Praeludium | — | ||
| 37-2 | Praeludium und Fugue in D Minor Op.37 No.3 - II. Fuge | — | ||
| 37-3 | Fugue in E minor | — | ||
| 37-4 | Fugue in F minor | — | ||
| 37-5 | Prelude in C minor | — | ||
| 37-6 | Trio in F | — | ||
| 37-7 | Andante/Thema with variations in D | — | ||
| 37-8 | Allegro, Choral and Fugue in D minor | — | ||
| 37-9 | Allegro in B flat | — | ||
| 37-10 | Allegro moderato maestoso in C | — | ||
| 37-11 | Sonate I in F minor Op.65 No.1 - I. Allegro moderato e serioso | — | ||
| 37-12 | Sonate I in F minor Op.65 No.1 - II. Adagio | — | ||
| 37-13 | Sonate I in F minor Op.65 No.1 - III. Recitativo | — | ||
| 37-14 | Sonate I in F minor Op.65 No.1 - VI. Allegro vivace assai | — | ||
| 38-1 | Sonata Nr.2 op.42 in G minor - I. Maestoso-Più Moto-Maestoso | — | ||
| 38-2 | Sonata Nr.2 op.42 in G minor - II. Adagio | — | ||
| 38-3 | Sonata Nr.2 op.42 in G minor - III. Introduction: Allegro assai - Fuge | — | ||
| 38-4 | Choralvorspiel "Schmücke dich, o liebe Seele" | — | ||
| 38-5 | Sonata Nr.6 op.137 - I. Aus tiefer Noth schrei ich zu dir | — | ||
| 38-6 | Sonata Nr.6 op.137 - II. Adagio molto-più moto-Tempo I | — | ||
| 38-7 | Sonata Nr.6 op.137 - III. Introduction: Allegro risoluto - Andante - A tempo | — | ||
| 38-8 | Sonata Nr.6 op.137 - IV. Poco moderato (Fuge) | — | ||
| 38-9 | Choralvorspiel "Nun sich der Tag" | — | ||
| 39-1 | Kirchliche Festoverture | — | ||
| 39-2 | Évocation à la Chapelle Sixtine | — | ||
| 39-3 | Orpheus | — | ||
| 39-4 | Trauerode | — | ||
| 39-5 | Consolation II | — | ||
| 39-6 | Consolation E major | — | ||
| 39-7 | Requiem für die Orgel | — | ||
| 40-1 | Concertone a più strumenti | — | ||
| 40-2 | Elevazione | — | ||
| 40-3 | Marcia | — | ||
| 40-4 | Le Quattro Stagioni: Primavera | — | ||
| 40-5 | Le Quattro Stagioni: Estate | — | ||
| 40-6 | Le Quattro Stagioni: Autunno | — | ||
| 40-7 | Le Quattro Stagioni: Inverno | — | ||
| 40-8 | Toccata in re | — | ||
| 40-9 | Corale | — | ||
| 40-11 | Passeggiata | — | ||
| 40-12 | Toccata in Sol op.90 n.5 | — | ||
| 40-13 | Finale | — | ||
| 41-1 | Offertorio in E-flat | — | ||
| 41-2 | Elevazione in G | — | ||
| 41-3 | Postcommunio in B-flat | — | ||
| 41-4 | Offertorio in D | — | ||
| 41-5 | Elevazione in A | — | ||
| 41-6 | Postcommunio in E | — | ||
| 41-7 | Sinfonia in D | — | ||
| 41-8 | Allegro Marziale in C | — | ||
| 41-9 | Postcommunio in A | — | ||
| 41-10 | Pastorale in B-flat | — | ||
| 41-11 | Gran Sinfonia Variata in D | — | ||
| 42-1 | Sonata in Re: Moderato | — | ||
| 42-2 | Sonata in Re: Adagio | — | ||
| 42-3 | Sonata in Re: Finale - Fugato | — | ||
| 42-4 | Capriccio alla sonata | — | ||
| 42-5 | Tempo di sonata - Breve fantasia | — | ||
| 42-6 | Sonata in Sib: Andante maestoso - Allegro giusto | — | ||
| 42-7 | Sonata in Sib: Andante religioso | — | ||
| 42-8 | Sonata in Sib: Ultimo tempo | — | ||
| 42-9 | Emulazione | — | ||
| 42-10 | Ripieno | — | ||
| 42-11 | Scherzino | — | ||
| 42-12 | Marcia villereccia | — | ||
| 43-1 | Pastorale n. 1 in Fa (Andante) | — | ||
| 43-2 | Pastorale n. 2 in Sol (Allegretto) | — | ||
| 43-3 | Pastorale n. 3 in Do (Allegretto) | — | ||
| 43-4 | Pastorale n. 4 in la (Allegro) | — | ||
| 43-5 | Pastorale n. 5 in Sol (Andante) | — | ||
| 43-6 | Pastorale n. 6 in La (Allegro moderato) | — | ||
| 43-7 | Pastorale n. 7 in Fa (Allegretto) | — | ||
| 43-8 | Pastorale n. 8 in Do (Moderato) | — | ||
| 43-9 | Pastorale n. 9 in Do (Andante mosso) | — | ||
| 43-10 | Pastorale n. 10 in Re (Andante) | — | ||
| 43-11 | Pastorale n. 11 in Sol (Moderato assai) | — | ||
| 43-12 | Pastorale n. 12 in Re (Allegretto) | — | ||
| 43-13 | Pastorale n. 13 in Fa (Allegro) | — | ||
| 43-14 | Pastorale n. 14 in Do (Andante variato) | — | ||
| 43-15 | Pastorale in re-Sol (senza numero, Andantino) | — | ||
| 43-16 | Marcia funebre in memoria del padre | — | ||
| 44-1 | Fantasie | — | ||
| 44-2 | 12 Pièces, Op.16 - No.1 Prelude | — | ||
| 44-3 | 12 Pièces, Op.16 - No.2 Fugue | — | ||
| 44-4 | 12 Pièces, Op.16 - No.4 Intermezzo | — | ||
| 44-5 | 12 Pièces, Op.16 - No.11 Adagietto | — | ||
| 44-6 | 12 Pièces, Op.16 - No.5 Carillon | — | ||
| 44-7 | Deuxieme suite Op.27 - I. Prelude pastoral | — | ||
| 44-8 | Deuxieme suite Op.27 - II. Allegretto con moto | — | ||
| 44-9 | Deuxieme suite Op.27 - III. Andantino | — | ||
| 44-10 | Deuxieme suite Op.27 - IV. Final-Marche | — | ||
| 44-11 | Heures mystiques: Messe IV Op.29/4 - I. Entree in E flat | — | ||
| 44-12 | Offertoire in G | — | ||
| 44-13 | Hueres mystiques: Messe IV Op.29/4 - V. Sortie in D minor | — | ||
| 44-14 | Suite Gothique Op.25 - I. Introduction | — | ||
| 44-15 | Suite Gothique Op.25 - II. Menuet | — | ||
| 44-16 | Suite Gothique Op.25 - III. Priere | — | ||
| 44-17 | Suite Gothique Op.25 - IV Toccata | — | ||
| 45-1 | Dodici Suonate su varii tuoni - I. Allegro Sinfonico | — | ||
| 45-2 | Dodici Suonate su varii tuoni - II. Suonata caratteristica in D | — | ||
| 45-3 | Dodici Suonate su varii tuoni - III. Suonata in C | — | ||
| 45-4 | Dodici Suonate su varii tuoni - IV. Suonata in E flat | — | ||
| 45-5 | Dodici Suonate su varii tuoni - V. Adagio in A | — | ||
| 45-6 | Dodici Suonate su varii tuoni - VI. Marcia Finale in F | — | ||
| 45-7 | Dodici Suonate su varii tuoni - VII. Adagio per l'Elevazione | — | ||
| 45-8 | Dodici Suonate su varii tuoni - VIII. Marcia Finale in G | — | ||
| 45-9 | Dodici Suonate su varii tuoni - IX. Suonata in F | — | ||
| 45-10 | Dodici Suonate su varii tuoni - X. Polka Finale in Fa | — | ||
| 45-11 | Dodici Suonate su varii tuoni - XI. Adagio in G | — | ||
| 45-12 | Dodici Suonate su varii tuoni - XII. Suonata in C | — | ||
| 45-13 | dalla 'Messa in C', sei Versetti instrumentati pel Gloria - I. [untitled] | — | ||
| 45-14 | dalla 'Messa in C', sei Versetti instrumentati pel Gloria - II. [untitled] | — | ||
| 45-15 | dalla 'Messa in C', sei Versetti instrumentati pel Gloria - III. [untitled] | — | ||
| 45-16 | dalla 'Messa in C', sei Versetti instrumentati pel Gloria - VI. [untitled] | — | ||
| 45-17 | dalla 'Messa in C', sei Versetti instrumentati pel Gloria - V. [untitled] | — | ||
| 45-19 | dalla 'Messa in C', sei Versetti instrumentati pel Gloria - VII. Dopo l'Epistola | — | ||
| 45-20 | dalla 'Messa in C', sei Versetti instrumentati pel Gloria - VIII. Suonata per l'Offertorio | — | ||
| 45-21 | dalla 'Messa in C', sei Versetti instrumentati pel Gloria - IX. -Pel Postcommunio | — | ||
| 45-22 | Dieci Suonate per la benedizione del SS.Sacramento, f.1 - Suonata No.2 | — | ||
| 45-23 | Dieci Suonate per la benedizione del SS.Sacramento, f.1 - Suonata No.9 | — | ||
| 45-24 | Dieci Suonate per la benedizione del SS.Sacramento, f.2 - Suonata No.2 | — | ||
| 45-25 | dalla 'Messa in D' - I. Per dopo l'Epistola | — | ||
| 45-26 | dalla 'Messa in D' - II. Per l'Elevazione | — | ||
| 45-27 | dalla 'Messa in D' - III. Per dopo la Messa | — | ||
| 46-1 | Toccata, fugue et hymne sur 'Ave Maris Stella' op.28 - I. Toccata | — | ||
| 46-2 | Toccata, fugue et hymne sur 'Ave Maris Stella' op.28 - II. Fugue | — | ||
| 46-3 | Toccata, fugue et hymne sur 'Ave Maris Stella' op.28 - III. Hymne | — | ||
| 46-4 | Symphonic Fantasy on an Eastern Gregorian Alleluia op.13 | — | ||
| 46-5 | 3 Preludien und Fugen op.72: No.1 Preludium und Fuge in F 'Lydisch' | — | ||
| 46-6 | 3 Preludien und Fugen op.72: No.2 Preludium und Fuge in F minor 'Dorisch' | — | ||
| 46-7 | 3 Preludien und Fugen op.72: No.3 Preludium und Fuge in A 'Mixolydisch' | — | ||
| 46-8 | Variationen und Finale über ein altflämisches Lied op.20 | — | ||
| 46-9 | Sinfonia per organo op.48 - I. Allegro energico | — | ||
| 46-10 | Sinfonia per organo op.48 - II. Adagio | — | ||
| 46-11 | Sinfonia per organo op.48 - III. Fantasia | — | ||
| 46-12 | Sinfonia per organo op.48 - IV. Fuga | — | ||
| 47-1 | Fantasie und Fuge on B-A-C-H Op.46 - I. Phantasie | — | ||
| 47-2 | Fantasie und Fuge on B-A-C-H Op.46 - II. Fuge | — | ||
| 47-3 | Sonata No.1 in F-sharp minor Op.33 - I. Fantasie | — | ||
| 47-4 | Sonata No.1 in F-sharp minor Op.33 - II. Intermezzo | — | ||
| 47-5 | Sonata No.1 in F-sharp minor Op.33 - III. Passacaglia | — | ||
| 47-6 | Sonata No.2 in D minor Op.60 - I. Improvisation | — | ||
| 47-7 | Sonata No.2 in D minor Op.60 - II. Invocation | — | ||
| 47-8 | Sonata No.2 in D minor Op.60 - III. Introduction | — | ||
| 47-9 | Sonata No.2 in D minor Op.60 - IV. Fuge | — | ||
| 48-1 | Preludes, Book 1 - No.10: La Cathedrale engloutie | — | ||
| 48-2 | Suite espanola, op.48 - Asturias | — | ||
| 48-3 | Prelude a l'apres-midi d'un faune | — | ||
| 48-4 | 6 Romanian Folk Dances Sz56 BB68 | — | ||
| 48-5 | Carmen - Ent'acte (Act II) | — | ||
| 48-6 | Adagio for strings Op.11 | — | ||
| 48-7 | Morceaux de fantaisie op.3 - No.2: Prelude in C sharp minor | — | ||
| 48-8 | Symphony no.2 - IV. 'Urlicht' | — | ||
| 48-9 | Prelude and Fugue on B-A-C-H | — | ||
| 48-10 | Cercles reflechissiants - Cercles lointains | — | ||
| 49-1 | La Nativite du Seigneur - I. La Vierge et l'Enfant | — | ||
| 49-2 | La Nativite du Seigneur - II. Les Bergers | — | ||
| 49-3 | La Nativite du Seigneur - III. Desseins eternels | — | ||
| 49-4 | La Nativite du Seigneur - IV. Le Verbe | — | ||
| 49-5 | La Nativite du Seigneur - V. Les Enfants de Dieu | — | ||
| 49-6 | La Nativite du Seigneur - VI. Les Enges | — | ||
| 49-7 | La Nativite du Seigneur - VII. Jesus accepte la souffrance | — | ||
| 49-8 | La Nativite du Seigneur - VIII. Les Mages | — | ||
| 49-9 | La Nativite du Seigneur - IX. Dieu parmi nous | — | ||
| 50-1 | Musica ricercata - VIII. Vivace | — | ||
| 50-2 | Musica ricercata - XI Andante misurato e tranquillo | — | ||
| 50-3 | Musica ricercata - III. Allegro con spirito | — | ||
| 50-4 | Fantaisie sur 'Une jeune fillette' | — | ||
| 50-5 | Florete flores | — | ||
| 50-6 | Pari intervallo | — | ||
| 50-7 | Dialoge Op.16 - Capriccio sopro la serenita | — | ||
| 50-8 | Watching | — | ||
| 50-9 | Cantio 'O Traurigkeit, o Herzeleid' imitatione Tremula Organi | — | ||
| 50-10 | 6 peces per a orgue - No.5: Nit estelada | — | ||
| 50-11 | 6 peces per a orgue - No.6: Cap a la Iluna | — | ||
| 50-12 | Mintaka | — | ||
| 50-13 | O quam pulchra es | — | ||
| 50-14 | Hommage a Dietrich Buxtehude - Toccatenfuge | — |
In diebus illis
—
2 verses of a Magnificat
—
Pange Lingua
—
Congratulamini Mihi Omnes
—
Kyrie eleison de Nuesta Señora
—
Unica est columba mea
—
Kyrie eleison 4º tono
—
Kyrie eleison 8º tono
—
Conditor alme siderum
—
Clamabat autem mulier cananea
—
[untitled]
—
Patrem onipotentem
—
Jesu nostra redemptio
—
Desposuit Potentes
—
Si dedero
—
Ave maris stella
—
Agnus dei (Mass Fa-Re-Mi-Re)
—
Kyrie eleison
—
Sanctus (Mass So-La-La-Fa-Re)
—
Pleni sunt
—
Kyrie eleison 6º tono
—
Sanctus (canon)
—
Ricercada - Pavana, Saltarello de la pavana
—
La Tedeschina - Pavana de la bataglia, Il saltarello de la bataglia - Gazollo - La Delfina
—
Recercada
—
Pass'e mezo nuovo - Pass'e mezo nuovo segondo - Pass'e mezo nuovo [terzo] - Gamba Gagliarda
—
Moneghina Gagliarda - Gonella Gagliarda
—
Toccata del Secondo Tuono (from Girolamo Diruta, Il Transilvano - Venice, 1593)
—
Todescha, Balletto
—
Ballo Ongaro, Il suo Balletto
—
Canzon sopra la Battaglia (Tabulated by Luca Scandali)
—
Tenore grande alla napolitana
—
La romanesca
—
Ricercar del Secondo Tuono (Tabulated by Luca Scandali)
—
Canzona Franzesa Prima
—
Gagliarda Quarta à 5 alla Spagnola
—
Fuga Secunda à 4 (from Bernhard Schmid, Tabulatur Buch - Strasbourg, 1607)
—
Ballo della Regina (I, II) - La sua Sarabanda - Ciaccona
—
Ballo del Gran Duca - Aria di Fiorenza (I, II) - Rotta di Fiorenza
—
Gentil donna
—
Gagliarda Comadrina
—
Gagliarda Lodesana
—
Gagliarda Chataccio
—
Canzon francese detta Je n en dirai mot
—
Canzon francese detta Qui la dira
—
Canzone ottava detta la Vincenti
—
Ricercare quarto sopra mi re fa mi
—
Partite di Bergamasca
—
Diferencias sobre el canto llano del Caballero
—
Diferencias sobre la Gallarda Milanesa
—
Diferencias sobre las Vacas
—
Tandernack
—
Galliarda
—
Alamanda (10 variations)
—
Uppon la mi re
—
My Lady Careys dompe
—
A Hornepype
—
Pavenne
—
Gaillarde
—
Branle
—
Allemande grave
—
Toccata del ottavo tono
—
Ricercar del sesto tono alla terza
—
Conzone detta la Berenice
—
Canzon detta la Nora
—
Canzon detta la Cassiodora
—
Canzone detta la Barbarina
—
Canzon detta la l'Archangiola
—
Toccata del sesto tono
—
Canzon detta la Serpentina
—
Canzon detta la Diana
—
Canzon detta la Serafina
—
Canzone detta la Gratiosa
—
Toccata del Primo tono
—
Ricercar del duodecimo tono
—
Canzon detta la Capricciosa
—
Canzon detta la Mariana
—
Canzone detta la Pellegrina
—
La Pelegrina
—
Canzon detta la Gentile
—
Ricercar del Primo Tono
—
Canzon [prima]
—
Ricercar del Secondo Tono
—
Canzon [seconda]
—
Ricercar del Terzo Tono
—
Toccata [del Settimo Tono]
—
Ricercar del Quarto Tono
—
Ricercar del Quinto Tono
—
Ricercar del Sesto Tono
—
Canzon La Serpentina
—
Ricercar del Settimo Tono
—
Ricercar del Ottavo Tono
—
Ricercar del Nono Tono
—
Canzon [terza]
—
Canzon La Ducalina
—
Ricercar del Decimo Tono
—
Ricercar del Undecimo Tono
—
Ricercar del Primo Tuono
—
Ricercar del Secondo Tuono
—
Ricercar del Terzo Tuono
—
Ricercar del Quarto Tuono
—
Ricercar del Quinto Tuono
—
Ricercar del Sesto Tuono
—
Ricercar del Settimo Tuono
—
Ricercar del Ottavo Tuono
—
Toccata a 8 'Cleopatra'
—
Dialogo a 8 'Anime pellegrine'
—
Canzone Licori
—
Canzone Arete
—
Canzone Urania
—
Canzone Istrina
—
Canzone Nisa
—
Canzone Irene
—
Canzone Artemisia
—
Canzone Erina
—
Dialogo A 8 'S'Un Dì, Mosso A Pietà'
—
Toccata a 8 'Athalanta'
—
Toccata primi toni C D10
—
Intonazione del ottavo tono C246 - Ricercar ottavo tono C215
—
Canzon francese C232
—
Intonazione del terzo e quarto toni C242 - Fantasia quarti toni C227
—
Toccata C D11
—
Ricercar C223
—
Canzon III C188
—
Canzon C231
—
Toccata C237
—
Canzon C234
—
Intonazione del secondo tono C241 - Ricercar C221
—
Canzon I La Spiritata C186
—
Intonazione del quinto tono C243 - Ricercar C222
—
Toccata C D12
—
Intonazione del primo tono C240 - Ricercar C217
—
Intonazione del duodecimo tono C250 - Canzon IV C189
—
Intonazione del nono tono C247 - Ricercar C218
—
Toccata C D14
—
Segundo tiento de tiple de septimo tono
—
Tiento y Discurso de segundo tono
—
Tiento de dos tiples de septimo tono
—
Segundo tiento de quarto tono a modo de canciòn
—
Segundo tiento de baxon de septimo tono
—
Tiento de primero tono
—
Tercero tiento de tiple de septimo tono
—
Tiento de sexto tono sobre la Batalla de Morales
—
Correa de Arauxo Canciòn Gaybergier
—
Correa de Arauxo Tiento de tiple de septimo tono
—
Toccata e Canzon (in G)
—
Passo e Mezzo
—
Romanesca
—
Monica
—
Ballo della Battaglia
—
Capriccio sopra Ruggiero
—
Recercar
—
Ciaccona
—
Toccata e Canzon (in F)
—
Recercar di ligature
—
Pastorale
—
Magnificat Primi Toni
—
Magnificat Secundi Toni
—
Magnificat Tertii Toni
—
Magnificat Quarti Toni
—
Magnificat Quinti Toni
—
Magnificat Sexti Toni
—
Magnificat Septimi Toni
—
Magnificat Octavi Toni
—
Praeambulum in E minor
—
Erbarm dich mein, o Herre Gott - Versus 1
—
Erbarm dich mein, o Herre Gott - Versus 2
—
Canzon in G
—
Vom Himmel hoch - Versus 1
—
Vom Himmel hoch - Versus 2
—
Vom Himmel hoch - Versus 3
—
Praeambulum in G
—
Toccata in G
—
Mensch, willst Du leben seliglich - Versus 1 & 2
—
Mensch, willst Du leben seliglich - Versus 3 & 4
—
Confitemini Domino - Prima pars
—
Confitemini Domino - Seconda pars
—
Christ lag in Todesbanden - Versus 1
—
Christ lag in Todesbanden - Versus 2
—
Christ lag in Todesbanden - Versus 3
—
Praeambulum in G minor
—
Vater unser im Himmelreich
—
Fantasia in D minor
—
Jesus Christus, unser Heiland
—
Præambulum Primi toni a 5 in d
—
Fantasia Ex D in d
—
Ach wir armen Sünder - Versus 1 - Choral in Ten
—
Ach wir armen Sünder - Versus 2 - à 2 Clav. è Ped
—
Ach wir armen Sünder - Versus 3 - à 2 Clav
—
Fuga ex D pedaliter primi Toni in d
—
Gelobet seist du, Jesu Christ (I) - Primus Versus - a 4
—
Gelobet seist du, Jesu Christ (I) - Secundus Versus - Auff 2 Clavir
—
Gelobet seist du, Jesu Christ (I) - Tertius Versus - Auff 2 Clavir à 4
—
Gelobet seist du, Jesu Christ (I) - Quartus Versus - á 3
—
Toccata Dal 12 Tuono [V] in C
—
Canzon Dall istesso Tuono [I] in C
—
Gelobet seist du, Jesu Christ (II) - Primus Versus - á 4
—
Gelobet seist du, Jesu Christ (II) - Secundus Versus - 2 mans.
—
Gelobet seist du, Jesu Christ (II) - Tertius Versus - A 3 voc
—
Toccata [II] in e
—
Nun freut euch, lieben Christen gmein - [Primus Versus]
—
Nun freut euch, lieben Christen gmein - Secundus Versus - 2 mans.
—
Nun freut euch, lieben Christen gmein - Tertius Versus
—
Toccata [III] in E Minor
—
Praeludium in G minor I
—
In dich hab ich gehoffet, Herr
—
Auf meinen lieben Gott
—
Praeludium in F
—
Herr Gott, dich loben wir
—
Canzona in G
—
Christ lag in Todes Banden
—
Jesus Christus, wahr' Gottes Sohn
—
Du Friedefürst, Herr Jesu Christ
—
Gelobet seist du, Jesu Christ
—
Was fürchtst dus, Feind Herodes sehr
—
Alle Welt, was lebet und webet
—
Allein zu dir, Herr Jesu Christ
—
Meine Seele erhebet den Herren
—
Wacht auf, ihr Christen alle (Tangermuende organ)
—
Aus tiefer Not schrei ich zu dir
—
err Gott, dich loben wir
—
Capriccio della Chiave di G b.
—
Capriccio (II) della Chiave di A
—
Capriccio della Chiave di E
—
Capriccio della Chiave di F
—
Capriccio della Chiave di A
—
Capriccio Primi Tuoni
—
Ricercar sopra la morte della mia carissima Madre, Catherina Maria Stubenrauren morsa a Brunsviga il 20 d'Agusto a[nn]o 1685
—
Capriccio sopra il Corale 'Ich dank Dir schon deinen Sohn'
—
Magnificat - Versus I
—
Magnificat - Versus II
—
Magnificat - Versus III
—
Magnificat - Versus IV
—
Dixit Maria ad Angelum
—
Canzon in F
—
Dic nobis Maria
—
Magnificat Primi modi - Versus I
—
Magnificat Primi modi - Versus II
—
Magnificat Primi modi - Versus III
—
Magnificat Primi modi - Versus IV
—
Magnificat Primi modi - Versus V
—
Toccata IV in A minor
—
Magnificat - Meine Seele erhebet den Herren - Versus I
—
Magnificat - Meine Seele erhebet den Herren - Versus II
—
Magnificat - Meine Seele erhebet den Herren - Versus III
—
Magnificat II toni - Versus I
—
Magnificat II toni - Versus II
—
Magnificat II toni - Versus III
—
Magnificat II toni - Versus IV
—
Toccata in d minor
—
Versi in d minor
—
Canzona in d minor
—
Versi in C major
—
Canzona in C major
—
Versi in F major
—
Canzona in F major
—
Versi in e minor
—
Canzona in e minor
—
Versi in g minor
—
Canzona in g minor
—
All'Elevazione [I] in F major
—
Al Post Comunio in F major
—
All'Elevazione [II] in C major
—
All'Offertorio in C major
—
Pastorale in C major
—
A.Corelli: Sonata Op. 5 n.7 - Preludio (Vivace) [transc. for organ]
—
A.Corelli: Sonata Op. 5 n.7 - Corrente (Allegro) [transc. for organ]
—
A.Corelli: Sonata Op. 5 n.7 - Sarabanda (Adagio) [transc. for organ]
—
A.Corelli: Sonata Op. 5 n.7 - Giga (Allegro) [transc. for organ]
—
Preambulum in d - LübWV 11
—
Preambulum ex g - LübWV 12
—
Chacon - LübWV 20
—
Preambulum ex E - LübWV 7
—
Ich ruff zu dir Herr Jesu Christ - LübWV 13
—
Preambulum ex F - LübWV 8
—
Preambulum ex G - LübWV 9
—
Nun last uns Gott den Herren- LübWV 15
—
Preambulum ex c - LübWV 6
—
Ach wir armen Sünder
—
Preambulum ex C - LübWV 10
—
Tocatta & Fugue in A Minor WV411: Toccata
—
Tocatta & Fugue in A Minor WV411: Fugue
—
Ach herr mich armen Sünder WV514
—
Fantasia in F
—
Trio in d
—
Fuga in B flat
—
Mitten Wir im Leben sind
—
Warum Betrübst Du Dich, mein Herz
—
Praeludium in C pro Organo pleno
—
Trio in A Minor
—
Fantasia sopra 'Freu Dich sehr, o meine Seele' WV5192
—
Trio in E flat
—
Fuga in E flat
—
Fantasia à Gusto Italiano in F
—
Wenn mein Stündlein vorhanden ist
—
Trio in G
—
Jesu, der Du Meine Seele
—
Herzlich lieb hab Ich Dich, o Herr
—
Prelude in G major P. 409
—
Fugue in G major P. 159
—
Allein Gott in der Hoeh sei Ehr' P. 10
—
Allein Gott in der Hoeh sei Ehr' P. 11
—
Auf meinen lieben Gott P. 30
—
Christe, der du bist Tag und Licht P. 63
—
Christ unser Herr zum Jordan kam P. 61
—
Prelude in d minor P. 406
—
Magnificat Quinti Toni P. 314-325 - I. Fugue I
—
Magnificat Quinti Toni P. 314-325 - II. Fugue II
—
Magnificat Quinti Toni P. 314-325 - III. Fugue III
—
Magnificat Quinti Toni P. 314-325 - VI. Fugue VI
—
Magnificat Quinti Toni P. 314-325 - V. Fugue V
—
Magnificat Quinti Toni P. 314-325 - VII. Fugue VII
—
Magnificat Quinti Toni P. 314-325 - VIII. Fugue VIII
—
Magnificat Quinti Toni P. 314-325 - IX. Fugue IX
—
Magnificat Quinti Toni P. 314-325 - X. Fugue X
—
Magnificat Quinti Toni P. 314-325 - XI. Fugue XI
—
Magnificat Quinti Toni P. 314-325 - XII. Fugue XII
—
Ciacona in F major P. 42
—
Fugue in C major 'Nachtigall' P. 131
—
Toccata in C major P. 455
—
Ach wie elend ist unser Zeit P. 35
—
Ach, was soll ich Suender machen P. 7a - I. Choral
—
Ach, was soll ich Suender machen P. 7a - II. Variatio I
—
Ach, was soll ich Suender machen P. 7a - III. Variatio II
—
Ach, was soll ich Suender machen P. 7a - IV. Variatio III
—
Ach, was soll ich Suender machen P. 7a - V. Variatio IV
—
Ach, was soll ich Suender machen P. 7a - VI. Variatio V
—
Ach, was soll ich Suender machen P. 7a - VII. Variatio VI
—
Da Jesus an dem Kreuze stund P. 70
—
Dies sind die heil'gen zehn Gebot' P. 50a
—
Wo Gott zum Haus nicht giebt sein' Gunst P. 511
—
Wo Gott zum Haus nicht giebt sein' Gunst P. 512
—
Ciacona in d minor P. 41
—
Praeludium in E-flat
—
Fuga in E-flat
—
Ach Herr, mich armen Sünder
—
Ach Herr, mich armen Sünder: Variatio 1
—
Ach Herr, mich armen Sünder: Variatio 2
—
Nun komm, der Heiden Heiland
—
Meine Seele erhebt den Herren: Versus 1
—
Meine Seele erhebt den Herren: Versus 2
—
Herr Christ, der einig Gottes Sohn
—
Nun freut euch, lieben Christen gmein
—
Nun freut euch, lieben Christen gmein/Es ist gewißlich and der Zeit
—
Gott hat das Evangelium (I)
—
Gott hat das Evangelium (II)
—
In dulci jubilo
—
Jesus Christus, unser Heiland, der den Tod überwand
—
O Herre Gott, Vater in Ewigkeit: Versus 1
—
Christe, aller Welt Heiland: Versus 2
—
O Gott, heiliger Geist: Versus 3
—
Aria Eberliniana: Aria
—
Aria Eberliniana: Variatio 1
—
Aria Eberliniana: Variatio 2
—
Aria Eberliniana: Variatio 3
—
Aria Eberliniana: Variatio 4
—
Aria Eberliniana: Variatio 5
—
Aria Eberliniana: Variatio 6
—
Aria Eberliniana: Variatio 7
—
Aria Eberliniana: Variatio 8
—
Aria Eberliniana: Variatio 9
—
Aria Eberliniana: Variatio 10
—
Aria Eberliniana: Variatio 11
—
Aria Eberliniana: Variatio 12
—
Aria Eberliniana: Variatio 13
—
Aria Eberliniana: Variatio 14
—
Aria Eberliniana: Variatio 15
—
Ach Gott vom Himmel sieh darein
—
Helft mir Gottes Güte preisen
—
Aus tiefer Not
—
Ein feste Burg
—
Ich dich hab ich gehoffet Herr
—
Es woll uns Gott genädig sein
—
Allein zu dir Herr Jesu Christ
—
Wir glauben all an einem Gott
—
Wir glauden all an einem Gott (II)
—
Christum Wir sollen loben schon
—
Es ist Heil Uns kommen lei
—
Praeludium in D
—
Ciaccona in D
—
Concerto in A Allegro
—
Concerto in A Siciliana
—
Concerto in A Vivace
—
Concerto in F Allegro
—
Concerto in F Adagio
—
Concerto in F Vivace
—
Concerto in D Allegro
—
Concerto in D Largo
—
Concerto in D Vivace
—
Concerto in G Allegro
—
Concerto in G Adagio
—
Praeludium in B flat
—
Praeludium in E minor
—
Fantasie unf Fuge in F:I. Fantasie
—
Fantasie unf Fuge in F: II. Fuge
—
Ciacona in G BWV An. 84
—
Jesus nichts als Jesus
—
Du Friedefürst, Herr Jesu Christ: Versus I
—
Du Friedefürst, Herr Jesu Christ: Versus II
—
Du Friedefürst, Herr Jesu Christ: Versus III
—
Du Friedefürst, Herr Jesu Christ: Versus IV
—
Du Friedefürst, Herr Jesu Christ: Versus V
—
Vom Himmel hoch, da komm ich her
—
Bach Nun freut ruch
—
Helft mir Gottes, Güte preisen
—
Präludium in D
—
Fuga in D
—
Wir glauben all'an einen Gott
—
Wir glauben all'an einen Gott (2nd version)
—
Wir glauben all'an einen Gott (3rd version)
—
Ciacona in A BWV An. 83
—
Fuga in g-minor
—
Da Jesus an dem Kreuze stund
—
Ciacona in B
—
J.E. Bach: Fantasie und Fuge in d minor: I. Fantasie
—
J.E. Bach: Fantasie und Fuge in d minor: I. Fuge
—
J.H. Bach: Erbarm dch mein
—
Fantasie und Fuge in a-minor BWV 561: I. Fantasie
—
Fantasie und Fuge in a-minor BWV 561: II. Fuge
—
Fuga in C BWV Anh. 90
—
Partita: Wenn wir in Höchstens Nöten sein BWV Anh. 78 (7 Versus): Versus I
—
Partita: Wenn wir in Höchstens Nöten sein BWV Anh. 78 (7 Versus): Versus II
—
Partita: Wenn wir in Höchstens Nöten sein BWV Anh. 78 (7 Versus): Versus III
—
Partita: Wenn wir in Höchstens Nöten sein BWV Anh. 78 (7 Versus): Versus IV
—
Partita: Wenn wir in Höchstens Nöten sein BWV Anh. 78 (7 Versus): Versus V
—
Partita: Wenn wir in Höchstens Nöten sein BWV Anh. 78 (7 Versus): Versus VI
—
Partita: Wenn wir in Höchstens Nöten sein BWV Anh. 78 (7 Versus): Versus VII
—
Christus der uns selig macht BWV 747
—
Liebster Jesu, wir sind hier BWV 754
—
Lobt Gott, ihr Christen allzugleich BWV deest
—
Machs mit mir, Gott, nach deiner Güt BWV deest
—
O Gott, du frommer Gott BWV deest
—
Wenn ich in Angst und Not BWV deest
—
Wie Christenheit haben jetzund Freund BWV deest
—
Partita: Herr Christ, der einig Gottes Sohn BWV Anh. 77 (7 Versus): Choral
—
Partita: Herr Christ, der einig Gottes Sohn BWV Anh. 77 (7 Versus): Versus I
—
Partita: Herr Christ, der einig Gottes Sohn BWV Anh. 77 (7 Versus): Versus II
—
Partita: Herr Christ, der einig Gottes Sohn BWV Anh. 77 (7 Versus): Versus III
—
Partita: Herr Christ, der einig Gottes Sohn BWV Anh. 77 (7 Versus): Versus IV
—
Partita: Herr Christ, der einig Gottes Sohn BWV Anh. 77 (7 Versus): Versus V
—
Partita: Herr Christ, der einig Gottes Sohn BWV Anh. 77 (7 Versus): Versus VI
—
Partita: Herr Christ, der einig Gottes Sohn BWV Anh. 77 (7 Versus): Versus VII
—
Sonata I in D minor - I. Largo
—
Sonata I in D minor - II. Allegro
—
Sonata I in D minor - III. Presto
—
Sonata VIII in B flat major - I. Adagio
—
Sonata VIII in B flat major - II. Vivace
—
Sonata VIII in B flat major - III. Presto
—
Sonata VIII in B flat major - IV. Allegro
—
Sonata IV in G minor - I. Toccata
—
Sonata IV in G minor - II. Allegro
—
Sonata IV in G minor - III. Vivace e Presto
—
Sonata IV in G minor - IV. Giga: Presto
—
Sonata VI in D minor - I. Allegro
—
Sonata VI in D minor - II. Presto
—
Sonata VI in D minor - III. Presto
—
Sonata IX in A major - I. Largo
—
Sonata IX in A major - II. Presto
—
Sonata IX in A major - III. Presto
—
Sonata IX in A major - IV. Allegro
—
Sonata X in G minor - I. Allegro
—
Sonata X in G minor - II. Largo ma vivace
—
Sonata X in G minor - III. Presto
—
Sonata IX in G Op.4 No.3 - I. Allegro
—
Sonata IX in G Op.4 No.3 - II. Andantino
—
Sonata IX in G Op.4 No.3 - III. Allegro assai
—
Sonata XII in C Op.4 No.6 - I. Non tanto Allegro
—
Sonata XII in C Op.4 No.6 - II. Larghetto
—
Sonata XII in C Op.4 No.6 - III. Polonaise
—
Sonata XII in C Op.4 No.6 - IV. Allegro
—
Sonata V in C minor Op.1 No.5 - I. Larghetto e staccato
—
Sonata V in C minor Op.1 No.5 - II. Non tanto Allegro
—
Sonata V in C minor Op.1 No.5 - III. Siciliana
—
Sonata V in C minor Op.1 No.5 - IV. Presto
—
Sonata X in A minor Op.4 No.4 - I. Allegro
—
Sonata X in A minor Op.4 No.4 - II. Adagio
—
Sonata X in A minor Op.4 No.4 - III. Allegro assai
—
Sonata XIII in F - I. Andantino
—
Sonata XIII in F - II. Allegro
—
Sonata XIII in F - III. Menuet
—
Sonata XIII in F - IV. Presto
—
Concerto in A minor, BWV593 - I. Allegro
—
Concerto in A minor, BWV593 - II. Adagio cantabile
—
Concerto in A minor, BWV593 - III. Allegro
—
Concerto in D minor BWV596 - I. Allegro
—
Concerto in D minor BWV596 - II. Largo e spiccato
—
Concerto in D minor BWV596 - III. Allegro
—
Concerto in C MWV595
—
Concerto in D minor BWV974 - I. Andante
—
Concerto in D minor BWV974 - II. Adagio
—
Concerto in D minor BWV974 - III. Presto
—
Concerto in G BWV 592 - I. Allegro
—
Concerto in G BWV 592 - II. Grave
—
Concerto in G BWV 592 - III. Presto
—
Fugue in D minor BWV539 - II. Fuga
—
Concerto in C BWV594 - I. Allegro
—
Concerto in C BWV594 - II. Recitativo
—
Concerto in C BWV594 - III. Allegro
—
Ouverture from "The Occasional Oratorio" (Andante Maestoso)
—
Ouverture from "The Occasional Oratorio" (Largo)
—
Ouverture from "The Occasional Oratorio" (March)
—
Prelude and Air and Variations (Prelude)
—
Prelude and Air and Variations (Allegro Moderato)
—
Prelude and Air and Variations (Air - five variations)
—
Largo from "Xerses"
—
Ouverture to Saul (Allegro)
—
Ouverture to Saul (Andante)
—
Ouverture to Saul (Larghetto)
—
Sinfonia de Saul (Largo)
—
Sinfonia de Saul (Allegro)
—
I know that I remised from "Messiah"
—
Alleluja du Messie
—
Prélude et Fugue en Fa mineur (Prélude)
—
Prélude et Fugue en Fa mineur (Fugue)
—
Coronation Anthem "Zadok the Priest"
—
Paraphrase sur un Choeur de "Judas Maccabeus"
—
Marche religieuse sur un motif du choeur "Lift Up Your Heads"
—
Sonata in G, F 232/K 284
—
Sonata in G, F 231/K 283
—
Sonata in e, F 211/K 263
—
Sonata (Pastorale) in C, F 457/K 513
—
Sonata in F, F 224/K 276
—
Sonata in f, F 133/K 183
—
Sonata (fuga) in c, F 16/K 58
—
Sonata in f, F 29/ K 69
—
Sonata (fuga) in F, F 43/K 82
—
Sonata in d, F 54/K 92
—
Sonata in d, F 242/K 294
—
Sonata (fuga) in g, F 55/K 93
—
Sonata in G, F 276/K 328
—
Sonata in D, F 235//K 287
—
Sonata in D, F 236/K 288
—
Sonata in D, F 229/K 281
—
Sonata in h, F 48/K 87
—
Sonata (Pastorale) in D, F 361/K 415
—
Sonata (fuga) in d, F 363/K 417
—
3 Fugues for Organ with pedal - Fugue in D
—
3 Fugues for Organ with pedal - Fugue in C minor
—
3 Fugues for Organ with pedal - Fugue in G minor F37
—
7 Chorale Preludes F.38 - I. Nun komm der Heiden Heiland
—
7 Chorale Preludes F.38 - II. Christe, der du bist Tag und Licht
—
7 Chorale Preludes F.38 - III. Jesu, meine Freude
—
7 Chorale Preludes F.38 - IV. Durch Adams Fall is ganz verderbt
—
7 Chorale Preludes F.38 - V. Wir danken dir, Herr Jesu Christ
—
7 Chorale Preludes F.38 - VI. Wir Christenleut han jetzund Freud
—
7 Chorale Preludes F.38 - VII. Was mein Gott will,das g'scheh allzeit
—
4 Fugues for organ with two manuals and pedal - Fugue in A minor
—
4 Fugues for organ with two manuals and pedal - Fugue in C minor
—
4 Fugues for organ with two manuals and pedal - Fugue in B flat
—
4 Fugues for organ with two manuals and pedal - Fugue in F
—
Sonata No.1 in E - I. Adagio
—
Sonata No.1 in E - II. Allegro
—
Sonata No.1 in E - III. Menuett
—
Sonata No.2 in D - I. Andante
—
Sonata No.2 in D - II. Adagio
—
Sonata No.2 in D - III. Allegro
—
Sonata No.2 in D - IV. Giga
—
Sonata No.3 in G minor - I. Presto
—
Sonata No.3 in G minor - II. A Tempo Giusto
—
Sonata No.3 in G minor - III. Allegro
—
Sonata No.4 in A - I. Adagio
—
Sonata No.4 in A - II. Allegro
—
Sonata No.4 in A - III. Con Spirito
—
Sonata No.5 in C minor - I. [Primo tempo]
—
Sonata No.5 in C minor - II. Allegro
—
Sonata No.5 in C minor - III. Presto
—
Sonata No.5 in C minor - IV. Tempo Giusto
—
Sonata No.6 in D minor - I. Andante
—
Sonata No.6 in D minor - II. Spiritoso
—
Sonata No.7 in G - I. Spiritoso
—
Sonata No.7 in G - II. Allegro
—
Sonata No.7 in G - III. Presto
—
Sonata No.8 in C - I. Con Spirito
—
Sonata No.8 in C - II. Adagio
—
Sonata No.8 in C - III. Tempo Giusto
—
Sonata No.8 in C - IV. Allegro
—
Sonata No.9 in G minor - I. Allegro
—
Sonata No.9 in G minor - II. Spiritoso
—
Nouveau livre de Noëls - I. Noël "À la venuë de Noël"
—
Nouveau livre de Noëls - II. Noël "Or nous dites Marie"
—
Nouveau livre de Noëls - III. Noël "Une bergère jolie"
—
Nouveau livre de Noëls - IV. Noël "Noël, cette journéè"
—
Nouveau livre de Noëls - V. Noël "je me suis levé" or "Ô joue glorieux"
—
Nouveau livre de Noëls - VI. Noël "Qu'Adam fut un pauvre homme"
—
Nouveau livre de Noëls - VII. Noël "Chretiéns qui suivez l'Eglise"
—
Nouveau livre de Noëls - VIII. Noël foreign carol, perhaps Italian
—
Nouveau livre de Noëls - IX. Noël "Noël pour l'amour de Marie" and "Chantons, je vous prie"
—
Nouveau livre de Noëls - X. Noël "Quand Dieu nacquit à Noël" or "Bon Joseph,écoutez-moi"
—
Nouveau livre de Noëls - XI. Noël "Une jeune Pucelle"
—
Nouveau livre de Noëls - XII. Noël Il est un p'tit l'ange" or "Ô Dieu de clémence"
—
Six Sonatas Op.1 No.1 - I. Allegro
—
Six Sonatas Op.1 No.1 - II. Andante sostenuto
—
Six Sonatas Op.1 No.1 - III. Allegro
—
Six Sonatas Op.1 No.2 - I. Allegro
—
Six Sonatas Op.1 No.2 - II. Andantino espressivo
—
Six Sonatas Op.1 No.2 - III. Allegro brillante
—
Six Sonatas Op.1 No.3 - I. Allegro
—
Six Sonatas Op.1 No.3 - II. Rondo andante
—
Six Sonatas Op.1 No.3 - III. Allegro vivace
—
Six Sonatas Op.1 No.4 - I. Allegro
—
Six Sonatas Op.1 No.4 - II. Andantino
—
Six Sonatas Op.1 No.4 - III. Allegro spiritoso
—
Six Sonatas Op.1 No.5 - I. Allegro con brio
—
Six Sonatas Op.1 No.5 - II. Andante grazioso
—
Six Sonatas Op.1 No.5 - III. Allegro con brio
—
Six Sonatas Op.1 No.6 - I. Allegro
—
Six Sonatas Op.1 No.6 - II. Rondo andante
—
Six Sonatas Op.1 No.6 - III. Allegro
—
Sonata in do maggiore, Allegro, (C54, F54)
—
Sonata in la minore, Largo, (C55, F55)
—
Sonata in do maggiore, Allegro (C50, F50)
—
Sonata in sol minore, Andantino (C33, F33)
—
Sonata in sol maggiore, Allegro (C32, F32)
—
Sonata in re minore, Andante con moto, (C79, F79)
—
Sonata in re maggiore, Allegretto, C 30 (F30)
—
Sonata in la maggiore, (Allegro), (C19, F19)
—
Sonata in la minore, Andantino grazioso (C58, F58)
—
Sonata in la maggiore, Allegro (C21, F21)
—
Sonata in re minore, Andantino (C42, F42)
—
Sonata in fa maggiore (C51, F51; orig. Sol maggiore)
—
Sonata in sib minore/maggiore, Andantino, Allegro assai (C70, F70)
—
Sonata in sol minore, Largo (C61, F61)
—
Sonata in sib maggiore, Allegro (C1, F1)
—
Sonata in sol minore, Andantino (C52, F52)
—
Sonata in sol maggiore, Allegro (C53, F53)
—
Sonata in do minore, Larghetto (C49, F49)
—
Sonata in do minore, (C28, F28)
—
Sonata in mib maggiore, Andantino (C37, F37)
—
Sonata in do minore, Allegro (C68, F68)
—
Sonata in C R.A.1.1.08 - I. Allegro
—
Sonata in C R.A.1.1.08 - II. Andantino
—
Sonata in C R.A.1.1.08 - III. Presto
—
Sonata in C R.A.1.1.16 - Allegro pieno
—
Sonata in C R.A.1.1.28 - (Minuetto)
—
Sonata in G R.A.1.11.03 - I. Larghetto
—
Sonata in G R.A.1.11.03 - II. Andante
—
Sonata in G R.A.1.11.28 - I. (Andante)
—
Sonata in G R.A.1.11.28 - II. (Allegro)
—
Sonata in G R.A.1.11.28 - III. (Andante)
—
Sonata in G minor R.A.1.12.05 - (Andante)
—
Sonata in D minor - I. Allegro
—
Sonata in D minor - II. Largo
—
Sonata in D minor - III. Allegro e spirituoso
—
Sonata in D minor R.A.1.4.03 - I. Andantino
—
Sonata in D minor R.A.1.4.03 - II. Presto
—
Sonata in B flat R.A.1.16.10 - Allegro
—
Sonata in B flat R.A.1.16.06 - I. Andante
—
Sonata in B flat R.A.1.16.06 - II. (Allegro)
—
12 Suonate per l'organo op.1 - Sonata I - Capriccio: Largo - Andante - Adagio
—
12 Suonate per l'organo op.1 - Sonata II - Allegretto brillante
—
12 Suonate per l'organo op.1 - Sonata III - Rondo: Grazioso
—
12 Suonate per l'organo op.1 - Sonata IV - Allego moderato
—
12 Suonate per l'organo op.1 - Sonata V - Allegretto grazioso
—
12 Suonate per l'organo op.1 - Sonata VI - Siciliana Addagio
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12 Suonate per l'organo op.1 - Sonata VII - Rondo: Gracioso
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12 Suonate per l'organo op.1 - Sonata VIII
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12 Suonate per l'organo op.1 - Sonata IX - Allegro Moderato
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12 Suonate per l'organo op.1 - Sonata X - Cantabile
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12 Suonate per l'organo op.1 - Sonata XI - Moderato
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12 Suonate per l'organo op.1 - Sonata XII - Fuga
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Sonata e Versetti - Sonata I in E flat
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Sonata e Versetti - Sonata II in C
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Sonata e Versetti - Sonata III in C minor
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Sonata e Versetti - Sonata IV in C
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Sonata e Versetti - Sonata V in F
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Sonata e Versetti - Versetto I "Adagio"
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Sonata e Versetti - Versetto II "Largo"
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Orgelsonate Nr.4 in a-Moll Op.98 - I. Tempo moderato
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Orgelsonate Nr.4 in a-Moll Op.98 - II. Intermezzo
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Orgelsonate Nr.4 in a-Moll Op.98 - III. Fuga cromatica
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Zehn Trios fur Orgel Op.49 - Nr.1 Andante
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Zehn Trios fur Orgel Op.49 - Nr.2 Moderato
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Zehn Trios fur Orgel Op.49 - Nr.3 Adagio
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Zehn Trios fur Orgel Op.49 - Nr.4 Allegretto quasi Andantino
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Zehn Trios fur Orgel Op.49 - Nr.5 Con moto
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Zehn Trios fur Orgel Op.49 - Nr.6 Alla breve
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Zehn Trios fur Orgel Op.49 - Nr.7 Andantino Amabile
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Zehn Trios fur Orgel Op.49 - Nr.8 Adagio ma non troppo
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Zehn Trios fur Orgel Op.49 - Nr.9 Moderato
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Zehn Trios fur Orgel Op.49 - Nr.10 Andante molto
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Passacaglia e-moll Op.132 (aus der 8 Orgelsonate)
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Praeludium und Fugue in D minor Op.37 No.3 - I. Praeludium
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Praeludium und Fugue in D Minor Op.37 No.3 - II. Fuge
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Fugue in E minor
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Fugue in F minor
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Prelude in C minor
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Trio in F
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Andante/Thema with variations in D
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Allegro, Choral and Fugue in D minor
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Allegro in B flat
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Allegro moderato maestoso in C
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Sonate I in F minor Op.65 No.1 - I. Allegro moderato e serioso
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Sonate I in F minor Op.65 No.1 - II. Adagio
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Sonate I in F minor Op.65 No.1 - III. Recitativo
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Sonate I in F minor Op.65 No.1 - VI. Allegro vivace assai
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Sonata Nr.2 op.42 in G minor - I. Maestoso-Più Moto-Maestoso
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Sonata Nr.2 op.42 in G minor - II. Adagio
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Sonata Nr.2 op.42 in G minor - III. Introduction: Allegro assai - Fuge
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Choralvorspiel "Schmücke dich, o liebe Seele"
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Sonata Nr.6 op.137 - I. Aus tiefer Noth schrei ich zu dir
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Sonata Nr.6 op.137 - II. Adagio molto-più moto-Tempo I
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Sonata Nr.6 op.137 - III. Introduction: Allegro risoluto - Andante - A tempo
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Sonata Nr.6 op.137 - IV. Poco moderato (Fuge)
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Choralvorspiel "Nun sich der Tag"
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Kirchliche Festoverture
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Évocation à la Chapelle Sixtine
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Orpheus
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Trauerode
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Consolation II
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Consolation E major
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Requiem für die Orgel
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Concertone a più strumenti
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Elevazione
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Marcia
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Le Quattro Stagioni: Primavera
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Le Quattro Stagioni: Estate
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Le Quattro Stagioni: Autunno
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Le Quattro Stagioni: Inverno
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Toccata in re
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Corale
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Passeggiata
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Toccata in Sol op.90 n.5
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Finale
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Offertorio in E-flat
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Elevazione in G
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Postcommunio in B-flat
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Offertorio in D
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Elevazione in A
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Postcommunio in E
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Sinfonia in D
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Allegro Marziale in C
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Postcommunio in A
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Pastorale in B-flat
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Gran Sinfonia Variata in D
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Sonata in Re: Moderato
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Sonata in Re: Adagio
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Sonata in Re: Finale - Fugato
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Capriccio alla sonata
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Tempo di sonata - Breve fantasia
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Sonata in Sib: Andante maestoso - Allegro giusto
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Sonata in Sib: Andante religioso
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Sonata in Sib: Ultimo tempo
—
Emulazione
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Ripieno
—
Scherzino
—
Marcia villereccia
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Pastorale n. 1 in Fa (Andante)
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Pastorale n. 2 in Sol (Allegretto)
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Pastorale n. 3 in Do (Allegretto)
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Pastorale n. 4 in la (Allegro)
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Pastorale n. 5 in Sol (Andante)
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Pastorale n. 6 in La (Allegro moderato)
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Pastorale n. 7 in Fa (Allegretto)
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Pastorale n. 8 in Do (Moderato)
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Pastorale n. 9 in Do (Andante mosso)
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Pastorale n. 10 in Re (Andante)
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Pastorale n. 11 in Sol (Moderato assai)
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Pastorale n. 12 in Re (Allegretto)
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Pastorale n. 13 in Fa (Allegro)
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Pastorale n. 14 in Do (Andante variato)
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Pastorale in re-Sol (senza numero, Andantino)
—
Marcia funebre in memoria del padre
—
Fantasie
—
12 Pièces, Op.16 - No.1 Prelude
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12 Pièces, Op.16 - No.2 Fugue
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12 Pièces, Op.16 - No.4 Intermezzo
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12 Pièces, Op.16 - No.11 Adagietto
—
12 Pièces, Op.16 - No.5 Carillon
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Deuxieme suite Op.27 - I. Prelude pastoral
—
Deuxieme suite Op.27 - II. Allegretto con moto
—
Deuxieme suite Op.27 - III. Andantino
—
Deuxieme suite Op.27 - IV. Final-Marche
—
Heures mystiques: Messe IV Op.29/4 - I. Entree in E flat
—
Offertoire in G
—
Hueres mystiques: Messe IV Op.29/4 - V. Sortie in D minor
—
Suite Gothique Op.25 - I. Introduction
—
Suite Gothique Op.25 - II. Menuet
—
Suite Gothique Op.25 - III. Priere
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Suite Gothique Op.25 - IV Toccata
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Dodici Suonate su varii tuoni - I. Allegro Sinfonico
—
Dodici Suonate su varii tuoni - II. Suonata caratteristica in D
—
Dodici Suonate su varii tuoni - III. Suonata in C
—
Dodici Suonate su varii tuoni - IV. Suonata in E flat
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Dodici Suonate su varii tuoni - V. Adagio in A
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Dodici Suonate su varii tuoni - VI. Marcia Finale in F
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Dodici Suonate su varii tuoni - VII. Adagio per l'Elevazione
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Dodici Suonate su varii tuoni - VIII. Marcia Finale in G
—
Dodici Suonate su varii tuoni - IX. Suonata in F
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Dodici Suonate su varii tuoni - X. Polka Finale in Fa
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Dodici Suonate su varii tuoni - XI. Adagio in G
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Dodici Suonate su varii tuoni - XII. Suonata in C
—
dalla 'Messa in C', sei Versetti instrumentati pel Gloria - I. [untitled]
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dalla 'Messa in C', sei Versetti instrumentati pel Gloria - II. [untitled]
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dalla 'Messa in C', sei Versetti instrumentati pel Gloria - III. [untitled]
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dalla 'Messa in C', sei Versetti instrumentati pel Gloria - VI. [untitled]
—
dalla 'Messa in C', sei Versetti instrumentati pel Gloria - V. [untitled]
—
dalla 'Messa in C', sei Versetti instrumentati pel Gloria - VII. Dopo l'Epistola
—
dalla 'Messa in C', sei Versetti instrumentati pel Gloria - VIII. Suonata per l'Offertorio
—
dalla 'Messa in C', sei Versetti instrumentati pel Gloria - IX. -Pel Postcommunio
—
Dieci Suonate per la benedizione del SS.Sacramento, f.1 - Suonata No.2
—
Dieci Suonate per la benedizione del SS.Sacramento, f.1 - Suonata No.9
—
Dieci Suonate per la benedizione del SS.Sacramento, f.2 - Suonata No.2
—
dalla 'Messa in D' - I. Per dopo l'Epistola
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dalla 'Messa in D' - II. Per l'Elevazione
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dalla 'Messa in D' - III. Per dopo la Messa
—
Toccata, fugue et hymne sur 'Ave Maris Stella' op.28 - I. Toccata
—
Toccata, fugue et hymne sur 'Ave Maris Stella' op.28 - II. Fugue
—
Toccata, fugue et hymne sur 'Ave Maris Stella' op.28 - III. Hymne
—
Symphonic Fantasy on an Eastern Gregorian Alleluia op.13
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3 Preludien und Fugen op.72: No.1 Preludium und Fuge in F 'Lydisch'
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3 Preludien und Fugen op.72: No.2 Preludium und Fuge in F minor 'Dorisch'
—
3 Preludien und Fugen op.72: No.3 Preludium und Fuge in A 'Mixolydisch'
—
Variationen und Finale über ein altflämisches Lied op.20
—
Sinfonia per organo op.48 - I. Allegro energico
—
Sinfonia per organo op.48 - II. Adagio
—
Sinfonia per organo op.48 - III. Fantasia
—
Sinfonia per organo op.48 - IV. Fuga
—
Fantasie und Fuge on B-A-C-H Op.46 - I. Phantasie
—
Fantasie und Fuge on B-A-C-H Op.46 - II. Fuge
—
Sonata No.1 in F-sharp minor Op.33 - I. Fantasie
—
Sonata No.1 in F-sharp minor Op.33 - II. Intermezzo
—
Sonata No.1 in F-sharp minor Op.33 - III. Passacaglia
—
Sonata No.2 in D minor Op.60 - I. Improvisation
—
Sonata No.2 in D minor Op.60 - II. Invocation
—
Sonata No.2 in D minor Op.60 - III. Introduction
—
Sonata No.2 in D minor Op.60 - IV. Fuge
—
Preludes, Book 1 - No.10: La Cathedrale engloutie
—
Suite espanola, op.48 - Asturias
—
Prelude a l'apres-midi d'un faune
—
6 Romanian Folk Dances Sz56 BB68
—
Carmen - Ent'acte (Act II)
—
Adagio for strings Op.11
—
Morceaux de fantaisie op.3 - No.2: Prelude in C sharp minor
—
Symphony no.2 - IV. 'Urlicht'
—
Prelude and Fugue on B-A-C-H
—
Cercles reflechissiants - Cercles lointains
—
La Nativite du Seigneur - I. La Vierge et l'Enfant
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La Nativite du Seigneur - II. Les Bergers
—
La Nativite du Seigneur - III. Desseins eternels
—
La Nativite du Seigneur - IV. Le Verbe
—
La Nativite du Seigneur - V. Les Enfants de Dieu
—
La Nativite du Seigneur - VI. Les Enges
—
La Nativite du Seigneur - VII. Jesus accepte la souffrance
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La Nativite du Seigneur - VIII. Les Mages
—
La Nativite du Seigneur - IX. Dieu parmi nous
—
Musica ricercata - VIII. Vivace
—
Musica ricercata - XI Andante misurato e tranquillo
—
Musica ricercata - III. Allegro con spirito
—
Fantaisie sur 'Une jeune fillette'
—
Florete flores
—
Pari intervallo
—
Dialoge Op.16 - Capriccio sopro la serenita
—
Watching
—
Cantio 'O Traurigkeit, o Herzeleid' imitatione Tremula Organi
—
6 peces per a orgue - No.5: Nit estelada
—
6 peces per a orgue - No.6: Cap a la Iluna
—
Mintaka
—
O quam pulchra es
—
Hommage a Dietrich Buxtehude - Toccatenfuge
—
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