UPC · Release
The Collection
Arvo Pärt
5028421963891
88 tracksReleased 2021-01-01Brilliant Classics
Last verified:
5028421963891 is the Universal Product Code (UPC barcode) for the release “The Collection” by Arvo Pärt, released 2021-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 88 tracks, each with its own ISRC. Tracks include NLY331005680, HKI190014001, HKI190014002.
Format
502GS1 prefix
8421Company prefix
96389Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Collection
ISRC37 recordings
ISWC4 works
IPI3 songwriters
Track List (88)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Spiegel im Spiegel (for violin & piano) | — | ||
| 2 | Variationen zur Gesundung von Arinuschka (for piano solo) | — | ||
| 3 | Für Alina (for piano solo) | — | ||
| 4 | Spiegel im Spiegel (for viola & piano) | — | ||
| 5 | Mozart-Adagio (for violin, cello & piano) | — | ||
| 6 | Spiegel im Spiegel | Jürgen Kruse, Sebastian Klinger | T-800.638.693-3 | |
| 2-1 | Tabula Rasa: Ludus (excerpt) | Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa | — | |
| 2-2 | Tabula Rasa: Silentium | Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa | — | |
| 2-3 | Collage über BACH: Toccata | Ulster Orchestra, Takuo Yuasa | — | |
| 2-4 | Collage über BACH: Sarabande | Ulster Orchestra, Takuo Yuasa | — | |
| 2-5 | Collage über BACH: Ricercar | Ulster Orchestra, Takuo Yuasa | — | |
| 2-6 | Symphony no. 3: First Movement | Ulster Orchestra, Takuo Yuasa | — | |
| 2-7 | Symphony no. 3: Second Movement | Ulster Orchestra, Takuo Yuasa | — | |
| 2-8 | Symphony no. 3: Third Movement | Ulster Orchestra, Takuo Yuasa | — | |
| 3-1 | Fratres (for strings and percussion) (1991 revision) | Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich, Miklós Kovács | — | |
| 3-2 | Fratres for Violin, Strings and Percussion | Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich, Miklós Kovács, Béla Nagy | — | |
| 3-3 | Festina Lente for Strings and Harp ad lib. | Hungarian State Opera Orchestra, Tamás Benedek, Márta Haraszti | — | |
| 3-4 | Fratres for String Quartet | Judit Kis Domonkos, Rezső Hajna, Béla Nagy, Katalin Schneider | — | |
| 3-5 | Fratres for Cello and Piano | Tibor Parkanyi, Sándor Falvay | — | |
| 3-6 | Summa for Strings | Hungarian State Opera Orchestra, Tamás Benedek, Tibor Parkanyi | — | |
| 3-7 | Fratres for Eight Cellos | Péter Arató, Judit Faludi, Ágnes Fodor, Eszter Kendi, Béla Melis, Katalin Aldobólyi Nagy, Tibor Wambach | — | |
| 3-8 | Fratres for Wind Octet and Percussion | László Kiss Gy, István Hartenstein, László Hunyadi, Géza Bánhegyi, József Erős, Károly Ambrus, Antal Szuromi, Béla Horváth, Antal Eisrich, Miklós Kovács | — | |
| 3-9 | Cantus in Memory of Benjamin Britten for Strings and Bells | Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich | — | |
| 4-1 | Magnificat | — | ||
| 4-2 | Nunc dimittis | — | ||
| 4-3 | Maria Antifonen: O Weisheit | — | ||
| 4-4 | Maria Antifonen: O Adonai | — | ||
| 4-5 | Maria Antifonen: O Spross aus Isias Wurzel | — | ||
| 4-6 | Maria Antifonen: O Schüssel Davids | — | ||
| 4-7 | Maria Antifonen: O Morgenstern | — | ||
| 4-8 | Maria Antifonen: O König aller Völker | — | ||
| 4-9 | Maria Antifonen: O Immanuel | — | ||
| 4-10 | Stabat Mater | — | ||
| 5-1 | Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Betrayed and Arrested in Gethsemane | Tonus Peregrinus, Antony Pitts | — | |
| 5-2 | Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Interrogated by the High Priest and Denied by Peter | Tonus Peregrinus, Antony Pitts | — | |
| 5-3 | Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Judged by Pilate and Reviled by the People | Tonus Peregrinus, Antony Pitts | — | |
| 5-4 | Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Crucified at Golgotha | Tonus Peregrinus, Antony Pitts | — | |
| 6-1 | The Beatitudes | Leeds Cathedral Choir, Daniel Justin, Benjamin Saunders | — | |
| 6-2 | Berliner Messe: I. Kyrie | Leeds Cathedral Choir, Daniel Justin, Benjamin Saunders | — | |
| 6-3 | Berliner Messe: II. Gloria | Leeds Cathedral Choir, Daniel Justin, Benjamin Saunders | — | |
| 6-4 | Berliner Messe: III. Erster Alleluiavers | Leeds Cathedral Choir, Daniel Justin, Benjamin Saunders | — | |
| 6-5 | Berliner Messe: IV. Zweiter Alleluiavers | Leeds Cathedral Choir, Daniel Justin, Benjamin Saunders | — | |
| 6-6 | Berliner Messe: V. Veni sancte spiritus | Leeds Cathedral Choir, Daniel Justin, Benjamin Saunders | — | |
| 6-7 | Berliner Messe: VI. Credo | Leeds Cathedral Choir, Daniel Justin, Benjamin Saunders | — | |
| 6-8 | Berliner Messe: VII. Sanctus | Leeds Cathedral Choir, Daniel Justin, Benjamin Saunders | — | |
| 6-9 | Berliner Messe: VIII. Agnus Dei | Leeds Cathedral Choir, Daniel Justin, Benjamin Saunders | — | |
| 6-10 | Cantate Domino | Leeds Cathedral Choir, Daniel Justin, Benjamin Saunders | — | |
| 6-11 | Annum per annum | Thomas Leech | — | |
| 6-12 | Mein Weg hat Gipfel und Wellentäler | Thomas Leech | — | |
| 6-13 | Pari intervallo | Thomas Leech | — | |
| 6-14 | Trivium | Thomas Leech | — | |
| 6-15 | Spiegel im Spiegel | Thomas Leech | — | |
| 7-1 | Triodion: I. Introduction. Ad Libitum – Ode I. 'O Jesus The Son Of God, Have Mercy Upon Us' | — | ||
| 7-2 | Triodion: II. Ode II. 'O Most Holy Birth-Giver Of God, Save Us' | — | ||
| 7-3 | Triodion: III. Ode III. 'O Holy Saint Nicholas, Pray To God For Us' Coda: Ad Libitum | — | ||
| 7-4 | Tribute to Caesar (St Matthew 22:15–22) | — | ||
| 7-5 | Nunc dimittis (St Luke 2:29–32) | — | ||
| 7-6 | Ode VII (Memento) (from Kanon Pokajanen) | — | ||
| 7-7 | I Am the True Vine | — | ||
| 7-8 | The Woman With the Alabaster Box (St Matthew 26:6–13) | — | ||
| 7-9 | Dopo la Vittoria (After the Victory) | — | ||
| 7-10 | Bogoróditse Djévo (Mother of God and Virgin) | — | ||
| 8-1 | Für Alina | — | ||
| 8-2 | Variationen zur Gesundung von Arinuschka | — | ||
| 8-3 | Ukuaru valss | — | ||
| 8-4 | Für Anna Maria | — | ||
| 8-5 | Für Alina | — | ||
| 8-6 | Pari intervallo | — | ||
| 8-7 | Hymn to a Great City | — | ||
| 8-8 | Für Anna Maria | — | ||
| 8-9 | Für Alina | — | ||
| 8-10 | Fratres | — | ||
| 8-11 | Spiegel im Spiegel | — | ||
| 9-1 | Vier leichte Tanzstücke “Musik für Kindertheater”: I. Der gestiefelte Kater | — | ||
| 9-2 | Vier leichte Tanzstücke “Musik für Kindertheater”: II. Rotkäppchen und der Wolf | — | ||
| 9-3 | Vier leichte Tanzstücke “Musik für Kindertheater”: III. Schmetterlinge | — | ||
| 9-4 | Vier leichte Tanzstücke “Musik für Kindertheater”: IV. Tanz der Entenküken | — | ||
| 9-5 | Sonatina no. 1: I. Allegro | — | ||
| 9-6 | Sonatina no. 1: II. Larghetto | — | ||
| 9-7 | Sonatina no. 1: III. Allegro | — | ||
| 9-8 | Sonatine no. 2: I. Allegro energico | — | ||
| 9-9 | Sonatine no. 2: II. Largo | — | ||
| 9-10 | Sonatine no. 2: III. Allegro | — | ||
| 9-11 | Partita op. 2: I. Toccatina | — | ||
| 9-12 | Partita op. 2: II. Fughetta | — | ||
| 9-13 | Partita op. 2: III. Larghetto | — | ||
| 9-14 | Partita op. 2: IV. Ostinato | — | ||
| 9-15 | Für Alina | — |
Spiegel im Spiegel (for violin & piano)
—
Variationen zur Gesundung von Arinuschka (for piano solo)
—
Für Alina (for piano solo)
—
Spiegel im Spiegel (for viola & piano)
—
Mozart-Adagio (for violin, cello & piano)
—
Tabula Rasa: Ludus (excerpt)
Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa
—
Tabula Rasa: Silentium
Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa
—
Collage über BACH: Toccata
Ulster Orchestra, Takuo Yuasa
—
Collage über BACH: Sarabande
Ulster Orchestra, Takuo Yuasa
—
Collage über BACH: Ricercar
Ulster Orchestra, Takuo Yuasa
—
Symphony no. 3: First Movement
Ulster Orchestra, Takuo Yuasa
—
Symphony no. 3: Second Movement
Ulster Orchestra, Takuo Yuasa
—
Symphony no. 3: Third Movement
Ulster Orchestra, Takuo Yuasa
—
Fratres (for strings and percussion) (1991 revision)
Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich, Miklós Kovács
—
Fratres for Violin, Strings and Percussion
Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich, Miklós Kovács, Béla Nagy
—
Festina Lente for Strings and Harp ad lib.
Hungarian State Opera Orchestra, Tamás Benedek, Márta Haraszti
—
Fratres for String Quartet
Judit Kis Domonkos, Rezső Hajna, Béla Nagy, Katalin Schneider
—
Fratres for Cello and Piano
Tibor Parkanyi, Sándor Falvay
—
Summa for Strings
Hungarian State Opera Orchestra, Tamás Benedek, Tibor Parkanyi
—
Fratres for Eight Cellos
Péter Arató, Judit Faludi, Ágnes Fodor, Eszter Kendi, Béla Melis, Katalin Aldobólyi Nagy, Tibor Wambach
—
Fratres for Wind Octet and Percussion
László Kiss Gy, István Hartenstein, László Hunyadi, Géza Bánhegyi, József Erős, Károly Ambrus, Antal Szuromi, Béla Horváth, Antal Eisrich, Miklós Kovács
—
Cantus in Memory of Benjamin Britten for Strings and Bells
Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich
—
Magnificat
—
Nunc dimittis
—
Maria Antifonen: O Weisheit
—
Maria Antifonen: O Adonai
—
Maria Antifonen: O Spross aus Isias Wurzel
—
Maria Antifonen: O Schüssel Davids
—
Maria Antifonen: O Morgenstern
—
Maria Antifonen: O König aller Völker
—
Maria Antifonen: O Immanuel
—
Stabat Mater
—
Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Betrayed and Arrested in Gethsemane
Tonus Peregrinus, Antony Pitts
—
Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Interrogated by the High Priest and Denied by Peter
Tonus Peregrinus, Antony Pitts
—
Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Judged by Pilate and Reviled by the People
Tonus Peregrinus, Antony Pitts
—
Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Crucified at Golgotha
Tonus Peregrinus, Antony Pitts
—
The Beatitudes
Leeds Cathedral Choir, Daniel Justin, Benjamin Saunders
—
Berliner Messe: I. Kyrie
Leeds Cathedral Choir, Daniel Justin, Benjamin Saunders
—
Berliner Messe: II. Gloria
Leeds Cathedral Choir, Daniel Justin, Benjamin Saunders
—
Berliner Messe: III. Erster Alleluiavers
Leeds Cathedral Choir, Daniel Justin, Benjamin Saunders
—
Berliner Messe: IV. Zweiter Alleluiavers
Leeds Cathedral Choir, Daniel Justin, Benjamin Saunders
—
Berliner Messe: V. Veni sancte spiritus
Leeds Cathedral Choir, Daniel Justin, Benjamin Saunders
—
Berliner Messe: VI. Credo
Leeds Cathedral Choir, Daniel Justin, Benjamin Saunders
—
Berliner Messe: VII. Sanctus
Leeds Cathedral Choir, Daniel Justin, Benjamin Saunders
—
Berliner Messe: VIII. Agnus Dei
Leeds Cathedral Choir, Daniel Justin, Benjamin Saunders
—
Cantate Domino
Leeds Cathedral Choir, Daniel Justin, Benjamin Saunders
—
Annum per annum
Thomas Leech
—
Mein Weg hat Gipfel und Wellentäler
Thomas Leech
—
Pari intervallo
Thomas Leech
—
Trivium
Thomas Leech
—
Spiegel im Spiegel
Thomas Leech
—
Triodion: I. Introduction. Ad Libitum – Ode I. 'O Jesus The Son Of God, Have Mercy Upon Us'
—
Triodion: II. Ode II. 'O Most Holy Birth-Giver Of God, Save Us'
—
Triodion: III. Ode III. 'O Holy Saint Nicholas, Pray To God For Us' Coda: Ad Libitum
—
Tribute to Caesar (St Matthew 22:15–22)
—
Nunc dimittis (St Luke 2:29–32)
—
Ode VII (Memento) (from Kanon Pokajanen)
—
I Am the True Vine
—
The Woman With the Alabaster Box (St Matthew 26:6–13)
—
Dopo la Vittoria (After the Victory)
—
Bogoróditse Djévo (Mother of God and Virgin)
—
Für Alina
—
Variationen zur Gesundung von Arinuschka
—
Ukuaru valss
—
Für Anna Maria
—
Für Alina
—
Pari intervallo
—
Hymn to a Great City
—
Für Anna Maria
—
Für Alina
—
Fratres
—
Spiegel im Spiegel
—
Vier leichte Tanzstücke “Musik für Kindertheater”: I. Der gestiefelte Kater
—
Vier leichte Tanzstücke “Musik für Kindertheater”: II. Rotkäppchen und der Wolf
—
Vier leichte Tanzstücke “Musik für Kindertheater”: III. Schmetterlinge
—
Vier leichte Tanzstücke “Musik für Kindertheater”: IV. Tanz der Entenküken
—
Sonatina no. 1: I. Allegro
—
Sonatina no. 1: II. Larghetto
—
Sonatina no. 1: III. Allegro
—
Sonatine no. 2: I. Allegro energico
—
Sonatine no. 2: II. Largo
—
Sonatine no. 2: III. Allegro
—
Partita op. 2: I. Toccatina
—
Partita op. 2: II. Fughetta
—
Partita op. 2: III. Larghetto
—
Partita op. 2: IV. Ostinato
—
Für Alina
—
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Tabula Rasa: Ludus | Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa | — |
| Fratres (for strings and percussion) (1991 revision) | Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich, Miklós Kovács | — |
Tabula Rasa: Ludus
Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa
—
Fratres (for strings and percussion) (1991 revision)
Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich, Miklós Kovács
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
SourcesMusicBrainzDiscogs2 sources
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What is UPC 5028421963891?
5028421963891 is a Universal Product Code (UPC) assigned to The Collection by Arvo Pärt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 88 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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