UPC · Release
Bedrich Smetana Collection
Bedřich Smetana, Janacek Philharmonic Orchestra, Theodore Kuchar, Stamitz Quartet, Roberto Plano, Otmar Suitner, Staatskapelle Dresden
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5028421969091 is the Universal Product Code (UPC barcode) for the release “Bedrich Smetana Collection” by Bedřich Smetana, Janacek Philharmonic Orchestra, Theodore Kuchar, Stamitz Quartet, Roberto Plano, Otmar Suitner, Staatskapelle Dresden, released 2023-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 132 tracks, each with its own ISRC.
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- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
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Track List (132)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Má vlast: I. Vyšehrad | — | ||
| 2 | Má vlast: II. Vltava | — | ||
| 3 | Má vlast: III. Šárka | — | ||
| 4 | Má vlast: IV. Z českých luhů a hájů (From Bohemia’s Meadows and Forests) | — | ||
| 5 | Má vlast: V. Tábor | — | ||
| 6 | Má vlast: VI. Blaník | — | ||
| 2-1 | Wallenstein’s Camp, Symphonic Poem, Op. 14 | — | ||
| 2-2 | Hakon Jarl, Symphonic Poem, Op. 16 | — | ||
| 2-3 | Richard III, Symphonic Poem, Op. 11 | — | ||
| 2-4 | Overture to “The Bartered Bride” | — | ||
| 2-5 | Three Dances from “The Bartered Bride”: I. Polka | — | ||
| 2-6 | Three Dances from “The Bartered Bride”: II. Furiant | — | ||
| 2-7 | Three Dances from “The Bartered Bride”: III. Skocna (Dance of the Comedians) | — | ||
| 2-8 | Doktor Faust, Overture to the puppet‐play by Matej Kopecký | — | ||
| 2-9 | Venkovanka, The Peasant Woman, Polka | — | ||
| 2-10 | Nasim Devam, To our Girls, Polka | — | ||
| 3-1 | Festive Symphony in E major, Op. 6: I. Allegro vivace | — | ||
| 3-2 | Festive Symphony in E major, Op. 6: II. Largo maestose | — | ||
| 3-3 | Festive Symphony in E major, Op. 6: III. Scherzo. Allegro vivace | — | ||
| 3-4 | Festive Symphony in E major, Op. 6: IV. Finale. Allegro non troppo ma energico | — | ||
| 3-5 | Festive Overture in C major | — | ||
| 3-6 | Festive Overture in D major, Op. 4 | — | ||
| 3-7 | Prague Carnival, Introduction & Polonaise | — | ||
| 3-8 | March of the National Guard | — | ||
| 3-9 | Shakespeare Festival March, Op. 20 | — | ||
| 4-1 | String Quartet No.1 ‘From my Life’ – I. Allegro Vivo Appassionato | — | ||
| 4-2 | String Quartet No.1 ‘From my Life’ – II. Allegro Moderato A La Polka | — | ||
| 4-3 | String Quartet No.1 ‘From my Life’ – III. Largo sostenuto | — | ||
| 4-4 | String Quartet No.1 ‘From my Life’ – IV. Vivace | — | ||
| 4-5 | String Quartet No.2 – I. Allegro | — | ||
| 4-6 | String Quartet No.2 – II. Allegro Moderato | — | ||
| 4-7 | String Quartet No.2 – III. Allegro Non Piu Moderato | — | ||
| 4-8 | String Quartet No.2 – IV. Presto Agitato | — | ||
| 4-9 | Piano Trio Op.15 – I. Moderato assai | — | ||
| 4-10 | Piano Trio Op.15 – II. Allegro, ma non agitato | — | ||
| 4-11 | Piano Trio Op.15 – III. Finale: Presto | — | ||
| 5-1 | Andante in E‐Flat Major, JB1:62 | — | ||
| 5-2 | Pensée fugitive in D Minor, JB1:24 | — | ||
| 5-3 | Album Leaves, Op. 2: I. Prelude: Allegro | — | ||
| 5-4 | Album Leaves, Op. 2: II. Chanson: Moderato | — | ||
| 5-5 | Album Leaves, Op. 2: III. Vivace | — | ||
| 5-6 | Album Leaves, Op. 2: IV. Allegro comodo, sempre marcato | — | ||
| 5-7 | Album Leaves, Op. 2: V. Moderato con anima | — | ||
| 5-8 | Album Leaves, Op. 2: VI. Andante ma non troppo | — | ||
| 5-9 | Characteristic Pieces, Op. 3: I. To Robert Schumann | — | ||
| 5-10 | Characteristic Pieces, Op. 3: II. Wayfarer’s Song | — | ||
| 5-11 | Characteristic Pieces, Op. 3: III. “It Boils and It Roars” | — | ||
| 5-12 | Sketches, Op. 4: I. Prelude | — | ||
| 5-13 | Sketches, Op. 4: II. Idyll | — | ||
| 5-14 | Sketches, Op. 4: III. Memory | — | ||
| 5-15 | Sketches, Op. 4: IV. Persistent Endeavour | — | ||
| 5-16 | Sketches, Op. 5: I. Scherzo – Polka | — | ||
| 5-17 | Sketches, Op. 5: II. Melancholy | — | ||
| 5-18 | Sketches, Op. 5: III. Friendly Landscape | — | ||
| 5-19 | Sketches, Op. 5: IV. Rhapsody | — | ||
| 5-20 | Album Leaf in B‐Flat Major, JB1:46 (Allegretto ma non troppo) | — | ||
| 5-21 | Album Leaf in B Minor, JB1:32 (Allegro) | — | ||
| 5-22 | Album Leaf, JB1:53 (Toccatina) | — | ||
| 5-23 | Album Leaf in G Major, JB2:21 (Trio) | — | ||
| 5-24 | Album Leaf in E‐Flat Minor, JB1:54 (Lento) | — | ||
| 5-25 | Album Leaf in B‐Flat Minor, JB1:52 (Con moto) | — | ||
| 5-26 | Album Leaf for Katerina Kolarova, JB1:20 (Moderato) | — | ||
| 5-27 | Album Leaf for Elisabeth F. Thun, JB1:25 (Allegro) | — | ||
| 5-28 | Album Leaf for Josephine Finke, JB1:21 (Agitato) | — | ||
| 5-29 | Album Leaf for Jean Kunz, JB1:22 (Allegro) | — | ||
| 5-30 | Album Leaf for Václav Ulwer, JB1:23 (Grave) | — | ||
| 5-31 | Album Leaf for Marie Proksch, JB1:81 (Moderato) | — | ||
| 5-32 | Album Leaf in F Minor, JB1:117 (Andante) | — | ||
| 5-33 | Album Leaf in G Minor, JB1:121 (Romance) | — | ||
| 6-1 | Czech Dances, Book I: Polka in F‐sharp minor | — | ||
| 6-2 | Czech Dances, Book I: Polka in A minor | — | ||
| 6-3 | Czech Dances, Book I: Polka in F major | — | ||
| 6-4 | Czech Dances, Book I: Polka in B‐flat major | — | ||
| 6-5 | Czech Dances, Book II, JB 1:114 no. 1: Furiant | — | ||
| 6-6 | Czech Dances, Book II, JB 1:114 no. 2: Slepička | — | ||
| 6-7 | Czech Dances, Book II, JB 1:114 no. 3: Oves | — | ||
| 6-8 | Czech Dances, Book II, JB 1:114 no. 4: Medvĕd | — | ||
| 6-9 | Czech Dances, Book II, JB 1:114 no. 5: Cibulička | — | ||
| 6-10 | Czech Dances, Book II, JB 1:114 no. 6: Dupák | — | ||
| 6-11 | Czech Dances, Book II, JB 1:114 no. 7: Hulán | — | ||
| 6-12 | Czech Dances, Book II, JB 1:114 no. 8: Obkročák | — | ||
| 6-13 | Czech Dances, Book II, JB 1:114 no. 9: Sousedská | — | ||
| 6-14 | Czech Dances, Book II, JB 1:114 no. 10: Skočná | — | ||
| 7-1 | The Bartered Bride: Overture | — | ||
| 7-2 | The Bartered Bride: Act I: Seht am Strauch die Knospen springen | — | ||
| 7-3 | The Bartered Bride: Act I: Sag, mein liebes Herz, warum | — | ||
| 7-4 | The Bartered Bride: Act I: Zum Tanze rufen sie mich heut’ umsonst | — | ||
| 7-5 | The Bartered Bride: Act I: Gern ja will ich dir vertrauen | — | ||
| 7-6 | The Bartered Bride: Act I: Sage, was dich von Hause fort | — | ||
| 7-7 | The Bartered Bride: Act I: Mit der Mutter sank zu Grabe | — | ||
| 7-8 | The Bartered Bride: Act I: Nun in Lust und Leide | — | ||
| 7-9 | The Bartered Bride: Act I: Alles ist so gut wie richtig | — | ||
| 7-10 | The Bartered Bride: Act I: Freilich, den Tobias Micha | — | ||
| 7-11 | The Bartered Bride: Act I: Er wär’ gerne mit mir gekommen | — | ||
| 7-12 | The Bartered Bride: Act I: Seht, da kommt sie wie gerufen! | — | ||
| 7-13 | The Bartered Bride: Act I: Mit Hans bin ich vereint! | — | ||
| 7-14 | The Bartered Bride: Act I: Durch die Reihen hinzufliegen | — | ||
| 7-15 | The Bartered Bride: Act II: Wie schäumst du in den Krügen | — | ||
| 7-16 | The Bartered Bride: Act II: Furiant | — | ||
| 7-17 | The Bartered Bride: Act II: Teurer Sohn, sprach Mütterlein | — | ||
| 7-18 | The Bartered Bride: Act II: Seid ihr nicht der Bräutigam von Kruschinas Mariechen? | — | ||
| 7-19 | The Bartered Bride: Act II: Eine gibt es hier im Dorf | — | ||
| 8-1 | The Bartered Bride: Act II: Komm, mein Söhnchen, auf ein Wort | — | ||
| 8-2 | The Bartered Bride: Act II: Wer in Lieb’ entbrannt | — | ||
| 8-3 | The Bartered Bride: Act II: Gib die törichte Liebschaft auf | — | ||
| 8-4 | The Bartered Bride: Act II: Armer Narr, glaubtest du mich zu fangen? | — | ||
| 8-5 | The Bartered Bride: Act II: Es muss gelingen! | — | ||
| 8-6 | The Bartered Bride: Act II: Nicht zu hitzig! | — | ||
| 8-7 | The Bartered Bride: Act III: O, was ich mich betrübe | — | ||
| 8-8 | The Bartered Bride: Act III: Marsch Der Komödianten | — | ||
| 8-9 | The Bartered Bride: Act III: Tanz und Produktion der Komödianten | — | ||
| 8-10 | The Bartered Bride: Act III: Ei, ei, ei, wie, wie reizend! | — | ||
| 8-11 | The Bartered Bride: Act III: He, mein Teurer! | — | ||
| 8-12 | The Bartered Bride: Act III: Alles geht am Schnürchen | — | ||
| 8-13 | The Bartered Bride: Act III: Ach, wie wird es mir ergehn? | — | ||
| 8-14 | The Bartered Bride: Act III: Ha, das trifft wie ein Donnerschlag! | — | ||
| 8-15 | The Bartered Bride: Act III: Nein, nein, nein! | — | ||
| 8-16 | The Bartered Bride: Act III: Hab ich verdient so tiefe Schmach? | — | ||
| 8-17 | The Bartered Bride: Act III: He, Wenzel, mein Wenzelchen! | — | ||
| 8-18 | The Bartered Bride: Act III: Noch ein Weilchen, Marie, bedenk es dir | — | ||
| 8-19 | The Bartered Bride: Act III: Endlich allein | — | ||
| 8-20 | The Bartered Bride: Act III: Der Liebestraum war wunderschön | — | ||
| 8-21 | The Bartered Bride: Act III: So find’ ich dich, Feinsliebchen, hier | — | ||
| 8-22 | The Bartered Bride: Act III: Ha, ha, ha, ha! | — | ||
| 8-23 | The Bartered Bride: Act III: Mein lieber Schatz, nun aufgepasst! | — | ||
| 8-24 | The Bartered Bride: Act III: He, Hans, möchtest wohl dein Geld? | — | ||
| 8-25 | The Bartered Bride: Act III: Gesegnet, was liebt und auch vertraut | — | ||
| 8-26 | The Bartered Bride: Act III: Kommen wir gerne, so kommen wir gleich! | — | ||
| 8-27 | The Bartered Bride: Act III: Was seh ich? | — | ||
| 8-28 | The Bartered Bride: Act III: Wer hätte das von ihm gedacht!? | — | ||
| 8-29 | The Bartered Bride: Act III: Seid ohne Furcht! | — | ||
| 8-30 | The Bartered Bride: Act III: So ist’s recht, es freut uns alle! | — |
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What is UPC 5028421969091?
5028421969091 is a Universal Product Code (UPC) assigned to Bedrich Smetana Collection by Bedřich Smetana, Janacek Philharmonic Orchestra, Theodore Kuchar, Stamitz Quartet, Roberto Plano, Otmar Suitner, Staatskapelle Dresden. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 132 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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