UPC · Release
Italian Cello Sonatas
Various Artists
Last verified:
5028421972787 is the Universal Product Code (UPC barcode) for the release “Italian Cello Sonatas” by Various Artists, released 2024-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 62 tracks, each with its own ISRC. Tracks include NLY332105187, NLY332105188, NLY332105189.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (62)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonata for Cello and Piano in G major, op. 30: I. Allegro tranquillo | Costantino Catena, Amedeo Cicchese | — | |
| 2 | Sonata for Cello and Piano in G major, op. 30: II. Largo | Costantino Catena, Amedeo Cicchese | — | |
| 3 | Sonata for Cello and Piano in G major, op. 30: III. Allegro | Costantino Catena, Amedeo Cicchese | — | |
| 4 | Cello Sonata in D major: I. Allegro moderato | Jacopo di Tonno, Domenico Codispoti | — | |
| 5 | Cello Sonata in D major: II. Alla Romanza. Largo doloroso | Jacopo di Tonno, Domenico Codispoti | — | |
| 6 | Cello Sonata in D major: III. Allegro animato | Jacopo di Tonno, Domenico Codispoti | — | |
| 7 | Sonata in F major: I. Largo | Amedeo Cicchese, Barbara Panzarella | — | |
| 8 | Sonata in F major: II. Molto concitato e angoscioso | Amedeo Cicchese, Barbara Panzarella | — | |
| 9 | Sonata in F major: III. Stanco e triste – Largo | Amedeo Cicchese, Barbara Panzarella | — | |
| 10 | Sonata in F-sharp minor, op. 52: I Allegro giusto | Massimiliano Ferrati, Roberto Trainini | — | |
| 11 | Sonata in F-sharp minor, op. 52: II. Scherzo. Allegro molto – Trio. Allegretto | Massimiliano Ferrati, Roberto Trainini | — | |
| 12 | Sonata in F-sharp minor, op. 52: III. Intermezzo. Andantino flebile | Massimiliano Ferrati, Roberto Trainini | — | |
| 13 | Sonata in F-sharp minor, op. 52: IV. Allegro | Massimiliano Ferrati, Roberto Trainini | — | |
| 14 | Tre Pezzi, op. 69: I. Moderato | Massimiliano Ferrati, Roberto Trainini | — | |
| 15 | Tre Pezzi, op. 69: II. Andante | Massimiliano Ferrati, Roberto Trainini | — | |
| 16 | Tre Pezzi, op. 69: III. Allegro | Massimiliano Ferrati, Roberto Trainini | — | |
| 17 | Due Romanze, op. 72: I. Andantino con moto | Massimiliano Ferrati, Roberto Trainini | — | |
| 18 | Due Romanze, op. 72: II. Moderato | Massimiliano Ferrati, Roberto Trainini | — | |
| 19 | Romanza. Allegretto | Massimiliano Ferrati, Roberto Trainini | — | |
| 20 | Sonata in A minor for Cello and Piano: Moderato mosso | Luca Signorini, Dario Candela | — | |
| 21 | Sonata in A minor for Cello and Piano: Tema con variazioni | Luca Signorini, Dario Candela | — | |
| 22 | Sonata in A minor for Cello and Piano: Animato | Luca Signorini, Dario Candela | — | |
| 23 | Sonata for Cello and Piano: I. Lento – Allegro viva | Gianluca Pirisi, Flavia Salemme | — | |
| 24 | Sonata for Cello and Piano: II. Andante molto espressivo | Gianluca Pirisi, Flavia Salemme | — | |
| 25 | Sonata for Cello and Piano: III. Perpetuum mobile – Allegro con spirito | Gianluca Pirisi, Flavia Salemme | — | |
| 26 | Sonata, op. 50: I. Arioso e sereno | Amedeo Cicchese, Barbara Panzarella | — | |
| 27 | Sonata, op. 50: II. Arietta con variazioni – Allegretto, grazioso e un poco malinconico | Amedeo Cicchese, Barbara Panzarella | — | |
| 28 | Sonata, op. 50: III. Vivacemente | Amedeo Cicchese, Barbara Panzarella | — | |
| 29 | Sonata, op. 50: IV. Dolente ma con fierezza | Amedeo Cicchese, Barbara Panzarella | — | |
| 30 | Sonata, op. 50: V. Rustico | Amedeo Cicchese, Barbara Panzarella | — | |
| 31 | Sonata, op. 50: VI. Largo e pomposo | Amedeo Cicchese, Barbara Panzarella | — | |
| 32 | Sonata, op. 50: VII. Energico e ben ritmato | Amedeo Cicchese, Barbara Panzarella | — | |
| 33 | Sonata no. 1 in C minor, op. 8: I. Allegro assai | Andrea Favalessa, Maria Semeraro | — | |
| 34 | Sonata no. 1 in C minor, op. 8: II. Adagio | Andrea Favalessa, Maria Semeraro | — | |
| 35 | Sonata no. 1 in C minor, op. 8: III. Allegro ma non troppo | Andrea Favalessa, Maria Semeraro | — | |
| 36 | Sonata no. 2 in C major, op. 45: I. Preludio. Largo molto e sostenuto | Andrea Favalessa, Maria Semeraro | — | |
| 37 | Sonata no. 2 in C major, op. 45: II. Bourée. Allegro molto vivace e scherzando | Andrea Favalessa, Maria Semeraro | — | |
| 38 | Sonata no. 2 in C major, op. 45: III. Largo | Andrea Favalessa, Maria Semeraro | — | |
| 39 | Sonata no. 2 in C major, op. 45: IV. Rondo. Allegro molto vivace, quasi giga | Andrea Favalessa, Maria Semeraro | — | |
| 40 | Notturno and Tarantella, op. 54: no. 1, Notturno | Andrea Favalessa, Maria Semeraro | — | |
| 41 | Notturno and Tarantella, op. 54: no. 2, Tarantella | Andrea Favalessa, Maria Semeraro | — | |
| 42 | Cello Sonata no. 1 in C major, op. 28: I. Allegro | Lamberto Curtoni, Giovanni Doria Miglietta | — | |
| 43 | Cello Sonata no. 1 in C major, op. 28: II. Andantino | Lamberto Curtoni, Giovanni Doria Miglietta | — | |
| 44 | Cello Sonata no. 1 in C major, op. 28: III. Presto | Lamberto Curtoni, Giovanni Doria Miglietta | — | |
| 45 | Cello Sonata no. 1 in C major, op. 28: IV. Agitato vivace | Lamberto Curtoni, Giovanni Doria Miglietta | — | |
| 46 | Cello Sonata no. 2 in D major, op. 29: I. Lento – Allegro spiritoso | Lamberto Curtoni, Giovanni Doria Miglietta | — | |
| 47 | Cello Sonata no. 2 in D major, op. 29: II. Adagio lento | Lamberto Curtoni, Giovanni Doria Miglietta | — | |
| 48 | Cello Sonata no. 2 in D major, op. 29: III. Allegretto moderato variazioni del 1 tempo | Lamberto Curtoni, Giovanni Doria Miglietta | — | |
| 49 | Cello Sonata no. 2 in D major, op. 29: IV. Presto ma non troppo | Lamberto Curtoni, Giovanni Doria Miglietta | — | |
| 50 | Sonata no. 3 in F major, op. 30: I. Allegro energico | Lamberto Curtoni, Giovanni Doria Miglietta | — | |
| 51 | Sonata no. 3 in F major, op. 30: II. Romanza | Lamberto Curtoni, Giovanni Doria Miglietta | — | |
| 52 | Sonata no. 3 in F major, op. 30: III. Finale – allegro ma non troppo | Lamberto Curtoni, Giovanni Doria Miglietta | — | |
| 53 | Sonata no. 4 in G major, op. 31 “Idillica”: I. Allegro assai moderato | Lamberto Curtoni, Giovanni Doria Miglietta | — | |
| 54 | Sonata no. 4 in G major, op. 31 “Idillica”: II. Intermezzo – Vivo ed agitato | Lamberto Curtoni, Giovanni Doria Miglietta | — | |
| 55 | Sonata no. 4 in G major, op. 31 “Idillica”: III. Allegro ma tranquillo | Lamberto Curtoni, Giovanni Doria Miglietta | — | |
| 56 | Sonata no. 5 in A minor, op. 32: I. Introduzione largo – allegro | Lamberto Curtoni, Giovanni Doria Miglietta | — | |
| 57 | Sonata no. 5 in A minor, op. 32: II. Intermezzo – Adagio | Lamberto Curtoni, Giovanni Doria Miglietta | — | |
| 58 | Sonata no. 5 in A minor, op. 32: III. Allegro vivo | Lamberto Curtoni, Giovanni Doria Miglietta | — | |
| 59 | Sonata no. 6 in E minor, op. 33: I. Allegro non troppo | Lamberto Curtoni, Giovanni Doria Miglietta | — | |
| 60 | Sonata no. 6 in E minor, op. 33: II. Andante religioso | Lamberto Curtoni, Giovanni Doria Miglietta | — | |
| 61 | Sonata no. 6 in E minor, op. 33: III. Canone | Lamberto Curtoni, Giovanni Doria Miglietta | — | |
| 62 | Sonata no. 6 in E minor, op. 33: IV. Vivo | Lamberto Curtoni, Giovanni Doria Miglietta | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 5028421972787?
5028421972787 is a Universal Product Code (UPC) assigned to Italian Cello Sonatas by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 62 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm